Bob Ross's

The Joy of Painting

S29E11 - A Perfect Winter Day

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Hey, welcome back.

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Certainly glad you could join us today.

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It's a fantastic day here and I

hope it is wherever you're at.

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So I tell you what, let's

start right on it today.

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Let's have him run all the

colors across the screen.

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They'll come out red about there

that you need to paint along

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with us while they're doing that.

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Let me show you what

I've gotten done already.

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Today I have my standard old canvas up.

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I'm using an 18 by 24 inch, but you

use whatever size is convenient and

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I've covered the entire canvas with

a very thin coat of liquid white.

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So it's all wet and ready to go.

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And Oh, we just do tape.

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Let's do a little winter scene today.

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Something that's cold.

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Make you have to put your coat on.

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We'll start out with a little

two inch brush and a little

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bit of pressure and blue.

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A little pressure and blue,

let's go right up in here.

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We'll just start right at the top.

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Making little exes,

little crisscross strokes.

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There we go.

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Just little exes there

that are more of the color.

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We start at the top of the canvas

making our little crisscross

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strokes and work downward.

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That way it's continually mixing with

the liquid white is on the canvas.

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And as you work down in.

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This direction and it gets lighter

and lighter in value automatically.

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You don't have to do a thing.

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And that's exactly what we're looking for.

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When we paint a landscape, we want

it to get lighter toward the horizon.

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All right.

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Something about my cat.

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And we can just take it a

little blue and put that here.

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If we don't paint some snow today.

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So anything we put down here it'll

just end up being shadows in the snow.

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We don't even care.

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Don't even care.

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Alright.

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You painted with me before, you

know, the most fun part of this

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whole technique is washing the brush.

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So let's do that.

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We wash our brush with

odorless paint thinner.

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We just shake off the excess.

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And then

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cover those studios.

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All right.

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Maybe in our world, maybe there's a

happy little cloud floating around,

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so let's make a little car out.

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Take the two inch brush.

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I'm just going to tap it right

into a little bit of the titanium

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white and notice that we're just

having the one corner basically.

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Like, so, okay.

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Then we'd go up here

and let's just tap in.

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She has the basic indication,

just tap through a little bit

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to do something about like that.

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We don't really care in our world.

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We can do anything that we wanted to.

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So if we want a happy little cloud

that easy, we'll just drop one.

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Yeah.

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All right.

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Let me grab a clean brush.

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I have several going now, this is a

clean two inch brush and I'm just going

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to gently, gently just stirred up a

little bit, something about like yet

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in that easy, we got a little cloud in

our world and we can wash our brush.

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Yeah, actually, I'm just looking for

an excuse to wash the brush there.

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All right.

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Today let's make a little mountain.

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I like mountains.

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There are a lot of fun to paint.

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They'll give you a lot of

practice with all the equipment.

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Take some midnight, black suppression,

blue, little alizarin Crimson.

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We'll mix those together.

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Let's throw some Vandyke

Brown in there, too.

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What the heck?

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As long as it's dark.

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Okay.

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Now cut off a little roll of paint.

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See it to right after him.

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The end of the knife.

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Let's go up in here, your

first major decision there,

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it is to have to decide where.

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Where the old mountain lives in your

world and what his basic shape is.

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We don't care.

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Mountains grow in all sizes and shapes.

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It's really up to you, really up to you.

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If you live in areas where there's a

lot of mountains, you just take a look,

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see out the window and get an idea.

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And if you don't, there's millions

of books that have beautiful,

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beautiful photographs of

mountains from all over the world.

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And when you're creating your own world,

You make a mountain that you like.

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All right.

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Don't take the two inch brush.

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Grab that paint firmly

and pull it, just pull it.

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We want to remove excess paint and we want

to blend the base of the mountain out.

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So it gets softer and softer

down toward the bottom.

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Something like that.

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That's all we're looking for.

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All right.

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Let's put some snow on that mountain too.

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It's cold.

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We need that little bit of snow.

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Pull the paint out as

flat as you can get it.

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Cut across, get a little wheel of paint.

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It's most important.

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You have a little roll of paint.

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All right now with no pressure,

no pressure whatsoever.

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Just let it glide right down there.

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And I'll tell you a little secret.

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It's much easier to do

fast than it is slow.

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If you go real slow and timid,

you have a tendency to put

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too much pressure, do it slow.

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Just see, just do it.

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That really truly works better.

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I don't know why, but even when we're

training instructors, we make them

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faint very, very fast sometimes.

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And when they first start.

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You wouldn't believe they're

nervous as they can be.

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I didn't know.

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All of a sudden they find out

that if they paint fast, it works

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better than when they go slow.

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Try it both ways, any way that you can

make it work is absolutely perfect.

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Absolutely perfect.

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There, maybe this whole mountain maybe

just comes right around, like it.

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I don't know.

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Let's take a little hike, a little bit

of depression, blue, mix it together.

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Just white impression.

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Blue.

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We're going to make a shadow color there.

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That's not too bad.

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That's better.

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You just keep on to get

it to where you want it.

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A little older paint once again, then

we can go up in here and we begin

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picking out these little shadows.

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They live right in here, right in here.

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See, I just let them go once again.

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No pressure on the knife though.

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Just that it touched the canvas.

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Just let it touch.

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It'll pull off what it wants.

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Give you back what's left.

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See, just barely let it graze.

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There, something like that.

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All right.

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And you can go back and pick up a little

white and begin putting in more details.

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You can do this until you

make just a fantastic mountain

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practice with mountains.

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It teaches you how to use the knife.

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And if you can use this knife properly

shoot, you can do, you can do entire

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paintings using nothing, but tonight.

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Yeah.

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Some of the earlier series,

we did a couple of pages.

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Like it, it's a little bit slower and

it's hard to do in the timeframe that

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we have, but you actually can paint

the entire painting using nothing,

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but the knife now I'm tapping the

base, but I'm following those angles.

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Now I'm going to lift up bird

still following those same angles.

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All right.

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I want this to sort of look

like it's around it a little.

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So we'll just do that.

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Tap it, just put it in.

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Okay.

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A little bit over in here,

shoot in business that easy.

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Okay.

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Bad was it?

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Let's take this.

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We use that mountain color.

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Here's some, a little

bit of white with it.

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Whatever we got.

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No, it doesn't matter.

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Cause you know, we don't,

we don't make mistakes.

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We just have happy accidents.

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So anything that happens

here is wonderful.

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It's absolutely wonderful.

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All right.

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So I'm going to add a

little more blue to that.

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Oh, I like it now.

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I'm looking for a color just like that.

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Let me wipe off tonight and we'll

take there's one snuck to dirty.

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Oh, two inch brush.

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Sometimes we avoid these big brushes

because they're so big that you know them

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Rascals will do just marvelous things.

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If you just give them a chance.

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All right, let's go ahead in here.

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Maybe there's a little Foothill libs.

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Where does it live right there.

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You decide I'm using just the corner of

the brush, just the corner, all you need.

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And we can sort of pull it down, right.

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Just pull down.

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Right.

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Gotta make those little noises.

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All right.

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Maybe it comes there something

about like it right along in there.

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Okay.

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And you can add just a

little more here and there.

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Break it up a little bit,

say they're that easy though.

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We can make the indication and

that's all we're looking for.

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It's just an indication of little,

little distant trees live far, far away.

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They're all right.

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Now fun time.

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Let's put a little snow in here.

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We'll go back to our two inch brush.

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I like his old two inch pressures here.

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They really do marvelous things,

Kate load it full of paint.

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I'm really putting a lot of paint on it.

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Now, the big decision time toward

does the snow live in your painting?

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Just make a decision.

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It lives right there in our world.

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Right there.

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Just put it in.

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Snow is so easy to paint.

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When you use a big brush, look it there.

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Already, we have a whole field of snow.

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Did you ever think paint that

much snow would be so easy?

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It is like that.

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I like that.

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Now let's clear this off

a little spot to work.

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I want to paint a big tree.

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You know, me, I like in big trees.

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I want to take black freshen blue.

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I get letters sometimes

from people in Crimson, get

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letters from people sometimes.

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Oh, you had a beautiful painting there

and you put that miserable tree in it.

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You know, once again, painting

is such an individual thing.

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When you're doing yours, if you don't

want a big tree in it, leave it out.

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It will probably be better than mine.

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Anyway, if we do, but

experiment, take a chance.

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Once in a while, let's take

a little two inch brush.

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I'm gonna pull it.

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It comes to a very sharp chisel edge,

very sharp, almost shave with it.

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See how sharp it is.

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Great.

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Let's go up here.

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Okay.

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Bravery test.

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Just touch the canvas.

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Now we going to take just the corner.

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Take what?

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This tree, it lives right off the canvas.

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He goes right on up into the sky

somewhere, all the little birds we

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showed on this series, they need

a place to sit and this is it.

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They can hide right up in here.

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Look out over the mountain

just to have a wonderful life.

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They're like a little birds, we hit

three or four different ones this time.

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I really hope you've enjoyed seeing them.

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If you, if you got to see them all right.

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I tell you what shoot.

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That tree went pretty good.

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Let's give him a friend.

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There it is there he is

just start off, drop him in.

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Sometimes when you're painting,

the hardest thing to do is to

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make a decision what to do, just

haul off and do something to do.

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Nothing is worse.

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It's absolutely.

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The worst thing you can do is nothing.

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Do something.

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Do something and very quickly,

fairly quickly you'll learn

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to work with anything.

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It happens here because, you

know, we don't make mistakes.

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We absolutely don't make mistakes.

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We have some happy accidents that

they may turn into things we didn't

261

00:12:40,245 --> 00:12:42,375

plan them to be, but that's all right.

262

00:12:43,335 --> 00:12:44,505

Art is very creative.

263

00:12:44,505 --> 00:12:45,385

It's very free.

264

00:12:46,064 --> 00:12:47,025

Take advantage of that.

265

00:12:48,045 --> 00:12:49,965

All right, one more.

266

00:12:51,015 --> 00:12:51,345

Okay.

267

00:12:51,585 --> 00:12:52,095

One more.

268

00:12:53,265 --> 00:12:53,955

Getting right there.

269

00:12:54,564 --> 00:12:56,175

Little tree, little baby tree.

270

00:12:57,015 --> 00:13:00,765

We have a whole family of

trees here now, whole family.

271

00:13:02,025 --> 00:13:04,155

They all live together out

here and have a good time.

272

00:13:05,925 --> 00:13:07,275

We'll use a fan brush.

273

00:13:07,275 --> 00:13:12,345

I'm gonna put a little touch, a little

touch of liquid white, then a little

274

00:13:12,345 --> 00:13:13,995

bit of the little blue mixed together.

275

00:13:15,255 --> 00:13:16,995

I want to say a little blue it's warmer.

276

00:13:17,315 --> 00:13:19,925

Much warmer blue than depression, blue.

277

00:13:20,165 --> 00:13:20,435

Okay.

278

00:13:20,465 --> 00:13:21,455

Both sides loaded.

279

00:13:21,755 --> 00:13:24,185

We go up here now on to here.

280

00:13:24,335 --> 00:13:26,615

I'm just going to put the

indication of a few highlights.

281

00:13:26,615 --> 00:13:31,625

I don't want to lose all the dark,

just a few highlights, something

282

00:13:31,625 --> 00:13:36,605

like, so just a few darker, darker,

darker down here toward the base

283

00:13:38,165 --> 00:13:39,335

little tree in the background.

284

00:13:39,965 --> 00:13:44,255

Let me get a little more paint,

ran out of paint, or we get a

285

00:13:44,255 --> 00:13:45,245

little tree in the background.

286

00:13:45,245 --> 00:13:51,305

We need some, if he's good, he's

on him to darker, darker over here.

287

00:13:51,365 --> 00:13:55,385

Just a few little things and here.

288

00:13:56,495 --> 00:13:59,765

All right, let's grab

this a one inch brush.

289

00:14:00,305 --> 00:14:05,194

One inch brush, just put

us a Bush or two in here.

290

00:14:06,405 --> 00:14:06,944

All right.

291

00:14:07,064 --> 00:14:10,694

Bush lives in our world

does now, right there.

292

00:14:12,345 --> 00:14:12,675

Okay.

293

00:14:14,805 --> 00:14:17,475

Once again, I have several of each

brush out and I had to spend all my

294

00:14:17,475 --> 00:14:20,865

time washing the brush studio crew

gets a little upset with me when

295

00:14:20,865 --> 00:14:22,455

I do, because I splash them a lot.

296

00:14:23,985 --> 00:14:24,585

That's good for them.

297

00:14:25,545 --> 00:14:30,375

Put it in one direction, load a lot

of color that rounds one corner.

298

00:14:30,765 --> 00:14:31,215

See there.

299

00:14:31,800 --> 00:14:35,610

Now that rounded corner to the top that

we'd go up here and we begin picking out

300

00:14:35,610 --> 00:14:37,610

little Indians, vigil, bushes, and trees.

301

00:14:38,449 --> 00:14:39,860

They live right here in this brush.

302

00:14:40,849 --> 00:14:45,530

All you gotta do is just cure the

liquid white in there is just to

303

00:14:45,530 --> 00:14:46,670

make the pain a little thinner.

304

00:14:46,819 --> 00:14:51,380

That's the only reason we have it in there

just to make the pain a little thinner.

305

00:14:52,425 --> 00:14:57,375

But then paint will stick to thick paint,

but that's the only reason it's there.

306

00:14:59,145 --> 00:14:59,685

There we go.

307

00:15:00,795 --> 00:15:02,075

And you don't have, you have to push hard.

308

00:15:02,105 --> 00:15:05,105

I know sometimes it looks like we

take a running start here and just

309

00:15:05,105 --> 00:15:06,515

knock in about a hundred bushes.

310

00:15:07,415 --> 00:15:12,275

You really don't have to push hard if

it's properly loaded, you just touch.

311

00:15:12,785 --> 00:15:13,235

Okay.

312

00:15:13,535 --> 00:15:14,585

I'm going to make some more snow.

313

00:15:15,800 --> 00:15:19,709

Get a little white upon the old two inch

brush, and I'm gonna go right in here

314

00:15:20,069 --> 00:15:24,870

and I'm going to grab this intentionally,

grabbing some of that color either.

315

00:15:25,110 --> 00:15:29,370

I want to, I want this color to come

out and automatically make our shadows.

316

00:15:30,569 --> 00:15:31,770

Cause I'm a lazy painter.

317

00:15:31,829 --> 00:15:33,780

I look for easy ways to make things work.

318

00:15:37,400 --> 00:15:38,360

All right.

319

00:15:40,500 --> 00:15:41,430

Isn't that's happens.

320

00:15:42,060 --> 00:15:43,589

Don't be afraid of this two inch brush.

321

00:15:43,640 --> 00:15:48,479

Once again, we've painted most of

this painting with it and it'll work.

322

00:15:48,689 --> 00:15:50,339

It will work for you.

323

00:15:50,819 --> 00:15:53,400

Practice a little shoot.

324

00:15:53,400 --> 00:16:00,810

You know, me, I lived in Alaska for a

dozen years and I love places like this.

325

00:16:00,900 --> 00:16:01,240

And.

326

00:16:02,069 --> 00:16:05,520

I've always dreamed of having a

little cabin, Fred, under a big Mount.

327

00:16:05,910 --> 00:16:06,180

Yes.

328

00:16:08,540 --> 00:16:15,260

It's mountain where I could look out and

see all of God's creations, no place.

329

00:16:15,439 --> 00:16:16,760

Did he have a better day than Alaska?

330

00:16:17,329 --> 00:16:19,790

Oh God, it's gorgeous.

331

00:16:19,790 --> 00:16:21,319

There it is gorgeous.

332

00:16:22,550 --> 00:16:23,089

I love it.

333

00:16:23,089 --> 00:16:24,469

I miss it.

334

00:16:27,975 --> 00:16:28,755

All right.

335

00:16:29,975 --> 00:16:31,865

All I'm doing is just

flocking in a little color.

336

00:16:33,185 --> 00:16:36,155

Now we'll take a little

flight, a little dark Sienna.

337

00:16:36,845 --> 00:16:40,145

I'll be a little band-aid to white mix it.

338

00:16:40,145 --> 00:16:42,035

So it's marbled by marble.

339

00:16:42,035 --> 00:16:45,064

I mean, it's not over mixed has

a lot of things happening in it.

340

00:16:46,055 --> 00:16:49,955

See there all the little doers

cut off her little roll of paint.

341

00:16:51,275 --> 00:16:53,885

Now we said this was going

to be a little cabin.

342

00:16:54,959 --> 00:16:57,989

So let's put the indication of some

little doodles in there, like that

343

00:17:01,619 --> 00:17:08,579

go back across this way, make some little

log looking things due to due to the dude.

344

00:17:08,940 --> 00:17:09,720

It's all there is to it.

345

00:17:10,800 --> 00:17:16,440

Take a little bit of the Vandyke Brown on

the knife and like go back and just sorta.

346

00:17:17,685 --> 00:17:24,465

Yes, it would have lined him up a little

like so, so that's all, I'll make a darker

347

00:17:24,465 --> 00:17:28,935

Brown now for the side, because in my

mind, it's not dark enough in my mind,

348

00:17:29,145 --> 00:17:30,885

not as much light would hit over here.

349

00:17:32,235 --> 00:17:36,795

Something about like yet it gives us

an idea of how to make a little cabin.

350

00:17:38,255 --> 00:17:45,035

Now there we need, we need

some snow on the roof.

351

00:17:49,035 --> 00:17:53,775

This reminds me of places I used

to see in Oregon and even into Utah

352

00:17:53,775 --> 00:17:55,665

and et cetera, beautiful places.

353

00:17:55,665 --> 00:17:57,795

They're beautiful.

354

00:17:58,005 --> 00:17:58,275

Hmm.

355

00:18:01,185 --> 00:18:03,435

We need a door, gotta be able

to get in and out of our little

356

00:18:03,435 --> 00:18:05,925

cabin, our door lives right there.

357

00:18:07,215 --> 00:18:07,844

There we are.

358

00:18:09,405 --> 00:18:17,195

Now we can come back with a knife, do

a little cabin ectomy there tomorrow.

359

00:18:17,554 --> 00:18:20,014

Brush that has snow on it.

360

00:18:20,435 --> 00:18:24,064

This is a snow brush and we'll

clean the edges up just a wee bit.

361

00:18:27,365 --> 00:18:27,635

All right.

362

00:18:27,635 --> 00:18:28,804

Got a little Brown streak here.

363

00:18:28,834 --> 00:18:30,155

We just blend that right in.

364

00:18:31,545 --> 00:18:33,735

Now then maybe there it is.

365

00:18:34,305 --> 00:18:37,004

Take a little bit dark color, pop it in.

366

00:18:38,565 --> 00:18:41,595

Maybe he didn't take care of

his yard too well in the summer.

367

00:18:42,495 --> 00:18:43,815

And I'm real familiar with that.

368

00:18:44,955 --> 00:18:46,545

I'm the world's worst yard keeper.

369

00:18:47,685 --> 00:18:49,004

I like it all out.

370

00:18:49,035 --> 00:18:49,665

Natural.

371

00:18:51,315 --> 00:18:55,455

That's the way of saying I'm too

lazy to go out and maintain it there.

372

00:18:57,435 --> 00:18:57,795

Okay.

373

00:18:58,215 --> 00:19:00,315

Now once again, we'll

grab that, pull it out.

374

00:19:01,485 --> 00:19:02,645

We put a little bullish right there.

375

00:19:04,895 --> 00:19:05,615

Okay.

376

00:19:05,635 --> 00:19:06,025

Okay.

377

00:19:06,995 --> 00:19:08,165

I know what I know.

378

00:19:08,195 --> 00:19:12,035

I know if we didn't get enough,

big trees, it's time for one more.

379

00:19:12,725 --> 00:19:13,805

Let's do another big tree.

380

00:19:14,765 --> 00:19:16,565

He was able to intersperse, pull it back.

381

00:19:16,655 --> 00:19:18,695

Very sharp chisel edge.

382

00:19:19,115 --> 00:19:20,555

Very, very sharp.

383

00:19:21,575 --> 00:19:22,655

Make a big decision.

384

00:19:25,260 --> 00:19:25,680

Right there.

385

00:19:26,040 --> 00:19:28,380

See how sharp that is or

to make a line that fine.

386

00:19:29,940 --> 00:19:33,990

I think we can come right in

here and begin putting in some

387

00:19:33,990 --> 00:19:35,520

happy little arms on this tree.

388

00:19:36,450 --> 00:19:36,540

Okay.

389

00:19:36,870 --> 00:19:38,490

She has some little arms on the tree.

390

00:19:40,350 --> 00:19:44,129

Now then notice right here, we're

fixing to get into this white snow

391

00:19:44,189 --> 00:19:48,149

dip, the brush into the least little

touch of paint thinner and go back

392

00:19:48,149 --> 00:19:51,450

through your color, the paint center

within the paint enough that you can

393

00:19:51,450 --> 00:19:52,590

paint over the top of this thick.

394

00:19:52,970 --> 00:19:57,620

Quite that was used to make the snow

without a mixing together as bad.

395

00:19:57,680 --> 00:20:00,890

You're going to have a little mixing,

but not nothing like you would have

396

00:20:00,890 --> 00:20:02,690

if they're both the same consistency.

397

00:20:04,100 --> 00:20:09,980

See, they're just dropping little

Rascals in there where ever okay.

398

00:20:12,314 --> 00:20:12,645

Okay.

399

00:20:12,945 --> 00:20:13,814

What the heck I'd work.

400

00:20:13,814 --> 00:20:16,544

So you just started looking at

these things and figure it out,

401

00:20:17,534 --> 00:20:21,524

figure out where you want to go

with them, let your imagination go.

402

00:20:21,975 --> 00:20:25,095

A lot of times I'll start a painting

and have nothing more in my mind,

403

00:20:25,155 --> 00:20:29,774

but the time of day and the time of

year, other than that, I don't want

404

00:20:29,835 --> 00:20:33,824

to want to know anything because I

want it to just be a creative thing

405

00:20:33,824 --> 00:20:37,455

that happens a creative happening.

406

00:20:38,790 --> 00:20:45,630

We'll coin a new phrase here, creative

happening, but just, just let it go.

407

00:20:45,630 --> 00:20:48,930

Let your imagination build again.

408

00:20:48,930 --> 00:20:52,260

Just seeing things and the more you

practice that, the easier it becomes.

409

00:20:52,310 --> 00:20:53,820

Little tailored, blue and white.

410

00:20:55,290 --> 00:20:59,400

Just to put a few little, this is a

blue spruce I can tell right there.

411

00:20:59,610 --> 00:21:00,300

Blue spruce.

412

00:21:02,880 --> 00:21:03,630

That's enough.

413

00:21:03,720 --> 00:21:05,370

That's now.

414

00:21:06,510 --> 00:21:09,960

Liquid white would go right

back through our titanium white.

415

00:21:09,960 --> 00:21:14,100

It has a little fade, a little blue

in it, load a lot of color in there.

416

00:21:15,990 --> 00:21:21,060

Once again, notice how the brush is held

straight up and pulled in one direction.

417

00:21:21,210 --> 00:21:21,810

Like, so.

418

00:21:23,195 --> 00:21:25,774

Yeah, I'm just going to throw

some little highlights on here.

419

00:21:26,135 --> 00:21:30,185

You know, recently we had a reunion

for our instructors is about 400

420

00:21:30,185 --> 00:21:31,324

instructors around the country.

421

00:21:31,324 --> 00:21:36,125

We had a little reunion in Daytona

beach, Florida, and I got, Oh gosh,

422

00:21:36,125 --> 00:21:39,604

it was over 150 people came and we.

423

00:21:39,834 --> 00:21:43,465

It's been about a week together, a

solid week, lit all them instructors.

424

00:21:43,524 --> 00:21:44,665

And I worked on the death.

425

00:21:44,665 --> 00:21:46,195

We painted some new things.

426

00:21:46,735 --> 00:21:51,625

There's Lulu, she's my gal from Mexico,

but we showed some new things and

427

00:21:51,625 --> 00:21:53,514

we painted those Steve even painted.

428

00:21:54,225 --> 00:21:56,324

Oh, it was fantastic.

429

00:21:56,355 --> 00:22:00,074

These are some of the best painters

in the country and they just had a,

430

00:22:00,675 --> 00:22:02,024

they had a wonderful time with us.

431

00:22:03,025 --> 00:22:07,705

When we worked on the death,

there's Joe, we worked him too,

432

00:22:08,695 --> 00:22:09,895

but we got everybody there.

433

00:22:09,895 --> 00:22:09,955

Yeah.

434

00:22:10,115 --> 00:22:12,525

That taught some of her fantastic flowers.

435

00:22:13,635 --> 00:22:20,925

We really, we put them through the mill

and isn't that beautiful little son

436

00:22:20,925 --> 00:22:22,455

of a gun can paint a flower catchy.

437

00:22:23,415 --> 00:22:24,915

She's going to teach me how one day.

438

00:22:25,545 --> 00:22:27,075

And then do you remember John Tam?

439

00:22:27,495 --> 00:22:30,345

John thumb came and he painted

a portrait of guests who.

440

00:22:30,930 --> 00:22:31,290

Yeah.

441

00:22:32,160 --> 00:22:35,040

And he said, it's too easy though, because

he said all you had to do was paint her

442

00:22:35,070 --> 00:22:36,960

face and put a steel wool ball on top.

443

00:22:37,280 --> 00:22:44,390

You had Bob, but is that C at

the end of it, then all of us got

444

00:22:44,390 --> 00:22:47,570

together and we went to the park

in new Smyrna beach, Florida.

445

00:22:48,975 --> 00:22:50,145

And we had a free day.

446

00:22:50,205 --> 00:22:54,105

We invited the public and they came

and they watched all of our painters.

447

00:22:54,975 --> 00:22:55,905

Oh, wonderful.

448

00:22:55,905 --> 00:22:56,985

We don't do it again next year.

449

00:22:56,985 --> 00:22:57,285

I hope.

450

00:22:58,545 --> 00:22:58,845

Yeah.

451

00:22:59,504 --> 00:23:00,105

A lot of fun.

452

00:23:00,675 --> 00:23:04,125

If you happen to be, if you happen

to be around, when we're doing

453

00:23:04,125 --> 00:23:05,475

it, please stop by and see us.

454

00:23:06,315 --> 00:23:08,655

We'll have a good time together

and you can meet some of the most

455

00:23:08,655 --> 00:23:11,145

wonderful people in the whole country.

456

00:23:12,765 --> 00:23:13,305

All right.

457

00:23:13,335 --> 00:23:14,205

Where'd my little brush.

458

00:23:14,205 --> 00:23:15,285

Go with some light on it.

459

00:23:17,145 --> 00:23:18,275

Just pull it in one direction.

460

00:23:18,295 --> 00:23:19,155

Get a little color.

461

00:23:21,540 --> 00:23:23,940

They'll pop in a little Bush right there.

462

00:23:25,110 --> 00:23:25,770

There we go.

463

00:23:26,130 --> 00:23:30,930

And take her knife, scrape through her

in there, like a stick in a twig that

464

00:23:30,930 --> 00:23:37,530

easy put these little sticks mainly in

the dark areas, mainly in the dark areas.

465

00:23:38,620 --> 00:23:39,850

All right, you come up here.

466

00:23:39,910 --> 00:23:40,870

Sorry to jump around.

467

00:23:41,590 --> 00:23:49,180

I just see places where there would be

a stick, put one behind the cabin there.

468

00:23:50,290 --> 00:23:51,420

Somebody asked me one time.

469

00:23:51,430 --> 00:23:53,320

Why I don't ever put chimneys on my cabin.

470

00:23:54,700 --> 00:23:55,120

I don't know.

471

00:23:55,120 --> 00:23:58,660

It's just something that I've just

got in the habit of not doing.

472

00:23:59,170 --> 00:24:00,370

What would you paint your cabin?

473

00:24:00,430 --> 00:24:00,760

Shoot.

474

00:24:00,860 --> 00:24:02,020

Put a, put a chimney in it.

475

00:24:02,020 --> 00:24:02,500

If you want.

476

00:24:03,940 --> 00:24:05,800

Maybe my little guy's got electric heat.

477

00:24:07,470 --> 00:24:08,730

Live in, we out here in the woods.

478

00:24:09,660 --> 00:24:12,450

I want to take a little paint thinner.

479

00:24:13,110 --> 00:24:18,990

We take a little bit blue color that

we had maybe, maybe right in here,

480

00:24:19,110 --> 00:24:21,150

you could do a happy little stick.

481

00:24:22,620 --> 00:24:24,450

Just the old guy lives out here.

482

00:24:24,510 --> 00:24:27,840

We'll put a few little arms

on him, something like that.

483

00:24:29,310 --> 00:24:34,200

And I think where that shoot we've got

finished, I would take a little red.

484

00:24:35,919 --> 00:24:38,159

Little paint, thinner, less

sign this little rascal.

485

00:24:38,190 --> 00:24:40,379

I really hope you've enjoyed

this little winter scene.

486

00:24:41,159 --> 00:24:43,710

It'll teach you a great deal

of how to use the equipment.

487

00:24:44,610 --> 00:24:46,200

Bring a lot of joy to your life.

488

00:24:47,610 --> 00:24:51,570

Send me a picture when you do yours,

I'd love to see it from all of us here.

489

00:24:52,350 --> 00:24:53,790

I'd like to wish you happy painting.

490

00:24:54,540 --> 00:24:55,710

And God bless my friend.

End .srt file.

Bob Ross' The Joy of Painting

Thursday, December 31, 2020

S29E11 - A Perfect Winter Day

Bob Ross's

The Joy of Painting

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