Bob Ross's

The Joy of Painting

S09E06 - Secluded Beach

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Hey, how are you doing today?

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I'm certainly glad to see you.

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I thought today would do something

that's a little bit different.

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So let me tell you what I've

already done up here on the canvas.

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This is a black canvas.

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Now it's just covered with

black Jesso and allowed to dry.

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Then I've taken and covered the top

half of this black canvas with liquid

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white and down here, we have layers all.

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I've put some pressure on blue

with some yellow ochre in it.

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Some thalo blue and right down in here.

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A little bit of Brown.

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I thought we'd do a little seascape today.

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So just blues and little

Brown here on the corner.

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Maybe have a little

land showing right here.

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So let's have them graphically put

all the colors on the screen that

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you need to paint along with me.

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And they'll come across in the

same order that I have MoMA palette

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while they're doing that, let's

go on up here and get started.

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And I thought today we'd start off.

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With a small amount of they low blue,

just a little bit, little tiny bit into

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the Taylor bloom can reach right down

here and grab a touch, a bright red.

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And just add it to maybe, maybe

there we go a little bit more.

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So they little blue and bright red.

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Okay.

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Let's go right up here.

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Maybe we'll have a big cloud in this guy.

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So just use a little crisscross strokes,

just lay in something about like, so.

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See, I didn't over mix the color.

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So you have all kinds of little

things happening in there.

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Now I'm going to have a big cloud.

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Maybe he lives right in there.

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So we'll just leave that

space open for the time.

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Be sort of decide where

you cloud's going to live.

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You don't have to worry about him.

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Just leave that space open.

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Oh yeah.

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Then we can just sort of blend that

out and smooth it a little bit.

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That quick you have a

very effective little sky.

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Okay.

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I know it didn't seem old.

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Dirty brush.

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I'm going to go into midnight,

black and back into the bright red.

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So I have midnight black, bright

red, just mix it right on the

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brush chemists right in here.

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Now let's put some shadows in this.

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Big cloud up here.

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Here we go.

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Just use a corner of the brush

and just drop in some happy little

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shadows comes right down into there.

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Let it come right down to the dark.

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You don't care if it hits that dark

and picks up a little, that color.

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Just the corner of the brush.

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Little, little circles, little circles.

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There we go.

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Okay.

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While she was brush.

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Oh, we wash our brushes

with odorless thinner.

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There's a screen in the bottom of the

cam that I scrubbed the brush against.

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Shake off the excess.

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Then you redecorate your

room in just a heartbeat.

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Now then let's go into titanium white,

pull the breast through the paint

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and get a lot of pain on the burst.

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Okay, let's go right up here.

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Now this big fluffy cloud just lives

right here, floats around the sky.

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As a good time right

here, big son of a guy.

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He's a healthy cloud, big, healthy cloud.

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Let him get smaller and smaller

and smaller back through there.

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Okay, there we go.

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Don't kill all your dark leaves.

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Some of that dark in there.

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All right, now that I have

several brushes going, so I don't

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have to wash them all the time.

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So I'll take a clean brush.

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And I'm going to just let's

blend that a little bit, just a

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little, just sort of stirred up.

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Don't overdue just enough to

sort of bring it together.

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Then very lightly fluff it.

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Like it.

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There.

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The kid there and then just

gently, gently blended.

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And that brings it all together.

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Bad, easy.

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Okay.

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Sometimes when you're doing seascapes,

you find it a little bit easier.

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If you just take a brush and

sorta sketch in a little tiny bit.

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So you have an idea of where

things are going to be.

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And I think when you first

start seascapes, you'll find

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this really truly helps you.

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So.

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The only thing I'm really worried about

here is having a big, I want a big

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wave and this, when it comes over push

crashes, maybe it goes way over like that.

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So that'll be our guide.

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Well, you can tell what I paint.

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I never mastered drawing.

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There we go.

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And that's really about all we need.

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Okay.

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And we can take a fan brush.

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We'll just titanium white and load that

brush full of paint, a lot of pain.

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Can you just go right up

here, start back here.

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And I'm just going to

barely just let it graze.

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The canvas I see already is

picking up all those little colors.

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Just barely touch.

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Barely graze.

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Okay, maybe right along in

here, watch here, watch here.

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Oh, look at all that just.

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Now, what you're interested in is

the dark here, not the light that

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very lightly will just pull it

back, pull it back, pull it back

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that easy.

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Okay.

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I'm going to add some more white to the

brush and go right in here and do that.

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Just like, so follow the contour, that

big wave that you're going to have

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to . And then once again, see there

now, all that will begin making sense.

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This is one of the nicest, easiest,

little ways that I've ever seen

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though, to create seascapes

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big churning splashing waves.

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Then maybe back here in the

distance somewhere, there's some,

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some big Headlands, big rocks.

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We'll take some Crimson and

some fellow blue and I'll reach

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over here and grab some white.

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We're looking for a lavender

color about like that right there.

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Very good.

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Okay.

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Let's go right up here.

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Now that you have, I have

to make a big decision.

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Where's this Headland live, he lives.

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Right there.

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Oh, he certainly does.

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Now that's a big sign of a gun.

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He's right over here

in front of the cloud.

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All we're doing here

is just applying color.

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Just all we're looking for is just

the nice, basic outside shape.

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We could care less.

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What's going on inside here

just to just the edges.

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Just take us off fan brush

and get the mean with it.

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Really scrunch it in there.

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Don't know if that's a word or not, but

it's certainly, you know what I'm saying?

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Okay.

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You can take this brush and begin pulling

that because this is where it'll move on.

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There.

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There we go.

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Let's see.

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And it gets lighter, lighter lighters.

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It works down.

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Okay.

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Okay.

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Now, just by changing brushstrokes

here, you can create the illusion of

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all kinds of little things happening.

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So we don't want a lot of detail.

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This is too far away, too far away.

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So just take the brush, create all

kinds of little things like, so, okay.

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Isn't that nice and easy.

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Do you like that?

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Let's tell you what we're going to use the

same colors only with less white in it.

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So we have lizard Crimson and

fellow blue lizard Crimson.

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They a little blue proportionately,

whereas hard to say proportionately,

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you need much more Crimson than blue.

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Okay.

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I want to have another

little Headland and he lives.

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Yep.

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Right there.

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Look at that.

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See how easy it is.

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You can just make layer after layer after

layer, and it really helps create the

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illusion of distance and you seascape.

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All right.

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Now, once again, with a two

inch brush, pull that down,

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watch here.

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Let me show you something.

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Same color.

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You can come right back in here.

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Because there's a little Misty area in

there and you can create another one

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that you can do all that, that easy.

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They have it just with some brush strokes,

let some middle things happen in here.

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People think you work for months to do

that and don't tell them any different.

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Don't tell him any different.

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There we go.

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This that we had, then we would

go back to her fan breast.

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It has the white on it.

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And we can come right in here

and begin creating all kinds

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of beautiful little things.

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Let all that happen.

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Fair.

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Okay.

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Now we want to, we want

a big crashing wave here.

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That's churning over.

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Watch, watch.

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See there.

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There it is.

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Okay.

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Look at that, that easy, that easy,

maybe a periods and don't make it

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just straight across water breaks

and it churns and it has fun.

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And there's some violence

going on in here.

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You're familiar with violence.

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That's what happens

when you get home late.

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Yeah.

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See that easy.

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It created the basic.

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Wave sheet just like that.

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Now I'm going to take a bristle Filbert.

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This is a number six, Russell Filbert,

and I'll go right back into this

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lavender color and let's start right

in here and we're going to have some

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nice churning, some splashing crashing

going off, and all we're doing here

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is just throwing in some shadows.

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Jonah's throwing it.

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Oh, there it goes.

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Look, push that brush really

worked that color in there.

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Okay.

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Let me wash that one thing that

everybody likes and seascapes

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is that big, transparent.

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I, the part right in here where the

light shines through, we'll make that

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I'm going to take some titanium white.

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And the least little touch

of CAD, yellow, least little

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touch almost looks white steel.

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Just fill the brush for a lot of paint.

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See a lot of pain in that brush.

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Okay, let's go up here.

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If your eye is going to be right

here, then just scrub this in.

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You can do this several times to get

the desired lightness and maybe a little

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bit right along with top like that.

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You can wipe off that brush, clean it.

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Good.

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Really?

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Get it dry and go right back into that.

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Very, very light, yellow color.

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And add it in there again.

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You can do this over and over once

again, till you get the lightness

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that you wanted your painting.

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Okay.

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Now then we'll take her.

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Clean dry two inch brush, and I

want to come right into this eye

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soften very lightly, very lightly.

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So you can bring all that together.

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Now we can begin creating the shape.

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Cool.

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That.

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This is where you begin forming your way.

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Okay.

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Maybe right along in here, we'll add

a little bit more light and begin

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letting it just sort of drift downward.

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It'll fit right in there.

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Watch now we'll take this brush, grab it.

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See these black canvases are fantastic

for seascapes personally, I had rather do

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the seascapes on black canvas and I have.

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Do it one white because you're black.

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You're dark area is already there.

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Okay.

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Now I'm going to take my liner

brush and go right into this.

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Okay.

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Color.

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This was the titanium white with the

least little touch of CAD yellow.

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Okay.

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Let's go back up here.

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And maybe there's a little light

playing through here and all we're going

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to do is just touch, just touch and

make little, little things happening.

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Little.

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Glimmers.

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This is what makes it pretty.

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Just let that bounce ride along

the top, ran along these waves.

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Look at their, see, let it

go back right along in here.

261

00:13:30,540 --> 00:13:31,200

There it is.

262

00:13:32,610 --> 00:13:33,660

Look back a little bit.

263

00:13:36,270 --> 00:13:39,360

This is just that light

color with paint thinner.

264

00:13:42,839 --> 00:13:44,640

Oh, kinds of things happening.

265

00:13:48,390 --> 00:13:51,479

I have a few little things that

sort of climb up these little

266

00:13:51,810 --> 00:13:56,189

swells in the back, see there,

267

00:13:59,370 --> 00:14:07,199

and we'll take a little, they look

blue and some white and paint thinner.

268

00:14:08,385 --> 00:14:13,395

Just a very light blue color, and

we'll go into some of the other areas

269

00:14:13,395 --> 00:14:17,925

here and just do the same thing.

270

00:14:18,015 --> 00:14:22,425

But some of these little things, little

things in here, you can begin creating

271

00:14:22,425 --> 00:14:24,765

all kinds of happy, little, little things.

272

00:14:27,225 --> 00:14:27,795

All right.

273

00:14:27,795 --> 00:14:29,025

Here's some up in here.

274

00:14:32,335 --> 00:14:36,005

See, and just sorta let them drift

off to nothing in the background.

275

00:14:39,615 --> 00:14:44,944

Hm, these are a lot of fun to

do, and I think you'll find

276

00:14:44,944 --> 00:14:48,545

them quite simple, quite simple.

277

00:14:48,605 --> 00:14:49,714

They work very well.

278

00:14:52,025 --> 00:14:52,655

All righty.

279

00:14:53,765 --> 00:14:54,214

Okay.

280

00:14:54,214 --> 00:14:59,735

Let's take, let's take and I'm

going to go right up in here.

281

00:14:59,885 --> 00:15:02,314

We'll just use this little Filbert brush.

282

00:15:03,270 --> 00:15:07,829

And we'll begin working on some, some

little foam things that are climbing

283

00:15:07,829 --> 00:15:12,930

right at the edge here, Sam, there we go.

284

00:15:14,670 --> 00:15:15,150

Okay.

285

00:15:16,340 --> 00:15:21,660

This is where you can create all kinds of

nice little foam patterns, just like so,

286

00:15:24,750 --> 00:15:25,740

all right.

287

00:15:28,949 --> 00:15:29,579

Okay.

288

00:15:31,290 --> 00:15:31,829

Now then.

289

00:15:34,829 --> 00:15:38,550

Clean out this brush, wipe it.

290

00:15:38,550 --> 00:15:38,819

Good.

291

00:15:38,880 --> 00:15:40,979

I'm just wiping these

brushes on a paper towel.

292

00:15:42,270 --> 00:15:43,319

So it's very simple.

293

00:15:46,430 --> 00:15:53,180

Yeah, let's go into this, this white

titanium white with at least little touch

294

00:15:53,420 --> 00:15:55,550

of the CAD, yellow least little touch.

295

00:15:55,550 --> 00:15:56,839

Can't say that enough times.

296

00:15:57,890 --> 00:16:00,380

All right, let's go back

up here and let's begin.

297

00:16:01,530 --> 00:16:06,270

Putting in some, some sparkle on

this foam brush brushes, sorta

298

00:16:06,270 --> 00:16:09,960

tilted to the side and pushed upward,

so that bright area hits up here.

299

00:16:13,740 --> 00:16:15,890

And when you begin running out

of paint, turn the brush over.

300

00:16:15,910 --> 00:16:18,750

There's a whole nother side

and here it's crashing up.

301

00:16:19,530 --> 00:16:20,940

Oh, I ran out of paint time.

302

00:16:21,270 --> 00:16:22,890

I got excited and ran out of paint.

303

00:16:23,850 --> 00:16:24,600

There we go.

304

00:16:24,690 --> 00:16:25,200

Look at that.

305

00:16:26,310 --> 00:16:30,689

It's flashing all up here against

these rocks and, you know, wipe

306

00:16:30,689 --> 00:16:36,090

your brush off clean, try to keep

that covers some periods you can

307

00:16:39,630 --> 00:16:40,350

okay.

308

00:16:40,390 --> 00:16:41,250

Right up in here.

309

00:16:41,310 --> 00:16:41,730

Push it.

310

00:16:43,949 --> 00:16:45,090

Make little sounds.

311

00:16:45,240 --> 00:16:47,569

Think about, think about

being at the ocean.

312

00:16:48,840 --> 00:16:52,320

I got that, uh, churning splashing.

313

00:16:52,410 --> 00:16:53,790

It's a lot of power in here.

314

00:16:54,900 --> 00:16:56,520

Tremendous amount of power.

315

00:16:57,600 --> 00:16:58,080

Okay.

316

00:16:58,170 --> 00:17:01,800

Let me, you wipe off the excess paint.

317

00:17:02,140 --> 00:17:06,210

Now, come back in here with a brush

it's quite dry and has no paint.

318

00:17:06,870 --> 00:17:10,349

It's clean Bryce and just begin

blending these areas together, using

319

00:17:10,349 --> 00:17:15,770

little circular strokes, circular

strokes, tiny little circles.

320

00:17:15,780 --> 00:17:16,500

So here you go.

321

00:17:17,699 --> 00:17:22,560

Say there now, now that

we clean her brush,

322

00:17:30,659 --> 00:17:33,810

you know, I must've cleaned a hundred

thousand brushes and it's still fun

323

00:17:34,199 --> 00:17:38,220

now, the clean, dry brush, I'm going

to go right in here and very gently.

324

00:17:38,730 --> 00:17:39,899

We're just going to mix this up.

325

00:17:39,899 --> 00:17:41,070

Just stir it a little bit.

326

00:17:41,399 --> 00:17:44,459

See there, look at that

brings all that together.

327

00:17:46,170 --> 00:17:47,639

Yes right on around.

328

00:17:48,710 --> 00:17:50,090

Don't let this get too bright.

329

00:17:50,780 --> 00:17:54,050

The only part you want to be really

bright what's out in the sun.

330

00:17:55,520 --> 00:17:55,970

Okay.

331

00:17:56,210 --> 00:17:58,310

And we need something for

that to be crashing against.

332

00:17:58,430 --> 00:18:03,440

Tell you what, let's go right into some

Vandyke Brown here, pull it out very flat.

333

00:18:04,310 --> 00:18:06,440

Like so kind of cross it.

334

00:18:06,440 --> 00:18:06,560

See?

335

00:18:06,560 --> 00:18:06,620

Yeah.

336

00:18:06,650 --> 00:18:10,550

I haven't rolled a paint ride out on the

edge of the knife and just go up here.

337

00:18:10,970 --> 00:18:11,060

Now.

338

00:18:11,060 --> 00:18:12,530

This is crashing right in here.

339

00:18:13,095 --> 00:18:15,975

So we need a big stone

that lives there it is.

340

00:18:18,165 --> 00:18:20,925

Look at that big old

stone he's living here.

341

00:18:22,335 --> 00:18:24,375

Waves are just about to beat him to death.

342

00:18:26,055 --> 00:18:26,895

There we go.

343

00:18:30,150 --> 00:18:30,900

This is nice.

344

00:18:32,460 --> 00:18:33,270

This is nice.

345

00:18:33,480 --> 00:18:39,270

This is a good place to do some

surf fishing, catch it, big old

346

00:18:39,270 --> 00:18:40,740

fish lives out there in the ocean.

347

00:18:42,150 --> 00:18:43,260

My mother would like it.

348

00:18:43,560 --> 00:18:48,660

She's quite a Fisher when she came to

Alaska and spent some time with me and

349

00:18:49,380 --> 00:18:50,970

took her out and she caught a big salmon.

350

00:18:52,050 --> 00:18:54,990

Okay, this is a little dark

Sienna and Vandyke Brown.

351

00:18:54,990 --> 00:18:56,790

I want this to be quite dark still.

352

00:18:57,690 --> 00:18:59,610

And with this, we sort of form our rocks.

353

00:19:00,139 --> 00:19:00,409

Yes.

354

00:19:01,190 --> 00:19:04,850

See there, but it's still quite dark.

355

00:19:05,850 --> 00:19:06,179

Dark.

356

00:19:07,730 --> 00:19:07,879

Yeah.

357

00:19:07,879 --> 00:19:09,050

We'll take a fan brush.

358

00:19:09,440 --> 00:19:15,260

I'm going to go into a little liquid

white little titanium, white, and then.

359

00:19:17,385 --> 00:19:18,435

They look blue.

360

00:19:19,365 --> 00:19:23,595

I want this to be a little thinner than

the paint is already on the canvas.

361

00:19:23,595 --> 00:19:25,755

That's why I dipped it into

the liquid white first.

362

00:19:26,325 --> 00:19:26,505

363

00:19:26,505 --> 00:19:27,645

Now let's go right up here.

364

00:19:28,395 --> 00:19:32,835

Now with this color, you can just

quickly here put the indication of, of

365

00:19:32,835 --> 00:19:36,945

water just running right off this rock.

366

00:19:38,025 --> 00:19:43,215

And if your paint doesn't want to stick,

you can add a little paint, thinner,

367

00:19:43,335 --> 00:19:44,625

a little more of the liquid white.

368

00:19:45,960 --> 00:19:46,110

Okay.

369

00:19:48,710 --> 00:19:51,800

I mean, at home, when you have a lot

of time, you can set in and really put

370

00:19:51,800 --> 00:19:56,419

a lot of these in, I just want to show

you how right now you can just go crazy.

371

00:19:57,169 --> 00:19:58,639

All kinds of beautiful little things.

372

00:20:00,770 --> 00:20:01,159

Okay.

373

00:20:01,820 --> 00:20:02,899

Let's go right in here.

374

00:20:03,909 --> 00:20:10,010

Again, low hanging off trends, a little

doers coming right up to the rocks.

375

00:20:11,270 --> 00:20:13,070

Leave some of these dark

areas, showing them.

376

00:20:13,905 --> 00:20:16,034

Just make it look like

little foam things happening.

377

00:20:17,385 --> 00:20:19,455

Don't just cover it off.

378

00:20:20,655 --> 00:20:25,965

This is the little blues titanium white,

and it's picking up that dark color.

379

00:20:25,965 --> 00:20:26,774

That's already there.

380

00:20:30,810 --> 00:20:36,389

And so you leave some of these dark

areas and work about, worry about shape,

381

00:20:38,100 --> 00:20:39,600

create all kinds of little shapes.

382

00:20:39,600 --> 00:20:44,879

See it's going right up the side

there, these little holes in it,

383

00:20:48,929 --> 00:20:50,639

giving you the feeling of the ocean yet.

384

00:20:55,169 --> 00:20:55,470

See.

385

00:20:56,475 --> 00:20:58,545

See how that makes it

look like it's swirled.

386

00:20:59,655 --> 00:21:00,705

Don't keep beating it though.

387

00:21:00,764 --> 00:21:02,055

Hit it and get away from it.

388

00:21:03,315 --> 00:21:03,575

Hit it.

389

00:21:03,825 --> 00:21:04,514

Get away from it.

390

00:21:06,705 --> 00:21:07,185

There

391

00:21:10,305 --> 00:21:14,205

is a little thanks now that maybe

in here, we're going to have some

392

00:21:14,205 --> 00:21:16,125

sand and we want it to look wet.

393

00:21:17,385 --> 00:21:19,004

So take a little white.

394

00:21:20,705 --> 00:21:22,215

I'm going to assist with, of pool this.

395

00:21:22,395 --> 00:21:22,995

Now we put.

396

00:21:24,645 --> 00:21:29,745

Color on the canvas already here

now then directly under here,

397

00:21:30,615 --> 00:21:32,385

pull straight down a little color,

398

00:21:36,095 --> 00:21:36,995

just straight down.

399

00:21:37,055 --> 00:21:37,595

I can't.

400

00:21:38,855 --> 00:21:40,745

And then lightly come across.

401

00:21:43,655 --> 00:21:46,595

I'm going to add at least little

touch, dark Sienna to that.

402

00:21:46,605 --> 00:21:52,175

Give it a little, little

more dirt feeling like that.

403

00:21:53,490 --> 00:21:58,730

See there, pull it down and go

across just like we're making

404

00:21:58,730 --> 00:22:01,790

reflections like that easy.

405

00:22:03,890 --> 00:22:04,370

Yeah.

406

00:22:05,030 --> 00:22:07,400

Paint thinner and go

right into my blue color.

407

00:22:08,060 --> 00:22:10,250

And maybe there's a

little ripple that lives.

408

00:22:10,700 --> 00:22:11,720

Yeah, right there.

409

00:22:12,830 --> 00:22:14,780

See you pull back some little lines.

410

00:22:14,810 --> 00:22:16,070

They should be basically straight.

411

00:22:18,380 --> 00:22:19,010

There we go.

412

00:22:19,290 --> 00:22:19,940

That'll give it.

413

00:22:20,955 --> 00:22:26,445

Just make it look like water there, go

into a little bit of the lavender color

414

00:22:26,895 --> 00:22:30,645

and right underneath this here, just

make a little line, a little dark line

415

00:22:31,544 --> 00:22:36,104

and that'll help, help make it look

like it's sorta standing up a little.

416

00:22:37,245 --> 00:22:39,044

That little line is very important.

417

00:22:41,044 --> 00:22:41,705

There we go.

418

00:22:48,185 --> 00:22:49,485

Still have that lavender color.

419

00:22:49,485 --> 00:22:50,235

My liner brush.

420

00:22:50,564 --> 00:22:54,344

I just put some little things in here

and now you can just put all kinds of

421

00:22:54,344 --> 00:23:00,465

little, little things that are happening,

like, so wherever you want them,

422

00:23:05,165 --> 00:23:08,495

tell you what it, a nice area over here.

423

00:23:08,495 --> 00:23:09,725

Let's put another happy stone.

424

00:23:10,655 --> 00:23:12,034

Use the Vandyke Brown again.

425

00:23:12,455 --> 00:23:15,635

It's probably that very flat, that

little roll of paint and maybe the stone.

426

00:23:16,410 --> 00:23:16,710

Yep.

427

00:23:16,770 --> 00:23:17,730

He lives right there.

428

00:23:19,230 --> 00:23:19,860

You knew that.

429

00:23:19,890 --> 00:23:26,100

Did he and your seascape decide where

you want stones to live, put them where

430

00:23:26,190 --> 00:23:29,310

ever you want them wherever you want.

431

00:23:29,380 --> 00:23:32,580

This is Vandyke Brown, a

little bit of the dark CNN.

432

00:23:32,640 --> 00:23:34,470

Maybe it comes right on off the canvas.

433

00:23:34,470 --> 00:23:38,220

There, there we go.

434

00:23:40,335 --> 00:23:41,805

Janice, let these things happen.

435

00:23:43,095 --> 00:23:48,375

We'll take a little yellow ochre,

a little dark Sienna, a little

436

00:23:48,375 --> 00:23:52,845

Vandyke Brown, make some very loose,

cut off a little roll of paint.

437

00:23:53,865 --> 00:23:54,165

Okay.

438

00:23:54,765 --> 00:23:59,505

Now then by loose, I mean, don't,

overmix them see, see that way you

439

00:23:59,505 --> 00:24:00,975

get all these beautiful things.

440

00:24:00,975 --> 00:24:02,175

They just, they happen.

441

00:24:03,075 --> 00:24:04,515

They happen automatically.

442

00:24:04,515 --> 00:24:05,655

You don't have to worry about them.

443

00:24:06,900 --> 00:24:10,710

Shoot spend your time that you're going

to think, thinking about compensation.

444

00:24:11,820 --> 00:24:16,770

It's nice when you don't have to think

about how to load that knife and you

445

00:24:16,770 --> 00:24:20,850

can spend all your thinking time,

just thinking about your composition.

446

00:24:22,680 --> 00:24:26,340

That's when you really, you really

experienced the joy of painting

447

00:24:27,930 --> 00:24:30,150

out in a little bit of water,

right around the splits here.

448

00:24:32,400 --> 00:24:33,270

Nah, man.

449

00:24:35,830 --> 00:24:37,260

I'm going to take a little more of that.

450

00:24:37,409 --> 00:24:42,510

They load blue and white and

let's have a little bit of water.

451

00:24:42,510 --> 00:24:44,189

Maybe just dripping right off this rock.

452

00:24:45,260 --> 00:24:50,300

Here comes some look at that and you

can, you can really work on the shape

453

00:24:50,300 --> 00:24:53,419

of your rocks doing this, make all

kinds of beautiful little things.

454

00:24:54,229 --> 00:24:56,209

It just goes on and on and on

455

00:24:59,629 --> 00:24:59,990

there.

456

00:25:01,250 --> 00:25:02,270

Now that paint thinner.

457

00:25:03,840 --> 00:25:09,389

I want to go back in here and I want to

begin adding just some little details.

458

00:25:12,260 --> 00:25:12,770

Look at that.

459

00:25:13,399 --> 00:25:19,280

So all these things really, really help

you painting all these little details.

460

00:25:19,280 --> 00:25:22,820

Spend some time, you know, they

yell and scream at me here.

461

00:25:22,820 --> 00:25:30,050

If I go over 30 minutes, but at home

you can do anything and anything.

462

00:25:30,530 --> 00:25:31,490

Well, almost anything.

463

00:25:37,190 --> 00:25:42,830

And down in here, you can

put all kinds of little Hmm.

464

00:25:46,610 --> 00:25:51,740

And these little details are what really

make you seascape pretty little and

465

00:25:51,740 --> 00:25:55,700

follow me patterns all over those things.

466

00:25:59,205 --> 00:26:01,395

You could put a little

Sandpiper too in here.

467

00:26:05,795 --> 00:26:07,175

I get that there.

468

00:26:09,605 --> 00:26:12,185

I think I will show you how to

do a pretty nice little seascape.

469

00:26:13,085 --> 00:26:13,505

Thank you.

470

00:26:13,505 --> 00:26:14,405

I like doing that one.

471

00:26:15,065 --> 00:26:20,375

The sign, this one I'm dip right into

my liquid clear you use the liner brush.

472

00:26:21,965 --> 00:26:23,045

It was signing right here.

473

00:26:23,595 --> 00:26:26,115

Sincerely hope you've

enjoyed this seascape.

474

00:26:26,715 --> 00:26:30,465

If you can do this one, you can

do a million, spend some time

475

00:26:31,065 --> 00:26:34,965

devote a little time to practice

and you too can experience the

476

00:26:34,965 --> 00:26:36,675

joy painting from all of us here.

477

00:26:36,915 --> 00:26:37,545

Happy painting.

478

00:26:37,875 --> 00:26:38,445

Got blessed.

End .srt file.

Bob Ross' The Joy of Painting

Tuesday, December 29, 2020

S09E06 - Secluded Beach

Bob Ross's

The Joy of Painting

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