Bob Ross's

The Joy of Painting

S12E11 - Soft Mountain Glow

Here's the .srt which was extracted from the Speech-to-Text website.

Proofreading is required, editing, grammar.

Begin .srt file.

00:00:00,340 --> 00:00:02,130

Hi, I'm glad you could join me today.

00:00:02,280 --> 00:00:04,320

You're ready to do another

fantastic little painting.

00:00:04,880 --> 00:00:08,750

Be heavy easel out, and your paints all

spread out and big glass of iced tea.

00:00:08,750 --> 00:00:09,260

And you're ready.

00:00:09,620 --> 00:00:12,320

Tell you what let's start and have

him run all the colors across the

00:00:12,320 --> 00:00:15,440

screen that you need to paint along

with me while they're doing that.

00:00:15,440 --> 00:00:16,190

Let's go on up here.

00:00:16,790 --> 00:00:19,490

I've got my canvas up, have

it all covered with liquid

00:00:19,490 --> 00:00:20,990

white and it's all ready to go.

00:00:21,140 --> 00:00:21,830

So let's go.

00:00:22,599 --> 00:00:25,360

That we do a happy little painting

with the I'm going to start all to

00:00:25,419 --> 00:00:27,880

take a little touch of yellow ochre.

00:00:28,390 --> 00:00:30,400

Just to least little touch

on the two inch brush.

00:00:30,400 --> 00:00:32,530

Just tap the brush into

a small amount of color.

00:00:33,089 --> 00:00:33,390

Okay.

00:00:34,710 --> 00:00:37,860

Maybe, maybe we'll have a nice,

bright little spot up here in

00:00:37,860 --> 00:00:40,170

the sky and just using little.

00:00:40,325 --> 00:00:41,585

Little crisscross strokes.

00:00:41,945 --> 00:00:43,595

Just lay in a little color here.

00:00:43,714 --> 00:00:46,835

Very, very little paint on the brush.

00:00:46,865 --> 00:00:47,615

Very little paint.

00:00:49,025 --> 00:00:55,175

Maybe take just a small amount of CAD

yellow, cadmium yellow, just sorta lay a

00:00:55,175 --> 00:00:58,135

little bit in here, whatever, whatever.

00:00:58,144 --> 00:01:00,335

Just make a happy little painting today.

00:01:01,105 --> 00:01:03,265

Such a fantastic, nice, good day.

00:01:04,405 --> 00:01:06,625

Let's make a painting

that, that reflects that.

00:01:08,695 --> 00:01:09,145

Okay.

00:01:11,215 --> 00:01:14,425

Now then I wash the brush and we

wash your brushes with odorless

00:01:14,425 --> 00:01:17,095

dinner, shake out the excess

00:01:20,095 --> 00:01:21,265

and beat the devil out of it.

00:01:22,135 --> 00:01:22,555

Okay.

00:01:23,005 --> 00:01:23,664

I'm going to take.

00:01:24,360 --> 00:01:28,350

Lizard and Crimson CHASCo into

a touch of a lizard Crimson.

00:01:28,650 --> 00:01:29,250

Reach out over here.

00:01:29,250 --> 00:01:31,140

Be right back right back a little bit.

00:01:31,710 --> 00:01:34,440

If they low blue with it and

hanging, just mix these on the brush.

00:01:34,740 --> 00:01:39,090

I'm looking for a lavender color and by

mixing these colors on the brush, you'll

00:01:39,090 --> 00:01:41,580

get all different variations of lavender.

00:01:41,760 --> 00:01:43,170

It just won't be one dead color.

00:01:43,200 --> 00:01:43,800

Let's go up here.

00:01:44,700 --> 00:01:49,260

Yeah, maybe right in here still

using little crisscross strokes.

00:01:50,460 --> 00:01:52,740

When I had a touch more blue

to that a little bit blue.

00:01:53,160 --> 00:01:53,910

That's better.

00:01:54,090 --> 00:01:54,900

I like that better.

00:01:56,700 --> 00:01:58,950

They're just using the

little crisscross drugs.

00:02:00,000 --> 00:02:08,000

Then let's begin laying in some more

sky, like, so, and this color is so much

00:02:08,000 --> 00:02:13,460

stronger than the yellow it'll go right

over the top of it, but be careful, be

00:02:13,490 --> 00:02:19,370

careful if to lead up all your books, your

bright spot here, just absolutely eat it.

00:02:25,650 --> 00:02:26,820

Wherever you want this to go?

00:02:29,269 --> 00:02:31,190

Maybe a little more right

over on this side too.

00:02:31,310 --> 00:02:32,390

I don't want to leave him out.

00:02:41,060 --> 00:02:41,510

Keno.

00:02:41,510 --> 00:02:44,600

I have this whole brush,

dirty Tevye heartache.

00:02:47,705 --> 00:02:49,395

Take a little bit of Crimson.

00:02:49,395 --> 00:02:50,175

Put it right here.

00:02:50,205 --> 00:02:51,855

A little bit of warm spot.

00:02:53,445 --> 00:02:53,835

Now there.

00:02:54,375 --> 00:02:55,125

Same old brush.

00:02:55,125 --> 00:02:57,135

I'm going to go right back

into some fellow blue.

00:03:00,075 --> 00:03:02,925

Just tap the bristles into some color.

00:03:03,855 --> 00:03:03,975

Okay.

00:03:04,080 --> 00:03:05,340

And let's go right back up here.

00:03:05,550 --> 00:03:06,990

I have some water in this painting today.

00:03:06,990 --> 00:03:08,460

I think I like water.

00:03:09,230 --> 00:03:11,760

Water is always so

pleasant and a painting.

00:03:13,590 --> 00:03:15,060

I don't know exactly

where it's going to be.

00:03:15,060 --> 00:03:16,710

So we'll just put it everywhere.

00:03:18,180 --> 00:03:21,570

Anything that you don't want to cover

up, his bushes or trees or Lander?

00:03:22,975 --> 00:03:23,815

Whatever happens.

00:03:24,115 --> 00:03:24,415

Shoot.

00:03:24,685 --> 00:03:25,175

Who knows?

00:03:29,095 --> 00:03:30,535

That's what makes it so much fun?

00:03:30,565 --> 00:03:32,875

We don't use any patterns or

we don't do any sketching.

00:03:32,875 --> 00:03:35,305

We just sort of let this happen.

00:03:35,545 --> 00:03:36,505

Just let it happen.

00:03:39,235 --> 00:03:39,865

Okay.

00:03:40,315 --> 00:03:41,815

I have several brushes go in here.

00:03:43,315 --> 00:03:44,545

Get another nice clean.

00:03:44,865 --> 00:03:49,215

Two inch brush, and I'm gonna go

right up here and blend the sky.

00:03:50,325 --> 00:03:53,385

I want to blend these colors together,

still using the little crisscross

00:03:53,385 --> 00:03:57,435

strokes, starting in the light

area and work toward the dark area.

00:03:58,035 --> 00:04:01,125

If you start a dark area and work

toward the light area, it's going

00:04:01,125 --> 00:04:03,615

to consume this entire light area.

00:04:03,615 --> 00:04:04,575

And we don't want to lose that.

00:04:04,575 --> 00:04:07,185

That's that's going to be

a bright spot in the sky.

00:04:09,065 --> 00:04:13,775

Don't want to lose it to start in

the right area and work outward

00:04:16,195 --> 00:04:17,665

and you can blend this tip.

00:04:17,665 --> 00:04:18,505

It's so smooth.

00:04:19,175 --> 00:04:20,155

So soft.

00:04:20,875 --> 00:04:21,265

They're

00:04:26,245 --> 00:04:26,905

very lightly.

00:04:26,984 --> 00:04:28,245

Using long strokes.

00:04:28,965 --> 00:04:30,104

We just go all the way across it

00:04:33,794 --> 00:04:35,115

and sort of step back and take a look.

00:04:35,115 --> 00:04:38,474

See at it when you're at home to see

if it's blended as soft as you want

00:04:38,474 --> 00:04:43,695

it down here, we just go our way

across the smoothest out a little bit.

00:04:45,715 --> 00:04:46,515

That's all we need.

00:04:47,354 --> 00:04:47,865

Tell you what.

00:04:49,099 --> 00:04:52,610

Let's build, let's build us a

little mountain today for that.

100

00:04:53,060 --> 00:04:57,560

I'll take a little midnight, black,

midnight, black, little pressuring

101

00:04:57,560 --> 00:05:00,890

blue, throw some Vandyke Brown in there.

102

00:05:00,890 --> 00:05:04,700

A little Crimson, whatever, whatever.

103

00:05:05,450 --> 00:05:06,380

Good dark colors.

104

00:05:07,789 --> 00:05:08,210

Okay.

105

00:05:09,140 --> 00:05:13,159

Pull the paint out as flat as you

can get it, take the knife there,

106

00:05:13,430 --> 00:05:14,960

take the knife and just cut across.

107

00:05:14,990 --> 00:05:17,150

So you have a little roll of paint,

right on the edge of the knife.

108

00:05:17,610 --> 00:05:21,450

Okay, now then let's come right

up in here and decide where

109

00:05:21,450 --> 00:05:22,560

you want your mountain to live.

110

00:05:22,590 --> 00:05:26,820

Maybe, maybe your mountain

does now, but it's right here.

111

00:05:27,300 --> 00:05:30,150

And all we're doing is just

putting in a basic shape.

112

00:05:30,150 --> 00:05:32,850

And you're only worried

about the nice outside edge.

113

00:05:32,850 --> 00:05:34,830

You could care less what's

happening on the inside.

114

00:05:36,510 --> 00:05:39,860

All we're doing is just, just

getting her outside shape.

115

00:05:40,545 --> 00:05:41,045

Lady.

116

00:05:41,115 --> 00:05:41,865

That's all we're done.

117

00:05:42,135 --> 00:05:42,435

We're done.

118

00:05:42,435 --> 00:05:43,065

Don't worry about it.

119

00:05:44,565 --> 00:05:49,635

Enjoy you can have this whole

mountain go wherever you want it.

120

00:05:49,965 --> 00:05:51,075

Maybe I don't out there

121

00:05:57,945 --> 00:05:58,305

now.

122

00:05:58,305 --> 00:06:02,355

Then take another brush.

123

00:06:03,150 --> 00:06:04,230

Just an old two inch brush.

124

00:06:04,680 --> 00:06:07,170

And I want to pull this paint

because the liquid whites on the

125

00:06:07,170 --> 00:06:09,240

canvas, the paint would move.

126

00:06:10,020 --> 00:06:13,580

It would literally move fair.

127

00:06:16,670 --> 00:06:19,460

You can really make some

fantastic mountains.

128

00:06:19,760 --> 00:06:20,660

So simple.

129

00:06:23,685 --> 00:06:24,255

There we go.

130

00:06:24,315 --> 00:06:26,415

And we want the bottom of the

mountain, the base of the mountain

131

00:06:26,755 --> 00:06:28,485

just be blended out very soft.

132

00:06:28,485 --> 00:06:30,285

So it looks like it's just

sort of floating around and

133

00:06:30,285 --> 00:06:33,465

having fun all day that easy.

134

00:06:33,705 --> 00:06:38,925

We've got a little mountain King,

put some, let's put some highlights

135

00:06:38,925 --> 00:06:40,275

on that mountain for them.

136

00:06:41,445 --> 00:06:47,775

I'm going to take titanium white and the

least little touch of bright red need.

137

00:06:47,805 --> 00:06:50,295

Very little, very little of the red.

138

00:06:50,609 --> 00:06:52,500

Very little so strong.

139

00:06:53,729 --> 00:06:56,250

Pull the paint out just like

before, as flat as you can get it

140

00:06:56,609 --> 00:07:00,150

and cut across, have that little

rule of paint right on the edge.

141

00:07:00,270 --> 00:07:00,570

Okay.

142

00:07:01,289 --> 00:07:03,900

Now then you have to start

making some big decisions here.

143

00:07:03,960 --> 00:07:06,630

Maybe, maybe right here.

144

00:07:06,630 --> 00:07:11,549

There's a little highlight, like, so

just sort of look at your mountain

145

00:07:11,729 --> 00:07:16,799

and decide where you want these

things to live wherever you want them.

146

00:07:17,109 --> 00:07:18,239

That's where they should be.

147

00:07:19,125 --> 00:07:21,375

Maybe that comes right down like that.

148

00:07:23,295 --> 00:07:25,815

Just let it just let it flow right there.

149

00:07:27,285 --> 00:07:28,035

No pressure.

150

00:07:28,335 --> 00:07:30,375

Absolutely no pressure.

151

00:07:30,525 --> 00:07:32,655

This is the most delicate

touch imaginable.

152

00:07:34,425 --> 00:07:38,295

Most delicate touch there.

153

00:07:39,600 --> 00:07:41,430

See, just wherever you want it.

154

00:07:42,240 --> 00:07:43,080

I'll tell you what you can do.

155

00:07:43,380 --> 00:07:44,520

Show you something that's fun.

156

00:07:44,820 --> 00:07:48,110

Let's take a little dark Sienna and

I'll put some bright red with it.

157

00:07:50,040 --> 00:07:53,270

A little bit of white makes up a color.

158

00:07:53,390 --> 00:07:58,460

Oh, like, so now take a little

bit of that and I'm just going to

159

00:07:58,460 --> 00:08:00,320

sorta just lay it here and there.

160

00:08:01,790 --> 00:08:04,190

I want to make it look like

maybe there's not as much snow

161

00:08:04,190 --> 00:08:05,330

down at the base down here.

162

00:08:05,330 --> 00:08:06,350

Maybe it's a little warmer.

163

00:08:07,380 --> 00:08:11,610

Maybe maybe it's fall or fixing

to be fall in the is creeping

164

00:08:11,610 --> 00:08:16,080

down the mountain and Alaska and

Alaska, they say the Hawk is coming.

165

00:08:17,190 --> 00:08:18,180

The Hawk is coming.

166

00:08:18,660 --> 00:08:22,020

They everyday, we used to watch

the mountains and the snow

167

00:08:22,020 --> 00:08:23,220

would creep down, down, down.

168

00:08:23,220 --> 00:08:27,570

When it got down toward the bottom, you

better have your big coat out because

169

00:08:27,570 --> 00:08:29,610

it was on the verge of getting cold.

170

00:08:32,900 --> 00:08:33,080

Okay.

171

00:08:34,109 --> 00:08:34,949

Maybe watch here.

172

00:08:34,949 --> 00:08:36,750

So you can just bring

those two right together.

173

00:08:38,099 --> 00:08:39,599

You have unlimited power here.

174

00:08:39,630 --> 00:08:43,049

I can do anything and anything.

175

00:08:43,109 --> 00:08:45,359

I'm going to get the small knife

and let's do some shadows over here.

176

00:08:45,359 --> 00:08:46,469

I like to use a small knife.

177

00:08:47,370 --> 00:08:48,599

Let's take a little bit of.

178

00:08:50,190 --> 00:08:53,850

A little bit of pressure and

blue and put some white with it.

179

00:08:54,180 --> 00:08:56,070

And I'm going to make several

different values here.

180

00:08:56,070 --> 00:09:00,650

Each one, getting lighter, lighter,

darker, see dark light lightest.

181

00:09:03,710 --> 00:09:10,100

So now we can take, uh, different values

of blue here and begin dropping in

182

00:09:10,130 --> 00:09:12,950

all kinds of just little shadow areas.

183

00:09:15,390 --> 00:09:22,319

And every once in a while, a little bit

of dark Sienna, little dark Sienna here

184

00:09:22,319 --> 00:09:25,050

and there, put it in, just let it go

185

00:09:29,340 --> 00:09:30,990

and make a little noises or doesn't work.

186

00:09:32,699 --> 00:09:34,949

And you can make some of the

most beautiful little shadows

187

00:09:38,030 --> 00:09:41,930

and you can take your same mountain

color here and there and drop back in.

188

00:09:42,720 --> 00:09:48,600

Some dark areas to create some nice deep

shadows wherever you think they should be.

189

00:09:50,370 --> 00:09:51,750

All kinds of little things.

190

00:09:58,320 --> 00:10:00,240

I might be able to light

strikes right there.

191

00:10:04,080 --> 00:10:05,130

No pressure though.

192

00:10:05,280 --> 00:10:06,960

Absolutely no pressure.

193

00:10:10,125 --> 00:10:11,265

Just let it go.

194

00:10:14,085 --> 00:10:14,415

Okay.

195

00:10:15,495 --> 00:10:21,255

Now back to her highlight color, and

let's take this and maybe there's

196

00:10:21,285 --> 00:10:22,814

all kinds of projections in here.

197

00:10:22,814 --> 00:10:26,835

We don't want to just string all kinds

of big ragged things happening here.

198

00:10:26,865 --> 00:10:27,825

This is a ruffle now.

199

00:10:29,370 --> 00:10:34,140

It's had a wild life, big strong mountain.

200

00:10:38,219 --> 00:10:40,740

Just sort of make up little

stories when you're painting.

201

00:10:41,895 --> 00:10:43,905

Let these little things

just happen in your mind.

202

00:10:46,155 --> 00:10:47,325

That's what makes it fun.

203

00:10:49,985 --> 00:10:53,975

And we can come back in here, some

of the darker colors and some of the

204

00:10:53,975 --> 00:10:58,025

shadow colors and begin putting in

all kinds of little individual things.

205

00:11:00,005 --> 00:11:04,715

See these peaks, all these little

peaks, they need shadows behind them.

206

00:11:05,285 --> 00:11:06,875

So they stand out as individuals.

207

00:11:12,390 --> 00:11:13,650

Give him some little shadows,

208

00:11:19,760 --> 00:11:23,960

but you can create some of the most

fantastic mountains you've ever seen.

209

00:11:24,620 --> 00:11:27,620

And they're quite quite easy when

you're using a big old knife.

210

00:11:28,880 --> 00:11:31,190

You wouldn't believe what you

could paint with it, but you

211

00:11:31,190 --> 00:11:32,150

had to make friends with it.

212

00:11:33,480 --> 00:11:34,620

Spend some time with it

213

00:11:37,770 --> 00:11:45,080

there, maybe here and there, but just

put the indication of a little highlight

214

00:11:45,330 --> 00:11:46,700

little shadow I made up in here.

215

00:11:48,350 --> 00:11:48,650

Okay.

216

00:11:50,300 --> 00:11:54,620

Now then clean, dry two inch brush.

217

00:11:54,920 --> 00:11:56,570

And I want to just tap the base of this.

218

00:11:57,620 --> 00:11:58,460

Just tap it.

219

00:11:59,750 --> 00:12:01,490

I want to create the illusion of mist.

220

00:12:02,370 --> 00:12:08,370

Tap it and lift upward, always follow the

angles that you have in the mountains.

221

00:12:10,290 --> 00:12:11,930

There we go over here.

222

00:12:11,979 --> 00:12:12,959

Follow these angles.

223

00:12:15,435 --> 00:12:17,295

See, you can bring it all together.

224

00:12:18,615 --> 00:12:19,875

It makes it super little mountain.

225

00:12:22,425 --> 00:12:22,965

Okay.

226

00:12:24,545 --> 00:12:25,535

It's time to move forward.

227

00:12:25,535 --> 00:12:25,715

Ms.

228

00:12:25,715 --> 00:12:32,885

Painting uptake, we use that same old

mountain color blue and black and Brown.

229

00:12:33,995 --> 00:12:38,885

Oh, some Crimson, little

SAP, green, whatever, looking

230

00:12:38,885 --> 00:12:40,085

for a good dark color here.

231

00:12:40,775 --> 00:12:42,665

And we'll take a little

bit of a doubt into that.

232

00:12:42,725 --> 00:12:44,555

I'm going to add some white.

233

00:12:46,125 --> 00:12:46,635

There.

234

00:12:47,145 --> 00:12:50,314

So it's a very, it's still a dark

color, but not as dark as that.

235

00:12:50,405 --> 00:12:51,545

Can we clean the knife here?

236

00:12:54,675 --> 00:12:56,235

I'll just use this old

two inch brush here.

237

00:12:56,235 --> 00:12:58,545

You could use the one inch brush,

a two inch brush, whatever.

238

00:12:58,635 --> 00:12:59,505

We'll just start with it.

239

00:12:59,835 --> 00:13:03,915

Tap a little color into it

and maybe lives right here.

240

00:13:05,085 --> 00:13:07,785

Some little trees there.

241

00:13:07,785 --> 00:13:09,015

We back in the background.

242

00:13:09,015 --> 00:13:11,415

Here we go.

243

00:13:14,020 --> 00:13:14,380

Okay.

244

00:13:14,410 --> 00:13:16,180

And it goes right on

that wherever you want.

245

00:13:16,220 --> 00:13:19,630

You just sorta sort of make a decision

in your mind where you think he's

246

00:13:19,630 --> 00:13:21,580

things should live and drop them in.

247

00:13:21,880 --> 00:13:22,540

It's that easy.

248

00:13:24,100 --> 00:13:25,000

You can do it.

249

00:13:27,130 --> 00:13:31,600

You can do anything now, then

I'll have that color on the brush.

250

00:13:32,650 --> 00:13:34,030

Throw a little bit right in there.

251

00:13:37,240 --> 00:13:40,000

So now grab the bottom of this.

252

00:13:40,650 --> 00:13:46,260

And pull it down and we'll have

some instant reflections, instant

253

00:13:46,410 --> 00:13:49,830

reflections we can go across.

254

00:13:52,170 --> 00:13:52,470

Okay.

255

00:13:53,880 --> 00:13:55,200

Let's use the one inch brush today.

256

00:13:56,265 --> 00:13:58,495

Can go right into some of the yellows.

257

00:13:58,515 --> 00:14:02,625

I'm going to reach up here and grab

some black, black, and yellow makes

258

00:14:02,625 --> 00:14:11,535

a beautiful green, some yellow

ochre and in yellow, just tap, tap

259

00:14:11,535 --> 00:14:13,065

the brush firmly into the paint.

260

00:14:14,234 --> 00:14:18,135

Can you just go back up here now, now I

want to just begin putting the indication

261

00:14:18,135 --> 00:14:21,375

of some nice little highlights on

these little trees that are back here.

262

00:14:22,635 --> 00:14:26,415

Just drop them in there.

263

00:14:26,925 --> 00:14:31,875

All you're doing is just tapping

pay attention to shape and to form.

264

00:14:33,344 --> 00:14:38,025

Don't just throw them in at random sort

of look at your Bush and shape your tree

265

00:14:38,025 --> 00:14:41,255

and make friends with them every week.

266

00:14:41,255 --> 00:14:41,385

Go.

267

00:14:44,385 --> 00:14:48,015

It's layer after layer Bush, Bush,

268

00:14:51,375 --> 00:14:52,185

and it's many years.

269

00:14:52,185 --> 00:14:55,125

Few as you want, maybe there's

another one lives right here.

270

00:14:55,965 --> 00:14:58,725

Now watch right here.

271

00:14:58,725 --> 00:15:02,115

All you got to do is

create little land here.

272

00:15:02,565 --> 00:15:06,255

All you gotta do is just begin tapping,

but follow the lay of the land.

273

00:15:06,285 --> 00:15:08,265

If you want the land to

look like it flows this way.

274

00:15:09,105 --> 00:15:09,195

Okay.

275

00:15:09,885 --> 00:15:11,175

And make your brush go that way.

276

00:15:11,925 --> 00:15:16,695

Say there, it looks like very

soft, smooth little grassy areas.

277

00:15:16,695 --> 00:15:18,315

We back here in a distance.

278

00:15:22,815 --> 00:15:25,575

That's the way you can do it.

279

00:15:25,845 --> 00:15:26,445

You can do it

280

00:15:31,275 --> 00:15:31,635

now.

281

00:15:31,635 --> 00:15:33,075

Then we can take our brush.

282

00:15:33,765 --> 00:15:36,165

Grab just to touch you

that, pull it straight down.

283

00:15:36,435 --> 00:15:39,165

Then we can reflect some of

that color right into the

284

00:15:39,165 --> 00:15:42,225

water, right into the water.

285

00:15:42,255 --> 00:15:45,885

I'm gonna take a little touch of the

liquid wipe, put it on the pallet,

286

00:15:46,755 --> 00:15:48,135

pull it out as flat as I can get it.

287

00:15:48,194 --> 00:15:51,135

Just really pull it out

very flat and cut across.

288

00:15:51,585 --> 00:15:55,095

That's all there is to just cut

across and go right up here.

289

00:15:56,115 --> 00:16:00,285

Act like you trying to like he trying

to sell a hole right in the canvas.

290

00:16:00,375 --> 00:16:02,625

Just absolutely cut a hole in the canvas.

291

00:16:04,385 --> 00:16:05,075

There we go.

292

00:16:09,245 --> 00:16:12,545

And it gives us just a happy

little waterline and you'll

293

00:16:12,545 --> 00:16:13,745

put a ripple or two here.

294

00:16:14,145 --> 00:16:15,215

Depends on your mood.

295

00:16:15,545 --> 00:16:16,475

If you want to rip it there.

296

00:16:17,410 --> 00:16:18,390

Didn't know where to be one there.

297

00:16:20,130 --> 00:16:20,730

Okay.

298

00:16:21,270 --> 00:16:22,670

Grab this whole big brush again.

299

00:16:22,709 --> 00:16:25,560

I'm going back into that dark color head.

300

00:16:26,770 --> 00:16:30,780

Now we have to begin making some big

decisions about her, about her painting.

301

00:16:30,930 --> 00:16:35,520

Maybe, maybe I'll tell you

what, maybe right here.

302

00:16:36,930 --> 00:16:37,680

Their lives

303

00:16:40,830 --> 00:16:44,580

in this big, strong tree right here.

304

00:16:45,510 --> 00:16:46,620

Maybe there's several trees.

305

00:16:46,650 --> 00:16:47,100

I don't know.

306

00:16:49,350 --> 00:16:51,060

All you have to do is just tap him in.

307

00:16:52,740 --> 00:16:56,280

There's not a great deal of paint

on the brush and I'm tapping quite

308

00:16:56,280 --> 00:16:59,640

firmly and sorta with a C I think

you can see that sort of at the

309

00:16:59,640 --> 00:17:01,350

corner of the brush and bend down.

310

00:17:01,545 --> 00:17:02,025

My cat.

311

00:17:02,145 --> 00:17:02,385

Okay.

312

00:17:04,125 --> 00:17:06,224

Maybe there's a big Liam

at hangs out over here

313

00:17:12,464 --> 00:17:17,714

and a little bit of dark Sienna,

just a tiny bit to begin warming up

314

00:17:17,714 --> 00:17:20,835

and lightening that color as it gets

toward the top, you can add a little

315

00:17:20,835 --> 00:17:23,954

touch, a little touch of yellow ochre.

316

00:17:24,905 --> 00:17:27,795

There's another tree and knew

there was one hiding in there.

317

00:17:27,815 --> 00:17:28,745

Just had to pull him out,

318

00:17:32,225 --> 00:17:36,245

bring him out now then.

319

00:17:36,725 --> 00:17:36,965

Yeah.

320

00:17:36,965 --> 00:17:40,325

Then poodle and a little

of the yellow ochre, little

321

00:17:40,325 --> 00:17:41,585

more right on the same brush.

322

00:17:42,754 --> 00:17:46,264

And I just want to put the

indication here of some little

323

00:17:46,264 --> 00:17:47,915

light areas and light patterns.

324

00:17:49,475 --> 00:17:50,735

We're painting the back of the tree.

325

00:17:50,735 --> 00:17:53,405

Now we we'll come back and do the

middle of the tree, which is the

326

00:17:53,405 --> 00:17:57,425

trunk and the front of the tree,

which has all the bright highlights.

327

00:17:58,715 --> 00:18:00,965

Just sort of do it step

at a time, step at a time.

328

00:18:01,715 --> 00:18:02,014

Thank you.

329

00:18:02,014 --> 00:18:02,705

Back your tree.

330

00:18:05,615 --> 00:18:06,155

There you go.

331

00:18:12,324 --> 00:18:13,764

Let me grab another one inch brush.

332

00:18:13,885 --> 00:18:14,635

Let's have some fun.

333

00:18:14,635 --> 00:18:18,564

We'll take that same old dark

color, same old dark color.

334

00:18:20,064 --> 00:18:22,074

Go to load this brush

up with a lot of paint.

335

00:18:22,885 --> 00:18:23,844

Okay, let's go right up here.

336

00:18:24,445 --> 00:18:25,675

Maybe there's a nice tree.

337

00:18:26,295 --> 00:18:28,455

It lives to does now, right there.

338

00:18:29,115 --> 00:18:33,135

And we just pushed this one right

out of the brush, push Ben, the

339

00:18:33,135 --> 00:18:34,485

bristles don't let them slide.

340

00:18:35,205 --> 00:18:36,225

Don't let them slide.

341

00:18:37,605 --> 00:18:40,215

If they slide you'll have

it looked like solid grass.

342

00:18:40,755 --> 00:18:44,115

It's all grasses grows in the water,

just big, long stringy things.

343

00:18:44,115 --> 00:18:44,685

We don't want that.

344

00:18:46,425 --> 00:18:47,235

We don't want that.

345

00:18:47,265 --> 00:18:52,875

We want some nice looking things going on

there, back into my dark color Browns and

346

00:18:52,875 --> 00:18:55,125

the black and the blue and the SAP green.

347

00:18:55,785 --> 00:18:57,825

Tell you what, let's

have another little tree.

348

00:18:59,415 --> 00:19:01,275

And he lives around here.

349

00:19:03,735 --> 00:19:09,465

He lives right in front of that

one, put him in there and however

350

00:19:09,465 --> 00:19:13,035

tall you think he should be there.

351

00:19:16,035 --> 00:19:20,115

And another one here, wherever,

wherever, maybe there's a little

352

00:19:20,115 --> 00:19:21,405

peninsula that comes out there.

353

00:19:22,935 --> 00:19:25,514

Just sort of make up little ideas

in your mind and drop them in.

354

00:19:26,024 --> 00:19:29,145

Now, if that's a peninsula, we need

to have a little reflection under it.

355

00:19:29,565 --> 00:19:36,935

So pulling down, going across,

that'll create it a reflection, dude.

356

00:19:36,935 --> 00:19:40,385

I tell you what, maybe this

looks like a natural place here.

357

00:19:41,165 --> 00:19:42,845

We'll just bring us around across.

358

00:19:45,330 --> 00:19:46,710

Still using the same colors.

359

00:19:48,030 --> 00:19:51,360

All we're doing is putting

in dark color for the base.

360

00:19:51,480 --> 00:19:53,340

We need the dark in order to show light.

361

00:19:55,830 --> 00:19:57,360

We're just blocking in right now.

362

00:19:58,110 --> 00:19:59,370

Just blocking it all in.

363

00:20:01,205 --> 00:20:01,475

Yeah,

364

00:20:09,835 --> 00:20:11,034

no, it's hard for me to believe.

365

00:20:11,065 --> 00:20:13,735

There's when we finish this series.

366

00:20:14,070 --> 00:20:17,520

There's going to be somewhere

between Oh, 150 or 160 joy of

367

00:20:17,520 --> 00:20:19,770

painting shows that sound real to me.

368

00:20:20,399 --> 00:20:21,389

It's fantastic.

369

00:20:22,649 --> 00:20:25,950

And there's a lot of, there's a

lot of super people that put a lot

370

00:20:25,950 --> 00:20:27,300

of work into making this happen.

371

00:20:28,379 --> 00:20:31,470

It's not done just by coming up

here and painting a little picture.

372

00:20:32,220 --> 00:20:36,629

It's a lot of people here in the

studio that worked very hard to bring

373

00:20:36,629 --> 00:20:38,250

you, bring you a nice production.

374

00:20:38,399 --> 00:20:39,480

They really do a good job.

375

00:20:41,190 --> 00:20:42,870

And there's a lot of

people that you never see.

376

00:20:43,760 --> 00:20:44,690

That support me.

377

00:20:45,740 --> 00:20:51,980

I have fantastic partners by

the name of Vanessa and they've

378

00:20:51,980 --> 00:20:54,590

been with me for a long time.

379

00:20:56,690 --> 00:20:58,220

And they, along with my wife, Jane.

380

00:20:59,185 --> 00:21:03,175

Shoot, they make this thing

work for us, super people.

381

00:21:03,235 --> 00:21:07,254

And I think everybody that helps, but

most of all, most of all, I thank you

382

00:21:08,965 --> 00:21:14,935

for allowing us to come into your homes

each week and enjoy that hope you do too.

383

00:21:17,590 --> 00:21:20,590

They're just all kinds of little

things here, wherever you want.

384

00:21:24,220 --> 00:21:27,639

Now let's take, I'll

get a little fan brush.

385

00:21:28,360 --> 00:21:28,870

There we go.

386

00:21:29,860 --> 00:21:32,950

Go right into some Vandyke

Brown load, the brush full of

387

00:21:32,950 --> 00:21:35,770

paint, load it full of paint.

388

00:21:37,330 --> 00:21:41,679

And let's go up here and let's begin

putting in some tree trunks back in here.

389

00:21:42,460 --> 00:21:44,350

And there's some trees back

here in the background.

390

00:21:44,710 --> 00:21:47,470

We don't know how many

exactly where they're at.

391

00:21:49,030 --> 00:21:54,910

You might not see the entire trunk

just here and there, here and there.

392

00:21:55,090 --> 00:21:57,160

And we'll have some trunks

up here in this one.

393

00:21:58,840 --> 00:22:03,910

Maybe over here, there's some little

tiny things happening wherever you

394

00:22:03,910 --> 00:22:07,450

want them, wherever you want them.

395

00:22:08,889 --> 00:22:10,780

We can take our liner brush.

396

00:22:11,565 --> 00:22:14,115

Put a little Brown on it with

paint thinner to make it thin.

397

00:22:14,895 --> 00:22:19,275

And just here and there, just here and

there put the indication of a little

398

00:22:19,275 --> 00:22:26,145

tree lounge or two, just wherever you

think most of these will be covered

399

00:22:26,145 --> 00:22:29,685

up, but a few of them will show through

and it makes it look like you really

400

00:22:29,685 --> 00:22:31,035

worked hard to get all these in there.

401

00:22:33,005 --> 00:22:33,395

They're

402

00:22:38,295 --> 00:22:43,505

telling you what, you know, me,

big trees, maybe, maybe it was a

403

00:22:43,505 --> 00:22:45,635

big tree out here in the front.

404

00:22:45,695 --> 00:22:47,495

She then comes down in there.

405

00:22:50,165 --> 00:22:52,115

Let's take a little

Brown and a little white.

406

00:22:55,245 --> 00:22:59,294

On the knife here, they would just put

a little touchy highlight on that tree.

407

00:22:59,375 --> 00:23:00,225

Make them shine.

408

00:23:03,304 --> 00:23:03,814

There we go.

409

00:23:06,514 --> 00:23:07,385

I got that color.

410

00:23:08,014 --> 00:23:09,304

I had a little touch over here too.

411

00:23:09,905 --> 00:23:11,044

Don't want this one left down.

412

00:23:12,784 --> 00:23:13,054

Okay.

413

00:23:15,395 --> 00:23:18,695

Now we can begin putting in, putting

in all the little, pretty things here.

414

00:23:20,584 --> 00:23:21,814

Take my little one inch brush.

415

00:23:22,935 --> 00:23:26,264

And just begin deciding

where the highlights are.

416

00:23:28,215 --> 00:23:32,475

And if you have trouble making your paint

stick at least little touch of paint,

417

00:23:32,504 --> 00:23:38,024

thinner to your brush, it takes a very,

very small amount, very small amount.

418

00:23:40,725 --> 00:23:41,024

Okay.

419

00:23:41,085 --> 00:23:46,784

Back in here, gotta have some on this

little rascal, Tony left out the back.

420

00:23:46,784 --> 00:23:53,655

So this was a little Bush right

there and I'm just shy, appearing.

421

00:23:55,245 --> 00:23:56,085

I didn't shine.

422

00:23:58,365 --> 00:24:02,264

You know, I would like to, one thing I

would like to say here in the, I think

423

00:24:02,264 --> 00:24:06,794

it was in the seven series, we had one of

the most fantastic painters on the show.

424

00:24:07,470 --> 00:24:12,450

In my opinion, it's lived in the last

century by the name of being installed.

425

00:24:12,750 --> 00:24:17,970

And we were blessed with the fact that Ben

came here and he painted with me, which

426

00:24:17,970 --> 00:24:20,790

was truly an honor to paint with Amanda.

427

00:24:22,185 --> 00:24:23,655

Of such a caliber.

428

00:24:25,155 --> 00:24:30,285

He really was fantastic and

just recently been passed away.

429

00:24:30,855 --> 00:24:36,045

And I just like to pay tribute to one

of the finest artists that I have ever

430

00:24:36,045 --> 00:24:38,205

known in my opinion has ever lived.

431

00:24:39,225 --> 00:24:41,905

And probably one of the best

ways to do that is in the.

432

00:24:42,450 --> 00:24:46,890

I remember, I remember what Norman

Rockwell said about Ben stall.

433

00:24:48,180 --> 00:24:53,880

He once said that he once said

that we are, but illustrator's been

434

00:24:53,880 --> 00:24:57,150

stalled as among the masters and BN.

435

00:24:57,150 --> 00:24:59,670

Now, now he truly is among the master.

436

00:25:03,870 --> 00:25:04,170

Okay.

437

00:25:04,260 --> 00:25:06,470

Just dropping all kinds

of little things here.

438

00:25:09,570 --> 00:25:10,050

There.

439

00:25:14,865 --> 00:25:19,784

We just work in layers layer after

layer, after layer every once a while,

440

00:25:19,784 --> 00:25:21,105

and go pick up a little touch of that.

441

00:25:21,195 --> 00:25:25,125

Ooh, nice of the bright red, a

little sparkle in that rascal.

442

00:25:26,459 --> 00:25:28,229

I think where the light

would strike out here.

443

00:25:31,590 --> 00:25:31,949

Okay.

444

00:25:31,979 --> 00:25:32,909

Just wherever you want.

445

00:25:32,909 --> 00:25:34,770

It just layer after layer.

446

00:25:34,770 --> 00:25:36,719

It's important though, that

you create these layers.

447

00:25:36,719 --> 00:25:38,159

It creates depth in your painting.

448

00:25:38,189 --> 00:25:43,320

Distance makes all those nice dark areas,

all the little squirrels and stuff.

449

00:25:43,320 --> 00:25:43,800

Hide in.

450

00:25:44,250 --> 00:25:44,909

Let's go up here.

451

00:25:46,169 --> 00:25:53,189

This whole big tree we need, we need to

put some Nash, shiny leaves out on him.

452

00:25:53,250 --> 00:25:54,060

Don't want him left out.

453

00:25:56,745 --> 00:26:02,025

Don't want to be left out and sort of

work in patterns in layers, creating the

454

00:26:02,025 --> 00:26:05,865

individual effects in the tree there.

455

00:26:08,145 --> 00:26:09,225

Big old, strong tree.

456

00:26:13,605 --> 00:26:19,465

Can't tell you what very quickly here,

put in a little bit of land area, and

457

00:26:19,465 --> 00:26:20,685

then we will have a finished painting.

458

00:26:22,515 --> 00:26:27,735

Decide where you land is use a

little Brown, just drop it in there.

459

00:26:29,005 --> 00:26:29,925

It'll touch a highlight.

460

00:26:32,145 --> 00:26:32,625

Shoot.

461

00:26:33,015 --> 00:26:39,465

You got a painting that you should

be very pleased with a little bit of

462

00:26:39,465 --> 00:26:42,525

the liquid white and catch you in a

little water line in your painting.

463

00:26:43,425 --> 00:26:45,525

And mine would be done.

464

00:26:46,425 --> 00:26:48,735

Tell you what I'm going to call

that one finished and from all

465

00:26:48,735 --> 00:26:50,145

of us here, happy painting.

466

00:27:25,805 --> 00:27:25,895

Okay.

End .srt file.

Bob Ross' The Joy of Painting

Tuesday, December 29, 2020

S12E11 - Soft Mountain Glow

Bob Ross's

The Joy of Painting

No comments:

Post a Comment

FREE DOWNLOAD Bob Ross' The Joy of Painting Subtitles .srt Files FREE DOWNLOAD!

Report Abuse