Bob Ross's

The Joy of Painting

S15E13 - Christmas Eve Snow

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Hi, welcome back.

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I'm certainly glad you could spend

a little time with us today and

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do a fantastic little painting.

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So I tell you what let's get started.

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Having run all the colors across

the screen that you need to paint

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along with me and they'll come

across in the same order as I have

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them on the pallet, starting with

the white and working around today.

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As you can plainly see, I have

a black canvas up here and.

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I've just covered this with black

Jesso, allowed it to dry completely.

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And then on top of that, I've added a

mixture of midnight black and a little bit

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of Prussian blue, not much Persian blue,

just enough to give it up bluish tint.

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And I thought they would do a little

mountain winter scene something.

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Let's just do it and see what happens.

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Okay.

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Start off with the old

to enterprise today.

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Go right into a small amount.

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Of titanium white, as I've

mentioned before, these

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black canvases are fantastic.

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If you wanna, if you want to amaze friends

and relatives and et cetera, because

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they don't see, you put the color on

top of the black and it's transparent.

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And then when you come in here and you

add a little bit of just all kinds of

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beautiful little things just happened.

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And today I just want to add a

very small amount of the titanium

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white juice to get the indication

of a little color here and there.

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Don't want a lot of color today?

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Just a little, I'm going

to put some clouds.

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I think in here, all I'm looking for is

just a little background, color this.

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So this is behind the clouds.

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We'll do that first.

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We'll come in with a drop in a

happy little cloud here and there.

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Right.

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I like his black canvases because

a little bit of color shows

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up so strong and so beautiful.

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It just it's unreal what

you can do with them.

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Um, you know, I get letters from people

every day and they send me photographs of

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the paintings that they're doing at home.

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And these black canvases,

maybe some of the favorites.

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And these are from people that

a lot of them have never had.

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They've never even suspected

that they had any art talent.

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They've never had any lessons.

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They just watched the shows, picked up

ideas, got enough confidence, grabbed the

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old brush and they're doing some beautiful

paintings and you can too, you really can.

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Let's wash the brush, shake it

off, beat the devil out of it.

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All right, let's get us a one inch brush.

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If we're going to have a happy little

cloud, we'll just continue to use the

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titanium white, just pull a little

color into the bristles and we have

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to make our first major decision here.

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Where does our little

clouds live in our world?

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Maybe?

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Yep.

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You're right there he is.

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I'm just using the top corner of the brush

and just making tiny little circles, just

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tiny little circles, tiny little circles.

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There you go, just sing along

as you, as you're doing this.

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Think about tiny little

circles or there you go.

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Okay.

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And blend it out like a dad, but look,

how color stands out on this black canvas?

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It's real.

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It's real.

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Maybe there's another little cloud.

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He just floats around right here.

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Wherever, wherever there we are.

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Maybe a little more of the color.

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Yeah, you're right.

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Let's have another clap.

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This, this will give us a little bit of

practice doing some happy little clouds.

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There are a lot of fun, a lot of

fun, and they're very easy to do.

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Very easy to do.

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And he comes right on.

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We don't know where it goes here.

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Little fluffer there.

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Clouds are so free, so free.

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They're just one of the freest things

in nature maybe comes out through here.

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Whereas the job I want my next

life, I want to come back and

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get cloud and just float around.

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Have a good time all the time.

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Okay.

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And how to take a large brush.

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And I'm very gently just begin.

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Beginning to blend.

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The base of this very lightly

genius blended blended blended.

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Once again, color shows up so much

stronger on the black canvases, much

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stronger than on a white canvas.

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There we go.

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Or you can blend these till they're dead.

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So don't overdo it just the,

just enough to turn them up a

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little bit and mix them up there.

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Hang in there, man.

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I beat the brush just to

remove excess paint off of it.

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So I don't have to clean it again.

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Then I'm going to fluff them,

lift them, tease them, pull them.

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This is not, not a very firm

pressure on applying now.

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Just gentle, just gentle.

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Just enough to grab it,

move it a little bit.

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Lightly, fairly lightly.

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Look at that.

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Look at that.

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Or that's some fantastic little cloud

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there.

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They stand out once again.

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So strong on these black canvases as black

Jessica was one of the most panicked.

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Tastic things years ago, I used

to just use flack house paint.

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I've had some letters from

people they wrote and told me

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that it didn't do too well.

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So the black Jessa was

designed specifically for this.

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Okay.

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Let's build this a mountain.

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Let's build this a mountain today.

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I'm going to use just black.

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And Vandyke Brown, little Prussian blue.

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We'll throw some alizarin

Crimson in there, too.

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What the heck?

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Looking for a color that looks very dark.

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It looks black.

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Okay.

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Cut off a little roll of paint, have

it right on the edge of the knife.

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And then you have to

make a major decision.

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Where does your mountain

live in your world?

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I think he's going to live over

here, so let's go right up in

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here and let's just drop a sin.

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A nice fucking mountain.

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Nice big map.

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I like, I like to do mountains

because it gives you, gives you

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a lot of experience with a knife.

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Once you learn how to do mountains

with this knife, all it's your friends.

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You can do anything.

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Maybe this comes over here and

there's another peak lives right there

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where I really want to.

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There, if you can do mountains with this

knife, you can do this, or you can do

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rocks and stones and roads and buildings.

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And some of the past series

we've done entire paintings

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using nothing but tonight.

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Absolutely nothing, but tonight

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we'll have to do some more

of those types of shows.

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It's interesting to

see why it can be done.

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Just using a knife.

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It's a little difficult

because of the time restraints.

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There we go.

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No, I'm just using a two inch brush.

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I just want to pull this down.

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This is an excellent way of

laying out highlights and shadows.

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You can see those brush strokes in there.

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Every stroke you make stands out.

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And I hope you can see those on

your, on your TV set, but you can

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lay out entire mountains, just,

just using the brush strokes.

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And you're not committed.

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You can change it for repeatedly,

literally hundreds of times, but it

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teaches you how to, how to make your

mountain look the way you want it to look.

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You can just get carried away.

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Make all kinds of beautiful effects Kang.

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Let's put some snow on

that mountain for that.

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I'm going to use titanium white.

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Let me put a little bit of black

with it, just to dull it down.

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Just a dollar.

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So it's not pure white.

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Pull the paint out firmly.

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Just really get in there

and raise the devil with it.

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And then cut us off at

little roll of paint again.

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You won't have to be right

on the edge of the knife.

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Okay.

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Now then no pressure.

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Just let it touch the canvas and graze.

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All this touching is that roller paint.

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It just grazes the canvas.

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Grace Caressa there.

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Make good friends with it.

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Pick up that paint break and work for you.

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We have a very firm paint and it's

designed specifically for this

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technique and it works so well.

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But you need a very firm, dry paint

it's most, most important, and you

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have to make some big decisions.

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Where does these peaks live?

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Are they in the background?

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In the foreground?

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We'll put this one in the foreground.

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Xcel.

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Here we are.

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Just let them go wherever you want.

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Think about it, where it

looked like with strike.

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Okay.

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I'm going to take some white, do

some impression, blue and blue,

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some black looking for a gray blue

color instead of a grayish blue.

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That's not bad.

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Something like, so once again,

our little roll of paint.

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Now we can come back in here

and we can begin laying in

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all kinds of little shadows.

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Just follow the lay of the mountain here.

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See here comes one.

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To me, it looks like there's

a Valley right in here.

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So just pull it, create that

illusion, a delusion there.

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I didn't see that peak right there.

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I want to push it back, watch

here until you might've seen me do

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this before, but it's always fun.

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Just come directly,

distinctly through that.

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And it pushes that son of

a gun right on the back.

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You don't want to leave at dark.

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So it looks like our nice recessed

area leaves some dark in there times.

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Okay.

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There we go.

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Here's a nice one in here

and there there's one.

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You can put the indication of shadows

and it causes like little ridges and

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all kinds of beautiful little effects.

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They simply change that.

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Go wherever you want to.

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But practice, these mountains will

open whole new worlds for you.

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Once you learn to make friends with

this knife, get a little more of

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the titanium, white with a touch of

black in it, pull it out flat once

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again, our little roll of paint.

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I want to put a few highlights

over here on this little mountain.

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This reminds me of my home in Alaska.

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What God was having a good day

when he made Alaska so beautiful.

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If you've never been there,

you were, you were ready to go

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see it while it's still wild.

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You can see more creatures

there in one day.

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Yeah.

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So beautiful.

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My favorite uncle sent me there.

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Uncle Sam, you know, he, he asked

me if I'd like to go up there for

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a while and if you don't go, you're

going to jail, you know how it

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goes, say, I'm asking you to go.

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But I went up there and I fell

in love with a crazy place.

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It is so spectacular.

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I was born and raised in Florida.

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I didn't know, things

like that even existed.

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I had never dreamed of.

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There.

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No pressure.

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We want that paint to break creates

all of those beautiful little effects.

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Just sort of bring it

together right in there.

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I collect a little Valley.

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It lives in there.

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Little mountain goat has

to have a place to go hide.

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Now then we'll take, we'll take two

eight depression and very lightly

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they'll begin tapping, always

following the angles in their mouth.

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Now I'm going to have snow down

here, so it doesn't matter.

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If we get a little paint down here,

we're going to cover it all up.

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So don't be worried about it.

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Don't be worried about it over here.

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We want to follow these angles.

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Look at the angles in your mountain

and follow them on to create

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that illusion of missed, beat

the brush to remove excess paint.

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Now, maybe right in here.

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Sometimes you can very gently

just blend things together here.

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See, just blend them together.

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It'll make it look like it's

a little Misty or you're

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laying right between those.

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Bring it right down down.

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Not very lightly.

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Two hairs in some air grab

that they lift up burden.

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Gently lift up or up or down there.

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Okay.

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Here, follow these angles

and lifted up right now.

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You're just lifting right in here.

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You don't want to lift and

destroy all of these, just

255

00:14:35,510 --> 00:14:36,890

diffuse the bottom of the mouth.

256

00:14:37,160 --> 00:14:41,540

So it looks like it's sitting

right, right in the mist.

257

00:14:42,315 --> 00:14:43,875

Okay, we can wash your soul brush.

258

00:14:45,135 --> 00:14:46,065

Give him a good strip.

259

00:14:46,155 --> 00:14:46,755

Shake him up.

260

00:14:48,525 --> 00:14:50,625

Cover a couple of cameraman

and we're in business.

261

00:14:51,945 --> 00:14:52,845

You're in business.

262

00:14:53,685 --> 00:14:56,235

All right, let's use the

same old dark color here.

263

00:14:56,235 --> 00:15:00,895

We had some black, some precious

blue, some Vandyke Brown lizard.

264

00:15:00,925 --> 00:15:03,345

Crimson doesn't matter.

265

00:15:05,265 --> 00:15:06,315

There's some dark Santa.

266

00:15:06,315 --> 00:15:07,275

We can throw that in there.

267

00:15:07,395 --> 00:15:08,115

Whatever you have.

268

00:15:09,075 --> 00:15:15,495

They're going to be cleaned the knife

that's grabbed as a fan brush here, there,

269

00:15:16,995 --> 00:15:21,285

and I'm going to load it full of this dark

color that we just made full of color.

270

00:15:21,675 --> 00:15:22,395

A lot of painting.

271

00:15:23,295 --> 00:15:27,855

And back in here, back in here,

we're going to have some little

272

00:15:27,855 --> 00:15:31,095

evergreen trees that are far away now.

273

00:15:31,095 --> 00:15:32,025

They'll stand out.

274

00:15:32,449 --> 00:15:34,760

Picking against that

lighter mountain color.

275

00:15:36,830 --> 00:15:42,050

Maybe they come down and they go, I

don't know what this just to be straight.

276

00:15:42,080 --> 00:15:44,780

So I'm going to have it go

uphill here a little bit.

277

00:15:44,780 --> 00:15:49,730

So we have some, have some

variation in our, in our land.

278

00:15:51,080 --> 00:15:54,949

Make it look a little more, a little more

interesting if it goes over, which way.

279

00:16:00,089 --> 00:16:01,010

Maybe it comes around.

280

00:16:01,010 --> 00:16:01,770

I don't have a peer.

281

00:16:01,770 --> 00:16:03,119

I don't know wherever you want.

282

00:16:03,119 --> 00:16:03,180

283

00:16:10,439 --> 00:16:12,390

helps push all those mountains back.

284

00:16:12,530 --> 00:16:13,640

But you need that little Misty.

285

00:16:13,640 --> 00:16:17,810

Are you in between a little

Mysterio is your separator.

286

00:16:18,500 --> 00:16:21,710

It keeps, it keeps the

mountains and the trees apart.

287

00:16:22,520 --> 00:16:25,100

I'm going to put a little bit

of that shadow color had left

288

00:16:25,100 --> 00:16:30,230

here and just lift up burden to

create the, the illusion of them.

289

00:16:30,555 --> 00:16:31,545

Distant tree trunks.

290

00:16:31,545 --> 00:16:36,435

I want this very subdued, very

quiet and C just shows up.

291

00:16:36,465 --> 00:16:36,705

Good.

292

00:16:36,765 --> 00:16:37,305

That's all.

293

00:16:38,895 --> 00:16:41,265

Now, if you get one it's too

bright, you don't like it.

294

00:16:41,505 --> 00:16:48,195

All you have to do is continue to rub

it down and it'll go away and go away.

295

00:16:50,955 --> 00:16:51,945

Now, maybe back here.

296

00:16:52,770 --> 00:16:53,130

Shoot.

297

00:16:53,970 --> 00:17:00,930

Let's have some fun lot of paint, a

lot of paint, or I want a messy brush.

298

00:17:00,930 --> 00:17:01,470

I got there.

299

00:17:01,949 --> 00:17:02,850

Look at that son of a gun.

300

00:17:02,850 --> 00:17:04,650

I got paint all the way up to the furrow.

301

00:17:05,700 --> 00:17:06,300

That's okay.

302

00:17:07,560 --> 00:17:09,000

Maybe back in here, their lives.

303

00:17:10,079 --> 00:17:14,220

A few trees are closer to us and

they're big and they're strong.

304

00:17:15,780 --> 00:17:17,010

There they are same.

305

00:17:19,220 --> 00:17:22,159

Now, if you have problems making you

paint, stick over this mountain, cause

306

00:17:22,159 --> 00:17:23,750

it's, there's a lot of paint back here.

307

00:17:24,230 --> 00:17:25,639

Add some paint thinner to your dark.

308

00:17:25,639 --> 00:17:26,270

I'm doing all right.

309

00:17:26,270 --> 00:17:26,899

Right here today.

310

00:17:28,725 --> 00:17:30,495

But sometimes you have a little problem.

311

00:17:31,094 --> 00:17:34,604

If I had occurred, just add a little

thinner because at then paint will

312

00:17:34,604 --> 00:17:38,774

stick on top of a thicker paint there.

313

00:17:42,824 --> 00:17:45,344

And I do realize that happens

sometime people write and tell me

314

00:17:45,344 --> 00:17:47,175

that they're having some problems.

315

00:17:48,615 --> 00:17:50,865

Usually if you just had a little

paint thinner, that'll carry them

316

00:17:54,195 --> 00:17:54,584

here.

317

00:17:55,715 --> 00:17:57,965

You know, I've mentioned before

we travel all over the country, we

318

00:17:57,965 --> 00:18:02,165

give painting demonstrations and

work with PBS stations and other

319

00:18:02,165 --> 00:18:07,205

charity groups around the country to

help them make a happy buck or two.

320

00:18:08,165 --> 00:18:10,385

And if we get to your area, come see us.

321

00:18:10,505 --> 00:18:10,775

Shoot.

322

00:18:10,775 --> 00:18:12,935

I'd love to have the opportunity

to meet you and talk with you.

323

00:18:12,935 --> 00:18:15,275

I've met literally thousands of people.

324

00:18:16,865 --> 00:18:18,245

It's, it's fantastic.

325

00:18:18,245 --> 00:18:20,165

They bring photographs

of their paintings in.

326

00:18:21,160 --> 00:18:22,810

Sound real what people are doing.

327

00:18:24,150 --> 00:18:27,210

And if you'd like to know when I'm

going to be in your area, drop me

328

00:18:27,210 --> 00:18:30,060

a line, just put your name in an

address on my card and send it to the

329

00:18:30,450 --> 00:18:31,920

address at the end of the station.

330

00:18:32,640 --> 00:18:33,480

They'll send it to me.

331

00:18:34,200 --> 00:18:36,030

We maintain a little mailing list to know.

332

00:18:36,840 --> 00:18:37,830

I'll try to drop your card.

333

00:18:37,960 --> 00:18:39,990

Let you know when we're

going to be in your area.

334

00:18:41,910 --> 00:18:43,680

When we got a whole mess

of trees going there.

335

00:18:45,335 --> 00:18:49,335

I just going to take a

knife just here and there.

336

00:18:51,675 --> 00:18:54,135

I know those are hard to see, but

there's little lines in there.

337

00:18:56,605 --> 00:18:57,915

We need to brighten this picture up.

338

00:18:57,915 --> 00:18:58,995

I'll put some snow in it.

339

00:18:58,995 --> 00:19:01,095

That'll that'll zing it.

340

00:19:01,935 --> 00:19:03,045

We find a big brush.

341

00:19:05,205 --> 00:19:06,765

Okay, let's get serious.

342

00:19:07,565 --> 00:19:09,155

We're writing to titanium white.

343

00:19:09,575 --> 00:19:11,675

Now we have color on the canvas already.

344

00:19:11,675 --> 00:19:13,055

We have a blue and black mixture.

345

00:19:13,385 --> 00:19:19,835

So when we, when we put color on, get a

little bit shadow color, too, when we put

346

00:19:19,835 --> 00:19:22,415

color on there as come to get a little

darker than what we have on the brush,

347

00:19:23,225 --> 00:19:24,305

and we're depending ending on that.

348

00:19:24,665 --> 00:19:24,995

Okay.

349

00:19:25,445 --> 00:19:26,465

Got to make a big decision.

350

00:19:26,525 --> 00:19:28,595

Whereas this no lift, let's say.

351

00:19:29,100 --> 00:19:30,149

Soon goes, right.

352

00:19:30,240 --> 00:19:30,899

Let's go uphill.

353

00:19:30,899 --> 00:19:32,129

Now, look at that thing.

354

00:19:34,320 --> 00:19:34,699

All right.

355

00:19:34,710 --> 00:19:37,649

I know you're saying Bobby

made a mess this time.

356

00:19:38,669 --> 00:19:39,659

You may be right too.

357

00:19:41,040 --> 00:19:42,629

I've certainly been known to do that.

358

00:19:44,389 --> 00:19:45,020

There we go.

359

00:19:48,540 --> 00:19:50,270

We don't, we don't make mistakes.

360

00:19:50,270 --> 00:19:52,129

You know, we have happy accidents.

361

00:19:56,365 --> 00:19:57,115

Very soon.

362

00:19:57,835 --> 00:20:00,835

Very soon after you start painting

in this method, you'll learn.

363

00:20:02,814 --> 00:20:04,885

There's nothing that goes

wrong and correct anything.

364

00:20:04,885 --> 00:20:05,514

It happens.

365

00:20:06,865 --> 00:20:09,324

It's one of the things when I

was teaching classes continually.

366

00:20:10,500 --> 00:20:11,160

It's so good.

367

00:20:11,580 --> 00:20:16,950

And if you're ever teaching, this will

help you with students is if you show them

368

00:20:17,130 --> 00:20:23,670

that there, there are no mistakes, you can

fix everything it happens, and that really

369

00:20:23,670 --> 00:20:25,650

helps get you over some of that fear.

370

00:20:26,580 --> 00:20:27,600

Well, we have a lot of fear.

371

00:20:27,600 --> 00:20:29,400

We first touch a big old blank canvas.

372

00:20:31,530 --> 00:20:34,970

Once you, once you get over

that, that's when you really.

373

00:20:36,085 --> 00:20:40,705

Really begin to experience,

enjoy a pain there.

374

00:20:44,125 --> 00:20:45,475

See that, that quickly.

375

00:20:45,505 --> 00:20:52,405

Well, we've got a whole snowbank

in there, just like, so, okay.

376

00:20:52,435 --> 00:20:53,605

Where'd my brush go.

377

00:20:53,605 --> 00:20:54,055

There it is.

378

00:20:55,375 --> 00:20:55,825

What's happening?

379

00:20:55,825 --> 00:20:59,485

Evergreen on the other side, the same

old color, same old color, really

380

00:20:59,485 --> 00:21:01,225

loading that brush full of color.

381

00:21:01,620 --> 00:21:02,879

A lot of paint, both sides.

382

00:21:04,050 --> 00:21:04,560

All right.

383

00:21:04,890 --> 00:21:07,710

Maybe it is a tree that

lives in our world.

384

00:21:08,490 --> 00:21:08,790

Yep.

385

00:21:09,240 --> 00:21:09,720

Right there.

386

00:21:11,310 --> 00:21:12,030

Right there.

387

00:21:12,030 --> 00:21:13,620

Here it comes there.

388

00:21:13,620 --> 00:21:15,120

It comes just working back and forth.

389

00:21:15,120 --> 00:21:16,710

Making the bristles bend downward.

390

00:21:17,790 --> 00:21:21,600

As you work down, the tree gets stronger

and stronger and more and more pressure.

391

00:21:22,320 --> 00:21:23,220

They can bend them more.

392

00:21:23,520 --> 00:21:25,860

It makes those little things of

hanging on to the limbs, little.

393

00:21:26,490 --> 00:21:30,150

I call them hanging downs for

lack of a better word, but

394

00:21:30,150 --> 00:21:31,500

they're always in evergreen tree.

395

00:21:31,500 --> 00:21:32,490

So it was a little hanging down.

396

00:21:32,520 --> 00:21:32,880

Thanks.

397

00:21:35,685 --> 00:21:40,425

So, you know, this one's closer to

us and by putting trees in different

398

00:21:40,425 --> 00:21:45,375

places that once again helps

create that illusion and distance.

399

00:21:46,245 --> 00:21:47,715

They'll having a little

friend right there.

400

00:21:50,715 --> 00:21:51,435

Okay.

401

00:21:51,915 --> 00:21:55,515

Now that we can reach up into here to

grab some of that dark and pull it down,

402

00:21:56,685 --> 00:22:02,025

that creates our shadow under a tree fixes

the bottom of the tree calls one stroke.

403

00:22:03,735 --> 00:22:06,885

And then I'm going to take some

white and a little bit of thalo blue.

404

00:22:06,885 --> 00:22:07,754

I like a fellow blue.

405

00:22:07,754 --> 00:22:11,085

It's a brighter blue, nice bright blue.

406

00:22:11,895 --> 00:22:12,165

Okay.

407

00:22:12,794 --> 00:22:15,225

Maybe there's a happy little, little path.

408

00:22:16,034 --> 00:22:18,375

Need a little more blue than

show up enough for you to see it.

409

00:22:18,375 --> 00:22:24,570

Well, There see just a little

path that lives right in there.

410

00:22:26,480 --> 00:22:27,440

There, yes.

411

00:22:29,150 --> 00:22:32,240

That blue makes it cold,

but they lose quite warm.

412

00:22:32,240 --> 00:22:32,930

It's a nice blue.

413

00:22:38,420 --> 00:22:38,480

Yeah.

414

00:22:38,510 --> 00:22:42,050

There, you can bring some little

things down the fan brush.

415

00:22:43,040 --> 00:22:45,530

You can really get in there

and smooth things out and put

416

00:22:45,530 --> 00:22:46,910

the little individual things.

417

00:22:47,850 --> 00:22:48,540

And blend them.

418

00:22:50,790 --> 00:22:53,010

Just make all kinds of happy,

little things going on.

419

00:22:54,660 --> 00:22:55,260

I'll tell you what.

420

00:22:56,850 --> 00:22:59,220

This is a nice place

for a little building.

421

00:23:00,060 --> 00:23:03,659

Let's have maybe right back here

against these trees come right up here.

422

00:23:03,659 --> 00:23:06,600

So we can, I'm going to

scrape out a basic shape.

423

00:23:06,659 --> 00:23:12,120

Just take the knife, scrape out a basic

idea of what it is that you want here.

424

00:23:14,020 --> 00:23:15,000

Just scrape it out.

425

00:23:17,445 --> 00:23:21,645

They're still not committed at that point.

426

00:23:21,825 --> 00:23:23,685

All you're doing is just scraping it out.

427

00:23:25,455 --> 00:23:28,085

Can you take some point the roof on there?

428

00:23:29,105 --> 00:23:30,125

Need a roof, right?

429

00:23:30,155 --> 00:23:31,025

Here's a little trick.

430

00:23:31,115 --> 00:23:36,065

So you can come down that edge, get

all your lines nice and straight.

431

00:23:36,065 --> 00:23:41,045

And when you pull this down, did you

have a beautiful street edge sneaky, huh?

432

00:23:43,095 --> 00:23:43,695

There we go.

433

00:23:43,965 --> 00:23:47,115

Now we need a little bit of snow on

the other side of the roof over here.

434

00:23:47,445 --> 00:23:51,225

Just like you get into some Vandyke Brown.

435

00:23:53,855 --> 00:23:54,545

There we are.

436

00:23:55,625 --> 00:23:55,715

Okay.

437

00:23:56,515 --> 00:23:57,575

Say there we're putting in.

438

00:23:57,815 --> 00:23:59,555

All we're doing is blocking in some color.

439

00:24:01,395 --> 00:24:06,615

They're just blocking it in and

then we'll take some dark Sienna.

440

00:24:06,975 --> 00:24:07,784

That's some white,

441

00:24:11,885 --> 00:24:14,465

very gently, very gently.

442

00:24:15,665 --> 00:24:21,814

She pull straight down, make

us some nice boards there.

443

00:24:23,295 --> 00:24:28,305

Add a little fat back Brown to that

and darken it down a little more there.

444

00:24:30,135 --> 00:24:33,705

Yeah, we can just whack off the bottom.

445

00:24:33,945 --> 00:24:34,875

Get it the way we want it.

446

00:24:37,004 --> 00:24:41,415

You know, maybe tell you what

let's go right up in here.

447

00:24:45,525 --> 00:24:46,215

Excuse Mark.

448

00:24:46,245 --> 00:24:46,965

Just a second.

449

00:24:47,595 --> 00:24:47,685

Okay.

450

00:24:51,735 --> 00:24:55,745

You can see that I'm going to put

some little things like that and

451

00:24:55,754 --> 00:24:59,564

we'll go right up here on the top

little, a little bit of white.

452

00:25:01,395 --> 00:25:07,064

Maybe we'll just take and turn this into

a little church that lives out here.

453

00:25:07,750 --> 00:25:09,090

A little steeple right up there.

454

00:25:10,409 --> 00:25:11,970

And it's all covered with snow.

455

00:25:11,970 --> 00:25:18,560

When it's really cold out here, there

was a snow laying all up around there.

456

00:25:21,169 --> 00:25:24,169

Now, maybe tell you what, let's do this.

457

00:25:25,820 --> 00:25:27,800

Maybe getting ready for a service.

458

00:25:27,800 --> 00:25:30,439

And they've turned, they've

turned lights on here.

459

00:25:30,439 --> 00:25:32,300

They've got the lights

burning in the windows.

460

00:25:33,439 --> 00:25:34,490

So let's just scrape out.

461

00:25:35,395 --> 00:25:37,695

Indication of some happy little windows.

462

00:25:39,075 --> 00:25:44,445

We'll take a little bit of CAD yellow,

just put in the indication of a little

463

00:25:44,445 --> 00:25:48,125

light coming through those windows there.

464

00:25:49,805 --> 00:25:51,635

People are going to be

arriving pretty soon.

465

00:25:56,415 --> 00:25:58,425

Cold day cold day.

466

00:26:01,115 --> 00:26:02,045

Okay.

467

00:26:02,165 --> 00:26:04,655

Back to my fan brush here.

468

00:26:06,425 --> 00:26:08,375

Let's put some snow right

up around the foot here.

469

00:26:10,145 --> 00:26:10,595

I can,

470

00:26:16,265 --> 00:26:18,905

maybe to your point, maybe

right here in the foreground.

471

00:26:20,594 --> 00:26:22,605

Let's just put up a little

tree that lives right there.

472

00:26:22,665 --> 00:26:23,145

There he is.

473

00:26:23,504 --> 00:26:28,635

Give him a little friend or

too small to push you up.

474

00:26:30,254 --> 00:26:31,725

Just want to put a little something here.

475

00:26:33,314 --> 00:26:34,844

That'll push everything back.

476

00:26:35,625 --> 00:26:38,655

And that helps create that illusion

of distance in your painting.

477

00:26:40,004 --> 00:26:42,584

A little bit, a little

bit of shadow underneath

478

00:26:46,245 --> 00:26:46,544

shoot.

479

00:26:46,544 --> 00:26:49,034

I think we about have a finished painting.

480

00:26:50,115 --> 00:26:52,245

I hope it gives you some ideas

shows you what can be done.

481

00:26:52,274 --> 00:26:55,514

Black canvas hope you enjoy

our little church in the, in

482

00:26:55,514 --> 00:26:57,074

the snow from all of us here.

483

00:26:57,165 --> 00:26:57,885

Happy painting.

484

00:26:58,304 --> 00:26:59,145

And God bless.

End .srt file.

Bob Ross' The Joy of Painting

Tuesday, December 29, 2020

S15E13 - Christmas Eve Snow

Bob Ross's

The Joy of Painting

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