Bob Ross's

The Joy of Painting

S11E08 - Sunset Oval

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Welcome back.

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Certainly glad you could join me

today because today is fun day today.

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We're going to have a super time.

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Let me tell you what I've done.

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A P already I've let Mo 18 to 24

canvas, but today I've cut contact

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paper and made a beautiful design on it.

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And they were going to paint a

happy little painting on that.

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Take the paper off.

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And I think you just going to

be overjoyed at what happens.

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So let's start out and have them

graphically around all the colors

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across the screen that you need

to paint this project with me.

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And while they're doing that, Shoot,

let's go on up here and get started.

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Ready.

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All right.

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We'll take a two inch brush

and look, let's put some

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beautiful colors in the scatter.

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Dan, we'll start with a little

touch of Indian, yellow, just a

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little touch of Indian yellow.

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And we're going to go

right into about this area.

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Use little Chris, the strokes exes.

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I just sort of, I sort of

wonder right on off the canvas.

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Like what the heck, what the heck.

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And I'm going to come right

down here and do the same thing.

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Just my cat.

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Okay.

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Now that's without washing the brush

because I ain't old dirty brush.

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I'm going to go into a touch

of yellow ochre just to touch.

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Don't get too crazy.

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Just tap it a little bit.

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And then for the yellow ochre,

sorry to just go around.

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Like, so just hearing there, same thing

down here, whatever we do in the sky

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today, we're going to do down here.

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This is going to be.

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Reflected into the water, same

old, dirty brush, alizarin,

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Crimson, same old, dirty pressure.

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Just tap a little of that

right into the bristles.

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Just a little to us too, though.

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Okay.

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Now that let's just take the

Crimson and just let it in dance

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up wherever you want it to.

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Maybe up through there,

add a little more color.

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Maybe it plays over into this.

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Do you just make the decision,

but whatever you do up

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there, bring it down here.

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Just like, so

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yeah, still without cleaning the

brush, alizarin, Crimson, and the least

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little touch of that, they low blue.

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So we have blue where to go.

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And Crimson.

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There you go.

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And you can just mix

these red on the brush.

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So again, gets away from me sometime

I have to hunt it down here.

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We here now.

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See, that's a nice lavender color,

but it's just brushed mixed.

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All right, let's go right up

here now that we don't just take.

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And I danced some lavender's here.

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So you fill up all these little

holes with lavender, purity,

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and lavender.

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You can get away with putting

lavender against the yellow.

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Here's a little place where I had some

maybe wherever and we'll come down here

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in the water and we'll do the same thing.

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That'll lavender.

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And let it work up here.

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A little touch in here

wherever you want it.

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Just, just let it play

around and have fun.

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Okay.

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And after all of that, we've got the

whole canvas covered and we hadn't had

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to wash the price one time and I'm lazy.

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I like, I like paintings where

I don't have to wash the brush

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and don't have to work hard.

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I try to design paintings that way.

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So now I'll wash the old brush.

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Give it a shake,

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beat the devil out of it.

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Now then let's go right up here and just

do like, so here, I'm just going to blend

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all these colors together, but start

in the lightest area and work outward.

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You don't want to blame the dark color

inward blend the light color outward.

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Hopefully that makes sense.

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Sometimes I have a hard time explaining

what I'm thinking times I have a hard

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time figuring out what I'm thinking.

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There we go, just bring it all

together until it's nice and smooth.

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Every once in a while, wrap

the devil out of your brush.

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You know, this is so much fun.

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I get letters from people

all over the country and they

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say they don't want to paint.

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They have no desire to paint.

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They just buy a brush and beat it.

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So if that, if that makes you

feel good, just take your Birch

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and beat the devil out of it.

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It beats arguing with the wife or

kicking around the dog, have fun.

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There we go see the

cast is soft and gentle.

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That's becoming,

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and you can blend this

as much as you want.

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Okay.

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There we go.

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Just like, so I'll beat it again.

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Now down here, I'm just going to go

across because this is going to end

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up being water and water is flat.

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So we just go across and

bring all this together.

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The color was still remained there.

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But it would just look

different than this guy.

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Easy.

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Now we can stop right here and we have

a painting for the museum of modern art,

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or that's like would fit right in there.

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Okay.

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Let's put a happy little cloud up in here.

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Just use the one inch brush

today and I'm gonna pull it

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right through titanium white.

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Just pull it through and

load it full of paint.

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Hold the paint.

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Okay, let's go up here.

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Maybe there's a happy little cloud

that lives right up here in the

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corner and he just floats around.

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He comes right on out there

wherever you want him.

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This is your cloud.

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So you put him where you

want him in your world.

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And he has a friend and the

friend lives right over here.

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This is just straight titanium

white, and that's going to pick up

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all of these beautiful colors that

you already have on the canvas.

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Here we go.

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Stay there.

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Tiny little circles, tiny little

circles there, clean dry brush,

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and very gently, very gently.

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Just blend that with bullet.

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There's a happy little cloud

that was put one right down here.

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These are the kinds of colors

that my mother would like.

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So I tell you what, I'm going to

dedicate this painting to my mother.

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She lives in Florida and

I hope she enjoys this.

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She's super lady.

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She's my favorite lady in the whole world.

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There we go.

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Lift this up, like, so.

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Another happy little cloud that

easy little clouds can be fun.

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They're easy to make.

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And you just throw them in

and go about your business.

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Now let's put a mountain in

here, take some blue, a little

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bit of blue lizard and Crimson.

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I'm looking for sort of,

sort of a purplish color.

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So Crimson add a little

black in there too.

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So lizard Crimson, they

little blue, a little black.

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That's hard to tell what color that is.

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If you put a little over here, grab

a little white and rub it in there.

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So then you can check it out.

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That's not as purple as I want it.

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I added some more Crimson.

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You can change your mind.

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Now that looks a little better.

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Okay.

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Let's do that.

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Now you have to make a big decision.

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Where does your mountain

live in your painting?

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I think he lives.

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Right there.

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Well, he certainly does.

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Now, the only thing that are you

worried about when you put this mountain

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in as a nice outside hedge up here,

you could care less what's happening

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inside of the house really careless.

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He was a lot of pressure push

that paint right into the fabric.

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And mountains are one of my

favorite things to paint.

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I lived in Alaska for a dozen years

and you can't live in Alaska and

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not fall in love with the mountains.

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They're spectacular.

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Now they would take a two inch

brush and we want to grab this

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and pull it because this is wet.

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You can move the paint.

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If this was a dry canvas, at this

point, you would be an agony city.

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You'd be yelling at me.

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This is.

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Uh, wet on wet painting technique.

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The paints are extremely

firm, extremely thick.

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So you can do this.

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You can move the paint and

you want to blend it to the

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bottom of it just disappears.

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Just absolutely floats in the middle.

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Okay.

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I'm going to take quiet and when

add the least, little touch, least

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little touch of bright red to it.

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Be very, very limited with this

bright red, so strong, get a

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small rule to paint on the knife.

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Okay.

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Go right up here.

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Now, if the light's coming from the

right that we want to highlight the right

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side of the mountain touch, no pressure

just fall right down the mountain.

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No pressure though.

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No pressure, no pressure.

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Can't say that enough times.

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That's probably still the

most common question I get

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asked when people are right.

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How could I make up paint and

break on the mountains by breaking?

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I mean, leave all these holes.

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It's one of two things.

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If you're having this problem, number one,

the paint you're using is not firm enough.

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You're using a thin paint.

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All the paint won't work.

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You have to have a very dry from paint.

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Secondly, you're too strong.

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You're adding too much

pressure to the knife.

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Take a weak pill.

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Maybe, maybe there's a little

light and singing through here

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and it hits right over there.

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Wherever is, is your mountain.

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So you have to make these big

decisions, put some shadows for

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that will take quite a little bit

of a little blue, mix it together.

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So.

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Like, so it's a nice blue, pretty

blue off that liberal of pain.

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Again, always that little rollover.

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There we go.

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And then go ahead.

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Opposite direction.

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Another question that I get repeatedly

is it, people say I went out and bought

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a knife and it don't look like yours.

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The blade Shatty, the blade, or my knife

look like Corona, uh, because of that.

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All the lights here in the studio.

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We paint the knife black, but

it is no different than the one.

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You have no different.

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So very shiny.

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But if I left it shine here,

like it director would be out

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here yelling and screaming at me

because it would cause great big

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flares pick a light, shiny things.

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So we'd painted black, the brushes,

even the brush handle sometime, or the

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furrows, the metal part looks different.

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Because we put tape over just once again.

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So the studio lights

don't make them shine.

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I keep talking, keep

building the mountains.

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We're going to be all the way

to the bottom of the canvas.

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So I'll hush and I'll stop here.

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We'll do something else.

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Okay.

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Now we want to create the illusion

of mist at the base of this mountain.

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Take a clean dry brush

and tap, tap very gently.

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Following the angles in the mountain,

always following the angles, you

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don't want to come straight across,

or you'll just chop that mountain off.

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Always follow his angles and

softly, softly, the higher

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you go, the softer a period.

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Just barely touch it.

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Barely touch down here.

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You can get a little stronger

on this side of the mountain.

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Follow these angles.

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Okay.

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I'll cough, the excess paint

and very lightly lift upward.

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So yeah, it makes that beautiful,

beautiful, soft, Misty hair.

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You down at the base of the mountain.

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And if you can see the entire mountain,

it's always more distinct at the top

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than it is at the bottom because of the

mist and pollution and all these things,

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they diffuse and break up a light.

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All right.

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And I quit.

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We got a happy little mountain.

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Okay.

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This has some fun back here.

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Let me grab a fan brush.

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Let's mix up.

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We can just use the mountain color.

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We'll add some Brown to it and

at least little touch of SEF

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green, at least little touch.

256

00:13:06,500 --> 00:13:13,310

So we got some dark CNAs and

van Dyke Brown, blue Crimson.

257

00:13:13,940 --> 00:13:14,120

Jude.

258

00:13:14,150 --> 00:13:15,170

We throw some black in there too.

259

00:13:15,230 --> 00:13:15,890

Anything you got?

260

00:13:15,890 --> 00:13:16,640

Just throw it in there.

261

00:13:17,720 --> 00:13:17,990

Okay.

262

00:13:18,080 --> 00:13:19,280

Let me clean off my knife.

263

00:13:21,750 --> 00:13:25,680

Take her fan brush loaded,

full of paint, lots of paint.

264

00:13:26,820 --> 00:13:28,110

Just a really fill it up.

265

00:13:28,560 --> 00:13:29,160

Really?

266

00:13:29,160 --> 00:13:29,610

Fill it up.

267

00:13:31,050 --> 00:13:31,350

Okay.

268

00:13:31,410 --> 00:13:32,070

Both sides.

269

00:13:32,160 --> 00:13:32,760

Let's go up here.

270

00:13:33,689 --> 00:13:36,750

And then back in here, I want

a happy little tree and I

271

00:13:36,750 --> 00:13:37,770

think he lives right there.

272

00:13:38,520 --> 00:13:43,590

Take the corner of the brush and

just begin building your little

273

00:13:43,590 --> 00:13:47,100

tree then it's super these little.

274

00:13:47,685 --> 00:13:54,285

Trees live right in these

fan brushes like that, maybe.

275

00:13:54,405 --> 00:13:54,615

Yep.

276

00:13:54,765 --> 00:13:55,245

Right there.

277

00:13:56,505 --> 00:13:56,854

Here's one.

278

00:13:56,865 --> 00:13:57,704

It's a little bigger.

279

00:14:00,615 --> 00:14:01,844

You have to make a decision though.

280

00:14:01,844 --> 00:14:03,194

How many trees live in your world?

281

00:14:04,635 --> 00:14:12,915

Maybe have a little land that comes

right out through there, wherever,

282

00:14:12,915 --> 00:14:17,315

wherever, wherever reflect some

of that right down into the water.

283

00:14:17,345 --> 00:14:22,385

Just, just generally, we're not looking

for exact shapes, just generally that the

284

00:14:22,385 --> 00:14:24,815

little tree you saw him or didn't you.

285

00:14:26,405 --> 00:14:29,195

Yeah, I knew there.

286

00:14:31,095 --> 00:14:31,785

There we go.

287

00:14:32,385 --> 00:14:34,095

Just all kinds of happy little trees.

288

00:14:34,995 --> 00:14:36,405

I haven't let's have some fun.

289

00:14:37,005 --> 00:14:37,095

Okay.

290

00:14:37,175 --> 00:14:38,435

Reach up here with your big brush.

291

00:14:38,915 --> 00:14:40,355

Grab just the bottom of this.

292

00:14:41,194 --> 00:14:41,944

Just the bottom.

293

00:14:42,515 --> 00:14:43,805

See, pull straight down.

294

00:14:44,074 --> 00:14:47,675

It's important that you go

straighten down, beat your brush.

295

00:14:48,275 --> 00:14:48,935

Come across.

296

00:14:50,535 --> 00:14:52,305

And instant reflections.

297

00:14:52,935 --> 00:14:57,735

Now we can take some liquid white and

to that, I'm going to add the smallest,

298

00:14:57,735 --> 00:15:02,314

smallest amount of the bright red

cut across it and go right up here.

299

00:15:02,704 --> 00:15:07,055

And I'm literally pushing very firmly,

kind of cut in a happy little waterline.

300

00:15:08,824 --> 00:15:10,145

Just cut it here.

301

00:15:11,645 --> 00:15:14,954

And while I have that old

knife here, we'll scratch it.

302

00:15:14,954 --> 00:15:18,185

An indication of a few little tree trunks

here and there, wherever you want them.

303

00:15:20,235 --> 00:15:25,425

Isn't that something that easy, you can

make a fantastic little tree, same color.

304

00:15:26,585 --> 00:15:30,455

Now, as we move forward into

painting, I'll tell you what let's do.

305

00:15:30,965 --> 00:15:35,285

Let's have a big tree and he goes, we up

here, what is this going to be a big tree?

306

00:15:35,495 --> 00:15:37,865

Or you could do this one,

two inch brush and be faster.

307

00:15:37,865 --> 00:15:43,775

But since I've already got this brush

dirty with tissues yet, whatever.

308

00:15:47,785 --> 00:15:50,895

Just cut them down using more

and more pressure on the brush.

309

00:15:50,895 --> 00:15:52,665

As you work down, down, down.

310

00:15:53,925 --> 00:15:55,875

I didn't realize that tree

was going to be that big.

311

00:15:57,405 --> 00:15:59,865

We may have to dig another canvas

on the bottom and get all him.

312

00:16:01,835 --> 00:16:02,495

That's all right.

313

00:16:05,195 --> 00:16:05,735

You have a friend.

314

00:16:05,735 --> 00:16:06,335

Do you know me?

315

00:16:06,665 --> 00:16:11,885

I think everybody, or to have a free

and everybody had to have her freedom.

316

00:16:13,574 --> 00:16:17,324

You know, I travel all over the

country doing demonstrations for PBS

317

00:16:17,324 --> 00:16:19,755

stations and other charity groups.

318

00:16:20,234 --> 00:16:22,245

And I meet so many fantastic people.

319

00:16:22,245 --> 00:16:26,415

I have made hundreds and hundreds

of friends all over the country.

320

00:16:27,915 --> 00:16:31,635

And if I get to your town, I hope

I get the opportunity to see you.

321

00:16:31,635 --> 00:16:36,074

And to meet you, talk with you, look

at the paintings that you're doing.

322

00:16:36,645 --> 00:16:37,574

It's almost unreal.

323

00:16:37,574 --> 00:16:39,795

Some of the paintings that people

are bringing me that they're doing.

324

00:16:40,500 --> 00:16:44,400

And I'd like to see yours taking a

little dark Sienna, a little Vandyke

325

00:16:44,400 --> 00:16:49,260

Brown, and what's going here and

pop in a happy little Bush or two,

326

00:16:49,800 --> 00:16:53,190

like, so maybe right about there.

327

00:16:57,570 --> 00:17:01,950

So, and one of the things okay.

328

00:17:02,970 --> 00:17:05,069

We, we maintain a little mailing list.

329

00:17:05,069 --> 00:17:09,000

If you would like to know who we're going

to be in your area, just drop me a line

330

00:17:09,270 --> 00:17:11,910

and you just send it to the address at

the end of the show, drop me a line.

331

00:17:11,950 --> 00:17:14,940

Give me your address and

we'll send you a card over.

332

00:17:14,940 --> 00:17:15,870

We're going to be in your area.

333

00:17:16,440 --> 00:17:21,240

You can come out and

see us or contact you.

334

00:17:21,250 --> 00:17:21,960

PBS station.

335

00:17:21,970 --> 00:17:25,589

Ask them when they're

going to have us there.

336

00:17:28,905 --> 00:17:29,324

Okay.

337

00:17:29,834 --> 00:17:31,514

Just all kinds of happy little bushes.

338

00:17:32,235 --> 00:17:34,125

Now I want to reflect some

of these into the water.

339

00:17:34,155 --> 00:17:41,594

So I just reversed the brush and drop them

right into the water that easy, that easy.

340

00:17:41,985 --> 00:17:44,985

You can do it right there.

341

00:17:46,605 --> 00:17:51,824

And that clean, dry two inch

brush touch post straight down,

342

00:17:53,235 --> 00:17:54,885

straight down, straight down.

343

00:17:55,560 --> 00:17:57,540

See, they're beautiful reflections.

344

00:17:58,200 --> 00:17:59,580

Beautiful, beautiful, beautiful.

345

00:18:00,900 --> 00:18:05,040

I've seen this happen a thousand

times, million times maybe.

346

00:18:05,190 --> 00:18:08,040

And it still excites me still.

347

00:18:08,090 --> 00:18:08,720

What excites me.

348

00:18:10,370 --> 00:18:10,880

Look at that.

349

00:18:11,240 --> 00:18:11,570

Shoot.

350

00:18:11,900 --> 00:18:12,520

I can't stop.

351

00:18:13,590 --> 00:18:14,610

I see something else here.

352

00:18:15,240 --> 00:18:19,800

Let's just bring these right

on around right on around.

353

00:18:20,610 --> 00:18:22,649

I know I'm probably messing

up this painting and you're

354

00:18:22,649 --> 00:18:24,030

gonna call me bad names.

355

00:18:26,520 --> 00:18:29,129

Sometimes this, this starts

working so nice though.

356

00:18:29,129 --> 00:18:29,909

You can't quit.

357

00:18:30,840 --> 00:18:35,190

It's just fun and painting

should make you happy.

358

00:18:37,139 --> 00:18:38,129

Should bring you freedom.

359

00:18:40,905 --> 00:18:41,535

There we go.

360

00:18:44,325 --> 00:18:47,235

Let's take a little dark Sienna.

361

00:18:47,895 --> 00:18:53,685

Let's put a tree trunk right

up there to take a little white

362

00:18:55,725 --> 00:18:56,835

little touch, a Brown in it.

363

00:18:56,835 --> 00:18:59,385

Just enough to highlight a little bit,

a little bit of blue in there too.

364

00:18:59,385 --> 00:19:07,065

It looks like dark Sienna

and let's put a tree trunk.

365

00:19:07,980 --> 00:19:10,680

Here and there and her big old evergreens.

366

00:19:12,870 --> 00:19:13,320

Look at that.

367

00:19:14,550 --> 00:19:15,390

The head easy.

368

00:19:18,660 --> 00:19:19,010

Wash it.

369

00:19:19,010 --> 00:19:22,560

One of these brushes here,

wash another one inch brush.

370

00:19:22,860 --> 00:19:24,870

Give him a shake, a little wrap.

371

00:19:25,650 --> 00:19:29,100

Go right into the liquid white.

372

00:19:29,190 --> 00:19:31,050

I'm going to pull this

through some yellow.

373

00:19:32,985 --> 00:19:33,915

Yellow ochre.

374

00:19:34,785 --> 00:19:35,175

Retreads.

375

00:19:35,175 --> 00:19:35,925

Couldn't get a little dark.

376

00:19:37,295 --> 00:19:38,555

I want to darken it down a little bit.

377

00:19:38,585 --> 00:19:39,005

Oh yeah.

378

00:19:39,035 --> 00:19:39,575

That's nice.

379

00:19:40,715 --> 00:19:41,585

A little bright red too.

380

00:19:41,645 --> 00:19:42,215

What the heck?

381

00:19:43,595 --> 00:19:44,075

Yes, go ahead.

382

00:19:44,075 --> 00:19:44,375

Up here.

383

00:19:45,305 --> 00:19:48,425

And maybe right here, look at there.

384

00:19:49,055 --> 00:19:50,375

Here's a happy little Bush.

385

00:19:51,565 --> 00:19:52,355

That's right there.

386

00:19:53,735 --> 00:19:56,585

And while we have this on here, let's

reflect it right into the water.

387

00:19:57,575 --> 00:19:58,415

Just like, so.

388

00:19:59,680 --> 00:20:02,670

More of the liquid vitamin brush,

make the paint a little thinner.

389

00:20:02,760 --> 00:20:05,430

Then paint was too, too thick.

390

00:20:07,880 --> 00:20:09,320

Ooh, there's a nice bright one.

391

00:20:10,940 --> 00:20:13,100

Just let him shine out

here in the sunshine.

392

00:20:17,030 --> 00:20:18,220

We'll put one there.

393

00:20:20,060 --> 00:20:22,550

Just sort of look and see where

you think a happy little Bushwood

394

00:20:22,720 --> 00:20:24,770

would live and drop it in.

395

00:20:25,760 --> 00:20:26,420

Drop it here.

396

00:20:27,885 --> 00:20:28,875

Anywhere you want him?

397

00:20:29,145 --> 00:20:34,115

That's where you were to be

reflected right into the water there.

398

00:20:38,284 --> 00:20:38,794

Why that old?

399

00:20:38,794 --> 00:20:39,334

Brush it up?

400

00:20:41,135 --> 00:20:41,794

Give them a shake.

401

00:20:43,415 --> 00:20:45,455

Go right in to,

402

00:20:48,605 --> 00:20:51,004

I have a little of that dark Sienna.

403

00:20:52,385 --> 00:20:53,165

Let's go over here.

404

00:20:54,635 --> 00:20:55,594

There is another happy place.

405

00:20:56,775 --> 00:20:58,035

All my bushes are happy.

406

00:20:59,655 --> 00:21:00,555

Hers should be too.

407

00:21:02,465 --> 00:21:02,795

Okay.

408

00:21:02,855 --> 00:21:04,565

I'm going to add a little

Tanner to my brush.

409

00:21:05,045 --> 00:21:09,335

Go right into a touch of

bright red or yellow ochre.

410

00:21:11,285 --> 00:21:12,035

Okay, let's go ahead.

411

00:21:12,035 --> 00:21:12,365

Up here.

412

00:21:12,815 --> 00:21:13,535

This big old tree.

413

00:21:13,535 --> 00:21:14,495

Here we go.

414

00:21:14,495 --> 00:21:20,735

Rake him, really shine,

really shy and work in layers.

415

00:21:21,315 --> 00:21:24,165

Think about all the little clumps

of limbs and bushes in here.

416

00:21:24,585 --> 00:21:26,025

Don't just throw these on at random.

417

00:21:28,215 --> 00:21:29,415

Don't throw one at random

418

00:21:32,765 --> 00:21:33,425

there.

419

00:21:35,735 --> 00:21:36,005

Yes, sir.

420

00:21:36,185 --> 00:21:39,455

Beautiful little tree,

beautiful little tree.

421

00:21:41,705 --> 00:21:48,245

And maybe right here, now another

little tree and I want to reflect

422

00:21:48,245 --> 00:21:49,655

some of this right into the water.

423

00:21:50,880 --> 00:21:56,420

Flexo now, let me tell you what

let's do before we get too wild here.

424

00:21:56,420 --> 00:21:57,320

Let's pull these down.

425

00:21:57,830 --> 00:21:59,030

Look right there.

426

00:21:59,960 --> 00:22:03,740

Most gentle touch

imaginable and go across.

427

00:22:03,740 --> 00:22:06,530

And that's the way you create those

beautiful little mirror reflections.

428

00:22:09,830 --> 00:22:11,240

Okay, here we go.

429

00:22:12,080 --> 00:22:15,920

There's another little Bush,

another one right there.

430

00:22:17,780 --> 00:22:19,340

Come right out here and

drop in another one.

431

00:22:20,880 --> 00:22:23,940

So you just push, you have to Busch,

however many you want, you can use the

432

00:22:23,940 --> 00:22:25,740

brush sideways and just pop them right in.

433

00:22:27,140 --> 00:22:29,510

They don't go tell you why.

434

00:22:31,280 --> 00:22:33,350

Maybe there's a happy little path.

435

00:22:33,680 --> 00:22:34,220

There he is.

436

00:22:35,000 --> 00:22:35,630

Right there.

437

00:22:36,890 --> 00:22:37,820

Take a little color.

438

00:22:38,690 --> 00:22:39,950

Come right around my cats.

439

00:22:41,450 --> 00:22:43,160

Do you need a little place

to walk around there?

440

00:22:45,270 --> 00:22:45,880

Okay.

441

00:22:47,235 --> 00:22:49,845

But some bushes on this

side of the path st.

442

00:22:49,845 --> 00:22:51,285

That'll push it down into the painting.

443

00:22:52,995 --> 00:23:01,955

Just let them hang over the path

few here and there, like so black.

444

00:23:01,955 --> 00:23:07,475

So there's one, wherever

you think they should be.

445

00:23:08,095 --> 00:23:09,425

Exactly where they should be.

446

00:23:11,285 --> 00:23:15,485

Kind of take a little bit of Vandyke Brown

and we'll just drop some land in here.

447

00:23:16,615 --> 00:23:23,655

Little touch your land here and there,

little bright red, Brown, and white,

448

00:23:25,935 --> 00:23:29,055

a little touchy highlight, like, so

449

00:23:32,205 --> 00:23:34,995

they're all kinds of

nice things happening.

450

00:23:37,535 --> 00:23:40,065

The liquid white put us

in a little waterline.

451

00:23:44,235 --> 00:23:45,405

See how that stands out,

452

00:23:48,435 --> 00:23:52,995

sort of really what makes it just

work so well, maybe just a little

453

00:23:52,995 --> 00:23:57,585

ripple here and there, wherever

you want them, wherever you want.

454

00:24:00,195 --> 00:24:04,275

You can take it pop in a few little grassy

areas just to break up that straight line

455

00:24:06,505 --> 00:24:09,585

had that, you know, me and my big trees.

456

00:24:11,040 --> 00:24:11,790

Let's do it again.

457

00:24:12,600 --> 00:24:13,650

Take Brown on the fan.

458

00:24:13,650 --> 00:24:16,920

Brush van Dyke Brown, maybe as a big tree.

459

00:24:17,490 --> 00:24:18,150

Here we go.

460

00:24:18,420 --> 00:24:20,490

He lives, right.

461

00:24:20,820 --> 00:24:21,800

He's got a crook.

462

00:24:21,830 --> 00:24:28,550

Any mini comes down and he's got

another Crow can there he is area.

463

00:24:29,120 --> 00:24:29,930

He needs a friend.

464

00:24:32,030 --> 00:24:37,190

He needs a friend just like so right.

465

00:24:37,600 --> 00:24:38,670

We can take the knife,

466

00:24:41,700 --> 00:24:43,020

a little white, pink,

467

00:24:47,340 --> 00:24:52,260

just pop in a few little highlights

here and there, wherever,

468

00:24:52,379 --> 00:24:53,430

wherever, wherever, wherever.

469

00:24:55,320 --> 00:24:55,800

Okay.

470

00:24:55,889 --> 00:25:00,000

Our liner brush and a few little limbs.

471

00:25:01,530 --> 00:25:03,270

And we about have a finished painting.

472

00:25:05,295 --> 00:25:07,125

Which I better have cause

I'm running out of time.

473

00:25:09,375 --> 00:25:10,145

This goes right.

474

00:25:10,145 --> 00:25:15,795

I on know, put them in and as

many or as few limbs as you want

475

00:25:15,795 --> 00:25:18,045

in your world, just put them in.

476

00:25:20,115 --> 00:25:20,505

Thank you.

477

00:25:20,505 --> 00:25:23,775

We'll find this to be one of the most

fun things that you've ever done,

478

00:25:23,775 --> 00:25:29,325

but with the ovals and the contact

paper inherit just a second, I'm going

479

00:25:29,325 --> 00:25:30,765

to pull this off and let you see.

480

00:25:34,480 --> 00:25:35,250

Drop me a line.

481

00:25:35,310 --> 00:25:38,190

Let me know what you're doing

with some of these ideas,

482

00:25:38,490 --> 00:25:39,720

things that you'd like to see.

483

00:25:40,200 --> 00:25:41,250

I love to hear from you.

484

00:25:43,410 --> 00:25:44,220

Just like, so

485

00:25:48,510 --> 00:25:54,540

say as many or as few as you want, maybe

there's a whole stick lives right here.

486

00:25:56,400 --> 00:25:56,850

There he is.

487

00:25:58,230 --> 00:25:59,370

He's no crooked stick.

488

00:26:01,140 --> 00:26:05,970

Somebody stepped on him when he

was little and you take the knife,

489

00:26:06,330 --> 00:26:10,710

go back in here, scrape out just

a few little sticks and twigs.

490

00:26:11,280 --> 00:26:13,500

All of that helps create

the illusion of distance.

491

00:26:13,500 --> 00:26:19,710

And your me will take a little bit of

yellow ochre and just highlight this

492

00:26:19,710 --> 00:26:23,610

tree just a little don't want much.

493

00:26:24,000 --> 00:26:26,550

Don't want to lose that

nice darkness now, then.

494

00:26:27,540 --> 00:26:30,060

For the big event, bus

ticket right up here.

495

00:26:30,290 --> 00:26:31,970

Let me pull the contact paper office.

496

00:26:31,970 --> 00:26:34,070

I'm telling you goodbye for the day.

497

00:26:34,490 --> 00:26:36,230

And I really hope you've

enjoyed this painting.

498

00:26:37,100 --> 00:26:40,610

It's one of the most fantastic paintings

I've ever seen from all of us here.

499

00:26:41,030 --> 00:26:41,750

Happy painting.

500

00:26:42,260 --> 00:26:42,860

God bless.

501

00:26:42,920 --> 00:26:43,879

And we'll see you next time.

End .srt file.

Bob Ross' The Joy of Painting

Tuesday, December 29, 2020

S11E08 - Sunset Oval

Bob Ross's

The Joy of Painting

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