Bob Ross's

The Joy of Painting

S31E07 - Bridge to Autumn

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Hi, welcome back.

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Certainly glad to see you today.

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I thought that they would do the little

painting that you see at the beginning of

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the show, the little animated opening I'll

show you step by step, how that was made.

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Now it will not be an exact

duplicate of the painting that

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you see on the opening, but it'll

show you exactly how it was made.

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Start out and have him run all

the colors across the screen that

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you need to paint along with us

while they're doing that as usual.

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Let me show you what I've got up here.

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Gut an 18 by 24 inch pre

stretched double prime canvas.

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And I've covered the entire canvas

with a very thin coat of liquid white.

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So it's wet and slick and roll.

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Ready to go.

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So let's just take old two inch brush

and start off here and have a little fun.

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Let's start with a little

touch of the bright red.

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Oh, a little yellow ochre, maybe

a little kid yellow, all mixed

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together, something like, so.

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Not a lot of paint, just a little, and

let's go up in here and very lightly,

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just put in a quick little sky, a

little sky, and that was sort of a.

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Sort of an orange, a yellowish

color, just a very nice color.

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Put it on a little

darker than you want it.

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It will mix with the liquid white

that's already on the canvas and get

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lighter and lighter as you work down.

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And that's really about all there was to

make in the sky, in that little painting,

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just something like, so there we are.

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Couldn't be any simpler

because it's all there is.

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Okay, now that

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okay.

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Let's have some fun today.

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I'm going to make a big

pile of Brown using.

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Seth green and alizarin Crimson

and about equal parts, equal parts.

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The two together make a gorgeous,

gorgeous Brown, gorgeous braille

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instructors, Audrey golden, who

lives in Florida, calls it Christmas

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Brown because you use red and green.

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That's a good analogy.

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There we are.

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Okay.

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Now then wipe off the old knife.

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Basically all we did here to make

all the little background tricks.

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I'm just using the same old, dirty brush.

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It doesn't matter.

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Tap in a little bit of color, this

Brown color right into the bristles.

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And you just, you just decide basically

where you want to start and off you go.

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Maybe there's a happy little

tree lives right there.

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And all we're looking for is

just very, very basic shapes.

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We're not looking for a lot of

detail, not a lot of detail.

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This is background trees.

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We had a little covered bridge in there.

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So this is just background material

for the little bridge there.

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Little openings need isn't it?

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That title comes out of there.

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It sounds like an old car.

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That's an, that's another

invention of my good friend here.

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Jerry Morton.

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Who's one of the engineers.

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Jerry comes up with these

ideas for the opening.

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I don't know where he gets them, but

our, I really enjoy working with him.

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Here we are.

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He's like the rest of us.

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He's about half crazy.

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And that's what it takes to work here.

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And to do this, see that quick, we

just put in a little background,

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just a little background.

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All right.

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Then you sort of have to decide at this

point where the water is going to be.

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There's a little bit of water here.

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If the bridge goes across, we don't

see a great deal of it, but a little.

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So he'd bring these trees down to

basically where you want water.

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Right?

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Let's say we're getting

pretty close right about there

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used to, when I was traditional painter

to paint this many trees, this quick

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would have taken me forever here.

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Use old two inch brush.

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Just knock it in.

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That's all there is to it.

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Okay.

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Let's take our liner brush.

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Oh, number two.

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Script liner.

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I want to take a little bit of that

same Brown color that we made from

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the Crimson and the SAP green mixed

the paint here with paint thinner

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until it's very thin, very, very thin.

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Turn the bristles in there.

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It brings it to a nice sharp point.

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Okay.

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And then we'll go up here and you

just sort of look around and pick

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out places you think you would be

little trunks and stems and Liam's

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and all those things Peapod and all

my little friends play on out here.

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There.

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Just put in a few little indications,

wherever, wherever it's up to you.

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It's totally completely up to you.

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They're old tree needs

some arms to hold up.

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All these leaves that it has here, there.

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Okay.

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That's all there is to it.

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If you have trouble making the paint

slide, add a little more paint thinner.

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If you have enough paint

thinner it'll slide right over

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the top of that thicker paint.

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Very very easy.

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Okay.

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Shoot.

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Oh, brushy working pretty good.

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We'll go right on back till I'm going

to take the same brush and begin tapping

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it into the yellows and the red, the

bright red, and just go around trauma.

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Well, you're loading all

kinds of different colors

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right into the bristles brush.

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Okay.

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Now.

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Let's just sort of test it,

see if it's bright enough.

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If it's the color we're looking for,

maybe a little more yellow, there we go.

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Something about like, so, and then

with that, we can start, we'll put a

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little touch of liquid white in there

on the thin it down a little more.

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There we are.

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It had sticks very easy.

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Then paint will stick with the paint.

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Always remember that.

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And there's one that maybe Jack

Frost has touched this one.

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It's up to you.

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You decide, but these are, these

are just using little colors and

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just the two inch brush and just

tapping them in just happy again.

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That's all there is to it.

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All right.

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Maybe.

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Are not there, but didn't have a neat way

of making just a little background trees.

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That's good.

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When you're not looking for a

lot of detail, you're looking for

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more detail, then you get into

different ways of making them.

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But here we don't want that.

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We don't want detail.

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It'll ruin the illusion of distance.

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If you have too much detail,

little snap green ever so often.

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Maybe there's a little one.

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Yep.

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Right there.

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One right there.

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Jack Frost didn't hit yet.

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He'll get him at rascal sneaky boy, you

have some off, sooner or later there.

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Okay.

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Now maybe.

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Yep.

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This little devil right

here, he needs something to

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better.

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The red

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you decide, you have to make these big

decisions where all these things live.

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You decide, you can make many, many,

many layers though, that easy, that easy.

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Okay.

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I've got several, two inch brushes.

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Go ahead.

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Let's take, we'll take a little

black and edit to that Brown.

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I want a darker color, stronger color, and

just tap a little right into the brush.

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And maybe right in here, we'll put

a few little trees bushes there, a

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little closer, a little darker just

to help push everything back, create

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that illusion of distance there.

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We just let them fade off.

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We don't care where they go over there.

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That's it, same Brown color

with midnight black in it.

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There we are.

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I like it.

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Color.

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Let's get crazy here.

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We'll take a little more of that.

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You're going to have

water in this painting.

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The bridge covers up.

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We'll take that same color black and

that Brown we made and just pull it

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straight down street down the street down.

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It's important to go straight down there.

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We don't care where it goes here.

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Don't worry about it.

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Don't worry about it.

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Because as you know,

we don't make mistakes.

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We just have happy accidents in our world.

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See there a little bit over here,

wherever you think it should be.

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They're dark in that a little bit right

in there and just pull it straight down.

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No, you get tired of hearing me say that

over and over, but if you make these

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lines go at an angle, your reflections

just absolutely will not look right.

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Then we'll go across.

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And that's really about all

we're going to do most of this.

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We're going to cover up, but

it'll give the impression of a

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little bit of water back here.

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Just a small towns, all we're looking for.

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Yeah.

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We can take our knife a little

bit of white little van Dyke,

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Brown, dark sand mixed together.

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A little more white in there.

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There.

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I want it marbled, maybe a

little black in there too, too.

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Great.

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Very good.

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I like it right there.

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But a roll of paint, literal taint.

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You just sort of play around with a color

till you find what you're looking for.

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Just going to put the indication here

and there a few little things that live

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right out here, the water's edge, just

a little soil, something about my kid.

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And we can take let's take

a little yellow ochre.

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It was touch it.

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Quiet.

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Just enough to tamp that a little

don't much, much don't much

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just enough to attendant there.

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The lighter color.

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Sometimes you can take a fan brush who put

a little touch on light color, a little

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light on it and lift up just to blend it

together so that it all comes together.

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It looks like a nice little

area right along the sea.

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Right at the water's edge, sneaky here.

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And it's very simple, very simple.

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There we are.

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Now take a knife, a little

touch of liquid white.

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I'm going to put a little,

little bit of blue in it.

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Need a bit of pressure and blue in it.

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Just enough to tend to it and cut across.

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I'll just like, so.

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Then we can go up in here, put the blue

in there just to bill that a little bit.

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I don't want it bright white don't

want it too bright in this particular

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painting, a real bright order line to

me wouldn't look right, but if you want

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one, you put it in wherever you want it.

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And any, any shade, any value, any color

you want paintings, very individual.

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Everybody should paint what

they see and what they feel.

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Okay, you ready?

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Now?

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We have to decide where in our

world here that are a little covered

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bridge lives, put a few little

sticks somewhere in that Bush.

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It just looked like it needed one.

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Now, if our bridge is right

here, let's decide right in here.

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The easiest way.

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Let's see.

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It's not as much pain on there, but I

was trying to scrape off the paint so

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you could see I'll use a little color.

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Let me put a little color on.

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Okay.

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It's just sort of to

lay out the basic idea.

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See, that's all there is.

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Okay.

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I tried this.

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I know sometimes these little

building is sort of hard to do.

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Does that make sense?

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Just lay out the basic

shape of the buildings.

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All right.

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Let's take a little bit Brown.

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We made C okay.

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Now here's a bridge, just

like building a cabin only.

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It's got a huge door in front.

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I'm using little Vandyke

Brown here and there.

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I want a darker Brown.

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There we go.

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There we go.

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There we go.

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Let's put something up here on

the roof there and over in here.

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Look, it there it's all there is to it.

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Now it's make us up some highlight color.

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We'll use some Browns, some white, and I'm

getting into some yellow, maybe little red

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here and there, there, little dark Sienna.

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Ooh, it's getting better.

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A little bit more of the Brown.

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Yes.

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Yes.

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See it just gets feeling good.

256

00:13:56,084 --> 00:14:01,395

And you know, you got it right

now that I get our little roll of

257

00:14:01,395 --> 00:14:06,035

paint, always that little roll of

paint and let's begin picking out

258

00:14:06,275 --> 00:14:07,925

little individual things right here.

259

00:14:09,694 --> 00:14:14,765

See, we can just, maybe there's

some little boards there.

260

00:14:14,765 --> 00:14:17,765

They are just little doodles.

261

00:14:17,765 --> 00:14:18,214

Like it.

262

00:14:20,970 --> 00:14:22,770

A little bit of our Vandyke Brown

263

00:14:25,800 --> 00:14:26,070

there.

264

00:14:27,660 --> 00:14:27,840

Okay.

265

00:14:27,840 --> 00:14:31,050

Now at the top of this, some of

the, some of the old covered bridges

266

00:14:31,050 --> 00:14:38,310

had a little area that was open, so

the air could get through, I guess.

267

00:14:40,560 --> 00:14:41,790

So that's all we got to do.

268

00:14:42,000 --> 00:14:43,980

Put that in there now.

269

00:14:45,390 --> 00:14:46,230

Appear on the front.

270

00:14:46,980 --> 00:14:47,250

Yeah.

271

00:14:47,340 --> 00:14:48,270

I'll make it a little lighter.

272

00:14:50,595 --> 00:14:51,135

That's better.

273

00:14:51,225 --> 00:14:52,275

I like it better already.

274

00:14:52,275 --> 00:14:53,505

I can tell looking at it on the night.

275

00:14:54,345 --> 00:14:55,335

We'll just do the same basis.

276

00:14:58,175 --> 00:15:00,845

See, just let that color mix

with what's on there already.

277

00:15:02,885 --> 00:15:03,755

Don't worry about the door.

278

00:15:03,785 --> 00:15:04,505

We'll go back and get it.

279

00:15:04,895 --> 00:15:07,265

We'll come back and pull a

little door right out of there.

280

00:15:08,765 --> 00:15:09,575

No big deal.

281

00:15:11,795 --> 00:15:12,455

There we are.

282

00:15:18,010 --> 00:15:18,810

Okay.

283

00:15:21,090 --> 00:15:27,390

Something about my camp that I'm going

to very gently, just enough to pull the

284

00:15:27,390 --> 00:15:31,170

pain a little bit, move it just enough.

285

00:15:31,920 --> 00:15:34,350

I can't just add much.

286

00:15:34,380 --> 00:15:37,980

It's all we're looking for a little

bit of the Vandyke Brown and we can go

287

00:15:37,980 --> 00:15:40,140

back in here, darken up these areas.

288

00:15:43,230 --> 00:15:43,829

There you are.

289

00:15:45,479 --> 00:15:49,709

You can also wait until this paint

dries and go back in there and

290

00:15:49,709 --> 00:15:51,839

put all kinds of details in it.

291

00:15:52,290 --> 00:15:55,079

You can use glazes and stuff

when it drives by glaze.

292

00:15:55,079 --> 00:15:59,790

I mean, you just take a little

linseed oil and paint thinner, mix

293

00:15:59,790 --> 00:16:06,380

it with a color, transparent color

and wash right over it button.

294

00:16:06,380 --> 00:16:08,780

The little touch of white in there

just to brighten it here and there.

295

00:16:09,690 --> 00:16:10,470

So it shows up.

296

00:16:10,860 --> 00:16:11,280

Okay.

297

00:16:11,820 --> 00:16:13,170

There's old bridge looks like me.

298

00:16:13,170 --> 00:16:14,160

It's about to fall down.

299

00:16:15,800 --> 00:16:16,340

All right.

300

00:16:16,340 --> 00:16:22,070

Now decide where the entrance

is to excuse a little Vandyke.

301

00:16:24,170 --> 00:16:30,680

Say there almost to it,

all this to that easy.

302

00:16:33,140 --> 00:16:33,980

All right.

303

00:16:37,410 --> 00:16:43,109

Something about like, so now for the

top, let's take a little white man

304

00:16:43,109 --> 00:16:47,280

and find a place to work here, but

use up all my area, take a little

305

00:16:47,280 --> 00:16:49,349

white, a little bit of midnight black.

306

00:16:50,250 --> 00:16:56,099

I want to make a gray color, this black

and white, leave it marbled a little

307

00:16:56,099 --> 00:17:03,270

roll of paint and let's just go down here

and choose here and there that it grays.

308

00:17:03,915 --> 00:17:07,845

Just let it graze something over here.

309

00:17:10,035 --> 00:17:17,025

So when that old bridge looks like, it's

seen its better day heading there we are.

310

00:17:17,025 --> 00:17:20,475

Now we can just come in here

and I want to make it look

311

00:17:20,475 --> 00:17:21,735

like you can see back in there.

312

00:17:21,735 --> 00:17:26,595

So just by changing the angle

of the paint, you can do that.

313

00:17:27,944 --> 00:17:30,015

See, now you can see

right back in that bridge.

314

00:17:32,955 --> 00:17:37,905

Yeah, I'll take a little liquid white,

maybe over in here, we can see the

315

00:17:37,905 --> 00:17:40,935

indication of a few little rails and

stuff that go back into the distance,

316

00:17:42,135 --> 00:17:44,565

the little road that goes through,

it goes back in those woods there.

317

00:17:44,565 --> 00:17:45,435

We don't know where it goes.

318

00:17:47,055 --> 00:17:51,225

You can take a small knife, a little

bit of black, but the indication

319

00:17:51,225 --> 00:17:54,585

of a few little stones and stuff

out here that this is setting on.

320

00:17:57,030 --> 00:18:02,060

Yeah, let's just do a cabin

ectomy, anything that you don't

321

00:18:02,060 --> 00:18:04,700

want you to turn into a part of

the reflection that's underneath.

322

00:18:05,300 --> 00:18:08,090

See smooth it right out that easy.

323

00:18:08,330 --> 00:18:09,500

Now it's just the reflection.

324

00:18:10,850 --> 00:18:11,300

All right.

325

00:18:12,320 --> 00:18:13,100

Let's have some fun.

326

00:18:13,845 --> 00:18:19,235

We'll grab this brush quicker

now that we need some soil,

327

00:18:19,235 --> 00:18:20,375

some dirt for it to settle.

328

00:18:21,935 --> 00:18:24,365

And I think we had

something about like, yes,

329

00:18:27,575 --> 00:18:29,765

we'll just put this in with

Brown little black in it.

330

00:18:30,275 --> 00:18:30,935

It's at Brown.

331

00:18:30,935 --> 00:18:31,385

We made.

332

00:18:32,030 --> 00:18:36,470

We made with the, uh, alizarin

Crimson in the South green little,

333

00:18:36,470 --> 00:18:43,630

midnight black, that's all we're

using there early, early series.

334

00:18:43,630 --> 00:18:46,300

We did a covered bridge that you

could see all the way through

335

00:18:46,300 --> 00:18:47,410

and see the trees and stuff.

336

00:18:47,410 --> 00:18:52,270

On the other side, that's a little more

difficult, but it's a lot more fun to do.

337

00:18:53,260 --> 00:18:54,340

It is a challenge.

338

00:18:54,880 --> 00:18:56,770

Okay, here we go.

339

00:18:59,680 --> 00:19:04,450

See, all we're doing here is just

blocking any color is I mentioned earlier.

340

00:19:04,450 --> 00:19:06,040

There's not much of that

water going to show.

341

00:19:06,220 --> 00:19:07,330

Most of it's gone away.

342

00:19:08,920 --> 00:19:12,640

Most of it has gone away there.

343

00:19:14,710 --> 00:19:15,040

Okay.

344

00:19:15,765 --> 00:19:16,845

I had a little Bush right there.

345

00:19:19,185 --> 00:19:19,725

There we are.

346

00:19:19,985 --> 00:19:21,995

It's a little Bush lives

right here by the water.

347

00:19:22,775 --> 00:19:23,615

That'd be a nice view.

348

00:19:23,615 --> 00:19:25,175

You could see all the cars come through.

349

00:19:30,035 --> 00:19:31,055

We filmed the show in.

350

00:19:31,645 --> 00:19:32,574

Muncie Indiana.

351

00:19:33,504 --> 00:19:37,104

And in this area, there's a

lot of covered bridges left.

352

00:19:37,135 --> 00:19:39,054

Some of them are absolutely gorgeous.

353

00:19:39,854 --> 00:19:41,625

A little town called Matthews.

354

00:19:41,635 --> 00:19:45,054

They have a covered bridge festival every

year that I've painted at several times.

355

00:19:46,675 --> 00:19:48,625

Very nice town, wonderful people.

356

00:19:50,514 --> 00:19:51,175

All right.

357

00:19:53,604 --> 00:19:54,985

It let's go back to our little brush.

358

00:19:54,985 --> 00:19:57,925

It had some of the colors on it.

359

00:19:59,460 --> 00:20:04,530

And we'll go into, go into all the yellows

and reds and here and there, a little bit

360

00:20:04,530 --> 00:20:06,690

of green mixed color on your brush though.

361

00:20:07,950 --> 00:20:09,390

That way it's not dead.

362

00:20:10,140 --> 00:20:12,270

It's a lot of things happening

right here in your brush.

363

00:20:12,780 --> 00:20:13,020

Okay.

364

00:20:13,140 --> 00:20:17,280

Let's go up in here now then decide

where all these little neuters live.

365

00:20:19,110 --> 00:20:20,639

It would just start laying them in here.

366

00:20:22,020 --> 00:20:23,850

She doesn't want us to think

about the lay of the land.

367

00:20:25,979 --> 00:20:26,489

Right.

368

00:20:27,750 --> 00:20:30,449

I want to take a little bit

of white, a little Brown,

369

00:20:32,340 --> 00:20:34,169

little black to make it gray.

370

00:20:34,739 --> 00:20:40,080

And let's start that

start bringing that out.

371

00:20:42,450 --> 00:20:43,350

All right.

372

00:20:44,640 --> 00:20:48,150

A little more of the Brown and

white here didn't mix up enough.

373

00:20:51,600 --> 00:20:54,240

I have to sort of figure out where

the room's at, that comes out of here.

374

00:20:56,160 --> 00:20:56,850

There we are.

375

00:20:57,210 --> 00:20:57,600

It's here.

376

00:20:58,200 --> 00:20:58,710

Is that easy?

377

00:20:59,100 --> 00:21:01,680

Oh, roads just coming,

coming, coming towards you.

378

00:21:03,210 --> 00:21:05,640

Let it get bigger and bigger

as it comes towards you.

379

00:21:08,205 --> 00:21:09,135

That's all there is to it.

380

00:21:09,555 --> 00:21:10,305

Barely touching.

381

00:21:10,305 --> 00:21:12,375

It's like, it's like putting

snow on the mountain.

382

00:21:12,645 --> 00:21:13,754

No pressure.

383

00:21:13,875 --> 00:21:14,955

Absolutely.

384

00:21:14,955 --> 00:21:15,615

No pressure.

385

00:21:16,605 --> 00:21:17,895

Save the pressure for later.

386

00:21:19,815 --> 00:21:20,445

All right.

387

00:21:21,075 --> 00:21:24,195

We go back to our little, we'll

put a little touch of liquid

388

00:21:24,195 --> 00:21:26,325

white, just a little touch.

389

00:21:26,625 --> 00:21:30,875

Tend to paint, make it a little

brighter, little green, all the

390

00:21:30,875 --> 00:21:32,345

yellows, little red hair in there.

391

00:21:33,155 --> 00:21:33,965

Ooh, nice color.

392

00:21:34,955 --> 00:21:35,044

Okay.

393

00:21:36,405 --> 00:21:40,545

Yeah, then we can go in here and just

begin tapping in a little grassy things.

394

00:21:42,195 --> 00:21:45,615

See there, how easy

that is, nothing to it.

395

00:21:45,915 --> 00:21:49,035

But think about the lay of the land,

how you want the land to actually

396

00:21:49,035 --> 00:21:51,975

flow here, how you want it to flow.

397

00:21:55,455 --> 00:21:56,025

There we are.

398

00:21:58,995 --> 00:21:59,565

All right.

399

00:22:03,195 --> 00:22:07,125

And off you go, just make

layers and layers and layers.

400

00:22:08,865 --> 00:22:09,405

Isn't that neat.

401

00:22:10,095 --> 00:22:10,785

You can do that.

402

00:22:12,615 --> 00:22:14,415

This little, little Bush right here.

403

00:22:14,475 --> 00:22:17,385

He needs some good rezoning to see.

404

00:22:17,505 --> 00:22:21,405

It's all you need just to make

him stand out as an individual.

405

00:22:23,835 --> 00:22:28,155

There maybe there's a little

recessed area right in there.

406

00:22:28,635 --> 00:22:30,554

See that little boy now has his own home.

407

00:22:32,565 --> 00:22:37,754

You don't have to be crazy to do this, but

it helps with a little practice though.

408

00:22:37,875 --> 00:22:40,965

You'll begin to, you begin to

see things in your painting.

409

00:22:41,715 --> 00:22:42,135

You'll see.

410

00:22:42,405 --> 00:22:43,995

Fantastic things in your world.

411

00:22:44,385 --> 00:22:45,044

Look at them.

412

00:22:46,125 --> 00:22:48,254

Just look, pay attention to nature.

413

00:22:48,585 --> 00:22:50,625

Nature is so fantastic.

414

00:22:52,379 --> 00:22:56,969

Start when you're out driving around,

look at trees, look at bushes and stuff.

415

00:22:57,000 --> 00:22:59,310

Look at the, how they

have form and shape color.

416

00:23:00,629 --> 00:23:01,860

That's when it gets wonderful.

417

00:23:01,860 --> 00:23:05,219

I get letters from fantastic people

every day, all over the world.

418

00:23:05,879 --> 00:23:09,090

And they tell me that all of

a sudden, they're beginning to

419

00:23:09,090 --> 00:23:15,899

see nature there, but that they

looked at it for many, many years.

420

00:23:16,800 --> 00:23:18,810

But they didn't really see it

until they started painting.

421

00:23:19,890 --> 00:23:24,690

And I guarantee you, if you paint,

you will find, you'll find a whole

422

00:23:24,690 --> 00:23:27,270

new treasure maybe right in your yard.

423

00:23:29,340 --> 00:23:30,330

Brighten that a little bit.

424

00:23:32,100 --> 00:23:38,400

Let's take a little Brown in height,

just tap in some nice edges on

425

00:23:38,400 --> 00:23:42,480

the doorway here, and you can get

crazy and put windows in here.

426

00:23:42,480 --> 00:23:44,880

Some of these old covered

bridges have windows in them.

427

00:23:46,305 --> 00:23:47,355

It's just, it's up to you.

428

00:23:47,745 --> 00:23:53,085

You can do all kinds of things and

yours really intruding up to you.

429

00:23:55,784 --> 00:24:00,645

I think we're about, we've not got

this one to where you can see exactly

430

00:24:00,645 --> 00:24:04,965

how the little opening was made there.

431

00:24:05,504 --> 00:24:09,075

And as I mentioned over and over on

the shows, if you have time to take a

432

00:24:09,075 --> 00:24:12,165

picture of what you're doing send to us,

we'd love to see it here at the station.

433

00:24:13,050 --> 00:24:13,830

Drop us a line.

434

00:24:14,070 --> 00:24:15,930

You can drop it to the address

on the end of the show.

435

00:24:16,410 --> 00:24:22,230

They'll send it to me and I'd love

to see what you're doing and what

436

00:24:22,230 --> 00:24:23,460

kind of success you're having.

437

00:24:24,540 --> 00:24:26,700

It really makes it

makes it all worthwhile.

438

00:24:27,330 --> 00:24:29,040

You put a few little

sticks and things in here.

439

00:24:29,970 --> 00:24:30,480

Basically.

440

00:24:30,480 --> 00:24:31,950

I think we about have a finished painting.

441

00:24:33,870 --> 00:24:36,930

Take a little paint, thinner,

a little red, the sign, this

442

00:24:36,930 --> 00:24:39,090

rascal we'll call it done.

443

00:24:40,365 --> 00:24:43,004

Hope you've enjoyed seeing how

the little opening was made.

444

00:24:43,815 --> 00:24:44,985

And I hope you give it a try.

445

00:24:46,635 --> 00:24:49,514

And from all of us here, I'd

like to wish you happy painting.

446

00:24:50,595 --> 00:24:51,705

And God bless my friend.

End .srt file.

Bob Ross' The Joy of Painting

Thursday, December 31, 2020

S31E07 - Bridge to Autumn

Bob Ross's

The Joy of Painting

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