Bob Ross's

The Joy of Painting

S15E08 - Fall Stream

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Oh, welcome back.

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I'm certainly glad to see you today.

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You ready to do a fantastic

little painting with me?

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Super tell you what, let's start

out, having run all the colors across

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the screen that you need to paint

along while they're doing that.

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Let me tell you what I've done.

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I've got my standard old canvas up

here and I've covered it with a thin

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even coat of the liquid white and

it's all wet and it's ready to go.

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So let's get started.

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I'm going to start out today

with your two inch brush.

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She would just have a good time today.

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Just to have a good time.

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We will take, uh, a little

bit of fail-over blue here.

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Just worked a little bit into the breasts.

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Was there scope here now, then let's

just start up here making little, little

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crisscross strokes, the little X's there,

the color continually blends with the

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liquid white and it gets lighter and

lighter in value as it works downward.

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And then the landscape.

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That's exactly what we're looking for.

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We want it to get lighter and

lighter toward the horizon.

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There we go.

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A little bit more color would

just come right on down.

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Like, so wherever, wherever

it doesn't really matter.

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Not today, maybe such a fantastic day.

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It's a good day to be alive.

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Let's let's just do a nice, happy

little scene to sort of let it happen.

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Let's see.

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Let's see what we come up with.

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And very lightly just going

to blend them terrorist guy.

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All right.

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That worked out pretty good.

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Shoot.

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Let's keep going here and we'll take

some blue and the lizard Crimson.

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We just mix a little bit

of this on the brush.

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They love blue and alizarin Crimson.

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I want to, I want a little

lavender color there, something

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about like, so it doesn't matter.

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Let's have a happy little

cloud that just sort of floats

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around who put in some dark.

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Just using little round circular

strokes, a little bit of dark shadow

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color, and we'll come back and

we'll highlight that little rascal.

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We'll make him shine.

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Stand out in the sun.

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Just little circular strokes.

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Aliko maybe becomes, we don't

know somewhere over in here.

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What the heck?

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Just let him go.

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Let's wash your brush.

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And if you've painted with me before,

you know, we wash our brushes with

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odorless dinner, shake off the excess

and just beat the devil out of her.

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That's the most fun

part of the whole thing.

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I'm going to take care of her.

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We'll take a one inch brush one inch

brush, pull it through the white.

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I'll be right back.

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I'm going to reach over here and get

the least little touch of a lizard.

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Crimson, just a small amount.

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Okay, let's go up here and let's

take, and you can do this with

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a fan brush or a two inch brush.

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And I just thought I'd

use a one inch today.

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Just want to put the indication of

some nice, beautiful, fluffy little

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clouds that live up here in the sky.

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And they float around

and have fun all day.

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Just wherever you want them,

wherever you want them.

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There they go.

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There they go.

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There they go.

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See one after another, as many or

as few as you want in your world.

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That's going up here, there you pick

up just a touch, more Crimson, just to

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put a little warm glow in these clouds.

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It looks like the sun's having a

good day and he's sparkling through

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there, there, and the paint that

we use is very dry and very firm.

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And that way you can blend

all this while it's still wet.

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If you use a thin soupy paint, chances

are her, you're going to become a

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mud mixer and you're going to be,

you're going to be unhappy with me.

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I don't want that to happen.

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Be sure your paint's

very dry and very firm.

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There we are now.

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I'm just gently, gently

blending, gently planting.

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Okay.

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And we'll beat the brush.

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I just removes excess

paint from the bristles.

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We can continue to blame there.

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Just blend it all together.

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Knock off the excess one more time.

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Now then very lightly.

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I'm going to flip this cloud

up, just grab it and fluff.

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It.

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Just allow all this to come together.

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Say there, but once again, that if

you were using a thin oily paint,

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Oh, would you be in trouble here?

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And you'd really be upset.

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It's most critical that you use a paint.

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It's very dry, very firm.

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And then this works.

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You can blend all this color

without, without it mixing together.

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Okay.

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And that easy, where we've

got a whole bunch of.

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Big fluffy clouds just

floating around him.

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We'll take some more of that.

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They love blue alizarin,

Crimson, proportionately, much,

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much more Crimson than blue.

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Here we are.

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I want a dark lavender color here.

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Take a little roll of painter

right on the edge of the knife.

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And let's make a big decision.

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Maybe there's just a nice

little Hill that lives.

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We back there goes really

push this into the fabric.

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Now I want these to be rounded on top.

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Just, just some nice

little distant Hills there.

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I got a letter to the day and

somebody wanted to know why

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I didn't paint some Hills.

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The East there.

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So I thought we'd just do some nice

little distant Hills today because

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they're fun and they're beautiful.

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And they're quite easy to do, take

our large brush and very gently grab

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that paint because the canvas is wet.

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We can move it, lend it.

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Yeah, we can just pull it at

all kinds of little things.

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Just happen

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that easy.

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We can make the indication.

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That's a very nice little Hills back here.

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That's basically, basically

all you have to do now.

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I'm blending the bottom of it out,

allowing it to mix with a liquid white.

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So it creates that illusion

of miss down toward the base.

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Okay.

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Maybe we'll have some

rolling Hills on top of that.

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Use the same old lavender color.

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I'm going to add a little black to it.

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Just tap a little bit

into the, into the brush.

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Okay.

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Now you have to start

making some decisions.

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Maybe there's a Hill.

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Oh, he lives right there.

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Big, nice, beautiful rounded Hill.

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And all we're doing right

now is putting in dark color.

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So we're, we're certainly

not committed at this point.

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We can change our mind.

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We can move this.

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We can do it.

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Anything that we want to do.

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I came maybe there's another one here.

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I don't know.

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Just.

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Watch here, watch here.

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Maybe you want to change.

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See how you can make this one.

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You can change the shape.

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You can make it taller, shorter.

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However you want to just let it go.

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You might want to go

through a Briscoe and shoot.

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I'm just going to have some fun.

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I'll take some Brown Crimson.

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Crimson black.

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So we get Vandyke Brown,

black Crimson, little blue.

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I'm just going to basically just paint

this and I know all this is probably

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going to be covered up in here.

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So let's just paint a dam.

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That's when that big brush

really comes in handy, you could

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do this with a paint roller.

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All we're doing is

applying some dark color.

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This is also an excellent scene to use

some liquid black kids and do all of this.

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We have all that filled in that easy.

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That'll save us a lot

of work later on shoot.

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I'm lazy.

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And I looked for ways to make it easier.

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Use it.

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Same old, dirty brush.

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I'm going to go right into right into CAD

yellow, cadmium yellow, reach over here.

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I'll get a touch of the yellow

ochre just to touch and tap some

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color right into the bristles.

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Just tap them.

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Okay.

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Now then maybe back here, just

all kinds of beautiful little

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things that are on these Hills.

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This is where we began creating

the shape form, lay of the land,

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whatever you want to call it.

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This is where you start taking your

time and, and really making these

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things look good every once in a

while, we'll get a little, add a

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little titanium, white dark color.

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I want to make that Hill

stand out from the other ones.

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Say there, why that son

of a gun stands out now.

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Once it comes around, it's going to get

darker and darker, darker, darker there.

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It's fantastic.

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What you can do.

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All right, right up here.

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There's some, I'm going to

add at least little touch of

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the bright red to my color.

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I want this one to look at there.

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Maybe Jack Frost has come through

there and he was having a good day too.

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Just layer after layer, after layer as

many or as few as you want in your world.

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Okay.

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Come right on over here.

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Maybe this one comes

up and goes like that.

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We don't know.

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You don't know, doesn't matter.

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However you think they should be.

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That's the way they ought to be.

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Okay.

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More in there, but you can put

Hills down here too, that easy.

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Sometimes I'm a little distant Hills.

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You have like little trees and stuff

that are little patches of trees that

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have really, really grown and get

strong, sort of mix up a little lavender

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color again, I'll just use a fan brush.

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What the heck, get a little

bit of that color on the brush.

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And maybe, maybe we're going to

have some little things I've left

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right here between these two.

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And we can just take

the brush and just tap.

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Just make the indication of some little.

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Little patches of trees and

stuff that live right in there.

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Maybe over here is another

one wherever you want them.

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Just put a couple here and there.

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Just breaks it up a little.

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We can come right back, clean

up the edges, but all that back.

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Okay.

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Shoot.

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That was fun.

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Let's do some more.

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It takes more blue,

black alizarin Crimson.

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Clean off this whole knife.

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I just wiped the knife on some, some paper

towels there to clean it, no big deal or

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soft drag, whatever you happen to have.

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Can you move me back in here?

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Maybe there's some little trees

and I'm pushing very firmly here.

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Maybe this is some little

trees that live right in there.

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Strike for me,

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you have to make some big decisions.

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Where do they live?

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Fantastic.

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That you can make that and any little tree

and occasions that quick and that easy.

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Okay.

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Yeah, maybe we want to create a

little mist at the base of these.

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We can just have

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dry brush tap firmly

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creates that illusion of missed.

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There we go, it looks like

those trees and just sort of

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setting in some soft Misty area.

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And it's very easy to do it.

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If you're doing, if you're doing

landscapes, you need this mix between each

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layer that helps separate and brings them

apart and it makes your painting special.

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Okay.

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I get carried away sometime here.

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This gets to be so much fun.

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Maybe there's some little

trees and just use a big brush

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since we have it drawn here.

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Maybe some little trees

are a little bit closer.

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Use that same color, put in another

layer, just layer after layer.

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There we go.

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Now then.

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We'll just keep using

these two inch brushes.

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Shoot.

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They're a lot of fun.

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I'll take some yellow reach over

here and I'll get some bright red.

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We said Jack Frost was

beginning to play here.

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So just tap a little bit right into the

corner that brush right into the corner.

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I want a nice bright color.

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00:14:29,295 --> 00:14:30,345

Ooh, isn't that nice.

258

00:14:30,555 --> 00:14:31,005

Like a tab.

259

00:14:32,235 --> 00:14:37,065

So you can just use this two inch brush

was just a corner of it and put all

260

00:14:37,065 --> 00:14:38,955

kinds of beautiful little tree shapes.

261

00:14:42,795 --> 00:14:43,305

There we are.

262

00:14:45,005 --> 00:14:48,125

You know, when he finished his

series, my gosh, it'd be nearly,

263

00:14:48,545 --> 00:14:50,435

nearly 200 joy painting shows.

264

00:14:51,795 --> 00:14:52,895

Certainly hope you enjoy them.

265

00:14:52,895 --> 00:14:55,085

If you hadn't got to see all of

them, call your local station

266

00:14:55,085 --> 00:14:55,865

there, available to them.

267

00:14:57,479 --> 00:15:00,719

You'd like to see some that you

haven't to just give them a car.

268

00:15:00,930 --> 00:15:01,860

They like to hear from you.

269

00:15:01,860 --> 00:15:04,819

Anyway, there we go.

270

00:15:05,839 --> 00:15:07,550

Another question that I get repeatedly.

271

00:15:08,420 --> 00:15:08,599

Yes.

272

00:15:08,599 --> 00:15:09,140

What in the world?

273

00:15:09,140 --> 00:15:13,130

I do all these paintings that are

leftover, that we, from the shows,

274

00:15:14,390 --> 00:15:17,510

we donate these paintings to PBS

stations all over the country.

275

00:15:18,585 --> 00:15:21,515

And they auction one off and they

make a happy buck and help them out.

276

00:15:24,335 --> 00:15:27,425

If you'd like one, give you station to

call and tell him to tell him, you'd

277

00:15:27,425 --> 00:15:31,865

like to see one and you be willing

to make a, make an offer on it.

278

00:15:31,865 --> 00:15:34,355

If they had one, help them

out, they need your son.

279

00:15:35,945 --> 00:15:36,545

There we go.

280

00:15:40,535 --> 00:15:42,515

Let's see, just using

the top of that brush.

281

00:15:42,635 --> 00:15:47,015

We've created a beautiful row of

trees here, some real what you can do.

282

00:15:49,080 --> 00:15:52,940

Now clean, dry brush.

283

00:15:52,950 --> 00:15:54,980

I want to create a little

mist at the base of this.

284

00:15:55,760 --> 00:15:58,850

Just a little, just wanted to start it.

285

00:15:58,850 --> 00:16:00,380

I don't want to just, I

don't want to destroy it.

286

00:16:00,470 --> 00:16:01,770

It's very easy to get in there.

287

00:16:02,660 --> 00:16:04,220

It gets, Oh, it gets feeling good.

288

00:16:05,000 --> 00:16:09,620

And you just, you just destroy it, but

all we want to do here, just miss the base

289

00:16:09,620 --> 00:16:12,770

of it, just so it sort of floats around.

290

00:16:13,589 --> 00:16:15,150

And just use the same old two inch brush.

291

00:16:16,500 --> 00:16:20,250

Let's go right into some of our yellows

and greens and all those pretty colors.

292

00:16:20,579 --> 00:16:23,699

Just tap the brush, give

it a nice little tab.

293

00:16:25,109 --> 00:16:26,849

That's come right down.

294

00:16:28,260 --> 00:16:31,560

See by changing the angle here, we'll

create a new and different plane.

295

00:16:32,849 --> 00:16:34,260

Very soft and gentle.

296

00:16:36,194 --> 00:16:36,645

Like a dad

297

00:16:41,324 --> 00:16:41,865

there.

298

00:16:43,185 --> 00:16:43,814

I liked that.

299

00:16:45,255 --> 00:16:47,385

I liked that I liked soft paintings.

300

00:16:47,385 --> 00:16:50,205

They're a little harder to

do than harsh paintings, but

301

00:16:50,205 --> 00:16:53,145

I like the soft velvet look.

302

00:16:54,585 --> 00:16:59,535

And with a little practice, you won't

have any problems, not any at all.

303

00:17:01,305 --> 00:17:01,695

Okay there,

304

00:17:05,175 --> 00:17:06,494

we just coming right along here.

305

00:17:09,285 --> 00:17:12,255

See when you're, when you're

painting like this, stand back and

306

00:17:12,255 --> 00:17:13,964

look at you, look at your work.

307

00:17:14,474 --> 00:17:15,075

Cause I don't have a gun.

308

00:17:15,075 --> 00:17:17,805

You'll see all kinds of beautiful

little things happening in it.

309

00:17:18,285 --> 00:17:21,885

And one of the, one of the

joys of this is that you can

310

00:17:21,885 --> 00:17:23,655

change your mind in midstream.

311

00:17:23,925 --> 00:17:25,815

You're you're not committed

to you're finished.

312

00:17:25,815 --> 00:17:26,145

You can.

313

00:17:26,385 --> 00:17:27,734

We have no patterns.

314

00:17:27,734 --> 00:17:33,345

We don't, we don't worry about having any

predetermined notion of where we're going.

315

00:17:34,605 --> 00:17:37,215

That may be one of the

most fun things about this.

316

00:17:37,705 --> 00:17:42,735

You can put a little dirt in here,

so you stand back, take a look, and

317

00:17:42,735 --> 00:17:47,235

you might start off in your mind with

something going on and halfway through

318

00:17:47,235 --> 00:17:50,745

the painting, change your mind and

decide, well, that's not what I want.

319

00:17:50,745 --> 00:17:51,885

I want to do this.

320

00:17:51,885 --> 00:17:52,665

I see that.

321

00:17:54,360 --> 00:17:55,889

And that's where the freedom comes in.

322

00:17:57,300 --> 00:18:01,980

That's probably, to me, the most

impressive thing about painting this way

323

00:18:02,370 --> 00:18:06,600

is the freedom you have total and absolute

freedom here, a little Brown and white,

324

00:18:08,490 --> 00:18:09,870

cause I've just seen something here.

325

00:18:10,200 --> 00:18:12,120

That's why I'm going

through all this talking.

326

00:18:12,120 --> 00:18:12,899

And I see something here.

327

00:18:12,899 --> 00:18:13,679

I want to change.

328

00:18:15,110 --> 00:18:18,450

It just, it looks like a natural to me.

329

00:18:21,825 --> 00:18:26,675

Can we get a little yellow,

little yellow, green fan brush.

330

00:18:29,405 --> 00:18:29,765

Okay.

331

00:18:29,795 --> 00:18:33,155

Now we'll bring a little, little

grassy things right down here

332

00:18:33,845 --> 00:18:36,185

into this dirt rocks and stones.

333

00:18:37,145 --> 00:18:39,485

I sort of cleans up the edges

and brings it all together.

334

00:18:41,465 --> 00:18:41,915

I have it.

335

00:18:43,085 --> 00:18:46,055

Let's see if your imagination

is as wild as mine.

336

00:18:46,955 --> 00:18:48,545

Cause I see a beautiful place.

337

00:18:49,420 --> 00:18:51,750

Right here for happy little stream.

338

00:18:51,780 --> 00:18:52,650

So let's try that.

339

00:18:53,670 --> 00:18:57,960

I'm going to take, first of all, I dip

the brush into liquid white, then go

340

00:18:57,960 --> 00:19:01,770

into titanium white, the liquid white

is there only to thin the titanium

341

00:19:01,770 --> 00:19:04,980

white sort of flow over this other

color and a little bit of blue and

342

00:19:04,980 --> 00:19:06,210

it just to give it a little color.

343

00:19:07,140 --> 00:19:11,220

And in my mind right here, there's

just a happy little stream.

344

00:19:11,220 --> 00:19:14,670

It's coming down here and it's

splashing and carrying on and

345

00:19:15,030 --> 00:19:16,620

whoops, bloop fell over right there.

346

00:19:16,710 --> 00:19:16,980

See.

347

00:19:18,270 --> 00:19:22,110

It's a stone into the water

right there and it made it just,

348

00:19:22,200 --> 00:19:23,580

it had a happy little accident

349

00:19:26,870 --> 00:19:28,010

wherever you want it.

350

00:19:31,520 --> 00:19:33,810

And there's all kinds of

little things happening.

351

00:19:34,340 --> 00:19:36,169

Just little bubblers going on there.

352

00:19:37,190 --> 00:19:37,610

Look at that.

353

00:19:41,090 --> 00:19:42,770

Well in our world, we can do anything.

354

00:19:43,790 --> 00:19:46,100

We can literally create little streams.

355

00:19:47,235 --> 00:19:49,935

Maybe maybe, maybe, maybe, yep.

356

00:19:50,445 --> 00:19:51,885

See, had a little thing.

357

00:19:52,185 --> 00:19:54,615

Tell you what watch,

watch getting excited.

358

00:19:54,615 --> 00:19:56,805

Now with this, you can get

carried away with this.

359

00:19:58,035 --> 00:19:59,715

Maybe there's some stones that live here.

360

00:20:00,764 --> 00:20:01,455

There's a stone.

361

00:20:01,595 --> 00:20:06,815

See this Vandyke Brown, maybe over here.

362

00:20:06,815 --> 00:20:07,835

There's another stone.

363

00:20:07,865 --> 00:20:11,945

However many you want just drop them in.

364

00:20:13,264 --> 00:20:13,805

There is fine.

365

00:20:15,375 --> 00:20:19,155

Take a little bit Brown and white,

and we'll put the indication here, a

366

00:20:19,155 --> 00:20:20,925

little highlight on top of that stone.

367

00:20:20,925 --> 00:20:29,205

So it stands out now back into my

liquid white titanium, white, a

368

00:20:29,235 --> 00:20:33,375

touch, just a touch of a thing,

a little blue, just a touch.

369

00:20:34,545 --> 00:20:37,905

Now that here comes my water it's for

and along here hits these stones and

370

00:20:37,905 --> 00:20:41,265

goes poosh and just crashes right over.

371

00:20:41,805 --> 00:20:44,355

Look at that, look at that.

372

00:20:47,295 --> 00:20:51,015

And it's splashing down here where

there's just all kinds of things going on.

373

00:20:51,765 --> 00:20:56,685

There it comes I for over the

top, just like a day at the

374

00:20:56,685 --> 00:20:59,685

races, I get to have this.

375

00:21:00,545 --> 00:21:01,745

I'm about to run out of canvas here.

376

00:21:01,745 --> 00:21:05,315

Maybe if we can nail another one

on the bottom, keep going here.

377

00:21:07,265 --> 00:21:07,805

This is just.

378

00:21:10,125 --> 00:21:10,755

I better stop.

379

00:21:11,355 --> 00:21:12,285

I have to finish sometime.

380

00:21:13,815 --> 00:21:16,485

Now we'll go back into my lavender color.

381

00:21:16,755 --> 00:21:20,955

Let's put some land over here and

close this, and I say, if I can get,

382

00:21:21,105 --> 00:21:26,745

if I can get going here, we'll never

get this rascal finished imagination.

383

00:21:26,745 --> 00:21:27,015

Sorry.

384

00:21:27,285 --> 00:21:28,245

Catches on fire.

385

00:21:28,515 --> 00:21:29,175

And off we go,

386

00:21:33,075 --> 00:21:34,875

I've got a director back here.

387

00:21:34,875 --> 00:21:35,705

She'll come out here.

388

00:21:36,645 --> 00:21:37,785

Drag me right off the set.

389

00:21:37,785 --> 00:21:41,315

If I don't get finished in time there,

390

00:21:45,545 --> 00:21:50,315

and I'm going to pay for that comment, you

watch a little bit of grass right here,

391

00:21:51,695 --> 00:21:53,195

just to sort of bring all this together.

392

00:21:56,465 --> 00:22:00,455

On the other side, we need some little

grassy things happening here, too.

393

00:22:00,455 --> 00:22:01,405

We just bring it right down.

394

00:22:01,415 --> 00:22:02,555

So to bring all that together.

395

00:22:08,190 --> 00:22:12,330

Can yellow, Indian, yellow,

yellow ochre touch to the bright

396

00:22:12,330 --> 00:22:14,790

red here and there, whatever.

397

00:22:16,920 --> 00:22:18,210

Just sort of let them come together.

398

00:22:22,800 --> 00:22:27,120

Look at all that fantastic.

399

00:22:27,120 --> 00:22:30,030

Or that little stream, just sorta,

it just seemed like it was a

400

00:22:30,030 --> 00:22:31,740

place that it had ordered live.

401

00:22:33,165 --> 00:22:34,365

That was where it should be.

402

00:22:35,775 --> 00:22:39,015

And when you're painting look around

in your painting, you might want to

403

00:22:39,015 --> 00:22:40,605

change your mind at any given moment.

404

00:22:41,325 --> 00:22:42,555

And that's your privilege.

405

00:22:43,395 --> 00:22:45,345

Add a little pressure and

blue red in there too.

406

00:22:45,345 --> 00:22:50,385

And some Vandyke Brown, some Crimson

with this dark, maybe over here in this

407

00:22:50,385 --> 00:22:51,945

corner, you've got to fill that up.

408

00:22:53,445 --> 00:22:54,285

Maybe here we go.

409

00:22:56,715 --> 00:22:57,345

There comes.

410

00:22:57,345 --> 00:22:58,575

There's a nice tree.

411

00:22:58,575 --> 00:22:59,385

It lives right up here.

412

00:22:59,385 --> 00:23:00,885

I'm going to go into a touch.

413

00:23:01,635 --> 00:23:04,895

The dark Sienna wants us to start

getting the lighters we worked for.

414

00:23:05,745 --> 00:23:09,254

I tell you what, this tree, this old tree.

415

00:23:09,585 --> 00:23:09,825

Yep.

416

00:23:09,915 --> 00:23:11,385

He goes right on off the canvas.

417

00:23:15,765 --> 00:23:20,535

And maybe who knows maybe, maybe there's

another little tree right here that

418

00:23:20,535 --> 00:23:22,515

sort of leans over, hangs out over this

419

00:23:27,405 --> 00:23:28,095

wherever you want it.

420

00:23:29,115 --> 00:23:30,165

Let's put one on the other side.

421

00:23:30,165 --> 00:23:31,245

We don't want that left out.

422

00:23:31,545 --> 00:23:33,525

Dark CN and some other dark colors.

423

00:23:34,665 --> 00:23:35,205

There we go.

424

00:23:35,955 --> 00:23:37,785

We'll just have another

little leaner here.

425

00:23:40,335 --> 00:23:42,885

Sort of discloses that all

that makes it look nice.

426

00:23:44,295 --> 00:23:45,465

Makes it look nice.

427

00:23:46,455 --> 00:23:49,335

Take a little Brown paint

thinner on the liner brush.

428

00:23:49,335 --> 00:23:50,715

And we're just here and there.

429

00:23:50,774 --> 00:23:52,995

We'll put in the indication

of a few little trunks and

430

00:23:52,995 --> 00:23:55,815

sticks and twigs that easy.

431

00:23:55,845 --> 00:23:56,895

It's going to the other side here.

432

00:23:58,365 --> 00:24:00,945

We have a tree here soon.

433

00:24:01,965 --> 00:24:03,645

Really helps you make those little noises.

434

00:24:04,965 --> 00:24:07,395

Of course your family sort of

looks at you like, yeah, you're

435

00:24:07,395 --> 00:24:08,445

weird, but that's all right.

436

00:24:09,735 --> 00:24:10,305

That's all right.

437

00:24:12,300 --> 00:24:19,340

As long as you're happy there,

all those little sticks and twigs

438

00:24:19,340 --> 00:24:23,149

and where it comes in, the other

window met that brush of Winkle to

439

00:24:23,159 --> 00:24:27,139

jiggle and just let the paint flow.

440

00:24:29,929 --> 00:24:32,060

I like trees that are older.

441

00:24:32,070 --> 00:24:37,250

They've had a rough lives here,

all kinds of funny shapes and got

442

00:24:37,250 --> 00:24:38,870

arms that stick out everywhere.

443

00:24:40,935 --> 00:24:44,804

They've got some character to shoot

these old telephone pole looking trees.

444

00:24:46,685 --> 00:24:47,254

Ain't no fun.

445

00:24:48,185 --> 00:24:48,845

These are fun.

446

00:24:53,940 --> 00:24:54,540

All right.

447

00:24:56,720 --> 00:24:58,400

I think I'll use a one

inch brush for this.

448

00:24:58,400 --> 00:24:59,000

What the heck?

449

00:24:59,630 --> 00:25:03,740

A little touch of the liquid white

pick up a little bit of dark color.

450

00:25:03,890 --> 00:25:08,750

So when we touch the yellow, all

that'll turn green, tap a little

451

00:25:08,750 --> 00:25:09,920

bit of color into the brush.

452

00:25:12,140 --> 00:25:13,070

They're nice.

453

00:25:13,790 --> 00:25:18,050

Let's go up here now that I think

about it, start with this one.

454

00:25:18,050 --> 00:25:18,500

What the heck?

455

00:25:19,260 --> 00:25:23,310

I think about individual limbs

and parts and these trees, don't

456

00:25:23,330 --> 00:25:24,480

just throw them on at random.

457

00:25:25,709 --> 00:25:30,330

Look at their, slept up,

come right on down here.

458

00:25:31,590 --> 00:25:34,709

All these little bushy leaves

and branches and stuff.

459

00:25:34,830 --> 00:25:37,439

That's what makes your

tree have shape and form.

460

00:25:38,925 --> 00:25:40,365

Let's have a little yellow ochre.

461

00:25:40,395 --> 00:25:45,575

Maybe we can get crazy and add a touch

of bright red, just the touch test and

462

00:25:45,575 --> 00:25:47,225

tight you don't want to get too well.

463

00:25:47,235 --> 00:25:49,535

That's pretty bad.

464

00:25:49,535 --> 00:25:51,845

Has pretty Jack Frost

had a good day there.

465

00:25:53,615 --> 00:25:55,025

Why was he having a good day?

466

00:25:59,675 --> 00:26:04,625

I like all these colors, but

now in your world, you paint

467

00:26:04,625 --> 00:26:05,975

whatever color that you want.

468

00:26:06,870 --> 00:26:12,510

Because we're each individuals, each

individual, we travel all over, doing

469

00:26:12,510 --> 00:26:19,290

shows all across the country and we

meet so many fantastic people there.

470

00:26:22,320 --> 00:26:22,890

All right.

471

00:26:23,730 --> 00:26:24,780

Let me take my big brush.

472

00:26:26,160 --> 00:26:29,970

I'm gonna go right down here, clean up

the bottom of this, bring it all together.

473

00:26:32,100 --> 00:26:33,450

Like a dad leave.

474

00:26:33,450 --> 00:26:34,620

It's dark under these trees.

475

00:26:34,620 --> 00:26:37,560

Cause normally there's a big

shadow under these trees.

476

00:26:39,120 --> 00:26:44,670

Like, so I never got a little

bit over here and I think

477

00:26:44,670 --> 00:26:45,720

we have a finished painting.

478

00:26:46,770 --> 00:26:48,930

I'm going to grab the old liner

brush and paint thinner on it.

479

00:26:49,320 --> 00:26:50,310

Let's assign this one.

480

00:26:50,790 --> 00:26:54,990

I would call it finished

a little bit of red.

481

00:26:55,620 --> 00:26:58,500

Then down and we can just

write her name right on there.

482

00:26:58,830 --> 00:27:00,090

I hope you've enjoyed this painting.

483

00:27:00,090 --> 00:27:02,129

I've certainly enjoyed

being here with you.

484

00:27:02,150 --> 00:27:02,570

You day.

485

00:27:02,900 --> 00:27:04,220

It's a fantastic painting.

486

00:27:04,460 --> 00:27:06,379

It'll teach you the

versatility of this method.

487

00:27:06,440 --> 00:27:09,680

And from all of us here have

to be painting and God bless.

End .srt file.

Bob Ross' The Joy of Painting

Tuesday, December 29, 2020

S15E08 - Fall Stream

Bob Ross's

The Joy of Painting

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