Bob Ross's

The Joy of Painting

S12E03 - Secluded Mountain

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Hi.

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Hey, welcome back.

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I'm certainly glad you

could join me today.

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You ready to do a

fantastic little painting?

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Tell you what let's start off from having

run all the colors across the screen

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that you need to paint along with me and

they'll come across in the same orders.

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I have them on the pallet

while they're doing that.

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Let's go on up here.

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I've got my regular 18 by 24 canvas and

I've already covered it with a nice,

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steady even coat of the liquid white.

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So it's all ready to go.

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So let's get started.

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Let's start with the old

two Hinch brace today.

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I like it.

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Big brush.

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I'm going to go right into a little

touch of the Prussian blue Prussian

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blue, and we're retread up here

and grab a touch of the black.

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So I get pressure and blue and black and

just tap, tap the bristles right into

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the paint like, so can I ask up here?

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Now then let's make it.

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Let's make some happy little clouds today.

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So we'll start off.

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Just use little exes, little X is

like so and lay in some land, some sky

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area, just little crisscross strokes.

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We don't want to cover

the whole canvas today.

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I want to leave some, I'm going

to leave some holes in this guy.

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Sometimes it's a little

easier to, to put a cloud in.

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If you just leave an area open,

let's let it blend right on down.

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And this continually continually

mixing with the liquid white

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this on the canvas, and it gets

lighter and lighter and lighters.

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It works down so that the canvas

work for you, maybe right in here,

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whatever, wherever you want it.

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Like, so they're

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that easy.

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You see, you have a happy little sky.

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There we go.

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Very lightly with just blend

next, take out the brush strokes.

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And while I have that going.

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Same old, dirty brush.

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I want to have a little touch here.

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They little blue this time,

just a small amount, very small

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amount, a little bit of black.

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So I have the little blue

and black and then a touch of

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Taylor green just to touch.

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It's very strong, very strong.

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Okay, let's go right up here.

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We'll have some water in his

painting today, so let's go ahead.

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And just lay in some little water

indications, starting outside, Pope

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inward outside, and pull them XL.

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Okay.

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And over here, we'll go in this

direction and I'm not sure exactly

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how much water we're going to have.

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So we'll just do the whole thing.

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And we'll leave water where

we want the rest of it.

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We'll just paint over.

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You can do anything here.

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So don't worry about it.

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All we're doing is laying

color on the canvas.

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At this point, they're painting

very lightly, very lightly here,

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but just flamed right across.

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Okay.

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Let's wash your brush.

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We wash our brush with odorless

thinner shake off the excess.

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Let's beat the devil out of it.

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Okay.

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Let's build a happy little cloud.

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We just use that same old brush go

right through the titanium white.

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I'm going to reach down here and

grab least, least little touch of

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the bright, red, least little touch.

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Doesn't take much, pull it, pull it firmly

through there and get a lot of pain on it.

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Can I just up here now, then if we're

going to have a little cloud, maybe one

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lives right here, just use a corner of the

brush and make little circular strokes.

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See, let that little cloud just,

just come right off you fresh.

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They live right here in the bristles.

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All you have to do is

sort of shake them out.

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Maybe right here.

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There's another little cloud

that just floats around.

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Say they're just as many

or as few as you want.

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Maybe there's another one.

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There forever we're ever.

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Okay.

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Maybe over in here, there's another one.

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And in your painting, you sort of

look at it and decide how many clouds

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you want in your world, but more or

less, or whatever, whatever makes you

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happy painting, I should set you free.

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It should make you very happy.

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Should be relaxing.

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A lot of fun.

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She'd be your good friend.

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Okay.

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Let me grab a clean brush here.

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And I have several brushes coincide,

and I'd spend all my time washing them.

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I get, do they get a kick out

of Washington and brushes?

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Okay.

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Now I'm going to just

blend the base of these.

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I don't, I don't want to blend

the outside edges as yet.

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Just sort of blend the basin

and don't overwork them.

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Don't overwork them

just, just a little bit.

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Leave them alone.

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And if you have a little pain on your

brush, you can just beat it and that'll

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take off the excess paint without going

through the entire cleaning procedure.

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Okay.

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Beat the little devil here, lift it.

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Lifted big circular strokes.

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Don't want to go straight up if you

do it, it look like it's raining

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up and it'll say a hundred body.

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If it's raining.

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All right.

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Okay.

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Say there now very lightly,

just over the entire sky.

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Very lightly.

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Look at that ever believe you could make

such fantastic clouds that easy you can.

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You really can.

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Okay.

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All right.

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Now, wash this brush a little,

give it a little shake and then

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just beat the devil out of him too.

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Let's build us a little mountain today.

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Let's have some fun and

we'll take some black.

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Oh, with a little oppression, blue

in it, and some Crimson and maybe the

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least little touch of yellow ochre.

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So black, blue, little

Crimson, little yellow ochre.

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And if you want to check and see what

color you got, you have to sort of put

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a little white out here and test it.

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Cause that just looks black to you.

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And that looks all right.

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The yellow ochre gives it

just a little green issue.

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We'll cut off that little roller paint.

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Let's go right up here.

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Maybe today we have a mountain that lives.

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Right here.

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And he comes around and Dan I'm

pushing very firm, very firm.

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Maybe there's a little bump wherever you

want a little bump and just fried on now.

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Really, really pushed that paint

right into the fabric though.

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Just really get in there.

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Good, strong, good, strong Kush.

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Don't be afraid to go, going to hurt the

canvas, get in there and really put it in.

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Hmm.

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Scrape off all the excess scrape

it, scrape it quite firmly.

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All right.

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Now we can take a large brush,

be sure it's good and dry.

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And let's blend that.

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Grab it and pull it.

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Just grab it, give it a four.

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You can begin sort of laying out the

highlights and shadows of your mountain.

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These brush strokes will show

and you're not committed.

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You can see how all those brush strokes.

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So they give you an idea of

how you want to lay it out.

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And you can just change your mind.

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You can, you can change the whole

mountain and you can do this over

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and over and over till you get

it the way you want it over here.

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Maybe it comes down soon.

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It was right on out

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there already.

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You can begin picking out shapes here

and you haven't really done anything.

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And we want to blend this with

just sort of comes right down

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to nothing down at the base.

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Very soft.

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There we go.

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Okay.

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Now thought today would do

something a little bit different.

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So I'm going to, I won't take a little bit

of titanium white on a I, and up in here.

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I just want to put an indication of a

little bit of a little bit of color.

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This is titanium, white, least

little touch of the bright red in it.

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So it's a slight pink issue, but

not much maybe right in here.

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No pressure.

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Just a little touch here and there.

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I just don't take the single brush.

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I don't go right into little

yellow ochre or reach up here

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and get a little SAP green.

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I'm just going to tap this right into it.

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So it's sort of a greenish color.

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It's yellow ochre, Sam

green, a little black in it.

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Pick up a little bit.

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CAD yellow, tap to load it though.

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Just tap firmly.

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Okay, let's go ahead.

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Up here.

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And maybe this is a soft.

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Grassy little mountain.

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I got the little, little grass

he's at grow right up beside of it.

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They're here they come

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there and that's super, you

can just see the shun sunshine

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and out here and playing.

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And just sort of vary your colors

back and forth and little Indian,

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yellow hair in there, maybe.

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Yeah, right in there.

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See,

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you can make all kinds of beautiful

little effects that easy and easy.

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There we go.

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Maybe, maybe tell you what, maybe

there's a sort of a Hill right here

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that just leans over like that.

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Every once in a while you can touch a

little bit of white, just pure white

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and that it mixed with that color.

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It'll make it look like the sun

is really shining through there.

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Stay there begins creating that, that

feeling that is bending over here.

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This is a super nice, easy way to

make a very effective little mountain.

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Very effective.

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It's also an excellent way.

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A lot of my, a lot of my friends down

in like North Carolina and et cetera.

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So we don't have snow on our mountain.

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This is a super way of making a mountain

that doesn't didn't have snow, like

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the big Alaska mountains that I paint.

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So often a little darker over on this

side, because this is a shadow side.

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Maybe there's a touch riding

up through here, but all

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you're doing is just tapping.

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It's very.

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Light tapping,

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take a little bit of that same

mountain color and just define

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some of our edges here and there.

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Maybe a little, there we go.

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Wherever you want it.

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Maybe there's a little

bit right in the hair.

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Easy.

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You have got one nice

looking little mountain.

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It was very easy to do that with

just a clean brush, nothing on it.

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Just to clean dry brush.

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I just want to tap this to create

the illusion of a miss down here

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at the base wants to be very soft,

very Misty there and just let

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it disappear right into nothing.

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Okay.

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Okay.

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Shoot.

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That was a lot of fun.

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I enjoy making little mountains.

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Like it.

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Tell you what let's do today.

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Today, today, let's take the old

fan brush and I'm going to mix up.

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Let's say we'll try some

black pressure and blue.

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There's some Vandyke Brown, some

lesser and Crimson little SAP green.

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Shoot, whatever you get.

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Just a good dark color here.

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Good dark color.

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Okay.

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You might as well mix up a

pretty good little pilot.

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We're going to use that over and over.

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Cleaned my knife off, and

then we'll use the fan brush.

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Let's go right into that color load.

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A lot of color on the brush, both sides.

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See the whole brush is very full there.

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Okay.

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And maybe back here, live

some happy little trees.

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All you gotta do is take them

touch and just tap them downward.

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These are a little distant

trees that are far, far away.

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They're saying how easy those are.

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Just tap it downward.

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Like, so wherever you want it to go.

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That's the easiest, nicest ways

to make a lot of little trees.

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Very fast, very fast can hardly go wrong.

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And if you get them too far

apart, I can't, they'll begin

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looking like fence posts.

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Don't want that unless you

want a fence back here.

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If you want a fence back

here, that's the way to do it.

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Fill them up a little more.

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If you want to make it look

like this water goes back.

256

00:13:24,285 --> 00:13:26,655

Let them get smaller as

they go away from me.

257

00:13:26,715 --> 00:13:28,095

Smaller, smaller, smaller.

258

00:13:29,115 --> 00:13:29,625

That'll give.

259

00:13:30,464 --> 00:13:35,025

The illusion this farther away,

because your mind knows it.

260

00:13:35,025 --> 00:13:36,795

As things get farther away

from you, they look small.

261

00:13:40,204 --> 00:13:42,844

So you can create that, that easy.

262

00:13:45,064 --> 00:13:46,505

You can do anything here

263

00:13:49,954 --> 00:13:51,604

and we'll just throw

some of that right here.

264

00:13:51,604 --> 00:13:53,494

We'll let that, we'll let that reflect.

265

00:13:53,494 --> 00:13:54,334

Ready to the water.

266

00:13:55,410 --> 00:13:56,370

Right into the border.

267

00:13:57,300 --> 00:13:59,430

So here, take the brush, grab it.

268

00:13:59,820 --> 00:14:02,700

And because the liquid whites on

the canvas, this paint will move.

269

00:14:03,360 --> 00:14:07,350

Just pull it straight down,

straight down, straight down,

270

00:14:08,340 --> 00:14:11,010

straight down, and then come across.

271

00:14:13,020 --> 00:14:13,680

And how easy.

272

00:14:14,075 --> 00:14:18,165

You have instant reflections, you can

take the same old breath, go right

273

00:14:18,165 --> 00:14:21,645

into a little bit of the yellow, just

loaded the same way, a lot of color.

274

00:14:22,665 --> 00:14:22,935

Okay.

275

00:14:23,775 --> 00:14:26,355

Now maybe there's some highlight

on some of these trees.

276

00:14:27,405 --> 00:14:33,945

So all you gotta do is tap the edge here

on some of them don't do them all, some of

277

00:14:33,945 --> 00:14:38,925

them here, then it makes it look like his

light plan through there and shining on

278

00:14:38,925 --> 00:14:41,085

those trees and really make some sparkle.

279

00:14:42,719 --> 00:14:47,959

That easy can maybe shoot, maybe

there's some land out there.

280

00:14:47,959 --> 00:14:52,189

Let's take some Brown, take some, a van

Dyke, Brown, little dark Sienna on the

281

00:14:52,189 --> 00:14:54,199

knife, pull it out, flat, cut across.

282

00:14:54,680 --> 00:14:56,180

And we'll load that little roll of paint.

283

00:14:58,160 --> 00:14:58,520

Okay.

284

00:14:58,620 --> 00:15:01,459

Let's just go right up

here and lay in some land.

285

00:15:02,600 --> 00:15:02,900

See.

286

00:15:03,465 --> 00:15:06,825

And once again, loud to get bigger down

this way and it'll help create that

287

00:15:06,825 --> 00:15:10,035

illusion that it's going around the

band and going further and further.

288

00:15:13,865 --> 00:15:14,405

That's nice.

289

00:15:16,655 --> 00:15:17,495

So pretty.

290

00:15:19,445 --> 00:15:19,745

Okay.

291

00:15:19,755 --> 00:15:21,005

I'll take a little touch.

292

00:15:21,005 --> 00:15:26,045

Your phone, white little white,

little dark Sienna, pull it

293

00:15:26,045 --> 00:15:28,235

out also very flat cut across.

294

00:15:28,535 --> 00:15:30,275

And once again, we have

our little roll of paint.

295

00:15:30,305 --> 00:15:30,995

It's so important.

296

00:15:30,995 --> 00:15:32,345

You load that knife the correct way.

297

00:15:33,645 --> 00:15:37,844

And that little roll of paints right

out on the edge of the knife and very

298

00:15:37,844 --> 00:15:42,285

lightly just graze in the canvas,

sort of let it bounce along here.

299

00:15:42,285 --> 00:15:46,505

And there just barely touched on

don't kill all the dark, that dark.

300

00:15:46,694 --> 00:15:47,444

What makes it pretty?

301

00:15:47,444 --> 00:15:48,735

Just sort of let that bounce along.

302

00:15:48,735 --> 00:15:53,145

Look like little rocks and stones and all

kinds of happy, little things back here.

303

00:15:54,824 --> 00:15:55,814

And we can take our brush.

304

00:15:55,814 --> 00:16:00,045

It has the yellow fan brush, and we

can go back in here and let's just.

305

00:16:01,125 --> 00:16:05,325

Pop in a few little, little grassy

areas that live right out here

306

00:16:05,355 --> 00:16:07,665

on all this land that we made.

307

00:16:07,695 --> 00:16:09,135

Just push upward with a brush.

308

00:16:10,355 --> 00:16:13,845

If you have trouble making your

paint stick, add a little touch of

309

00:16:13,845 --> 00:16:17,415

paint, thinner for a little touch

of the liquid white, either one,

310

00:16:17,985 --> 00:16:19,125

either one will we'll in the paint.

311

00:16:24,215 --> 00:16:27,245

Maybe touch a little bit

of the titanium white.

312

00:16:27,735 --> 00:16:30,314

And you can highlight some of

those and make them rally sparkle.

313

00:16:31,395 --> 00:16:38,885

Just a little touch of titanium,

white red on there, Mike, so, okay.

314

00:16:41,165 --> 00:16:41,675

Yeah.

315

00:16:41,735 --> 00:16:45,605

Let me find my other fan brush

here as one, take a little touch

316

00:16:45,605 --> 00:16:51,094

of the liquid white on the fan

brush and go into titanium white.

317

00:16:51,094 --> 00:16:53,435

And I put the liquid white on there only.

318

00:16:54,089 --> 00:16:58,050

Only to stay on the titanium white,

because you remember our golden rule at

319

00:16:58,050 --> 00:16:59,550

then paint was stick to a thick paint.

320

00:16:59,550 --> 00:17:04,020

So this is a very firm paint up here

at the standard paint will literally

321

00:17:04,050 --> 00:17:05,460

slide right over the top of it.

322

00:17:07,560 --> 00:17:11,190

And you can do this without becoming

a mud mixer without all your

323

00:17:11,190 --> 00:17:15,300

color, just mixing together and

just barely grazing the surface.

324

00:17:15,300 --> 00:17:18,180

Now the standard paint's going

to grab, and it's going to

325

00:17:18,180 --> 00:17:19,409

make it look like a little.

326

00:17:20,045 --> 00:17:24,855

Little shuttle sheen coming across there,

a little light playing on the water.

327

00:17:29,805 --> 00:17:34,635

They're just barely,

barely grazing the canvas.

328

00:17:36,795 --> 00:17:40,575

It's very effective and you can do it.

329

00:17:42,855 --> 00:17:47,355

All right now, then I'll

tell you what let's do here.

330

00:17:47,975 --> 00:17:49,175

We find another old brush.

331

00:17:49,805 --> 00:17:52,295

I'm going to go right into van Dyke Brown.

332

00:17:52,505 --> 00:17:54,095

I'm just going to use this

little two inch brush.

333

00:17:54,105 --> 00:17:57,665

Just tap the Vandyke Brown, reach up

here and get a little touch of the dark.

334

00:17:58,505 --> 00:18:00,455

I'm just going to tap it firmly.

335

00:18:01,080 --> 00:18:04,320

Really getting there, Ben that

breasts tap it and let's go

336

00:18:04,320 --> 00:18:07,320

right here, maybe right in here.

337

00:18:08,730 --> 00:18:10,920

Maybe there's a happy little

peninsula that lives here.

338

00:18:10,920 --> 00:18:14,790

So let's put in some dark comes right out.

339

00:18:15,600 --> 00:18:20,430

Like, so maybe there's all

kinds of little things that live

340

00:18:20,430 --> 00:18:21,720

back here in the background.

341

00:18:23,790 --> 00:18:27,180

Start at the bottom and work up

and that way it'll get lighter and

342

00:18:27,180 --> 00:18:31,170

lighter as you work up, you want

this deep, dark shadows down in here.

343

00:18:31,170 --> 00:18:36,450

I'm going to add a little touch of

yellow ochre, right on that dirty brush.

344

00:18:36,510 --> 00:18:38,970

So it gets lighter and lighter

and lighter as it moves up here.

345

00:18:40,375 --> 00:18:41,635

Once we get to much later,

346

00:18:49,514 --> 00:18:52,215

see already, you can make out

all kinds of nice little forms in

347

00:18:52,215 --> 00:18:54,225

there and they just sort of happen.

348

00:19:00,540 --> 00:19:03,060

Now is the time you have to

start making some big decisions.

349

00:19:03,540 --> 00:19:04,649

Where are you going to go with this?

350

00:19:05,190 --> 00:19:08,280

If you're going to have a little

peninsula land here, where does it live?

351

00:19:08,310 --> 00:19:09,330

Maybe right there.

352

00:19:09,360 --> 00:19:10,020

What the heck?

353

00:19:11,850 --> 00:19:13,379

Just drop it in wherever you want it.

354

00:19:15,240 --> 00:19:15,540

Okay.

355

00:19:15,600 --> 00:19:17,190

Let's have a little reflection right here.

356

00:19:19,840 --> 00:19:24,990

There is a reflection, pull

it straight down and then very

357

00:19:24,990 --> 00:19:31,440

lightly go across very lightly and

that'll create a nice reflection.

358

00:19:34,604 --> 00:19:38,745

Maybe right out through here, I'm

getting another little peninsula of land.

359

00:19:39,284 --> 00:19:41,895

All we're doing that is

laying in a base color shoot.

360

00:19:41,895 --> 00:19:43,215

You could do this with a paint roller.

361

00:19:44,054 --> 00:19:47,895

You could do it with your mop, anything

we're just laying in the base color.

362

00:19:49,875 --> 00:19:50,715

All we're looking for.

363

00:19:50,715 --> 00:19:52,604

It's very basic shapes and nothing else.

364

00:19:54,524 --> 00:19:55,155

Okay.

365

00:19:56,655 --> 00:20:00,794

Now then go right into Vandyke

Brown, where the old knife.

366

00:20:03,300 --> 00:20:06,929

And maybe there's a, maybe there's a

nice stone that lives right out here.

367

00:20:07,169 --> 00:20:07,679

Shoot.

368

00:20:08,280 --> 00:20:12,030

He goes down a little Beaver lives out

here and he has got to have a place to,

369

00:20:12,340 --> 00:20:14,040

to sit and watch and see what's happening.

370

00:20:14,790 --> 00:20:18,030

So we give him a little, little

projection right there to set up.

371

00:20:19,500 --> 00:20:22,979

And some of the land, all I'm

doing here is just laying this in

372

00:20:22,979 --> 00:20:25,320

with straight over van Dyke Brown.

373

00:20:26,640 --> 00:20:28,080

Straight or van Dyke Brown.

374

00:20:30,840 --> 00:20:31,110

Okay.

375

00:20:31,110 --> 00:20:33,840

Maybe there's another little

stone here wherever you want them.

376

00:20:35,700 --> 00:20:37,530

You could have some stones

in the rocks and stuff.

377

00:20:37,560 --> 00:20:42,210

Maybe over here on the other side, if you

wanted them, who knows if there's a big

378

00:20:42,210 --> 00:20:48,090

stone that lives here, these things just

sorta sorta grow wherever they're happy.

379

00:20:50,460 --> 00:20:50,970

There we go.

380

00:20:52,020 --> 00:20:53,220

We'll give him a little friend that.

381

00:20:54,090 --> 00:20:54,810

Lives there.

382

00:20:56,429 --> 00:20:57,540

Put a little bit of that down.

383

00:20:57,840 --> 00:21:00,840

So you pull that down and that'll,

that'll end up being your reflection.

384

00:21:01,419 --> 00:21:06,780

A little stone needs a reflection out

here in the water and he stones will grow.

385

00:21:06,780 --> 00:21:09,419

And if you're not careful,

they'll just get bigger and bigger

386

00:21:09,419 --> 00:21:10,620

until they turn into mountains.

387

00:21:10,770 --> 00:21:10,889

Okay.

388

00:21:15,230 --> 00:21:16,010

Okay.

389

00:21:17,510 --> 00:21:20,240

Yeah, that can take him very lightly.

390

00:21:20,389 --> 00:21:21,050

Hold that down.

391

00:21:22,110 --> 00:21:25,949

Same as before need those

reflections and across, over here.

392

00:21:27,209 --> 00:21:27,899

Same thing.

393

00:21:32,209 --> 00:21:32,389

Okay.

394

00:21:32,389 --> 00:21:35,179

I'm going to go to the little

knife I'm going to go right into,

395

00:21:36,050 --> 00:21:39,860

Oh, we got some black, white,

and a little bit of dark Sienna.

396

00:21:40,459 --> 00:21:43,850

Just want it to be sort of a

gray, grayish, Brown color.

397

00:21:44,899 --> 00:21:49,219

Like, so take that little knife, get that

roller paint right on the edge of it.

398

00:21:50,475 --> 00:21:56,325

Okay, let's go right up in here and let's

just begin lights coming from the left.

399

00:21:56,535 --> 00:21:59,745

So let's just begin laying in

some little light things here.

400

00:22:01,995 --> 00:22:02,745

There we go.

401

00:22:06,105 --> 00:22:07,035

I'm the shadow side.

402

00:22:07,035 --> 00:22:11,565

I'm using a blueish gray color

just to sort of pop him in.

403

00:22:16,400 --> 00:22:18,050

Same thing over here on this stone.

404

00:22:18,050 --> 00:22:19,070

We don't want him left out.

405

00:22:20,630 --> 00:22:24,260

And these stones out here, they too

need some little highlights on them.

406

00:22:26,360 --> 00:22:27,200

There we go.

407

00:22:33,080 --> 00:22:36,380

Maybe the lights really hitting right in

here and it's got some bright spots on it.

408

00:22:40,814 --> 00:22:41,324

And

409

00:22:45,455 --> 00:22:50,735

Oh, kinds of little things happening

and take our fan brush, put a

410

00:22:50,735 --> 00:22:51,935

little water line right around.

411

00:22:53,615 --> 00:22:57,875

This has a thinner paint on it has

a little liquid white in titanium.

412

00:22:57,875 --> 00:22:58,175

White.

413

00:22:58,534 --> 00:23:00,814

See that thing is still under there.

414

00:23:01,354 --> 00:23:03,004

All right, I'm gonna

grab another fan brush.

415

00:23:03,034 --> 00:23:04,834

Well, I used to have all

kinds of fan brushes going.

416

00:23:05,465 --> 00:23:08,405

I'm gonna go right into

Vandyke Brown and dark Sienna.

417

00:23:08,405 --> 00:23:09,604

Just mix them right on the brush.

418

00:23:09,915 --> 00:23:10,575

Both sides.

419

00:23:10,635 --> 00:23:14,175

Fill it up then on the other side of the

brush, I'm going to pull it through here.

420

00:23:14,575 --> 00:23:15,365

Just put white.

421

00:23:16,024 --> 00:23:19,655

So I have Brown and white,

a light and a dark side.

422

00:23:20,075 --> 00:23:20,254

Okay.

423

00:23:20,264 --> 00:23:20,885

Let's go up here.

424

00:23:21,485 --> 00:23:25,885

And there's some trees live over

here, so touch and just pulled

425

00:23:25,885 --> 00:23:28,415

down by double loading the brush.

426

00:23:28,445 --> 00:23:32,254

You can make both sides of

the tree at one time and you

427

00:23:32,254 --> 00:23:33,875

decide how many trees live here.

428

00:23:35,315 --> 00:23:35,995

I read many.

429

00:23:36,004 --> 00:23:36,335

You want.

430

00:23:38,415 --> 00:23:40,365

Just throw a man, baby.

431

00:23:41,095 --> 00:23:42,465

Maybe you can't see all that one.

432

00:23:42,465 --> 00:23:43,034

He's somewhere.

433

00:23:43,034 --> 00:23:51,044

He had back here, a few little Liam's

here and there, cane with a liner brush

434

00:23:51,044 --> 00:23:56,475

and a little Brown paint on it and go in

here and put in the indication of a limb

435

00:23:56,834 --> 00:23:58,245

every so often, wherever you want them.

436

00:24:00,465 --> 00:24:03,945

They're tennis shoes, a little oval brush.

437

00:24:05,129 --> 00:24:07,679

I'm going to go right into a little

touch of that same dark color.

438

00:24:07,679 --> 00:24:13,950

We used back here and just

tap into indication, a few

439

00:24:13,950 --> 00:24:15,389

little branches and play homes.

440

00:24:18,600 --> 00:24:20,580

Don't cover up all that nice

background that you made.

441

00:24:20,909 --> 00:24:22,950

All you gotta do is just

tap in a few things.

442

00:24:24,735 --> 00:24:28,005

And then some highlight color on

that for that we'll use yellow and

443

00:24:28,245 --> 00:24:36,095

some green and Jen is tapping some

nice leaves on these trees back here.

444

00:24:37,925 --> 00:24:38,675

That's like, so.

445

00:24:41,489 --> 00:24:45,300

Did you see how easy those are

to make you just throw them right

446

00:24:45,300 --> 00:24:47,820

in, just wherever you want them.

447

00:24:51,060 --> 00:24:51,510

Okay.

448

00:24:52,169 --> 00:24:53,580

Go to the two inch brush here.

449

00:24:54,120 --> 00:24:56,429

I want to put the indication

of some little grassy areas.

450

00:24:57,219 --> 00:24:57,399

There.

451

00:24:57,399 --> 00:24:59,010

They are like

452

00:25:02,370 --> 00:25:04,679

greens and yellows, yellow ochre.

453

00:25:04,679 --> 00:25:08,040

And in yellow, I was a lay of the land.

454

00:25:10,379 --> 00:25:10,500

Okay.

455

00:25:10,500 --> 00:25:12,600

I want to say while you can

touch a little, a little tiny

456

00:25:12,600 --> 00:25:15,139

bit of the bright red at the same

457

00:25:20,709 --> 00:25:28,760

there, you can create just a plane

after plane layer, after layer, pretty

458

00:25:28,760 --> 00:25:29,959

little things wherever you want.

459

00:25:37,385 --> 00:25:40,264

And use a fan brush and pop in

a few that run right down here,

460

00:25:40,445 --> 00:25:41,794

right down on the rocks and stuff.

461

00:25:43,445 --> 00:25:43,895

I can't

462

00:25:47,254 --> 00:25:47,584

shoot.

463

00:25:47,584 --> 00:25:48,334

Let's have some fun.

464

00:25:48,334 --> 00:25:48,544

Here

465

00:25:51,754 --> 00:25:52,054

we go.

466

00:25:52,054 --> 00:25:54,425

Right back into our Brown

and maybe their lives.

467

00:25:55,205 --> 00:26:00,735

You know, me, I like old big

tree right there, right there.

468

00:26:01,205 --> 00:26:02,735

Just straight old van Dyke Brown.

469

00:26:05,219 --> 00:26:06,300

Where their liner brush.

470

00:26:07,530 --> 00:26:13,110

Let me put in an old Liam here and

there, just to pick all strongly,

471

00:26:14,790 --> 00:26:18,240

wherever you want to like.

472

00:26:18,240 --> 00:26:24,990

So take a little bit of white and sparkle

up the edge, make it nice and sunny.

473

00:26:25,350 --> 00:26:26,459

Nice and shiny here.

474

00:26:28,495 --> 00:26:29,025

Okay.

475

00:26:31,005 --> 00:26:34,145

And they will call on the wall is

telling me I got to finish this one up.

476

00:26:34,655 --> 00:26:39,665

So let's just put in a few little

leaves, like, so a little, a few

477

00:26:39,665 --> 00:26:44,105

little highlights on there using little

yellow, little green, and you've got

478

00:26:44,105 --> 00:26:45,455

a beautiful little tree right here.

479

00:26:46,425 --> 00:26:47,675

Hope you've enjoyed this painting.

480

00:26:48,105 --> 00:26:52,175

Certainly certainly teach you how to do

some fantastic things from all of us here.

481

00:26:52,535 --> 00:26:53,225

Happy painting.

482

00:26:53,285 --> 00:26:53,945

God bless.

End .srt file.

Bob Ross' The Joy of Painting

Tuesday, December 29, 2020

S12E03 - Secluded Mountain

Bob Ross's

The Joy of Painting

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