Bob Ross's
The Joy of Painting
S10E02 - Cabin at Sunset
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Hey, welcome back.
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Certainly glad you could join me today.
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Get your paint set up.
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Ready to do a fantastic painting with me.
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Good.
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Tell you what let's start out and
have them graphically run all the
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colors across the screen that you
need to do this painting at home with
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me and they'll come across as usual
in the same order as I have them on
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the pallet, starting with a white and
working around while they're doing that.
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Let's go on up here in that canvas and
talk a little bit, and I'll tell you
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what I like to share things with you.
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I've I've got to show you a
picture of the youngest painter.
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That I have met lately.
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And this is, this is William and William.
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I met in Springfield, Missouri.
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He's four years old and
he is fantastic painter.
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He brought his picture and let me see it.
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And, uh, certainly glad to
have William working with us.
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Now, the canvas is an 18 by 24 and
I've completely covered it with
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a 10 even coded the liquid white.
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So it's all slicking.
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It's ready to go.
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Let's do it.
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Let's start out today
with a least little touch.
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Least a little touch of CAD
yellow into the large brush.
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Just tap a little color in there.
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Okay.
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Okay.
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You have to make a
decision right off today.
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Where's your horizon going to be?
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Let's make it right about here.
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Let's do it.
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It's such a beautiful day.
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Let's do a fantastic,
bright, shiny painting today.
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One that'll make you happy.
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A little bit of yellow in there.
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Let it blend with the liquid white.
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Okay.
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Now without cleaning the brush, I'm
going back into yellow ochre, just
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tap a little bit of the yellow ochre,
right into the same old, dirty brush.
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Okay.
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All right.
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Above the yellow, going to add
a little touch of the yellow.
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Okay.
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So, and let it blend right in.
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Also see how easy that is.
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Now without cleaning the brush, I'm going
into touch of bright red chest to touch.
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It's very, very strong.
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It'll it'll lead up your
whole world in one part.
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Yeah.
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Right along here, I'm going to add a
little touch of a rim and just sort of
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let it play on out through here forever.
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Let it have fun now.
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With what little is left on the brush.
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I'm just going to mix it with a little
bit of a liquid white on the canvas.
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Just make sort of a nice
little peachy color right here.
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Yeah.
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Very likely we can
blend all this together.
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So we have layers of color.
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Okay.
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Same old, dirty brush had
a little titanium height
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and we'll go right in here.
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I want this area right in here
to be nice and bright and shiny.
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So I'm going to add just straight
titanium white and work it in.
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Now, when this is done, this
area will be bright and shiny.
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It doesn't look shiny now because
it's against the light background,
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but we're going to put some dark
colors in there and then it'll happen.
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Okay.
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Let's take us, uh, a little
bit of a lizard Crimson.
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And some thalo blue lizard Crimson,
the yellow blue proportionately.
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We did much more Crimson than blue.
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Just mix it on the brush.
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Let's go right back up in here, Alice.
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But as you make a nice lavender
color and I'm just going to go right
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around in here and begin spinning,
and just the indication of some happy
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little cloud shapes here and there.
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Beautiful little colors happening here.
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Just sorta we're coming in.
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Just mix them.
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You blend them there, make all
kinds of little things just happen.
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Don't kill all this pink.
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Leave some of it in there.
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So it shines through the clouds.
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Okay.
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A little touch more.
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Maybe there's a happy little
cloud that just sort of very cams.
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We'll try it out in there
wherever you want him.
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Yeah.
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I'm going to add a little bit more though.
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Play a little blue.
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Still haven't cleaned the brush.
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And then with this they little
blue, we'll put a little bit of
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blue right up here at the top.
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I think so
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maybe.
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A little touch right there
just to bring it all together.
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Now there, time to clean the brush.
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That's the fun part.
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Odorless paint thinner.
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Just shake off the excess
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and you totally redecorate the studio.
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And at home, I suggest you
get your brush beater, right.
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And put it in the bottom of the trash can.
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So you don't change your whole
decor in a matter of seconds.
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Now with a clean, dry brush, I'm going to
begin blending this entire sky together.
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Just very gently, just sort of mix it
up, blend it, lended, little circular
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strokes, crisscross strokes, whatever
it takes to make some nice effects.
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Just sort of look at your painting.
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Each painting is going to be a little
different may African coffee, always
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individual look at all the beautiful
things that are happening in that sky.
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Not a super way to make a fantastic
sky very quickly and very easy shoot.
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I used to work myself at the, I
tried to create a sky like it.
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It's easy.
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It's very easy.
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You can do it.
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You could do it.
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Barely go
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that easy.
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We've had one done at night sky.
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Beautiful, beautiful sky.
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And you can also see how that light
or you just sort of jumps out at you
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after you put the dark off, clean
the brush, beat the devil out of it.
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And we're ready.
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Tell you what, let's play a
little bit with the oval brush
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and I'm going to go right in here.
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Well, let's take some, let's
take some alizarin Crimson,
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a little bit of black Brown.
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There's some dark sand in there to quite
the head, a little touch, your white just
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lightened up so we can see what we have.
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Ooh, that's a nice color.
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Clean the knife off.
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I just cleaned the knife on paper towel.
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So you wonder where I'm going over there.
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Okay.
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This is the little oval brush.
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See it's around there.
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You can see it.
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That's around.
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Okay.
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A little pain on it.
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Let's have a little footy
Hill back here in the distance
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somewhere and all I'm going to do.
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Just take this brush and tap.
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Say look at all the little looks
like little tree tops, far, far away,
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just hundreds of them that quick.
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What'd I sneaky here.
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I left a little bit of this yellow
underneath, cause I wanna, I want to blend
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it out and create a mist and I want the
MIS to have sort of a yellowish hue to it.
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So it looks like there's
light playing through there.
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Now with a large brush, I'm just
going to tap the base of this.
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Don't touch the top, just
the base, just taffy.
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Very likely, very likely just
lifted up blended together.
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I see the soft, nice Misty
area you run into here.
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That's why it'll help create
the illusion of distance.
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Let me get a little farther
along in the painting, man, they
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gotta make some big decisions.
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What does use that same
old color, same old color.
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That was when we have there.
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We had a lizard Crimson, some Vandyke
Brown, some dark Sienna, whatever,
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and throw a little black in there too.
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If you want to.
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Oh, we're looking for now.
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It is a nice darkish color.
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To lay down for a base coat.
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And then on top of that,
we'll put a light color.
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Just tap the brush in there.
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Cakes go right up here, but
you have to make big decisions.
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Let's start creating
some landmasses in here.
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All you do just touch and tap.
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Just tap it down.
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Right?
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See there that easy add easy.
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Yeah, we can create a nice
the land area back here.
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You don't want to kill this
Misty area, this little Misty
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area between the dark and the.
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And the Foothill is the only thing
you have to separate the need to save
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that treasury, that your good friend.
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Good, good friend.
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Now they don't just use
the same old dirty brush.
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What the heck?
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I'm lazy.
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Don't like to clean brushes, take
a little yellow, located yellow.
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Green would jump over here
and get some yellow ochre too.
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What the heck it doesn't matter.
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Tap the brush, tap it
kicks come right up here.
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Now then that's put
some little highlights.
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You need that dark in order
to make that light show.
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Let's see there.
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Look at that.
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You can make beautiful, soft little
grassy areas that easy and easy.
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Just tap on me following
the lay of the land.
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This is where you begin
creating the shape of your land.
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So it's very important that you pay
attention to the angles here and that
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either you have a plane back here
finished up, you had to get a new brush.
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I'll take the same color.
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We'll use some vision crams in some
black dark Sienna and the Brown.
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Throw a little SAP greener, too.
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What the heck as this
dark, that's a big thing.
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Tap the brush.
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Okay.
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Now we have to make another big decision.
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Maybe there's another plane or
another layer of land that comes
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right down in front of that one.
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Maybe like that.
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When you have this much power, you
have to make decisions, make decisions.
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You can move mountains in rivers there.
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And all we're doing here is
applying the dark sort of Lidl show.
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Easy that is in reality, you could
put this on with a paint roller.
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All you're doing is putting
on dark for base coat.
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It's going to be the shadows.
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It'll be the shadows and all the
little grassy areas here, there, and
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you're tapping quite firmly here.
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It's really, this is where you
take out all your hostilities.
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This is, this is better than going
home and arguing with your spouse
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or kicking the dog or whatever.
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There we go.
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That young fellow I showed you at the
beginning of the show, he's a painter.
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Let's say I met him in
Springfield, Missouri.
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We, we did a show there for the PBS
station and he, he came to see us.
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Fantastic young man.
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We met so many super people.
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They're looking forward to going
back in the near future right here.
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Well, I just got carried away here talking
and just cover up the whole canvas.
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Why not?
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Let's just cover up the whole canvas.
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It didn't make it the difference there.
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Okay, just tap.
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So I'd like to leave some of these
light areas, and here's a reason
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to tap instead of just painting all
this, because some of these are light
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areas where she'll go through and it
makes, just makes nice looking places.
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Kenny, tell you what,
tell you what let's do.
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Let's take, let's use the round brush.
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We will have some fun.
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We'll take the round brush and
go right into some Vandyke Brown.
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Little touch of dark Sienna.
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And all I'm doing is tapping
very firmly to load it.
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Just tap.
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It's going right up here.
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Okay.
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Maybe there's a little clump
of trees live right in here.
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They live right in there and I
start at the bottom and work up.
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I sort of pick up the liquid white
and gets lighter and lighter in
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value as it works up because more
lights come to Sharon through these.
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Limbs and everything up
here, much more light.
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There we go.
246
00:12:17,834 --> 00:12:18,345
That'll touch it.
247
00:12:18,345 --> 00:12:18,944
More of a paint.
248
00:12:19,964 --> 00:12:21,584
Maybe there's a happy tree right there.
249
00:12:21,584 --> 00:12:22,064
We don't know.
250
00:12:24,525 --> 00:12:28,214
Just wherever, wherever you want a
little tree to live in your world.
251
00:12:28,785 --> 00:12:29,895
That's the right place for it.
252
00:12:31,094 --> 00:12:32,594
That is the right place.
253
00:12:36,074 --> 00:12:36,824
There we go.
254
00:12:37,785 --> 00:12:38,295
Alrighty.
255
00:12:38,805 --> 00:12:41,535
You got the basic shape
or some nice little trees.
256
00:12:42,885 --> 00:12:43,185
Yeah.
257
00:12:43,185 --> 00:12:45,555
Let's take our old script liner
brush and I'll just use something.
258
00:12:45,555 --> 00:12:47,714
I'll just use some paint thinner
and go right into the Brown.
259
00:12:48,285 --> 00:12:51,824
We want to thin this paint down until
it's a very thin turn the brush.
260
00:12:51,915 --> 00:12:53,145
Turn it, pull it out.
261
00:12:53,145 --> 00:12:54,675
That brings it to a nice sharp point.
262
00:12:55,305 --> 00:12:56,865
Let's go up here now.
263
00:12:56,865 --> 00:13:00,464
Then we need a few tree trunks in here.
264
00:13:01,860 --> 00:13:02,520
There we go.
265
00:13:04,010 --> 00:13:07,730
Now, if your paint does not flow, add a
little more of the paint, thinner to it.
266
00:13:08,540 --> 00:13:09,260
A thin paint.
267
00:13:09,290 --> 00:13:10,490
Won't stick to a thick paint.
268
00:13:11,540 --> 00:13:13,010
Maybe there's a few out in here.
269
00:13:13,520 --> 00:13:13,610
Okay.
270
00:13:13,880 --> 00:13:14,360
At home.
271
00:13:14,390 --> 00:13:15,560
Do you have unlimited time?
272
00:13:15,560 --> 00:13:17,630
You can just, you can
do a much better job.
273
00:13:17,660 --> 00:13:22,220
You can put all kinds of details in
here in little tree branches and limbs
274
00:13:22,220 --> 00:13:23,840
and the squirrel or two here and there.
275
00:13:24,560 --> 00:13:25,460
Or you can get crazy.
276
00:13:25,910 --> 00:13:27,680
This is where a little
bunny rabbit hides out.
277
00:13:29,270 --> 00:13:29,990
He's my friend.
278
00:13:32,550 --> 00:13:36,020
Okay, I'm going back
into the Brown right now.
279
00:13:36,020 --> 00:13:38,900
It looks like all the, all the
foliages on the back of the tree.
280
00:13:38,930 --> 00:13:40,219
I want some on this side too.
281
00:13:40,729 --> 00:13:46,250
So using the same color here and there,
I'm just going to tap in a little
282
00:13:46,250 --> 00:13:47,719
foliage on this side of the tree.
283
00:13:49,219 --> 00:13:50,150
See it that way.
284
00:13:50,479 --> 00:13:52,189
It doesn't look like it's all
on the other side of the tree.
285
00:13:52,219 --> 00:13:54,619
Like somebody took a big razor
blade and cut your tree and tune it.
286
00:13:55,819 --> 00:13:56,900
It fell off on the floor.
287
00:13:57,800 --> 00:13:58,219
Here we go.
288
00:13:58,760 --> 00:13:59,180
That easy.
289
00:14:01,305 --> 00:14:02,655
Yeah, let's get us.
290
00:14:02,835 --> 00:14:08,865
Let's get us a big fan brush and we'll
take some black pressure blue SAP
291
00:14:08,865 --> 00:14:12,285
green, just a good dark color here.
292
00:14:13,575 --> 00:14:15,585
Next set up clean knife.
293
00:14:17,785 --> 00:14:20,625
Let's take the old fan brush
and loaded, full of paint.
294
00:14:20,865 --> 00:14:21,765
A lot of paint.
295
00:14:22,215 --> 00:14:26,565
Just really fill it up or look
at that lot of pain in there.
296
00:14:27,405 --> 00:14:30,435
Okay, let's go up here and maybe
there's a happy little evergreen
297
00:14:30,435 --> 00:14:32,565
tree who lives right there.
298
00:14:33,855 --> 00:14:34,395
Right there.
299
00:14:35,085 --> 00:14:39,135
We don't have anything, but happy
trees just work back and forth.
300
00:14:39,555 --> 00:14:42,195
I see how this dark color
shows up against that light.
301
00:14:45,165 --> 00:14:46,935
The contrast there is beautiful.
302
00:14:47,985 --> 00:14:49,925
Just really jumps out at you.
303
00:14:51,915 --> 00:14:52,965
Really jumps out.
304
00:14:53,775 --> 00:14:55,185
That's what makes your painting beautiful.
305
00:14:57,285 --> 00:14:57,585
Okay.
306
00:14:57,675 --> 00:14:58,605
I tell you what let's do.
307
00:14:59,235 --> 00:15:00,675
Let's make a whole clump of trees.
308
00:15:00,705 --> 00:15:02,835
We don't want old tree lane up here.
309
00:15:02,835 --> 00:15:03,285
Lonely.
310
00:15:05,265 --> 00:15:06,824
You get sad and start crying.
311
00:15:07,725 --> 00:15:09,255
Nothing worse than an unhappy tree.
312
00:15:10,515 --> 00:15:11,715
I had one bite me one time.
313
00:15:11,715 --> 00:15:13,824
That was little there.
314
00:15:15,975 --> 00:15:16,365
Okay.
315
00:15:19,435 --> 00:15:21,314
There is one right here.
316
00:15:21,935 --> 00:15:23,655
Gotta have a place for
the little birds to sit.
317
00:15:25,200 --> 00:15:27,180
They like to hide in these
kind of trees they can hide.
318
00:15:27,180 --> 00:15:30,090
And during the Hawks and
stuff, can't see them.
319
00:15:31,650 --> 00:15:32,250
There we go.
320
00:15:34,020 --> 00:15:36,000
And you sorta have to
make a decision here.
321
00:15:36,000 --> 00:15:37,500
How many trees you want in your world?
322
00:15:38,130 --> 00:15:40,260
Tell you what, maybe there's a
tiny one here then I won't quit.
323
00:15:40,290 --> 00:15:42,930
I just get, I get carried away
with these trees are so much fun.
324
00:15:44,250 --> 00:15:45,420
Just put a little one right there.
325
00:15:48,270 --> 00:15:51,510
I'm going back to the old brush
that has some of the yellows.
326
00:15:52,200 --> 00:15:55,170
Greens on it that we were using
to make the little grassy areas.
327
00:15:55,960 --> 00:15:58,890
Let's tap a little more of that
color in there, right up here.
328
00:16:00,630 --> 00:16:03,000
I want to create the illusion
of a little bit there.
329
00:16:03,160 --> 00:16:05,370
See nice, soft little area.
330
00:16:05,400 --> 00:16:07,290
We're going to let that pick
up some of this dark color.
331
00:16:07,830 --> 00:16:08,280
Look at there.
332
00:16:09,300 --> 00:16:13,650
Just let it work right on out right now.
333
00:16:15,570 --> 00:16:17,340
All you have to do here is just tap.
334
00:16:17,460 --> 00:16:18,120
No big deal.
335
00:16:20,010 --> 00:16:23,690
Easy to do push those trees right back.
336
00:16:24,170 --> 00:16:26,330
I'm going to get darker and
darker, darker back in here.
337
00:16:26,990 --> 00:16:28,220
There's a lot of shadow over here.
338
00:16:28,820 --> 00:16:30,020
So don't add any new color.
339
00:16:30,980 --> 00:16:31,670
She was at st.
340
00:16:31,670 --> 00:16:34,790
Well, dark color and they pick up all the
dark and just fade right into nothing.
341
00:16:37,790 --> 00:16:38,660
You can do it.
342
00:16:40,400 --> 00:16:42,440
Maybe there's a nice
little thing right there.
343
00:16:43,400 --> 00:16:45,830
I don't know wherever.
344
00:16:48,449 --> 00:16:48,870
Okay.
345
00:16:49,349 --> 00:16:50,219
Let's have some fun.
346
00:16:50,250 --> 00:16:51,089
Let's take the knife.
347
00:16:52,079 --> 00:16:54,780
I'm going to use some dark
Sienna, a little bit of white,
348
00:16:56,370 --> 00:16:59,939
pull it out flat and cut across
to get that little roll of paint.
349
00:17:00,209 --> 00:17:00,479
Okay.
350
00:17:01,380 --> 00:17:01,620
Yeah.
351
00:17:01,620 --> 00:17:07,770
Then let's go right up here and let's just
put the indication a little tree trunk,
352
00:17:08,250 --> 00:17:12,359
put one in there wherever you want them.
353
00:17:12,990 --> 00:17:15,119
We don't know how many trees
live back here in this clump.
354
00:17:15,944 --> 00:17:18,105
This is a family and
they're happy back here.
355
00:17:19,484 --> 00:17:25,655
A few little arms and sticks and
twigs tell you what let's do.
356
00:17:26,795 --> 00:17:28,415
Let's use our oval brush.
357
00:17:28,955 --> 00:17:33,515
Let me go into some yellow,
yellow, yellow, some samp green
358
00:17:33,725 --> 00:17:34,865
pull pullet brush through there.
359
00:17:34,955 --> 00:17:35,465
Wiggle it.
360
00:17:35,675 --> 00:17:37,085
Bring it to a nice sharp edge.
361
00:17:38,525 --> 00:17:41,195
Okay, let's go right back up here, Adam.
362
00:17:41,645 --> 00:17:44,275
Let's come right down
here and let's just put.
363
00:17:44,669 --> 00:17:45,450
Ooh, look at that.
364
00:17:45,990 --> 00:17:46,530
Look at that.
365
00:17:47,340 --> 00:17:47,909
Look at all.
366
00:17:47,909 --> 00:17:51,870
The little, this little brush
is just fantastic for making
367
00:17:51,899 --> 00:17:53,220
thousands of little lambs.
368
00:17:53,220 --> 00:17:56,399
They're just, there they go.
369
00:17:57,720 --> 00:18:01,200
See you look at all those little
devils and this brush being
370
00:18:01,230 --> 00:18:02,790
oval they're sort of roundish.
371
00:18:02,790 --> 00:18:06,960
It makes it gives it shape, gives
it some character, put some on
372
00:18:06,960 --> 00:18:09,210
this, but don't want him to get
upset cause he didn't have any.
373
00:18:11,610 --> 00:18:13,950
I hope you can see all the
little details at brush and mix.
374
00:18:15,240 --> 00:18:15,770
Here we go.
375
00:18:15,830 --> 00:18:16,700
Let's go right over here.
376
00:18:19,010 --> 00:18:19,970
There it goes.
377
00:18:20,660 --> 00:18:22,190
And you can put as many
as you want on there.
378
00:18:23,960 --> 00:18:24,530
Okay.
379
00:18:26,780 --> 00:18:28,100
It's such a nice little area.
380
00:18:28,100 --> 00:18:28,490
Tell you what.
381
00:18:28,550 --> 00:18:29,690
Let's build a house back here.
382
00:18:29,870 --> 00:18:30,230
Shoot.
383
00:18:30,440 --> 00:18:34,820
Let's take some van
Dyke Brown, pull it out.
384
00:18:34,880 --> 00:18:35,750
Grab us some on the neck.
385
00:18:36,050 --> 00:18:37,280
You had to make a big decision.
386
00:18:37,310 --> 00:18:37,880
Maybe the house.
387
00:18:38,370 --> 00:18:39,510
Lives right there.
388
00:18:41,010 --> 00:18:44,820
See right in front of her tree,
potato, I would come over here.
389
00:18:44,940 --> 00:18:46,230
That's about the other side of the roof.
390
00:18:47,370 --> 00:18:48,480
Just like building the house.
391
00:18:50,490 --> 00:18:51,300
There we go.
392
00:18:51,360 --> 00:18:55,340
Just lay in a nice base
color, a dark color there
393
00:18:58,930 --> 00:18:59,270
easy.
394
00:18:59,630 --> 00:19:01,460
Now then I need a front on him
395
00:19:04,490 --> 00:19:05,060
in your world.
396
00:19:05,060 --> 00:19:07,370
You look around, you see
what kind of house you want.
397
00:19:07,770 --> 00:19:08,580
And you put him in there.
398
00:19:09,840 --> 00:19:13,470
Maybe you want to, maybe you want to
put an old barn in yours, maybe would
399
00:19:13,470 --> 00:19:14,670
make us spend the barn who knows.
400
00:19:14,730 --> 00:19:15,720
We'll see what happens here.
401
00:19:16,530 --> 00:19:17,250
Sort of look at it.
402
00:19:17,430 --> 00:19:19,380
See making big decisions later.
403
00:19:21,390 --> 00:19:21,690
Okay.
404
00:19:21,930 --> 00:19:26,640
I'm going to take some of this
bright red and some dark Sienna.
405
00:19:28,080 --> 00:19:30,240
Now, then let's put a
red roof on this one.
406
00:19:30,240 --> 00:19:32,250
We'll start here and just edit it.
407
00:19:32,250 --> 00:19:34,980
Started bouncing up, up, up,
up, up, up, up right down.
408
00:19:35,670 --> 00:19:37,260
Got to make a little
noise that doesn't work.
409
00:19:40,740 --> 00:19:44,970
CSO roof while he's like me,
he's old and had a rough life.
410
00:19:46,230 --> 00:19:49,590
The rain's coming through on him, man.
411
00:19:49,590 --> 00:19:56,040
That must take some, a little
bit of the dark Sienna there.
412
00:19:56,460 --> 00:19:57,000
Very good.
413
00:19:57,629 --> 00:19:58,290
Let's touch.
414
00:19:58,830 --> 00:19:59,399
No pressure.
415
00:19:59,909 --> 00:20:01,889
Old wood, no pressure.
416
00:20:02,430 --> 00:20:04,500
Just like can we put
snow on the mountains?
417
00:20:04,995 --> 00:20:06,015
No pressure.
418
00:20:06,945 --> 00:20:09,435
I like to teach people to
put snow in the mountains.
419
00:20:09,435 --> 00:20:12,255
Cause if you can do that, then
all this other, other stuff
420
00:20:12,255 --> 00:20:13,605
with a knife becomes very easy.
421
00:20:14,745 --> 00:20:16,605
It's the best way to make
friends with that knife?
422
00:20:17,955 --> 00:20:20,925
I think sometimes it is neat
to take a tiny bit of a yellow,
423
00:20:21,525 --> 00:20:22,575
the yellow on put in there.
424
00:20:23,175 --> 00:20:25,695
See that neat little yellow ochre.
425
00:20:26,415 --> 00:20:33,615
I can look old, tired now on the other
side, very dark, very dark over here.
426
00:20:35,880 --> 00:20:43,350
Just a little indication, then
I'll take just the point of the
427
00:20:43,350 --> 00:20:47,310
knife and we'll just make some old
boards in here just by pulling down.
428
00:20:48,480 --> 00:20:48,960
Look at that.
429
00:20:49,980 --> 00:20:51,660
Why waste it was that
easy to build a house.
430
00:20:53,640 --> 00:20:54,300
There we go.
431
00:20:54,870 --> 00:20:56,310
Well, we got that old shit.
432
00:20:56,320 --> 00:20:59,970
Now we can, we can chop it up
and get her perspective, right.
433
00:21:01,650 --> 00:21:03,300
We just did a, a house ectomy.
434
00:21:04,650 --> 00:21:04,860
Yeah.
435
00:21:05,160 --> 00:21:11,100
Maybe I'll tell you what, maybe this old
guys like me, maybe he ran out of room
436
00:21:11,520 --> 00:21:13,500
and had to build him a shed out here.
437
00:21:13,950 --> 00:21:19,170
See that easy, easy, got a little shed.
438
00:21:21,000 --> 00:21:21,900
I'm a junk collector.
439
00:21:21,900 --> 00:21:24,750
So I'm always needing a
place to put all my stuff.
440
00:21:24,750 --> 00:21:25,290
There we go.
441
00:21:27,120 --> 00:21:28,590
A little bit of this color out here.
442
00:21:29,310 --> 00:21:33,120
So, bring it all together.
443
00:21:33,419 --> 00:21:38,070
If you have little boards say right,
there would be a good place to get the
444
00:21:38,070 --> 00:21:39,629
small knife and sneak right in there.
445
00:21:39,689 --> 00:21:44,459
Look at that little knife comes in
handy sometime tell you what I got
446
00:21:44,459 --> 00:21:46,560
that little knife, take some Brown.
447
00:21:47,610 --> 00:21:49,500
Maybe there's a little window up here,
448
00:21:53,040 --> 00:21:54,120
a little white around it.
449
00:21:55,649 --> 00:21:56,100
So.
450
00:21:57,735 --> 00:21:59,024
Shoot so much fun.
451
00:21:59,385 --> 00:22:03,075
Let's put a little window right
there and just cut around it
452
00:22:03,145 --> 00:22:07,544
that let color show through and
you're in business to add easy.
453
00:22:09,455 --> 00:22:09,845
All right.
454
00:22:11,044 --> 00:22:11,225
Yeah.
455
00:22:11,245 --> 00:22:15,695
Then let's take, let's take some
yellow on the brush and now we can
456
00:22:15,695 --> 00:22:17,885
use this to sort of clean up his foot.
457
00:22:20,010 --> 00:22:24,210
Tap in all these little grassy things
here, all of the lay of the land.
458
00:22:26,620 --> 00:22:29,480
I reach over here and we'll get
some Indian yellow here and there.
459
00:22:29,480 --> 00:22:30,320
A little touch of the brain.
460
00:22:31,280 --> 00:22:32,420
Let it all work together.
461
00:22:33,940 --> 00:22:38,240
They're just layer
after layer after layer.
462
00:22:40,310 --> 00:22:43,610
Well, that's one poor
looking old house carpenter.
463
00:22:43,610 --> 00:22:46,130
Hadn't bought as much ambition as I do it.
464
00:22:46,130 --> 00:22:46,550
Lazy.
465
00:22:48,389 --> 00:22:51,360
There we go another Hill, another deal.
466
00:22:52,050 --> 00:22:53,010
And as many as you want,
467
00:22:56,939 --> 00:23:01,139
they're spraying some right down in here.
468
00:23:03,750 --> 00:23:04,169
Like, so
469
00:23:08,340 --> 00:23:09,689
I didn't tell you what let's be here.
470
00:23:10,530 --> 00:23:12,060
Let's have some fun, maybe.
471
00:23:13,379 --> 00:23:17,520
Give us a big goblet, dark color
here, some black and some blue
472
00:23:18,300 --> 00:23:21,989
SAP green, just good dark cup.
473
00:23:22,020 --> 00:23:22,979
We don't care what it is.
474
00:23:26,629 --> 00:23:26,719
Okay.
475
00:23:26,870 --> 00:23:27,169
Okay.
476
00:23:27,229 --> 00:23:27,620
Hello.
477
00:23:27,620 --> 00:23:28,429
The big brush foot.
478
00:23:28,429 --> 00:23:29,090
We'll have some fun.
479
00:23:29,479 --> 00:23:31,580
Let's do a big evergreen
tree on the other side.
480
00:23:33,229 --> 00:23:34,879
Don't want the other side to be left out.
481
00:23:35,600 --> 00:23:36,620
Can you just go right here?
482
00:23:37,120 --> 00:23:37,320
Here?
483
00:23:37,550 --> 00:23:39,770
He is just the corner of the brush.
484
00:23:40,370 --> 00:23:41,810
We're sort of working back and forth.
485
00:23:43,060 --> 00:23:46,110
We'll put a, we'll put a
big old tree right there.
486
00:23:47,429 --> 00:23:47,760
Oh my God.
487
00:23:47,790 --> 00:23:53,070
That's a big tree is growing every
minute to time we get through, we don't,
488
00:23:53,070 --> 00:23:57,389
we may have a drag Redwood that easy.
489
00:23:58,500 --> 00:24:00,570
Let's give him, let's give
him one little friend.
490
00:24:01,409 --> 00:24:02,969
We don't want him to get lonely over here.
491
00:24:05,205 --> 00:24:05,835
That's like, yeah,
492
00:24:10,155 --> 00:24:10,935
we don't care in here.
493
00:24:10,935 --> 00:24:15,075
We'll separate that with
highlights and maybe sit here.
494
00:24:15,105 --> 00:24:17,205
We'll just bring the landmass
right down through here.
495
00:24:18,555 --> 00:24:25,035
Just a little color in there that quick,
we got a little, little color and then
496
00:24:25,035 --> 00:24:28,335
we can take our yellows and greens.
497
00:24:28,875 --> 00:24:32,205
See here, I need that dark
to make this stand out.
498
00:24:34,785 --> 00:24:37,425
And then we can just begin tapping
in layer after layer, after
499
00:24:37,425 --> 00:24:43,065
layer, all these soft little
grassy areas, just let them go.
500
00:24:44,625 --> 00:24:46,965
And the more you tap the
smoother and softer, they get
501
00:24:51,435 --> 00:24:55,035
a little back to the old oval brush
load, some of the green in it.
502
00:24:56,325 --> 00:24:59,715
Oh, I tell you what you need a tree
truck, take some Brown and white.
503
00:25:01,080 --> 00:25:07,830
We'll put the indication of a little
tree trunk, like, so with the oval
504
00:25:07,830 --> 00:25:14,420
brush, put some over there, put
some leaves on this tree, making
505
00:25:14,420 --> 00:25:16,110
him stand out in the sun and shine.
506
00:25:17,810 --> 00:25:18,379
There we go.
507
00:25:18,680 --> 00:25:19,430
There we go.
508
00:25:21,360 --> 00:25:23,840
Darker, darker, darker as it
goes down toward the base.
509
00:25:25,400 --> 00:25:26,510
That'll get right in here.
510
00:25:31,340 --> 00:25:32,480
Oh, kinds of little things.
511
00:25:32,780 --> 00:25:33,500
Let's have some fun.
512
00:25:33,830 --> 00:25:39,770
What the heck, I'm going to take a
little, the Brown on my liner brush.
513
00:25:40,070 --> 00:25:41,540
Maybe back here in the distance somewhere.
514
00:25:41,540 --> 00:25:44,810
There's a little fence that goes
right on, off over the Hill,
515
00:25:45,889 --> 00:25:50,180
right on the Hort goes if you're
little indications here and there
516
00:25:54,629 --> 00:25:56,190
And fences are a lot of fun to make.
517
00:25:56,190 --> 00:25:58,139
I enjoy let's make a big fence.
518
00:25:58,530 --> 00:26:00,300
I'm running out of time
here, but we'll do it anyway.
519
00:26:00,300 --> 00:26:00,870
What the heck?
520
00:26:02,040 --> 00:26:10,110
There's one, two, three, four,
and one that we can't even
521
00:26:10,110 --> 00:26:12,600
see a little Brown and white.
522
00:26:12,780 --> 00:26:19,710
Give him a little highlight, like so, and
you can put a little fence in there and we
523
00:26:19,710 --> 00:26:22,050
take a little liquid white cut across it.
524
00:26:22,200 --> 00:26:23,100
Just the heel tonight.
525
00:26:24,475 --> 00:26:29,055
Look, it there in an easy way
to make wire, you put as many
526
00:26:29,055 --> 00:26:30,315
strands as you want on there.
527
00:26:30,645 --> 00:26:31,365
Just that easy.
528
00:26:33,465 --> 00:26:35,325
I think we have one it's
about ready to sign.
529
00:26:35,745 --> 00:26:38,715
Take a little thinner, little,
the bright red little sign.
530
00:26:38,715 --> 00:26:39,075
This one.
531
00:26:40,465 --> 00:26:41,835
Sincerely hope you've enjoyed it.
532
00:26:43,725 --> 00:26:48,855
I look forward to seeing you again next
time until then from all of us here.
533
00:26:49,425 --> 00:26:50,115
Happy painting.
534
00:26:50,475 --> 00:26:51,135
God bless.
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