Bob Ross's
The Joy of Painting
S27E08 - Daybreak
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Hi, certainly glad you
could join us today.
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I thought today, maybe we
just do a little winter scene.
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It's very simple.
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It'll make you feel good.
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Let's start out and have him run all
the colors across the screen that
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you need to paint along with us.
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They'll come across right about
there while they're doing that.
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Come on up here.
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Let me show you what I've got done today.
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I have my standard old
pre-stretch double prime canvas.
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Say that with a mouth full of rocks.
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And I've just covered the
entire canvas with a very,
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very thin coat of liquid white.
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So the canvas is wet and it's
slick and it's ready to go.
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So is sh let's just have some fun today.
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Let's do a winter scene has
got a little color in it.
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Sometimes winter scenes can become too
cold, somewhat take a little bit of the
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CAD yellow, very, very small amount.
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I just want a little tiny
bit of color in this.
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Let's go up here.
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Yeah, up in here, let's just start.
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And this probably won't hardly even
show now it will, as we progress in
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the painting, I believe though, little
bit of yellow, right along in there.
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Just making little Xs or we're
crisscross strokes, whatever you want
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to call them a little bit more of that.
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I like it there.
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I just want a little glow in the sky.
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So it's not, it's not
totally dead or winter scene.
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All right.
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That's really enough.
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And as I say, it probably
doesn't even show up much yet.
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It will.
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It will.
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I'm gonna take some white, some midnight
black I'm to make her a gray color.
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They're dark gray.
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Okay.
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Let me wipe the old knife off here.
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We just wiped the knife on a paper towel.
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I'll just use that same old brush.
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It's fine.
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Go into a little bit of that color.
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Just tap a little color into the bristles.
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All right, let's go ahead.
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Up in here.
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And then we can just begin.
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Winter has a lot of gray sky, so
that's what I want to make today.
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Just making little, little Xs,
little crisscross strokes, like, so
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it's put in a little bit of color.
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There.
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See, that's all there is to start
at the top and work downward.
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That way your pain is continually
mixing with the liquid.
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White is on the canvas and
automatically, automatically your
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scale get lighter and lighter toward
the horizon and in the landscape.
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That's exactly what you're looking for.
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All right.
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Something about like, so I don't
want to lose all my little yellowish
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color there won't have glow in
my sky and I want to glow there.
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Let me grab another brush.
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I have several of them going here.
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Make sure it's dry.
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And then I'm going to blend
this, starting the light area
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and blend toward the dark area.
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When you're at home, you can take your
time and really, really blend this out.
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So it's just as smooth as silk.
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All right.
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And then we'll just go across the entire
canvas to remove the brush strokes.
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Okay, I'm going back to my brush.
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It had all that nice gray color on it
and let's take, and once again, all I'm
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doing is just tapping the bristles right
into a little bit of color, just tap.
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So you can see one corners hitting,
but the back is really not hitting.
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It's just the front corner I'm using.
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That's cool in here.
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And maybe in our world, our lives
does now does now that easy.
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Okay.
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Just a happy little cloud that
floats around the sky here all day.
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And I'm just using that corner
that you've watched this load.
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Just using that corner and doing
tiny little circles with it.
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The back of the brush is
not touching the canvas.
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It's just that corner.
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Something about like, so I can just
making little circles, keep going
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back to my brushes, sorta clean.
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And then very gently, very gently
and we'll blend the base of that out.
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So it just disappears.
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It just, just dissolves
right into that sky.
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There we go.
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Once again, because of liquid whites
on there, this works very simply.
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I'm going to lift it and fluff it.
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You could use a little blender
brush to do that if you want it to.
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Is there something about like Catherine
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speaking of a little blender
brush, you can take it.
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I won't tap the corner of it.
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Just the corner of it.
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Same way as we did.
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Yeah.
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They're into a small amount of titanium.
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White is too little and
this brush is so soft.
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You can go right back over and maybe
there's a little, little light that zings
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right through there just blended right in.
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Right.
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And have a little light spot up in there.
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There we can reinforce our cloud a little
and we're in business that easy and easy.
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I love to paint skies.
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There are a lot of fun.
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A lot of fun.
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Okay.
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Same old brushing has
the gray color on it.
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I won't take it now and go
into some titanium white.
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I want to lighten the color and pull the
brush wiggling wiggling, as you pull it
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that pulls the paint toward the end of
the bustles makes the brush very sharp.
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See there.
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Go ahead now with that, let's go up
in here and let's make the indication
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of some little distant trees.
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They live far back in the distance.
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We just using the side of
the brush and bending it.
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Sidewards.
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This is a super way of making little
trees that are far away, far away.
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I don't want a lot of detail in
these as trees get closer to us,
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then we'll put more detail in.
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Right now just looking for
indications of little trees there.
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Isn't that an easy,
easy way of making them.
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You can do this.
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You can do this.
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Give them a little friend right there.
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Something about like, yeah, just put a few
little doers in there and we'll come back.
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We'll come back and we'll
blend them out outside.
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Okay.
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Watch.
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Cleaning dry brush and
get, get mean with it here.
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This is where you get tough.
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Take out all your frustrations and
hostilities just to get in there.
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Really tap it, just tap it.
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We want to create the illusion of the
mist down at the base of these lift.
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Dufford takes out all the
little tap marks shoot.
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We got it.
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That easy.
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I'm going back to that brush
and I'm going into same color.
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It's just great.
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We'll put the least little
touch oppression, blue into it.
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At least little touch, least little touch.
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Not much.
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I want it to be gray.
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Just want to change the flavor a little
bit now then maybe, maybe we're getting
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into some trees that are closest to us.
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So we touch and this time I'm going
to give it a little upward push.
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So it looks like the bristles on the tree.
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I mean the limbs on the tree,
the bristles are on the brush.
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It looks like the limbs on the
tree are sort of going upward.
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Look at that and that the
easiest way to make a tree.
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You ever seen shoot trees.
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Aren't difficult.
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They're just put them in the side where
they live in your world and drop them in.
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Now we have two trees.
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This is mostly black touch oppression,
blue, little white, but mostly, mostly.
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Black and white, once again,
pushing sort of upward.
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I want these limbs to sort of go up or
down the tree and you decide in your
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world how many there are you decide there.
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Say here comes another one.
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Now sometimes, sometimes
you get a little crazy.
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Hmm.
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Cryosphere and artists that's expected.
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You can even, you can
take the big brush here.
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Look at there.
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Here's a tree.
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Maybe he got a little more sunlight.
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He's a little stronger, got a little
more detailed to him about like yet.
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And we'll go back.
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I'm just getting a clean.
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Two inch brush and all that.
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When I beat it on the easel like
that, the only thing I'm doing
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is removing any excess paint.
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That's cumulative.
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Once again, beating it very hard, really
getting in there and tapping it there.
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At least these planes.
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Create the illusion of depth
and distance in your painting.
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They're very valuable.
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They're your best friend.
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Take care of them.
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Take care of them.
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Now I'm going to bend
to the black some more.
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I'm just saying color,
making it darker money.
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Put a little Vandyke Brown in there too.
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I want it to get much darker now.
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All right.
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I have one more row of trees that covers
up this side and it starts right in there.
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See if it's sort of pushing upward
at the same time, going sideboards
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and upwards at the same time there.
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And you put as many as you want, once
again, you just, you, you create your
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own world here any way that you want it.
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You do it that you want to get brave.
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Here's a big one.
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Push I'm really pushing
hard toward the bottom.
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As you run out of paint,
you push harder and harder.
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You do it all out.
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That's the beauty of
using these big brushes.
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There we go there.
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And then just a few more little things
here and there, wherever you want there.
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Okay.
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There's one, something about like cabin.
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All right.
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You have to decide where these go.
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Sometimes when you have this much power,
you have to make these big decisions.
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That's the point she paid for power.
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You have to make decisions.
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And that's what we're doing right here.
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We're making decisions where
our world is and where it goes.
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Fair.
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All right.
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But the nice thing about it here,
you can change your decisions.
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You can change them at any time.
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It doesn't matter.
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You could also put these in these
basic shapes in with a fan brush,
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if you so desired works too.
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Sometimes I do them with a fan where
sometimes it's two inch brush, just.
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Whatever find what works for
you and do it, use it, use it.
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The biggest thing here is that
each layer becomes a little darker
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and that way it creates that
illusion of depth distance there.
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Well, we have a whole forest here.
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I didn't know it was going to
paint it for us, but that's okay.
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It gives you a lot of practice.
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You learn by repetition, doing it
over and over and over some, some
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circles, they call that practice.
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00:11:22,319 --> 00:11:27,584
And if there's any secret to this
technique or any technique, It's practice.
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That's all just practice,
like tying your shoe.
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When you first started,
it was quite difficult.
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She had to look and take your
time and really work at it.
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And now you do it probably
without even looking.
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I told that to a lady one time
she looked down and she says,
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why are you wearing loafers in.
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So anyway, some of us
learn better than others.
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Now I want to tap the base
here, tap it firmly from me.
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I want to create a lot of missed, a
lot of missed, really good in hearing.
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Take out all your
frustrations and hostilities.
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This is better than.
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Arguing with your spouse or
picking on the dog or whatever,
235
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something like that, then lift up
gently, gently after he do all that hard.
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Happy.
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Now you got to lift up gently, but that
to make a mist, it looks like it's so soft
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and everything is just floating in there.
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It's time to wash your brush.
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I really just want to get, even
with the camera people they've been
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hassling now, then in this painting,
let's have some snow, as many ways
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to make snow easiest way is just
to load the brush and pull it down.
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00:12:44,585 --> 00:12:46,955
But sometimes you want to make
snow that looks like powder.
244
00:12:46,955 --> 00:12:49,505
I think we did that in another
painting in this series.
245
00:12:50,075 --> 00:12:50,885
We'll do it one more time.
246
00:12:51,575 --> 00:12:52,115
Just tap.
247
00:12:53,105 --> 00:12:53,195
Okay.
248
00:12:54,000 --> 00:12:54,750
And then we go up here.
249
00:12:54,780 --> 00:12:58,080
It just like was putting grass
in a summer scene to tap you.
250
00:12:58,320 --> 00:12:59,010
Just tap it.
251
00:13:00,210 --> 00:13:04,020
Just pretend you're making a little,
a little Hill of grass back here only.
252
00:13:04,020 --> 00:13:04,770
It's not green.
253
00:13:04,770 --> 00:13:05,370
It's white
254
00:13:09,390 --> 00:13:10,700
because green snow is bad.
255
00:13:10,750 --> 00:13:14,730
It really bothers people when
they look at your painting there.
256
00:13:14,970 --> 00:13:15,300
Okay.
257
00:13:15,690 --> 00:13:20,160
Now let's take our little blender,
this just as tender as it can be.
258
00:13:21,105 --> 00:13:22,995
Very gently, very gently.
259
00:13:23,775 --> 00:13:26,265
Just go over there and it
makes it look like snow.
260
00:13:26,535 --> 00:13:27,615
That's just powdery.
261
00:13:28,275 --> 00:13:28,485
Hope.
262
00:13:28,485 --> 00:13:29,055
That's a word.
263
00:13:32,615 --> 00:13:36,335
What I'm going to take at least
little touch, at least little touch
264
00:13:36,335 --> 00:13:37,715
of the blue air on the blender.
265
00:13:38,910 --> 00:13:41,609
And add a little bit of
blue right down in here.
266
00:13:43,109 --> 00:13:46,469
The depression, blue little pressure.
267
00:13:46,979 --> 00:13:48,479
That'll be our shadows and snow.
268
00:13:48,479 --> 00:13:49,829
That's closer to us.
269
00:13:51,060 --> 00:13:54,810
Just blue there,
270
00:13:58,800 --> 00:13:59,339
wherever you want.
271
00:14:01,530 --> 00:14:02,250
All right.
272
00:14:03,479 --> 00:14:05,790
Now that we have a shadow there,
maybe there's know the little.
273
00:14:06,805 --> 00:14:07,815
Little layer of snow.
274
00:14:07,845 --> 00:14:10,425
This is what creates the lay
of the land and your painting.
275
00:14:11,595 --> 00:14:12,675
That it go right down into that.
276
00:14:12,675 --> 00:14:13,395
Nice shadow.
277
00:14:14,805 --> 00:14:15,285
Take your, what?
278
00:14:15,285 --> 00:14:15,855
Maybe comes.
279
00:14:16,005 --> 00:14:17,505
I don't know, make a decision here.
280
00:14:17,505 --> 00:14:18,735
Maybe it comes around like that.
281
00:14:20,355 --> 00:14:22,845
That'd be very simple
to turn this into water.
282
00:14:23,025 --> 00:14:27,375
If you wanted a little pond in
your painting, be very simple.
283
00:14:27,465 --> 00:14:29,955
All you need to do is put a little
reflection under call it down, but
284
00:14:30,525 --> 00:14:31,665
I don't think we'll do that today.
285
00:14:33,515 --> 00:14:35,315
See, now you have all
these different layers.
286
00:14:39,180 --> 00:14:42,330
Yep right here, right there.
287
00:14:42,360 --> 00:14:43,080
That's a good spot.
288
00:14:43,770 --> 00:14:44,490
Let's put this in.
289
00:14:45,630 --> 00:14:46,770
Let's put a little house in here.
290
00:14:47,790 --> 00:14:52,110
We're going to be a gorgeous place
to have a little house there.
291
00:14:52,980 --> 00:14:53,820
Come right on out here.
292
00:14:54,210 --> 00:14:57,540
I wouldn't do it as scraping
out a very basic design.
293
00:14:58,500 --> 00:14:59,490
Just so I have an idea.
294
00:14:59,790 --> 00:15:03,570
Let's go into the Vandyke Brown, dark
Sienna mixed together, but a little
295
00:15:03,570 --> 00:15:08,120
Crimson in there too now then decide.
296
00:15:08,180 --> 00:15:08,630
So
297
00:15:11,960 --> 00:15:12,530
there he is.
298
00:15:12,890 --> 00:15:16,910
See, I'm putting the dark in first because
I'm going to have snow on his roof.
299
00:15:17,780 --> 00:15:20,120
So just decided basically
where the roof line is.
300
00:15:21,620 --> 00:15:23,660
This is both Browns with
a little Crimson in it.
301
00:15:26,340 --> 00:15:27,829
Not much, just a little cramps.
302
00:15:27,960 --> 00:15:32,130
Just want to warm the
Brown up even more there.
303
00:15:32,130 --> 00:15:36,990
I don't want this painting to be too
cold to put your coat on, to look at it.
304
00:15:38,250 --> 00:15:41,550
Something like that I'm looking
for is a very basic little shape.
305
00:15:43,280 --> 00:15:43,790
All right.
306
00:15:45,260 --> 00:15:47,060
Tell you what let's get crazy.
307
00:15:49,010 --> 00:15:52,579
Let's make, let's turn our
little house into a log cabin.
308
00:15:53,120 --> 00:15:53,569
You don't do that.
309
00:15:54,870 --> 00:15:55,140
Okay.
310
00:15:55,170 --> 00:16:00,060
We'll put some little doers
across this way for the top there.
311
00:16:00,180 --> 00:16:03,060
I lived in Alaska for a long time
and are some of the most gorgeous log
312
00:16:03,060 --> 00:16:05,130
cabins there I've ever seen in my life.
313
00:16:06,060 --> 00:16:07,440
You wouldn't think they were log cabins.
314
00:16:07,440 --> 00:16:09,240
They look like castles made out of logs.
315
00:16:10,230 --> 00:16:10,770
Beautiful.
316
00:16:11,340 --> 00:16:12,660
Beautiful in Anchorage.
317
00:16:12,660 --> 00:16:15,540
There's a couple that you
have to see to believe.
318
00:16:17,220 --> 00:16:19,650
Now here, we're going to have
logs going the other way.
319
00:16:21,285 --> 00:16:23,355
And I will do is first put
in a little light area.
320
00:16:24,045 --> 00:16:24,855
Don't worry about it.
321
00:16:26,885 --> 00:16:30,425
I see attention to the angle.
322
00:16:30,455 --> 00:16:35,345
That's probably the most important thing
because we're looking at what's called
323
00:16:35,345 --> 00:16:36,695
a three-quarter view of the cabin.
324
00:16:36,695 --> 00:16:38,615
We see both the front and the side.
325
00:16:39,605 --> 00:16:41,855
So you have to play with
angles are important here.
326
00:16:44,315 --> 00:16:47,525
Now the other side, maybe it's not as
much light, so I'll add some Brown to it.
327
00:16:49,230 --> 00:16:52,620
And we'll attend indication of a
few little things over here, too.
328
00:16:54,470 --> 00:17:00,260
There something about like
cat, that's all we need.
329
00:17:00,710 --> 00:17:02,240
That'll give us what we're looking for.
330
00:17:02,840 --> 00:17:04,970
Maybe tell you what let's get crazy.
331
00:17:05,000 --> 00:17:06,710
Let me get the small
knife that one's too big.
332
00:17:08,480 --> 00:17:11,180
Maybe they'll have a window.
333
00:17:14,540 --> 00:17:16,550
I always do cabins nearly in my paintings.
334
00:17:17,460 --> 00:17:18,990
The there's nobody home.
335
00:17:19,890 --> 00:17:20,819
So let's put the application.
336
00:17:20,819 --> 00:17:21,660
Maybe somebody's home.
337
00:17:21,960 --> 00:17:24,960
Take a little bit yellow,
cat, yellow, little white.
338
00:17:27,660 --> 00:17:29,190
We'll just put some
light in the window here.
339
00:17:31,230 --> 00:17:36,020
Of course, maybe the lights
are on and nobody's home there.
340
00:17:37,700 --> 00:17:42,800
I've been accused of having a
disease myself, but that's okay.
341
00:17:42,860 --> 00:17:44,600
Artists are expected to
be a little different.
342
00:17:46,095 --> 00:17:48,524
And I take full advantage of it there.
343
00:17:50,385 --> 00:17:50,955
All right.
344
00:17:50,955 --> 00:17:56,625
We'll just put some little window panes
in there that easy, easy we need, we need
345
00:17:56,625 --> 00:18:01,845
a roof because right now, right now this
whole fellow is probably getting cold.
346
00:18:03,705 --> 00:18:06,345
Now one of the easiest ways
is to sort of outline it.
347
00:18:07,155 --> 00:18:11,804
See, and then you come down,
just come right on down.
348
00:18:13,995 --> 00:18:20,165
Once again, the angles are very
important, very important there.
349
00:18:22,385 --> 00:18:23,135
All right.
350
00:18:25,875 --> 00:18:26,385
All right.
351
00:18:26,525 --> 00:18:29,385
I think we're in business there
and we need a little snow on
352
00:18:29,415 --> 00:18:31,385
other side to show that it's deep.
353
00:18:32,015 --> 00:18:32,885
It's very deep.
354
00:18:35,825 --> 00:18:37,115
Now you can make it very smooth.
355
00:18:37,355 --> 00:18:40,865
I like to leave it rough sometime
because snow begins the K on you.
356
00:18:42,285 --> 00:18:44,655
There tell you what y'all get crazy.
357
00:18:46,305 --> 00:18:46,785
Let's do it.
358
00:18:47,085 --> 00:18:50,045
Maybe, maybe this little
Cartner that built.
359
00:18:50,045 --> 00:18:52,895
This was industrious and maybe
he bought a poor children.
360
00:18:54,335 --> 00:18:57,875
So we pull out a little that color
just to get rid of that Brown.
361
00:18:58,895 --> 00:19:00,035
They will come back in here.
362
00:19:00,155 --> 00:19:02,945
A little white, got to put a little
snow out here on the porch, too.
363
00:19:03,215 --> 00:19:04,175
It's snowing on the roof.
364
00:19:04,205 --> 00:19:05,285
It's snowing on the porch.
365
00:19:06,995 --> 00:19:07,955
Something like that.
366
00:19:10,740 --> 00:19:12,840
There, let me just wipe the knife off.
367
00:19:13,530 --> 00:19:17,820
Take a little Brown, put about
the same basic thing out here.
368
00:19:18,520 --> 00:19:20,340
Need a little place to
set the rocking chair.
369
00:19:22,230 --> 00:19:22,830
All right.
370
00:19:23,159 --> 00:19:26,520
Let's put a, just a few little
posts to hold the roof up.
371
00:19:27,600 --> 00:19:28,350
Something like that.
372
00:19:31,920 --> 00:19:32,820
Take a little color.
373
00:19:33,690 --> 00:19:35,850
Just come along the edge here and
just started cleaning the edge
374
00:19:35,850 --> 00:19:37,649
up, bringing it all together.
375
00:19:38,804 --> 00:19:39,405
Shoot.
376
00:19:39,524 --> 00:19:41,504
We do a cabinet to me
here to get her angles.
377
00:19:41,504 --> 00:19:41,804
Right.
378
00:19:43,784 --> 00:19:44,925
We're coming along pretty good.
379
00:19:46,544 --> 00:19:51,554
Let's go back to our snow brush,
a little snow lives right in
380
00:19:51,554 --> 00:19:54,165
here, right along in here.
381
00:19:55,754 --> 00:19:56,865
Maybe it comes right on out.
382
00:19:57,375 --> 00:19:58,514
I don't know wherever you want it.
383
00:20:00,345 --> 00:20:05,415
And back to our little blender brush
fairly lightly, barely, barely touching.
384
00:20:06,495 --> 00:20:09,645
Something about like cabin shoot.
385
00:20:10,595 --> 00:20:11,435
That's almost too good.
386
00:20:11,435 --> 00:20:12,275
I have to do it.
387
00:20:13,505 --> 00:20:14,045
I have to do it.
388
00:20:14,315 --> 00:20:16,625
This is just the perfect
place to have a little path.
389
00:20:16,685 --> 00:20:21,335
Take a little white that it just
wonder right on back a little road.
390
00:20:21,335 --> 00:20:22,865
Maybe it goes right on back up in here.
391
00:20:24,275 --> 00:20:32,455
Something about like, it just meanders
up the way there they say there they're a
392
00:20:32,465 --> 00:20:34,235
darker color in here where the ruts are.
393
00:20:36,990 --> 00:20:38,520
Shoot, maybe just comes all the way up.
394
00:20:38,550 --> 00:20:38,970
I don't know.
395
00:20:41,100 --> 00:20:46,649
Can take a little white, make it snowbank
a little more distinct right there.
396
00:20:48,409 --> 00:20:51,510
So now we have just the indication
of a little road that goes up.
397
00:20:51,560 --> 00:20:54,919
There are a little blender
brush, bring it all together.
398
00:20:58,159 --> 00:20:58,970
All right.
399
00:21:01,580 --> 00:21:02,450
Let me find.
400
00:21:03,330 --> 00:21:04,140
The old life.
401
00:21:04,950 --> 00:21:06,090
One more thing I'll put in here.
402
00:21:07,230 --> 00:21:10,920
Take a little bit of Brown,
maybe in our world, their lives.
403
00:21:11,400 --> 00:21:13,920
Maybe there's what remains
of an old fence right here.
404
00:21:15,060 --> 00:21:15,780
Something about life.
405
00:21:15,830 --> 00:21:16,130
Okay.
406
00:21:19,650 --> 00:21:22,910
And we need a rail that goes
across the old fence too.
407
00:21:24,350 --> 00:21:25,460
And here comes another one.
408
00:21:29,900 --> 00:21:29,990
Okay.
409
00:21:30,525 --> 00:21:31,335
Let me wipe the knife.
410
00:21:31,335 --> 00:21:34,155
We take a little bit of white
and just go right above it.
411
00:21:34,245 --> 00:21:36,495
So it looks like you're some
snow laying on the fence too.
412
00:21:37,695 --> 00:21:37,905
There.
413
00:21:37,935 --> 00:21:38,955
See there, there it is.
414
00:21:39,255 --> 00:21:39,645
There it is.
415
00:21:40,875 --> 00:21:41,415
He can do that.
416
00:21:41,445 --> 00:21:43,875
Maybe a little snow up here
on the top of that post too.
417
00:21:44,955 --> 00:21:48,285
All right, let me get
a little liner brush.
418
00:21:50,175 --> 00:21:54,075
They're usually at the bottom of
fence posts, they're little weeds and
419
00:21:54,075 --> 00:21:55,545
sticks and stuff that grow in here.
420
00:21:56,295 --> 00:21:58,125
Cause you can't cut
too close to the fence.
421
00:21:59,115 --> 00:22:00,195
So you get these little things.
422
00:22:00,195 --> 00:22:01,784
Maybe there's all kinds
of little doers here.
423
00:22:03,764 --> 00:22:04,334
All right.
424
00:22:05,175 --> 00:22:09,465
You know me, I like, I like
trees take that same color
425
00:22:12,645 --> 00:22:13,064
there.
426
00:22:14,385 --> 00:22:17,205
If you have trouble making it, come
off, your brush, all you need to do is
427
00:22:17,205 --> 00:22:21,675
add just a little more paint thinner
because the thin paint will slide
428
00:22:21,675 --> 00:22:23,385
right over the top of a thick paint.
429
00:22:23,504 --> 00:22:27,735
So that easy there,
something about like, yeah.
430
00:22:29,280 --> 00:22:33,030
She asked, decide where they
live, drop them in, in your world.
431
00:22:33,030 --> 00:22:38,880
You can put them anywhere that you want
them totally and completely up to you.
432
00:22:41,190 --> 00:22:45,120
And you can add all kinds of little
branches or, or maybe the old trees did,
433
00:22:45,120 --> 00:22:47,880
and there's not many left on it, but you
got to have a few things here for the
434
00:22:47,880 --> 00:22:51,180
little birds to sell in the winter time.
435
00:22:51,180 --> 00:22:52,200
They need a place to set.
436
00:22:53,400 --> 00:22:57,180
Of course they do it in the summertime
too, but here they can set them.
437
00:22:58,210 --> 00:22:59,700
Watch it here and wait
for you to bring him out.
438
00:22:59,700 --> 00:23:03,720
Some bird seed or something to eat
are raised a lot, a little birds
439
00:23:03,720 --> 00:23:05,010
every year and turn them loosen.
440
00:23:05,550 --> 00:23:10,760
So I have a special place in my
heart for a little birds there.
441
00:23:11,900 --> 00:23:14,690
Sometime you can take a little of
liquid white filmmaker look like
442
00:23:14,690 --> 00:23:18,470
icicles hanging off and just pull
a little just here and there.
443
00:23:18,500 --> 00:23:22,879
A few little icicles can even
highlight one side of these posts, so
444
00:23:22,879 --> 00:23:26,120
they show up a little better there.
445
00:23:27,625 --> 00:23:28,445
Okay.
446
00:23:29,175 --> 00:23:32,804
When you do yours, you take your time
and you can fix all these little details.
447
00:23:34,264 --> 00:23:36,304
They're all right.
448
00:23:39,425 --> 00:23:42,514
And wherever you want to have some
little indications, that little
449
00:23:42,514 --> 00:23:44,284
things are, are still growing.
450
00:23:44,345 --> 00:23:45,774
Just drop them in there.
451
00:23:45,784 --> 00:23:47,284
Some appear to, okay.
452
00:23:47,645 --> 00:23:54,215
I'll put a couple up in here,
there, wherever, wherever.
453
00:23:55,935 --> 00:23:58,515
If you want to make the road look a
little deeper, take a little bit of that.
454
00:23:59,715 --> 00:24:02,625
I mean, the bank here on the road, look
a little deeper, take a little that
455
00:24:02,625 --> 00:24:11,115
gray color and just sort of outline it a
little and then blended right in there.
456
00:24:11,175 --> 00:24:13,335
See, and it gives depth
to that side of the road.
457
00:24:15,155 --> 00:24:15,485
Fair.
458
00:24:15,495 --> 00:24:16,085
I like that.
459
00:24:17,915 --> 00:24:18,455
Shoot with that.
460
00:24:18,455 --> 00:24:19,985
And we're about what about to the point?
461
00:24:19,985 --> 00:24:21,065
We have a finished painting.
462
00:24:21,335 --> 00:24:22,265
Let that camera, I don't know.
463
00:24:23,399 --> 00:24:26,540
I'm gonna take a little
bit of red in sign.
464
00:24:26,540 --> 00:24:28,760
This one, I think we're
going to call it done.
465
00:24:29,500 --> 00:24:31,040
Hope you've enjoyed this
little winter scene.
466
00:24:31,040 --> 00:24:31,939
It's very simple.
467
00:24:32,689 --> 00:24:34,159
You have a lot of fun doing it.
468
00:24:35,149 --> 00:24:39,439
And if you have time after you do it,
take a picture of it and send to us.
469
00:24:39,439 --> 00:24:40,310
We'd love to see it here.
470
00:24:40,310 --> 00:24:42,889
Sometimes when time permits,
we show them on the air.
471
00:24:42,889 --> 00:24:46,760
What people just like yourself have
done until then from all of us here.
472
00:24:46,909 --> 00:24:48,230
I'd like to wish you happy painting.
473
00:24:48,919 --> 00:24:50,030
And God bless my friend.
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