Bob Ross's

The Joy of Painting

S10E01 - Towering Peaks

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Hello, I'm Bob Ross.

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And I'd like to welcome you to

the 10th joy of painting series.

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If this is your first time with us, I

hope you grab a few paints and brushes

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and come along and paint with us.

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If you've been with us before,

first of all, I'd like to thank

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you for inviting me back again.

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So tell you what let's have them

graphically run all the colors across

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the screen that you need to do this

painting with me and they'll come

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across in the same order that I have

on the pallet, starting with a titanium

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white and working all the way around.

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While they're doing that.

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Let's go on up here and talk a second.

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But this is an 18 by 24 canvas.

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This is a double prime pre stretched

canvas, and I've covered it with a

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nice day and even of the liquid white,

which makes it wet, makes it slick.

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It allows us to actually blend

color right here on the canvas.

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So we have that ready.

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So let's get together and

let's do a fantastic painting.

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I'm gonna start off with a, with

a small amount of failed blue, and

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we're just taking, pull a little

bit out and then tap the brush.

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They had assures a nice even distribution

of color all the way through the brush.

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Just tap it.

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Just tap.

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Alexa can just go right up here now

then let's start wrapping here and we'll

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use little, little crisscross strokes.

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Just make little Xs and let's put

in a happy little cloud little sky.

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Okay.

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A little more of the color.

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And this state little blue is a

very, pretty bright and shiny.

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It's a happy color.

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They're just continuing to use

these little crisscross strokes

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and allow the color to it.

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It just literally blends

with the liquid white.

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And as you work downward here and

you get all these fantastic little

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effects automatically, and that easy,

easy, you have a quick little scout.

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Yeah.

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Well, I have this on the brush teeth.

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Let's head there.

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Least little amount of payload blue.

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Are they little green?

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I mean, so we have the little

blue and the little green, just

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a small amount of the greens.

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Very strong.

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Let's go back up here.

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Maybe we'll have a little water in here.

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So we'll just pull right across

like yes, very gentle and pull

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from the outside in there.

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So you try to pull it up

from it from the outside.

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And if you start here and come

across, it'll leave a great big Mark.

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It's very hard to blend out.

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We want to make this as

easy as possible right here.

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What we'll do is just flame that

together and that little light area

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remains right here and it sort of

gives the, it gives the illusion of a

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silhouette of light coming across there.

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Just a little, little shiny area.

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Can you just wash your brush now,

if you've painted with me before,

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you know, this is the fun part.

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And we wash her brushes with odorless

thinner, shake off the excess, and

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then just beat the devil out of it.

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All right now with a nice clean brush,

that would go right back up here.

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And we'll just blend this guy out a

little bit, still using the little

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crisscross strokes, or you can work.

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This guy told us absolutely dead, or

you can leave some of these little.

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Dark and light areas in it to

give it some life and very gently.

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We're blended to take out the brushstrokes

and right across the bottom, we have

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a happy, loose guy that easy, easy.

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Okay.

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Now then let's make it.

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Let's make some big fluffy clouds

today and we'll go right into the

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titanium white with a one inch brush.

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Pick up the least little touch.

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Not the bright red, very small amount.

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It's very strong UWA.

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Whole world can eat a load, a lot of

pain into the breasts school up here now.

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And maybe there's a happy little

clouds that just sort of float right

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around in the sky and have fun.

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Just sorta mix them up on here.

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Clouds are very free.

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Just let him play.

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Let him play.

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Thankfully, he comes right off

in here and it goes off the

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top of the canvas, wherever.

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This is your world.

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So you create any kind of illusion

that you want in your world.

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There we go.

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And these are just little

floaters, little happy clouds,

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and you can put as many

or as few as you want.

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Okay.

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Now then we'll take a clean, dry be

sure it's dry two inch brush, and

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I'm going to just gently blend it.

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Using tiny little circular

strokes, tiniest little strokes,

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and just blend this together.

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She explained it.

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Just sort of mix it up.

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Yeah.

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We're going to lift it.

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They sort of fluffed the

cloud, just lift it right up.

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So see, and then very lightly.

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There we go.

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In that fantastic.

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Strict to a happy little cloud that easy.

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Okay.

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Should we just go in right along here?

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Tell you what I lived in Alaska.

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Oh gosh.

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Nearly 14 years or so, and I really liked

mountains, so let's do a fantastic little.

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Now today I'm going to take some black,

some precious blue Vandyke Brown.

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We'll put some, a lizard Crimson

in there to be careful with the

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Crimson or your mountain will

turn purple, which is all right.

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That's all right.

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They wrote a beautiful song about

purple mountains, pull it out

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very flat and then cut across.

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So you have a small roll of paint

right out of the edges knife.

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There you go.

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Let's go up here now that

you have to make, you have

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to make an almighty decision.

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Where's your mountain live?

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I think he's going to live.

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He is now right there, right there.

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Maybe there's a bump there.

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Just sort of make a decision

and put it in mountains, growing

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all kinds of shapes and colors.

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And

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you're restricted only by your

imagination, right over like that.

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That's scrape off all

the excess paint here.

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I'm just really using firm pressure,

pushing that paint right into the fabric.

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Yeah, they would take a two inch brush

and I want to grab it and pull this

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removes excess paint and blends it out.

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So it gets later at the bottom.

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You can see the entire mountain.

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So always lighter at the bottom than

it is at the top because we have

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missed pollution and all those things

and break up and diffused the light.

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Cause this is wet or you can just

move this, you can pull it, you

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can move it all over the canvas.

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This was a dry canvas.

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You'd be in agony city right now.

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Here we go.

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Let's go back tonight and let's

put down, let's put some snow

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on this mountain for that.

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I'll take the titanium white and pull

it out very flat and then cut across

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to get that little roll of pain again.

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See there.

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Okay, let's go back up here now.

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I think where your light's

coming from, you have to start

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making some big decisions.

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Now, if you're right-handed,

normally it's easier for the

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light to come from the right side.

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So let's go right here.

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Touch no pressure.

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Just the weight of the knife.

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No pressure.

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See there, let it float right

down on the side of that mountain.

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Look at there.

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Okay.

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There, just follow the angles in

your mountain and let it float.

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Absolutely.

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No pressure.

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No pressure pretend that if you're

not careful, your hand will just

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literally float away, just float

away, very soft and very gentle.

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Here we go.

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See, and then you have

to make big decisions.

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Maybe this peak right here, I'll

look here, look at their cups so

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you can bring it right in front.

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You can move mountains.

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You can do anything on this canvas.

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On this canvas, you have total power apps.

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Now, then let's put some

shadows in there for that.

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I will take some wipe up a little,

a little pressure and blue in

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it, just white pressure and blue.

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Mix it up to us about that color.

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Probably that very flat again,

cut across once again, we have it.

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Small roll of paints.

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Very important.

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How you load this knife

can just go back up here.

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I want to touch and just pull it.

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They are now we're following the angles

on the other side of the mountain.

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I want to push that back.

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So we'll cover right here and then

I'll come up distinctly through as he

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pushes that peak right back sneaky.

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Huh?

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It's easy to do.

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You can do it.

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Okay.

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Maybe we can do it.

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There's no big secret here.

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We'll show you everything

that you need to paint.

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Fantastic paintings.

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There we go.

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Look at that.

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See.

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When you put those shadows in there,

everything just sort of pops out at you.

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It brings it alive.

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The shadow is a very important, you

know, we have a little hunk of paint

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right here that doesn't look like

much until we add a shadow under it.

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See there, he had a shadow and

it becomes a separate entity,

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becomes a Ridge all by itself.

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Come right over here.

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Just pulled in all kinds of happy things.

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And you can move these mountains.

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Any words you want to watch here?

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Sometimes it's fun to

just to play some games.

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You can come right down

in here and look at there.

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Look at there.

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There's another peak that easy, easy.

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When you put the shadow in

here, then it really becomes

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a personality all on its own.

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See, you can create little

ridges wherever you want them.

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And it's just a game of angles.

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Mountains are just geometric shapes.

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Yeah, we can take, maybe I'm bringing

this one distinctly in front of that.

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Okay.

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Which is that mountain back.

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This is one of the ways that you create

depth and distance in your painting.

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There we go.

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Just work with different planes.

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Okay.

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I get carried away sometime.

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I really like to pick mountains

and I just I'd cover up the

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whole canvas with mountains.

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And that's not bad when you're

learning, take an old canvas and

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start at the top and paint all the

way down with mountains and they just

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zip them right off and do it again.

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That's the way you learn.

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If there's a secret to anything

it's practice, just practice

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and you really can do this.

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I get hundreds and hundreds of

letters from people all over the

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country, just like you and I, and

they're painting beautiful pictures.

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Some of the series we showed, some

of the photographs that people have

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sent, it's almost unbelievable.

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All I'm doing is tapping

and then lifting upward the.

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Lifting upward, like that removes

the tap marks and creates that

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nice soft Misty area down there.

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And over here we follow these angles.

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Always follow the angles that

you've created in your mountains.

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See there that easy.

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We got a happy now.

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Okay.

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Let's make some little

footy fields back here.

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I will start off with mix up some color.

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I'll just use this mountain color and

let's put a little, let's put some

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white with it and see what we have here.

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So that's it mainly some blue and

black and lizard Crimson, and two that

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I'm going to add the least, little

touch, least little touch of SAP green.

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Just to give it a little greenish color.

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Yeah.

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Part of it here.

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I'm going to add some white

and make it even lighter.

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Just like so, okay.

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Let me clean the knife.

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Yeah, then let's use a

different brush today.

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This is an oval brush.

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Maybe we can get a closeup shot of it.

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It's it's a little different.

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So it's sort of round.

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This is an oval, a little

different watch here, though.

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I'm going to fill it full, that color.

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00:13:01,815 --> 00:13:05,955

We just made just a really

loaded, full of paint.

258

00:13:06,475 --> 00:13:07,215

Let's go right up here.

259

00:13:08,015 --> 00:13:09,665

Now that you have to make a big decision.

260

00:13:10,415 --> 00:13:13,485

Let's say a little footy Hill is right

here and all I'm doing is just happy.

261

00:13:14,625 --> 00:13:15,375

Fantastic.

262

00:13:15,885 --> 00:13:17,415

Look at all the little, little things.

263

00:13:17,415 --> 00:13:18,074

It makes them there.

264

00:13:19,005 --> 00:13:21,555

It looks like just the tops

of thousands of little trees

265

00:13:21,555 --> 00:13:22,635

for her off in the distance.

266

00:13:25,635 --> 00:13:28,665

Look at that over there.

267

00:13:28,724 --> 00:13:29,145

Look at that.

268

00:13:30,525 --> 00:13:35,354

Isn't that a super easy way to make little

footy Hills now with a clean, dry brush.

269

00:13:35,535 --> 00:13:37,515

I want to create some

mist at the base of this.

270

00:13:38,415 --> 00:13:40,574

All I'm going to do is just half the base.

271

00:13:40,920 --> 00:13:42,030

Just the base down here.

272

00:13:42,030 --> 00:13:42,840

Don't tap the top.

273

00:13:44,670 --> 00:13:45,390

Soften that.

274

00:13:47,360 --> 00:13:49,740

We'll give it a little tiny upper lift.

275

00:13:51,380 --> 00:13:51,650

Yeah.

276

00:13:51,660 --> 00:13:55,800

Then I'm going into the same color.

277

00:13:55,830 --> 00:14:00,420

Only a little bit darker, just a little

darker load the brush the same way.

278

00:14:02,250 --> 00:14:02,400

Okay.

279

00:14:02,400 --> 00:14:03,270

Let's go back up here.

280

00:14:03,750 --> 00:14:06,420

Maybe there's another little

footy Hill and he lives.

281

00:14:07,005 --> 00:14:09,944

Right here by being a little

darker, it stands out.

282

00:14:10,094 --> 00:14:12,675

As things get closer to you in

a landscape, they should get

283

00:14:12,675 --> 00:14:14,505

darker and darker in color.

284

00:14:16,935 --> 00:14:23,625

So you there maybe there

see how easy that is.

285

00:14:24,375 --> 00:14:26,234

Painting does not have to be difficult.

286

00:14:27,765 --> 00:14:29,505

Does not have to be difficult.

287

00:14:30,915 --> 00:14:33,194

You don't have to be blessed,

but Michael Angelo at birth to

288

00:14:33,194 --> 00:14:34,755

be able to paint, you can do it.

289

00:14:36,180 --> 00:14:36,719

And it's fine.

290

00:14:37,589 --> 00:14:37,979

There we go.

291

00:14:39,479 --> 00:14:45,660

A little bit of mist, just like, so

give it a little upward lift and you

292

00:14:45,660 --> 00:14:47,760

can make layer after layer, after layer.

293

00:14:48,150 --> 00:14:49,260

Take a little more of that color.

294

00:14:49,620 --> 00:14:51,540

Same color, just a

little darker watch here.

295

00:14:52,079 --> 00:14:55,560

Maybe you would have come right in here

and put the indication of another one.

296

00:14:57,240 --> 00:15:02,069

There's no limit, but they need to get a

little darker because they work forward.

297

00:15:06,285 --> 00:15:06,945

I'm not careful.

298

00:15:06,975 --> 00:15:11,315

I'm going to cover up the whole canvas

with foothills and Malphurs there we go.

299

00:15:12,895 --> 00:15:13,415

That easy.

300

00:15:13,775 --> 00:15:18,275

We have several layers of foothills

and these different layers or planes.

301

00:15:18,515 --> 00:15:21,215

Once again, this is what causes

a depth in your painting and

302

00:15:21,215 --> 00:15:22,775

really, really makes it look good.

303

00:15:23,645 --> 00:15:27,485

Of course, we're not interested in making

money, but should you be looking for

304

00:15:27,485 --> 00:15:28,625

that happy buck when you're painting?

305

00:15:28,655 --> 00:15:30,005

This is what sells paintings.

306

00:15:30,905 --> 00:15:31,885

Let's have some fun here.

307

00:15:31,915 --> 00:15:33,695

We'll take some black.

308

00:15:35,205 --> 00:15:37,425

Precious blue SAP, green.

309

00:15:38,715 --> 00:15:40,305

Let's throw in some, a lizard Crimson too.

310

00:15:40,305 --> 00:15:40,755

What the heck?

311

00:15:41,385 --> 00:15:41,625

Good.

312

00:15:41,625 --> 00:15:43,005

Dark color should look black.

313

00:15:43,305 --> 00:15:44,145

Let me clean the knife.

314

00:15:46,725 --> 00:15:47,145

Okay.

315

00:15:47,655 --> 00:15:49,625

Use a fan brush loaded, full of paint.

316

00:15:49,805 --> 00:15:50,675

A lot of paint.

317

00:15:50,975 --> 00:15:51,694

Both sides.

318

00:15:52,324 --> 00:15:53,225

Okay, let's go right up here.

319

00:15:54,035 --> 00:15:54,665

Maybe there's some.

320

00:15:55,170 --> 00:15:57,450

Little evergreens that live

back here in the distance here.

321

00:15:57,570 --> 00:15:59,310

I'm just going to take a tap downward.

322

00:16:00,090 --> 00:16:02,010

This is the little trees,

not all evergreens.

323

00:16:02,010 --> 00:16:03,270

Maybe there's all kinds of trees.

324

00:16:04,590 --> 00:16:05,640

Just half down, right down.

325

00:16:08,100 --> 00:16:09,930

Tamp it down right here.

326

00:16:11,130 --> 00:16:12,150

These are a little closer.

327

00:16:12,150 --> 00:16:17,220

So you're beginning to see

a little more detail detail,

328

00:16:22,710 --> 00:16:23,010

maybe.

329

00:16:23,160 --> 00:16:24,030

Ooh, there's a nice one.

330

00:16:25,260 --> 00:16:26,580

So just tap down right down.

331

00:16:26,650 --> 00:16:30,720

It makes those nice little

happy tops up here and don't

332

00:16:30,720 --> 00:16:31,950

make them all like real even.

333

00:16:31,950 --> 00:16:33,750

Cause then they look like

fence posts out of there.

334

00:16:34,530 --> 00:16:35,490

Give them some character.

335

00:16:37,050 --> 00:16:37,710

There we go.

336

00:16:40,905 --> 00:16:41,235

Okay,

337

00:16:45,824 --> 00:16:48,015

this color is a little

darker, so it stands out.

338

00:16:49,704 --> 00:16:52,395

I want us to have some fun when

I was a traditional painter.

339

00:16:52,454 --> 00:16:54,704

One thing that used to drive

me crazy was reflections.

340

00:16:54,704 --> 00:16:55,844

Watch you're on a wet canvas.

341

00:16:55,844 --> 00:16:58,485

So all you do is grab it and pull it down.

342

00:16:59,385 --> 00:17:01,395

Just grab and pull down straight down.

343

00:17:02,430 --> 00:17:04,530

For the trees are taller,

pulled down a little farther.

344

00:17:04,980 --> 00:17:05,460

Look at that.

345

00:17:05,579 --> 00:17:09,270

Look at that instant

reflections and that fun.

346

00:17:11,310 --> 00:17:13,619

That's one of the things that

works the best and this method

347

00:17:13,619 --> 00:17:15,720

of painting is reflections.

348

00:17:15,720 --> 00:17:19,230

Just pull it straight down and

then very lightly three hairs and

349

00:17:19,230 --> 00:17:23,430

some air just go across and it

creates the illusion of water.

350

00:17:25,270 --> 00:17:30,210

Then take a little bit of liquid height

on my knife and we'll get a touch

351

00:17:30,210 --> 00:17:31,710

of the dark Sienna and add to that.

352

00:17:31,740 --> 00:17:34,950

Just the least little touch

there just to dull it down.

353

00:17:36,870 --> 00:17:37,139

Okay.

354

00:17:37,200 --> 00:17:37,440

Yeah.

355

00:17:38,129 --> 00:17:44,100

When you load this knife, taking cut

across like it cut right across and

356

00:17:44,129 --> 00:17:45,900

pull it out flat and then cut across.

357

00:17:46,230 --> 00:17:47,760

You can just go up here now.

358

00:17:47,760 --> 00:17:51,660

They can come straight into the

canvas push very firmly and just

359

00:17:51,660 --> 00:17:53,070

cut in a happy little waterline.

360

00:17:55,530 --> 00:17:56,970

And keep this basically straight.

361

00:17:57,040 --> 00:17:59,760

You can go anywhere you want

to go, but this individual

362

00:17:59,760 --> 00:18:01,200

strokes should be straight.

363

00:18:01,980 --> 00:18:04,410

Otherwise your water's going to look like

it's running right out of your painting.

364

00:18:04,980 --> 00:18:05,790

Get your floor wet.

365

00:18:06,420 --> 00:18:07,500

And you're going to be upset with me.

366

00:18:08,280 --> 00:18:09,300

I really want you to be happy.

367

00:18:11,400 --> 00:18:17,220

There may be a little

ripple here and there.

368

00:18:18,390 --> 00:18:18,720

Okay.

369

00:18:18,730 --> 00:18:21,540

Is a happy little things that easy.

370

00:18:22,004 --> 00:18:22,995

And is you got it.

371

00:18:23,835 --> 00:18:26,865

Now you can take a clean fan brush

or at least a little bit of white on

372

00:18:26,865 --> 00:18:30,555

it and make it look like little tree

trunks far away just by lifting upper

373

00:18:30,555 --> 00:18:33,465

deck just far back in the distance.

374

00:18:34,875 --> 00:18:37,905

Just barely touch it and

lift straight up there.

375

00:18:38,145 --> 00:18:42,615

Just a few downloads

to wash the old brush.

376

00:18:45,044 --> 00:18:46,215

And let's have some fun now.

377

00:18:46,245 --> 00:18:48,044

Shoot, let's have some fun.

378

00:18:48,645 --> 00:18:49,845

Go mix up a bunch of dark.

379

00:18:49,855 --> 00:18:53,655

We'll take some of the midnight

black pressure blue we'll even

380

00:18:53,655 --> 00:18:55,365

throw some Vandyke Brown in there.

381

00:18:55,455 --> 00:18:58,304

Lizard Crimson, SAP green,

just all the dark colors.

382

00:18:58,304 --> 00:18:58,784

Basically.

383

00:18:58,784 --> 00:18:59,385

It doesn't matter.

384

00:19:00,195 --> 00:19:01,304

Make a big water paint.

385

00:19:04,034 --> 00:19:04,395

Okay.

386

00:19:04,425 --> 00:19:08,325

Let me clean the whole knife off

here and let's have some fun.

387

00:19:09,284 --> 00:19:10,215

Let's get a big brush.

388

00:19:10,830 --> 00:19:12,300

And I'm going to load this full of paint.

389

00:19:13,020 --> 00:19:17,399

So often we avoid this big brush because

of its size, but the big brush can do

390

00:19:17,399 --> 00:19:23,550

fantastic things, wiggle it, wiggle it,

that loads, the bristles fall and pull it.

391

00:19:23,909 --> 00:19:25,050

That makes it very sharp.

392

00:19:26,070 --> 00:19:28,350

And we're loading this

brush to a chisel edge.

393

00:19:29,159 --> 00:19:30,629

It takes a lot of pain in the brush.

394

00:19:32,129 --> 00:19:33,840

You need enough pink to

hold the bristles together.

395

00:19:33,840 --> 00:19:34,770

See how sharp it is.

396

00:19:36,540 --> 00:19:36,990

Very good.

397

00:19:36,990 --> 00:19:37,919

That's a chisel edge.

398

00:19:37,980 --> 00:19:38,550

Let's go up here.

399

00:19:39,480 --> 00:19:39,629

Now.

400

00:19:39,629 --> 00:19:43,490

There may be tell you why maybe a happy

little evergreen lives right there.

401

00:19:43,520 --> 00:19:49,280

We touch then just the corner of the

brush, again, working back and forth.

402

00:19:49,790 --> 00:19:51,500

And we got to put some arms on his tree.

403

00:19:51,770 --> 00:19:55,159

Kind of give him some little bit alarms

so I can reach up and gather the sun up.

404

00:19:55,520 --> 00:19:57,620

Look at their, look there.

405

00:19:58,340 --> 00:20:03,110

Reload your brush for

each tree, each tree.

406

00:20:04,425 --> 00:20:09,435

There we go quarter and you started making

those bristles and band and downward.

407

00:20:10,875 --> 00:20:11,805

Isn't that fantastic.

408

00:20:15,135 --> 00:20:22,185

And you can put as many or as few trees

as you want as many or as few maybe.

409

00:20:22,635 --> 00:20:24,014

Yeah, let's have a third one there.

410

00:20:25,605 --> 00:20:26,715

We don't want them to get lonely.

411

00:20:27,395 --> 00:20:28,755

Even trees need a friend.

412

00:20:29,175 --> 00:20:30,225

We all have to have a friend.

413

00:20:30,225 --> 00:20:32,565

So we just put one right there.

414

00:20:35,715 --> 00:20:36,135

Okay.

415

00:20:36,165 --> 00:20:38,385

Let's make some, let's make

some leaf trees to do that.

416

00:20:38,885 --> 00:20:45,395

We pull the brush through the paint, like

so one direction, pull it firmly through

417

00:20:45,395 --> 00:20:51,695

the paint and that rounds one corner say

there, it gives it sort of a rounded look.

418

00:20:52,785 --> 00:20:56,205

There we are now would that

rounded corner towards the top?

419

00:20:56,265 --> 00:20:57,075

Let's go right up here.

420

00:20:57,645 --> 00:20:58,515

Let's put a happy tree.

421

00:20:58,515 --> 00:21:01,245

It lives right here at touch

and give it a little push.

422

00:21:01,275 --> 00:21:05,595

Just bend the bristles

and inform your tree.

423

00:21:07,425 --> 00:21:11,655

Just so it's that easy.

424

00:21:12,690 --> 00:21:14,310

That's a form, your basic shapes.

425

00:21:17,550 --> 00:21:19,560

Sometimes you get carried away

and just keep going there.

426

00:21:21,030 --> 00:21:21,510

What the heck?

427

00:21:21,510 --> 00:21:24,090

We just push that little

Lake weed back in a distance.

428

00:21:24,090 --> 00:21:24,780

What the heck?

429

00:21:25,920 --> 00:21:28,650

When you have this kind of power, you

can move legs anywhere you want them.

430

00:21:30,150 --> 00:21:31,500

We'll put a happy tree right here.

431

00:21:35,970 --> 00:21:37,590

Just spraying all that ride home together.

432

00:21:40,754 --> 00:21:42,254

There I'm here.

433

00:21:42,344 --> 00:21:44,175

All I'm doing is putting

in some dark color.

434

00:21:44,655 --> 00:21:46,635

We'll come back and

we'll highlight all these

435

00:21:50,264 --> 00:21:51,554

and that quick with a big old brush.

436

00:21:51,554 --> 00:21:56,685

You got that all blocked here and

let's put some, I'll take some dark

437

00:21:56,685 --> 00:22:01,665

Sienna with a quiet, without flat.

438

00:22:01,875 --> 00:22:06,435

Get that small roll of paint, like

so, okay, let's go right up here.

439

00:22:07,740 --> 00:22:10,530

And we just put the indication of a

happy load tree, trunk care in there.

440

00:22:12,090 --> 00:22:16,440

See there that easy, just started touch.

441

00:22:16,500 --> 00:22:19,500

Give it a little sideboard pole and

maybe there's some back in here.

442

00:22:19,500 --> 00:22:21,000

We don't know how many

trees live in there.

443

00:22:21,850 --> 00:22:22,860

Take the point of the knife.

444

00:22:23,040 --> 00:22:25,170

You put small dead sticks

and twigs on there.

445

00:22:25,320 --> 00:22:26,040

It's that easy.

446

00:22:26,625 --> 00:22:26,955

Okay.

447

00:22:29,445 --> 00:22:35,445

Let's take some Brown, at least a

little touch you blue into that.

448

00:22:37,545 --> 00:22:41,685

So kind of cross, maybe

there's a little tree trunk.

449

00:22:41,685 --> 00:22:42,765

It lives right here.

450

00:22:44,790 --> 00:22:49,010

SI put these everywhere

you want to watch here.

451

00:22:49,159 --> 00:22:52,399

You can just take the knife and

scrape and all kinds of little things.

452

00:22:53,450 --> 00:22:57,560

When this is all finished, some of these

will show and people will think you spent

453

00:22:57,860 --> 00:23:00,830

just days and days working with these

little one haired brush, put them in.

454

00:23:01,909 --> 00:23:03,169

I'll tell him any different, shh.

455

00:23:04,159 --> 00:23:04,850

Keep her secret.

456

00:23:05,450 --> 00:23:08,419

Let's take a one inch brush

and we'll dip it right into.

457

00:23:09,270 --> 00:23:12,510

Some of the liquid white, I'll

go into yellow and then reach

458

00:23:12,510 --> 00:23:14,040

up here and grab some SAP green.

459

00:23:15,300 --> 00:23:18,540

So I've got CAD yellow, SAP green, and

there's a little liquid white on the

460

00:23:18,540 --> 00:23:19,980

brush that makes the paint thinner.

461

00:23:20,970 --> 00:23:22,620

Then paint will stick to a thick paint.

462

00:23:23,330 --> 00:23:25,580

Yeah, let's put some leaves on this.

463

00:23:25,580 --> 00:23:31,850

This is what begins bringing this painting

alive and worry about little forms here.

464

00:23:31,850 --> 00:23:33,140

Don't just throw them on at random.

465

00:23:35,040 --> 00:23:40,130

SI little forums think about is

all kind of little individual

466

00:23:40,130 --> 00:23:41,180

limbs living in there.

467

00:23:42,350 --> 00:23:43,160

All right.

468

00:23:43,820 --> 00:23:45,500

We can add some yellow ochre too,

469

00:23:48,860 --> 00:23:53,360

and put another happy little Bush

and you can put as many or as few

470

00:23:53,360 --> 00:23:56,420

bushes as you want, but do the Bush

that you think is the father's the

471

00:23:56,420 --> 00:23:58,850

way first and then work forward.

472

00:23:58,910 --> 00:24:00,620

That way you have layers of bushes.

473

00:24:01,845 --> 00:24:06,794

Add little Indian yell out of that,

but these layers, once again, you get

474

00:24:06,794 --> 00:24:08,235

tired of hearing it, but it's important.

475

00:24:08,865 --> 00:24:13,274

These layers create the illusion

of distance in your painting here.

476

00:24:13,274 --> 00:24:17,115

I'm using the brush sideways and just,

can you see that push pushing upward?

477

00:24:17,145 --> 00:24:17,865

That's all there is to it.

478

00:24:17,985 --> 00:24:18,824

Push and band.

479

00:24:20,264 --> 00:24:21,935

Okay, let's go over here.

480

00:24:21,955 --> 00:24:22,064

Now.

481

00:24:22,445 --> 00:24:26,975

Uh, the side thing you had to start

making some big decisions, big decisions.

482

00:24:29,385 --> 00:24:31,095

There's trees that live in here.

483

00:24:32,415 --> 00:24:36,045

So you have to sort of pick

them out, pull them out.

484

00:24:36,735 --> 00:24:39,705

They are say that there he is.

485

00:24:41,955 --> 00:24:43,095

Here's the one back here.

486

00:24:45,045 --> 00:24:46,935

Just decide where trees

live in your world.

487

00:24:47,625 --> 00:24:47,895

Put them.

488

00:24:47,905 --> 00:24:48,105

Yeah.

489

00:24:49,455 --> 00:24:54,165

Permian maybe, maybe, maybe we'll

use, I want to add a touch of

490

00:24:54,165 --> 00:24:56,025

the bright red here or this one.

491

00:24:56,669 --> 00:24:57,720

This will make a nice one.

492

00:24:59,909 --> 00:25:01,669

Don't don't go too crazy with this rat.

493

00:25:01,909 --> 00:25:03,200

It'll it's a fireball.

494

00:25:04,490 --> 00:25:04,669

Hmm.

495

00:25:05,000 --> 00:25:09,350

That's a nice little color right in here.

496

00:25:09,379 --> 00:25:10,550

We'll have another little Bush.

497

00:25:10,939 --> 00:25:12,439

See, but they're just layered one.

498

00:25:12,439 --> 00:25:16,610

After the other one looks like

a nice place to go fishing.

499

00:25:18,350 --> 00:25:23,270

Now, then on that a little

more SAP green, just bring this

500

00:25:23,270 --> 00:25:24,820

brush to a nice chiseled edge.

501

00:25:25,365 --> 00:25:29,715

I grew up here and put on a little

bit of highlight onto the evergreens.

502

00:25:31,175 --> 00:25:31,565

See you there.

503

00:25:33,545 --> 00:25:34,715

Don't kill all your dark.

504

00:25:34,895 --> 00:25:36,965

Be careful not to kill

all your dark areas.

505

00:25:37,835 --> 00:25:38,795

They're very important.

506

00:25:43,055 --> 00:25:43,205

Okay.

507

00:25:43,295 --> 00:25:43,475

Okay.

508

00:25:43,835 --> 00:25:44,375

There we go.

509

00:25:44,645 --> 00:25:45,455

A little bit on this street.

510

00:25:45,455 --> 00:25:46,355

Don't want him left out.

511

00:25:46,565 --> 00:25:47,615

Don't want him left out.

512

00:25:48,545 --> 00:25:49,145

I'll tell you why.

513

00:25:50,855 --> 00:25:53,324

If you had a beautiful place, like yes,

you'd have to have a way to get up here

514

00:25:53,324 --> 00:25:54,824

and catch up big trout lives in there.

515

00:25:54,885 --> 00:25:56,145

I know it was a trout lives in there.

516

00:25:56,804 --> 00:25:57,824

Let's take some Vandyke Brown.

517

00:25:57,845 --> 00:25:58,024

Yeah.

518

00:25:58,985 --> 00:26:03,395

And let's go right in here and

maybe there's a happy little path.

519

00:26:03,905 --> 00:26:05,554

See how easy little path is to make.

520

00:26:07,264 --> 00:26:07,804

There you go.

521

00:26:07,804 --> 00:26:10,475

So yeah, we're gonna let him

go around behind that tree.

522

00:26:10,475 --> 00:26:11,435

We don't know where it goes.

523

00:26:12,845 --> 00:26:14,405

It was right on around during hides.

524

00:26:14,554 --> 00:26:18,814

We'll take some Brown and

supplied and then very lightly.

525

00:26:19,530 --> 00:26:20,209

Barely touched.

526

00:26:20,209 --> 00:26:21,209

There's a little blue in there too.

527

00:26:21,209 --> 00:26:22,290

Brown, white touch, a blue.

528

00:26:22,290 --> 00:26:23,010

It makes gray.

529

00:26:24,360 --> 00:26:26,490

See, just put some highlight on there.

530

00:26:27,510 --> 00:26:31,830

Now then we want to set that

path down into the painting.

531

00:26:31,860 --> 00:26:33,449

Let me get another one inch brush here.

532

00:26:35,750 --> 00:26:39,379

A little bit of the

liquid wine full of color.

533

00:26:39,770 --> 00:26:43,610

Now to set this path down into the

painting, watch here, push a few

534

00:26:43,610 --> 00:26:45,230

little bushes that come right over it.

535

00:26:46,159 --> 00:26:46,429

See.

536

00:26:48,795 --> 00:26:54,615

There's another happy little Bush and

we just push that path right back there.

537

00:26:54,675 --> 00:26:55,455

Just disappeared.

538

00:26:55,845 --> 00:26:56,985

We don't know where it's going now.

539

00:26:58,605 --> 00:26:59,325

We don't care.

540

00:27:04,395 --> 00:27:08,805

Then we can take the knife

and very gently scraping a few

541

00:27:08,805 --> 00:27:09,945

little sticks and twigs here.

542

00:27:09,945 --> 00:27:12,795

And there you go.

543

00:27:12,795 --> 00:27:13,695

Right on number like that.

544

00:27:16,830 --> 00:27:20,780

And I would take liner brush a

little bit of paint in Ireland.

545

00:27:21,379 --> 00:27:23,120

Let's sign would call it finished.

546

00:27:24,169 --> 00:27:25,429

I really hope you've enjoyed this.

547

00:27:25,429 --> 00:27:27,679

And I thank you for joining me today.

548

00:27:27,740 --> 00:27:28,879

I look forward to seeing you.

549

00:27:29,820 --> 00:27:32,820

Again, in the very near future

from all of us happy painting.

550

00:27:33,000 --> 00:27:33,570

God bless.

End .srt file.

Bob Ross' The Joy of Painting

Tuesday, December 29, 2020

S10E01 - Towering Peaks

Bob Ross's

The Joy of Painting

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