Bob Ross's

The Joy of Painting

S14E04 - Snowy Solitude

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Hi.

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Hi, I'm glad you could join me today.

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I have my little friend Jay

here with me and you in a day.

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We've got so many cards and letters in

ever since I showed him on the program.

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I just thought I'd show him one more time.

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He is the cutest little devil and he lives

with me and we have a good time together.

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Hey, he's a little blue, Jay.

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And he's one of the neatest little

friends and he's, he's a very

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excited being here in the studio.

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This is something brand new

to him, and he's like, here

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he goes, follow your whole finger.

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If you're not careful, tell

you what the camera and all the

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colors across the screen that

you need to paint along with me.

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And I'll put him over here.

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And we'll get started.

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Here you go.

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You said over here, there, hurry.

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I hope you enjoy seeing these

little Rascals as much as

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I like showing them to you.

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These things are really my friends

and I enjoy the birds and we have a

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lot of, we have a lot of fun together.

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Does that tell you what did they

let's do a happy little winter scene.

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Just somebody who's got some snow

wind and show you a nice, easy way.

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To make a very effective scene.

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Let's start out with a little bit

of the low blue on the two inch

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brush, just a tiny little amount, the

tiniest amount reach right up here.

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Get a little touch of the midnight black.

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So we have black and blue or blue

and black, whatever your preference.

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Kay, let's go right up in here, man.

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I'm just gonna just bounce him

some happy little sky areas here.

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She just sort of let

them play and have fun.

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Like, so for the time being, I'm going to

leave some areas open where you don't come

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back and we'll blend some of this into it.

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But right now I'm just

going to leave that open.

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There we go.

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All kinds of little things, just

let them bounce and play in there.

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They're there some right along

in there wherever you want them.

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And.

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And the black in here, I had a little

mood to, it will make it a little

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darker, a little, little depressed,

you know, winter sometime is cold.

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And so the more black hits you put in

with your blue, the more gray it'll become

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and the colder that dreary it'll look.

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So if you want to make a painting,

that's very, very dreary looking

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at quite a bit of the black color.

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You want it to be a little brighter?

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Then add more of the blue there.

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Okay.

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We'll just wipe deal brush off, down here.

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There.

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That's a good way to clean the brush off.

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And I might have a little

bit of water down here.

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Just wipe the brush off.

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We don't really care right now.

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We'll put some snow down here, so this

will just become shadows in the snow.

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The canvas was covered.

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Liquid wipe when we started.

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So this is mixing with the liquid

white and it blends beautifully.

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If you were on a dry canvas, it'd

be very difficult to do this.

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Okay.

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Let me go wash my brush and does,

you know, we wash our brushes with

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odorless thinner, shake off the

excess and cover the whole studio now.

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With a clean dry brush.

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I'm going to very gently just begin

picking up a little, this color and

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let it blend right into the liquid.

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White this on the canvas here.

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Begin, smoothing it all out.

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The basic shapes will remain in here.

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There didn't it super, very,

very, pretty, very soft.

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Very good.

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Okay.

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But it's a fantastic and easy way to

make a beautiful, beautiful little sky.

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Barely go.

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And it's very lightly just

blend out the brushstrokes.

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And if you want to create the illusion

of individual clouds, just some

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of the color you picked up, just

tap it on, give it a little blend

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that easy.

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We have one fantastic little winter sky.

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Okay.

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Right.

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Tell you what I'm going into a touch of

the Vandyke Brown, same old dirty brush.

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Got Vandyke, Brown, black,

a little touch of that.

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They little blue and all I'm

going to do is just, just work

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a little color right into the

bristles, black, Brown, little blue.

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That's all there is to it.

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And maybe we eat back

here in the distance side.

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It's just an indication of a little

bit of a little, little Foothill.

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She, when we back here, we just

come see a small amount of it.

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Just want the indication of some

trees that are growing far, far away.

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It's just so far away.

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Just barely can see them.

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Just let them disappear almost

into absolutely nothing.

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Now then.

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This is where the old big brush

really comes in handy because

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you can do fantastic things in

a very short period of time.

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Let's take just plain, straight

titanium, white, nothing else.

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Just titanium white.

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Okay.

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Right up here.

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I have to make a big decision.

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It's going to be snow on the

ground where just no going to lay.

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I think it's going to

be right about there.

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We'll see you there.

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Oh, you do.

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It's just that easy and begin

blending, working together.

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See this blue underneath you leave

areas and they become the shadows.

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They're not fantastic.

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I used to labor over winter

pitchers that they're so easy.

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Oh, he needs a big brush from

paint, little imagination, some

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practice, and you can do anything,

anything that you want to do here.

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Don't be afraid of it.

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Experiment, experiment, go

out on a limb once in a while.

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Remember that's where the fruit is.

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Sat there on the end of the limb.

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So you have to take a chance once in

a while when you're painting there.

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And the more you experiment, the more

you learn, the better you get and

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the more confidence you get inside.

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And that's when it's fun.

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That's when you truly truly experience

the joy of painting, I'm using a

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little Brown, little black touch you

the blue touch with the lizard Crimson

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and just tap the bristles firmly.

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I'm just tapping the color

right into the bristles.

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And we have to begin making

some major decisions here.

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Maybe there's going to be

some big trees here that.

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Oh, maybe they hang over.

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Let's just do it and see what happens.

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Maybe right here do use just

the corner of the brush.

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See it just begin tapping.

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You have to make a decision where these

things live and then begin tapping.

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I always start at the

base and work upwards.

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That way your darkest shadow color

is always on the bottom there.

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Let's see you hit that off.

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Pretty little Bush, just

using the corner brush.

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So big brush will do fantastic things.

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If you just give it a chance, there

is a tree, this one's a little bigger.

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Maybe this, maybe it's

this one's big brother.

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He lives right there.

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Like, so just to however tall, you want

him to be a few little things there

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begin thinking about the lay of the land.

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I want the land to sort

of go downward like that.

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So add a little more color,

some black Brown shoot.

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Let's put some dark CN in there too.

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Dark Sienna.

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That'll touch it.

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The blue, not much believable.

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Let's go over to the other side.

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We need a big tree over here too.

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Once again, using just

the corner of the brush.

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All you do is just tap.

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Just with a corner.

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I see.

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So all there is to it.

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Now they're working on the basic shapes

again, thinking about your shapes form.

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It's very important when

you're doing trees and bushes.

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One of the things I always tell

students when I'm teaching is remember.

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That your friends at the little

birds have to have a, they have

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to have limbs out here to set off.

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So when you're shaping your tree,

give them a place to set them.

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Think about it.

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Think about it there.

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Let this tree, this clam right on, up in

here, I'm going to start adding the least.

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Let me say that again.

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The least little touch of yellow ochre.

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We can just brighten this up.

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Just the least little touch

don't want much of that.

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I just want to give a little

lightness to these Liam's we add here.

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Least little amount.

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There we go.

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Like a deck that quickly you can build all

these fantastic little trees and bushes,

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just using the corner of a big old brush.

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Okay.

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A little more of a color on the brush.

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Go right back in here.

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Once again, begin thinking

about the lay of the land.

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It's becoming very important to us now.

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They're

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okay.

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And that fun, little more of the color.

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Dark Sienna, black little

touch of blue Brown, maybe.

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Shoot you out.

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Why not?

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Let's put another big tree over here.

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I want to sort of close

this and bring it together.

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And maybe in your world, you

want a different composition.

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One of the things that I recommend

to people, once you learn the basic

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technique, which will take you a

very short period of time, take two

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or three of the scenes out of our

books or something, and combine them

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into one scene, make a new scene.

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You can take a tree out of this

painting and a Bush out of that

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one, all building out of one.

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Whatever, combine them together

and make entirely new scenes and

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they become original compositions.

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I'm putting a little more of that

yellow ochre in there, there, but

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don't be afraid to experiment.

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That's a really, that's

really where the fun comes in.

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There we are.

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So you had old trees just sorta hanging

over and it just sort of brings this

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whole composition together to a little

more of the black and the Brown.

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There we are.

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All I'm doing now is putting in a

dark base color on, sorry, lighter

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colors was show we're going to

highlight that like there's snow on it.

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Okay.

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Super.

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So let me find my little liner brush.

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We're go into some paint,

thinner going into Vandyke.

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Granum you get a little

more thinner on the brush.

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We want this to be thin like ink or water.

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Very thin.

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Very thin, turn that brush and then pull

it out and bring it to a nice sharp point.

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Liner brush has very long bristles on it.

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Okay.

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Now we can go back in here and just begin

putting the indication here and there of

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a few little, little tree trunks in here.

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They need something to hold up.

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These trees don't want them to fall over,

make a big splash in the snow there.

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I lived in Alaska over 12 years.

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The snow is so beautiful there it's

cold or is it cold, but so beautiful.

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There we are.

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And then we just make us go on the

other side over here and in these little

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sticks and stuff, we can just put all

kinds of happy little things about

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maybe right on out wherever you want.

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There we go.

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Now for these larger ones,

let me find a fan brush here.

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Shoot that little brush is nice,

but sometimes it's too slow.

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I'm just going to go in to Vandyke

Brown with a fan brush, just to

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work some right into the bristles.

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See both sides.

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Let's go up here now that I want to

a nice strong trunk in this tree.

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Don't make a little noise.

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It won't work.

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Okay.

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Maybe it's got another arm

here like that look got there.

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Look at there.

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See that quickly, you got a

beautiful little tree trunk.

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Let's go.

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And the other one here,

let's give him some arms.

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Maybe it comes, it goes

right off the canvas.

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And I sort of have these leaning inwards.

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So it leads the eye

into the painting there.

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Maybe over here, there's another one.

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And we can go back to our

liner brush and then paint.

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And we can put a little bit

of detail into some of these.

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There we go.

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There's one lives right there.

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Just a few here and there,

wherever you think they should be.

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That's exactly where they should be

paintings as individual, as there

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are painters, many different ways

to do it now and any way that you

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want to do it, let's go over here.

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I have a few pair.

249

00:13:36,045 --> 00:13:39,885

See if you have trouble making your

paint flow, add more paint thinner.

250

00:13:44,359 --> 00:13:45,020

there we go.

251

00:13:45,530 --> 00:13:47,030

I'm going to put some highlights on these.

252

00:13:47,030 --> 00:13:50,390

So going to cover up most of

these little sticks and twigs and

253

00:13:50,390 --> 00:13:51,500

lambs that we're putting in here.

254

00:13:52,310 --> 00:13:55,130

So we don't have to worry about

too much, but a few will show

255

00:13:55,430 --> 00:13:56,420

and we want them to look good.

256

00:14:02,189 --> 00:14:02,280

Yeah.

257

00:14:04,125 --> 00:14:07,875

And then I'm going back to my

two inch brush and we're going to

258

00:14:07,875 --> 00:14:09,195

start making some big decisions.

259

00:14:09,195 --> 00:14:12,945

I'm going to go right up here and grab the

least little touch of a lizard Crimson.

260

00:14:12,975 --> 00:14:14,235

Oh, at least little touch.

261

00:14:14,865 --> 00:14:16,605

Just want a tiny amount of pink.

262

00:14:17,865 --> 00:14:24,375

And I'm going to decide here that

maybe the snow comes right along there

263

00:14:24,435 --> 00:14:26,145

seeing a bullet right across there.

264

00:14:26,195 --> 00:14:26,525

There you go.

265

00:14:27,165 --> 00:14:29,405

I can't stay there.

266

00:14:31,200 --> 00:14:34,530

Allow it to pick up some of that dark

color that becomes shadows in your snow.

267

00:14:34,530 --> 00:14:35,430

And it's very pretty.

268

00:14:37,170 --> 00:14:37,950

There we go.

269

00:14:38,670 --> 00:14:45,780

Maybe over here, wherever

you want it there.

270

00:14:46,200 --> 00:14:50,070

See, let it sort of sneak right

up in between those trees here.

271

00:14:50,070 --> 00:14:51,000

It comes down.

272

00:14:56,650 --> 00:14:57,130

They're

273

00:15:01,860 --> 00:15:06,720

like there, you can just make all kinds of

happy, little things that easy, that easy.

274

00:15:12,240 --> 00:15:12,930

Okay.

275

00:15:13,620 --> 00:15:14,760

Now then let's have some fun.

276

00:15:14,790 --> 00:15:17,730

Let me find there's one,

a nice one in the brush.

277

00:15:17,760 --> 00:15:21,090

I'm going to touch it to a

small amount of the liquid

278

00:15:21,090 --> 00:15:23,100

white go right into my titanium.

279

00:15:23,130 --> 00:15:23,430

White.

280

00:15:24,465 --> 00:15:28,275

The least little touch of alizarin

Crimson on it, least little touch it.

281

00:15:28,505 --> 00:15:28,775

Okay.

282

00:15:28,805 --> 00:15:33,575

Now I to tap it, like, so see,

give it a little tap push.

283

00:15:34,265 --> 00:15:35,255

All right, let's go right up here.

284

00:15:35,885 --> 00:15:40,385

I want to put the indication up

here of some beautiful little snow

285

00:15:40,385 --> 00:15:41,795

covered highlights up in there.

286

00:15:44,105 --> 00:15:46,145

There think about form and shape.

287

00:15:46,205 --> 00:15:47,225

Don't just hit it random.

288

00:15:47,225 --> 00:15:49,715

Now don't hit it random.

289

00:15:50,585 --> 00:15:50,855

There.

290

00:15:52,620 --> 00:15:55,350

Say there that all these

little things just happen.

291

00:15:59,780 --> 00:16:01,209

They're there

292

00:16:08,689 --> 00:16:09,260

not fun.

293

00:16:10,339 --> 00:16:12,980

I remember though that a thin

paint will stick to a thick paint.

294

00:16:13,370 --> 00:16:16,130

So that's the reason we put a little

bit of liquid white in with the

295

00:16:16,130 --> 00:16:18,530

titanium white, just to pin it down.

296

00:16:18,530 --> 00:16:18,800

So.

297

00:16:20,415 --> 00:16:23,324

That way it'll stick right on top

without, at all, mix them together.

298

00:16:24,645 --> 00:16:28,694

If the paints are both the same

consistency, you got to run into problems.

299

00:16:29,085 --> 00:16:31,574

If the paint on your brush is thicker

than what's on the canvas, you're

300

00:16:31,574 --> 00:16:35,175

gonna run into big problems because

all that happens in is it pulls

301

00:16:35,175 --> 00:16:39,735

the paint off the canvas onto your

brush and you become a mud mixer.

302

00:16:39,735 --> 00:16:40,814

And then you're unhappy with me.

303

00:16:41,415 --> 00:16:41,655

Okay.

304

00:16:42,495 --> 00:16:44,385

Maybe there's a little

bullshit lives right in there.

305

00:16:46,215 --> 00:16:47,925

Grab a little touch, more of the Crimson.

306

00:16:52,205 --> 00:16:52,295

Okay.

307

00:16:52,705 --> 00:16:57,725

A little bit of Crimson will help

separate make all these little bushes,

308

00:16:57,725 --> 00:17:03,305

individual, give them names, make them

friends, whatever it takes, nothing

309

00:17:03,305 --> 00:17:05,045

wrong with talking to your little bushes.

310

00:17:08,195 --> 00:17:10,445

They're over here.

311

00:17:12,035 --> 00:17:13,055

Let's put some highlights.

312

00:17:13,349 --> 00:17:14,359

Right on this little tree.

313

00:17:14,399 --> 00:17:17,369

Don't want this little

guy left down there.

314

00:17:17,369 --> 00:17:19,829

We are see here.

315

00:17:22,290 --> 00:17:22,679

Okay.

316

00:17:26,550 --> 00:17:28,280

Let the light play through there.

317

00:17:29,010 --> 00:17:30,540

That came sparkle in the sun.

318

00:17:32,100 --> 00:17:37,560

Everybody wants a chance to

sparkle in the sun there.

319

00:17:39,389 --> 00:17:40,469

I knew you could do this.

320

00:17:40,530 --> 00:17:42,389

This is so nice.

321

00:17:43,740 --> 00:17:45,150

Makes you feel good when you paint that?

322

00:17:50,480 --> 00:17:52,130

Right here does another little Bush.

323

00:17:52,730 --> 00:17:52,820

Okay.

324

00:17:55,130 --> 00:17:56,480

Just comes right on down

325

00:18:01,130 --> 00:18:02,540

and we can work up in the other direction.

326

00:18:02,540 --> 00:18:05,240

They don't make any difference,

which way you go there.

327

00:18:06,440 --> 00:18:07,280

This big old tree.

328

00:18:07,280 --> 00:18:08,870

Let me grab a touch more in the Crimson.

329

00:18:10,469 --> 00:18:14,189

They're a little more, the liquid

white and my brush, just to thin the

330

00:18:14,189 --> 00:18:16,889

paint, just at the end of the paint.

331

00:18:17,699 --> 00:18:20,879

When I went over that way, though, our

friend, the bird setting over there,

332

00:18:20,879 --> 00:18:21,929

he thought I was going to feed him.

333

00:18:23,419 --> 00:18:24,080

There we are.

334

00:18:30,800 --> 00:18:32,729

just pop these highlights in.

335

00:18:35,840 --> 00:18:37,790

Don't kill all those beautiful dark areas.

336

00:18:38,895 --> 00:18:40,905

If you can, all those

darks, that'd be very flat.

337

00:18:41,175 --> 00:18:42,245

Don't want that back happened.

338

00:18:48,004 --> 00:18:50,645

This is one of the easiest

ways that I have ever developed

339

00:18:51,784 --> 00:18:53,225

to put highlights on trees.

340

00:18:54,395 --> 00:18:56,675

All you have to do is just sort

of drop things in like that.

341

00:19:00,125 --> 00:19:03,274

Maybe down in here, I have

to be a little bushy too.

342

00:19:04,925 --> 00:19:05,165

Yep.

343

00:19:05,375 --> 00:19:06,004

You're right.

344

00:19:06,899 --> 00:19:07,810

You knew they were there.

345

00:19:16,010 --> 00:19:17,389

See, I'm just putting it on the top.

346

00:19:17,389 --> 00:19:19,280

I'm leaving the darker down here.

347

00:19:19,280 --> 00:19:20,030

Nice and dark.

348

00:19:22,010 --> 00:19:22,219

Okay.

349

00:19:22,250 --> 00:19:23,600

Let me find another fan brush here.

350

00:19:23,600 --> 00:19:25,100

I have several fan brushes going.

351

00:19:26,209 --> 00:19:29,510

I want to begin taking this

and pulling it, smoothing it.

352

00:19:30,570 --> 00:19:31,350

Very lightly.

353

00:19:32,879 --> 00:19:35,429

You can make this just as smooth

as glass by working with it.

354

00:19:35,879 --> 00:19:36,620

Here's let's do it.

355

00:19:36,949 --> 00:19:38,030

Let's do a little trick here.

356

00:19:38,210 --> 00:19:42,169

Let's take a little white

lease a little bit of, of blue.

357

00:19:42,169 --> 00:19:44,810

I mean, tiniest little

bit that they love blue.

358

00:19:44,899 --> 00:19:45,679

It goes a long way.

359

00:19:46,699 --> 00:19:50,330

Maybe right over in here

coming out of this area.

360

00:19:51,620 --> 00:19:53,270

Maybe like a here.

361

00:19:53,389 --> 00:19:53,669

Okay.

362

00:19:53,669 --> 00:19:53,810

Here.

363

00:19:54,470 --> 00:19:56,300

There's a little, little path.

364

00:19:57,855 --> 00:20:01,215

Maybe this is where the little

creatures have wandered around.

365

00:20:01,215 --> 00:20:04,605

It comes right on around just by

adding that little bit of blue, though,

366

00:20:05,595 --> 00:20:11,955

you can create the illusion of an

indentation there, a shadow that easy.

367

00:20:13,965 --> 00:20:16,905

And we said, we said we were

going to have a little Lake here.

368

00:20:17,445 --> 00:20:17,534

Okay.

369

00:20:17,925 --> 00:20:21,225

So let's take a little of our dark

color, some blue, a little Brown

370

00:20:22,755 --> 00:20:26,385

tap, a little led in there, and

you have to make a big decision.

371

00:20:26,415 --> 00:20:29,835

Where's your Lake going to

live, maybe right in here.

372

00:20:31,005 --> 00:20:32,985

This is just a little pond out here.

373

00:20:34,305 --> 00:20:37,665

Post straight down, straight down.

374

00:20:38,145 --> 00:20:39,135

It's most important.

375

00:20:39,945 --> 00:20:42,345

If it, if you go sidewards,

it won't look right.

376

00:20:42,375 --> 00:20:43,125

Post street down.

377

00:20:45,540 --> 00:20:47,470

There we go happy.

378

00:20:47,470 --> 00:20:48,930

It goes right over there.

379

00:20:49,500 --> 00:20:51,120

Just make a decision and drop it yet.

380

00:20:51,510 --> 00:20:56,490

They go across gives us instant

reflections and makes it look

381

00:20:56,490 --> 00:20:59,370

like very cold water that easy.

382

00:21:02,640 --> 00:21:06,930

Then we can take our fan brush and

here in there, you're in there.

383

00:21:07,725 --> 00:21:11,805

We can just put the indication of

some little snow covered areas that

384

00:21:11,805 --> 00:21:13,275

are working their way down here.

385

00:21:15,095 --> 00:21:21,005

They're saying maybe here's the

one over here, wherever you want to

386

00:21:24,965 --> 00:21:25,595

say, Eric.

387

00:21:25,595 --> 00:21:30,515

I was the one out into the

water, just a stone out there.

388

00:21:30,515 --> 00:21:34,055

This all covered with ice and

snow voiced cold out here.

389

00:21:38,780 --> 00:21:42,080

think we can clean up the bottom, excuse

me, fan brush and pull it across it and

390

00:21:42,080 --> 00:21:45,320

make it look like I lucky and colder.

391

00:21:45,740 --> 00:21:51,020

Just barely grazing the canvas that makes

those little little lions right across

392

00:21:51,020 --> 00:21:55,160

there and here and there, here and there.

393

00:21:55,160 --> 00:21:57,230

To me, get another fan brush,

a little touch of Brown.

394

00:21:57,620 --> 00:22:01,910

You can even put a little stones, sort

of sticking out from underneath there.

395

00:22:02,840 --> 00:22:04,070

Just a little indication.

396

00:22:04,709 --> 00:22:06,540

See, however many you want

397

00:22:09,889 --> 00:22:12,860

and he'd come along, clean

it up, bring it a little bit

398

00:22:12,860 --> 00:22:14,149

color right over the top of it.

399

00:22:26,840 --> 00:22:28,669

there's our little path

where the creatures come.

400

00:22:29,689 --> 00:22:33,590

They walked down this path and come over

here and get them a little drink of water.

401

00:22:35,910 --> 00:22:36,629

There we go.

402

00:22:39,629 --> 00:22:40,050

All right.

403

00:22:41,310 --> 00:22:42,210

Tell you what let's do.

404

00:22:43,520 --> 00:22:46,280

Let's go back to our liner brush

a little bit of Vandyke Brown.

405

00:22:46,850 --> 00:22:52,010

Maybe, maybe, maybe I didn't realize

how much I say that baby stuff until

406

00:22:52,010 --> 00:22:56,690

one day I was doing a demonstration for

PBS station somewhere and a little boy,

407

00:22:56,720 --> 00:22:58,190

about 10 years old, walked behind me.

408

00:22:58,190 --> 00:23:02,450

And as he walked behind me,

he says maybe, maybe, maybe.

409

00:23:03,915 --> 00:23:11,355

Made me realize how often I say that all

I'm doing there is just using the little

410

00:23:11,355 --> 00:23:17,284

Brown, putting that touch of color.

411

00:23:17,555 --> 00:23:20,555

Then I'm going to add just to at least

a little bit of light on one side.

412

00:23:20,555 --> 00:23:22,475

And while we got that light

going shoot, let's put a little

413

00:23:22,475 --> 00:23:23,615

light on this tree down here.

414

00:23:23,615 --> 00:23:26,405

Maybe there's a little sunlight

and Sanger right through here.

415

00:23:27,605 --> 00:23:30,875

There, it strikes right on the edge there.

416

00:23:31,355 --> 00:23:32,254

Park that tree up.

417

00:23:34,905 --> 00:23:35,715

Back to my Brown.

418

00:23:36,345 --> 00:23:38,175

Maybe there's a little

touch of wired hanging up.

419

00:23:39,935 --> 00:23:43,325

I can't say, let your imagination go.

420

00:23:46,265 --> 00:23:46,655

There.

421

00:23:46,655 --> 00:23:49,175

We are here and there.

422

00:23:49,175 --> 00:23:50,645

You can put a happy little stick.

423

00:23:53,435 --> 00:23:54,365

It's a little twigs.

424

00:23:54,365 --> 00:23:58,175

There's always all kinds of little

sticks and stuff that live in here.

425

00:24:00,135 --> 00:24:04,574

And they, they show different planes

on your painting to help create that S

426

00:24:04,834 --> 00:24:07,034

that illusion of depth, so important.

427

00:24:07,334 --> 00:24:08,534

So, so important.

428

00:24:09,935 --> 00:24:10,564

There we go.

429

00:24:13,715 --> 00:24:14,645

Just a few over here.

430

00:24:14,675 --> 00:24:20,074

I don't want this side left down just

to sort of bring it all together.

431

00:24:21,935 --> 00:24:22,564

There we are.

432

00:24:24,215 --> 00:24:27,034

Maybe there's one hanging

right over that way.

433

00:24:32,300 --> 00:24:33,439

this is what makes it fun.

434

00:24:33,500 --> 00:24:36,800

These little finishing touches that you

can just take your time and drop in.

435

00:24:38,990 --> 00:24:42,889

You can just do all kinds

of things like, yeah, there,

436

00:24:46,220 --> 00:24:49,570

you know, one of the questions I may

ask repeatedly when people write in and

437

00:24:49,580 --> 00:24:52,100

they say they bought a pallet, like yes.

438

00:24:52,100 --> 00:24:52,340

And it.

439

00:24:53,220 --> 00:24:54,180

It doesn't look like mine.

440

00:24:54,210 --> 00:24:57,600

Well, I take sandpaper and sand

this pallet, so it doesn't shine.

441

00:24:57,600 --> 00:25:01,770

Same as with the brushes and stuff

I take and put tape over them, or we

442

00:25:01,770 --> 00:25:05,190

dull them somehow, but they're the

same exact product that you're getting.

443

00:25:05,610 --> 00:25:06,540

We put that on only.

444

00:25:06,540 --> 00:25:08,670

So you don't get great big

alight glares in the TV.

445

00:25:08,670 --> 00:25:09,870

People would yell at me.

446

00:25:11,250 --> 00:25:12,570

Sometimes they scream and yell at me.

447

00:25:12,590 --> 00:25:14,270

I may, if I, if I don't do that.

448

00:25:15,980 --> 00:25:19,250

So I'm just going to add a little

dark here and there around the bottom.

449

00:25:22,365 --> 00:25:22,755

Wherever,

450

00:25:26,615 --> 00:25:28,985

I think we're about on the verge

of having a finished painting.

451

00:25:29,015 --> 00:25:31,475

Why do you think my friend, this

is my little bird over here.

452

00:25:32,255 --> 00:25:32,705

He's sitting here.

453

00:25:32,705 --> 00:25:33,635

Let me pick him back up.

454

00:25:33,665 --> 00:25:34,545

Come here, come here.

455

00:25:35,885 --> 00:25:37,835

Yeah, there he is.

456

00:25:38,525 --> 00:25:39,515

Isn't this a character.

457

00:25:39,575 --> 00:25:40,145

What do you think?

458

00:25:40,295 --> 00:25:41,045

Did we do all right.

459

00:25:42,635 --> 00:25:44,465

Did we get right up there?

460

00:25:46,835 --> 00:25:47,285

Where are you going?

461

00:25:50,475 --> 00:25:52,485

You said no, you said right there.

462

00:25:53,534 --> 00:25:54,044

All right.

463

00:25:55,304 --> 00:25:55,995

Tell you what let's do.

464

00:25:55,995 --> 00:26:00,945

Let's take a little bit of red,

make it then like water and let's

465

00:26:00,945 --> 00:26:05,165

sign this painting right here.

466

00:26:08,074 --> 00:26:08,495

Okay.

467

00:26:12,845 --> 00:26:13,504

There we are.

468

00:26:16,774 --> 00:26:18,125

I think we haven't finished painting.

469

00:26:21,360 --> 00:26:24,240

So on behalf of my little

friend, we call him mr.

470

00:26:24,240 --> 00:26:27,750

J around the station here, but half of

them we'd like to wish each and every

471

00:26:27,750 --> 00:26:30,390

one of you have to paint him in God.

472

00:26:30,390 --> 00:26:30,900

Bless.

End .srt file.

Bob Ross' The Joy of Painting

Tuesday, December 29, 2020

S14E04 - Snowy Solitude

Bob Ross's

The Joy of Painting

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