Tuesday, December 15, 2020

S01E03 - Ebony Sunset

Bob Ross's

The Joy of Painting

S01E03 - Ebony Sunset

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Hello again, glad to see you

that today would do one of

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these almighty black canvases.

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It's time we get into doing

something on a black canvas.

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I'd like to show you how you

can do a beautiful, beautiful

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landscape on a black canvas.

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I've already went ahead because

we are short of time on this show.

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I've already went ahead and covered

the whole canvas with the lizard

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Crimson, and then I'm going to

take a little Vandyke Brown.

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And work into the edges

just around the edges.

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So it's, we already have it

covered with lizard and Crimson.

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And now we're putting a little

Brown on the whole canvas

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was covered with a Crimson.

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There we go.

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Just around the corners thought today

would do a beautiful little sunset

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and maybe we'll have a little sunset.

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Like the sun's going down behind

the Hill back there and we just

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have a beautiful glow in the sky.

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And, and then we'll go from there.

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I'm going to take and pull this back and

forth to get a nice even distribution of

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paint, working it up and down, back here.

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All right.

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Okay.

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Now we'll start.

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With a one inch brush and we'll use a

little bit of CAD yellow, figuring out

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where the sun has just went down and

we're going to start like right here

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and begin working this pain around

you, starting to center and work.

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Around and around and around and already

it's picking up the lizard and Crimson

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and it's turning into a beautiful

little yellowish orange glow here.

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There we go.

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Start right here and let it work outward.

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You want it to get darker and

darker and darker and darker as

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it goes out towards the edges.

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So we always start with the

color in here and work outward.

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There we go

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with color here, work it out.

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And I'm doing this in a little bitty X

patterns, back, forth, back and forth.

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There we go.

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Let's take the big brush.

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And gently, gently hypnotize this.

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We're still making a little exes.

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Just work that in

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then just enough to take

out the breaststrokes.

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Okay, let's take a little bit of a

lizard, a little Brown, put it together

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here on the brush mix on the brush.

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And maybe back here in the distance,

we'll have a little Foothill back here.

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Yes.

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Let this brush bounce along in play.

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There we go.

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Don't let the size of

this big brush scare you.

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It does fantastic things.

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Okay.

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Now maybe we'll have some highlights,

take the little yellow and green

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and a little touch of red here.

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And we just put some little

highlights coming down here.

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We'll make these little foothills.

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We back in the distance.

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okay.

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That sound back over here.

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Okay.

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we'll take a clean brush.

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And just gently lift

up very, very lightly.

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Just enough to give it

an upward swirl there.

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Very light, fairly barely

touching the canvas.

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You let two or three

hairs just about touch.

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Just enough to move

the paint a little bit.

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Okay.

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Then we'll take a little yellow and a

little permanent red mixed together here.

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And we'll start putting

in some reflections.

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Maybe we'll have a little, have a little

Lake right back here, a little pond, just

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like a little color on and pull this down.

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Then just enough to give

it a little watery effect.

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Just ripple it a little.

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We don't want to destroy it.

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Okay.

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Clean the old brushes here.

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We were brought along.

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Okay.

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Now I'm going to go back

into this Brown and lizard.

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Once again, we're mixing it on the brush.

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A lot of paint on the brush.

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Maybe we'll put a little

tree standing back here.

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We'll make this some of the fan brush.

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Here we go.

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And trees get lonely too.

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So we'll give him a friend

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and maybe there's a little one,

right there got two big ones.

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So invariably sooner or later, it's

going to be a little one area is.

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It's really men making

just a touch darker.

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Maybe we'll put a third one right there.

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Cut out a little bit, create

a shadow behind the tree.

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Okay.

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With a knife here would just make a little

water line running back through here.

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these black canvases.

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We cover with a black acrylic,

a flat black acrylic paint and

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allow it to drive before we start.

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And the alizarin Crimson that we

use here is a transparent color.

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So the black shows through it looks

black, but when you apply color to it

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and it really comes alive, Kane, let's

start with some almighty trees and stuff.

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And we use the big brush today and

let's have a big old tree right here.

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I know this may be quite difficult

for you to see, but we are putting the

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general shape of the tree right here.

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these black canvases make some of the

prettiest pictures that you could imagine.

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And if you're interested in selling

paintings and make it a happy

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book to put in your pocket, these

are the ones that really sell.

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Let's have another tree right over here.

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These Liam's just fly out, man.

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If you have a big tree up here,

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and as you can see, we're

really hitting this canvas.

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We're really pushing the pain into it.

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You need an almighty easel, a little

tiny, Tim measles will let you down.

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This easel is made out of a platform

stepladder and they work very, very well.

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They're very strong, very simple to bill.

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Okay.

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We've got that filled in.

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Let's put some tree trunks here

and there and we'll put some

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dark paint right along here.

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She has to, in your mind,

wherever you visualized her,

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it might be a little trunk.

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Just drop one in.

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Yeah, it's just a little Brown and white,

so we can put a little touch of highlight

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on this to make it stand out a little,

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right.

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The lights playing through

here and touching it.

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Yeah.

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And we'll put a trunk right

over in this one to the devil.

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now, if the sun's here, the light's

coming from this direction, this one

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will be highlighted on the other side.

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I probably, in reality, if the

sky was this dark, you would

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have nothing but silhouettes.

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But that would be a boring picture.

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This is a lot more fun.

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okay.

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Take a little bit of magic, quite a little

yellow, maybe a touch of Taylor green.

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And we can put some nice little

leaves on all these little bushes.

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Look how that color stands out

against this black background.

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It just jumps out at you.

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Let's put some on this little Bush,

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a little things growing down in here.

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use your imagination.

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Let it go.

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Let it go.

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Remember, this is your

world and your world.

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You can create anything that you deserve.

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Okay.

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Let's do this whole big tree here.

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What's a very nice about

these black canvases.

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If there's a light Shannon directly

on them, they look totally different

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than if they're without a light.

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So in essence, it's almost like having two

paintings in one, especially if you hang

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these after they're finished over a light.

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So at night, if you turn the

light on, it shines up on this.

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It's it's remarkable.

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What happens?

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Here we go all the little bushy areas,

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some little touches out here.

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Let's take some more Vandyke Brown.

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Let's put an almighty tree right here.

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We'll just let him stand in, play

and work right on up to here.

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I have another little Liam coming down

through here and maybe there's some little

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things happening up here in the leaves.

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and we'll have a little

light playing across here.

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Just pull that knife sort of swirled.

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So it gives the appearance

of it being round.

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now we're ready to put some highlights

on these little leaves out here.

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and Jess at the light

play through this tree.

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leaving a lot of dark areas.

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Need these dark areas to

make the tree look around.

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Don't kill them all such a, such a

temptation to do a little bit more.

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I used to work with one art teacher,

that he had a set of handcuffs

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that hung in the studio and he'd

walked by and he'd bumped you.

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And he pointed those handcuffs.

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And that was his way of saying you're

beginning to fiddle it to death, but we

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don't have any handcuffs here to date,

but stand back and look every once in

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a while don't overwork your pitcher.

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You'll peddle it to death.

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Okay.

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This looks like a super place.

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Maybe to have a little path

that runs up through there.

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So now take a little pressure and blue

and Vandyke Brown and just very easy here.

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We'll just make a little path

that runs right through this.

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Got to have a way to get around

the Lake to catch that big

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trout that lives out there.

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Nobody's there.

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We'll put just a little

bit of highlight on there.

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Yeah, just let that run down

through there and break.

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You want that to paint a break?

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So at least some of those

beautiful dark areas.

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There we go.

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Now a little bit more magic, quiet

here, just within that paint.

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So it'll stick on top of

all of the other paint.

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Now we can start in here and

we'll start putting some.

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Nice little bushes that

are hanging over the path.

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so the path just disappears

back here behind the big tree.

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And these pushes protruding up over

the top, push it down into the pitcher.

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You need them.

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They pay great dividends and we'll put

some on this side of the road over there.

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Okay.

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Let's make another big tree

maybe right up through here.

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And we'll just have a big old tree.

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There he goes.

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Bandag Brown.

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fantastic.

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Brown's a very nice color.

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It's almost like a chocolate Brown.

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Very warm.

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No, there's a little lamb right there.

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now one thing I'd like to mention while

we're putting the highlights on here.

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If you have questions or comments

or anything you'd like to know about

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what we're doing here, please feel

free to drop us a line and care.

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W N V T.

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And we'll keep you the address

at the end of the show.

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And do use it.

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So, you know, we're here to help you,

if you have problems or if you have

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questions, anything concerning this

method of painting, we'll be glad

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to work with you and try to help you

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put some highlights up here on

this one a little bit more into

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magic, thin it down, just a touch.

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thousands and thousands and

thousands of little leaves.

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Now let's go down here, put some

little things around the tree.

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Maybe you can write here, say let's

put a little stone, maybe a little

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stones just lays right along here.

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Of course he's a happy little stone.

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We don't have any other kind.

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We'll make up a little highlight color.

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Just lay right over there.

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yeah, let's put some nice when

they're nice when they're okay.

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Let's have some little

bushes right along in here.

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Yep.

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When you're doing this load disperse

by pulling it in one direction so

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that it looks like an old shoe on the,

and it sorta sort of hangs over and

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you put that round part to the top.

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You tilt the brush shorter,

downward, and just push just enough

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to bend the bristles a little bit.

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Don't fight it.

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Let the brush do the work.

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You have the fun.

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Let the brush work.

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Maybe we'll put a nice

little sparkler right there.

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Just started to break

that up a little bit.

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Yeah.

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Let's lay in a few stems here and there.

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And all we're doing here is literally

just cutting right through the

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paint, using the point of the knife.

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We'd literally just cut the paint.

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There we go.

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This is one of the paintings that

we do in class quite frequently.

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It's a very effective painting.

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It teaches you how to use black canvases.

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It's a lot of fun and it's

extremely, extremely effective.

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I have a few little sticks coming

over, like, so there we go.

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and once again, these little, little

twigs and these little sticks show

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different planes in the picture, it

produces the illusion of distance.

253

00:20:44,405 --> 00:20:49,445

Use them to your advantage because

the woods are always full of them.

254

00:20:52,925 --> 00:20:53,345

Let's see.

255

00:20:53,345 --> 00:20:56,705

Maybe back here, we can just put a little

indication of a trunk here and there.

256

00:21:16,085 --> 00:21:16,745

Alrighty.

257

00:21:16,745 --> 00:21:20,075

I think this one's just about

ready that we can sign it.

258

00:21:21,065 --> 00:21:25,325

So I'll use a very thin oil

here and we'll just take.

259

00:21:27,195 --> 00:21:30,375

And use the liner brush and you

mix this paint was like water.

260

00:21:31,425 --> 00:21:36,045

And if you mix it very, very thin curl

that brushes, you pull it out, twist it.

261

00:21:36,075 --> 00:21:37,365

So it brings it to a point.

262

00:21:37,965 --> 00:21:39,105

And it's just like you were writing.

263

00:21:41,895 --> 00:21:43,665

You don't have to wait

till the painting is dry.

264

00:21:57,110 --> 00:21:59,000

the same technique is also very good.

265

00:21:59,780 --> 00:22:04,070

If he wanted to put some nice little

sticks and limbs in that you wanted to

266

00:22:04,070 --> 00:22:09,320

draw in, you use the wall to get the

paint thin, and then maybe we could

267

00:22:09,320 --> 00:22:13,790

come right across and cause at them,

paint will stick to a thick paint.

268

00:22:14,150 --> 00:22:17,510

The hair, just let these little

things happen here and there.

269

00:22:22,080 --> 00:22:22,470

Okay.

270

00:22:25,460 --> 00:22:28,370

The things that we're trying to do

as we travel around and teach us

271

00:22:28,370 --> 00:22:32,510

all mighty method is we're trying

to gather up an army of teachers.

272

00:22:33,320 --> 00:22:38,240

And soon we'll have teachers that tribal

this entire beautiful country teaching

273

00:22:38,270 --> 00:22:39,949

this fantastic method of painting.

274

00:22:41,120 --> 00:22:47,000

And if you would like to, uh, ask

some information, drop us a line

275

00:22:47,570 --> 00:22:49,939

once again, we'll show you the

address at the end of the show.

276

00:22:51,405 --> 00:22:54,585

And soon we'll have information on

teachers that are all the way across this

277

00:22:54,585 --> 00:22:59,055

country, teachers that we can guarantee

that can teach us fantastic methods.

278

00:23:01,235 --> 00:23:02,015

Okay.

279

00:23:02,825 --> 00:23:06,545

I think now we've just put a couple

little things here and there.

280

00:23:10,715 --> 00:23:12,095

Another little sticker too.

281

00:23:22,890 --> 00:23:24,920

I hope you've painted a long

with us and you've enjoyed

282

00:23:24,920 --> 00:23:26,660

this half as much as we have.

283

00:23:26,660 --> 00:23:29,240

We really enjoy doing

these black canvases.

284

00:23:29,240 --> 00:23:34,670

They are extremely, extremely effective,

and you will find that they bring

285

00:23:34,670 --> 00:23:35,990

a nice warm glow to your heart.

286

00:23:36,860 --> 00:23:38,780

These can be done in

a multitude of colors.

287

00:23:38,990 --> 00:23:42,380

You can cover them with any

color that's transparent.

288

00:23:42,920 --> 00:23:46,850

We can use the Prussian blue

SAP green, any of these colors

289

00:23:46,850 --> 00:23:48,350

or combinations of colors.

290

00:23:49,004 --> 00:23:52,065

Later on this series, we'll do,

we'll do a winter picture on a

291

00:23:52,065 --> 00:23:55,264

black canvas and I'll show you how

you can put the moon in the sky and

292

00:23:55,264 --> 00:23:56,795

let the light play across the snow.

293

00:23:56,795 --> 00:23:58,504

And you have the almighty

mountains and stuff.

294

00:23:59,645 --> 00:24:03,395

And I think you'll find these black

canvases can do fantastic things.

295

00:24:04,145 --> 00:24:07,745

We also are going to do some pictures

in the series where we paint the

296

00:24:07,745 --> 00:24:11,375

canvas with one color, instead of

putting the magic white on the canvas.

297

00:24:11,375 --> 00:24:15,575

We'll paint it for example,

with SAP green and we'll paint,

298

00:24:15,665 --> 00:24:17,135

beautiful pictures by doing that.

299

00:24:18,420 --> 00:24:20,610

There's a multitude of things

that can be done with this.

300

00:24:20,640 --> 00:24:23,670

Use it, experiment with it, go with it.

301

00:24:24,240 --> 00:24:25,650

Just let your heart be your guide.

302

00:24:26,190 --> 00:24:28,530

Let your imagination take you

anywhere that you want to go.

303

00:24:29,340 --> 00:24:29,850

Let it go.

304

00:24:30,810 --> 00:24:31,140

Okay.

305

00:24:32,490 --> 00:24:32,910

All right.

306

00:24:32,910 --> 00:24:35,190

Yeah, I think we're going to

call that pitcher finished.

307

00:24:36,060 --> 00:24:41,520

And once again, we want to thank

you very much for watching us and

308

00:24:41,520 --> 00:24:43,260

from all of us here at w N V T.

309

00:24:43,710 --> 00:24:44,370

Happy painting.

310

00:24:44,460 --> 00:24:45,420

Thank you very much.

End .srt file.

S01E02 - Mt McKinley

Bob Ross's

The Joy of Painting

S01E02 - Mt McKinley

Here's the .srt which was extracted from the Speech-to-Text website.

Proofreading is required, editing, grammar.

Begin .srt file.

00:00:01,140 --> 00:00:01,410

Hello.

00:00:01,410 --> 00:00:04,230

Glad to see you again, thought

today would do a picture of this

00:00:04,230 --> 00:00:05,610

right straight out of Alaska.

00:00:05,910 --> 00:00:09,000

We'll do one of mountain McKinley,

the most almighty mountain in

00:00:09,000 --> 00:00:10,320

the North American continent.

00:00:11,100 --> 00:00:14,090

And let's start off today and

we use just a little bit of

00:00:14,240 --> 00:00:15,830

Prussian blue, maybe a touch.

00:00:15,830 --> 00:00:20,810

If they look green, mixed with it here

and let's dance in some basic shapes

00:00:20,810 --> 00:00:24,710

here, I've already put the magic white

on the canvas to save a little time.

00:00:26,100 --> 00:00:30,030

So we're just literally mixing

color right here on the canvas.

00:00:30,030 --> 00:00:33,660

Just let this brush dance

and play and have fun.

00:00:34,860 --> 00:00:38,250

And all we're looking for is

general basic cloud shapes here.

00:00:38,260 --> 00:00:39,810

We're really not trying

to put anything in.

00:00:41,460 --> 00:00:42,780

Just let it happen.

00:00:43,260 --> 00:00:47,250

Just move the brush, keep it moving,

working, playing, having fun.

00:00:47,430 --> 00:00:47,970

Here we go.

00:00:48,900 --> 00:00:50,700

All something.

00:00:52,379 --> 00:00:54,240

Got a nice little cloud shape right there.

00:00:54,269 --> 00:00:54,839

What the heck?

00:00:59,150 --> 00:01:00,080

Keep the brush moving.

00:01:00,650 --> 00:01:01,489

Don't let it stop.

00:01:04,879 --> 00:01:05,140

Temp.

00:01:05,140 --> 00:01:05,870

Brush is lazy.

00:01:05,870 --> 00:01:07,490

You have to really push it a little.

00:01:07,490 --> 00:01:07,759

All right.

00:01:07,820 --> 00:01:08,330

Quit on you.

00:01:09,250 --> 00:01:10,220

I could keep moving.

00:01:11,630 --> 00:01:12,110

Okay.

00:01:12,200 --> 00:01:17,120

Now we'll take the almighty brush

here and we're going to swirl this.

00:01:17,180 --> 00:01:18,320

We're going to pull the color.

00:01:18,795 --> 00:01:19,215

Move it

00:01:23,385 --> 00:01:24,585

try to avoid a pattern.

00:01:25,565 --> 00:01:26,675

You want this to go every way.

00:01:26,675 --> 00:01:28,835

We're looking for a sky

here that has life in.

00:01:28,835 --> 00:01:30,245

It has movement in it.

00:01:30,275 --> 00:01:33,365

We don't want a sky that looks

like at night, you pull the curtain

00:01:33,365 --> 00:01:34,615

down and everything went black.

00:01:34,895 --> 00:01:37,295

So I want to keep this moving

00:01:40,475 --> 00:01:40,835

already.

00:01:40,835 --> 00:01:42,875

You're beginning to see all

the little things happening up

00:01:42,875 --> 00:01:46,505

here, every which direction.

00:01:48,955 --> 00:01:49,485

There we go.

00:01:53,225 --> 00:01:55,354

Uh, you can blend this too

much and take it all out.

00:01:55,354 --> 00:01:56,375

We don't want to take it out.

00:01:56,375 --> 00:01:59,435

We just want to mix it up, stirred up.

00:02:04,354 --> 00:02:06,574

Well, we got some paint on the brush here.

00:02:06,574 --> 00:02:07,395

We'll add a little.

00:02:09,044 --> 00:02:13,755

Little more pressure and blue and

green will put us in some water.

00:02:15,285 --> 00:02:21,045

We pull it from the outside in and

leave a little area open here that

00:02:21,615 --> 00:02:25,635

will create that little sheen of

light that plays across the water.

00:02:27,495 --> 00:02:30,105

You could go back with white paint

and put it back in, but you've already

00:02:30,105 --> 00:02:32,715

covered a canvas with magic white stuff.

00:02:32,715 --> 00:02:37,755

Why not use it just as a

lazy man's way of painting?

00:02:39,555 --> 00:02:40,484

Let the paint work.

00:02:40,484 --> 00:02:41,595

You let the brushes work.

00:02:42,734 --> 00:02:44,084

Use what happens naturally.

00:02:44,084 --> 00:02:44,745

Don't fight it.

00:02:52,984 --> 00:02:54,065

Clean the old brush off.

00:02:54,660 --> 00:03:00,060

Let's get out an almighty fan brush

here and let's build some happy little

00:03:00,060 --> 00:03:04,950

clouds up here and we'll take titanium

white with a least little touch.

00:03:04,950 --> 00:03:11,690

If the permanent red and load the brakes,

just full of paint, just really loaded up.

00:03:12,110 --> 00:03:14,660

Now we'll start working on some

basic cloud shapes here and we'll

00:03:14,660 --> 00:03:19,250

dance in all these little areas

and let them just play in the sky.

00:03:21,350 --> 00:03:22,370

Keep the brush moving.

00:03:22,880 --> 00:03:23,720

Keep it moving.

00:03:26,280 --> 00:03:30,870

You want areas that have thick areas that

a thin at all these little things happen

00:03:34,160 --> 00:03:37,340

and we'll take the big brush here

and gently, gently blend this

00:03:37,340 --> 00:03:44,480

together very lightly and fluff

it up a little and hypnotize it.

00:03:45,890 --> 00:03:48,890

And right there, you've got an

almighty cloud just that quick,

00:03:50,329 --> 00:03:51,920

but they're very easily killed.

00:03:51,920 --> 00:03:52,970

Clouds are delicate.

00:03:53,805 --> 00:03:56,565

Don't overwork it, put

it in, leave it alone.

00:03:58,455 --> 00:03:59,865

And maybe we'll have another one here.

00:03:59,925 --> 00:04:01,605

We'll put on layer.

00:04:01,605 --> 00:04:02,245

These clouds.

00:04:02,245 --> 00:04:02,475

00:04:09,975 --> 00:04:11,195

nature is so beautiful.

00:04:11,315 --> 00:04:13,595

Just let it go.

00:04:14,135 --> 00:04:14,855

Have fun with it.

00:04:17,775 --> 00:04:19,575

Very very easy to work these to death,

00:04:27,615 --> 00:04:27,915

bro.

00:04:28,345 --> 00:04:31,715

Then this end and you work in

layers here, you do the thing as

00:04:31,715 --> 00:04:35,465

the father's to wait first, have him

finished and then worked for him.

00:04:41,675 --> 00:04:42,615

And this one a little bit.

00:04:42,615 --> 00:04:42,665

Yeah.

00:04:49,415 --> 00:04:50,705

a little bit more red here.

00:04:51,965 --> 00:04:52,765

Here we go.

00:04:53,675 --> 00:04:56,045

Don't want to set these clowns on

fire and they, all we want to do

00:04:56,045 --> 00:04:58,865

is have a slight warmish gloat.

00:04:59,525 --> 00:05:01,295

Like the sun is playing along the top.

00:05:03,905 --> 00:05:04,625

There we go.

00:05:07,895 --> 00:05:09,365

Let us not forget this side of the sky.

00:05:09,365 --> 00:05:10,925

We'll put a little something over here.

00:05:13,575 --> 00:05:15,765

Some nice little clouds

playing around in the sky.

00:05:22,385 --> 00:05:23,614

Mix these up a little bit.

00:05:35,135 --> 00:05:36,724

maybe a little streaky one right here.

00:05:39,240 --> 00:05:40,290

Got maybe clouds too.

00:05:40,290 --> 00:05:42,330

If you didn't have baby clouds,

you wouldn't have big clouds.

00:05:42,380 --> 00:05:42,440

Yeah.

100

00:05:46,460 --> 00:05:47,720

Hey, we can work on this one.

101

00:05:47,720 --> 00:05:48,500

A little touch.

102

00:05:57,615 --> 00:06:01,475

There, it looks like a nice place

and we're really pushing this

103

00:06:01,475 --> 00:06:05,075

pain into the canvas, working

that value right into the canvas.

104

00:06:07,055 --> 00:06:09,155

Just let it play.

105

00:06:09,545 --> 00:06:13,085

Don't kill all the dark

areas you can end up with.

106

00:06:13,295 --> 00:06:14,765

Great big cotton balls in the sky.

107

00:06:14,765 --> 00:06:15,635

If you're not careful.

108

00:06:19,955 --> 00:06:22,745

Yes, that'd be considered a

UFO it cotton ball in the sky.

109

00:06:25,230 --> 00:06:25,950

Fluff that up,

110

00:06:30,750 --> 00:06:35,030

work that paint look at there.

111

00:06:35,090 --> 00:06:37,610

And just, just a couple of

minutes, you have a sky that

112

00:06:37,610 --> 00:06:39,050

has so much action happening.

113

00:06:43,730 --> 00:06:44,510

Okay.

114

00:06:46,080 --> 00:06:46,230

Okay.

115

00:06:51,560 --> 00:06:53,840

If you do this in your living

room, you can redecorate your

116

00:06:53,840 --> 00:06:55,190

living room in a matter of minutes.

117

00:06:55,190 --> 00:06:59,000

So be very careful, learn to

control it, have your box.

118

00:06:59,000 --> 00:07:01,909

You can shake your brush in

and that way you don't have to

119

00:07:01,909 --> 00:07:03,170

worry about covering everything.

120

00:07:05,150 --> 00:07:05,450

Okay.

121

00:07:05,450 --> 00:07:09,710

Let's take a little bit of Brown

and blue, a little touch of a

122

00:07:09,710 --> 00:07:12,440

lizard Crimson and some white.

123

00:07:15,255 --> 00:07:17,745

There we go and don't mix your paint dead.

124

00:07:17,775 --> 00:07:19,455

Mix it marbly and leave it alone.

125

00:07:20,655 --> 00:07:20,865

Okay.

126

00:07:20,865 --> 00:07:23,835

Now let's do, since we're

going to do McKinley today,

127

00:07:23,844 --> 00:07:25,305

let's do the basic shape here.

128

00:07:26,294 --> 00:07:32,445

Kenley comes down like, so has another

peak running right off through here.

129

00:07:33,615 --> 00:07:33,974

Okay.

130

00:07:34,005 --> 00:07:35,445

Just a little more around it.

131

00:07:39,615 --> 00:07:39,945

There.

132

00:07:41,565 --> 00:07:45,405

We let the side drop right down and over.

133

00:07:46,695 --> 00:07:50,205

All you're looking for here is the basic

outline, the basic shape of this mountain.

134

00:07:51,405 --> 00:07:52,305

You're not worried at all.

135

00:07:52,305 --> 00:07:53,175

What happens in here?

136

00:07:56,715 --> 00:07:58,905

Take the big brush and we'll pull it down.

137

00:08:02,175 --> 00:08:03,795

Just takes off the excess paint.

138

00:08:05,030 --> 00:08:06,479

It makes the next layer stick better.

139

00:08:07,049 --> 00:08:09,840

And also when you're doing mountains,

if you can see the entire mountain,

140

00:08:10,560 --> 00:08:13,080

the top of the mountain is always

more distinct than the bottom.

141

00:08:15,060 --> 00:08:16,950

The bottom of the mountain we have missed.

142

00:08:16,950 --> 00:08:18,630

And now we have pollution.

143

00:08:18,630 --> 00:08:19,859

We have a multitude of things.

144

00:08:19,859 --> 00:08:22,169

If it break up and diffuse light,

145

00:08:27,000 --> 00:08:28,799

we'll put some snow on

that almighty mountain.

146

00:08:30,555 --> 00:08:32,145

Pull that paint out real flat.

147

00:08:32,175 --> 00:08:34,425

Just pull it out and get

us a little roll of paint.

148

00:08:35,745 --> 00:08:38,565

And we'll just lay this on and

let it travel right on down.

149

00:08:42,875 --> 00:08:45,575

And you want the paint to break

like this, to make all the little

150

00:08:45,575 --> 00:08:46,715

things that happen in there.

151

00:08:47,435 --> 00:08:49,625

The little shadows,

light and dark curious,

152

00:08:55,475 --> 00:08:56,585

and there's a little bump.

153

00:08:56,585 --> 00:08:57,725

It comes out right there.

154

00:09:00,360 --> 00:09:07,310

And works his way down and

over here at this drop.

155

00:09:09,140 --> 00:09:10,220

See this, like, so

156

00:09:15,829 --> 00:09:23,030

go now for the shadow color, we use

a little pressure and blue and white.

157

00:09:27,710 --> 00:09:29,450

and once again, don't mix it dead.

158

00:09:29,970 --> 00:09:34,310

You want it to be sorta marbled Cain.

159

00:09:34,310 --> 00:09:39,200

I will start with the shadows

and we just lay these in here.

160

00:09:39,230 --> 00:09:40,970

We want to bring these

two areas here together.

161

00:09:44,060 --> 00:09:47,510

So we just sort of work it

back and forth and let it come.

162

00:09:47,570 --> 00:09:48,050

There you go.

163

00:09:48,230 --> 00:09:49,220

And it's just come together.

164

00:09:51,790 --> 00:09:54,360

Maybe this shadow comes

right down through here.

165

00:09:58,819 --> 00:10:00,949

Every highlight needs

its own private shadow.

166

00:10:09,500 --> 00:10:13,760

can you put a little shadow right

there and see how that protrude set up?

167

00:10:13,840 --> 00:10:17,540

Makes it just jump right out at you

and your Ridge is here and there.

168

00:10:19,425 --> 00:10:21,345

All kinds of little things

happening in this mountain.

169

00:10:24,705 --> 00:10:31,395

And we need a shadow back here behind this

almighty peak, or it is just letting go

170

00:10:37,895 --> 00:10:38,375

okay.

171

00:10:38,405 --> 00:10:43,475

And we want to peak it comes

right up through here and just

172

00:10:43,475 --> 00:10:45,485

begins working its way back down.

173

00:11:01,265 --> 00:11:05,735

smash Ridge coming through here

and we can bring these together.

174

00:11:14,440 --> 00:11:18,870

Few little shadows in

here, just here in there.

175

00:11:24,330 --> 00:11:24,780

Okay.

176

00:11:27,180 --> 00:11:28,470

As we said, we want this to be.

177

00:11:29,775 --> 00:11:31,425

More distinct at the top than the bottom.

178

00:11:31,425 --> 00:11:34,155

So we're going to fuse the

bottom of it and only the bottom.

179

00:11:34,905 --> 00:11:36,705

And here we're just tapping the canvas.

180

00:11:37,455 --> 00:11:40,185

We're trying not to destroy only diffuse.

181

00:11:40,665 --> 00:11:43,205

And this is where you really

depend on a firm paint.

182

00:11:43,205 --> 00:11:47,925

If you have a loose formerly thin

paint, you become a mud mixer here.

183

00:11:52,415 --> 00:11:57,675

So when you try this at home, If you find

that you're making a lot of mud check your

184

00:11:57,675 --> 00:12:02,445

pain, it should be very, very firm squeeze

at two, but should stand up maybe about

185

00:12:02,445 --> 00:12:04,965

three quarters of an inch above the tube.

186

00:12:05,235 --> 00:12:06,765

Then you have a nice firm paint.

187

00:12:07,995 --> 00:12:08,175

Okay.

188

00:12:08,175 --> 00:12:10,245

I'm going to make the same

color and make it darker.

189

00:12:10,365 --> 00:12:16,035

Blue, Brown, little lizard

added to it because I want

190

00:12:16,035 --> 00:12:17,385

this mountain to be in front.

191

00:12:17,835 --> 00:12:21,015

This is a beautiful study of how to

make one mountain look very, very big.

192

00:12:22,439 --> 00:12:25,530

We'll put some little smaller

mountains here in the foreground

193

00:12:34,770 --> 00:12:35,490

peak here,

194

00:12:43,589 --> 00:12:45,480

and we'll take the big

brush and pull that out.

195

00:12:51,900 --> 00:12:54,030

That's the beauty of painting wet on wet.

196

00:12:54,810 --> 00:12:56,520

You can move paint on the canvas.

197

00:13:01,079 --> 00:13:03,510

We'll put some middles

happy little snow here.

198

00:13:07,170 --> 00:13:07,739

There we go.

199

00:13:13,199 --> 00:13:13,589

Okay.

200

00:13:15,855 --> 00:13:18,165

Or light is still coming

from the same direction here.

201

00:13:18,165 --> 00:13:20,594

So don't let that fool you

202

00:13:32,795 --> 00:13:34,564

Now we can work in some shadows here.

203

00:13:38,944 --> 00:13:41,165

Let's push that one into the

background, just come right on

204

00:13:41,165 --> 00:13:43,055

through and that'll push him back.

205

00:13:46,390 --> 00:13:49,050

Scary to have as much power

that you can move mountains

206

00:14:01,800 --> 00:14:02,220

there.

207

00:14:04,200 --> 00:14:06,930

We can swing this around and

bring these two right together.

208

00:14:09,660 --> 00:14:11,310

Just make a nice little Ridge out of that.

209

00:14:15,765 --> 00:14:18,855

Okay, we've got an almighty mountain.

210

00:14:20,135 --> 00:14:23,795

I'm going to take a little at

the blue Brown Lisbon Crimson.

211

00:14:24,335 --> 00:14:26,075

Add a little touch of SAP green to it.

212

00:14:27,365 --> 00:14:28,835

Looking for a dark color here.

213

00:14:29,255 --> 00:14:29,885

Very dark.

214

00:14:31,085 --> 00:14:34,115

I would load up this one inch brush

and we'll push in some little.

215

00:14:35,250 --> 00:14:36,089

Dark areas here.

216

00:14:36,089 --> 00:14:42,060

This'll be our little trees and we back

in the distance bushes and trees and all

217

00:14:42,060 --> 00:14:43,469

the little things happening back here.

218

00:14:49,849 --> 00:14:50,479

There we go.

219

00:14:52,579 --> 00:14:58,189

Now with a big brush, we can put a

little bit of this color down and this'll

220

00:14:58,189 --> 00:14:59,689

be the beginning of our reflections.

221

00:15:07,115 --> 00:15:09,545

give it a little bit of

ripple to make it look watery.

222

00:15:22,625 --> 00:15:22,835

Hmm.

223

00:15:22,925 --> 00:15:23,465

Okay.

224

00:15:23,645 --> 00:15:25,115

Let's put some highlights on here.

225

00:15:25,145 --> 00:15:29,195

I'm going to use a little bit of magic,

quite mixed with some CAD yellow.

226

00:15:32,265 --> 00:15:35,925

Little touch-up permanent red and

we just sort of go back and forth.

227

00:15:35,955 --> 00:15:37,545

Make a nice orangy color here.

228

00:15:38,505 --> 00:15:39,255

Bright color.

229

00:15:47,115 --> 00:15:49,295

all these nasty flushes

happening back here.

230

00:16:00,695 --> 00:16:03,395

and then we'll reflect some of

that right down to the border here.

231

00:16:08,735 --> 00:16:08,945

yeah.

232

00:16:11,915 --> 00:16:16,685

Now with the big brush and the most

delicate, delicate touch possible, just

233

00:16:16,685 --> 00:16:18,695

enough to pull the pain a little bit.

234

00:16:19,715 --> 00:16:20,615

We'll pull that down.

235

00:16:21,704 --> 00:16:23,954

And chest, give it a watery effect.

236

00:16:24,105 --> 00:16:24,975

Don't want to destroy it.

237

00:16:27,525 --> 00:16:27,944

Okay.

238

00:16:30,035 --> 00:16:37,175

Now let's take mix up a lot of dark here,

blue, Brown lizard, and a little bit

239

00:16:37,175 --> 00:16:40,444

of SAP green should look black to you

240

00:16:44,645 --> 00:16:48,125

and we'll load the brush

full of paint loaded for.

241

00:16:53,685 --> 00:16:53,745

Yeah.

242

00:16:54,395 --> 00:16:57,005

And let's make some little

evergreen trees that are growing

243

00:16:57,005 --> 00:16:58,265

weed back here in a distance.

244

00:17:10,325 --> 00:17:15,034

frame that one up a little bit,

needs to be a little stronger.

245

00:17:16,444 --> 00:17:17,014

There we go.

246

00:17:21,020 --> 00:17:23,359

maybe he's got a friend

that lives right over here.

247

00:17:38,450 --> 00:17:41,960

can you maybe, maybe they get a little

bigger as it comes around the curve.

248

00:18:03,320 --> 00:18:04,700

put a little Bush in front of him.

249

00:18:09,680 --> 00:18:09,740

Yeah.

250

00:18:10,130 --> 00:18:12,050

Take a little touch of magic.

251

00:18:12,050 --> 00:18:14,240

Quite a little bit of Brown.

252

00:18:17,929 --> 00:18:25,280

yeah, a little touch of yellow just to

make a nice Sandy looking color and we'll

253

00:18:25,280 --> 00:18:26,810

lay in a little water line back here.

254

00:18:40,100 --> 00:18:42,770

and we'll cut in a few, little

trunks and sticks here and there.

255

00:19:02,389 --> 00:19:04,310

maybe we need another tree right here.

256

00:19:06,080 --> 00:19:07,159

Trees are getting closer.

257

00:19:07,159 --> 00:19:08,929

So they're getting a little bigger.

258

00:19:09,080 --> 00:19:10,010

They look bigger to you.

259

00:19:10,010 --> 00:19:11,989

This is the way we push everything back.

260

00:19:13,290 --> 00:19:14,520

Work with perspective here.

261

00:19:24,110 --> 00:19:27,920

let's move to the other side of

the picture while we got a brush

262

00:19:27,950 --> 00:19:30,530

full of pain here, and we'll put an

almighty tree, right, right here.

263

00:19:36,740 --> 00:19:38,060

These trees live in your brush.

264

00:19:38,060 --> 00:19:41,030

You have to, you have to scare them

out sometime, really work at it.

265

00:19:42,195 --> 00:19:43,965

Well, son of a guns,

I'll try to avoid you.

266

00:19:49,595 --> 00:19:50,825

And they're like everything else.

267

00:19:50,825 --> 00:19:54,065

The first time you try them,

they're going to drive you up

268

00:19:54,065 --> 00:19:55,955

the wall, but you practice it.

269

00:19:56,495 --> 00:19:58,565

If there's a secret to

this, it is practice.

270

00:20:00,005 --> 00:20:04,775

You learn how to make the brush work,

how to touch the canvas with it.

271

00:20:05,375 --> 00:20:06,990

And then it's just a matter of practicing.

272

00:20:11,120 --> 00:20:12,110

this time you tied your shoe.

273

00:20:12,110 --> 00:20:12,830

It wasn't easy.

274

00:20:12,830 --> 00:20:14,360

You had to look at it and work at it.

275

00:20:15,440 --> 00:20:17,410

The next thing you know, you're

not paying any attention.

276

00:20:17,430 --> 00:20:20,330

Just you get to shoot tide, same thing.

277

00:20:27,320 --> 00:20:32,030

Yeah, just even we'll make another little

projection coming right out through here.

278

00:20:32,989 --> 00:20:33,500

There we go.

279

00:20:35,090 --> 00:20:36,320

The reflection in here,

280

00:20:40,050 --> 00:20:41,179

we'll pull it down.

281

00:20:53,159 --> 00:20:55,139

Lean some more of these

pretty colors back here.

282

00:20:56,429 --> 00:20:58,830

It's a nice little Bush right there

283

00:21:09,120 --> 00:21:10,740

and right down here

where we're reflecting.

284

00:21:10,770 --> 00:21:11,340

Some of these

285

00:21:21,980 --> 00:21:22,700

delicate touch.

286

00:21:22,700 --> 00:21:24,320

Again, very, very light.

287

00:21:24,950 --> 00:21:28,700

She asked to enough to, to move

it a little bit on the wet canvas

288

00:21:32,220 --> 00:21:33,500

and we'll put some land out here.

289

00:21:33,500 --> 00:21:35,420

So these bushes have a place to sit.

290

00:21:38,340 --> 00:21:39,770

Don't want them to fall

off in the river here.

291

00:21:41,690 --> 00:21:42,929

Give him something to sit on here

292

00:21:46,620 --> 00:21:49,820

and we can take a clean brush

and just lift that generally.

293

00:21:49,820 --> 00:21:51,050

This is a very thin paint.

294

00:21:51,050 --> 00:21:54,590

That's it's mostly magic quite

so you could move that without

295

00:21:54,590 --> 00:21:55,909

destroying what's underneath it.

296

00:21:59,300 --> 00:22:02,240

and here we'll use a little

bit of just straight magic.

297

00:22:02,240 --> 00:22:02,570

Quiet.

298

00:22:04,169 --> 00:22:06,169

We'll put us a happy

little water line in here.

299

00:22:20,270 --> 00:22:27,440

now then you can, you can put some

more little bushes right in here.

300

00:22:29,810 --> 00:22:30,170

So.

301

00:22:32,355 --> 00:22:34,365

And we'll drop some

reflections into the water,

302

00:22:40,335 --> 00:22:41,255

pull those down.

303

00:22:44,135 --> 00:22:45,095

Anybody can do this.

304

00:22:45,095 --> 00:22:46,955

This is not some big secret thing.

305

00:22:48,095 --> 00:22:48,905

Anybody can do it.

306

00:22:48,905 --> 00:22:54,365

We teach people from the age of 10,

all the way up 80 and 90 years old.

307

00:23:00,270 --> 00:23:03,980

And young people really, really like this.

308

00:23:03,980 --> 00:23:07,400

They, they learn it very

easily, very quickly, and

309

00:23:07,400 --> 00:23:09,020

they see results very quickly.

310

00:23:11,090 --> 00:23:16,700

I have a son that's young man right now

and he was, well, he's been painting

311

00:23:16,700 --> 00:23:18,230

since he was about 12 years old.

312

00:23:18,740 --> 00:23:19,820

I've been selling his work.

313

00:23:24,080 --> 00:23:25,910

So it's not just for the.

314

00:23:26,570 --> 00:23:30,990

Older person, it will also work

very well for the young person.

315

00:23:32,210 --> 00:23:34,790

The only trouble would like

my son he's, he's quite lazy.

316

00:23:35,240 --> 00:23:35,899

He'll only paint.

317

00:23:35,899 --> 00:23:41,030

If he needs money, if he needs me

money he'll pay, but it is a hat.

318

00:23:41,030 --> 00:23:42,830

Nice way to put a happy

bucket in your pocket.

319

00:23:45,555 --> 00:23:46,935

And to make good things happen in here.

320

00:23:50,585 --> 00:23:52,535

We'll just have this come

right on down through here.

321

00:23:54,755 --> 00:23:55,445

Fill that in.

322

00:24:04,445 --> 00:24:06,545

Now we can start highlighting

some of these things.

323

00:24:06,545 --> 00:24:09,005

We'll take a little bit of

blue and yellow mixed together.

324

00:24:10,595 --> 00:24:11,585

Make a very nice.

325

00:24:12,090 --> 00:24:13,230

Little green color here.

326

00:24:15,270 --> 00:24:16,950

Just drop some highlights on this tree.

327

00:24:17,190 --> 00:24:18,690

Remember where your lights coming from?

328

00:24:18,690 --> 00:24:19,920

Lights coming from the right.

329

00:24:21,300 --> 00:24:23,670

So you want the right hand side

of this tree to be a little more

330

00:24:23,670 --> 00:24:26,190

distinct and bright and the left side.

331

00:24:28,170 --> 00:24:30,630

If you're right-handed, you'll

probably find this easier to have

332

00:24:30,630 --> 00:24:31,910

the light coming from the right.

333

00:24:33,350 --> 00:24:36,200

If you're left-handed, it will

sort of vary from person to person.

334

00:24:42,480 --> 00:24:45,240

Let's put some little highlights

over here in these little trees,

335

00:24:47,160 --> 00:24:48,300

the sun wouldn't forget them.

336

00:25:01,190 --> 00:25:04,820

now little more magic quite then.

337

00:25:04,820 --> 00:25:05,270

That down.

338

00:25:05,270 --> 00:25:06,050

Just a touch.

339

00:25:08,175 --> 00:25:11,175

And we can start finding all

these beautiful little trees and

340

00:25:11,175 --> 00:25:12,495

bushes that are living in here.

341

00:25:14,415 --> 00:25:16,695

Very important that you don't

kill all this dark area.

342

00:25:17,025 --> 00:25:19,425

If you kill all the dark, your

picture's going to be very flat.

343

00:25:22,605 --> 00:25:24,915

We might as well just reflect

it right into the water there.

344

00:25:27,215 --> 00:25:27,915

Okay.

345

00:25:27,915 --> 00:25:28,995

There we go.

346

00:25:30,675 --> 00:25:32,145

Little bit right in here.

347

00:25:34,034 --> 00:25:37,004

And we'll reflect that right on down

a little touch of red over the top.

348

00:25:41,615 --> 00:25:42,095

okay.

349

00:25:42,754 --> 00:25:43,715

There's another nice tree.

350

00:25:43,715 --> 00:25:44,135

I see.

351

00:25:47,125 --> 00:25:48,514

Little Rascals live in your brush.

352

00:25:48,514 --> 00:25:49,715

You guys got to push them out,

353

00:25:54,245 --> 00:25:54,745

man.

354

00:25:54,754 --> 00:25:56,024

Just put a touch more.

355

00:25:56,065 --> 00:25:56,855

The magic here.

356

00:25:59,105 --> 00:26:00,725

Fair finesse, ochre color.

357

00:26:10,730 --> 00:26:12,020

Oh, these pretty little bushes.

358

00:26:12,020 --> 00:26:13,639

Just let them flow a few brush,

359

00:26:21,050 --> 00:26:23,360

some little grass areas

coming down through here.

360

00:26:25,730 --> 00:26:30,770

Let's turn that into a nice

reflection, Janice, like, so.

361

00:26:33,825 --> 00:26:37,985

No, let's give him a little bit of dirt.

362

00:26:42,965 --> 00:26:44,405

It's a straight van Dyke Brown.

363

00:26:46,055 --> 00:26:48,365

And onto that, we'll take

a little Brown and white.

364

00:26:50,225 --> 00:26:52,745

Give him just a little touch,

a highlight, make him look

365

00:26:52,745 --> 00:26:54,095

like little stones and rocks.

366

00:26:54,095 --> 00:26:54,935

Play into your hair.

367

00:27:00,090 --> 00:27:03,929

Well, let's put a few little sticks

here and there, here, we're just cutting

368

00:27:03,929 --> 00:27:08,959

through the paint, using the point

of the knife, but it shows distance.

369

00:27:08,970 --> 00:27:10,709

It shows all these different planes.

370

00:27:17,830 --> 00:27:21,379

we'll put just a little bit of magic quite

into here and give us a little water line.

371

00:27:33,765 --> 00:27:35,475

And a few little sticks over here.

372

00:27:42,035 --> 00:27:42,365

Okay.

373

00:27:42,605 --> 00:27:46,445

But you see what you can do in

just a few minutes with an almighty

374

00:27:46,445 --> 00:27:51,605

brushing and almighty knife and a

beautiful painting in your heart.

375

00:27:51,605 --> 00:27:55,115

And all you have to do is

let it out a few more sticks.

376

00:27:59,460 --> 00:28:01,940

Yeah, I think we'll call that finished.

377

00:28:02,420 --> 00:28:04,700

And I want to thank you very,

very much for watching us.

378

00:28:05,210 --> 00:28:07,580

I hope to see you again in

the near future until then.

379

00:28:07,790 --> 00:28:08,570

Happy painting.

380

00:28:08,600 --> 00:28:09,050

Thank you.

End .srt file.

S01E01 - A Walk in the Woods

Bob Ross's

The Joy of Painting

S01E01 - A Walk in the Woods

Here's the .srt which was extracted from the Speech-to-Text website.

Proofreading is required, editing, grammar.

Begin .srt file.

00:00:01,350 --> 00:00:02,820

Hi, I'm Bob Ross.

00:00:02,880 --> 00:00:05,180

And for the next 13

weeks, I'll be your host.

00:00:05,240 --> 00:00:07,370

As we experienced the joy of painting.

00:00:08,090 --> 00:00:11,540

I think each of us sometime during our

life has wanted to paint a picture.

00:00:12,410 --> 00:00:16,100

I think there's an artist hit in the

bottom of every single one of us.

00:00:16,700 --> 00:00:20,300

And here we will try to show you how

to bring that artist out to put it on

00:00:20,300 --> 00:00:26,390

canvas because YouTube campaign almighty

pitchers, you know, we have avoided

00:00:26,390 --> 00:00:27,770

painting for so long because I think.

00:00:28,140 --> 00:00:28,890

All of our lives.

00:00:28,890 --> 00:00:31,140

We've been told that you have

to go to school half your life.

00:00:32,070 --> 00:00:35,879

Maybe even have to be blessed

by Michelangelo at birth to

00:00:35,879 --> 00:00:37,320

ever be able to paint a picture.

00:00:38,100 --> 00:00:42,360

And here we want to show you that

that's not true, that you can paint

00:00:42,360 --> 00:00:46,650

a picture right along with us each

week, we'll use the same colors.

00:00:46,830 --> 00:00:48,210

We'll use the same equipment.

00:00:48,840 --> 00:00:51,629

So if you have your brush

and pallet ready next week.

00:00:52,364 --> 00:00:53,775

You can paint right along with us.

00:00:54,135 --> 00:00:56,834

I'd like to go over some of the

equipment that we'll use before we

00:00:56,834 --> 00:01:01,995

start the brushes that we use, I'll be

using very large, two and a half inch

00:01:02,084 --> 00:01:04,515

and one inch natural bristle brushes.

00:01:05,804 --> 00:01:07,304

Now these are natural bristle.

00:01:07,304 --> 00:01:09,675

Be sure you don't start

with a nylon brush.

00:01:11,505 --> 00:01:16,414

We'll use an almighty palette

knife, and this is much different

00:01:16,414 --> 00:01:17,615

than the traditional pallet knife.

00:01:17,615 --> 00:01:18,905

It is not thin and flimsy.

00:01:19,175 --> 00:01:20,435

It's a firm pallet knife.

00:01:21,089 --> 00:01:23,460

And with this, we can make

fantastic things happen.

00:01:24,449 --> 00:01:26,160

That's called over the

colors that we'll use.

00:01:26,910 --> 00:01:29,399

We're going to start out

here with titanium white.

00:01:30,630 --> 00:01:38,520

They look green, Prussian blue

Vandyke, Brown alizarin, Crimson SAP,

00:01:38,550 --> 00:01:42,690

green, CAD yellow, and permanent red.

00:01:43,880 --> 00:01:46,139

These eight colors we'll

use each and every week.

00:01:46,410 --> 00:01:47,700

For every picture that we do.

00:01:48,180 --> 00:01:52,050

So you don't have to go out and buy 1500

different kinds of colors and brushes.

00:01:52,590 --> 00:01:55,170

You need very little

equipment to paint with this.

00:01:55,890 --> 00:01:59,130

Another thing we'll do no

tracing of patterns on here.

00:01:59,970 --> 00:02:05,040

We start with a vision in our heart and

we put it on canvas and we're here to

00:02:05,040 --> 00:02:07,140

teach you to be able to do this too.

00:02:07,890 --> 00:02:08,880

So let's do it.

00:02:09,060 --> 00:02:13,080

Let's paint a picture right here, and

we're going to start with a big brush

00:02:13,560 --> 00:02:14,880

and we're going to cover the canvas.

00:02:15,180 --> 00:02:19,680

Well, the thin layer of magic quite

now, this is a wet on wet technique.

00:02:19,680 --> 00:02:23,760

So the first thing we're going to do

is get the canvas wet and all we want

00:02:23,760 --> 00:02:25,740

is a mask, even thin coat of paint.

00:02:27,230 --> 00:02:27,800

There we go.

00:02:29,540 --> 00:02:30,440

Just covered.

00:02:30,440 --> 00:02:30,710

Nice.

00:02:30,710 --> 00:02:31,130

And even

00:02:34,850 --> 00:02:36,740

you also need an almighty easel.

00:02:36,740 --> 00:02:38,030

When you're doing this, you need an easel.

00:02:38,030 --> 00:02:42,770

It will hold your canvas very firm and

allow you to use these big brushes.

00:02:44,400 --> 00:02:45,240

Okay.

00:02:46,410 --> 00:02:48,660

When you're using a large brush

like this, it really doesn't take

00:02:48,660 --> 00:02:50,070

too long to cover your canvas.

00:02:52,680 --> 00:02:55,620

And if you get a hair like that, just

pop it off of the corner of your brush.

00:02:55,890 --> 00:02:56,430

Flip it away.

00:02:58,140 --> 00:02:58,800

Okay.

00:02:59,790 --> 00:03:04,440

After you get your canvas covered

with a magic white will take and make

00:03:04,440 --> 00:03:09,000

long strokes back and forth to get a

nasty even distribution paint on here.

00:03:11,700 --> 00:03:12,390

Okay.

00:03:14,820 --> 00:03:19,700

Up and down one time is that assures

that the magic White's nice and

00:03:19,700 --> 00:03:21,260

even all the way across the canvas.

00:03:23,270 --> 00:03:23,720

Okay.

00:03:23,720 --> 00:03:25,100

Let's wash the brush out here.

00:03:25,410 --> 00:03:27,800

We've washed our brushes with

odorless painting dinner.

00:03:30,260 --> 00:03:30,680

Okay.

00:03:30,680 --> 00:03:32,030

We'll wash him out

00:03:35,510 --> 00:03:37,400

and I'll beat the brush

just to drive the bristles.

00:03:38,610 --> 00:03:42,630

Now, let's take a little

bit of CAD yellow here.

00:03:43,290 --> 00:03:44,640

And I think today we'll do a picture.

00:03:44,640 --> 00:03:47,130

That's maybe like we're

walking through the woods.

00:03:47,670 --> 00:03:50,880

And so let's start right here

with a little bit of CAD yellow

00:03:50,880 --> 00:03:53,280

with just the least little touch,

if they little green in it.

00:03:55,350 --> 00:03:58,170

And we'll add a little bit

more of the green color and

00:03:58,170 --> 00:03:59,580

we'll begin making little exes.

00:04:01,185 --> 00:04:02,115

Just like, so

00:04:05,295 --> 00:04:06,285

you work that around

00:04:12,065 --> 00:04:15,215

now without cleaning the brush and

we'll go right into some Prussian blue.

00:04:15,660 --> 00:04:17,310

Just had it right onto the brush here.

00:04:18,870 --> 00:04:22,410

Just go out here and we're

making little crisscross strokes,

00:04:22,410 --> 00:04:26,610

little extra folks there.

00:04:32,850 --> 00:04:33,300

Alrighty.

00:04:33,300 --> 00:04:36,360

We'll begin to have a light

source in this painting.

00:04:41,790 --> 00:04:43,020

I'm going to clean the brush again.

00:04:45,120 --> 00:04:46,860

Once again, this is

odorless paint thinner.

00:04:46,860 --> 00:04:48,300

We do not use turpentine

00:04:52,560 --> 00:04:54,000

now with a nice clean brush.

00:04:54,719 --> 00:04:59,340

I'm going to take an add just

a little bit of titanium white

00:04:59,400 --> 00:05:00,360

right here in the center.

00:05:02,970 --> 00:05:10,560

Just a little, and we'll begin

working outward there by now.

00:05:10,560 --> 00:05:11,760

Maybe you have recognized.

00:05:12,674 --> 00:05:18,015

Some of the equipment we're using

as something you've seen before.

00:05:18,674 --> 00:05:23,655

And I learned this fantastic technique

from a wonderful man that I think

00:05:23,655 --> 00:05:28,784

all of us had enjoyed for many, many

years on TV, bill Alexander and bill

00:05:29,174 --> 00:05:33,674

taught me this many years ago, and it

is the most fantastic way to paint.

00:05:34,275 --> 00:05:35,265

That you've ever seen.

00:05:35,355 --> 00:05:40,215

So join us, have some fun, and we'll

just blend this out a little bit more.

00:05:47,265 --> 00:05:48,935

We have a nice blue sky.

00:05:51,485 --> 00:05:52,085

There we go.

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Okay.

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We'll clean the brush.

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One more time.

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now let's start putting in some,

let's put in some almighty trees here.

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We're going to start with a

little bit of a lizard Crimson

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and a touch of Prussian blue.

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Now the Prussian blue is a hundred

times stronger than the Crimson.

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So use just a little blue

and a lot of Crimson and.

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Here are we going to begin

pushing in basic tree shapes?

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So just bend the brush, bend in the

brush, make those little leaves and

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branches just pop right out at you.

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There he comes.

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He's a little son of a guns hat and your

brush, and you just have to push them out.

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This is your world, your creation.

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I spit a little one right here

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and maybe we'll just put some little

grassy areas coming down through here.

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And right there, there is one

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you're pushing quite from here.

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This is why I say you need

an almighty easel when you're

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doing this and will be strong.

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Okay.

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Maybe over here on this side.

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Now we'll add another one.

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Maybe a bigger one over here

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125

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there's no secret to this to anybody

can paint and anybody can paint.

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All you need is.

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A dream in your heart, a little practice.

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Look at there already.

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We have the beginning

of a beautiful picture.

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We have the tree shapes, a

light source looks to me like

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it's early in the morning.

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Okay.

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Now let's put some trunks in these trees.

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And for that, we'll take a

little bit of Vandyke Brown.

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And let's just stay in

some basic trunks here.

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There we go,

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man.

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Maybe we'll put a little on right

here, like, so maybe be selling

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a little something right there.

140

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Then earlier.

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Now this little fellow over

here, he needs a trunk too.

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So we'll put one right in here

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and maybe some Liam's up in

here, right through here.

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There we go.

145

00:08:58,245 --> 00:09:01,755

Just some indications here and there

and some little sticks and twigs.

146

00:09:04,725 --> 00:09:05,145

Okay.

147

00:09:05,265 --> 00:09:06,885

Maybe over in here.

148

00:09:08,295 --> 00:09:08,775

Airway are.

149

00:09:14,345 --> 00:09:15,095

Okay.

150

00:09:15,905 --> 00:09:16,985

Now we'll highlight these.

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00:09:16,985 --> 00:09:24,365

I will take a little bit of white and

a touch of Brown mixed together and

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00:09:24,575 --> 00:09:26,255

remember where you'd light sources.

153

00:09:26,465 --> 00:09:28,775

So this tree will highlight right here.

154

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Okay.

155

00:09:33,155 --> 00:09:33,755

I think so.

156

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Okay, here we are now over on this

side, the lights coming through here.

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So we'll highlight this side of it.

158

00:09:51,005 --> 00:09:53,314

Maybe a few little

indications up through here

159

00:09:57,125 --> 00:09:57,964

now comes the fun.

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Now we can begin putting.

161

00:10:01,260 --> 00:10:05,460

All the beautiful leaves and stuff on

this and just really make it come alive.

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00:10:06,540 --> 00:10:10,740

So here we'll take a little bit of

the magic, quite to thinner paint.

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00:10:11,010 --> 00:10:14,970

One of the golden rules in this is a

thin paint was ticked to a thick paint.

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So anytime you're painting over the

top of paint, you need to have a paint.

165

00:10:19,020 --> 00:10:20,310

That's just a little bit thinner.

166

00:10:22,020 --> 00:10:22,620

Alrighty.

167

00:10:22,620 --> 00:10:29,040

We'll take a little bit of, they look

green and a little bit of yellow.

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And we load the brush full of paint

and our lights coming through here.

169

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So we want this side of the tree to be

a little brighter than the other side.

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All right.

171

00:10:40,545 --> 00:10:43,995

And then we began pushing

thousands of little leaves on here.

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Just they hide in your brush.

173

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Here they come.

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00:10:53,375 --> 00:10:54,965

Just a little on this side, over here.

175

00:10:54,965 --> 00:10:56,705

Cause not as much light's gonna strike.

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00:10:57,065 --> 00:10:58,325

Little's going to come through, but.

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Not as much

178

00:11:07,645 --> 00:11:08,055

look at that.

179

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And just a matter of a few

minutes, we have a beautiful tree.

180

00:11:12,455 --> 00:11:12,875

Okay.

181

00:11:13,295 --> 00:11:17,765

And maybe this little tree over here,

we'll put a little highlight on him.

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00:11:19,625 --> 00:11:24,275

And once again, we're using a paint that's

a little bit thinner so that it sticks.

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First thing that you have to do when

you're doing this and start with

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an oil paint is very, very firm.

185

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Your base paint has to be extremely firm.

186

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If you start with a thin loose paint,

you're going to become a mud mixer.

187

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You have to have a thick paint

on the base coat in order to

188

00:11:46,815 --> 00:11:48,075

get this dinner, paint to stick.

189

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Now let's begin building some

little bushes and stuff in here.

190

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All right, look at that.

191

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You can do it.

192

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I know you can.

193

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They're there.

194

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Okay.

195

00:12:11,420 --> 00:12:16,310

Let's move up to this big tree

in the front here and let's put

196

00:12:16,850 --> 00:12:18,560

some NASA leaves appear on him.

197

00:12:20,715 --> 00:12:22,155

You have to bend that brush.

198

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If the brush doesn't bend, you're not

going to get all these beautiful little

199

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leaves, these little actions that happen.

200

00:12:34,985 --> 00:12:37,385

Hey, maybe there's a nice

little Bush lives right here.

201

00:12:40,385 --> 00:12:43,235

You know, if you've ever walked through

the woods early in the morning, all

202

00:12:43,235 --> 00:12:44,465

the little creatures are out here.

203

00:12:44,465 --> 00:12:46,655

They're all playing in

the bushes and stuff.

204

00:12:47,314 --> 00:12:48,125

This is where they live.

205

00:12:49,079 --> 00:12:49,949

And all these bushes.

206

00:12:52,380 --> 00:12:52,920

Okay.

207

00:12:53,130 --> 00:12:54,870

Let's put something on this side now.

208

00:12:56,760 --> 00:12:57,810

Nice little Bush here.

209

00:13:01,140 --> 00:13:05,550

Just let your imagination run wild,

but your heartbeat, your guide,

210

00:13:09,300 --> 00:13:12,720

and the time you sit around worrying about

it and trying to plan a painting, you

211

00:13:12,720 --> 00:13:14,310

could have completed a painting already.

212

00:13:15,420 --> 00:13:18,660

Let it happen, let it happen.

213

00:13:22,200 --> 00:13:28,160

You know, for so many years I was a

traditional painter and I would spend

214

00:13:28,550 --> 00:13:33,380

sometimes weeks just working on a picture,

drawing it out, getting all the little

215

00:13:33,380 --> 00:13:37,190

sketches and stuff, and then I'd go back

and spend maybe a month trying to fill

216

00:13:37,190 --> 00:13:40,730

in the blocks and here we let it happen.

217

00:13:41,060 --> 00:13:42,200

It comes right out of here.

218

00:13:42,350 --> 00:13:43,010

It's in, you.

219

00:13:43,709 --> 00:13:44,910

And you put it on the canvas.

220

00:13:46,560 --> 00:13:46,979

Okay.

221

00:13:48,030 --> 00:13:48,900

Let's see.

222

00:13:53,719 --> 00:13:55,370

Let's try this big old tree here.

223

00:13:55,400 --> 00:13:56,959

Put some nice little leaves on him.

224

00:13:57,560 --> 00:13:57,650

Okay.

225

00:14:03,170 --> 00:14:03,859

There we go.

226

00:14:22,255 --> 00:14:24,495

Okay, let's try.

227

00:14:24,885 --> 00:14:30,114

I bad, a little permanent red with

my color now, just to, just to

228

00:14:30,135 --> 00:14:31,395

give us a little different value

229

00:14:37,035 --> 00:14:39,734

and you know, if we're going to walk

through the woods, we need a little path.

230

00:14:41,505 --> 00:14:48,944

So let's take a little bit of Vandyke

Brown here and let's build us a happy

231

00:14:48,944 --> 00:14:53,085

little path and we're just going to

take the knife and let this path sort

232

00:14:53,085 --> 00:14:56,475

of just wander right down through here.

233

00:15:01,635 --> 00:15:02,324

There we go.

234

00:15:02,725 --> 00:15:04,965

Spinning, wander around play, have fun.

235

00:15:18,770 --> 00:15:19,010

there.

236

00:15:19,010 --> 00:15:20,390

We got us a nice little path.

237

00:15:21,410 --> 00:15:22,820

Now we need to highlight that path.

238

00:15:22,840 --> 00:15:24,320

I'll take just a little bit of white,

239

00:15:28,310 --> 00:15:31,520

just take and barely touch

the canvas here just enough.

240

00:15:31,520 --> 00:15:34,460

So we can highlight where the

sun sparkling through here.

241

00:15:37,130 --> 00:15:37,520

There.

242

00:15:38,955 --> 00:15:39,885

See how easy that is,

243

00:15:43,455 --> 00:15:44,595

that, that paint break.

244

00:15:49,425 --> 00:15:54,314

And now in order to set the path down into

the painting, we'll add some bushes, that

245

00:15:54,435 --> 00:15:56,505

project up over the path here and there.

246

00:15:58,245 --> 00:15:59,025

Just push them in.

247

00:16:01,829 --> 00:16:02,819

Fair Waco.

248

00:16:04,199 --> 00:16:06,240

And you can see how that

makes it just really literally

249

00:16:06,240 --> 00:16:07,410

drop right into the painting.

250

00:16:16,130 --> 00:16:16,579

okay.

251

00:16:17,090 --> 00:16:19,340

Well, let's put some

more land areas in here.

252

00:16:22,400 --> 00:16:25,400

I can get this nice little

areas coming down through here.

253

00:16:34,140 --> 00:16:34,650

Alexa,

254

00:16:43,190 --> 00:16:47,990

and we'll have some over here and

follow the angle of your land.

255

00:16:52,370 --> 00:16:52,910

There we go.

256

00:16:53,900 --> 00:16:53,990

Okay.

257

00:16:54,194 --> 00:16:55,995

Okay, there we go

258

00:17:05,325 --> 00:17:05,714

there.

259

00:17:06,724 --> 00:17:10,625

And maybe, maybe, maybe as we're

walking through the woods here,

260

00:17:11,645 --> 00:17:12,935

maybe it rained last night.

261

00:17:15,125 --> 00:17:18,665

Hey, maybe it came a nice little

rain and there's little puddles.

262

00:17:20,324 --> 00:17:22,994

No after it rains, you always

have little rain puddles.

263

00:17:23,685 --> 00:17:26,204

So let's take a little touch

of the Prussian blue here.

264

00:17:26,294 --> 00:17:30,345

Oh, we'll just make us a little puddle

and we put some pressure and blue

265

00:17:30,345 --> 00:17:36,185

on the brush and we take here and

pulled downward, just pulled downward.

266

00:17:36,784 --> 00:17:37,385

Like, so

267

00:17:41,855 --> 00:17:42,514

there we go.

268

00:17:48,075 --> 00:17:48,705

Okay.

269

00:17:49,455 --> 00:17:52,695

Let's see how easy it is to do now.

270

00:17:54,485 --> 00:17:59,165

Very gently will come across this

way just to give it a watery effect.

271

00:18:01,265 --> 00:18:04,685

Now, if you want to, if you want to

put highlights in here, maybe you

272

00:18:04,685 --> 00:18:09,455

could take just a little touch of the

titanium, white on your brush and pull

273

00:18:09,455 --> 00:18:13,055

down and it'll give a sort of a sheen.

274

00:18:20,625 --> 00:18:21,165

There.

275

00:18:24,275 --> 00:18:29,525

And then once he can't just come across

just enough to give it a nice watery feel,

276

00:18:30,995 --> 00:18:32,945

you can overdo this part very easily.

277

00:18:34,675 --> 00:18:35,055

Okay.

278

00:18:35,495 --> 00:18:36,965

I'm going to wash off the old brush.

279

00:18:44,655 --> 00:18:45,225

Okay.

280

00:18:45,225 --> 00:18:49,065

Now we can take a little

more of the Vandyke Brown

281

00:18:52,245 --> 00:18:54,195

and we can just make

little puddles out of this.

282

00:18:54,375 --> 00:19:00,945

Maybe it comes down like so right

through there, there we are.

283

00:19:04,095 --> 00:19:04,605

Okay.

284

00:19:06,465 --> 00:19:07,245

Little puddle.

285

00:19:08,640 --> 00:19:12,090

And we'll just make this a

little separate puddle back here,

286

00:19:16,070 --> 00:19:16,940

just like that

287

00:19:22,430 --> 00:19:27,920

June, they would take a little

bit of Brown and white and we all

288

00:19:28,070 --> 00:19:29,420

lay a little highlight on there.

289

00:19:30,770 --> 00:19:31,280

There we go.

290

00:19:42,035 --> 00:19:42,514

your world.

291

00:19:42,514 --> 00:19:44,915

You can do anything

that your heart desires.

292

00:19:51,245 --> 00:19:56,325

My home is in Fairbanks, Alaska, and

I spend a lot of time walking around

293

00:19:56,325 --> 00:20:00,455

in the woods and talking to trees,

squirrels, and little rabbits and stuff.

294

00:20:01,655 --> 00:20:02,945

And I look at a lot of nature.

295

00:20:03,885 --> 00:20:06,675

And if painting teaches you,

nothing else, it'll teach you to

296

00:20:06,675 --> 00:20:08,834

look at nature with different eyes.

297

00:20:09,195 --> 00:20:11,205

It'll teach you to see things

that have been there all your

298

00:20:11,205 --> 00:20:13,004

life, and you've never noticed.

299

00:20:14,024 --> 00:20:19,094

And if it does nothing else, but

make you enjoy nature, it's worth it.

300

00:20:19,125 --> 00:20:19,445

Wow.

301

00:20:20,074 --> 00:20:23,405

So look around, look at what we have.

302

00:20:24,004 --> 00:20:25,774

Beauty is everywhere.

303

00:20:26,375 --> 00:20:27,754

You only have to look to see it.

304

00:20:28,445 --> 00:20:28,655

Okay.

305

00:20:29,925 --> 00:20:31,125

And I talk too much sometimes.

306

00:20:31,125 --> 00:20:32,295

So we'll go back to painting here.

307

00:20:33,045 --> 00:20:35,985

Take a little bit of the Dan white

paint here and we'll put some

308

00:20:35,985 --> 00:20:37,485

little water lines back in here.

309

00:20:38,295 --> 00:20:43,545

Can you just like, so here we go

310

00:20:49,205 --> 00:20:53,585

there and maybe some little

water lines right here.

311

00:20:56,760 --> 00:21:00,660

This is just the thin white paint and

you literally just cut right into the

312

00:21:00,810 --> 00:21:04,440

canvas with it and let's move that out.

313

00:21:06,200 --> 00:21:06,680

Here we go.

314

00:21:14,330 --> 00:21:14,990

Okay.

315

00:21:15,150 --> 00:21:18,380

Now, while I have the knife here,

I'm going to take and just cut a

316

00:21:18,380 --> 00:21:19,640

few little sticks here and there.

317

00:21:20,270 --> 00:21:23,120

And all we're doing is just literally

cutting right through the paint.

318

00:21:25,260 --> 00:21:28,710

So the canvas shows through and

it makes a multitude of little

319

00:21:28,710 --> 00:21:34,710

sticks and these little sticks help

create the illusion of distance in

320

00:21:34,710 --> 00:21:38,970

a painting, all different planes.

321

00:21:46,560 --> 00:21:47,280

Okay.

322

00:21:49,020 --> 00:21:50,330

Now then let's put some.

323

00:21:52,245 --> 00:21:56,655

Let's put some bushes and stuff right

down here on the grass, on this soil area.

324

00:21:57,945 --> 00:21:58,605

There we go.

325

00:22:03,335 --> 00:22:04,045

There, they are.

326

00:22:05,955 --> 00:22:06,875

There they are.

327

00:22:08,225 --> 00:22:15,065

They just live right here and your brush

and you just drop them right in there.

328

00:22:19,754 --> 00:22:24,215

Okay, now let's take and do this.

329

00:22:24,485 --> 00:22:29,735

Let's put some land right down

through here, back to the van.

330

00:22:29,735 --> 00:22:31,895

Dyke Brown, a little bit of white.

331

00:22:35,435 --> 00:22:36,095

There we go.

332

00:22:40,145 --> 00:22:41,375

A little highlight on here.

333

00:22:51,725 --> 00:22:55,115

and we'll put a few little

bushes and stuff right out here.

334

00:22:59,885 --> 00:23:00,875

See how easy that is.

335

00:23:02,645 --> 00:23:03,035

Okay.

336

00:23:03,515 --> 00:23:05,165

If you were a little water lines in there.

337

00:23:09,270 --> 00:23:10,560

Just let them happen

338

00:23:14,600 --> 00:23:15,050

each week.

339

00:23:15,050 --> 00:23:18,889

We'll try to do paintings that are

designed to teach you something different,

340

00:23:18,950 --> 00:23:23,870

something new, something exciting

just to keep your interest going.

341

00:23:25,189 --> 00:23:25,429

Okay.

342

00:23:25,429 --> 00:23:29,419

Now let's play a little bit here.

343

00:23:29,899 --> 00:23:31,970

That's have a happy little

tree right in there here.

344

00:23:32,330 --> 00:23:34,879

So I'm going to start with

the van Dyke Brown and we will

345

00:23:34,879 --> 00:23:36,110

make his little trunk here.

346

00:23:37,460 --> 00:23:37,970

There he goes.

347

00:23:38,775 --> 00:23:39,915

Do-do poop, poop, poop,

348

00:23:42,975 --> 00:23:44,985

straight Vandyke Brown to start with.

349

00:23:47,525 --> 00:23:53,705

Yeah, I'm going to just turn the knife and

give him a little foot to stand on there.

350

00:23:59,465 --> 00:24:02,615

Yeah, maybe he needs another little arm

out here, so we'll just give him one.

351

00:24:04,415 --> 00:24:05,195

You're your creation.

352

00:24:05,195 --> 00:24:07,235

You can do anything here

that you want to do.

353

00:24:11,925 --> 00:24:12,585

Let it happen

354

00:24:15,975 --> 00:24:16,425

there

355

00:24:20,745 --> 00:24:24,125

and we'll give him some little leaves

and we'll use some more of the lizard.

356

00:24:24,125 --> 00:24:26,615

Crimson touch oppression, blue.

357

00:24:28,715 --> 00:24:29,105

Okay.

358

00:24:29,285 --> 00:24:31,085

We need dark in order to show light.

359

00:24:31,235 --> 00:24:33,005

So first we'll put some dark on here.

360

00:24:34,595 --> 00:24:36,155

Put some happy little

leaves here and there.

361

00:24:41,550 --> 00:24:46,320

When we see you next week, I hope you have

your almighty easel set up the colors.

362

00:24:46,620 --> 00:24:47,130

Ready?

363

00:24:47,280 --> 00:24:51,180

Your big brushes, all primed

and ready to go and do an

364

00:24:51,180 --> 00:24:52,470

almighty painting with us here

365

00:24:55,710 --> 00:24:58,530

very quickly while I'm finishing

this up, I'll go over the colors.

366

00:24:58,530 --> 00:25:04,980

One more time that we use

titanium white, the little green.

367

00:25:05,760 --> 00:25:13,710

Prussian blue Vandyke Brown

alizarin, Crimson SAP, green,

368

00:25:15,149 --> 00:25:20,790

CAD yellow, and permanent red,

only eight colors that you need.

369

00:25:23,040 --> 00:25:23,550

Okay.

370

00:25:23,639 --> 00:25:26,700

Now let's put some highlights on

this pretty little tree right here.

371

00:25:29,820 --> 00:25:32,310

I use just a little touch, more

of the permanent red and this one.

372

00:25:32,310 --> 00:25:33,600

So he'll stand out a little more.

373

00:25:37,504 --> 00:25:40,655

See how easy it is to create a

tree right here in your world.

374

00:25:42,905 --> 00:25:43,625

There we go.

375

00:25:50,995 --> 00:25:54,785

Maybe down here, maybe it has

some nice little bushes and

376

00:25:54,785 --> 00:25:56,375

stuff happening right in here.

377

00:25:57,514 --> 00:25:57,995

There we go.

378

00:26:04,139 --> 00:26:04,739

Right, right.

379

00:26:05,280 --> 00:26:06,419

Maybe right there, another one

380

00:26:10,879 --> 00:26:11,300

here and there.

381

00:26:11,300 --> 00:26:16,010

I'm going to put just a few

little sticks and stuff like that.

382

00:26:18,979 --> 00:26:24,500

Just once again, to build some

distance in here, we want this

383

00:26:24,500 --> 00:26:25,969

to have a lot of depth in it.

384

00:26:26,970 --> 00:26:28,950

Hey, we'll cut in a few

little sticks here and there.

385

00:26:29,220 --> 00:26:29,880

Like, so

386

00:26:35,580 --> 00:26:37,740

you're getting excited yet that

you're ready to paint with us.

387

00:26:38,910 --> 00:26:39,510

You can do it.

388

00:26:47,640 --> 00:26:48,300

Okay.

389

00:26:51,210 --> 00:26:53,970

And I think this painting

is far enough along.

390

00:26:53,970 --> 00:26:54,510

We'll just.

391

00:26:55,335 --> 00:26:56,385

Sign this rascal.

392

00:26:56,775 --> 00:27:03,255

And I signed a painting with a script

liner brush a little bit of oil, and I use

393

00:27:03,255 --> 00:27:05,085

red paint with whatever color you prefer.

394

00:27:06,645 --> 00:27:07,065

Okay.

395

00:27:09,135 --> 00:27:11,925

And we'll just sign that rascal.

396

00:27:13,845 --> 00:27:17,985

I hope you've enjoyed

this painting next week.

397

00:27:17,985 --> 00:27:20,985

We're looking forward to seeing

you we'll help you have your

398

00:27:20,985 --> 00:27:23,655

brush ready, dream in your heart.

399

00:27:24,180 --> 00:27:30,060

That you want to put on canvas and join

us right here for the joy of painting

400

00:27:30,840 --> 00:27:34,470

and you too can build fantastic pictures.

401

00:27:35,460 --> 00:27:39,960

You can take them from here and

put them on there until next week.

402

00:27:41,129 --> 00:27:42,930

Happy painting from all of us here.

End .srt file.

Bob Ross' The Joy of Painting

Tuesday, December 15, 2020

S01E03 - Ebony Sunset

Bob Ross's

The Joy of Painting

S01E02 - Mt McKinley

Bob Ross's

The Joy of Painting

S01E01 - A Walk in the Woods

Bob Ross's

The Joy of Painting

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