Bob Ross's

The Joy of Painting

S12E07 - Quiet Mountains River

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Hey, welcome back once again.

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I'm certainly glad you

could join me today.

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Talk today.

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We do the little animated opening,

the little painting you see at the

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beginning of the show that just

sort of pop, pop, pop, and comes on.

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You know, it only takes a couple of

minutes to, to paint that picture,

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but it takes a lot of fantastic

people, a long time to animate it

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and make it come alive for you.

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So tell you what, let's have him run

all the colors across the screen that

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you need to paint this picture and

let's go on up here and get started.

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I'm going to start out today.

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With an old two inch brush and go

right into a small amount of a lizard

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Crimson, just a small amount and just

tap it into the bristles and just going

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to come here and they're using okay,

little, little crisscross strokes.

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The canvas's already covered with

the liquid white, so it's all

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wet and slick and it's ready.

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They're just hearing there.

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Just here and there.

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Now this won't be an exact duplicate of

the little painting that you see at the

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beginning of each show in this series,

but it'll show you how it was made.

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Maybe a little touch right in

here, wherever you want it.

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Okay.

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Now, Dan, without cleaning the

brush, I'm going to pick up the

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least little touch of payload.

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Blue takes very little.

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I I'll make a lavender color.

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It takes very little blue.

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It's many, many times stronger

than the lizard Crimson.

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Okay.

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Yeah, here and there.

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We're going to drop in a little bit of

this lavender color and I'm still using

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the little crisscross stroke still using.

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They're just all kinds of happy

little things happening here.

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And didn't, you're painting.

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You make any color that you like,

if you would like it more into

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the bluish tones, then use that

because painting is very individual.

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You should really paint.

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What makes you happy?

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We all see nature a

little bit differently.

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And the way that you see it is

exactly the way it should be painted.

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Kenny, it gives us a nice little sky.

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Let me wash this old brush.

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And as usual, we wash our brushes

with odorless thinner and, uh,

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I really recommend it's there.

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If you use regular paint thinner,

distincts, you're going to be

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the most unpopular person in the

house in just a couple of minutes.

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Now, then with a good clean, dry

brush, all I'm going to do is blend the

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scatter together a little bit, still

using the little crisscross strokes.

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Lidl the entire sky and this painting,

we're going to have a little bit of water.

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So how we have this old, dirty

brush going, I'll go right

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into a little bit more of that.

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They little blue, just a small amount.

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And our water's going to

be Oh, somewhere in here.

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I don't know exactly.

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Don't know exactly.

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It doesn't matter.

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Doesn't matter.

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Just, just drop into some color, like, so.

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Okay, tell you what, let's

take a, we'll use a one yeah.

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Brush today.

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And you could do this with a two inch

brush or a fan brush and go right

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through the titanium white to be

right back, reach down here and get

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a little touch to the bright red.

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So I have a little bright

red and titanium white.

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Let's go right up here now then

let's build us a happy little cloud

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that floats around this guy and

just make tiny little circles here.

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Just tiny little circles.

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Just like, so I just let it sort of

bounce around just wherever you want to.

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Can you we'll do several layers of clouds.

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Maybe there's another cloud that lives

right here and clouds are very free.

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They just sort of float

around and have fun all day.

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They're so easy.

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They already make them, there we go.

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There he is to sorta.

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Just sort of let him go wherever

you want him wherever you want it.

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Okay.

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Maybe right in here, but always

using little circular patterns.

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You don't want your clouds to be all flat.

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So use these little circular

patterns all the time.

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It'll keep them flat.

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Yeah.

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With a clean, dry two inch brush.

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I want to just blend the

base of these clouds.

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Gently, gently, gently.

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Just blend the base and I'm

not touching the top yet.

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I'll touch the top in a second, but

right now, just the base I Excel.

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Have beat the breast just

to remove excess paint.

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So you don't have to go through

the whole cleaning procedure.

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Now I'm going to fluff those up.

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Just grab them, lift them big

circular strokes, lift, and lift up.

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There you go.

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See there, beat the breast

again, and then very lightly.

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Very lightly just blamed

the entire sky that easy.

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You got a sky full of fantastic clouds.

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Daddy's all right.

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Now then let's build a mountain

going to build a mountain.

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So I'll take some black lizard,

Crimson lizard, Crimson, a

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little bit of thalo blue.

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And I'm looking for sort

of a lavender color here.

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Yeah.

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That just looks black.

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If you want to find out what Kelly, you

have put a little white there and test it.

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Like, so, and that's pretty good.

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That's about what I'm looking for.

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We can live with that.

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All right.

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So we'll take a little list and

let's come right up in here and

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decide where our mountain lives

in our mountain lives right here.

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And all you do is push it right into

the fabric, just your basic shape,

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and really use a lot of pressure.

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A lot of pressure.

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The only thing you worried about,

so nice outside edge, you don't care

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what's happening in here at this point.

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Okay.

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Maybe there was another

little peak right about there.

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And it was, I say, once again, this

will not be an exact duplicate.

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Never never.

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Can you paint the exact duplicate that

is close enough to show you how it

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was made and you can do your own home.

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There we go.

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Okay.

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Scrape off all the excess paint.

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I'll just use a two inch brush and

pull that out now because he can't.

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This is wet.

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It's wet.

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That paint will literally slide on there.

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See there.

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Just pull it.

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We want it to get lighter

and lighter toward the base.

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Just over here.

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We'll just pull that one

riding off the canvas.

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It's fantastic that you can

move a whole mountain that easy.

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Okay.

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We can wash that brush out now.

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Shake off the excess, cover

the crew and wearing business.

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Okay.

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Tell you on here.

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Then we get a little bit of titanium,

white with a least little touch of the

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bright red and at least a little touch cut

across and get our little roll of paint.

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See you just pull it

out flat and cut across.

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Okay, now then.

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Just let it barely touch the canvas here.

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Just let it graze.

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Just flow right down the

side of this mountain.

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Just let it flow wherever

you want to highlight.

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Think we're light's going to strike.

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Just let it flow right down there.

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All kinds of little things happening

over here on this whole big one.

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There had cabs there.

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Come see there.

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It's that easy.

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Let it just float right down there.

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No pressure though.

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Absolutely.

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No pressure.

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None whatsoever.

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It's just that little roll of paint.

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Touching the canvas.

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No pressure.

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You want to paint her to break

and have all these holes out.

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That's what makes it look like

rocks and stones and all kinds

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of little things happening.

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We'll grab the small knife here,

getting some of these little areas.

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I'm gonna take a little touch of.

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They love blue mix, a

little white with it.

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They love blue.

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There we go.

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And I will grab the least little touch

of dark Sienna and then right through.

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So you have two colors loaded on

a knife there, little dark Sienna,

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little dado, blue and white.

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Now then let's go up here and touch and

just pull down because there's two colors.

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That's loaded on the knife.

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You'll get all kinds of little

effects automatically, automatically,

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still no pressure though.

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No pressure.

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Don't over blend it, put it up here

and try to try to get away from it.

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Try to leave it alone that these

colors just sort of happen.

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And you can do this with any

color combinations that you want.

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You can load in three, four

colors on a knife at one time.

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If you want to.

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But it's a super way of making some

beautiful little effects with no effort.

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Just no effort.

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There we go.

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Okay.

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Maybe, maybe in here somewhere,

wherever you want them.

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Let's drop them in and here and there.

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Use a little bit of dark color and you

can sort of bring those edges out, make

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them strong where this deep shadows in

there add a little more character to it.

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Make all kinds of things happen.

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Be brave.

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Look at there.

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Okay.

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Yeah.

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Then back to our highlight color, white,

a little touch of bright red in it.

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And let's begin bringing that down

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there.

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Just let your imagination go.

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You can create some of the

most fantastic mountains.

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It's just, it's just a matter of

letting your imagination take you there.

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Little bit right in there.

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Shoot.

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Maybe, maybe there's another little.

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Okay right there.

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I'll do her.

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Oh, he needs a little shadow under it

and he becomes an individual that easy.

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Okay.

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You can also get carried away and

cover up your whole canvas with nothing

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but mountains and that's all right.

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There is another thing in the world.

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Wrong with that.

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You put a little shadow right

behind that little peak.

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When I was first learning to paint,

I used to take an old canvas and

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paint the entire canvas with nothing

but mountains and that's the best

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way I've ever found to learn.

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Okay.

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Just paint the entire canvas from

top to bottom with mountains.

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And I used to have a huge putty

knife and I just scrape off the

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entire canvas and start over.

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Do it again.

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That's the way to learn.

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There's any secret to this

or any style of painting?

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I've said it over and over.

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It's just practice on the secret.

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I think it's the only secret to

anything in life and anything in life,

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because you can have anything you want.

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Anything that you want, if you're

willing to pay the price and the price

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to paint is this practice is off.

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Just plan that out.

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And another nice thing, if you ever

think about it, though, I heard

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somebody say one time, you could

have anything that you wanted.

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If you just helped enough other

people get what they want.

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Same color, just pulling it out,

getting our little roller paint

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right on the edge of the knife.

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Let's mix our little footy

Hills in here for that.

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I'm just going to push in some

of this dark lavender color.

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I'm just really pushing it very firmly.

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Sort of a nice saying though, because

if you help enough other people.

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You will, you can do whatever you want.

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You can have anything you want,

but you have to help enough

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other people get what they want.

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I think that's a fantastic

philosophy to live by.

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You don't have to hurt anybody,

just rub the bottom of this and

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you can make a lot of people happy.

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Now, Jess with a knife today, just going

to use a knife, you can put in some basic

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little shadows and stuff and say, it

looks like things are happening in there,

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but you've really done very little, a

little white, little titanium white, and

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you can create that illusion of mist.

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Okay.

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You can paint entire paintings,

just using the knife.

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I think one of the earlier series

we did that we painted an entire

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painting only using the knife.

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Once you make friends with that

son of a gun, you can't believe

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what it's capable of doing.

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Okay.

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Time to get crazy.

256

00:13:33,315 --> 00:13:34,455

Take off two inch oppression.

257

00:13:34,455 --> 00:13:39,975

Go right into some van Dyke Brown would

get up a little of his own Crimson,

258

00:13:39,975 --> 00:13:44,865

Intuit, little touch of dark Sienna, not

a whole bunch of paint, just, just enough

259

00:13:44,865 --> 00:13:47,175

to get the bristles loaded with a little.

260

00:13:47,595 --> 00:13:47,865

Okay.

261

00:13:48,870 --> 00:13:51,660

Now then let's begin putting

in our land areas here.

262

00:13:53,010 --> 00:13:56,850

This is where you begin worrying about

the lay of the land or the, the way

263

00:13:56,850 --> 00:13:58,620

the land flows, the angles in it.

264

00:13:59,310 --> 00:14:00,990

Now it starts becoming important.

265

00:14:03,510 --> 00:14:04,200

There we go.

266

00:14:06,660 --> 00:14:09,000

Just begin deciding how

you want this to go.

267

00:14:09,990 --> 00:14:10,080

Okay.

268

00:14:10,560 --> 00:14:10,920

There

269

00:14:14,340 --> 00:14:18,360

and figure out who you want

to save some water there.

270

00:14:18,810 --> 00:14:23,160

We're going to have a little bit

of water right in there, but this

271

00:14:23,160 --> 00:14:24,900

really is not all that planned.

272

00:14:24,930 --> 00:14:27,660

You just sorta sorta look at it at each.

273

00:14:27,660 --> 00:14:28,830

Painting is different.

274

00:14:28,840 --> 00:14:30,600

Your painting will be

different than my painting.

275

00:14:31,560 --> 00:14:33,330

Don't try to just copy

what I'm doing here.

276

00:14:35,265 --> 00:14:36,285

That's not no fun.

277

00:14:36,465 --> 00:14:36,855

Shoot.

278

00:14:37,835 --> 00:14:38,615

This is freedom.

279

00:14:39,605 --> 00:14:42,665

This is the most free style of

painting that I've ever seen.

280

00:14:42,725 --> 00:14:44,495

And I think I've tried

most styles of painting.

281

00:14:45,935 --> 00:14:47,225

We don't use any patterns.

282

00:14:47,225 --> 00:14:49,025

We don't, we don't sketch.

283

00:14:50,135 --> 00:14:51,275

We just sort of let it happen.

284

00:14:51,335 --> 00:14:54,065

If you visualize a scene in your mind.

285

00:14:54,600 --> 00:14:55,530

Just visualize it.

286

00:14:58,500 --> 00:15:02,970

You very, very soon with a little practice

you've learned to take that scene that you

287

00:15:03,270 --> 00:15:05,370

saw in your mind and drop it on canvas.

288

00:15:06,180 --> 00:15:07,530

And that's what we want to teach you here.

289

00:15:16,050 --> 00:15:19,800

All we're doing here is just

applying a base color, a dark color.

290

00:15:20,010 --> 00:15:22,110

We need the dark in order

for the light to show.

291

00:15:22,620 --> 00:15:22,949

So.

292

00:15:23,324 --> 00:15:24,045

It's no big deal.

293

00:15:24,115 --> 00:15:25,995

Have him just take, we use

the same old dirty brush.

294

00:15:25,995 --> 00:15:26,475

What the heck?

295

00:15:27,285 --> 00:15:29,834

I'm going to go back into

some of my yellows here.

296

00:15:29,985 --> 00:15:33,345

I got cadmium yellow, yellow ochre.

297

00:15:33,855 --> 00:15:34,694

We were reached down here.

298

00:15:34,785 --> 00:15:38,505

Get a little touch of the bright

red and just tap that brush.

299

00:15:39,555 --> 00:15:40,755

Tap it right into the color.

300

00:15:41,745 --> 00:15:44,444

Okay, let's go back up

here and that's begin.

301

00:15:45,165 --> 00:15:50,464

Putting in all kinds of little,

little grassy things you're doing,

302

00:15:50,464 --> 00:15:53,795

it's just tapping downward now

because you have that dark in there.

303

00:15:54,094 --> 00:15:56,074

We'll put a little SAP green

with that too here and there.

304

00:15:56,735 --> 00:16:00,875

Cause you have a dark,

your light color shows up.

305

00:16:01,740 --> 00:16:06,540

If you put light against light,

you have nothing dark against dark.

306

00:16:06,570 --> 00:16:11,580

You have nothing, but when you put light

against dark or dark against light,

307

00:16:11,970 --> 00:16:13,830

then all these things just explode.

308

00:16:14,250 --> 00:16:14,970

It's beautiful.

309

00:16:19,890 --> 00:16:20,970

You know, what's so fantastic.

310

00:16:20,970 --> 00:16:21,300

I get the.

311

00:16:21,620 --> 00:16:23,960

I get so many letters from people

all over the country that are

312

00:16:23,960 --> 00:16:26,150

painting and enjoy success.

313

00:16:26,150 --> 00:16:29,270

And, Oh, it's, it's fantastic.

314

00:16:29,270 --> 00:16:34,430

Especially, especially from young

people, can't believe the number of

315

00:16:34,430 --> 00:16:36,140

young people that, that are painting.

316

00:16:38,610 --> 00:16:41,490

They have truly, truly

found the joy of painting.

317

00:16:44,670 --> 00:16:45,360

There we go.

318

00:16:46,440 --> 00:16:48,990

Have we traveled all over the

country doing demonstrations for

319

00:16:49,590 --> 00:16:51,390

charity groups and PBS stations.

320

00:16:51,390 --> 00:16:51,570

And.

321

00:16:53,850 --> 00:16:55,410

All kinds of organizations.

322

00:16:56,460 --> 00:17:00,570

So if we get to your neighborhood,

come out and see us come out and

323

00:17:00,810 --> 00:17:02,070

watch your painting being done.

324

00:17:02,520 --> 00:17:07,860

I think you'll enjoy, we put on shows

that are two or three hours long and gives

325

00:17:07,860 --> 00:17:12,090

us a chance to talk with everybody and

meet some of the most fantastic people.

326

00:17:13,410 --> 00:17:18,300

So now we'll take just a fan brush

and I want to clean up this water.

327

00:17:18,750 --> 00:17:20,610

So all I'm doing is

just gently rubbing it.

328

00:17:21,629 --> 00:17:25,109

Just gently rubbing to ask him

to clean it up a little bit

329

00:17:28,109 --> 00:17:28,470

there.

330

00:17:29,399 --> 00:17:29,850

Yeah.

331

00:17:29,879 --> 00:17:34,350

A little touch of liquid white and I'm

gonna go right into titanium white.

332

00:17:34,860 --> 00:17:37,919

I put the liquid white in there

only to thin the titanium white.

333

00:17:39,060 --> 00:17:41,100

So it'll stick easier now then.

334

00:17:41,835 --> 00:17:48,435

You can go right up in here, stay

there and just put all kinds, a little

335

00:17:48,435 --> 00:17:50,175

happy things floating across there.

336

00:17:53,985 --> 00:17:58,215

It's a super nice way to make

like a little, little river or

337

00:17:58,215 --> 00:18:06,044

pond as we back in the distance

there, wherever you want it to go.

338

00:18:08,400 --> 00:18:09,060

That easy.

339

00:18:11,220 --> 00:18:11,850

Okay.

340

00:18:12,570 --> 00:18:13,800

Let me find another fan brush.

341

00:18:13,830 --> 00:18:16,200

I have several of them go in here

and we'll take a little SAP green.

342

00:18:17,160 --> 00:18:21,720

Oh little Vandyke, Brown, little Crimson.

343

00:18:22,600 --> 00:18:23,020

Okay.

344

00:18:24,015 --> 00:18:24,915

Just load it up here.

345

00:18:24,915 --> 00:18:25,995

Up a little black in there too.

346

00:18:25,995 --> 00:18:26,505

What the heck?

347

00:18:26,505 --> 00:18:27,225

Black SAP.

348

00:18:27,255 --> 00:18:28,545

Green little Crimson.

349

00:18:29,115 --> 00:18:29,805

Let's go right up here.

350

00:18:30,225 --> 00:18:34,805

Maybe there was a few little

trees that are far, far away.

351

00:18:34,805 --> 00:18:35,495

Setting up here.

352

00:18:35,775 --> 00:18:39,245

Just use a corner of the fan

brush, push upward, drop it in,

353

00:18:39,955 --> 00:18:44,675

drop it in and wherever you want

them just here and there, there

354

00:18:46,025 --> 00:18:47,315

just breaks it up a little bit.

355

00:18:47,640 --> 00:18:48,540

Maybe there's one here.

356

00:18:52,080 --> 00:18:54,990

See there, it looks like little

patches of trees that are growing

357

00:18:55,620 --> 00:18:58,650

far down in this Valley there.

358

00:19:00,330 --> 00:19:00,810

Okay.

359

00:19:02,070 --> 00:19:02,400

Shoot.

360

00:19:02,400 --> 00:19:03,300

Let's get in the foreground.

361

00:19:03,330 --> 00:19:04,230

That's the fun part.

362

00:19:04,890 --> 00:19:09,030

I'm going to go take a two inch brush

and we'll go right into some black shoes,

363

00:19:09,060 --> 00:19:10,830

just all the dark colors, some Brown.

364

00:19:11,235 --> 00:19:17,325

Crimson, whatever SAP green, just

basically all the dark colors.

365

00:19:18,735 --> 00:19:20,925

And now you have to

grab a little Bluetooth.

366

00:19:20,985 --> 00:19:21,405

What the heck?

367

00:19:21,615 --> 00:19:22,875

A little pressure and blue right there.

368

00:19:24,105 --> 00:19:25,905

Now that you had to

make some big decisions.

369

00:19:26,245 --> 00:19:26,545

Thank you.

370

00:19:26,545 --> 00:19:29,035

It was a big tree that lived does now.

371

00:19:30,295 --> 00:19:34,945

They have to right here, push,

bend the brush and the brush.

372

00:19:36,535 --> 00:19:37,315

There we go.

373

00:19:38,365 --> 00:19:38,815

Bend it.

374

00:19:41,245 --> 00:19:42,175

There is another one.

375

00:19:43,495 --> 00:19:46,765

Just sort of visualize these in

your mind and just push them in.

376

00:19:47,110 --> 00:19:52,929

Using quite a bit of pressure, quite a

bit of pressure right down through here.

377

00:19:58,989 --> 00:20:02,590

And this sort of helps push everything

back, creates depth in your painting.

378

00:20:03,900 --> 00:20:04,500

Distance.

379

00:20:05,340 --> 00:20:05,550

Okay.

380

00:20:07,020 --> 00:20:07,590

Push it here.

381

00:20:09,300 --> 00:20:10,440

Get strong with it.

382

00:20:10,560 --> 00:20:11,910

Use a lot of pressure here.

383

00:20:13,110 --> 00:20:15,900

Just trying to push that paint

right through the fabric.

384

00:20:15,990 --> 00:20:18,090

This is when you have to

have a good, steady easel.

385

00:20:19,740 --> 00:20:20,340

Good easel.

386

00:20:20,730 --> 00:20:25,740

My easel is made from a, from a platform

stepladder and how they tell you what.

387

00:20:27,750 --> 00:20:28,260

Tell you what?

388

00:20:28,260 --> 00:20:31,200

I'm going to load a lot of pain into

the bristles and bring this big brush to

389

00:20:31,200 --> 00:20:37,020

a chisel edge, very sharp, both sides,

but it's a very sharp brush there.

390

00:20:37,020 --> 00:20:37,560

You can see it.

391

00:20:38,625 --> 00:20:38,985

Go ahead.

392

00:20:39,045 --> 00:20:39,615

Let's go up here.

393

00:20:40,245 --> 00:20:45,285

Maybe I think there was a yea up right

about here now that all I'm going to

394

00:20:45,285 --> 00:20:52,845

do is take it and push, just push one,

make up a old tree lives right there.

395

00:20:54,254 --> 00:20:54,795

There he is.

396

00:20:56,475 --> 00:20:59,415

See how easy he is to make you can do it.

397

00:21:01,004 --> 00:21:01,875

Really can do it.

398

00:21:03,525 --> 00:21:04,545

Can do anything.

399

00:21:05,610 --> 00:21:06,929

That's a big tree right there.

400

00:21:11,479 --> 00:21:14,780

Can I say if we can, if we do get to your

area, when we're out traveling around

401

00:21:14,780 --> 00:21:16,550

and doing demonstrations, come see us.

402

00:21:17,389 --> 00:21:19,790

And if you'd like to know whom when

we're going to be in your area,

403

00:21:20,780 --> 00:21:22,550

we have a little mailing list.

404

00:21:23,159 --> 00:21:25,760

If you'd like to be notified, drop

me off, just drop me a postcard

405

00:21:25,760 --> 00:21:26,899

with your name and address on it.

406

00:21:27,560 --> 00:21:28,850

And we'll put you on the mailing list.

407

00:21:28,850 --> 00:21:31,459

And when we come to you or you

would drop your card and let you

408

00:21:31,459 --> 00:21:32,300

know we're going to be there.

409

00:21:33,870 --> 00:21:39,990

Okay, I'm gonna take a little titanium,

white, a little touch of dark Sienna.

410

00:21:41,370 --> 00:21:42,960

Get that small roll of paint on the knife.

411

00:21:44,190 --> 00:21:45,510

Now I'm going to go right up in here.

412

00:21:46,380 --> 00:21:48,000

Just put the indication here and there.

413

00:21:48,060 --> 00:21:52,350

I have a little tree trunk every

so often just here and there.

414

00:21:54,000 --> 00:21:55,680

Maybe on the other side here, we'll put.

415

00:21:57,794 --> 00:21:59,055

Wherever you think one should be.

416

00:22:01,235 --> 00:22:02,075

And what's really neat.

417

00:22:02,075 --> 00:22:06,245

You just take the point of the knife

and go up here, scrape and put all kinds

418

00:22:06,245 --> 00:22:08,405

of little stick and twig indications.

419

00:22:09,274 --> 00:22:10,085

Very simple.

420

00:22:10,294 --> 00:22:11,524

Just scrape right through the paint.

421

00:22:11,555 --> 00:22:12,815

Let some of the light show through.

422

00:22:14,135 --> 00:22:17,764

Now when this is done, most of these

will be covered up, but a few of them

423

00:22:17,764 --> 00:22:21,335

will show through and people will

think you worked with a little one here

424

00:22:21,335 --> 00:22:25,024

in the brush for extended periods of

time to put all this detail in there.

425

00:22:25,385 --> 00:22:25,625

Shh.

426

00:22:25,980 --> 00:22:26,430

The secret.

427

00:22:27,480 --> 00:22:27,750

Okay.

428

00:22:28,740 --> 00:22:32,490

Now take some Vandyke Brown,

little dark Sienna mixed together,

429

00:22:33,240 --> 00:22:34,680

and let's put some land in here.

430

00:22:35,070 --> 00:22:41,250

Just let it sort of flow

downward, just flow down, right?

431

00:22:41,790 --> 00:22:42,450

Like, so

432

00:22:45,860 --> 00:22:46,220

yeah.

433

00:22:46,220 --> 00:22:51,230

Then we would take some way

some dark Santa, at least on

434

00:22:51,230 --> 00:22:53,810

the touch there, pull it out.

435

00:22:54,010 --> 00:22:54,620

Had cross.

436

00:22:54,950 --> 00:22:55,310

Now that.

437

00:22:55,740 --> 00:22:58,290

Just let the knife sorta

bounce get nervous.

438

00:22:59,610 --> 00:23:01,920

This is where the people that are

a little nervous have a distinct

439

00:23:01,920 --> 00:23:05,370

advantage, distinct advantage.

440

00:23:05,370 --> 00:23:09,210

So you just let it sorta bounce there.

441

00:23:09,690 --> 00:23:12,660

So it makes it look like all kinds

of little rocks and stones and the

442

00:23:12,660 --> 00:23:16,770

rough places and all the little,

little ground squirrel lives in there.

443

00:23:17,290 --> 00:23:18,780

You got to have a place to live too.

444

00:23:19,920 --> 00:23:20,310

Okay.

445

00:23:20,790 --> 00:23:22,140

Let's put some highlights on this.

446

00:23:22,784 --> 00:23:27,735

I'm going to dip my brush right into

the liquid white, go into CAD yellow and

447

00:23:27,735 --> 00:23:31,905

reach up here and grab a little bit of

black cause black and yellow is, you know,

448

00:23:32,415 --> 00:23:34,514

that makes a beautiful green color load.

449

00:23:34,514 --> 00:23:37,004

A lot of paint, pull the

brush in one direction.

450

00:23:37,274 --> 00:23:39,375

Let's go up here now.

451

00:23:39,375 --> 00:23:41,794

Then let's begin highlighting this tree.

452

00:23:42,004 --> 00:23:43,355

Go slightly above the dark.

453

00:23:44,014 --> 00:23:47,824

I begin just pushing in all these

hundreds and thousands of little leaves.

454

00:23:48,840 --> 00:23:50,220

Push bend the brush.

455

00:23:51,000 --> 00:23:52,550

And don't just throw these in at random.

456

00:23:52,550 --> 00:23:54,110

Think about the limbs and the tree.

457

00:23:55,040 --> 00:23:56,870

Think about where the

little bird sets up here.

458

00:23:57,710 --> 00:24:05,120

He's got to have a place to sit there,

work on individual individually.

459

00:24:05,120 --> 00:24:07,970

Liam's a little more of the liquid white.

460

00:24:08,660 --> 00:24:11,390

I put the liquid white in

there only to thin the paint.

461

00:24:12,740 --> 00:24:16,850

Just a end because at 10 paint

will stick to that old thick paint.

462

00:24:18,390 --> 00:24:20,880

Okay, here comes the one seal.

463

00:24:21,795 --> 00:24:23,205

They live right here in your brush.

464

00:24:23,325 --> 00:24:29,325

All you have to do is just push

them out, push them out every

465

00:24:29,325 --> 00:24:31,425

once in a while, a little Indian,

yellow, a little bright red.

466

00:24:31,455 --> 00:24:36,975

Ooh, that's a pretty well, that is

a pretty wet sparkles like habit.

467

00:24:38,025 --> 00:24:41,475

Now you can use the breath side words

and just push it up or say there and

468

00:24:41,475 --> 00:24:43,425

make all kinds of little grassy areas.

469

00:24:44,595 --> 00:24:47,235

Just all kinds of little grassy

things, wherever you want them.

470

00:24:47,730 --> 00:24:48,840

Don't cover up all your dirt.

471

00:24:50,220 --> 00:24:50,940

Just some of it.

472

00:24:52,980 --> 00:24:53,430

Okay.

473

00:24:53,640 --> 00:24:54,600

I'm going to more color.

474

00:24:56,250 --> 00:24:57,450

Let's come right out here.

475

00:24:58,980 --> 00:25:04,590

Oh, there's a nice little sparkler

st but do one Bush at a time.

476

00:25:04,590 --> 00:25:08,460

I know sometimes it looks like when

you're watching here, I get carried away

477

00:25:08,460 --> 00:25:10,200

and just do a bunch of them at once.

478

00:25:10,620 --> 00:25:11,820

But they're little individuals.

479

00:25:11,850 --> 00:25:14,430

Each one has a personality

each one's my friend.

480

00:25:15,390 --> 00:25:15,690

Shoot.

481

00:25:15,690 --> 00:25:19,140

Sometimes I give them names,

even do one at a time.

482

00:25:20,310 --> 00:25:23,430

One at a time, I take some Indian,

yellow, a little bright red.

483

00:25:25,530 --> 00:25:27,240

Let's put just a little

something on this tree.

484

00:25:27,240 --> 00:25:28,290

We don't want to have left down.

485

00:25:31,920 --> 00:25:32,490

There we go.

486

00:25:32,580 --> 00:25:36,120

Just a little bit, a little

bit of highlight on him too.

487

00:25:37,440 --> 00:25:40,620

Can add a little touch of paint thinner,

then the paint down a little bit more.

488

00:25:41,850 --> 00:25:43,020

And this fresco, right?

489

00:25:43,110 --> 00:25:43,980

Ooh, there we go.

490

00:25:43,980 --> 00:25:44,540

Sparkler.

491

00:25:44,580 --> 00:25:48,900

Yeah, these are nice colors.

492

00:25:49,170 --> 00:25:52,440

They're really just, they make you happy.

493

00:25:53,010 --> 00:25:53,730

Make you happy.

494

00:25:54,825 --> 00:25:58,275

Here comes another one

wherever you want them.

495

00:25:58,485 --> 00:26:03,525

Just drop them in there, right on down.

496

00:26:04,215 --> 00:26:07,755

And once again, use it for our side

where it's so you can push him Bush after

497

00:26:07,755 --> 00:26:10,485

Bush after question, wherever you think.

498

00:26:12,195 --> 00:26:12,585

Okay.

499

00:26:12,645 --> 00:26:13,865

I'll take the whole fan brush.

500

00:26:14,745 --> 00:26:16,455

There was a little path lived right here.

501

00:26:16,965 --> 00:26:21,945

So just scrub it in like

so white highlight it.

502

00:26:23,879 --> 00:26:24,420

That easy.

503

00:26:24,420 --> 00:26:31,340

You got a happy little path and

very quickly there was an evergreen

504

00:26:31,340 --> 00:26:32,420

tree that lived right there.

505

00:26:32,570 --> 00:26:33,379

Just put him in.

506

00:26:34,730 --> 00:26:37,790

And I think with that, this

painting will be about finished.

507

00:26:37,790 --> 00:26:40,550

I hope you've enjoyed seeing how the

little animated opening was made.

508

00:26:41,240 --> 00:26:42,320

I hope you try it at home.

509

00:26:42,810 --> 00:26:43,679

From all of us here.

510

00:26:44,040 --> 00:26:44,730

Happy painting.

511

00:26:44,850 --> 00:26:45,419

God bless.

512

00:26:45,419 --> 00:26:46,350

And we'll see you next time.

End .srt file.

Bob Ross' The Joy of Painting

Tuesday, December 29, 2020

S12E07 - Quiet Mountains River

Bob Ross's

The Joy of Painting

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