Bob Ross's

The Joy of Painting

S31E04 - Tranquility Cove

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Hi glad you could join us today.

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Today.

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I thought we'd do a fantastic little

painting that I believe you'll enjoy.

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Let's start out and have him run

all the colors across the screen

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that you need to paint along

with us while they're doing that.

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Let me show you what I

got done up here today.

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I have my plain old 18 by 24 inch

pre-stretch canvas, and I've just covered

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it with a very thin coat of liquid white.

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So it's all slick and it's ready to go.

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I use an 18 by 24 inch canvas, but at home

you use any size it's convenient for you.

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We just use that because it sort

of fits the television format.

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Other than that use any size.

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Let's start today with

a little yellow car.

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What the heck let's do,

let's do a painting today.

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That's very bright.

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Has a lot of colors in it

to just make you feel good.

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It'll warm up a room.

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If you hang it in it.

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Small amount of yellow ochre on a two

inch brush and let's go right up in here.

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We just put a little color

from the sky that easy.

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That easy, no problem.

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And it's continually mixing with the

liquid white that's on the canvas.

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And so automatically it'll get a little

lighter in value there in the more you

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blend it, the lighter it'll become.

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So you have to make a decision.

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How light do you want your sky?

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How dark, how bright up to you.

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When you have this much power, you

have to make tremendous decisions.

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Okay.

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Now let's take a little bit, I'm

going to tell you what let's do.

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Let's mix up a little lavender color.

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We'll take a little lizard, Crimson,

a little, stay a little blue.

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Mix them together.

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Proportionately much, much more

Crimson than blue proportionately.

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The blue is much, much stronger.

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It'll just eat up your

whole world in a heartbeat.

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I'm on mixed two or three

different values over here.

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I've put even more blue.

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So I've got some here.

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That's got a lot of blue in it.

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Some this got a little, and that way

we can just sort of play around and

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have several different variations

without continually mixing color.

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There we'll just use that single

brush it's working pretty good.

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I'm just going to tap the corner

of the bristles right into

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a little bit of that color.

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I don't want a lot of color on there.

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Just a little, just a little, and

let's go up in here and let's test it.

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I like it.

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Okay.

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We did well now then.

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Using the top corner, this two inch

brush, let's just begin putting

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in some basic little shapes.

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So we're not looking for a lot of detail.

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I want this just to be little shrubbery

and things that live far away.

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We offered to the background.

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We often to the background, there we are.

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Here's a little blue there.

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That's nice, happy little accident there.

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All we're doing is just looking for basic.

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Shapes when objects are far, far away

from it, you don't see detail, you

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see basic color and basic shapes, and

that's all we're looking for in this.

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Sometimes we can even do

like that just to blend it.

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So you just have little splotches

of color, maybe that's we far away.

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Just let your imagination go.

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Imagination can take you to any

land that you want to be in.

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All you need to do is have a vision

in your mind and believe in yourself.

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You go off you go, because I know

that you can do anything that

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you believe you can do there.

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And we believe we can do anything.

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Anything that we're willing to

try and willing to practice.

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Right.

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Something about like him

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a little bit more of that color.

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And I'm just going to put

layer after layer here.

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That looks like there's many,

many layers of little things that

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live back here in a distance.

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Okay.

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Get a clean brush.

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I've got several of

these old brushes going.

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So I don't have to spend all my time.

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Just, just cleaning the brushes in here.

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I'm going to tap to

soften the bottom edge.

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I want to soften it until

it looks very Misty.

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Like there's little layers of

mist floating around in there.

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Softer and softer.

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Do you ever think you can take a two

inch brush and paint such things?

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I guess it looks so delicate.

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You can, you absolutely can.

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Let's see a little more of a color here.

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Maybe this comes over, we

don't know where it goes.

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Maybe I'll have a big tree there,

so we don't have to worry about it.

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I like big trees, as you know, maybe

we'll just put one right in there.

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All right.

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One of the things that

makes us so great visit.

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We do no sketching, no drawing.

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You don't have to be

able to draw to do this.

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Or you have to do is be able

to hold a brush and off you go.

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Now then let me take a little bit

of this color that we had here had

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a little more of the Crimson in it.

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A little more Crimson, just

tap a little into the bristles.

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We'll warm it up a little.

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Yeah.

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Nice.

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Just got more Crimson.

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I like the lizard.

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Crimson is such a

beautiful, beautiful color

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that will beat the brush.

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That just takes off excess paint.

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Cause I want to soften this.

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There we go.

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Okay, wherever you want these little

things to be exactly where they should be.

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Just little layers of color in here.

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And then very quickly we'll just plan

that away, but see already increased the

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illusion of distance in your background,

and you've done virtually nothing.

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You can even take one let's let's do it.

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Let's take a little, a little

bit, a little, maybe a little

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touch of yellow into it.

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That'll make a gorgeous green, a little

more to the blue side and you can

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adjust this back and forth and maybe.

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Let's get crazy.

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Try that Keller.

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If we just put a little of that in there,

just to change the flavor, just a little

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kid, yellow, yellow, blue, mostly blue.

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Just enough to give it

a little hint of color.

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That's all we're looking for.

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Just a hint, just a hint.

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She was, we were making all kinds of

little background doers when you're

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at home and have unlimited time

practice with this play with it.

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It's unbelievable that you can

make absolutely unbelievable.

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All right, let's take our little

script, Lander brush a little

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bit, a little bit of paint thinner

just to make a very thin paint.

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Turn the bristles.

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That'll bring it to a nice sharp point

and let's go up in here and here and

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there and there in here, let's just put

the indication of a few little sticks and

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twigs that are living in back in here.

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We don't want a lot, do not want a

lot because they're too far away.

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You would only see major tree

trunks that live as far away.

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But a few little

indications are very nice.

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It'll give the illusion of distance

and depth in your painting.

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All right.

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Something about like, okay,

let's have some fun now.

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Let's mix up.

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I would just keep using that

a lavender color we have here.

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We'll put some black and some

Brown lizard Crimson a little bit.

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They look blue like that.

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That's okay.

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It doesn't matter.

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Wipe off the knife.

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We just use one of these old

brushes that we were working with a

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little bit of that color in there.

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We need some dark in order to show light.

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So let's begin.

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Let's begin designing our painting, maybe.

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Hey right there, right there.

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Maybe there's a little, a little

bit of land right back in there.

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This is just dark.

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So that would put a light color on there.

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It'll show.

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That's really all we're looking for

really, and truly we are worried

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about other things as they happen.

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But in our world, we just

sort of let things happen.

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Just let them happen very quickly.

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You learn to work with

anything that you create.

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Once again, we don't make mistakes.

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Watch it.

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If you wish to do something like this.

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Okay.

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Watch, watch.

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This is your brave retest

already in this painting, you

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take the corner of the brush.

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Look at here, maybe in our world,

there lives a big old tree.

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We can have a big tree right

there, right there that easy.

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Okay.

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Now we can take a little yellow

ochre, a little Indian, yellow,

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maybe a touch to the bright red.

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Maybe, maybe check for us to stop by here.

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And we're beginning.

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Beginning to see some gorgeous

fall colors, same old, dirty brush.

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Let's see what we get here.

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Look at there.

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Look there that easy.

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Can just make all kinds of little

doodles, but a few highlights on it.

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And already we have, we have the start

of a nice little, and if you have

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trouble making your paint stick on top

of this, add a little touch of liquid

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white or paint thinner liquid white

will brighten your color or a little.

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Sometimes you want that.

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Sometimes you don't want your

color to stay pure and use

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just a little paint thinner.

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Just a little paint thinner.

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So you don't want to say a little, let

me emphasize little, it takes a very,

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very small amount, very small amount.

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And we're just using

the corner of the brush.

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I can't see there.

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Okay.

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Now then let's take a little step Gruen.

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Mix it in here that green and

some of our yellows would just

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make some beautiful colors here

that, um, happened on the brush.

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Don't worry about them mixing with

all of her yellows and there's a

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little touch of red hair in there

and we can go right up in here.

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Okay.

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Okay, look, watch, watch, watch.

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We'll just make a nice

little Hill right here.

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That'd be a fantastic little place.

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Take your shoes off and let your

naked feet run through there.

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I like to run through a

metal or something with bare.

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It always feels good.

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And as a kid, we live Lee out

in the woods in Florida, and

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we used to do it all the time.

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She would have hit him

where she was less about 12.

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And that's the truth.

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Even to school, we didn't wear shoes.

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There we are.

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Okay.

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Let's see the little Hill coming down

that easy, but pay attention to angles.

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The lay of the land is

very, very important.

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Very important.

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Let me grab another brush

with some dark color on him.

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We can play here.

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I see.

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I have several brushes going.

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You ready?

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Let's do it.

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We have this whole side open over here.

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I think in our world that a little

bit of dark Sienna to that color.

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We got a big, what the heck do it?

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Do it.

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He's always telling me,

don't worry about it.

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Dad just, just do it.

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And that's what we'll do right there.

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Just drop in a huge tree.

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Let it come right in front of this tree.

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Don't be afraid of it.

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Touching the tree, you know,

in nature, trees just grow,

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however maker, make them happy.

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So just drop it in.

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Don't worry about it.

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Touching the other tree

or going in front of it.

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In our world, we can put trees wherever

we want them and we can move them.

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If we want to, we can move them.

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We can do anything in our world.

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Maybe that comes right on out here.

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So you already are beginning

to see things in here, practice

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painting, without really knowing

exactly what you're going to paint.

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When you start, you'll be amazed.

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You'll be amazed at what you can do.

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Just have a general idea in

your mind at the time of day and

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the time of year and go forward

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now.

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Take what?

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Listen, let's have some water in here.

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And this easy, you can look just,

it looks like the right place

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to have a little touch of water.

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Just give it a little downward,

pour just a little downward.

254

00:13:42,345 --> 00:13:43,305

Pull that easy.

255

00:13:45,255 --> 00:13:48,855

All right then the more

dark color over here.

256

00:13:51,465 --> 00:13:52,665

They'll probably be some over here too.

257

00:13:52,815 --> 00:13:53,475

I don't know yet.

258

00:13:54,435 --> 00:13:59,085

We'll put something in no matter what now.

259

00:13:59,115 --> 00:13:59,745

Very lightly.

260

00:14:00,615 --> 00:14:06,465

Go across seeing here, we have instant

water that easy and you can see it.

261

00:14:06,465 --> 00:14:11,535

Shimmer water might be one of the easiest

things to make in this whole technique.

262

00:14:12,335 --> 00:14:15,365

As traditional paint of water and

reflections was very hard to make.

263

00:14:15,365 --> 00:14:19,595

I'm just mixing up some more color here,

but in this little style of painting,

264

00:14:19,625 --> 00:14:24,335

it is very, very easy reflections may be

one of the easiest things that we make.

265

00:14:25,589 --> 00:14:26,370

I just ran out of paint.

266

00:14:27,180 --> 00:14:32,099

I decided I want a tree over here

on the other side, too, right there.

267

00:14:34,170 --> 00:14:35,099

So we can put him in.

268

00:14:36,360 --> 00:14:37,319

Maybe he lives right there.

269

00:14:38,459 --> 00:14:39,060

I don't know.

270

00:14:40,800 --> 00:14:41,370

Really know.

271

00:14:42,089 --> 00:14:42,599

Doesn't matter.

272

00:14:43,829 --> 00:14:45,839

All we're looking for

is just a basic shape.

273

00:14:46,800 --> 00:14:47,160

Okay.

274

00:14:47,189 --> 00:14:47,810

Here it comes here.

275

00:14:47,829 --> 00:14:50,910

Comes right on out.

276

00:14:53,814 --> 00:14:56,665

See, that's all you have to do once again.

277

00:14:56,695 --> 00:14:59,985

Let your imagination take you to all

these places don't worried about it.

278

00:15:01,545 --> 00:15:02,085

All right.

279

00:15:02,535 --> 00:15:03,405

I'm going back to the brush.

280

00:15:03,405 --> 00:15:04,695

It has my light color on it.

281

00:15:06,165 --> 00:15:08,685

I'm going to put a little

touch of, excuse me a second.

282

00:15:08,685 --> 00:15:09,555

Let me dip right there.

283

00:15:10,035 --> 00:15:13,305

A little bit of liquid white, just

mixed, a little liquid white in there

284

00:15:14,025 --> 00:15:18,255

at thins the color, and also makes

it a little bit lighter and value.

285

00:15:19,064 --> 00:15:20,715

All right, let's go right up in here now.

286

00:15:21,689 --> 00:15:27,720

And, and, and, and maybe, yeah,

just enough color variation.

287

00:15:27,720 --> 00:15:28,590

So that shows.

288

00:15:30,165 --> 00:15:31,725

There put a little red in there done.

289

00:15:31,725 --> 00:15:32,655

It'll pop it loose.

290

00:15:34,035 --> 00:15:35,655

I'm going to change the angle here.

291

00:15:37,215 --> 00:15:38,385

Change the angle.

292

00:15:38,565 --> 00:15:41,055

We have one layer coming down

to the next one's coming back.

293

00:15:41,355 --> 00:15:43,755

Maybe there's a little, might

even be a little stream back here.

294

00:15:43,755 --> 00:15:44,565

We can't see it.

295

00:15:44,595 --> 00:15:45,255

We don't know.

296

00:15:45,525 --> 00:15:46,755

We don't know.

297

00:15:48,105 --> 00:15:49,605

Leave some mystery in your painting.

298

00:15:50,625 --> 00:15:51,885

Leave a little mystery.

299

00:15:53,835 --> 00:15:54,615

There we are.

300

00:15:55,500 --> 00:16:01,280

Sometimes it's nice to not know

exactly what happens there.

301

00:16:03,140 --> 00:16:04,760

It's like looking at a beautiful lady.

302

00:16:05,209 --> 00:16:07,400

It's much nicer if it's, uh,

there's a little mystery.

303

00:16:08,209 --> 00:16:08,680

Yeah.

304

00:16:10,250 --> 00:16:11,030

All right.

305

00:16:12,979 --> 00:16:13,459

Okay.

306

00:16:13,459 --> 00:16:18,780

Now, I won't take, let's

put a little color on here.

307

00:16:19,170 --> 00:16:20,040

Gonna make a tree.

308

00:16:20,370 --> 00:16:20,910

Let's put it.

309

00:16:21,930 --> 00:16:23,490

Let's put some fall colors in that tree.

310

00:16:23,490 --> 00:16:24,540

We'll take a little red.

311

00:16:24,540 --> 00:16:26,130

We can get a little lizard

and Crimson to that.

312

00:16:26,640 --> 00:16:27,719

Ooh, nice color.

313

00:16:28,560 --> 00:16:30,390

Alizarin, Crimson and yellow ochre.

314

00:16:30,390 --> 00:16:32,069

Make a beautiful fall color.

315

00:16:32,160 --> 00:16:33,060

Screw right up in here.

316

00:16:33,990 --> 00:16:36,030

Now add a little touch of

paint center to my brush.

317

00:16:36,030 --> 00:16:39,750

So this paint is getting quite

thin and it'll go on there.

318

00:16:39,780 --> 00:16:40,229

Easier.

319

00:16:40,650 --> 00:16:42,060

If you have trouble making it stick.

320

00:16:43,140 --> 00:16:44,280

Add a little paint, thinner.

321

00:16:44,579 --> 00:16:45,390

Just a little though.

322

00:16:45,540 --> 00:16:50,819

It takes very little, very

little, doesn't take much air.

323

00:16:50,819 --> 00:16:54,930

We are all kinds of little doers.

324

00:16:54,930 --> 00:16:56,040

They just live in there.

325

00:16:56,775 --> 00:16:58,785

Thank you about shape and form

when you're putting these.

326

00:16:58,785 --> 00:17:00,645

And don't just hit them at random.

327

00:17:02,265 --> 00:17:03,705

No, not at random.

328

00:17:05,505 --> 00:17:06,224

There we go.

329

00:17:07,964 --> 00:17:08,775

All right.

330

00:17:12,255 --> 00:17:16,035

And just keep working in layers,

always working in layers.

331

00:17:18,675 --> 00:17:21,405

Toward the bottom of the tree,

let it get darker, darker, darker.

332

00:17:21,765 --> 00:17:24,045

You want some deep shadows

at the bottom of the tree?

333

00:17:24,435 --> 00:17:25,845

That's where all my little friends live.

334

00:17:27,015 --> 00:17:27,734

I don't know if you saw him.

335

00:17:27,734 --> 00:17:30,165

I got little pea pod, the cartoon up here.

336

00:17:30,735 --> 00:17:31,845

He's on top of my easel.

337

00:17:33,285 --> 00:17:34,545

He's watching me paint today.

338

00:17:34,725 --> 00:17:36,225

See any cute.

339

00:17:37,665 --> 00:17:38,835

He didn't get his own brush.

340

00:17:39,345 --> 00:17:40,515

I better watch him at Roscoe.

341

00:17:40,545 --> 00:17:41,415

Be a painting on here.

342

00:17:42,315 --> 00:17:43,485

Okay, let's go over here.

343

00:17:43,485 --> 00:17:44,175

And the other side.

344

00:17:46,370 --> 00:17:48,620

If you've pains with me

before, you know, these little

345

00:17:48,620 --> 00:17:50,150

animals are very special to me.

346

00:17:52,070 --> 00:17:54,200

I work with people who take

care of them all over the

347

00:17:54,200 --> 00:17:56,390

country and try to support them.

348

00:17:57,590 --> 00:18:00,740

Most of these people who worked

with injured and orphaned animals

349

00:18:00,980 --> 00:18:03,110

are doing it strictly on their own.

350

00:18:03,110 --> 00:18:05,720

They get no help from the

government or anybody else.

351

00:18:06,470 --> 00:18:07,850

They do it strictly on their own.

352

00:18:08,965 --> 00:18:11,665

So for somebody in your neighborhood

and there probably is, if you look

353

00:18:11,665 --> 00:18:13,555

around, let's do it, come see them.

354

00:18:14,695 --> 00:18:17,335

You'll be, you'll be

pleasantly surprised at all.

355

00:18:17,335 --> 00:18:19,015

The little creatures you can see close up.

356

00:18:20,185 --> 00:18:23,335

And not only that they need

your help, they need your help.

357

00:18:24,175 --> 00:18:25,735

Sounds like a commercial for a minute.

358

00:18:25,735 --> 00:18:26,365

Almost do that.

359

00:18:27,465 --> 00:18:31,065

They really are special

people here in Muncie.

360

00:18:31,065 --> 00:18:34,065

I work with a beautiful

lady named Diana Schaffer.

361

00:18:34,689 --> 00:18:37,020

Loans me a lot of the animals

that you see on the show.

362

00:18:38,629 --> 00:18:40,310

There you go back to my brush.

363

00:18:40,310 --> 00:18:45,350

It's got the dark paint on it, and

we have to decide where this is

364

00:18:45,350 --> 00:18:51,409

going to go wherever it's going to go

there to be a reflection, reflect it.

365

00:18:52,280 --> 00:18:52,820

All right.

366

00:18:54,830 --> 00:18:55,850

Now we need.

367

00:18:57,085 --> 00:19:00,285

Need a little water land, mistakes

of dark CNS, abandon back Browns and

368

00:19:00,285 --> 00:19:03,225

white and mix them together like that.

369

00:19:03,855 --> 00:19:06,915

Don't overmix leave it

marbled, leave it marbled.

370

00:19:07,585 --> 00:19:09,765

See, just pull it a little roll of paint.

371

00:19:10,815 --> 00:19:15,015

You can just go up in here and

put the indication of a little,

372

00:19:15,585 --> 00:19:16,755

maybe a little shorter there.

373

00:19:16,845 --> 00:19:17,385

A little shorter.

374

00:19:19,325 --> 00:19:22,325

There we are there.

375

00:19:22,625 --> 00:19:24,155

Just pull it the same basic angle.

376

00:19:24,155 --> 00:19:25,265

You have the grass growing.

377

00:19:27,240 --> 00:19:31,680

Wherever, wherever we

can highlight it with.

378

00:19:31,890 --> 00:19:34,230

I'll just use dark CNN

white for the highlight.

379

00:19:35,520 --> 00:19:36,360

No Vandyke.

380

00:19:38,430 --> 00:19:39,990

Don't cover up all the first color though.

381

00:19:40,020 --> 00:19:46,050

Just enough to spark lit to

make it stand out there we are.

382

00:19:47,880 --> 00:19:49,590

All right back to her brush.

383

00:19:49,590 --> 00:19:50,970

It has all the pretty colors on it.

384

00:19:52,320 --> 00:19:53,430

A little liquid white with it.

385

00:19:54,630 --> 00:19:55,170

That's nice.

386

00:19:55,830 --> 00:19:56,850

Then more Crimson.

387

00:19:58,770 --> 00:19:59,310

All right.

388

00:20:00,390 --> 00:20:05,670

Now then let's begin bringing down

a little grassy areas and decide

389

00:20:05,670 --> 00:20:08,250

where they go, where they go.

390

00:20:10,649 --> 00:20:18,270

You make all those big decisions,

maybe, maybe, maybe, maybe in our world.

391

00:20:18,720 --> 00:20:19,950

Maybe there's a little Bush right here.

392

00:20:21,450 --> 00:20:24,090

So all we need is to put a little dark.

393

00:20:24,090 --> 00:20:24,270

Yeah.

394

00:20:24,360 --> 00:20:25,860

You need dark in order to show light.

395

00:20:28,110 --> 00:20:29,400

Comment, a little paint thinner.

396

00:20:30,330 --> 00:20:31,200

Let's get a little set.

397

00:20:31,200 --> 00:20:34,650

Brene, make a very thin paint.

398

00:20:34,650 --> 00:20:35,910

See a little rigid paint writer.

399

00:20:36,030 --> 00:20:36,810

It's most important.

400

00:20:37,700 --> 00:20:38,770

That's what we're painting with.

401

00:20:40,750 --> 00:20:41,720

That's what we're painting.

402

00:20:41,720 --> 00:20:41,930

Now.

403

00:20:43,790 --> 00:20:44,450

Here we go.

404

00:20:45,689 --> 00:20:47,250

Make a little happy Bush right there,

405

00:20:51,870 --> 00:20:54,480

but you can put as many or as few

little things in here as you want.

406

00:20:54,780 --> 00:20:55,800

Maybe over the other side

407

00:20:58,949 --> 00:21:01,530

will have to make some decisions

that comes right there.

408

00:21:01,530 --> 00:21:10,500

I know now that's where we want to go in

here where they're nice grassy colors,

409

00:21:12,300 --> 00:21:13,740

putting all kinds of little doodles.

410

00:21:15,435 --> 00:21:16,035

There they are.

411

00:21:19,425 --> 00:21:20,655

Maybe there's another one right there.

412

00:21:21,725 --> 00:21:22,535

It's up to you.

413

00:21:22,715 --> 00:21:25,595

You decide how many little bushes

and trees live in your world.

414

00:21:26,735 --> 00:21:30,575

You put them in there.

415

00:21:30,575 --> 00:21:33,665

We are darker appearance.

416

00:21:33,695 --> 00:21:38,615

So it didn't show so quite so bad there.

417

00:21:40,170 --> 00:21:43,950

There's a little Bush, wherever.

418

00:21:46,980 --> 00:21:47,550

There we go.

419

00:21:48,050 --> 00:21:53,120

But that easy, Alice put a

little bit, a little bit of

420

00:21:53,120 --> 00:21:54,560

land there to hold all that up.

421

00:21:57,140 --> 00:21:57,770

Okay.

422

00:22:01,410 --> 00:22:03,290

Few, little grassy things

running down to the land.

423

00:22:03,290 --> 00:22:05,360

So it didn't look too much.

424

00:22:05,360 --> 00:22:06,410

Like you just cut it off.

425

00:22:06,950 --> 00:22:08,150

Take a little liquid white.

426

00:22:09,840 --> 00:22:10,830

Just a small amount.

427

00:22:13,440 --> 00:22:14,990

Don't want a real bright water line here.

428

00:22:15,010 --> 00:22:20,300

Just want enough to indicate that

there's a separation even might even

429

00:22:20,300 --> 00:22:22,770

want to add a little Brown to it if

you don't want it to get too bright,

430

00:22:24,180 --> 00:22:25,890

because it really will get very bright.

431

00:22:28,065 --> 00:22:29,175

Something about like, yeah.

432

00:22:31,005 --> 00:22:34,935

Over in here, right?

433

00:22:34,935 --> 00:22:38,475

Like that that's really all we need now.

434

00:22:38,975 --> 00:22:39,695

Let's get crazy.

435

00:22:40,805 --> 00:22:43,055

You know me, we've got a second left here.

436

00:22:44,685 --> 00:22:48,945

Let's take in our world, maybe.

437

00:22:50,205 --> 00:22:50,655

Yep.

438

00:22:50,685 --> 00:22:51,255

You guessed it.

439

00:22:52,515 --> 00:22:54,555

Big tree and his friend right there.

440

00:22:56,205 --> 00:22:58,155

Just use the fan brush

a little dark color.

441

00:22:59,535 --> 00:23:05,115

We can take a little touch, a little

touch of white with the knife.

442

00:23:07,005 --> 00:23:08,505

Just touch it and make it.

443

00:23:08,715 --> 00:23:10,275

Maybe this is an old Birch tree here.

444

00:23:12,659 --> 00:23:13,469

We just let him go.

445

00:23:15,000 --> 00:23:22,020

Like, so they're all right.

446

00:23:23,030 --> 00:23:23,320

Yeah.

447

00:23:23,370 --> 00:23:24,649

Take her script liner.

448

00:23:27,389 --> 00:23:30,649

Little bit of the dark Brown

color and paint thinner.

449

00:23:32,000 --> 00:23:32,990

Lot of paint thinner.

450

00:23:33,020 --> 00:23:33,860

Make it very thin.

451

00:23:36,360 --> 00:23:38,270

Then with that I can

come right up in here.

452

00:23:39,629 --> 00:23:42,000

And put the indication of some

tree lamps here and there.

453

00:23:42,929 --> 00:23:45,179

I'll put a few little leaves

on here, so we don't need many.

454

00:23:47,250 --> 00:23:52,050

We don't need many, just

drop them in the indications.

455

00:23:53,850 --> 00:23:56,370

If you have trouble making the

paint flow on here, just add

456

00:23:56,370 --> 00:23:57,389

a little more paint thinner.

457

00:23:59,235 --> 00:23:59,865

There we go.

458

00:24:01,685 --> 00:24:03,395

Now let's take our little oval brush.

459

00:24:04,834 --> 00:24:05,915

We got just a second lift.

460

00:24:05,915 --> 00:24:09,245

We'll have some fun, take a little brush,

loaded, full of color, a lot of color,

461

00:24:10,725 --> 00:24:13,084

lot of color for the red in there too.

462

00:24:14,575 --> 00:24:15,835

All right, we'll give it a little push.

463

00:24:15,895 --> 00:24:20,335

We'll go up in here using that

take advantage of the little

464

00:24:20,335 --> 00:24:21,685

curve it's in that brush.

465

00:24:22,555 --> 00:24:25,764

And we can just put them all kinds

of little leaves up here on these

466

00:24:26,455 --> 00:24:28,465

they could about fall and off.

467

00:24:28,465 --> 00:24:31,975

We go see there a few on the other side.

468

00:24:32,565 --> 00:24:33,405

Right here on this tree.

469

00:24:35,025 --> 00:24:37,845

And it's that easy to make

a beautiful little say, this

470

00:24:37,845 --> 00:24:39,075

does look like autumn to me.

471

00:24:40,695 --> 00:24:41,985

I think we'll call that one finished.

472

00:24:42,855 --> 00:24:45,525

And from all of us here, I'd like

to wish you a happy painting.

473

00:24:46,199 --> 00:24:47,219

God bless my friend.

End .srt file.

Bob Ross' The Joy of Painting

Thursday, December 31, 2020

S31E04 - Tranquility Cove

Bob Ross's

The Joy of Painting

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