Bob Ross's

The Joy of Painting

S14E03 - Mountain Moonlight Oval

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Hi, welcome back.

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I'm certainly glad you

could join me today.

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You ready to do a

fantastic painting with us?

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Super hope you get your paints out

in there already tell you what,

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let's start it out today and have

him run all the colors across the

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screen that you need to paint along

with us while they're doing that.

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Come on up here.

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Let me show you what I've already done.

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I have a blank canvas appear today

as you can plainly see, and I've

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covered this with black Jesso.

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Now, black Jesso is designed

to make the canvas black.

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But then we let the black

Jesso dry completely.

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And onto that I've added, Oh, we've

taken some alizarin, Crimson and

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fallow blue mixture, and we've just

painted the whole canvas with it.

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As we've worked out from the center,

I've had a little more blue, so it

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gets progressively darker toward

the blue side as it goes out.

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And I hope all that makes sense.

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It's just legend, Crimson and fellow

blue and we've covered the entire canvas.

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All right.

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And to that, let's have some fun.

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Cool.

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Now I love to do these kinds of paintings

when we're doing public demonstrations,

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for example, because people don't know

that you've already put color on this

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black canvas and we use transparent color.

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And you start off and all you do

is put a little white on your brush

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and you go up to the canvas Lake.

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So, and you touch this canvas

and all of these fantastic little

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colors just begin to happen.

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People think it's magic.

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They, especially, as I say, they didn't

see you put anything on this canvas.

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It's really a super way.

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To draw a crowd if you're out ever, if

you're ever out demonstrate publicly,

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it's a lot of fun and watch here.

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Maybe we just to like, yes.

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Okay.

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Just make little rocking strokes.

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Let's just bring it right on around.

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There we go.

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Like, so, and all I'm using here is just

straight titanium, white, nothing else.

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Just street, titanium white,

and you can create some of the

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most beautiful effects to have.

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This is going to be our lightest area.

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And I think in our painting today,

we'll have that as our lightest area.

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Be sure there's nothing.

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And this guy that's

lighter than right here.

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Just like, so can just make all

kinds of beautiful little effects and

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we're not too worried at this point.

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And all we're doing is just

throwing in a little color.

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We'll come back with a big brush

and we'll smooth it all out.

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Blended together, just putting

in some color right now.

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Just enjoy there.

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Okay.

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Or you can do this with any transparent

color that you want on this black Jessup.

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And sometimes I get letters and I say, how

do you tell if a color is transparent, the

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easiest way, tell you what let's do it.

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Watch here.

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Let me, let me take a

little touch of bright red.

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For example, bring the

camera right up here.

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Now.

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See if you, if you put bright red

on there, it still looks red, boys.

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It look red.

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Now stay in that same spot.

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Let me take.

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A little bit of this is the

little blue and when I put it

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on here, see it looks black.

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That's how you tell if a color is

transparent or at least transparent

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enough for our particular purposes.

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There we go.

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Of course, now I have a blue and

red finger, but that's all right

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now with a good clean, dry brush.

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And I can't stress enough that it'd

be dry when you go up over this.

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Cause if it's wet has a little thinner

on it, you're going to mix all these up.

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Very gently making little crisscross

strokes, very gently just begin.

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And you can burn it to any degree of

lightness or darkness that you want.

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Cause there's color on the canvas.

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The more you blend this, the

darker it's going to become.

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There.

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Let's see.

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They're just like, so, and it's

unbelievable some of the fantastic

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little things that you can make

happen in the sky, so easy, so

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beautiful way to do sunsets.

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All you need is, is to cover this

with straight alizarin, Crimson,

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a little white or yellow on it.

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You can't believe it happens off.

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Beautiful, beautiful sunsets.

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They just jump out at you.

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Okay.

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Let's have some fun today.

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Shoot every once in a while.

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It's a lot of fun just to get a

little bit crazy, take a little bit of

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lavender it's made from fellow blue.

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I reach up here and grab some lizard,

Crimson, just lavender color, a

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little more Crimson into that.

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There we go.

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Nice.

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Let's go right up here.

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Maybe right up in here

lives lives in our world.

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It was just the corner of the brush.

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Just a happy little cloud right

over this area, right over it.

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Just a happy little cloud

of floats around has fun.

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Just let your imagination go.

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You don't have to be crazy to

do this, but as the old saying

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goes, it helps it does help there.

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And maybe that comes right on around,

like, so however you want to add that

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little thing right here, wherever.

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Where ever.

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Okay.

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Now then we'd go back

to our two inch brush.

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Be sure it's dry because if it's not,

you got to run into agony city here

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and you're going to be upset with me.

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And I want this to work

for you barely touching it.

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Just crazing it.

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Just going to blend it a tiny bit.

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And then we're going to give you

a brave retest, very lightly.

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Just go over the entire thing,

just go right over and that easy

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it, a fantastic little cloud,

just laying up here in your sky.

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And that particular cloud is

just, Ooh, that's a perfect place.

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Just use that.

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Let me find a clean brush

that one's too dirty.

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It a little bit of titanium white.

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All my fan brush.

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And you can do this with a one inch

brush or whatever, come right up in here,

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grab this and just say, let a little

light, just play right out of that.

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Touch it.

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You need to do this fast though.

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If you do it slow, it

doesn't seem to work.

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Do you know how every so often you can

see that light rays just slipping right

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out of, right out of a cloud that easy.

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Add it here.

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I'll just take my finger.

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And I go right around and I'll bring

that dark back over part of it.

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So you had that pushes that light back and

just brings that dark cloud right up here.

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Super, super little way

to make that work there.

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That easy, that easy.

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You get a fin testicles guy.

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Let me tell you what happened.

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Let's build us a little mountain for that.

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We'll take some black, some black, some

Bandag Brown and the lizard Crimson.

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Just mix it up.

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Like, so take the knife, cut

off a little roll of paint.

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So it's right out on

the edge of the knife.

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Okay.

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Now I had to make our

first big major decision.

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Where does your mountain to live?

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Maybe in our world, our mountain.

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Just sort of lives right here,

wherever you want it to live there.

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Maybe there's a little bump there in it.

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Maybe it just comes down like that.

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Scrape off all the excess paint, really

get in there and barely scraped part.

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You're not going to hurt this.

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There.

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Okay, let me wipe off my knife and we'll

take a large brush and I wanna grab that

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and pull it, scrap it and pull it down.

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There we are.

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Okay.

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Today let's have some fun.

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Let's take that steak.

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We use titanium white

coat reach right up here.

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Grab some dark Sienna.

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And just pull that through.

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So it sort of marbled, I don't want

to, overmix this a little touch

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of Vandyke Brown in there too,

but mostly dark Sienna and white.

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Let me wipe the knife off so

you can see this very plain.

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Can we have her paint pulled

out very flat like that.

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Now take the knife and just cut across

and get our little roll of paper.

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That multitude of colors that you

see here is also on the knife.

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Okay.

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Now that barely touching,

just let that touch.

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And just slide right down

there a little bit right there.

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Right there.

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There

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we go.

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Right up in here.

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Isn't that pretty?

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Say there it's that easy.

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You can do it.

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You can do it.

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You can do anything and

you need to believe that.

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Anything that you believe you can

do, if you believe it sincerely

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and strong enough, you can do it.

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You can do it.

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And I sincerely believe that.

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I don't think there's any

limit to your limitation.

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Add a little blue to that same color,

Kenny, I'm gonna reach over here.

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I'm going to get the small knife.

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I like that little knife.

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And let's go right up in here.

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A little knife gets in these small

areas sometimes better than the big one.

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And I'm just going to put, say there a

few little indications of some shadows

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here and there, Janice, like, so

maybe we'll just sort of bring these

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around and say they're a little Valley

right in there that easy over here.

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Need a little, something

don't want that left out.

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You can let a little less dirt spill over.

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Just use your imagination.

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To me, painting, painting represents

freedom on this, on his canvas.

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You can do anything that you want to do.

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And that may be maybe the nicest

thing had happened to him.

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Take a little, let's take

a little bit of white.

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Least least little touch of

the little blue and I'm just

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making sort of a light blue.

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It's all I'm looking for.

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This light blue color I'm

going to sneak right in here.

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Just barely touching.

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Maybe there's a, it's a little bit of

snow that's laying down in this Valley.

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Lay a little color in there and it

just barely give it a little poll

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that it sort of blend together.

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The stove is old and it's dirty.

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There, but it makes a little

light spot down in there.

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Okay.

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Back to our original with colors here,

we can come right back in here, just

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like, so see how you can create little

valleys and just watch, watch it.

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There's one.

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So back in here, we get

a shadow in between them.

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So.

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Or we can take our small knife in

here and there, we can drop back into

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some little dark edges where they

don't just make some deep shadows.

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We back in there, there's just no limit

to the number of things that you can do.

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And mountains teach you better

than any other single thing.

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How to use a knife.

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If you can make mountains, then you can

create a rocks and stones and buildings.

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And some of the previous series

we've painted entire paintings

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using nothing but the knife.

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And that's a lot of fun at knives.

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It's just spectacular.

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If you let it work for you,

it's like everything else.

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You need to devote a little time

to practice with it and make it.

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Make it your good friend now, then

with a clean dry brush, I want to

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very gently tap the base of this.

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Just gently tap.

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Like, so following the angles, that's very

important that you follow those angles

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over here.

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The angles are going this way,

so that's the way you tap.

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When I tap the brush like that,

all I'm doing is knocking off any

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excess paint that I picked up.

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It's easier than going through that

whole cleaning procedure there.

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Okay.

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Not a son of a gun sticking back there.

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It's a nice mountain.

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Now that take a little more

of that white on my fan brush.

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And maybe you want this light, some

of the zing right across here at

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this really is your bravery test.

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Be very careful, just barely.

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Barely touch it.

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See, you can bring a little bit

of that red across that mountain,

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but please be careful here.

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Just barely, barely grazing.

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Barely grazing.

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Okay.

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Let's take the one inch.

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Breastless ask some that one inch brush.

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We're going into some titanium white.

252

00:13:14,745 --> 00:13:16,094

I'm going to be right back right back.

253

00:13:16,535 --> 00:13:22,214

A little bit of blue, little

bit of blue and titanium white.

254

00:13:24,360 --> 00:13:26,100

Okay, now then let's go right up in here.

255

00:13:26,220 --> 00:13:27,000

Just blue and white.

256

00:13:27,720 --> 00:13:30,420

Maybe there's a little footy

Hill that is right in here.

257

00:13:31,500 --> 00:13:32,520

Just a little Foothill.

258

00:13:32,850 --> 00:13:36,630

All I'm doing is tapping downward there.

259

00:13:36,720 --> 00:13:43,650

See there just sorta decide how you

want your Foothill to be shaped.

260

00:13:43,980 --> 00:13:46,080

Now you can also let me

show you another way here.

261

00:13:46,640 --> 00:13:50,160

Like to show you as many possibilities,

use the corner of the brush and pull down.

262

00:13:50,160 --> 00:13:52,200

That makes more rounded type things.

263

00:13:53,100 --> 00:13:55,410

So you just sort of depends

on what you want your world.

264

00:13:56,700 --> 00:14:00,150

You can have ones that look more like

evergreens, or you can have ones that

265

00:14:00,150 --> 00:14:04,950

look like rounded, or maybe these are,

maybe these are Birch trees or maple tree.

266

00:14:05,040 --> 00:14:08,190

I don't know, trees that

are basically around on top.

267

00:14:09,750 --> 00:14:11,430

It's up to you and your world.

268

00:14:11,430 --> 00:14:15,960

You have to make these

kinds of decisions there.

269

00:14:19,050 --> 00:14:19,410

Okay.

270

00:14:20,190 --> 00:14:20,880

And we'll just.

271

00:14:21,960 --> 00:14:29,790

Maybe this just comes right on

across, like, so like, so there were,

272

00:14:33,000 --> 00:14:34,800

I want to, once again, create that.

273

00:14:35,280 --> 00:14:36,270

Illusion of myths.

274

00:14:36,270 --> 00:14:38,910

I'm going to take the large

brush and just half the base.

275

00:14:40,140 --> 00:14:42,720

I like these nice soft Misty pendings.

276

00:14:46,860 --> 00:14:49,290

You're doing this firmly tapping

right at the base of this.

277

00:14:50,939 --> 00:14:53,460

This is where you take out all

your frustrations and hostilities

278

00:14:53,460 --> 00:14:55,350

early, get in their socket

279

00:15:00,930 --> 00:15:03,810

and then lift it very gently upwards.

280

00:15:04,185 --> 00:15:04,875

Very gently.

281

00:15:06,915 --> 00:15:07,455

Okay.

282

00:15:08,055 --> 00:15:08,895

Let's have some more fun.

283

00:15:08,925 --> 00:15:09,435

Let me find it.

284

00:15:09,435 --> 00:15:09,855

There it is.

285

00:15:11,145 --> 00:15:11,565

Shoot.

286

00:15:12,015 --> 00:15:13,725

When you get my age,

you start losing things.

287

00:15:13,725 --> 00:15:15,285

Couldn't find my fan brush for a second.

288

00:15:15,315 --> 00:15:20,025

There he was some pressure

and blue, black Crimson.

289

00:15:21,465 --> 00:15:22,785

Just mix them together here.

290

00:15:24,435 --> 00:15:25,425

Good dark color here.

291

00:15:25,425 --> 00:15:29,445

We're looking for a

color that looks black.

292

00:15:30,750 --> 00:15:31,980

Okay, love it.

293

00:15:31,980 --> 00:15:37,050

A lot of color into the fan

brush, and maybe we'll put some

294

00:15:37,079 --> 00:15:38,670

distant little trees back in here.

295

00:15:38,699 --> 00:15:40,350

And all I'm going to do is just tap.

296

00:15:42,180 --> 00:15:43,740

See the dark against the light.

297

00:15:43,860 --> 00:15:46,740

You're always playing games,

light and dark colors.

298

00:15:48,030 --> 00:15:50,490

They're dark against light light.

299

00:15:50,490 --> 00:15:51,090

It gets dark.

300

00:15:51,600 --> 00:15:53,060

That's what makes your painting stand out?

301

00:15:53,130 --> 00:15:53,880

It looks special.

302

00:15:55,665 --> 00:15:56,204

There go

303

00:16:09,885 --> 00:16:10,515

a lot of trees.

304

00:16:10,515 --> 00:16:13,155

Is it, did you believe you could

do a whole forest that quick?

305

00:16:15,224 --> 00:16:19,485

You can see a lot of things that you just.

306

00:16:20,235 --> 00:16:23,175

They're they're easy if you know

how, and we wanna, we want to

307

00:16:23,175 --> 00:16:25,725

show you how to make it work.

308

00:16:26,985 --> 00:16:27,495

There we go.

309

00:16:31,755 --> 00:16:32,085

Okay.

310

00:16:32,475 --> 00:16:35,655

Now that I'm going back to my fan

brush that has the white paint on it,

311

00:16:36,525 --> 00:16:39,255

or the light color can be light blue.

312

00:16:39,255 --> 00:16:43,065

It doesn't matter whatever

touch and pull gently up.

313

00:16:43,395 --> 00:16:48,075

And it'll give the indication of little

tree trunks that are far, far away.

314

00:16:49,230 --> 00:16:49,800

Far away.

315

00:16:50,040 --> 00:16:53,520

And if you get one that's too

bright, just continue to rub it.

316

00:16:54,840 --> 00:16:56,699

And it'll pick up that

dark color underneath.

317

00:16:58,620 --> 00:16:59,220

There we go.

318

00:17:03,000 --> 00:17:03,270

319

00:17:06,629 --> 00:17:08,280

as I say, they're too bright.

320

00:17:08,369 --> 00:17:11,819

All you have to do is just continue

to rub them and they'll go away.

321

00:17:12,660 --> 00:17:13,829

So there's time.

322

00:17:15,435 --> 00:17:16,005

Okay.

323

00:17:16,964 --> 00:17:18,375

Get me a clean paper towel here.

324

00:17:19,115 --> 00:17:23,345

Now then let's put some, let's put

some little grassy things in here, so

325

00:17:23,405 --> 00:17:24,755

we'll just use this old dirty brush.

326

00:17:24,785 --> 00:17:25,234

What the heck?

327

00:17:25,954 --> 00:17:29,435

I'm gonna go right into

the CAD yellow and tap.

328

00:17:30,515 --> 00:17:34,685

Just tap, reach up here and get a

little bit dark green, little SAP green.

329

00:17:35,585 --> 00:17:36,725

I want to darken that up a little bit.

330

00:17:36,725 --> 00:17:37,625

Don't want it too bright.

331

00:17:38,375 --> 00:17:43,555

Just tap, but say you go down and let

it slide a little I'm exaggerating, but.

332

00:17:44,040 --> 00:17:48,209

That's what we're doing, how we

tap so that there's, there's paint

333

00:17:48,209 --> 00:17:50,189

right on the tip of those bristles.

334

00:17:50,820 --> 00:17:54,659

Now then maybe there's, maybe there's

a happy little meadow right in here.

335

00:17:54,659 --> 00:17:55,139

Watch here.

336

00:17:55,740 --> 00:17:58,409

All you have to do is just, just tap.

337

00:18:00,649 --> 00:18:04,230

You can begin creating a beautiful

little soft meadow that lives back

338

00:18:04,230 --> 00:18:07,889

in here and look what stands out.

339

00:18:09,050 --> 00:18:10,100

Stands out priority.

340

00:18:13,380 --> 00:18:14,040

There we are.

341

00:18:16,140 --> 00:18:16,650

Let it go.

342

00:18:18,210 --> 00:18:20,070

I want it a little bit darker there.

343

00:18:20,160 --> 00:18:20,550

That's it.

344

00:18:22,270 --> 00:18:26,910

Start in the back and work forward,

forward forward, always working forward.

345

00:18:30,390 --> 00:18:31,110

Didn't that super

346

00:18:34,410 --> 00:18:34,710

there.

347

00:18:36,705 --> 00:18:40,605

And this, this tapping with him

with a brush to make this grass.

348

00:18:40,605 --> 00:18:42,885

This is one of the neatest little

effects that we've came up with.

349

00:18:43,335 --> 00:18:44,115

It's so easy.

350

00:18:44,565 --> 00:18:48,405

And I know we have so many questions about

it just the other day in our newsletter.

351

00:18:48,765 --> 00:18:53,055

I wrote a long article about how

you do this and how you make it work

352

00:18:55,605 --> 00:18:56,925

because so many people have written.

353

00:18:56,925 --> 00:19:00,355

They like this and it just didn't time.

354

00:19:01,710 --> 00:19:03,510

30 minutes show to answer

all the questions though.

355

00:19:03,510 --> 00:19:04,110

I do try.

356

00:19:05,370 --> 00:19:05,879

Here we go.

357

00:19:09,659 --> 00:19:10,260

All right.

358

00:19:13,200 --> 00:19:16,470

I was talking to a fellow the

other day and asked him, I said,

359

00:19:16,680 --> 00:19:18,330

what's your religious orientation?

360

00:19:18,570 --> 00:19:19,290

He says, why?

361

00:19:20,280 --> 00:19:22,110

I said, what's your church preference.

362

00:19:22,139 --> 00:19:23,129

He says red brick.

363

00:19:24,389 --> 00:19:29,050

So sometimes, sometimes

it's good just to have.

364

00:19:29,385 --> 00:19:31,905

Fine there,

365

00:19:37,005 --> 00:19:40,425

but see how this is creating a layer

after layer of below grassy areas.

366

00:19:41,865 --> 00:19:42,765

Just like so,

367

00:19:47,805 --> 00:19:48,315

okay.

368

00:19:48,795 --> 00:19:52,335

And on this black background here,

why that just shows up like crazy.

369

00:19:53,295 --> 00:19:54,135

It's beautiful.

370

00:19:55,200 --> 00:19:59,220

And you don't have to put any base color

down because the black is already there.

371

00:19:59,610 --> 00:20:00,600

Your dark colors already.

372

00:20:00,600 --> 00:20:02,370

They're sneaky.

373

00:20:02,850 --> 00:20:04,230

I love these black canvases.

374

00:20:04,230 --> 00:20:07,950

They create some of the most

striking effects imaginable.

375

00:20:10,110 --> 00:20:10,800

There we go.

376

00:20:13,170 --> 00:20:13,620

Okay.

377

00:20:14,790 --> 00:20:15,090

Shoot.

378

00:20:15,090 --> 00:20:18,360

Let's really have some fun,

you know, me and my big trees.

379

00:20:18,360 --> 00:20:23,115

I like big trees and paintings, but when

you're painting at home, If you don't want

380

00:20:23,115 --> 00:20:24,825

a big tree in your painting, leave it out.

381

00:20:25,875 --> 00:20:28,095

Or if you don't want a mountain in

your painting, or if you want two

382

00:20:28,095 --> 00:20:29,955

mountains or three, it doesn't matter.

383

00:20:31,155 --> 00:20:34,815

You add or subtract to make your world.

384

00:20:35,205 --> 00:20:38,865

This is that same color,

same color that I was using.

385

00:20:39,525 --> 00:20:39,705

10.

386

00:20:39,705 --> 00:20:42,885

You went maybe, maybe there's

a little tree that lives over

387

00:20:42,885 --> 00:20:45,465

here somewhere right here.

388

00:20:45,675 --> 00:20:50,055

Just a small little tree, sort

of back in the background there.

389

00:20:50,055 --> 00:20:50,385

Yes.

390

00:20:52,815 --> 00:20:53,685

Little evergreen.

391

00:20:54,195 --> 00:20:55,935

Maybe we can put an arm or two on him.

392

00:20:55,935 --> 00:20:59,025

It just sits out here in the sun.

393

00:20:59,085 --> 00:20:59,715

It has fun.

394

00:21:00,495 --> 00:21:03,465

See their happy little tree.

395

00:21:05,905 --> 00:21:08,525

Happy little tree, somebody,

he wrote me one time.

396

00:21:08,525 --> 00:21:10,715

They said everything in your

world seems to be happy.

397

00:21:11,405 --> 00:21:12,125

Absolutely.

398

00:21:13,835 --> 00:21:15,845

Sarah, on the worksheet,

you can just watch the news.

399

00:21:15,875 --> 00:21:23,825

If you want to see bad stuff in this

world here, everything's happy you had it.

400

00:21:23,825 --> 00:21:25,355

Maybe right down here toward the base.

401

00:21:25,385 --> 00:21:26,495

I want to put the least Lindsey.

402

00:21:27,605 --> 00:21:30,305

I have a little highlight

coming striking from there.

403

00:21:31,325 --> 00:21:32,795

Just a little highlight don't much.

404

00:21:35,175 --> 00:21:36,045

Take a breath here.

405

00:21:36,435 --> 00:21:39,825

Tap in a little touch of

that color around his foot.

406

00:21:41,085 --> 00:21:41,745

We're in business.

407

00:21:42,255 --> 00:21:42,525

Shoot.

408

00:21:42,525 --> 00:21:43,035

That was fun.

409

00:21:44,505 --> 00:21:46,635

Let's do another one van Dyke Brown.

410

00:21:47,865 --> 00:21:49,725

Just use a lot of Vandyke Brown here.

411

00:21:50,265 --> 00:21:51,075

Let's go right over here.

412

00:21:51,615 --> 00:21:52,575

Maybe on this side.

413

00:21:53,745 --> 00:21:55,095

Maybe there's a big tree.

414

00:21:56,355 --> 00:22:03,975

I mean a big old tree and he's all

gnarly and, Oh, he's had a hard life.

415

00:22:05,085 --> 00:22:13,745

He's like he's been kicked around

and beat banked for old tree tree.

416

00:22:13,815 --> 00:22:14,445

There we go.

417

00:22:16,665 --> 00:22:16,875

There.

418

00:22:17,325 --> 00:22:20,115

Give him some character

Shuto straight trees.

419

00:22:20,115 --> 00:22:21,975

Aren't always the most interesting.

420

00:22:22,905 --> 00:22:28,115

I like him old trees or they look

like they've been stepped on or

421

00:22:28,115 --> 00:22:29,075

something when they were little.

422

00:22:30,335 --> 00:22:30,725

Okay.

423

00:22:30,725 --> 00:22:37,804

Now we can just take a little white light,

a little bit, a little bit of dark Sienna.

424

00:22:38,225 --> 00:22:41,375

Let's go right back up

here and let's just.

425

00:22:41,970 --> 00:22:43,650

This is our light source right here.

426

00:22:43,650 --> 00:22:46,620

So let's just come right along in

here and let's put a little bit of

427

00:22:46,620 --> 00:22:48,000

light right out here on this edge.

428

00:22:48,350 --> 00:22:55,040

SI Tappy man, just happy man there.

429

00:22:56,570 --> 00:22:57,560

Who was your work back?

430

00:22:57,870 --> 00:22:59,360

You use less and less pressure.

431

00:22:59,900 --> 00:23:06,140

So it gets darker, darker, darker, and

it makes it tricky back around there.

432

00:23:07,880 --> 00:23:08,600

There we go.

433

00:23:10,050 --> 00:23:11,550

Can you give me some around this?

434

00:23:12,389 --> 00:23:14,820

Not just a flat Oak tree out here.

435

00:23:16,830 --> 00:23:19,020

Say we give him a route

to comes on out here.

436

00:23:19,050 --> 00:23:20,010

We don't know where he goes.

437

00:23:20,939 --> 00:23:21,750

Well, you don't even care.

438

00:23:23,760 --> 00:23:25,570

They're a little bit crass

right around the bottom.

439

00:23:25,590 --> 00:23:27,639

His little foot, big foot says big foot.

440

00:23:27,639 --> 00:23:29,720

So okay.

441

00:23:29,750 --> 00:23:33,710

Now I'll take my liner brush, dip it in

some paint thinner, go right into the van.

442

00:23:33,710 --> 00:23:34,280

Dyke Brown.

443

00:23:34,699 --> 00:23:37,189

I want this paint to be thin like ink.

444

00:23:38,205 --> 00:23:38,955

Almost water.

445

00:23:38,955 --> 00:23:39,795

Consistency.

446

00:23:40,515 --> 00:23:40,935

All right.

447

00:23:41,565 --> 00:23:44,265

Let's have, I don't want

to cover up this area.

448

00:23:44,265 --> 00:23:50,385

That's that's the prettiest part of the

painting or hope it will be, but we can

449

00:23:50,385 --> 00:23:52,185

have a limb or two that's getting close.

450

00:23:53,925 --> 00:23:58,245

See if you have trouble making

this paint flow just means that you

451

00:23:58,245 --> 00:24:01,005

don't have your paint thin enough.

452

00:24:01,095 --> 00:24:02,515

Add a little more paint than or two.

453

00:24:02,515 --> 00:24:03,255

It it'll flow.

454

00:24:04,575 --> 00:24:06,345

It'll flow there.

455

00:24:07,830 --> 00:24:09,990

Maybe there's one right there.

456

00:24:13,400 --> 00:24:17,330

See wherever you want, wherever you want.

457

00:24:17,330 --> 00:24:17,960

I'm going to spend here.

458

00:24:17,960 --> 00:24:18,860

Maybe comes around.

459

00:24:19,130 --> 00:24:22,520

Maybe Benz comes right on around this way.

460

00:24:22,670 --> 00:24:26,630

Tree limbs just grew

every which way there.

461

00:24:27,890 --> 00:24:32,390

And we don't want them all just

projecting from the side there.

462

00:24:32,390 --> 00:24:35,630

Some of them I say, come around.

463

00:24:36,090 --> 00:24:44,420

In front of the tree are behind

just however, however, there we go.

464

00:24:46,340 --> 00:24:47,540

There we are.

465

00:24:50,690 --> 00:24:52,070

That's a rough looking old tree.

466

00:24:53,060 --> 00:24:54,410

He had a heck of a life.

467

00:24:54,440 --> 00:24:57,560

I take a little bit of that light color.

468

00:24:57,560 --> 00:24:58,100

Here it is.

469

00:24:58,370 --> 00:24:59,240

This is a little bit of that.

470

00:24:59,240 --> 00:25:02,540

They love blue and white and just

here and there, here and there.

471

00:25:03,170 --> 00:25:04,370

Add a little touch, a highlight.

472

00:25:04,754 --> 00:25:06,855

So you can see a little light

striking up through here.

473

00:25:08,935 --> 00:25:13,835

Have him let's take

number three, fan brush.

474

00:25:13,835 --> 00:25:15,725

I'm going right back in

that same old dark color.

475

00:25:15,725 --> 00:25:20,495

I think that was impression blue,

some black, some Browns and Crimson.

476

00:25:20,855 --> 00:25:23,735

Okay, let's go back up

here, here and there.

477

00:25:23,764 --> 00:25:24,695

Maybe this old tree.

478

00:25:25,170 --> 00:25:26,010

Just push up or down.

479

00:25:26,639 --> 00:25:31,139

Maybe this whole tree has a few

little Liam's hanging around here.

480

00:25:33,300 --> 00:25:34,170

Just a few.

481

00:25:36,030 --> 00:25:36,690

There we go.

482

00:25:39,510 --> 00:25:44,550

See, most of them are gone cause I don't

want to lose that area here and there.

483

00:25:44,550 --> 00:25:45,120

There's a few.

484

00:25:46,050 --> 00:25:46,410

Okay.

485

00:25:46,470 --> 00:25:46,980

I'll wash it.

486

00:25:49,770 --> 00:25:51,180

I'm gonna go right into white.

487

00:25:52,185 --> 00:25:54,435

And once again, there's a little

bit, the little blue left in it.

488

00:25:54,495 --> 00:25:55,965

Just cool color.

489

00:25:56,175 --> 00:25:57,195

Let's go right back up here.

490

00:25:58,875 --> 00:26:02,535

And I'm just going to push you into

indication of a little highlight here

491

00:26:02,535 --> 00:26:05,475

and there, pointing at something.

492

00:26:05,715 --> 00:26:10,425

Look at that rascal sparkle and it

tell you what, let's have some fun.

493

00:26:10,635 --> 00:26:14,055

I love these, bring the camera right

up here so you can see the whole thing.

494

00:26:14,535 --> 00:26:14,775

And.

495

00:26:15,465 --> 00:26:17,055

I have contact paper on here.

496

00:26:17,745 --> 00:26:20,325

What happens when I take this off?

497

00:26:21,855 --> 00:26:23,145

Isn't that fantastic.

498

00:26:24,165 --> 00:26:28,095

That's one of the super little ways of

making a striking painting that I've ever

499

00:26:28,095 --> 00:26:31,995

seen would that I'm going to take a little

red on my line of breasts, then it down.

500

00:26:32,175 --> 00:26:35,475

We're going to sign this one and

we're going to call it finished.

501

00:26:36,555 --> 00:26:37,725

I really hope you've enjoyed it.

502

00:26:37,815 --> 00:26:41,085

These ovals are fantastic and

you'll have a lot of fun with

503

00:26:41,085 --> 00:26:42,764

them from all of us here.

504

00:26:42,855 --> 00:26:44,504

I'd like to wish you happy painting.

505

00:26:45,015 --> 00:26:45,555

God bless.

506

00:26:45,555 --> 00:26:47,355

And I look forward to

seeing you next time.

End .srt file.

Bob Ross' The Joy of Painting

Tuesday, December 29, 2020

S14E03 - Mountain Moonlight Oval

Bob Ross's

The Joy of Painting

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