Bob Ross's

The Joy of Painting

S13E08 - Mountain Exhibition

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Hi, I'm glad you could join me.

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The you're ready to do another

fantastic little painting.

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Super tell you what, let's start

out today and get right on it.

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Let's have him run all the colors across

the screen that you need to paint.

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Along with me.

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I had my canvas up here.

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It's covered with liquid white

and it's all ready to go.

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So I tell you what, I've got so

many cards and letters from people

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saying I'm having trouble making

the snow break on the mountain.

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You know, when we take the knife

and we pull it down the side of the

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mountain and the snow breaks, I've

sort of designed a new way of putting

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highlights and shadows on a mountain.

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And let's spend some time

today working on that.

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If you ever had had any

problems, putting the snow on the

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mountains this way is so nice.

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And you'll love it.

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So let's get in here and do it.

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Let's just drop in a happy little sky.

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We'll start out with a

little touch of that.

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They load blue.

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I'll grab some black too.

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So midnight black, they were blue.

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Just mix them on the brush here.

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And let's just very quickly here.

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Just putting a happy little sky

there, like this drop down a little

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color, maybe wherever you want it.

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Maybe we'll have some little clouds here.

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That's blue and black or black and blue,

depending on which way you look at it.

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That's the way I am when I'm at home by

him and always in trouble, ended up black

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and blue can barely get half of that.

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And that'll give us an indication

of a sky once we blended out.

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And while we have this black

and blue on the brush here.

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Let's take and maybe we'll have a

little water on the bottom of this one.

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Let's see whatever happens.

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If we don't have water, this will

cover right up no problems, but

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we'll just cover all of this.

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I don't know exactly where

everything's going to be.

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If it's going to be.

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That's part of the beauty

of this style of painting.

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You really don't have to make any big

decisions right now there something

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like, so we just gently blend that

together when this a little bit.

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Okay.

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Then I'll clean the old brush.

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How are we just scrubbed brush

and odorless dinner as usual.

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Shake off the excess and just

beat the devil out of it.

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Okay.

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Now then with a clean brush here,

I just want to blend this there.

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I get letters from people.

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Also say if it looks like it's so much

fun beating that brush, they just went

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out and got a brush and beat on it.

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They don't paint.

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They just, they just beat

the brush and enjoy it.

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If that makes you happy.

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That's fine.

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That's what everything's about.

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It makes you happy.

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Now, then I just knocks

off the excess paint.

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It's not as much fun.

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I'm going to go right into right into.

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Okay, Tanium white.

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And we'll just use the same old

brush, just loaded, full of color.

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And must just put some little

floaters up here in this guy,

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this just tapping with a corner.

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Brusher.

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Just want to put something in there real

quick and move into this mountain today.

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I want to show you how to do

a different kind of mountain.

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Maybe we'll have one right over

in here wherever you want it.

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And in this area, there's another

happy little, little cloud.

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He just floats.

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He has fun there.

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Same thing.

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You just determined where

they live and drop them in.

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We'll give him a little

friend right there.

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I have several breasts is going here.

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So let's just take a clean one

and then just going to blame the

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base of this out a little bit.

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So it just blends right into that color.

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There we go.

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Soften the bottom.

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Don't touch the top.

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We'll get that in a second.

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And then very lightly following

the basic angles here.

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Just sort of lift that and just let it go.

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Okay.

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Very gentle, very light.

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Just caress it.

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Fair.

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See you there then a super way to

make some very effective little

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easy clouds, happy little clouds.

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Okay.

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That gives us a national sky.

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And now we can get in here

and play with our mountain.

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Since we're going to a big old

mountain today, let's get started here.

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We'll use some midnight black,

take a big bunch of black and

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throw it out here into that.

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I'm going to add a lizard, Crimson

black, and a lizard Crimson.

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Now that you can put a little

white over there and check

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it out, see what color it is.

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Cause it's hard to tell.

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I want a little more Crimson in that one.

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It a little more to the radish side.

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Okay.

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That's better like that.

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Okay.

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Pull the paint out.

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Very flat, cut across and

get our little roll of paint.

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See it's right out on

the edge of the knife.

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Now, then.

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If we're going to have a big old

mountain here, let's just decide

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where this big, old mountain lives

and just begin dropping it in.

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And we'll start this one.

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Like we start most mountains, very

firmly pushing in our basic shape.

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Maybe there's a big half peak on this

one that lives up here in the sky.

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That's where that big ego sets.

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Okay, little bump there, maybe another

little bump wherever you want to push.

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Very firmly.

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You're really trying to push

this right into the fabric.

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So canvas is tough.

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I don't worry about hurting it.

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You're you're not going to hurt it,

push it in and scrape off the excess.

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Take a large brush and we'll pull

this just like we do normally.

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Janice and blended down there.

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Let's see, grab over here and pull it

there and just let this move right on out

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because electric bikes on the canvas, you

can literally literally remove this paint.

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If you're working on a draft

canvas, you'd be in agony city.

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You wash small brush.

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Give him a little shake, cover a

couple of camera people and we're

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in business now, then I think today

for this, I'll use a small knife.

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You could use either knife.

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Doesn't matter.

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I'll just use a small one to

pull that pain out as flat as you

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can get it as usual cut across.

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And we have our little roll of paint

right on the edge of the knife.

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Now, normally we take his

touch and we just pull.

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Okay.

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But today watch all I'm

going to do is touch.

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And just let it bounce.

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See, I'm just touchy, touchy,

touchy, touchy, all right on down.

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So you don't have to worry.

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It breaks automatically.

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And then you can sort of, you don't

want it too, even in smooth here.

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So just touch to break it up.

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Isn't that sinful.

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If you've ever had trouble

making the snow break on the

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mountain, this is an easy one.

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This one will work for you.

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There we go and just sort of follow

the angles like you normally do.

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Just touching.

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All you have to do is touch

the canvas will take off what

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it wants to give you back.

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Okay.

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There, but you still have

to follow the basic angles.

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You still have to follow those.

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No matter how you make his mountain,

light's still going to strike.

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And a given direction if the light's

coming from here and it's just

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going to zing right across there.

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Okay.

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See maybe there's a little projection

out here, maybe another one

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over here, wherever you want it.

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All you have to do is

just touch the canvas.

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Maybe it comes right on a

ramp, wherever, wherever.

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Okay.

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And maybe there's some

light strikes us up here.

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See, all you're doing is touching the cat.

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Isn't that neat.

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Maybe this comes right on around.

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There's a little Valley in there.

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Yeah.

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And just let it go.

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I had to go just sort of let your

imagination take you where you want to be.

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Now.

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There's another one over here.

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Shoot.

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Maybe this one over here.

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It comes right on around like,

so, and just sort of moves.

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Yeah, right on down.

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See there.

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You can just wrap it right around.

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Isn't that?

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Fantastic.

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I knew you'd like, yes.

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And if you prefer just drag it

and make the snow break, then you

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can make this mountain the same

way as you've been making them.

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I just really want to show you

something a little bit different and

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in case you've had any problem, you

probably hadn't at some people have.

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This will, this will help you.

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Now I'll take some blue and white.

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We just sort of mix up together.

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I'm looking for a, sort of a

shadow color here, just blue and

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white, same thing cut across.

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And we get our little roll of paint

right on the edge of the knife.

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And we can come back in here and now

then we began looking for the shadows

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that same way, just barely touching.

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Allow the canvas to

pull off what it wants.

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Just follow the basic shapes.

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Yeah.

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All of the principles and the

rules are the same as the way

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we've been making mountains.

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If you've painted with me before.

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This is just done by just tapping.

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So also, you know, like in Arizona, New

Mexico, they have the mountains that have

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all the different colors and it misses a

super way to make those super super way.

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Cause you can create all

those little colors just by

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touching the canvas next time.

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Maybe I'll do one of those.

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I have a lot of friends in that area.

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There we go.

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See, just follow the basic angles.

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And all you're doing really is just

touching the canvas because you

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have a thick paint on the canvas

and it'll literally grab that and

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pull it right off and you can do

anything you want to do there.

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Okay.

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Maybe all down in here

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there.

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Got to mix up a little bit

more of the shadow color.

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I didn't mix enough.

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So same thing like who blue and

white, just mix it together.

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Cut across our little roll of paint.

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Again, always had little

roll of paint, so helpful.

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If you'll load the knife correctly,

then we can bring us in here.

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And Janice began tapping like, so.

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Okay.

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And you can sort of vary those angles.

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So it looks like it's laying

flat or setting up higher.

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However you want it there.

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You just keep us going all

day, cover up the whole canvas

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with it, then that's all right.

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That's a super way to learn.

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And anytime you learn it,

time and energy is not wasted.

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It's not wasted.

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There.

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And as long as we live, hopefully

we will continue to learn.

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Okay.

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Yeah.

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Can you say that?

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I think we can put some shadows

into this little highlight.

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Yeah.

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A little more of the

white and we can begin.

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Let's just bring this right on down.

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So to let all that come together.

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There we go.

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But once again, if you've had any

problem making the snow break on the

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mountains, the way we've been making,

I hope give this a try because I really

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believe you'll have instant success

with us, even if you've never painted

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a mountain before the big thing.

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Just to pay strict

attention to the angles.

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Look at the angles in this mountain.

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The rules are basically the

same, no matter how you make your

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mountain, you have highlighted on

one side and shadow on the other.

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As simple as that sounds, sometimes

we get, we get a little confused.

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I'm going to tap just to base

this on a little mist, not much.

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And then very lightly, Oh,

just the least little amount.

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Please, let them out here.

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There we go to all of that together.

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It's very soft

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and that's just a real.

257

00:14:02,579 --> 00:14:03,360

Quick little mountain.

258

00:14:03,390 --> 00:14:04,560

Thank what you can do at home.

259

00:14:04,590 --> 00:14:09,360

When you have unlimited time where you

can make a son of a gun of a mountain and

260

00:14:09,360 --> 00:14:11,730

then, okay, let's do another one here.

261

00:14:11,760 --> 00:14:12,240

What do you use it?

262

00:14:13,260 --> 00:14:14,550

We just take that same old color.

263

00:14:14,550 --> 00:14:18,060

We have her original mountain

color, pulled it out flat.

264

00:14:19,650 --> 00:14:22,400

Cut a roller paint off one more time.

265

00:14:22,400 --> 00:14:24,199

Same old rule came.

266

00:14:24,199 --> 00:14:28,850

Maybe, maybe their lives just

get crazy maybe right up here.

267

00:14:29,475 --> 00:14:32,655

Hmm, got to make a little

noises or don't work.

268

00:14:34,245 --> 00:14:38,985

Maybe there's a big, old thing comes right

down my cat, right in front of this one.

269

00:14:41,205 --> 00:14:42,045

Just drop it in.

270

00:14:44,145 --> 00:14:45,105

Push that color in

271

00:14:48,585 --> 00:14:49,005

there.

272

00:14:50,505 --> 00:14:52,995

I secure you have to work

so hard on your mountain.

273

00:14:52,995 --> 00:14:54,015

Then you throw that in there.

274

00:15:01,260 --> 00:15:02,849

That's how it is to it

all we're doing here.

275

00:15:02,890 --> 00:15:04,020

Just blocking in color.

276

00:15:04,020 --> 00:15:06,030

You could, you could do

this with a paint roller.

277

00:15:07,680 --> 00:15:11,670

Let's start over new style

of painting, paint rollers.

278

00:15:12,390 --> 00:15:13,020

There we go.

279

00:15:20,444 --> 00:15:21,944

On this one, I'm going

back to the small knife.

280

00:15:22,545 --> 00:15:25,425

I'm going to go right back into

my little blue, white mixture.

281

00:15:26,324 --> 00:15:28,185

We'll just continue to use what the heck.

282

00:15:29,505 --> 00:15:34,395

Now let's just take our little roller

paint again, and let's just begin on this

283

00:15:34,395 --> 00:15:37,214

one is just laying in the indication here.

284

00:15:37,214 --> 00:15:37,875

Just tapping.

285

00:15:38,564 --> 00:15:40,425

I just let's let it bounce right along.

286

00:15:41,594 --> 00:15:43,454

I've just a few little shadow areas.

287

00:15:45,430 --> 00:15:47,870

Just wherever you think light

would play through here.

288

00:15:47,920 --> 00:15:52,410

Just barely touching,

sort of let it bounce in.

289

00:15:52,410 --> 00:15:52,770

Play.

290

00:15:53,430 --> 00:15:54,420

No pressure at all.

291

00:15:54,510 --> 00:15:58,770

Oh, you just, you just allow it

to graze and touch the canvas

292

00:16:01,800 --> 00:16:02,190

there.

293

00:16:05,520 --> 00:16:08,459

And you can do this in a multitude of

different colors and make it look like

294

00:16:08,459 --> 00:16:13,469

rocks and stones that live in your area

because all over the country, mountains

295

00:16:13,469 --> 00:16:20,160

and boulders and stuff, they look a little

different, but all we're doing is just.

296

00:16:20,490 --> 00:16:22,410

Touching the canvas side.

297

00:16:22,420 --> 00:16:22,740

Easy.

298

00:16:23,870 --> 00:16:26,690

I'm excited about this

because it's worked so well.

299

00:16:27,290 --> 00:16:32,150

I've tried it with people who have never

painted, not the first stroke and they've,

300

00:16:32,330 --> 00:16:36,650

they've made it work and that's nice.

301

00:16:37,250 --> 00:16:40,730

I like to see the sparkle come

in people's eyes when they, when

302

00:16:40,730 --> 00:16:43,880

they painted the first picture

and it works for him and it's.

303

00:16:44,415 --> 00:16:46,155

Uh, it does good things in here.

304

00:16:47,035 --> 00:16:50,145

Just like if you've, if you've never

taught other people to paint, if

305

00:16:50,145 --> 00:16:52,605

you know how you don't understand.

306

00:16:54,060 --> 00:16:57,150

How selfish it really is because

the teacher gets more out of

307

00:16:57,150 --> 00:16:58,260

it probably than the pupil.

308

00:16:59,340 --> 00:17:01,800

As a reason, for years and

years I've traveled and taught.

309

00:17:02,130 --> 00:17:06,089

It was one of the most rewarding and

satisfying things that I'd ever done.

310

00:17:06,180 --> 00:17:10,980

I met so many super people get off my

soap box and paint you some black and some

311

00:17:10,980 --> 00:17:15,180

blue, Brown Crimson, little salmon green.

312

00:17:16,380 --> 00:17:17,130

Mix all that up.

313

00:17:18,240 --> 00:17:19,980

Now I'm gonna pull a

little bit of it out here.

314

00:17:20,160 --> 00:17:22,980

And to that, we'll add, let

me just grab some white.

315

00:17:23,030 --> 00:17:23,210

Yeah.

316

00:17:26,080 --> 00:17:29,330

And the more SAF green in there,

I'm looking for a dirty green color

317

00:17:32,630 --> 00:17:33,230

coming along

318

00:17:37,850 --> 00:17:38,210

there.

319

00:17:38,210 --> 00:17:39,290

We are nice.

320

00:17:39,290 --> 00:17:40,340

So green color.

321

00:17:40,400 --> 00:17:40,730

Okay.

322

00:17:40,760 --> 00:17:41,570

Let me clean my knife.

323

00:17:42,980 --> 00:17:43,070

Okay.

324

00:17:44,949 --> 00:17:47,879

Then we use the fan brush and we

just load it full of that color.

325

00:17:48,870 --> 00:17:52,679

So I say that's just sort of a dirty green

and I don't know what color you'd call it.

326

00:17:53,100 --> 00:17:54,090

Both sides of the brush.

327

00:17:55,740 --> 00:18:00,360

And maybe back in here just lives

all kinds of happy, little evergreen

328

00:18:00,360 --> 00:18:04,260

trees, and all we're doing is just

touching and sort of coming downward.

329

00:18:05,250 --> 00:18:11,160

Can you see that sort of hard to see

some time there now you can see it.

330

00:18:12,320 --> 00:18:12,690

How are you doing?

331

00:18:12,690 --> 00:18:17,550

It's just touching and

pulling down back there.

332

00:18:19,935 --> 00:18:21,284

Wherever you think they should live.

333

00:18:24,545 --> 00:18:27,935

It's a nice, super easy way to make

the indication to have a lot of little

334

00:18:27,935 --> 00:18:31,595

trees very well quickly, very quickly.

335

00:18:33,935 --> 00:18:35,045

I just let them come right on down.

336

00:18:35,045 --> 00:18:36,004

We don't know where they go there.

337

00:18:37,245 --> 00:18:40,215

Hang out and take a two inch brush.

338

00:18:40,215 --> 00:18:42,375

I want to create a little

mist at the base of these.

339

00:18:43,665 --> 00:18:45,465

All you have to do is tap firmly,

340

00:18:50,235 --> 00:18:52,995

tap it, and then lightly lift up.

341

00:18:57,645 --> 00:18:58,695

You have the indication.

342

00:18:59,145 --> 00:19:03,645

I have some little trees now

that maybe wash off my fan brush.

343

00:19:06,360 --> 00:19:09,150

And then as things get closer

to you in the landscape, as you

344

00:19:09,150 --> 00:19:11,370

know, they get darker and darker.

345

00:19:11,880 --> 00:19:15,870

So let's, that's the reason I pulled out a

little bit of color and kept the big pile.

346

00:19:16,110 --> 00:19:18,150

I want to go back to

this large pile of paint.

347

00:19:19,200 --> 00:19:20,130

It's much darker.

348

00:19:20,280 --> 00:19:21,660

It's going to be closer to you.

349

00:19:22,844 --> 00:19:27,764

And right in here, we'll put

the indication, happy little

350

00:19:27,885 --> 00:19:29,264

trees that are closer to us.

351

00:19:31,034 --> 00:19:34,034

There we go see them

because they're darker.

352

00:19:34,094 --> 00:19:34,475

What else?

353

00:19:34,475 --> 00:19:38,175

Side of a gun stand out and that

Misty area in between here, see that

354

00:19:38,175 --> 00:19:41,564

mist that separates that mysterious.

355

00:19:41,564 --> 00:19:42,375

So important.

356

00:19:42,405 --> 00:19:43,935

That's your best friend right here.

357

00:19:45,024 --> 00:19:45,854

Take care of it.

358

00:19:48,014 --> 00:19:49,524

Don't kill all that mysterious.

359

00:19:49,524 --> 00:19:50,804

It's so, so important.

360

00:19:52,169 --> 00:19:55,080

And wherever you want these, I don't

know where to put some big trees in here.

361

00:19:55,080 --> 00:20:00,020

I think today, maybe let's go all the way

over here, maybe right in front of here.

362

00:20:00,030 --> 00:20:01,169

There's some indications

363

00:20:05,399 --> 00:20:07,110

there at it.

364

00:20:10,020 --> 00:20:13,919

Take some more of her darker color

and let's build, let's build some

365

00:20:13,919 --> 00:20:18,060

little evergreen trees load the

fan brush fully on both sides.

366

00:20:18,060 --> 00:20:18,780

A lot of paint.

367

00:20:19,380 --> 00:20:24,690

Okay, now then maybe their lives

while there's your desk there.

368

00:20:24,720 --> 00:20:27,750

Now see, let's start with just

touching the canvas to get a center

369

00:20:27,750 --> 00:20:29,160

line and use a corner of the brush.

370

00:20:29,980 --> 00:20:31,080

See and just touch.

371

00:20:32,190 --> 00:20:37,290

I just started working back and

forth and back and forth there and

372

00:20:37,290 --> 00:20:39,960

there he comes just back and forth.

373

00:20:40,320 --> 00:20:44,760

And as you work down and down the

tree, push harder and harder, make

374

00:20:44,760 --> 00:20:46,290

those bristles bend and work for you.

375

00:20:48,030 --> 00:20:48,720

There we go.

376

00:20:51,900 --> 00:20:56,810

Not a super way to make a happy little

evergreen tree and you can do it.

377

00:21:00,110 --> 00:21:01,070

Beautiful little tree.

378

00:21:01,220 --> 00:21:01,940

He's my friend.

379

00:21:03,290 --> 00:21:03,950

I have to name him.

380

00:21:05,270 --> 00:21:06,440

Let's put another one right here.

381

00:21:07,004 --> 00:21:08,264

Oh, I'm covering up our mountains.

382

00:21:08,264 --> 00:21:08,925

We've worked so hard.

383

00:21:08,925 --> 00:21:10,185

I'll see.

384

00:21:10,185 --> 00:21:14,325

Now I got interested in trees and I

forgot the mountain, but that's all right.

385

00:21:14,355 --> 00:21:17,055

We learned how to make this mountain

and that's, what's important.

386

00:21:17,055 --> 00:21:20,024

Now we can go back and make

as many, or as few as we want.

387

00:21:21,105 --> 00:21:23,745

Next time we go to make a

mountain like this it'll be easy.

388

00:21:26,565 --> 00:21:29,865

When I was in Thailand, they

used to say, can do easy.

389

00:21:31,365 --> 00:21:32,264

And so can you.

390

00:21:34,665 --> 00:21:35,355

There we go.

391

00:21:42,185 --> 00:21:44,945

So I had the opportunity to

travel all over the world.

392

00:21:46,020 --> 00:21:46,890

In the military.

393

00:21:47,340 --> 00:21:50,520

So I got to see a lot of foreign

countries and a lot of, a lot of

394

00:21:50,520 --> 00:21:51,870

people from different cultures.

395

00:21:53,700 --> 00:22:00,090

Good education, good way to wait to get

out and see some of the country to here.

396

00:22:00,090 --> 00:22:06,000

Maybe right here in your world, you

decide how many trees live in it.

397

00:22:08,490 --> 00:22:10,290

You can just put however

many you want in there.

398

00:22:11,010 --> 00:22:15,540

Maybe we'll put a couple more and that'd

be enough for today, but in yours, maybe

399

00:22:15,540 --> 00:22:20,219

you want a solid line of trees all the

way across there, whatever you want.

400

00:22:23,010 --> 00:22:24,000

Let's have one nice one.

401

00:22:24,000 --> 00:22:25,770

It lives right down here on the end.

402

00:22:27,980 --> 00:22:29,360

See there, how easy those trees are.

403

00:22:31,010 --> 00:22:32,540

Just push them right out of that brush.

404

00:22:33,170 --> 00:22:35,040

Just let them, they don't come right on.

405

00:22:36,530 --> 00:22:36,720

Yeah.

406

00:22:36,720 --> 00:22:43,760

Then we can take the night, a

little, a little Brown on it.

407

00:22:43,970 --> 00:22:45,740

Just put the indication

here and there, but.

408

00:22:46,780 --> 00:22:50,290

I have a little tree trunk and I'll use

the same old brush and go right into some

409

00:22:50,290 --> 00:22:51,910

yellow because there's green on there.

410

00:22:52,420 --> 00:22:54,010

The yellow is going to turn it dark green.

411

00:22:54,460 --> 00:22:54,550

Okay.

412

00:22:54,630 --> 00:22:56,370

No, I just want to hear in there.

413

00:22:57,480 --> 00:22:57,570

Okay.

414

00:22:57,750 --> 00:23:00,600

But the indication of some of the

nice little highlights living on these

415

00:23:00,600 --> 00:23:06,600

trees, some little bright spots, so

they stand up better there, over here.

416

00:23:06,600 --> 00:23:08,130

Maybe don't want that tree left out.

417

00:23:09,600 --> 00:23:13,350

Okay, now, then I go right into

the same old dark color here.

418

00:23:14,310 --> 00:23:18,870

And let's begin tapping in what

eventually will be some little grass here.

419

00:23:23,880 --> 00:23:28,680

Tap a bit there, just pick up some

of that color off the tree and

420

00:23:29,160 --> 00:23:30,420

just let it work right on down.

421

00:23:31,770 --> 00:23:32,220

Whatever.

422

00:23:34,879 --> 00:23:36,270

Maybe it just goes right on back.

423

00:23:36,270 --> 00:23:36,690

Like yeah.

424

00:23:37,230 --> 00:23:39,240

You just have to make a

big decision and let it go.

425

00:23:43,379 --> 00:23:44,580

Now we're going to have water.

426

00:23:44,850 --> 00:23:46,770

That'd be a little bit of

reflection right into here.

427

00:23:47,310 --> 00:23:51,149

So all we have to do is just touch and

pull straight down wherever you want

428

00:23:51,149 --> 00:23:53,730

reflections to be go jet Bay across.

429

00:23:55,649 --> 00:23:55,830

Okay.

430

00:23:55,850 --> 00:23:59,820

I'll just use the same old, dirty brush

hunger, right into some yellow ochre.

431

00:24:00,340 --> 00:24:03,190

And in yellow, just mix them on the brush.

432

00:24:03,220 --> 00:24:10,810

Tap now to begin thinking about the

lay of the land back here and put

433

00:24:10,810 --> 00:24:17,410

in all kinds of little things, see

just little grassy areas, just tap.

434

00:24:18,070 --> 00:24:21,670

And the more you tap this, the softer

more peaceful, a little bit calm.

435

00:24:23,879 --> 00:24:27,659

Just layer after layer after layer

and let it sort of slope down.

436

00:24:27,659 --> 00:24:27,770

Right.

437

00:24:27,770 --> 00:24:30,510

If it's going to be water down

here, normally water goes to

438

00:24:30,510 --> 00:24:32,429

the lowest, the lowest area.

439

00:24:32,429 --> 00:24:36,030

It won't, it won't come up here on

the Hill just to look pretty for you.

440

00:24:36,120 --> 00:24:36,840

Water's like me.

441

00:24:36,840 --> 00:24:37,740

It's lazy.

442

00:24:39,270 --> 00:24:41,250

It looks for the easiest

way to get to the ocean.

443

00:24:46,800 --> 00:24:50,760

The big thing I wanted to show you,

though, in this painting was the mountain.

444

00:24:52,379 --> 00:24:56,669

This is one of the nicest little ways

making a very effective mountain, but

445

00:24:56,669 --> 00:25:04,080

I think you'll ever find, can you tell

you what, maybe over here on the other

446

00:25:04,080 --> 00:25:07,679

side, maybe there's just a couple of

little projections out in the water

447

00:25:09,030 --> 00:25:10,220

that will sort of close that in.

448

00:25:11,445 --> 00:25:15,284

Helped bring all this together, put

a little dark in, so your light will

449

00:25:15,284 --> 00:25:18,845

show and you can come right back.

450

00:25:21,065 --> 00:25:28,955

But a few little grassy things on that

little Vandyke Brown and just laying

451

00:25:28,955 --> 00:25:32,435

in a happy little land right there.

452

00:25:40,340 --> 00:25:44,150

But if you, if you learn how to do

these mountains, then you won't ever

453

00:25:44,150 --> 00:25:47,290

have any problem with mountains,

that'd be easy for you from now.

454

00:25:47,300 --> 00:25:52,100

And I say, that's probably,

that's probably just about

455

00:25:52,100 --> 00:25:54,080

my number one thing today.

456

00:25:54,200 --> 00:25:55,130

I read in letters.

457

00:25:55,784 --> 00:26:00,075

Is it I'm having trouble making

a snow break on the mountains

458

00:26:00,075 --> 00:26:02,445

or the rocks or whatever.

459

00:26:02,445 --> 00:26:04,034

They're trying to people

to try and to paint.

460

00:26:04,395 --> 00:26:07,875

So this, I hope will cure that from it,

but the little light on here, just to

461

00:26:07,875 --> 00:26:11,504

make a little, see, you can just make

little sheens on there and that's neat.

462

00:26:12,705 --> 00:26:13,635

Straight titanium.

463

00:26:13,635 --> 00:26:22,185

White looks like little, little ripples on

the water, just floating across like that.

464

00:26:23,205 --> 00:26:28,185

Take a clean scrape and a few

little sticks, twigs trunks,

465

00:26:29,085 --> 00:26:30,435

all those happy little things.

466

00:26:30,915 --> 00:26:32,145

And do you have a finished painting?

467

00:26:32,505 --> 00:26:33,555

I hope you've enjoyed this one.

468

00:26:33,735 --> 00:26:35,625

Practice this new mountain

thing a little bit.

469

00:26:35,865 --> 00:26:37,905

And let me know how you

do from all of us here.

470

00:26:38,355 --> 00:26:40,335

Happy painting and God bless.

End .srt file.

Bob Ross' The Joy of Painting

Tuesday, December 29, 2020

S13E08 - Mountain Exhibition

Bob Ross's

The Joy of Painting

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