Bob Ross's

The Joy of Painting

S13E11 - Cabin Hideaway

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All right.

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Hi, welcome back.

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I am certainly glad you

could join me today.

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Today.

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Let's do a happy little winter scene.

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That's something.

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I think you'll like this.

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I tell you what, let's start out and have

him run all the colors across the screen

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that you need to paint along with me.

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And while they're doing that.

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Let me tell you what I've already done.

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I've got the old 18 by 24 pre stretched

canvas up here is covered with

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liquid white and it's ready to go.

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So I tell you let's get started today.

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Thought today, I'd start with the

old two inch brush and we'll go into

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a small amount of the fellow blue.

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Just a little bit, just a little

bit and I'll be right back.

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I'll reach over here and get a

little touch of alizarin, Crimson.

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Very small amount.

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Ken's cup here.

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Let's just do a quick,

happy little sky today.

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Just use little crisscross

strokes, just like so, and just,

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just dance in a happy little sky.

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There we go.

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That's the little blue and the least

little touch I've lizard and Crimson.

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Just the smallest, smallest amount

of cramps and don't want much.

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And we'll come over here,

put in something right there.

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There we go.

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Does I say, I thought today

we'll do a little winter scene.

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They're always very nice.

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There

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came down here.

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We're going to have a winter

scene down in the bottom of this.

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People would have a little bit of snow.

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So I'll just use those same colors and

let's just lay in a little blue with

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a small amount of Crimson and this'll

end up being the shadows in our snow.

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Same way.

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If we were going to have water

down here, we might have water.

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What the heck?

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We may change our mind and

want some water in here.

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Either way, whether it ends

up being water or it's shadows

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in the snow, it'll be here.

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I'm gonna clean the old brush off.

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And we clean our brushes with

odorless dinner, shake off the excess

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and just beat the devil out of it.

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There we go.

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I drive the people in the studio here.

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Crazy.

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Now I just want to take and

blend this a little bit.

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Explain this a little.

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Can we just bring all that together

now by not covering the entire sky?

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You've got some areas that look like

little clouds and you really haven't

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done a thing there that's to allow the

canvas to work for you and the painting.

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You don't have to work yourself to death

to, to do a beautiful little painting.

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Okay.

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Today let's have some little mountains

in here, but let's make them today

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with we'll use alizarin, Crimson

and fellow blue proportionately.

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Now we're going to have

much more Crimson than blue.

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Because the blue is many times

stronger than the Crimson.

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I put a little white out here just

so I could tell what color I had.

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Maybe I'll have a little more

Crimson and you just, you just get

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this to us, the right flavor there.

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That's probably pretty good.

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And I had him today.

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Let's just make some little, some little

mountains back here with a fan brush.

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This is a very easy way of making

just a happy little mountain there.

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Just load both sides full of paint.

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I guess, compare now then

decide where you are.

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Your first little mountain will

be, and just using the point

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or the corner of the fan brush.

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Just sorta lay in a basic shape.

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There's very little paint, very

little pressure on the brush here.

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Just enough to get the color to come off.

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Don't need much paint and just lay in

your basic shape came maybe, maybe.

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Oh yeah, there we go.

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Just let your imagination go and

just drop in little, just little

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things wherever you want them there.

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Okay.

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I'm going to take the two inch

brush and grab that and pull it.

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The liquid whites on the canvas.

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This paint will move.

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It'll slide on the canvas and I want it to

get lighter and lighter toward the base.

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Grab it and pull in the brush strokes.

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We'll make the illusion of highlights and

shadows here without ever doing anything.

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Just the brush strokes, all you need.

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Okay.

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All right, here, we'll grab

this one and pull him there.

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Now, the more you blend these.

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Naturally the lighter they're going

to get the value so you can keep

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lending bees to be just about go away.

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So you have to make big

decisions here, house.

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How strong do you want these to be here?

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Or do you want them just to

blend right into nothing?

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You can do anything that you will bear.

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Okay.

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Now maybe in her world.

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Tell you what?

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Get a little more paint on the brush

here and just load this the same way.

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Just back and forth with a fan brush.

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See, that's all it takes.

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Maybe, maybe, maybe, maybe

there's a big mountain that lives.

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I had a pair in the foreground and it

maybe goes right in front of these and.

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Just wherever you want it to go, but

this color I'm applying more pressure.

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I want it to be darker.

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As things get closer to you in a

landscape that should get darker.

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Say maybe it comes right on

my parents' pushes those.

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We on back more paint, more color

on this particular mountain.

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Maybe maybe.

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Yeah, you're right.

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There's another little bump there,

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but immediately this pushes

owes we back into the distance.

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Now once again, with a large

brush, grab this and pull it.

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There.

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So all there is to, it is one of the

simplest ways of making a mountain.

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If you've never attempted a

mountain before guarantee,

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this one will work for you.

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There we go

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there.

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So I was like, when I was a kid of being

raised in Florida, they used to be a

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car salesman on the radio every morning,

that was before the days of television.

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And I can remember, they used to say,

this car has a Georgia guarantee on

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it and people would call in and they

say, what's a Georgia guarantee.

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And they say, well, it falls

into both halves of yours.

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Okay.

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So that's the kind of

guarantee we got here.

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Only this one will work and maybe you

want to go a little farther than that.

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I get crazy sometime here.

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I just take a tiny little amount of white.

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I just want to show you what can be done

if you want to, you can take a little

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bit of white paint on the knife and just

graze the canvas just here and there.

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All you're doing is just

touching and just let it zip.

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Just graze it.

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Sort of do that in a fast stroke.

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It works better.

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If you have time to think about it, you'll

hesitate and it doesn't work as well.

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Just do it there.

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And it put the indication here and

there of a little bit of highlight,

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but I don't want that to be too bright.

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Someone come back and just

blend it up a little bit.

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And.

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Just blended almost away.

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Cause I don't want these

mountains to be too distinct.

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These are easy little mountains.

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They're just fine.

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And that's just enough to give it

a touch of highlight and give you

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the indication that maybe there's

a little bit of snow in there.

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Okay.

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Okay.

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Let's watch the old brush here.

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Shake off the exits and just

beat the devil out of it.

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All right today, pay you ahead.

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Let's put some trees back here,

clean off a spot on my palette.

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Even as big as this pallet is every

once in a while I run out of room.

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Cause that makes such a mess on here.

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Let's take, we'll use some dark.

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See Hannah into that.

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I'll add a little touch of yellow

ochre, but mainly dark Sienna.

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Now, one of the questions I get quite

frequently, speaking of palette.

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People say, Hey, my palette

looks different than yours.

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Yours is not clear.

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It was clear, but I take sandpaper and

scuff it all up for television to use.

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Otherwise it shines so bright that it

would put great big flares on the screen.

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So it's just like your palette.

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It's absolutely crystal clear, clear.

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It's just that I just S cuff it all up.

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Just like the brush

furrows here are taped.

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I put tape on those, so they don't shine.

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Okay.

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Just go right up here and begin tapping

in just the indication of some happy

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little tree start at the base of the tree.

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So it's the darkest and work upward.

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Just tapping to begin working

on some shape in some form.

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Just tap there.

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Okay.

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The spring goes all the way across,

but the heck wherever you want that

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easy, you can make the indication

of a lot of distant little trees.

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This round brushes.

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Fantastic.

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Some more back up in there, lighter,

lighter, lighter toward the top.

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Down in the bottom here.

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We want them to be dark with shadows,

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wherever you think they should live.

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Okay,

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then just let them fade up or just

sort of disappear into the sky.

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Very soft, very gentle, quiet

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man.

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Then we find my liner brush.

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I'll add a little paint thinner

and I'll just use that same color.

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That's all right.

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Same old color paint.

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Thinner on the liner brush.

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You want to paint to be thin like ink.

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Now, then we can just take the

lighter brushing just here and there.

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Put the indication of a few little

tree trunks that are showing through

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and wherever you want them, don't

worry about getting too many in there.

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It's just here and there forever there.

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And it just adds a lot of detail

to you, to your little trees

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that are back in the distance.

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And most of it, we're probably put a bunch

of stuff in here that will cover most of

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it up, but somebody will show through and

it, people look at your paintings and they

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know that you cared enough to take the

time, to add some of these little details.

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Yeah, maybe, maybe, maybe

there's some snow there.

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We will take our big brush just to use

titanium white, red on the big brush.

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And we'll make a big decision here.

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Maybe our snow line

lives her at about here.

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Just grab and give it a pole.

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Stay there.

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Just make a decision and drop it in.

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So all there is to it

wherever you want it to be.

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Just like, so

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it's big brush.

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You can paint a lot of snow,

very rapid I, and take a second.

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And this is where you begin worrying

about the lay of the land or the

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way, the way the ground flows

that's becomes a very important at

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this, at this stage of the game.

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Now, then.

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I want to make some evergreen trees.

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These will have some big

hair for green trees here.

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So I'm going to take some pressure

and blue with a strong black

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we'll use some Vandyke Brown,

throw some Crimson in there.

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The one thing that I don't want

to use in these trees is green.

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Uh, normally if I was doing a summer

scene, I'd add some SAP green in

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here, but if we put green into this

color and it ever gets into your

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snow, Hmm, the only thing worse

than yellow snow is green snow.

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So I don't, I don't put any

green and winter trees like this

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because it's a son of a gun.

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If it gets into the snow, there we go.

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Load the fan brush full we'll.

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Use a fan brush day to

make some nice evergreens.

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Maybe in our world.

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There'll be one who lives right

there and start off with just a line.

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Now, then your corner of the brush

and work back and forth there.

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As we work down the tree, I'm

going to start to turn the

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brush over this way today.

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So the tree will get

wider, wider trees there.

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I bring him right down into the

snow there and we'll go back up

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here and I'll reload the brush same

way just to fill it full of paint.

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Okay.

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Now then maybe there's another happy tree.

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Liz.

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I had a back there and I started

looking at your painting.

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It may be different.

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You may not want a tree there.

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You decide in your world where paintings,

where trees live in your paintings.

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There we go.

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Wherever you want them.

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That's the right place for him to be came.

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Let's give him a friend.

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Maybe he's got a friend.

250

00:14:25,425 --> 00:14:25,694

Yep.

251

00:14:25,785 --> 00:14:26,235

You're right.

252

00:14:27,015 --> 00:14:27,585

Right there.

253

00:14:28,485 --> 00:14:32,205

You know, me, I think everything should

have a friend, even if it's just a tree

254

00:14:37,064 --> 00:14:37,905

through painting.

255

00:14:38,295 --> 00:14:40,455

I have met so many fantastic friends.

256

00:14:41,055 --> 00:14:43,425

It took me to be the best

part of this whole thing.

257

00:14:45,255 --> 00:14:49,245

It's a super way to express yourself

and it brings people together.

258

00:14:50,895 --> 00:14:51,525

There we go.

259

00:14:54,074 --> 00:14:55,485

Maybe there's another little tree.

260

00:14:56,865 --> 00:14:57,195

Yep.

261

00:14:57,345 --> 00:14:57,765

You're right.

262

00:14:57,765 --> 00:14:59,255

Again, right there.

263

00:15:00,195 --> 00:15:07,085

Various, various, no matter if your

tree has a Liam that maybe this one,

264

00:15:07,385 --> 00:15:11,015

it didn't, it's not exact same distance

out as the other one, because trees

265

00:15:11,045 --> 00:15:12,305

grow in way that make them happy.

266

00:15:13,055 --> 00:15:16,985

In fact, if your tree gets to where it

looks too symmetrical and sort of boring

267

00:15:17,675 --> 00:15:19,595

trees have personalities, shooter, like.

268

00:15:19,714 --> 00:15:23,255

People there's some big ones

and some small ones and each,

269

00:15:23,435 --> 00:15:24,694

each one's an individual.

270

00:15:24,785 --> 00:15:25,625

Let them be that way.

271

00:15:26,074 --> 00:15:26,765

Don't fight it.

272

00:15:27,545 --> 00:15:30,785

Now, then I'll take the large brush

and go up underneath this tree.

273

00:15:31,204 --> 00:15:34,055

And intentionally here, bring the

camera right up here on this liquor.

274

00:15:34,055 --> 00:15:34,834

I'm intentionally.

275

00:15:35,165 --> 00:15:36,665

I want to pick up some of this blue.

276

00:15:37,175 --> 00:15:37,265

Okay.

277

00:15:37,620 --> 00:15:42,329

And let it move and that's going

to create the illusion of a

278

00:15:42,329 --> 00:15:43,949

shadow underneath these trees.

279

00:15:44,939 --> 00:15:45,449

See you there.

280

00:15:46,110 --> 00:15:50,459

See crap that color and just

let it pour right on down.

281

00:15:52,260 --> 00:15:52,829

There you go.

282

00:15:53,969 --> 00:15:54,630

Fantastic.

283

00:15:56,910 --> 00:15:58,349

See, let's go over to this one here.

284

00:15:58,469 --> 00:15:59,099

Same thing.

285

00:15:59,475 --> 00:16:06,975

Grab it and pool, it creates that

little shadow underneath the tree.

286

00:16:09,585 --> 00:16:10,215

There we go.

287

00:16:13,095 --> 00:16:16,095

Now by creating these shadows, look at

the planes that are in this painting.

288

00:16:16,095 --> 00:16:17,535

See all these different levels.

289

00:16:17,985 --> 00:16:19,785

That's what creates

depth in your painting.

290

00:16:20,385 --> 00:16:23,865

And as you know, if you're out

here selling paintings, that's

291

00:16:23,865 --> 00:16:24,855

what sells your painting.

292

00:16:25,814 --> 00:16:26,625

Let's have another tree.

293

00:16:26,655 --> 00:16:27,495

There's so much fun.

294

00:16:28,574 --> 00:16:32,564

Do this in stages or in layers,

do the thing as fathers to way

295

00:16:32,564 --> 00:16:34,605

first and then come forward.

296

00:16:34,785 --> 00:16:36,585

Continually come forward in your painting.

297

00:16:37,275 --> 00:16:39,555

I say, I want to, I want this

tree to be in front of all that.

298

00:16:39,555 --> 00:16:44,055

And so you do that back here and then

you put a tree big tree right there.

299

00:16:45,074 --> 00:16:45,525

I can.

300

00:16:46,785 --> 00:16:52,005

And will make him exactly the

same way you can make these trees

301

00:16:52,005 --> 00:16:53,445

with a one or two inch brush.

302

00:16:53,475 --> 00:16:56,475

Also two inch brush.

303

00:16:56,505 --> 00:16:58,005

We'd make some super trees.

304

00:16:58,035 --> 00:16:59,145

I use it a great deal.

305

00:17:01,875 --> 00:17:03,165

Now this tree lives in front of that.

306

00:17:03,315 --> 00:17:05,325

So we're just right over the top.

307

00:17:05,415 --> 00:17:05,984

It's all right.

308

00:17:07,155 --> 00:17:08,025

It does not matter.

309

00:17:10,395 --> 00:17:12,675

And he lives down here.

310

00:17:14,099 --> 00:17:14,700

There he is.

311

00:17:16,109 --> 00:17:20,400

And then we'll grab her brush

with a white donut once again, and

312

00:17:20,400 --> 00:17:21,839

pull a shadow out from this tree.

313

00:17:22,520 --> 00:17:23,339

I want him left out.

314

00:17:25,200 --> 00:17:26,280

Didn't that fantastic?

315

00:17:26,280 --> 00:17:26,970

That, that easy.

316

00:17:28,560 --> 00:17:31,590

You have all those little evergreen

sitting right up there and snow

317

00:17:31,590 --> 00:17:34,020

underneath them really works.

318

00:17:34,050 --> 00:17:34,290

Nice.

319

00:17:34,290 --> 00:17:35,550

Let me grab another fan brush here.

320

00:17:36,180 --> 00:17:38,940

I'm gonna dip this fan, brush

it into a small amount of the

321

00:17:38,940 --> 00:17:41,280

liquid white into titanium white.

322

00:17:42,465 --> 00:17:47,175

And at least little touch of the

little blue liquid white is in

323

00:17:47,175 --> 00:17:48,855

there to make the paint thinner.

324

00:17:49,515 --> 00:17:49,845

Okay.

325

00:17:50,565 --> 00:17:53,625

Now with the thinner paint as

a, you know, but then paint

326

00:17:53,625 --> 00:17:54,705

will stick to a thick paint.

327

00:17:55,065 --> 00:17:59,355

We can go back in here and we can

come right down here and begin adding

328

00:17:59,355 --> 00:18:03,705

some highlights for a little bit

of snow on these trees, not looking

329

00:18:03,705 --> 00:18:06,495

for a great deal, cause I don't

want to lose this dark contrast.

330

00:18:06,735 --> 00:18:08,055

That's very important to me.

331

00:18:08,879 --> 00:18:13,590

I like this contrast in this particular

painting, I'm afraid if I lose it,

332

00:18:14,399 --> 00:18:15,780

then it'll just sort of blend together.

333

00:18:16,260 --> 00:18:20,399

The stale blue, white, and a

little bit of liquid white chest,

334

00:18:20,399 --> 00:18:21,600

and then the paint sort of stick.

335

00:18:23,149 --> 00:18:26,510

They're fantastic.

336

00:18:27,020 --> 00:18:27,770

Absolutely.

337

00:18:27,770 --> 00:18:28,399

Fantastic.

338

00:18:28,399 --> 00:18:29,240

I know you could do it.

339

00:18:31,370 --> 00:18:32,149

There we go.

340

00:18:33,720 --> 00:18:34,950

Anything that you want to do?

341

00:18:35,040 --> 00:18:36,960

All you have to do is

believe you can do it.

342

00:18:38,160 --> 00:18:42,780

If you believe you can do it and

you can do it, can do anything.

343

00:18:42,780 --> 00:18:46,730

If you believe strongly there.

344

00:18:48,895 --> 00:18:49,605

That's super.

345

00:18:50,715 --> 00:18:54,915

Every day, every day, I get letters

from people who tell me that's true.

346

00:18:55,155 --> 00:18:59,445

They never believed that they had paint

as long as they live in their painting.

347

00:18:59,504 --> 00:19:00,975

Beautiful, beautiful paintings.

348

00:19:01,785 --> 00:19:05,254

And it's surprising how many people

tell me that they're out selling their

349

00:19:05,254 --> 00:19:07,625

paintings and selling is not important.

350

00:19:08,070 --> 00:19:09,180

The money's not important.

351

00:19:09,180 --> 00:19:12,780

What's important is that somebody

cares enough about what you did to

352

00:19:12,780 --> 00:19:14,370

give you there harder and happy buck.

353

00:19:14,790 --> 00:19:17,280

And it does good things in here,

what it does in the wallet.

354

00:19:17,670 --> 00:19:18,450

It means nothing.

355

00:19:18,930 --> 00:19:21,660

What it does in here, though, you sell

one painting and you, you immediately

356

00:19:21,660 --> 00:19:25,080

run home and you'll paint 25 more

paintings and it forces you to practice.

357

00:19:25,650 --> 00:19:29,385

I talked too much, uh, Maybe

there's a little cabin here.

358

00:19:29,385 --> 00:19:30,195

Let's put a little cabin.

359

00:19:30,195 --> 00:19:30,825

I like those.

360

00:19:31,395 --> 00:19:34,155

Maybe one of the easiest ways

to paint a cabin is to take

361

00:19:35,235 --> 00:19:36,975

and scrape out a LASIK shape.

362

00:19:37,395 --> 00:19:42,495

Just use the knife and scrape out

a general shape, little, let blue

363

00:19:42,495 --> 00:19:46,905

get in there and you can see it

and you can scrape out the entire

364

00:19:46,905 --> 00:19:49,185

cabin without naming committed.

365

00:19:51,855 --> 00:19:52,875

Just any way you want to.

366

00:19:52,875 --> 00:19:54,915

Now, then let's take some Vandyke Brown.

367

00:19:55,815 --> 00:19:57,465

We'll do this back Eve back here.

368

00:19:58,815 --> 00:20:02,595

There just drop it right in

while I have that on there.

369

00:20:04,155 --> 00:20:05,565

We'll go ahead and put in the front.

370

00:20:07,335 --> 00:20:08,355

Why should we waste houses?

371

00:20:08,355 --> 00:20:10,905

Were this easy to build of a gun?

372

00:20:13,155 --> 00:20:16,605

My father was a carpenter contractor.

373

00:20:17,460 --> 00:20:18,450

Did carpenter work.

374

00:20:19,770 --> 00:20:23,550

I spent half my life learning

how to, how to work with wood.

375

00:20:27,270 --> 00:20:28,020

There we go.

376

00:20:28,500 --> 00:20:31,890

And I can tell you that houses,

aren't this easy to build for real.

377

00:20:32,310 --> 00:20:32,610

Okay.

378

00:20:32,970 --> 00:20:35,190

Now I want a nice straight edge back here.

379

00:20:35,190 --> 00:20:40,740

So just take a little bit white

and lay in your basic line there.

380

00:20:40,740 --> 00:20:43,590

And then when you come down,

you'll have a beautiful straight

381

00:20:43,590 --> 00:20:45,090

line without any problem.

382

00:20:46,425 --> 00:20:46,965

That's sneaky.

383

00:20:46,965 --> 00:20:47,175

Huh?

384

00:20:48,105 --> 00:20:48,915

There we go.

385

00:20:50,895 --> 00:20:51,195

Okay.

386

00:20:51,195 --> 00:20:54,975

Now I've decided this little house

would have some snow laying over there.

387

00:20:56,825 --> 00:20:57,585

Drop that in.

388

00:20:58,545 --> 00:20:59,145

Okay.

389

00:20:59,445 --> 00:21:01,035

We'll use that color.

390

00:21:01,035 --> 00:21:02,865

We made the tree out of

that was a nice color.

391

00:21:02,865 --> 00:21:04,485

I'm going to add some

more yellow ochre to it.

392

00:21:05,715 --> 00:21:08,625

So it's dark Santa and yellow ochre.

393

00:21:09,345 --> 00:21:10,754

Put a little kid yellow into it, too.

394

00:21:10,784 --> 00:21:11,355

What the heck?

395

00:21:13,095 --> 00:21:16,395

Don't overmix leave it sort of marbled

and cut off a little roll of paint.

396

00:21:17,024 --> 00:21:21,615

We'll go back up here and maybe just

touch and give a little sidewards.

397

00:21:21,645 --> 00:21:22,004

Pull.

398

00:21:23,735 --> 00:21:27,784

Just give it a little pull there,

399

00:21:33,754 --> 00:21:34,445

there, touch.

400

00:21:34,715 --> 00:21:36,335

Give a little pull, add a little titanium.

401

00:21:36,335 --> 00:21:36,574

White.

402

00:21:36,574 --> 00:21:37,445

I want to brighten that up.

403

00:21:37,445 --> 00:21:38,554

So it shows a little better.

404

00:21:39,705 --> 00:21:41,685

And your world, you make

it any way you want it.

405

00:21:43,065 --> 00:21:43,785

There we go.

406

00:21:44,835 --> 00:21:46,395

I want this to look like old boards.

407

00:21:46,905 --> 00:21:51,765

Now on the side over here, someone had

a lot of Vandyke Brown today, because

408

00:21:51,775 --> 00:21:54,255

over here it should be much darker.

409

00:21:54,375 --> 00:21:55,755

Not as much lights kind of strike.

410

00:21:56,955 --> 00:21:59,925

Now we can do a cabin ectomy decide

where you want this cabin to live.

411

00:22:00,915 --> 00:22:01,695

Just take your knife.

412

00:22:01,815 --> 00:22:02,385

Cut it off.

413

00:22:02,535 --> 00:22:06,615

This is the way you clean up your

cabin, work on your perspective.

414

00:22:06,645 --> 00:22:07,665

Get everything together.

415

00:22:09,545 --> 00:22:10,745

Grab the little knife.

416

00:22:11,765 --> 00:22:11,855

Okay.

417

00:22:12,125 --> 00:22:12,965

That'll touch your brand.

418

00:22:12,965 --> 00:22:14,075

We'll put a window right there.

419

00:22:14,525 --> 00:22:15,035

That easy.

420

00:22:16,295 --> 00:22:17,135

I hope you can see that.

421

00:22:17,135 --> 00:22:18,095

There's a little window there.

422

00:22:19,115 --> 00:22:21,125

I tell you what, maybe over

here, there's a little shed.

423

00:22:22,325 --> 00:22:25,145

We'll just scratch it out

a little area for the top.

424

00:22:26,375 --> 00:22:27,155

Come back in here.

425

00:22:28,370 --> 00:22:29,520

A little snow out there.

426

00:22:31,830 --> 00:22:38,330

I can't kind of right back

with some Brown and we can just

427

00:22:38,330 --> 00:22:39,920

lay in the front of the shed.

428

00:22:40,280 --> 00:22:44,120

There's a side, take a

little bit of our color.

429

00:22:45,080 --> 00:22:46,790

Lay in a few little happy boards here.

430

00:22:46,790 --> 00:22:51,650

This is just a tiny shed and we'll

cut it off here in just a second.

431

00:22:53,390 --> 00:22:54,290

See you there now.

432

00:22:54,350 --> 00:22:55,280

Decide where you want it.

433

00:22:56,295 --> 00:22:59,895

And do it, as I said earlier,

you just do a cabin ectomy.

434

00:23:00,315 --> 00:23:00,405

Okay.

435

00:23:06,275 --> 00:23:09,005

Let's put a door right there that easy.

436

00:23:09,995 --> 00:23:14,315

And have we have a little door, take

a little paint around the door, so

437

00:23:14,315 --> 00:23:16,895

it stands out we're in business.

438

00:23:17,825 --> 00:23:19,625

Now grab a fan brush.

439

00:23:21,945 --> 00:23:25,965

We can take the fan brush here,

add a little titanium white

440

00:23:25,965 --> 00:23:31,425

on it, and just begin putting

some snow around the base here.

441

00:23:31,455 --> 00:23:34,905

A little blue, little white there.

442

00:23:39,314 --> 00:23:44,324

We got us a happy little cabin,

10 easy, and maybe tell you what.

443

00:23:44,745 --> 00:23:46,004

Maybe there's a little bit of water here.

444

00:23:46,004 --> 00:23:49,965

Let's go right into a touch

of the thalo blue, just to

445

00:23:49,965 --> 00:23:52,305

touch grappling to let color.

446

00:23:52,305 --> 00:23:54,315

We made a tree out of

doing too much paint.

447

00:23:55,245 --> 00:23:59,175

If there's water here, all you do

is grab this and pull straight down.

448

00:24:01,395 --> 00:24:04,635

I can just pull straight down to

the side where the water is living.

449

00:24:05,100 --> 00:24:05,580

Pull down.

450

00:24:06,480 --> 00:24:11,610

Maybe it goes right on back here

before we don't know where it goes

451

00:24:12,360 --> 00:24:15,900

straight down and then go across,

452

00:24:19,050 --> 00:24:19,740

I guess.

453

00:24:19,750 --> 00:24:24,690

So like, so take a little touch of Brown.

454

00:24:24,690 --> 00:24:28,230

Maybe there's some nice stones

in here that left a couple of

455

00:24:28,230 --> 00:24:33,560

little stones and take some snow

and bring right up over the top.

456

00:24:38,450 --> 00:24:41,180

A little bit of liquid

light on that pallet now.

457

00:24:41,720 --> 00:24:46,010

And let's go back in here and

just cut in the indication or

458

00:24:46,010 --> 00:24:47,360

a happy little water lines.

459

00:24:49,070 --> 00:24:49,460

So,

460

00:24:53,540 --> 00:24:53,960

okay.

461

00:24:54,110 --> 00:24:56,050

Then it goes, this thing

goes right on the back.

462

00:24:56,070 --> 00:24:58,790

This little body of

water, let's get crazy.

463

00:24:59,340 --> 00:25:01,379

Shoot have some fun here.

464

00:25:01,379 --> 00:25:05,280

I'm going back into my dark Sienna and

yellow ochre mixture with a round brush.

465

00:25:06,899 --> 00:25:08,729

Let's have us a nice

treat list right here.

466

00:25:10,665 --> 00:25:12,645

Dark sea and a little Vandyke Brown here.

467

00:25:15,885 --> 00:25:17,205

He just lives right here.

468

00:25:17,205 --> 00:25:18,045

He goes right on that.

469

00:25:19,995 --> 00:25:24,375

They're put in a basic shape.

470

00:25:24,465 --> 00:25:25,665

That's all we're looking for right now.

471

00:25:25,665 --> 00:25:29,295

It's just a very basic shape there.

472

00:25:34,575 --> 00:25:34,965

Okay.

473

00:25:35,955 --> 00:25:42,705

Now, And we'll cut him off right

here, but a little snowbank there

474

00:25:43,814 --> 00:25:46,935

and we can turn that right into

a reflection into the water.

475

00:25:47,264 --> 00:25:51,524

Get a little bit of that white, pull

it straight down and the tree color.

476

00:25:54,255 --> 00:25:56,705

Okay, touch it.

477

00:25:56,705 --> 00:26:00,695

The yellow ochre least little

touch of bright red, and you can

478

00:26:00,695 --> 00:26:04,355

begin defining some of these little

Liam's branches here and there.

479

00:26:05,795 --> 00:26:11,465

Just like, so all you're using is

the top portion of the bristles to

480

00:26:11,465 --> 00:26:13,445

create individual little things.

481

00:26:13,445 --> 00:26:14,615

Don't put too much color here.

482

00:26:14,615 --> 00:26:18,395

This is supposed to be old and they're

just sort of hanging around out here.

483

00:26:20,514 --> 00:26:24,615

We can take a fan brush and a little

bit of that yellow ochre and stuff.

484

00:26:25,245 --> 00:26:26,445

All those little colors.

485

00:26:28,305 --> 00:26:28,935

There we go.

486

00:26:29,024 --> 00:26:30,645

Put some little things

growing down in here.

487

00:26:34,665 --> 00:26:35,475

Okay.

488

00:26:36,264 --> 00:26:41,295

Little sticker to, Hey, we're

to the point, we have a nice,

489

00:26:41,715 --> 00:26:43,245

happy, completed little painting.

490

00:26:43,725 --> 00:26:45,075

I think we'll call that one finished.

491

00:26:45,135 --> 00:26:47,264

And from all of us here, happy painting.

492

00:26:47,445 --> 00:26:48,195

And God bless.

End .srt file.

Bob Ross' The Joy of Painting

Tuesday, December 29, 2020

S13E11 - Cabin Hideaway

Bob Ross's

The Joy of Painting

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