Bob Ross's

The Joy of Painting

S09E02 - Surf's Up

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Welcome back.

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I'm glad you could join me today.

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Today.

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I thought we'd do a happy little seascape.

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So let's go on up here and let me

tell you a little bit about what

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I've done already on the canvas.

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Now on the top of the canvas,

I've completely covered this part

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with liquid white and as you know,

liquid white, it makes the canvas

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wet and slick and we blend color.

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But down here, I've done

something different today.

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Down here, this is all coded.

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With liquid clear, and this is

just a clear, transparent, medium.

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It's just like liquid

white, except it's clear.

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And I want to put some water

down here and I don't want to,

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I don't want to lose my color.

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I want it to stay very

strong and very true.

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So this is liquid clear.

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Now then I'll tell you what, let's have

him run all the colors across the screen

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that you need to do this painting with me.

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And we'll go up here and get started

and tell you what let's have.

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Let's have some big fluffy clouds

that period of day, and a nice big

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churning wave and we'll just get crazy.

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So let's go, I'm going to go into

a touch of the midnight black,

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just to touch and reach over here.

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And I'll grab a tiny little

bit of a lizard Crimson.

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So I've got midnight black and the

dessert cramps and just tap the brush

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into it and let's figure out maybe.

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Maybe there's a big cloud

that lives right here.

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We're going to put the dark part in

first and then we'll come back and

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at the light stuff in just link.

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So maybe right along, right along here.

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And when you're doing these, you

sorta have to predetermine where

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your water lines going to be.

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Can't tell you what, we'll have another

cloud over somewhere in this area.

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All I'm doing is just applying a

little bit of dark color right now.

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Maybe something here wherever now,

then I'm going to go into, without

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cleaning the brush, some of the

titanium white, a little bit of, they

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love blue and I'll just reach on the

other side of the palette and take

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some bright red, just a tiny bit.

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I don't want to turn this to the lavender.

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Just a little touch.

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Okay.

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Let's go back up here.

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Now there in between here.

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Let me put in some happy little sky colors

and sort of leave an area around here

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where the white of your cloud will be.

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There we go.

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This is probably one of the easiest

ways to make a very striking sky

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with great big fluffy clouds.

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Okay.

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As a beautiful little things happening.

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Okay.

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Let me wash this brush and we wash

our brushes with odorless dinner.

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Shake off the excess

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and cover those studio.

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All right.

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That really is fun.

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You know, I've painted for so many years

and I still like just beat the brush.

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We have people who write and they

tell me they watch the shows.

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They don't paint, they just

stand around and beat the brush.

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They enjoy that so much.

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Okay.

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Pulling this breast through the

titanium white and I've put the least

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little touch of bright red into it.

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A lot of paint, lots of paint.

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There you go.

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Let's go up here now using

just the corner of the brush.

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Decide where your clouds live in.

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Tiny little circles, tiny little circles.

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See there, and just sort of

let it come into the dark.

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Don't want to kill all the dark.

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Don't want to kill it.

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Just sorta let it come together.

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Look at that big fluffy, strong clouds,

maybe a little bit bright in there.

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Okay.

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Tell you what, there we go.

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And you can make as big a

cloud as you wanted your world.

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Here we are right in there.

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Big fluffy.

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Cloud the wind's blowing sort of make

up little stories when you're painting.

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It really helps you get in the mood.

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Right.

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I would take just a clean, dry brush

and come right up here and watch with

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just the top corner of the brush.

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Very gently.

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You just sort of mix this up.

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Don't touch the top at all.

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At this point, it just mixing the

bottom of the cloud into the dark.

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Just the bottom.

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Just sort of bring it all together.

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Don't kill all you dark.

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Don't kill your dark darkest.

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What's gonna create the illusion

of big clouds, strong clouds.

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Look at that.

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Now they just beat the brush a

little bit that removes excess

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paint off the brush without going

through the whole cleaning procedure.

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Can you look right here?

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We're going to grab this and fluff it.

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Tease it, pull it up.

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Big streaks, barely touching the canvas.

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Just enough to grab the paint,

fluff it up, fluff it up.

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And then very gently we'll

just plan the entire sky.

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Not a super way to make a fence.

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Testic sky that easy.

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Okay.

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We're ready to start playing the

C I'll wash this brush, actually.

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I'd just like to wash

the brush, shake it off.

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There we go.

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All right.

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Tell you what?

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And I have tried to devise a seascape that

works very well and is not so complicated.

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So sometimes it helps.

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If you sorta put yourself

in a little sketch here.

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I'm going to take a little paint

thinner and I'm using a Filbert,

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uh, number six, Russell Filbert.

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We'll just take a little Crimson and

blue mic, just a little lavender color.

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I think you can see that quite well.

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Now you don't have to do

this if you don't want to.

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I just think it'll help if you're

just starting off with some nice

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seascapes, let's decide where

a big way he was going to be.

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We're going to have a big crashing wave.

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Maybe it lives right there.

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Boom crashes over and falls down.

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See that gives you sort of an idea.

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And then maybe back here, we'll

have some other happy little

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things happening wherever this

just sort of gives you a guideline.

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This is what's important, right in here.

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We're going to have a transparent

eye and maybe down in here, there'll

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be all kinds of little things.

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We'll worry about that later.

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Okay.

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Now, and we'll take a two inch brush.

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And I'm gonna go red and to some

Prussian blue Prussian blue, and

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a touch of a lizard Crimson, and

just sorta mix these on the brush.

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All right, let's go back up here.

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Now you have to make a big decision here.

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Where's your horizon right there.

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Maybe I'll add a little bit more

cramps and I want that a little more.

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That's better, a little more into

the lavender few back here and try to

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keep this horizon line quite straight.

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Really?

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It looks better.

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If your water line back here straight,

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there we go.

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You can just sort of fill all that in.

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Okay.

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Like, so now then I'm going to add to the

same old, dirty brush and same color, a

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little bit of yellow ochre, yellow ochre.

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That'll give us a little greenish cast.

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We just come right up to here,

sort of at all this blend together.

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Maybe we'll have a little

thing crashing back here.

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So I just leave that

open for the time being

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and see if we had liquid white under here.

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When we put this color on, it would

make it lighter in value by putting the

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liquid clear on it keeps us color true.

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Very dark, very dark.

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Yeah.

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This transparent.

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This is a very transparent color.

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Okay.

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I'm going to go right into a touch that.

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Midnight black, black.

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So a little bit more of the yellow

ochre, midnight black, yellow ochre.

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And then I write down here else.

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Remember this area.

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We want to save this area right in here.

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Drop that here.

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I've made a mess this time and

all we're doing right here,

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it's just blocking him color.

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We're not looking for a

whole bunch of shapes.

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It's just basically just

blocking in some color.

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Then we're going to touch a

little bit of the day log blue.

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I have not cleaned the brush.

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I have not cleaned it.

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They love blue right up in here.

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The yellow ochre.

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Cause I want this to have

a greenish cast to it.

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Just bring it to right about there.

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You know how we have that on here.

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Let's just pull a little bit of this over.

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We know there's going to be

a big crashing wave there.

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Okay.

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That's good enough to get us started

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down here.

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We'll worry about that later.

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Okay.

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And we have to make some

big decisions back in here.

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I want some little swells, so

this is a simple way of making it.

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I'm going to take titanium white.

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On the fan brush

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would go right up here, decide

where they're going to be.

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You have to make a big

decision, one lives right there.

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See, now you're not worried

about the top of this.

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You're worried about the

bottom as crazy as that sounds.

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You're worried about the bottom of it.

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That's all.

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There we go.

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And that easy.

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Okay now right along here.

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See, the only thing you're worried

about is this nice bottom edge.

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You could care less about the

top at this time, there will come

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a point in this painting where

we're worried about everything.

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Good.

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Right now, put a little bit

right out here to there.

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Okay.

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Now watch come right up in here.

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Watch here now, grab this and

begin just going like that.

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Very gently, very gently.

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See you started making

little strokes like that.

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Very gently.

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We'll put a little bit of white right in

there and then pull it up very gently.

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Now come right back here.

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Start this way.

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You begin to see what's happening.

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Isn't that exciting that

it can happen that easy.

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Look at that.

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Look at that.

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Now it starts making

sense, right back up here.

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I really tried to design the seascape.

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So even if this is your first seascape,

you'll have some super, super results.

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Thank you.

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Like thank you.

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Now, back in here, I've added

a little white to the brush.

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You just come in, just sparkle,

a few little things back in here,

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all the way up to the horizon.

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Like, so

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that's exciting.

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Okay.

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And I'm going to go back to my Filbert.

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We'll take a little bit of.

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Titanium white and the tiniest

little touch of cadmium yellow.

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And then we'll mix that up.

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So we have CAD yellow and titanium white.

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All right.

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Let me clean my knife off here.

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Now with our Filbert brush,

we just load it full of paint.

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Just run it right through there.

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I can just go up here

now, then right here.

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This is the part.

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That everybody likes in a seascape,

this nice, beautiful, transparent

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area where the light shining through.

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And this is exciting.

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This is exciting when you do this.

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Know of course I know none of us are

interested in that happy book, but if

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you're selling paintings, this is the

second that sales right here, right here.

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Okay.

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We'll just let a little bit run right

along in there wherever you want it

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to just sort of bring it together.

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Man clean dry two inch brush.

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Let's go right up in here and

very gently, very gently now

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begin thinking of the angles here.

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How's the water that's coming up and

see if it helps to make little noises

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begin creating the shape of this wave.

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If your brush gets dirty, don't take

this dirty color back into here.

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You want to save that?

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I want to save it.

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That's a good friend to take care of it.

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There we go.

259

00:14:00,150 --> 00:14:00,420

Let's see.

260

00:14:00,420 --> 00:14:00,810

Now we're ready.

261

00:14:00,810 --> 00:14:02,579

Let's begin to look

like a happy little way.

262

00:14:06,540 --> 00:14:07,020

Okay.

263

00:14:08,910 --> 00:14:11,760

Always think about the angles it's

like when you're painting mountains,

264

00:14:11,790 --> 00:14:14,040

angles are very, very important.

265

00:14:14,130 --> 00:14:17,459

We wash his brush, give him a shake.

266

00:14:20,505 --> 00:14:22,515

Can you just beat the devil out of it?

267

00:14:23,415 --> 00:14:23,865

Okay.

268

00:14:24,495 --> 00:14:25,845

Let me grab a fan brush here.

269

00:14:27,225 --> 00:14:31,185

We'll go red and to some

titanium white load, quite a

270

00:14:31,185 --> 00:14:32,325

bit of paint into your brush.

271

00:14:33,585 --> 00:14:35,535

Quite a bit of paint Kings.

272

00:14:35,535 --> 00:14:36,165

Go right up here.

273

00:14:37,095 --> 00:14:39,645

Now, then we want to show

this as crashing over.

274

00:14:39,645 --> 00:14:40,875

I'll tell you how to start here.

275

00:14:41,205 --> 00:14:45,165

Give it a little ch once again,

make those little noises great.

276

00:14:45,905 --> 00:14:47,705

It Paula.

277

00:14:49,515 --> 00:14:55,965

Water spilling over there, like a

dam say there, just crashes over.

278

00:14:56,115 --> 00:14:56,775

Boom.

279

00:14:58,265 --> 00:14:58,865

Okay.

280

00:14:59,675 --> 00:15:02,495

Now back to the crash.

281

00:15:05,165 --> 00:15:05,495

Yeah.

282

00:15:05,525 --> 00:15:07,865

I'm going to take a touch of Crimson.

283

00:15:09,485 --> 00:15:11,345

Makes a little bit of blue with it.

284

00:15:11,795 --> 00:15:13,565

Reach over here and grab some white.

285

00:15:15,285 --> 00:15:19,005

And we're making a lavender

color sort of bluish.

286

00:15:19,395 --> 00:15:23,055

Okay, let's go back up here now,

then the exciting part, where

287

00:15:23,055 --> 00:15:24,855

does this big foam crash here?

288

00:15:25,455 --> 00:15:28,485

Let's go right in here

and push that brush.

289

00:15:29,595 --> 00:15:33,705

Maybe this, all of us have a

big splash comes we up in here.

290

00:15:35,355 --> 00:15:36,315

We up in there.

291

00:15:39,390 --> 00:15:42,569

All we're doing here is

just throwing in the shadow.

292

00:15:42,600 --> 00:15:46,290

We're putting the shadow in first thing,

we'll come back and we'll highlight

293

00:15:46,290 --> 00:15:50,910

that need the shadow, the dark area.

294

00:15:50,910 --> 00:15:51,900

So the light will show.

295

00:15:52,590 --> 00:15:55,260

And it comes right on up here

and maybe it goes right on over.

296

00:16:01,770 --> 00:16:02,370

Push it in.

297

00:16:02,490 --> 00:16:03,090

There you go.

298

00:16:04,860 --> 00:16:05,400

Okay.

299

00:16:08,189 --> 00:16:11,880

Now then wash and dry my brush.

300

00:16:12,270 --> 00:16:13,829

Now these little Filbert brushes.

301

00:16:13,829 --> 00:16:15,360

I just dry those on a paper towel.

302

00:16:15,360 --> 00:16:15,870

They're easy.

303

00:16:16,280 --> 00:16:16,510

Okay.

304

00:16:16,980 --> 00:16:17,430

Okay.

305

00:16:18,060 --> 00:16:18,660

We'll take some.

306

00:16:19,035 --> 00:16:22,335

Titanium white and least

little touch of the CAD.

307

00:16:22,335 --> 00:16:25,875

Yellow should almost look white, but

have a little bit of yellow in it.

308

00:16:28,185 --> 00:16:28,395

Okay.

309

00:16:28,425 --> 00:16:30,825

Let's go back up here that

a lot of pain on this brush.

310

00:16:31,515 --> 00:16:31,905

Okay.

311

00:16:31,965 --> 00:16:35,565

Now sort of maybe we can come

right in here close sort of

312

00:16:35,595 --> 00:16:36,975

tilt that over a little bit.

313

00:16:37,185 --> 00:16:38,025

Does that make sense?

314

00:16:38,565 --> 00:16:43,695

And when you give it a little

push, see, so it leaves at

315

00:16:43,695 --> 00:16:46,035

night bright edge at parentage.

316

00:16:48,569 --> 00:16:50,069

Once again, make little sounds.

317

00:16:50,069 --> 00:16:54,060

It helps just push it.

318

00:16:54,900 --> 00:16:56,790

You want that bright out here on the edge.

319

00:16:59,219 --> 00:17:01,439

It's just flashing and carrying on there.

320

00:17:03,120 --> 00:17:05,760

It's just carrying on having a good time.

321

00:17:10,619 --> 00:17:14,899

And if you don't live close to the ocean,

you know, you can get books that have

322

00:17:14,899 --> 00:17:20,960

all kinds of beautiful seascape pictures

to give you ideas, all kinds of books.

323

00:17:22,069 --> 00:17:22,730

There we go.

324

00:17:24,079 --> 00:17:24,589

All right.

325

00:17:25,970 --> 00:17:26,839

Wash this brush.

326

00:17:29,689 --> 00:17:30,439

This brush is little.

327

00:17:30,439 --> 00:17:31,220

You can't beat it.

328

00:17:31,250 --> 00:17:35,179

It's no fun now with nice dry.

329

00:17:35,580 --> 00:17:36,300

Clean brush.

330

00:17:36,330 --> 00:17:40,710

I'm going right in here where these two

colors come together and just very gently,

331

00:17:41,700 --> 00:17:44,100

very gently sort of blend them together.

332

00:17:44,910 --> 00:17:46,110

Don't kill all the dark.

333

00:17:46,560 --> 00:17:47,940

You want the dark Indus.

334

00:17:49,590 --> 00:17:55,380

That's what gives you the

depth makes it pretty, okay.

335

00:17:57,930 --> 00:18:02,630

Now the clean, dry two inch brush, and I'm

just going to use the very top corner and.

336

00:18:03,794 --> 00:18:05,205

Just blend all this together.

337

00:18:05,325 --> 00:18:11,085

Very lightly, barely touching

two hairs in some air.

338

00:18:17,415 --> 00:18:21,105

And that gives us a big

churning splashing thing there.

339

00:18:22,425 --> 00:18:22,995

Okay.

340

00:18:23,385 --> 00:18:24,735

Grab the old fan brush here.

341

00:18:26,264 --> 00:18:27,915

I want to take some white.

342

00:18:29,790 --> 00:18:30,600

And a little bit of that.

343

00:18:31,110 --> 00:18:36,450

They load blue, at least little touch

of Crimson, the Crimson, just sorta.

344

00:18:37,034 --> 00:18:38,294

Tones it down a little bit.

345

00:18:38,294 --> 00:18:40,034

So it's not quite as bright.

346

00:18:41,024 --> 00:18:45,195

I don't want it to get real lavender,

like, but just want to tone it down.

347

00:18:45,495 --> 00:18:45,665

Okay.

348

00:18:45,735 --> 00:18:46,304

Let's come up here.

349

00:18:46,965 --> 00:18:49,335

Now we need to start working

with some, some little foam

350

00:18:49,335 --> 00:18:50,534

patterns that live in here.

351

00:18:52,395 --> 00:18:55,544

And this is where we begin

creating the shape of the wave.

352

00:18:56,324 --> 00:18:57,764

Now, this way he's coming up and going.

353

00:18:59,175 --> 00:19:01,635

So here, it's going to

be a lot, a lot more

354

00:19:05,355 --> 00:19:08,265

now, right in here, right in this

area, there's going to be a shadow

355

00:19:08,265 --> 00:19:09,945

created by this wave standing up.

356

00:19:10,065 --> 00:19:12,855

So we want to keep this color quite dark

357

00:19:17,775 --> 00:19:21,885

there at all these little

things just to happen.

358

00:19:24,880 --> 00:19:28,680

All kinds of pretty little things

going on in there, but it gets

359

00:19:28,680 --> 00:19:29,880

flatter as it goes out here.

360

00:19:29,880 --> 00:19:31,860

These lines begin laying down.

361

00:19:33,150 --> 00:19:33,780

They like me.

362

00:19:33,810 --> 00:19:37,580

They get lazy and they lay

down the job for does that way.

363

00:19:37,590 --> 00:19:38,880

It comes closer this way.

364

00:19:39,090 --> 00:19:39,960

It spills up.

365

00:19:41,520 --> 00:19:42,300

There we go.

366

00:19:44,520 --> 00:19:45,090

Okay.

367

00:19:47,400 --> 00:19:49,380

Can laying all kinds of

little things in here.

368

00:19:51,495 --> 00:19:54,885

And if you happen to put one in you,

think's a little bit bright, just take

369

00:19:54,885 --> 00:19:56,505

your large brush and very lightly.

370

00:19:57,225 --> 00:20:02,615

See you can bring it right

into the wave, that easy, easy.

371

00:20:04,925 --> 00:20:05,195

Yeah.

372

00:20:05,945 --> 00:20:09,605

As we get out from under this shadow

area in here, let's begin creating the

373

00:20:09,605 --> 00:20:11,735

illusion of some foam laying out here.

374

00:20:13,235 --> 00:20:14,135

This is a little brighter.

375

00:20:16,020 --> 00:20:17,010

A little bit brighter.

376

00:20:20,550 --> 00:20:22,500

We'll come back and put

some detail in there later.

377

00:20:22,830 --> 00:20:26,370

Right now we just want to put some

looks like little foamy areas,

378

00:20:26,370 --> 00:20:27,450

laying all that out through here.

379

00:20:29,190 --> 00:20:32,970

Tell you what I'm going to go right into

a little bit of that yellow and white.

380

00:20:32,970 --> 00:20:33,990

Let's make some sand.

381

00:20:34,050 --> 00:20:34,770

This is bright.

382

00:20:34,860 --> 00:20:39,419

So right below there,

we will take some white.

383

00:20:40,440 --> 00:20:42,240

A little bit of that,

cadmium yellow in it.

384

00:20:44,460 --> 00:20:48,210

And as we work away, we begin adding a

little, a little more of a dark color,

385

00:20:48,660 --> 00:20:51,480

just same old, dirty brush, and started

going into some of the darker color,

386

00:20:52,560 --> 00:20:54,270

darker and darker as it works out.

387

00:20:57,960 --> 00:21:02,129

By the time we get out here strips,

it's really getting dark out here.

388

00:21:05,920 --> 00:21:06,210

There.

389

00:21:08,129 --> 00:21:10,379

Okay, then over here a little bit in here.

390

00:21:12,080 --> 00:21:12,680

Where are your ever?

391

00:21:15,050 --> 00:21:15,230

Yeah.

392

00:21:15,230 --> 00:21:19,430

Then with a two inch brush, grab this

and pull it straight down, straight down,

393

00:21:20,440 --> 00:21:22,610

start with a light area and blend outward.

394

00:21:24,389 --> 00:21:26,000

You start with a dark area and go inward.

395

00:21:26,060 --> 00:21:27,980

It's gonna it'll lead up your light area.

396

00:21:31,190 --> 00:21:31,550

Okay.

397

00:21:31,639 --> 00:21:32,149

Over here.

398

00:21:32,240 --> 00:21:33,139

Same, same.

399

00:21:36,705 --> 00:21:44,834

Just like, so now very lightly, very

lightly go across very lightly and

400

00:21:44,834 --> 00:21:47,625

it'll give it the appearance of wetness.

401

00:21:48,135 --> 00:21:48,375

Hope.

402

00:21:48,375 --> 00:21:49,754

That's a proper word wetness.

403

00:21:50,324 --> 00:21:51,044

You know what I mean?

404

00:21:51,044 --> 00:21:53,774

Anyway, the sand is wet.

405

00:21:55,395 --> 00:22:00,254

All right, now then I'm going to

take my little script liner brush.

406

00:22:01,185 --> 00:22:02,534

I'm going to go right into some of this.

407

00:22:05,915 --> 00:22:10,565

This is titanium white with a least

little touch of CAD yellow into it.

408

00:22:11,315 --> 00:22:12,965

And I've added paint thinner to my brush.

409

00:22:12,965 --> 00:22:14,495

So it's very thin.

410

00:22:14,525 --> 00:22:15,425

It's almost like water.

411

00:22:15,425 --> 00:22:15,845

Let's go ahead.

412

00:22:15,845 --> 00:22:17,405

Up here now.

413

00:22:17,435 --> 00:22:21,785

Right along in here, I want to put

some bright right at the top of this.

414

00:22:22,805 --> 00:22:24,575

I want this to really stand out.

415

00:22:25,475 --> 00:22:26,885

So it corresponds right there.

416

00:22:27,605 --> 00:22:27,695

Okay.

417

00:22:30,005 --> 00:22:31,145

Now I'm doing the same thing.

418

00:22:32,490 --> 00:22:36,750

Except this is with blue

and white, as it goes away.

419

00:22:38,040 --> 00:22:41,310

I want it to get darker and darker

that we can begin just putting all

420

00:22:41,310 --> 00:22:44,450

kinds of little strokes in here, bike.

421

00:22:44,450 --> 00:22:48,950

So like, so I see all kinds

of happy, little things.

422

00:22:51,570 --> 00:22:52,940

Are we going to have some fun back here?

423

00:22:54,260 --> 00:22:55,010

Take a little.

424

00:22:56,265 --> 00:22:57,315

That lavender color.

425

00:22:57,495 --> 00:23:00,405

Let's let's put a little thing

breaking right up here first.

426

00:23:00,405 --> 00:23:04,635

We'll just like for the big wave,

we'll put in some shadow, wash your

427

00:23:04,635 --> 00:23:11,265

brush brush and go back and pick up

some of the white with a little touch

428

00:23:11,265 --> 00:23:19,155

of yellow in it now, right along

here, like a day, like your dad, see

429

00:23:19,285 --> 00:23:20,805

little splasher going on back here.

430

00:23:22,335 --> 00:23:22,545

Now.

431

00:23:22,605 --> 00:23:24,105

Wipe off the excess paint.

432

00:23:25,680 --> 00:23:29,900

Very likely, very likely

bring it together.

433

00:23:30,020 --> 00:23:32,030

It's a little Filbert brush

really doesn't matter.

434

00:23:32,280 --> 00:23:32,630

Thanks.

435

00:23:35,060 --> 00:23:35,570

There we go.

436

00:23:35,640 --> 00:23:39,200

See, we got a little, we got a little

thing breaking and play them back here.

437

00:23:41,630 --> 00:23:42,440

All righty.

438

00:23:42,570 --> 00:23:49,370

Then we can come back in here and just

put a few little details in and you can

439

00:23:49,370 --> 00:23:52,130

just add all kinds of happy little things.

440

00:23:53,205 --> 00:23:56,175

All kinds of little things

that happened in the water.

441

00:24:01,155 --> 00:24:05,985

And maybe back up in here, you

see things through the wave too.

442

00:24:05,985 --> 00:24:07,365

You don't just see them in the front.

443

00:24:10,305 --> 00:24:10,905

There we go.

444

00:24:11,325 --> 00:24:12,285

Little things like that.

445

00:24:13,365 --> 00:24:16,605

Just let them go down in here.

446

00:24:27,920 --> 00:24:31,730

yeah, I'll go right into some of

the darker color and we have to

447

00:24:32,350 --> 00:24:37,460

have to have a little line right

here, which shows us that this is

448

00:24:37,460 --> 00:24:38,990

sort of upstanding right there.

449

00:24:41,000 --> 00:24:44,870

Little tiny lines, all you

name, tell you what that's.

450

00:24:46,485 --> 00:24:49,784

That's put us a happy little stone in here

that the waves hitting and crashing on.

451

00:24:49,784 --> 00:24:55,935

I'll just go right into Vandyke Brown, add

a little touch of the dark Sienna to that.

452

00:24:56,145 --> 00:24:57,675

Ben Brown dark Sienna.

453

00:24:58,425 --> 00:24:58,725

Okay.

454

00:24:59,715 --> 00:25:03,975

Now then we have a crashing

wave here, so let's build it.

455

00:25:04,455 --> 00:25:06,764

This bill is a nice stone.

456

00:25:07,185 --> 00:25:08,504

That is crashing again.

457

00:25:11,915 --> 00:25:14,495

It's just hitting and

splashing and carrying on.

458

00:25:16,020 --> 00:25:17,340

Where ever

459

00:25:21,750 --> 00:25:22,230

stay there?

460

00:25:23,450 --> 00:25:24,110

Isn't that easy.

461

00:25:24,169 --> 00:25:26,690

We got a happy little

stone or a happy big stone.

462

00:25:26,690 --> 00:25:27,590

This is a big stone.

463

00:25:28,159 --> 00:25:29,899

Just really lay that color in there.

464

00:25:32,030 --> 00:25:36,830

Tell you I tell you what, maybe he's

got a friend that lives right here.

465

00:25:38,030 --> 00:25:39,290

Stone's get lonely too.

466

00:25:41,149 --> 00:25:42,500

Everybody needs a friend.

467

00:25:44,385 --> 00:25:45,645

Let's have another one right in here.

468

00:25:47,505 --> 00:25:49,005

This is a dark Sienna in the van.

469

00:25:49,005 --> 00:25:49,665

Dyke Brown.

470

00:25:52,265 --> 00:25:52,645

Okay.

471

00:25:52,695 --> 00:25:57,365

Then we'll take a little touch of yellow

ochre, a little bit of the dark Sienna,

472

00:25:57,365 --> 00:25:59,015

and we just sort of mix those together.

473

00:25:59,045 --> 00:26:00,035

Maybe we'll throw a little white.

474

00:26:00,485 --> 00:26:01,415

Ooh, that's nice.

475

00:26:02,375 --> 00:26:04,355

And I still get excited

when these colors happen.

476

00:26:04,415 --> 00:26:05,345

Cut off a little piece.

477

00:26:05,345 --> 00:26:09,365

So you got that little roll up right

now, then just come right along here.

478

00:26:09,425 --> 00:26:10,565

Just barely touch.

479

00:26:11,615 --> 00:26:12,215

Whisper light.

480

00:26:13,740 --> 00:26:14,820

Jealous twist for life.

481

00:26:15,180 --> 00:26:19,890

Put a few happy little highlights

out here to give a stone some shape.

482

00:26:21,960 --> 00:26:22,650

There we go.

483

00:26:23,570 --> 00:26:28,340

A few little things happening

right out here and over here.

484

00:26:28,370 --> 00:26:29,420

Don't want him left out.

485

00:26:30,020 --> 00:26:32,630

See how easy you can make

some beautiful little stones.

486

00:26:35,690 --> 00:26:35,810

Hm.

487

00:26:35,960 --> 00:26:36,410

Okay.

488

00:26:36,470 --> 00:26:40,130

And ride around here a little bit, a

little water just to clean that up.

489

00:26:41,790 --> 00:26:46,889

We'll take her fan brush and bring

this water right up to the rock.

490

00:26:49,110 --> 00:26:50,250

See how easy that is.

491

00:26:51,929 --> 00:26:57,000

And we just about got to finish

these cakes, then I think we'll

492

00:26:57,000 --> 00:26:58,230

call that painting finished.

493

00:26:58,560 --> 00:27:01,080

So from all of us here, I'd

like to wish you happy painting.

494

00:27:01,500 --> 00:27:02,070

God blessed.

End .srt file.

Bob Ross' The Joy of Painting

Monday, December 28, 2020

S09E02 - Surf's Up

Bob Ross's

The Joy of Painting

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