Bob Ross's

The Joy of Painting

S15E12 - Deep Forest Lake

Here's the .srt which was extracted from the Speech-to-Text website.

Proofreading is required, editing, grammar.

Begin .srt file.

00:00:28,314 --> 00:00:31,935

Hey, I'm glad to see you ready to do

another fantastic little painting.

00:00:32,025 --> 00:00:36,375

Super tell you what, let me tell you what

I've got going up here already today.

00:00:36,375 --> 00:00:40,425

I have my standard old canvas up here,

but I've taken black Jessell and I've

00:00:40,425 --> 00:00:42,015

painted sort of around the edges here.

00:00:42,015 --> 00:00:47,144

Just to give me a sort of a, sort of a

weird little shape and all of that I've

00:00:47,144 --> 00:00:49,635

covered then with a mixture of blue.

00:00:49,965 --> 00:00:52,095

SAP green and Vandyke Brown.

00:00:52,725 --> 00:00:55,245

Just all the way around

here and in the center.

00:00:55,305 --> 00:00:56,055

There's nothing here.

00:00:56,055 --> 00:00:57,165

It's just blank canvas.

00:00:57,435 --> 00:00:59,535

I've just covered that with

a little bit of liquid white.

00:01:00,045 --> 00:01:02,595

So I'll tell you what, let's have him

run all the colors across the screen

00:01:02,865 --> 00:01:04,485

that you need to paint along with me.

00:01:04,845 --> 00:01:06,225

And we'll go on up here and get started.

00:01:07,215 --> 00:01:12,585

As I say, this, this mixture here is the

little blue SAP green, and then Brown.

00:01:12,585 --> 00:01:14,235

I put the Brown in there just to dull it.

00:01:14,985 --> 00:01:20,145

Just to dull it, all we're looking

for here is just a nice, thin even

00:01:20,145 --> 00:01:23,235

coat of color on most of the dark area

00:01:26,535 --> 00:01:27,414

now, because this.

00:01:28,540 --> 00:01:31,140

It's so dark and the pain is transparent.

00:01:31,140 --> 00:01:33,900

It still looks black here,

but there is color on here.

00:01:34,020 --> 00:01:37,230

And when we begin putting

different things on here, you'll

00:01:37,230 --> 00:01:38,520

be, you'll see what happens.

00:01:39,060 --> 00:01:40,170

These are fantastic.

00:01:40,170 --> 00:01:41,700

I love these black canvases.

00:01:42,720 --> 00:01:43,860

Just absolutely love them.

00:01:43,950 --> 00:01:45,480

Tell you what, let me

grab another brush here.

00:01:46,440 --> 00:01:48,630

Let's put some, let's put

some more in this guy.

00:01:48,690 --> 00:01:49,860

I'll take a clean brush.

00:01:50,550 --> 00:01:53,790

I'm going to get the least little

touch of a lizard Crimson on it.

00:01:54,330 --> 00:01:56,340

Just a tiny little bit.

00:01:56,670 --> 00:02:01,310

And maybe, and then this guy, a

little bit of Crimson, maybe a

00:02:01,310 --> 00:02:04,730

little that'll show through and

just make some little warm places.

00:02:06,530 --> 00:02:07,610

Don't want it too bright.

00:02:07,820 --> 00:02:09,110

Just a little here and there.

00:02:10,370 --> 00:02:11,240

A little touch, more.

00:02:12,345 --> 00:02:16,095

I don't know if I really even have

some down here, very little of

00:02:16,095 --> 00:02:19,845

this will show and anything that

we don't like, we just covered up.

00:02:20,295 --> 00:02:21,555

Cause we don't make mistakes.

00:02:22,245 --> 00:02:23,835

We have happy accidents.

00:02:27,675 --> 00:02:31,905

You could even take a touch of

the yellow ochre, least little

00:02:32,505 --> 00:02:34,365

mouth of tiny little bit.

00:02:35,175 --> 00:02:35,505

And.

00:02:36,000 --> 00:02:39,030

You can put a little bit here and

there just to put some brightness

00:02:39,030 --> 00:02:47,010

in the sky, wherever, least little

type stuff, probably at this point.

00:02:47,530 --> 00:02:50,190

It really doesn't show

up much, but it will.

00:02:50,190 --> 00:02:53,190

Once we begin putting some darks

in here, see, now back to our

00:02:53,579 --> 00:02:57,060

color that we've covered this with,

I wanted to begin bringing this

00:02:57,060 --> 00:02:59,430

right down into the liquid flight.

00:03:00,720 --> 00:03:02,609

Now we begin making decisions.

00:03:02,609 --> 00:03:08,100

Maybe this is a big tree that lives

right here and his limbs, his arms hang

00:03:08,100 --> 00:03:12,570

right over, like, so let's see, just use

a corner of the brush and bring some of

00:03:12,570 --> 00:03:15,390

that color right down to the liquid white.

00:03:16,080 --> 00:03:19,860

It's going to get lighter and lighter

in value and that's super, and it's

00:03:20,310 --> 00:03:22,290

just using the corner of the brush.

00:03:22,620 --> 00:03:22,860

Okay.

00:03:24,000 --> 00:03:30,510

Since the corner of the brush

there, and you can just pick up more

00:03:30,510 --> 00:03:36,330

colors, you need it right off here,

maybe right in here, lives a tree.

00:03:36,780 --> 00:03:37,290

I don't know.

00:03:38,310 --> 00:03:41,040

Just sort of look around and

make a decision and drop it in.

00:03:41,040 --> 00:03:44,370

Maybe there's a nice tree that

goes right up through there.

00:03:49,355 --> 00:03:52,115

You can make him as big or as small

as you want him in your world.

00:03:55,895 --> 00:03:57,755

He's just a happy little

tree that lives here.

00:03:59,405 --> 00:04:00,035

There we go.

00:04:01,545 --> 00:04:04,394

Maybe over in here, there's just all

kinds of little bushes and stuff there.

00:04:04,394 --> 00:04:08,475

We, back in the background, it's hard

to even make out a lot of detail.

00:04:09,554 --> 00:04:12,945

This is one of those paintings that

will give you the indication to feel

00:04:12,945 --> 00:04:14,535

that you're deep, deep in the woods.

00:04:16,274 --> 00:04:16,995

I like those.

00:04:17,779 --> 00:04:20,089

Because I like to get out in the

woods and started just wander through.

00:04:21,050 --> 00:04:22,250

And I'm a big time Hunter.

00:04:22,370 --> 00:04:26,870

I carry a camera with me and I shoot them.

00:04:26,870 --> 00:04:29,240

00:04:29,419 --> 00:04:30,120

I wouldn't hurt them.

00:04:30,120 --> 00:04:32,359

I'm I'm not much at shooting Bambi.

00:04:32,930 --> 00:04:34,010

I'd rather take a picture of it.

00:04:35,270 --> 00:04:35,840

There we go.

00:04:37,544 --> 00:04:39,494

Let's see already, you're

beginning to get the impression

00:04:39,494 --> 00:04:40,905

of all kinds of things happening.

00:04:41,625 --> 00:04:44,625

Now, then over here on this

side, let's just let some of

00:04:44,625 --> 00:04:47,174

these just sort of hang over.

00:04:51,705 --> 00:04:53,835

Always amazes me that you

can do all this detail.

00:04:54,344 --> 00:04:55,665

Using a great big breasts.

00:04:55,665 --> 00:05:01,125

Like, yes, I spent so many, so many years

of my life as a traditional painter,

00:05:01,725 --> 00:05:08,355

working with little tiny brushes, used

to fret over think that's a good word.

00:05:09,225 --> 00:05:13,065

Used to Fred over paintings would I'd

worry with them and work with them.

00:05:15,495 --> 00:05:18,885

Let's take some paint thinner,

and I'm going to take a little

00:05:18,885 --> 00:05:20,085

bit of the Bandag Brown.

00:05:20,385 --> 00:05:21,435

Mix it with paint thinner.

00:05:23,580 --> 00:05:24,480

Want it very thin.

00:05:25,469 --> 00:05:25,590

Okay.

00:05:26,240 --> 00:05:28,520

Just turn Atlanta brush in

there, get it full of pain.

00:05:29,659 --> 00:05:32,960

Now, then here and there, we

need us a little tree trunk.

00:05:32,960 --> 00:05:37,430

So let's start right in

there making a wiggly tree.

00:05:39,289 --> 00:05:39,920

There he is.

00:05:41,990 --> 00:05:43,789

But do you have an arm

or two here and there?

00:05:45,650 --> 00:05:45,950

St.

00:05:45,950 --> 00:05:50,030

There just no wiggle the tree.

00:05:53,220 --> 00:05:54,000

Back in here.

100

00:05:54,030 --> 00:05:56,700

Just the indication of a few

little things that are happening.

101

00:05:57,420 --> 00:06:03,930

Don't want these to be real bright

and strong, very subdued, a lot of

102

00:06:03,930 --> 00:06:05,070

little things happening back here.

103

00:06:05,070 --> 00:06:05,940

We don't know what they are.

104

00:06:10,880 --> 00:06:14,660

So you just sorta just sort of visualize

this in your mind and drop it in

105

00:06:14,660 --> 00:06:16,250

there wherever you think it should be.

106

00:06:17,090 --> 00:06:18,890

That's exactly where they should be.

107

00:06:21,315 --> 00:06:21,885

There we go.

108

00:06:25,175 --> 00:06:28,715

Some we own up in here too big,

tall, skinny trees up in here.

109

00:06:30,395 --> 00:06:31,534

Trees are like people.

110

00:06:31,534 --> 00:06:34,805

They come in all sizes and all

shapes, different personalities.

111

00:06:36,995 --> 00:06:38,284

That's what makes them all beautiful.

112

00:06:38,555 --> 00:06:41,975

Just like people there.

113

00:06:46,320 --> 00:06:49,530

Well already, we've got a

forest to go in there today.

114

00:06:49,530 --> 00:06:51,150

Let's just use a little one inch brush.

115

00:06:52,080 --> 00:06:56,940

Just use a little one inch brush,

pick up a little bit of green.

116

00:06:58,284 --> 00:07:02,414

Little yellow, reach over here

and get some yellow ochre,

117

00:07:03,945 --> 00:07:09,135

whatever, little bright, red,

little touch, the Indian, yellow.

118

00:07:09,284 --> 00:07:11,474

I want to mix a lot of

different colors on this brush.

119

00:07:11,895 --> 00:07:13,034

A lot of different colors.

120

00:07:13,335 --> 00:07:15,854

So there's, there's not

just one Oh, dead color.

121

00:07:15,865 --> 00:07:17,294

It's a lot of things happening here.

122

00:07:17,655 --> 00:07:18,425

There's life.

123

00:07:18,455 --> 00:07:19,325

It's interesting.

124

00:07:19,354 --> 00:07:21,784

It's fun looking at here.

125

00:07:21,784 --> 00:07:23,435

And now we just use a corner of the brush.

126

00:07:24,245 --> 00:07:25,385

You come right in here.

127

00:07:26,609 --> 00:07:27,799

I don't want much color back here.

128

00:07:27,830 --> 00:07:29,969

This is too far away, too far away.

129

00:07:30,210 --> 00:07:33,919

I don't want to lose the illusion

of depth and distance here.

130

00:07:34,609 --> 00:07:36,650

This is deep in the

woods and it's far back.

131

00:07:36,740 --> 00:07:39,140

These things over on each side

are going to be closer to us.

132

00:07:40,039 --> 00:07:41,090

Those will make brighter.

133

00:07:41,090 --> 00:07:42,919

They'll stand out strong.

134

00:07:43,219 --> 00:07:48,590

These they're far away, quiet,

little happy things back here.

135

00:07:50,670 --> 00:07:54,450

There way are little

squirrel sets right there.

136

00:07:56,520 --> 00:07:58,140

He watches everything that's going on.

137

00:07:59,150 --> 00:08:00,860

Maybe just the indication here and there.

138

00:08:01,520 --> 00:08:01,610

Okay.

139

00:08:04,425 --> 00:08:08,105

Like that about the shape

you want your treat?

140

00:08:08,105 --> 00:08:09,065

I'll just hit it, rammed up.

141

00:08:09,455 --> 00:08:10,265

Don't get it random.

142

00:08:10,265 --> 00:08:14,945

I know you get tired of hearing

me say that, but I want you to be

143

00:08:14,945 --> 00:08:17,164

happy with what you've accomplished.

144

00:08:18,215 --> 00:08:20,735

If your trees just look like

they've been hitted, Rhonda, you're

145

00:08:20,735 --> 00:08:21,784

not going to be happy with them.

146

00:08:24,960 --> 00:08:25,500

There we are.

147

00:08:26,130 --> 00:08:29,340

And it's important to me that

you're satisfied with what you do.

148

00:08:30,900 --> 00:08:34,650

See, look at that little tree

or he just that nice tree.

149

00:08:34,650 --> 00:08:37,799

He just sits right out there

and here and there, you can just

150

00:08:37,799 --> 00:08:39,060

put individual little bushes.

151

00:08:39,060 --> 00:08:39,960

We don't know where they're at.

152

00:08:41,159 --> 00:08:44,220

Pick up a little more of the Indian,

yellow, little, a little bit of

153

00:08:44,220 --> 00:08:46,710

the red, maybe right over in here.

154

00:08:49,290 --> 00:08:50,910

There's a nice little Bush, right?

155

00:08:50,910 --> 00:08:51,690

Little summer, again,

156

00:08:57,360 --> 00:09:01,050

think of one Bush at a

time, one Bush at a time.

157

00:09:02,670 --> 00:09:05,370

I know sometimes when you watch, it

looks like we take a running start and

158

00:09:05,760 --> 00:09:07,740

just socking bunch of them at once.

159

00:09:08,520 --> 00:09:10,290

But one Bush at a time.

160

00:09:11,670 --> 00:09:13,080

Are you a great, great dividends?

161

00:09:14,085 --> 00:09:15,645

If paintings will be much nicer.

162

00:09:16,755 --> 00:09:23,555

I think of each one as an

individual there and work in layers.

163

00:09:23,555 --> 00:09:26,625

So you complete the most distant layer

and keep coming forward forward forward.

164

00:09:28,575 --> 00:09:33,855

There we are now that now

that must have some fun today.

165

00:09:35,460 --> 00:09:36,689

We'll take a two inch brush.

166

00:09:36,710 --> 00:09:39,300

I'm gonna go right into the

small amount of titanium.

167

00:09:39,300 --> 00:09:42,360

White, just a little

bit, just a little bit.

168

00:09:42,390 --> 00:09:43,920

Maybe there's some water into here.

169

00:09:44,760 --> 00:09:47,430

Got to make your first major

decision, just touch and pull

170

00:09:47,430 --> 00:09:49,319

straight down, straight down.

171

00:09:50,280 --> 00:09:52,380

See there's color on the canvas.

172

00:09:53,730 --> 00:09:55,949

And when you put the

white, it comes alive.

173

00:09:56,939 --> 00:09:59,189

Look at that and you can make

this as bright as you want it.

174

00:09:59,189 --> 00:10:01,680

The more whites you add,

the brighter it'll become.

175

00:10:03,265 --> 00:10:06,285

You want it to be subdued,

then use very, very little.

176

00:10:07,995 --> 00:10:10,485

This is strictly an individual preference.

177

00:10:10,605 --> 00:10:14,475

Look at it and make it the way

we want it comes right across.

178

00:10:14,925 --> 00:10:17,745

But see these little bright marks or

you can push them, you can push them

179

00:10:17,745 --> 00:10:22,785

from like I'm wiggle, like all kinds

of beautiful, beautiful effects.

180

00:10:24,705 --> 00:10:25,275

That's sneaky.

181

00:10:25,275 --> 00:10:25,515

Isn't it.

182

00:10:27,165 --> 00:10:30,105

Let's take some Vandyke Brown,

just plain old van Dyke Brown,

183

00:10:30,135 --> 00:10:32,085

pull it up, very flat, cut across.

184

00:10:32,565 --> 00:10:34,605

And there's our little roll

of paint that we always use.

185

00:10:35,165 --> 00:10:36,165

Maybe back in here.

186

00:10:37,065 --> 00:10:41,145

There's some land that lives here and

I have something for all these little

187

00:10:41,145 --> 00:10:43,245

bushes and trees and everything to settle.

188

00:10:43,735 --> 00:10:48,035

Don't want him to fall off in the

water, make a big splash pad there.

189

00:10:50,655 --> 00:10:51,045

Okay.

190

00:10:52,865 --> 00:10:57,485

I won't use a little white put the

least little bit of, they love blue

191

00:10:57,485 --> 00:10:59,285

into at least a little touch of blue.

192

00:10:59,825 --> 00:11:03,455

That's it just titanium white

with a little blue cut across.

193

00:11:03,455 --> 00:11:05,975

And once again, we get the

smallest little roll of painting.

194

00:11:05,975 --> 00:11:09,035

I already see it, Tony, with

a roll of paint and I'm going

195

00:11:09,035 --> 00:11:11,225

to do just touch the canvas.

196

00:11:11,314 --> 00:11:12,785

The canvas will put off what it wants.

197

00:11:13,564 --> 00:11:14,215

Just touch.

198

00:11:14,765 --> 00:11:17,465

You don't have to do

anything, but just touch.

199

00:11:19,605 --> 00:11:23,925

It's a tiny little waterline underneath

there, little Brown and white.

200

00:11:24,675 --> 00:11:25,694

And we can come back in here.

201

00:11:26,745 --> 00:11:29,985

Put the indication here in the river,

a little highlight on some of those

202

00:11:30,344 --> 00:11:31,895

rocks and stones back in there.

203

00:11:34,415 --> 00:11:37,535

Yeah, mate, no, pick up

a one inch brush again.

204

00:11:38,855 --> 00:11:39,564

Maybe over here.

205

00:11:39,574 --> 00:11:40,564

Something else is happening.

206

00:11:42,150 --> 00:11:43,020

Let me show you a trick.

207

00:11:43,320 --> 00:11:44,820

We go back to this big, dirty brush.

208

00:11:45,810 --> 00:11:50,700

This is the same color that we used to

fill all this in and watch her watch her.

209

00:11:50,790 --> 00:11:54,660

She had a look at this

tapping a little dark.

210

00:11:54,750 --> 00:12:00,660

We need that dark star light or

chill, but look how that pushes

211

00:12:00,660 --> 00:12:02,790

that back already, already.

212

00:12:02,790 --> 00:12:06,660

Now we go into her, but a one

inch brushed happened some color.

213

00:12:08,640 --> 00:12:09,780

Tap in some color.

214

00:12:11,730 --> 00:12:11,910

Okay.

215

00:12:11,910 --> 00:12:13,560

Now then watch here.

216

00:12:13,920 --> 00:12:18,750

See, here's the happy little bushes

pips right there, right there.

217

00:12:19,170 --> 00:12:22,710

And he's got a friend, maybe

this is his girlfriend here.

218

00:12:25,230 --> 00:12:25,890

There we are.

219

00:12:28,050 --> 00:12:29,220

They're that easy though.

220

00:12:30,540 --> 00:12:32,790

Just put them Rascals

where ever you want to.

221

00:12:34,170 --> 00:12:36,090

And all we're doing is

just tapping with a corner.

222

00:12:36,840 --> 00:12:37,920

Of the one inch brush.

223

00:12:39,870 --> 00:12:40,500

There we go.

224

00:12:43,500 --> 00:12:48,120

And we can just go wherever, wherever,

pick up a little more SAP green here,

225

00:12:48,750 --> 00:12:52,530

maybe back in here, old dark Bush.

226

00:12:52,590 --> 00:12:54,449

He's hiding back in here in the shadows.

227

00:12:56,069 --> 00:13:00,090

There he lives right there.

228

00:13:01,800 --> 00:13:03,300

Now then let's have some.

229

00:13:04,905 --> 00:13:06,165

Let's have some land here.

230

00:13:06,855 --> 00:13:08,625

Let's see how that pushes

that son of a gun back.

231

00:13:09,495 --> 00:13:11,505

Maybe there's some big

stones that live right here.

232

00:13:13,395 --> 00:13:14,385

Just put in your dark.

233

00:13:14,415 --> 00:13:15,735

This is straight Vandyke Brown.

234

00:13:17,415 --> 00:13:19,995

Maybe there's a Ooh, big

old stone, huge stone.

235

00:13:22,375 --> 00:13:24,765

Just sorta see these things in your mind.

236

00:13:25,454 --> 00:13:29,345

Drop them in, drop them

in big, bold stone.

237

00:13:29,365 --> 00:13:29,535

There.

238

00:13:31,305 --> 00:13:35,204

Okay now to bring this out and

make it part of the painting.

239

00:13:35,354 --> 00:13:38,025

We need a little reflection under,

so I take a little more of the white

240

00:13:38,564 --> 00:13:42,464

and watch right here, touch right

underneath it and pull straight down.

241

00:13:42,555 --> 00:13:45,405

It's important on these reflections

that you go straight there.

242

00:13:45,425 --> 00:13:54,814

Yeah, there, see there straight down

and we let them get darker, darker,

243

00:13:54,814 --> 00:13:57,875

darker as they get back over here in my

mind, the lights coming through there.

244

00:13:58,594 --> 00:13:58,685

Okay.

245

00:13:59,085 --> 00:14:03,255

So over here, it's going

to be much darker there.

246

00:14:03,465 --> 00:14:07,815

Very gently go across that easy.

247

00:14:08,775 --> 00:14:09,975

We have instant water.

248

00:14:10,285 --> 00:14:15,015

We use a small knife, take some

dark Sienna, use a touch of Prussian

249

00:14:15,045 --> 00:14:16,635

blue, and I want it to be darker.

250

00:14:19,485 --> 00:14:23,355

Dark sanded, a little precious blue and

white, maybe a little more of the Sienna.

251

00:14:23,895 --> 00:14:25,025

Oh, that's what I'm looking for.

252

00:14:25,064 --> 00:14:26,655

But leave it all marbly.

253

00:14:26,655 --> 00:14:32,535

Like it cut off our little roll of

paint and let's go up here and let's

254

00:14:32,535 --> 00:14:37,095

just sort of bounce in a little, little

highlight on these rocks and stones.

255

00:14:37,095 --> 00:14:38,564

Give him some shape and some form.

256

00:14:40,690 --> 00:14:43,590

But by not over mixing the

color that comes out exactly

257

00:14:43,590 --> 00:14:44,850

the same way on your knife.

258

00:14:45,630 --> 00:14:50,150

So you get all of these little

happenings, all those little

259

00:14:50,150 --> 00:14:51,380

colors just sorta happened.

260

00:14:52,790 --> 00:14:58,040

Maybe over here as I wanted, wherever

in your world, just sort of look

261

00:14:58,040 --> 00:15:01,310

around and see where you want a

stone and a rock and all those

262

00:15:01,310 --> 00:15:06,560

next things and drop them in there.

263

00:15:08,444 --> 00:15:10,215

Okay, now then we can take her white.

264

00:15:11,055 --> 00:15:13,155

I think we used the little,

the little blue in it.

265

00:15:15,015 --> 00:15:16,095

Pull it up very flat.

266

00:15:16,125 --> 00:15:18,074

I tiniest little roll of painter.

267

00:15:19,095 --> 00:15:20,084

I would come back in here.

268

00:15:22,275 --> 00:15:25,814

Just put the indication of a

little water line into here.

269

00:15:27,074 --> 00:15:31,694

Barely, barely touching the

canvas will pull off on it once.

270

00:15:32,324 --> 00:15:33,645

Give you back.

271

00:15:33,675 --> 00:15:34,245

What's left.

272

00:15:35,084 --> 00:15:35,415

Okay.

273

00:15:35,415 --> 00:15:36,314

Now we can get in here.

274

00:15:36,840 --> 00:15:37,800

And really get crazy.

275

00:15:40,830 --> 00:15:43,380

I'll take a little bit of, this

is just the Brown and the white

276

00:15:43,860 --> 00:15:46,260

little paint, thinner liner brush.

277

00:15:46,740 --> 00:15:52,260

Maybe in here, we can just

make up indication here and

278

00:15:52,260 --> 00:15:54,900

there have a little tree trunk.

279

00:15:54,900 --> 00:15:56,520

I'm not looking for a

lot of detail in here.

280

00:15:56,550 --> 00:15:59,520

Most of this is going to be covered

up, but maybe here and there,

281

00:15:59,520 --> 00:16:00,810

we can see a little bit of that.

282

00:16:02,880 --> 00:16:03,720

Just a little.

283

00:16:06,074 --> 00:16:11,775

Maybe a little touch over in here

somewhere, wherever you want them there.

284

00:16:11,865 --> 00:16:16,005

If I say 99% of this is going to

disappear, but you might see a couple

285

00:16:16,005 --> 00:16:19,755

of them and it'll look like we really

worked a long time to put them in

286

00:16:19,755 --> 00:16:22,155

there and that's our secret and shit.

287

00:16:23,080 --> 00:16:23,880

Don't tell him about it.

288

00:16:25,170 --> 00:16:25,470

Okay.

289

00:16:25,500 --> 00:16:30,210

Let's go back into our yellows,

little green, yellow ochre.

290

00:16:30,930 --> 00:16:34,370

All those beautiful colors started

working on these big trees.

291

00:16:35,660 --> 00:16:39,200

I just let him son of a gun just

shine out here in the sunlight.

292

00:16:39,810 --> 00:16:41,850

Was still just using

the corner of the brush.

293

00:16:41,850 --> 00:16:42,510

Nothing else.

294

00:16:43,140 --> 00:16:44,370

Just the corner of the brush.

295

00:16:46,199 --> 00:16:51,420

I began putting in all kinds of little,

little happy things here and there.

296

00:16:54,150 --> 00:16:58,920

Once again, think about the shape

and form and all the little things

297

00:16:58,920 --> 00:17:00,210

that are going on inside of here.

298

00:17:02,340 --> 00:17:03,030

There we are.

299

00:17:05,744 --> 00:17:06,795

That's fantastic.

300

00:17:08,264 --> 00:17:09,135

And you can do it.

301

00:17:10,095 --> 00:17:11,444

You really can do it

302

00:17:17,625 --> 00:17:19,244

by covering this with the black chair.

303

00:17:19,264 --> 00:17:22,635

So you've done half your painting

already before you start.

304

00:17:24,745 --> 00:17:29,745

Shoot, you can also use the liquid

black and get the same basic

305

00:17:29,745 --> 00:17:32,535

effect either way works well.

306

00:17:33,765 --> 00:17:39,075

Like Jesso might be a little easier

to handle because it's dry there.

307

00:17:41,835 --> 00:17:42,465

Okay.

308

00:17:42,465 --> 00:17:42,945

Maybe.

309

00:17:44,025 --> 00:17:46,455

Make up a dark, dark

green, maybe down in here.

310

00:17:46,455 --> 00:17:49,275

There's a few dark Bush's head down here.

311

00:17:51,855 --> 00:17:52,575

That's really hard.

312

00:17:52,575 --> 00:17:55,365

Buggers live be a creature in there.

313

00:17:57,855 --> 00:17:58,485

All right.

314

00:17:59,415 --> 00:18:00,555

Can you just go from the other side?

315

00:18:03,345 --> 00:18:06,254

It's going the other side here, little

yellow ochre, a little bright red.

316

00:18:07,920 --> 00:18:10,860

Just there, there comes another truck.

317

00:18:13,580 --> 00:18:16,550

When you do just, just sort

of let your imagination go.

318

00:18:18,740 --> 00:18:20,090

Let your imagination go.

319

00:18:22,129 --> 00:18:24,200

Think about all the happy little trees.

320

00:18:27,450 --> 00:18:30,020

I think I mentioned maybe in

one of the other shows, I got a

321

00:18:30,020 --> 00:18:33,649

letter from somebody here a while

back, and they said everything

322

00:18:33,649 --> 00:18:35,210

in your world seems to be happy.

323

00:18:36,855 --> 00:18:37,665

That's for sure.

324

00:18:38,765 --> 00:18:43,025

That's why I paint just because I can

create the kind of world that I want and I

325

00:18:43,025 --> 00:18:45,555

can make this world as happy as I want it.

326

00:18:47,015 --> 00:18:47,315

Shoot.

327

00:18:47,315 --> 00:18:48,935

If you want bad stuff, watch the news.

328

00:18:51,635 --> 00:18:52,475

There we go.

329

00:18:56,015 --> 00:18:57,425

This is a tranquil place here.

330

00:18:57,455 --> 00:18:59,015

We don't allow any bad stuff in our hands.

331

00:19:01,475 --> 00:19:02,285

Don't allow it.

332

00:19:03,990 --> 00:19:07,170

Yeah, there we are

333

00:19:12,450 --> 00:19:13,770

just layer after layer though.

334

00:19:17,475 --> 00:19:18,165

335

00:19:18,615 --> 00:19:19,695

Let me find a big brush.

336

00:19:20,715 --> 00:19:23,235

I don't place more games here

and we'll take some more.

337

00:19:23,235 --> 00:19:25,455

That dark color is the same

color I put on the canvas.

338

00:19:25,455 --> 00:19:28,665

When we started, it's a

mixture of SAPRA green.

339

00:19:29,294 --> 00:19:32,865

We had some blue and some Brown and

we'll come right down through here.

340

00:19:34,814 --> 00:19:35,024

Look.

341

00:19:35,024 --> 00:19:36,855

So we'll put a little peninsula over here.

342

00:19:38,545 --> 00:19:40,125

Little peninsula, right there.

343

00:19:40,665 --> 00:19:42,585

Take some of her colors, same old colors.

344

00:19:42,585 --> 00:19:44,445

We're going to use the

same colors over and over.

345

00:19:44,865 --> 00:19:45,915

Tap a little in the brush.

346

00:19:47,835 --> 00:19:48,675

Come right out here.

347

00:19:49,155 --> 00:19:49,575

Look at that.

348

00:19:49,754 --> 00:19:50,145

Look at that.

349

00:19:54,284 --> 00:19:57,555

Even after thousands of paintings,

I still get excited over this.

350

00:19:58,735 --> 00:19:59,774

Still get excited.

351

00:20:02,175 --> 00:20:03,435

Just layer after layer though.

352

00:20:04,995 --> 00:20:05,985

Layer after layer.

353

00:20:10,595 --> 00:20:12,095

Why there would be a

mosquito in there too?

354

00:20:12,095 --> 00:20:12,905

There is no doubt.

355

00:20:12,905 --> 00:20:18,245

In my mind, I was born in Florida and used

to see places like yes, when I was a kid.

356

00:20:18,274 --> 00:20:21,095

And you can bet there was, there was

a happy mosquito living in there.

357

00:20:21,514 --> 00:20:25,955

Let's put some reflections

under there, straight down

358

00:20:26,945 --> 00:20:30,425

the street down, come across.

359

00:20:32,340 --> 00:20:34,740

It's not easy.

360

00:20:34,740 --> 00:20:35,700

We've got to reflection.

361

00:20:39,420 --> 00:20:41,129

I think this is a good day to get crazy.

362

00:20:42,150 --> 00:20:42,990

I'm going to take the knife.

363

00:20:43,770 --> 00:20:46,830

It's loaded, full of Vandyke Brown,

have a big roll of paint on it.

364

00:20:47,700 --> 00:20:52,740

And maybe in my world, their

lives, you know, me, I think

365

00:20:52,890 --> 00:20:57,540

their lives a big tree right here.

366

00:20:59,190 --> 00:20:59,879

Big tree.

367

00:21:02,085 --> 00:21:02,595

Big tree.

368

00:21:02,595 --> 00:21:07,245

And he's got an arm that's right

out over here and you could put this

369

00:21:07,245 --> 00:21:09,165

on with a fan brush or whatever.

370

00:21:09,225 --> 00:21:10,635

I just thought today we'd use a knife.

371

00:21:12,365 --> 00:21:12,935

There we go.

372

00:21:16,775 --> 00:21:25,835

When I say big tree, I meant a big tree

and he continues to grow over there.

373

00:21:27,420 --> 00:21:28,440

Nice Oak tree.

374

00:21:29,610 --> 00:21:33,570

Maybe while I have that Brown going,

we just put some stones and some

375

00:21:33,570 --> 00:21:38,580

rocks and dirt, all those good things

down here for that tree to sit on.

376

00:21:38,910 --> 00:21:41,940

He needs some big things for him.

377

00:21:43,020 --> 00:21:44,250

That one falls over in the water.

378

00:21:44,250 --> 00:21:46,050

He's going to make one devil of a splash.

379

00:21:46,230 --> 00:21:47,280

We'll take some white.

380

00:21:48,165 --> 00:21:52,365

Some bright red, we all

sparkle that son of a gun.

381

00:21:52,395 --> 00:21:56,565

Take some dark Sienna and mix it.

382

00:21:56,565 --> 00:21:57,545

So it's marbled.

383

00:21:58,365 --> 00:21:59,745

See, it's all different colors in there.

384

00:22:00,525 --> 00:22:02,055

What cut off at little roll of painting.

385

00:22:03,015 --> 00:22:07,335

Let's come right down this tree

right down this tree skews my arm.

386

00:22:09,795 --> 00:22:12,195

Just let it greys and slide.

387

00:22:12,965 --> 00:22:13,305

See there.

388

00:22:14,145 --> 00:22:16,005

You're just barely, barely touching them.

389

00:22:17,265 --> 00:22:20,865

Barely touching, let the knife

just, just barely touch him.

390

00:22:21,855 --> 00:22:24,345

If you've made mountains with me and

some of the other paintings, then

391

00:22:24,345 --> 00:22:25,665

you know how to do this already.

392

00:22:27,795 --> 00:22:30,645

That's why mountains are

so great for teaching yet.

393

00:22:30,945 --> 00:22:32,895

They teach you how to use the knife.

394

00:22:33,915 --> 00:22:37,575

I'm gonna take a little touch of

pure, white, least little touch

395

00:22:37,605 --> 00:22:39,135

and go right down this edge.

396

00:22:40,140 --> 00:22:41,910

I want that edge to jump out at you.

397

00:22:43,080 --> 00:22:48,840

And it does a little bit of the oppression

blue and white will come right down

398

00:22:48,840 --> 00:22:50,970

the other side, just here and there.

399

00:22:51,780 --> 00:22:54,210

Put the indication of a

little reflected light.

400

00:22:54,780 --> 00:22:58,470

See right in there, right in there.

401

00:22:59,790 --> 00:23:03,920

Now I'm going back to my paint,

thinner, a little bit of, a

402

00:23:04,340 --> 00:23:05,520

little bit of the Bandag Brown.

403

00:23:05,520 --> 00:23:06,780

We just put a layer of hair in there.

404

00:23:06,780 --> 00:23:08,370

This, that maybe this old trees did.

405

00:23:10,185 --> 00:23:12,375

Maybe, maybe he's dead.

406

00:23:13,845 --> 00:23:16,784

So here and there, there's

still an old lamb is trying

407

00:23:16,784 --> 00:23:20,145

to hang on, trying to hang on.

408

00:23:22,845 --> 00:23:23,504

There we go.

409

00:23:24,284 --> 00:23:26,715

But most of them, most of

them have already fell off.

410

00:23:28,335 --> 00:23:29,564

So we had one or two there.

411

00:23:31,515 --> 00:23:31,905

Okay.

412

00:23:31,905 --> 00:23:33,165

Back to my one inch brush.

413

00:23:33,405 --> 00:23:35,955

I can go right into a little bit

more of the color, just a tiny

414

00:23:35,955 --> 00:23:37,785

bit of color, tiny bit of color.

415

00:23:38,445 --> 00:23:39,645

And I'm going to come right into here.

416

00:23:40,935 --> 00:23:44,205

Put a few little things underneath

his foot that sort of sets him right

417

00:23:44,205 --> 00:23:50,385

down and all those nice grassy things,

a little bit of Brown and white, and

418

00:23:50,385 --> 00:23:52,035

just let it jiggle down through there.

419

00:23:55,535 --> 00:23:57,605

There are.

420

00:23:58,560 --> 00:24:03,500

See, there's a happy little stone

lives there wherever you want it.

421

00:24:04,129 --> 00:24:05,420

Where ever you want it?

422

00:24:06,410 --> 00:24:11,030

A little bit of blue and white create a

little waterline, right, right in there.

423

00:24:12,980 --> 00:24:13,460

Look at that.

424

00:24:14,570 --> 00:24:20,420

Just let the knife bounce bouncing, play

right through there wherever you want it.

425

00:24:22,610 --> 00:24:23,000

Okay.

426

00:24:23,030 --> 00:24:24,350

Maybe two.

427

00:24:24,900 --> 00:24:25,740

Let's keep going here.

428

00:24:26,940 --> 00:24:27,600

Let's keep going.

429

00:24:27,600 --> 00:24:28,650

Let me clean off a spot.

430

00:24:29,700 --> 00:24:30,660

We'll take some more Brown.

431

00:24:30,990 --> 00:24:33,930

Maybe over here in this

corner lives a big old stone.

432

00:24:34,610 --> 00:24:35,840

Great big old rock.

433

00:24:36,890 --> 00:24:40,100

He sits out here in the

water has a good time.

434

00:24:40,170 --> 00:24:42,140

Maybe a little Beaver lives

out here and he comes and

435

00:24:42,140 --> 00:24:43,760

sits on this rock and watches.

436

00:24:43,760 --> 00:24:44,270

What all is here.

437

00:24:47,630 --> 00:24:47,990

Okay.

438

00:24:48,500 --> 00:24:50,690

And maybe there's a point

out here on this rock.

439

00:24:50,690 --> 00:24:52,940

So just take a little bit of the white.

440

00:24:53,460 --> 00:24:57,900

Pull down like the indication of a tiny

little reflection that was right there.

441

00:24:58,890 --> 00:25:00,300

Now that'll show up in just a second.

442

00:25:00,330 --> 00:25:00,930

Bear with me.

443

00:25:02,460 --> 00:25:04,200

Take a little of the highlight color.

444

00:25:05,780 --> 00:25:06,230

Sit here.

445

00:25:06,350 --> 00:25:06,770

Now.

446

00:25:08,390 --> 00:25:08,870

See there.

447

00:25:10,140 --> 00:25:12,560

We can just begin putting

some highlights on the stones.

448

00:25:14,240 --> 00:25:16,820

There is some shaped metal rock.

449

00:25:18,705 --> 00:25:19,905

They bounce around in there.

450

00:25:22,575 --> 00:25:24,375

They'll touch your color over in here.

451

00:25:24,645 --> 00:25:30,045

Like, so there are, what has some

mean looking old rockets, that's

452

00:25:30,045 --> 00:25:34,155

out there in the water watches,

everything happened, but we'll

453

00:25:34,155 --> 00:25:35,625

touch you the blue and the white.

454

00:25:38,535 --> 00:25:39,135

There we go.

455

00:25:40,785 --> 00:25:45,345

Just sort of let these colors work

together, make it rock strong.

456

00:25:48,165 --> 00:25:51,855

And maybe, maybe there's a seed

or two that has dropped out here.

457

00:25:52,575 --> 00:25:54,825

And a little bit of grass is

growing out here on the stone.

458

00:25:56,595 --> 00:25:59,955

It's a nice place for

a little weed heresy.

459

00:26:00,585 --> 00:26:02,055

He lives out there on

the edge of this stone.

460

00:26:03,255 --> 00:26:07,155

That way the Beaver sets up here, his

foots don't get old to the heart stone.

461

00:26:07,205 --> 00:26:10,155

He's got a nice soft spot to

put his foot's there we are.

462

00:26:10,155 --> 00:26:10,715

There we are.

463

00:26:10,745 --> 00:26:11,095

There we are.

464

00:26:12,375 --> 00:26:15,675

And we can take our blue and

white come right back up in here.

465

00:26:16,380 --> 00:26:22,620

I had a little indication of a

waterline right in there, like so clean.

466

00:26:22,620 --> 00:26:22,830

Nice.

467

00:26:23,220 --> 00:26:24,450

I'm just want to go here and there.

468

00:26:25,740 --> 00:26:29,310

Scratch the indication of a little stick,

little twig, wherever you want them.

469

00:26:29,310 --> 00:26:36,210

Maybe a few over here, just so I

think we bet have a finished painting.

470

00:26:37,710 --> 00:26:40,860

I'm gonna take the liner

brush right into the red ms.

471

00:26:40,860 --> 00:26:41,580

Come right in here.

472

00:26:42,000 --> 00:26:42,750

Sign this one.

473

00:26:44,095 --> 00:26:45,045

Hope you've enjoyed it.

474

00:26:45,195 --> 00:26:50,085

This is one of the most fantastic

little scenes and it'll work for you.

475

00:26:50,595 --> 00:26:54,615

Give it a shot, then take a picture

of it and send me, let me see

476

00:26:54,615 --> 00:26:56,145

how you do from all of us here.

477

00:26:56,205 --> 00:26:58,185

Happy painting had got blessed.

End .srt file.

Bob Ross' The Joy of Painting

Tuesday, December 29, 2020

S15E12 - Deep Forest Lake

Bob Ross's

The Joy of Painting

No comments:

Post a Comment

FREE DOWNLOAD Bob Ross' The Joy of Painting Subtitles .srt Files FREE DOWNLOAD!

Report Abuse