Bob Ross's

The Joy of Painting

S15E10 - Forest Down Oval

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Hey, welcome back.

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Certainly glad you could join me today.

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You ready to do a

fantastic little painting?

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Let's start out and have him run all

the colors across the screen that

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you need to paint along with me.

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And let me tell you what

I've already done up here.

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I have my standard old canvas

up here and I've covered it

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with a piece of contact paper.

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With an oval cut out of the center.

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Now, then I've painted that with

black Jesso onto the black Jesso.

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I, you just caught me in the act.

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Tara was adding a mixture of

alizarin, Crimson and fellow

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blue in the center here.

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I have more Crimson.

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And as it works out, then I've added

progressively more blue so that it

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gets darker toward the outside edges.

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And I thought today we do a little scene.

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That's very similar to what

I did in the last series.

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I had so many people, right.

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And they were so crazy

about that little scene.

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I thought I'd do another one to

show you how you could just change

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it a little bit and vary it.

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Use the same idea to do another picture.

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And I hope you enjoy this one.

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Okay.

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As I say, I've already covered it with

a mixture of lesbian, Crimson and fellow

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blue, and all you're looking for when you

do this is just a nice, thin even coat.

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You don't want big gobs of paint on here.

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Just just enough to cover the canvas.

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As we've mentioned before, if

you're going to paint for family or

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friends, this is one of the neatest

ideas, because you can do this.

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Without your family or friends, knowing

that you've put color on here already.

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This is a transparent color.

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So it still looks black and

then tell you what we'll do it.

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But when you start adding other

colors on there, son of a gun,

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it just, it just comes alive.

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Like, Oh, it's like magic happening.

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Okay.

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Let's clean your brush, but he didn't dry.

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Then we're in business.

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I'm going to dip this brush right

into a touch of the liquid white.

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Now let's go right up in here.

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And you have to make a decision

right off in this painting.

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Where is our light source going to be?

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I think it's going to be slightly

off center right about here.

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So I'm just going to start

with little crisscross Turks

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and look how that comes alive.

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Well, it just, it just

absolutely it shines beautiful.

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Start in the lightest area and work

outward, always working outward time,

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there all the way out to the edges.

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I try not to bring that dirty brush back

into the center over here, because if you

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do, you're going to lose that beautiful,

pure, bright color that you can make this

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any degree of lightness that you desire.

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You can go over it and

do it several times.

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And each time it'll get a little

bit lighter, but each time

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you do it, clean your brush.

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Be sure it's good and dry.

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It will take just a small amount,

more liquid white go right back into

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this light area and blend outward.

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You can make this so bright.

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It'll almost hurt your eyes.

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Just depends on what you're looking for.

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just blend it all together.

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So it's very, very smooth.

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And I lightly lightly just

go across the entire sky.

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This, this will remove all the brush

strokes, bring everything together.

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All right.

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Okay.

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Let me clean the brush.

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One more time.

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That's the highlight of this

painting is just cleaning the brush.

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There we go business one more time.

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And this is a mixture that I

was coating the canvas with and

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it's just a lizard and Crimson.

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They love blue.

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I would just add some red onto the brush.

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Now, initially, I'm going

to start in the center.

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So I want a much more Crimson than blue.

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I want this to be to the reddish side,

tap a little bit into the bristles.

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Let's go right up here.

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Now we have to start making

some more big decisions.

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Where does our little

bushes and trees live here?

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Just wherever you want them.

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I'm going to start at the base

down here and work upward.

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That way our darkest color will be here

and it should get progressively lighter.

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As we move upward into these

little trees and bushes.

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I want them to just barely stand out.

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They're very quiet, soft.

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Subdued peaceful.

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This is a very peaceful little painting,

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tranquil, whatever you want to

call it, man, then start working

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backwards and letting them overlap.

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But I've had a little bit more of

the darker color so that it stands

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out and here's a big old tree that

lives right there, wherever you want.

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See, I sort of think about the

individual limbs and the shapes

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and drop him in over here.

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Maybe he lives right there.

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Okay.

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Once again, I'm getting a

little darker, continually

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adding more of the bluish color.

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So as I work away from the

center from the light area, it

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gets darker, darker, and darker.

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There's one more in here.

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We don't know.

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We really don't know where they're at.

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No, we're doing it.

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Just tapping this color and that's

predominantly to the blue side, but

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tap, but the breast sort of slide.

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Give it a little, little tap, right?

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Okay.

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Now let's go right up in here.

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There's a big tree that

hangs right over here.

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Okay.

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Just sort of let your imagination go here.

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Hmm.

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Okay.

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We can wash your soul brush one more time,

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shake it off and just

beat the devil out of it.

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That's probably the highlight of painting.

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Just cleaning that brush.

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You can take out all your

hostilities and the frustrations.

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And if you're not careful,

you can redecorate your

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living room in a heartbeat.

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I've taken paint thinner

on the liner brush.

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I want this to be thin liking very,

very thin, turn that brush and that'll

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bring it to a nice sharp point.

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Liner brush has very long bristles,

so it holds a lot of paint.

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Now we can go up in here and let's begin

putting the indication here and there

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of all kinds of little trees and happy

little things that live up in here.

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Wherever you think they should live?

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Just a little, little sticks and twigs.

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This is where all the little

squirrels and the bunny rabbits play.

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They have a good time.

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Good time.

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Like I mentioned, I have a little

squirrel that lives with me and

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boy, he, he, something else.

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He lives like a King.

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He's got a big tall cage and

we call it squirrel Hilton.

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Eats better than I do.

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I spend all my money feeding creatures.

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There's one

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K right out through here,

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over through there,

wherever you want them.

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See how they just keep.

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By adding them, it, it creates

more and more depth and distance

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into your painting, the hair

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and the same hair.

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As you work out, let them

get darker and darker.

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Get more into the bluish color.

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That, that one come

right on down like that.

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There's this little arm.

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Okay.

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Gotta have a place up here for

all the little birds to sit.

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That's what all these

little tree limbs are for.

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They're just little seats for

the birds and the last series.

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And the last series we showed a

little blue Jay that I was raising

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and he's grown up now and he's taken

off he's living and he's living good.

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Now he's got a little condo in Miami,

stays there and there in the winter.

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Two kids, house payments, BMW.

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Things are going well for him.

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No, that's not true.

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That's not true.

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Just made that up.

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We did turn him loose though.

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And he's living close to Muncie,

Indiana, and he's having a good time.

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Hope he does have a fan.

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Bye.

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Now,

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maybe now he's got a bunch of

little birds to feed and he

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knows how much trouble it is.

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See the whole missile Liam's

right in there that really looks

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like it's a big bunch of sticks.

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There we are.

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And in your world you decided how many

little tree limbs, or how few, how

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many, whatever, and you just drop them

in there's freedom on this canvas.

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You can do anything that you like here.

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Anything that you like.

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And you can create any kind

of world that you want.

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There we go.

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There's enough old, bad stuff

going on in the world here.

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We make it very peaceful and nice.

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Let me get a one inch brush.

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I want to put the indication of a

little highlight here and there, but

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I don't want much, if you put too

much, we're going to lose that Misty

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far away effect that we have there.

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So I don't want much, I'm going

to take some titanium white.

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I'll just pull some off of the brush here.

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A little bit of this color

that we had just tap.

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Let's say I don't want a lot

of paint on the bristles.

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Just enough.

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We can go in here.

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Here and there, but just the

indication of some happy little

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leaves that are in there.

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I'll put in here.

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There's a few.

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They're very subdued though.

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I don't want something as a

bright and yelling at you.

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Just, this is quiet and Misty looking back

in there as we get away from that light

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area, I'll begin adding a little more of

the color that had more of the blue in it,

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more than the little blue in it that okay.

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Maybe some right over in there.

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There we go, are you doing

this tapping to this tab?

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So you can still see the tree breaches

and all of them, the trunks and

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everything right through that paint.

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There we go.

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All kinds of little things living

back here in the woods, that's

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a sweet, a little bunny rabbit

hides these, my friend, like you.

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A little bit up in here.

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Don't overdo though.

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This starts working.

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It gets so nice.

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It's hard to stop.

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It's hard to stop.

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So she has put a little, can you a little

bit more to the bluish color as we get

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further away from the light source.

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There we go.

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All kinds of little things happening

back here, deep in the woods there and

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in your world when you're painting,

make up little stories, think about

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all the little creatures that live

back here and what they're doing.

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And, you know, they have

cares just like we do shoot.

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I ain't got problems trying to chase

one another around and everything.

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Make up happy stories for them.

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And it helps put you in the mood to

paint all kinds of little things.

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See, I see all types of places back

here who would just be fantastic

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for the little creatures to hide.

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This almost looks like

something out of it.

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A fairy tale.

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Okay.

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Let's begin putting in

some nice happiness.

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Thanks.

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Right in the foreground.

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I'm going to add a little bit

of that dark color to the brush.

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Just, just want to get some blue on here.

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So when I go down here to the

yellow, we'll get some nice

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green colors like Crimson lizard

Crimson, and they look blue.

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I'm looking for sort of an off

green color, sort of with dirty

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green color, just tap the bristles.

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Tap them right into that paint load.

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A lot of color now that we have to

make some big decisions here, let's

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have, let's have some nice land area

that comes right down like that.

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There it is.

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And darker, darker,

darker as it goes back.

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Very dark back in here.

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See, that's continually picking up

that color is already on the canvas.

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So the more you tap it, the

darker and the softer it becomes.

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There we go.

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A little bit on the other side,

over here, maybe right in there.

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What the heck, wherever you

want it slowly, slowly back.

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Slowly, quietly there, but a

yellow ochre here and there.

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A little Indian, yellow.

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Just sort to mix all those counters

every once in a while you put the least

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little touch of bright color, least

little touch, because if you have green

254

00:14:30,810 --> 00:14:36,900

add red to it, it turns a beautiful

Brown and red and believe it or not is

255

00:14:36,900 --> 00:14:38,760

your dollar it dulls down the color.

256

00:14:41,325 --> 00:14:43,805

Sad grief, reach over here and

grab a little slap freedom.

257

00:14:43,835 --> 00:14:47,385

It started getting darker as we

get closer to the photograph,

258

00:14:49,905 --> 00:14:54,075

dark or darker, safe here.

259

00:14:54,075 --> 00:14:56,925

If we want to make a pair of want to

make it really zing, like there's a

260

00:14:56,925 --> 00:14:58,815

little light shining through there.

261

00:14:58,815 --> 00:15:02,475

All you got to do is take the brush and

go right into a little titanium white

262

00:15:03,045 --> 00:15:04,305

and watch when you hit right here.

263

00:15:04,555 --> 00:15:07,725

See that little bit of

white, white sparkles.

264

00:15:08,265 --> 00:15:09,675

See the sunlight hitting right there.

265

00:15:10,095 --> 00:15:12,705

Maybe the zings right to there

and bounces right along in

266

00:15:12,705 --> 00:15:15,735

here, but it's easy to overdo.

267

00:15:16,425 --> 00:15:17,835

It's easy to do too much.

268

00:15:18,645 --> 00:15:20,175

So use that effect sparingly.

269

00:15:20,175 --> 00:15:21,465

Save it for the good spots.

270

00:15:23,760 --> 00:15:30,030

Save it for the good spots, but that

sunlight now it's just, it's just

271

00:15:30,210 --> 00:15:32,400

ripping through there having a good time

272

00:15:40,950 --> 00:15:43,620

where it's a nice place to take

your shoes off and just sort

273

00:15:43,620 --> 00:15:44,720

of run through their barefoot.

274

00:15:48,270 --> 00:15:49,230

I grew up in Florida.

275

00:15:50,245 --> 00:15:51,535

Dean wears shoes to school.

276

00:15:53,334 --> 00:15:53,905

Believe it or not.

277

00:15:53,905 --> 00:15:57,444

I was in about the sixth grade

where I wore shoes to school.

278

00:15:59,245 --> 00:16:01,675

Cause it was nice and warm and

you didn't have to put on shoes.

279

00:16:03,834 --> 00:16:04,405

There we go.

280

00:16:10,155 --> 00:16:11,365

Let's go over to the other side now.

281

00:16:12,900 --> 00:16:17,400

And we put some nice grassy little

areas over here, too, but just

282

00:16:17,400 --> 00:16:20,099

sort of think about the lay of the

land here, how you want it to flow.

283

00:16:20,130 --> 00:16:21,810

The curves that you want in your land.

284

00:16:22,260 --> 00:16:27,089

Grab a little more of the green

shape is quite important here.

285

00:16:28,709 --> 00:16:31,410

I want this to sort of look like

it comes down on each side now.

286

00:16:32,030 --> 00:16:32,630

Little Valley.

287

00:16:32,630 --> 00:16:36,830

Like we put a little path in there.

288

00:16:36,860 --> 00:16:40,520

What the heck I, a beautiful

place to have a little path

289

00:16:44,970 --> 00:16:47,060

maybe, maybe here and there.

290

00:16:47,870 --> 00:16:48,830

Right in that a little bit.

291

00:16:48,830 --> 00:16:53,090

Put a little, a little brighter

spot, like is a little light

292

00:16:53,090 --> 00:16:54,350

getting through on this side too.

293

00:16:55,310 --> 00:16:56,060

Don't want it all in there.

294

00:16:56,060 --> 00:16:59,660

The second little bits of

zinging right through there.

295

00:17:01,230 --> 00:17:02,580

Let's see how you can sparkle it.

296

00:17:03,330 --> 00:17:07,170

It's unbelievable what

you can do on this canvas.

297

00:17:07,170 --> 00:17:13,260

You can do anything and anything that

your heart desires came just going to

298

00:17:13,260 --> 00:17:16,349

wipe off the excess paint and sort of

blend these edges right into nothing.

299

00:17:17,970 --> 00:17:19,560

Janice wanted to blend right in there.

300

00:17:20,670 --> 00:17:21,180

Like, so.

301

00:17:22,515 --> 00:17:24,194

It goes right up into

the edge of the woods.

302

00:17:26,444 --> 00:17:27,015

Okay.

303

00:17:30,385 --> 00:17:33,754

That's happened a little Pat and

they're going to grab a fan brush now,

304

00:17:33,754 --> 00:17:38,195

then let's just go into Vandyke Brown

van Dyke Brown, little dark Sienna.

305

00:17:38,375 --> 00:17:39,725

Just mix them together on the brush.

306

00:17:40,835 --> 00:17:42,065

Mostly Vandyke Brown though.

307

00:17:44,395 --> 00:17:47,735

A little bit of each lot of

pain in the brush though.

308

00:17:48,515 --> 00:17:48,815

Okay.

309

00:17:50,040 --> 00:17:53,100

Now then think about maybe there's

a little path it's coming back

310

00:17:53,129 --> 00:17:55,409

through the woods and it sort of

comes over the Hill right here.

311

00:17:56,129 --> 00:17:56,669

There it is.

312

00:17:56,820 --> 00:17:57,270

There it is.

313

00:17:57,270 --> 00:17:57,930

You knew it was there.

314

00:17:58,379 --> 00:18:00,060

Just sort of scrubbed this back and forth.

315

00:18:00,810 --> 00:18:01,139

Thank you.

316

00:18:01,139 --> 00:18:05,820

The shape of the path as it gets

closer and closer to you allow it to

317

00:18:05,820 --> 00:18:10,379

get bigger, wider, and stronger so

that it looks like it's really coming

318

00:18:10,379 --> 00:18:16,080

at you bigger toward the front there.

319

00:18:22,290 --> 00:18:25,110

There we go and look at that already.

320

00:18:25,320 --> 00:18:28,020

It gives you the impression that it's

sort of going back up over the Hill there.

321

00:18:28,050 --> 00:18:28,920

That's what we're looking for.

322

00:18:28,930 --> 00:18:31,370

I'm going to take a little,

little bit of titanium.

323

00:18:31,400 --> 00:18:32,630

White, not much.

324

00:18:32,670 --> 00:18:37,740

Just put it on the same old, dirty

brush, little titanium white.

325

00:18:38,730 --> 00:18:39,060

Okay.

326

00:18:39,630 --> 00:18:42,900

Now then we'll go right up in here

and just lightly just graze it.

327

00:18:43,530 --> 00:18:44,310

Just graze it.

328

00:18:45,285 --> 00:18:49,905

All you doing just enough to add a

little touch of color here and there.

329

00:18:50,175 --> 00:18:50,865

Just graze it.

330

00:18:53,895 --> 00:18:54,435

Okay.

331

00:18:54,435 --> 00:18:56,985

I've got several fan brush is going

to be grabbing another one here.

332

00:18:58,525 --> 00:19:01,935

This one, I'll go right into

some yellow, grab some SAP green.

333

00:19:02,265 --> 00:19:03,015

There it is.

334

00:19:04,755 --> 00:19:07,305

Yellow ochre, Indian, yellow,

maybe even touch the bright

335

00:19:07,305 --> 00:19:09,645

grid here and there, there.

336

00:19:11,460 --> 00:19:17,640

Then I want to bring some new grassy

things right down onto the path that helps

337

00:19:17,640 --> 00:19:19,530

push the path down into the painting.

338

00:19:21,210 --> 00:19:22,920

So it doesn't just sit

up there all by itself.

339

00:19:22,950 --> 00:19:25,080

This way it becomes part of the painting.

340

00:19:25,080 --> 00:19:28,980

When you let a few little things,

hang over it just here and there.

341

00:19:30,970 --> 00:19:31,470

There we go.

342

00:19:31,740 --> 00:19:32,220

There we go.

343

00:19:32,280 --> 00:19:32,730

Look at that.

344

00:19:36,060 --> 00:19:38,870

Just create all kinds of beautiful

little effects over here.

345

00:19:40,575 --> 00:19:47,565

My cat and I think we're in business

now, maybe in our world here, we

346

00:19:47,565 --> 00:19:49,515

have some nice big strong trees.

347

00:19:49,965 --> 00:19:53,385

So let's take a fan brush and we'll

go right into, I've got a number three

348

00:19:53,385 --> 00:19:57,585

fan brush right now, but whatever size

you happen to have available, I just

349

00:19:57,585 --> 00:20:03,455

picked that up and I like it loaded

full of black midnight, black, a lot

350

00:20:03,465 --> 00:20:05,955

of color, just both sides are full.

351

00:20:07,335 --> 00:20:07,545

Okay.

352

00:20:07,545 --> 00:20:08,865

Now you have to make a big decision.

353

00:20:08,865 --> 00:20:09,735

Where did you treat Lyft?

354

00:20:10,905 --> 00:20:14,145

I think maybe we have a tree right there.

355

00:20:17,085 --> 00:20:18,405

Maybe he's got an arm.

356

00:20:19,135 --> 00:20:20,205

Let's make him a little fatter.

357

00:20:20,235 --> 00:20:22,695

She would make him stand

out a little better.

358

00:20:25,995 --> 00:20:26,535

There he is.

359

00:20:26,805 --> 00:20:27,195

There is.

360

00:20:27,585 --> 00:20:28,485

And I would give him an arm.

361

00:20:28,485 --> 00:20:29,205

Maybe there's an arm.

362

00:20:29,205 --> 00:20:33,705

It lifts right there soon.

363

00:20:36,135 --> 00:20:38,535

Maybe on the other side over

here, we'll have another tree.

364

00:20:39,165 --> 00:20:42,915

It looks like a good

spot just in your world.

365

00:20:42,915 --> 00:20:50,685

Look at your painting and decide wherever

you want a tree or a path or a stream.

366

00:20:51,315 --> 00:20:53,985

Sad to make a beautiful stream

through there to be easy to do.

367

00:20:55,005 --> 00:20:56,475

You could still change it to a stream.

368

00:20:56,505 --> 00:20:57,435

Even at this point.

369

00:20:59,535 --> 00:21:04,965

Can you maybe, maybe there's an arm on

this tree that lives right out from there.

370

00:21:05,400 --> 00:21:07,410

Wherever we'll give him another one.

371

00:21:08,070 --> 00:21:10,560

There let's get crazy.

372

00:21:10,590 --> 00:21:14,010

Or we got to go with, maybe there's

a big old tree lives over here.

373

00:21:15,030 --> 00:21:15,870

Big old tree.

374

00:21:16,140 --> 00:21:16,680

All right.

375

00:21:16,680 --> 00:21:18,390

He said he's had a hard life.

376

00:21:18,810 --> 00:21:24,390

We'll just let that old

brush bend and I can tap

377

00:21:27,480 --> 00:21:27,780

st.

378

00:21:27,780 --> 00:21:29,310

Don't be afraid to bend that brush.

379

00:21:31,034 --> 00:21:31,274

Okay.

380

00:21:31,274 --> 00:21:32,534

We'll give him a big arm.

381

00:21:32,534 --> 00:21:37,185

It lives right here on the side,

maybe another one over here.

382

00:21:38,825 --> 00:21:40,925

And you just sort of make a

decision, put them wherever

383

00:21:40,925 --> 00:21:43,145

you want them here and there.

384

00:21:43,264 --> 00:21:44,254

I'm going to get another brush.

385

00:21:45,095 --> 00:21:49,655

We'll take little black, little

black, little blue, mix them

386

00:21:49,655 --> 00:21:52,295

together, maybe here and there.

387

00:21:52,595 --> 00:21:53,585

There's a Bush or two.

388

00:21:54,065 --> 00:21:55,865

We'll put a little Bush

lives right down here.

389

00:21:58,185 --> 00:21:58,605

Okay.

390

00:21:59,565 --> 00:21:59,805

Shoot.

391

00:21:59,805 --> 00:22:00,465

That's so much fun.

392

00:22:00,465 --> 00:22:01,485

Let's have one over here too.

393

00:22:01,695 --> 00:22:02,625

There's a nice Bush.

394

00:22:04,545 --> 00:22:07,105

See that sort of that'll

sort of bring everything.

395

00:22:07,535 --> 00:22:07,625

Okay.

396

00:22:10,445 --> 00:22:15,635

And I'm going to dip my brush into

liquid white, just to thin the paint.

397

00:22:15,665 --> 00:22:21,185

And I'm going into CAD

yellow and SAP green load.

398

00:22:21,185 --> 00:22:22,865

A lot of color to the bristles.

399

00:22:23,015 --> 00:22:23,705

Can I just go up here?

400

00:22:24,990 --> 00:22:27,510

And let's make this

little Bush right here.

401

00:22:27,540 --> 00:22:31,260

Just park on lot of paint.

402

00:22:31,890 --> 00:22:34,920

So he sparkles don't kill all that dark.

403

00:22:37,200 --> 00:22:37,560

Okay.

404

00:22:38,480 --> 00:22:45,980

Liquid white, CAD, yellow, SAP green,

but there's a lot of paint on the brush.

405

00:22:45,980 --> 00:22:48,170

So all you have to do is barely touch.

406

00:22:49,245 --> 00:22:52,335

If you have to push hard, then you don't

have enough paint or the paint that

407

00:22:52,335 --> 00:22:54,195

you have on the brush is too thick.

408

00:22:55,035 --> 00:22:58,485

Remember our golden rule didn't

paint will stick to a thick paint.

409

00:23:00,215 --> 00:23:00,725

There we go.

410

00:23:05,225 --> 00:23:09,335

Now we can just take the knife in here

and they're scraping the indication

411

00:23:09,335 --> 00:23:11,345

of a stick twig and all those things.

412

00:23:15,125 --> 00:23:15,935

One over here.

413

00:23:18,525 --> 00:23:18,735

Okay.

414

00:23:18,735 --> 00:23:19,935

You probably have the knife going.

415

00:23:20,535 --> 00:23:25,365

Let's take, let's take some white,

some bright red, little dark.

416

00:23:25,365 --> 00:23:28,755

CNF put it all together over that flat.

417

00:23:29,295 --> 00:23:33,435

Now just cut us off a little roll

of paint and let's go up in here.

418

00:23:35,025 --> 00:23:36,435

Put the indication here and there.

419

00:23:36,465 --> 00:23:38,625

I have a little highlight on

some of these little trees.

420

00:23:40,095 --> 00:23:40,665

Where are you thinking?

421

00:23:40,665 --> 00:23:45,735

Like what zip through there

and hit just a little.

422

00:23:46,620 --> 00:23:47,070

Highlight

423

00:23:50,120 --> 00:23:53,540

who this whole bent tree

boy he's had a rough life.

424

00:23:54,410 --> 00:23:58,010

Maybe when he was little or big bear

or something came along here and

425

00:23:58,010 --> 00:24:03,950

stepped on him, put a little hurt

in it, really crooked him all up.

426

00:24:05,990 --> 00:24:07,460

He's a gnarly,

427

00:24:10,550 --> 00:24:11,570

all the little things.

428

00:24:11,570 --> 00:24:15,410

So now when you take some blue and white.

429

00:24:15,705 --> 00:24:16,514

Mostly blue, though.

430

00:24:16,514 --> 00:24:17,235

Very little white.

431

00:24:17,504 --> 00:24:18,405

What is very dark?

432

00:24:18,465 --> 00:24:23,284

Just make the indication of a

little reflected light right there.

433

00:24:25,294 --> 00:24:29,495

Can you go over here on the

other side and let's put a little

434

00:24:29,495 --> 00:24:33,695

touch right along here, like, so

435

00:24:37,024 --> 00:24:42,364

that'll be it right there, there,

wherever a little bit of her blue.

436

00:24:45,120 --> 00:24:45,690

There we go.

437

00:24:48,060 --> 00:24:53,330

I'm going back to my script liner

brush, dip it into paint thinner.

438

00:24:55,220 --> 00:24:58,160

I didn't tell a little bit of

black and that's just put in

439

00:24:58,160 --> 00:24:59,390

the indication here and there.

440

00:24:59,960 --> 00:25:04,590

I have a few little limbs and branches

be sure your pain is very thin.

441

00:25:04,620 --> 00:25:08,990

If it's thin it'll flow, you

have trouble making it flow.

442

00:25:09,080 --> 00:25:12,350

Chances are your pain is too thick.

443

00:25:16,725 --> 00:25:16,935

Yeah.

444

00:25:21,165 --> 00:25:23,294

Now that let's go over to this one.

445

00:25:23,294 --> 00:25:28,205

I don't want to have left out the instance

where if you have a little Twitch in

446

00:25:28,205 --> 00:25:32,465

your hand, when it's good for making

all these branches that really pays off.

447

00:25:34,705 --> 00:25:37,355

No one of the questions I'm asked over

and over is what we do with all these

448

00:25:37,355 --> 00:25:40,565

paintings that are left from the shows.

449

00:25:41,055 --> 00:25:42,075

Cause there's a lot of paintings.

450

00:25:42,075 --> 00:25:43,275

I started 200 shows.

451

00:25:43,275 --> 00:25:53,895

Now we donate these paintings to

PBS stations around the country and

452

00:25:53,895 --> 00:25:57,105

to other charity organizations, but

mostly the PBS stations, they auction

453

00:25:57,105 --> 00:26:00,135

them off and to make a happy buck.

454

00:26:00,135 --> 00:26:04,004

So if you'd like to have one, get in

touch with your station and let them know.

455

00:26:04,635 --> 00:26:06,585

Tender to get one there.

456

00:26:06,615 --> 00:26:09,705

And when they have their auction,

support them, help them out.

457

00:26:09,705 --> 00:26:10,455

They need your help.

458

00:26:12,075 --> 00:26:12,645

There we go.

459

00:26:12,675 --> 00:26:16,665

I'm going to take a little Crimson,

a little a black, let's just put the

460

00:26:16,665 --> 00:26:22,845

indication, the silhouette here and

there of some little leaves out here.

461

00:26:24,795 --> 00:26:25,485

There we go.

462

00:26:25,845 --> 00:26:27,525

I like so little on this one.

463

00:26:29,865 --> 00:26:31,335

We've about got a finished painting.

464

00:26:33,660 --> 00:26:38,430

This wouldn't certainly certainly

give you some experience.

465

00:26:39,060 --> 00:26:42,960

And if you've never painted before, this

is a good one for your first attempt.

466

00:26:42,960 --> 00:26:43,530

Now let's take that.

467

00:26:44,040 --> 00:26:48,870

Let's take this off and let you see how

it looks like move the contact paper.

468

00:26:49,440 --> 00:26:51,090

And we look at that side of a guy.

469

00:26:53,310 --> 00:26:56,070

We can take a little bit

of red and we'll sign it.

470

00:26:56,610 --> 00:26:58,020

I really hope you've enjoyed this one.

471

00:26:59,040 --> 00:27:02,190

As I say, if you've never

painted before, this is one.

472

00:27:03,344 --> 00:27:04,965

That you can do on your first attempt.

473

00:27:06,014 --> 00:27:07,064

I thank you for joining me.

474

00:27:07,115 --> 00:27:08,044

I hope you enjoyed it.

475

00:27:08,165 --> 00:27:11,044

And from all of us here,

happy painting and God bless.

End .srt file.

Bob Ross' The Joy of Painting

Tuesday, December 29, 2020

S15E10 - Forest Down Oval

Bob Ross's

The Joy of Painting

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