Thursday, December 31, 2020

S27E08 - Daybreak

Bob Ross's

The Joy of Painting


S27E08 - Daybreak

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Hi, certainly glad you

could join us today.


2

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I thought today, maybe we

just do a little winter scene.


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It's very simple.


4

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It'll make you feel good.


5

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Let's start out and have him run all

the colors across the screen that


6

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you need to paint along with us.


7

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They'll come across right about

there while they're doing that.


8

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Come on up here.


9

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Let me show you what I've got done today.


10

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I have my standard old

pre-stretch double prime canvas.


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Say that with a mouth full of rocks.


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And I've just covered the

entire canvas with a very,


13

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very thin coat of liquid white.


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So the canvas is wet and it's

slick and it's ready to go.


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So is sh let's just have some fun today.


16

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Let's do a winter scene has

got a little color in it.


17

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Sometimes winter scenes can become too

cold, somewhat take a little bit of the


18

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CAD yellow, very, very small amount.


19

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I just want a little tiny

bit of color in this.


20

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Let's go up here.


21

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Yeah, up in here, let's just start.


22

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And this probably won't hardly even

show now it will, as we progress in


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the painting, I believe though, little

bit of yellow, right along in there.


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Just making little Xs or we're

crisscross strokes, whatever you want


25

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to call them a little bit more of that.


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I like it there.


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I just want a little glow in the sky.


28

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So it's not, it's not

totally dead or winter scene.


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All right.


30

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That's really enough.


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And as I say, it probably

doesn't even show up much yet.


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It will.


33

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It will.


34

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I'm gonna take some white, some midnight

black I'm to make her a gray color.


35

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They're dark gray.


36

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Okay.


37

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Let me wipe the old knife off here.


38

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We just wiped the knife on a paper towel.


39

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I'll just use that same old brush.


40

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It's fine.


41

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Go into a little bit of that color.


42

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Just tap a little color into the bristles.


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All right, let's go ahead.


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Up in here.


45

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And then we can just begin.


46

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Winter has a lot of gray sky, so

that's what I want to make today.


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Just making little, little Xs,

little crisscross strokes, like, so


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it's put in a little bit of color.


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There.


50

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See, that's all there is to start

at the top and work downward.


51

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That way your pain is continually

mixing with the liquid.


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White is on the canvas and

automatically, automatically your


53

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scale get lighter and lighter toward

the horizon and in the landscape.


54

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That's exactly what you're looking for.


55

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All right.


56

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Something about like, so I don't

want to lose all my little yellowish


57

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color there won't have glow in

my sky and I want to glow there.


58

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Let me grab another brush.


59

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I have several of them going here.


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Make sure it's dry.


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And then I'm going to blend

this, starting the light area


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and blend toward the dark area.


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When you're at home, you can take your

time and really, really blend this out.


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So it's just as smooth as silk.


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All right.


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And then we'll just go across the entire

canvas to remove the brush strokes.


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Okay, I'm going back to my brush.


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It had all that nice gray color on it

and let's take, and once again, all I'm


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doing is just tapping the bristles right

into a little bit of color, just tap.


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So you can see one corners hitting,

but the back is really not hitting.


71

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It's just the front corner I'm using.


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That's cool in here.


73

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And maybe in our world, our lives

does now does now that easy.


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Okay.


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Just a happy little cloud that

floats around the sky here all day.


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And I'm just using that corner

that you've watched this load.


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Just using that corner and doing

tiny little circles with it.


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The back of the brush is

not touching the canvas.


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It's just that corner.


80

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Something about like, so I can just

making little circles, keep going


81

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back to my brushes, sorta clean.


82

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And then very gently, very gently

and we'll blend the base of that out.


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So it just disappears.


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It just, just dissolves

right into that sky.


85

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There we go.


86

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Once again, because of liquid whites

on there, this works very simply.


87

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I'm going to lift it and fluff it.


88

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You could use a little blender

brush to do that if you want it to.


89

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Is there something about like Catherine


90

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speaking of a little blender

brush, you can take it.


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I won't tap the corner of it.


92

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Just the corner of it.


93

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Same way as we did.


94

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Yeah.


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They're into a small amount of titanium.


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White is too little and

this brush is so soft.


97

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You can go right back over and maybe

there's a little, little light that zings


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right through there just blended right in.


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Right.


100

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And have a little light spot up in there.


101

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There we can reinforce our cloud a little

and we're in business that easy and easy.


102

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I love to paint skies.


103

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There are a lot of fun.


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A lot of fun.


105

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Okay.


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Same old brushing has

the gray color on it.


107

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I won't take it now and go

into some titanium white.


108

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I want to lighten the color and pull the

brush wiggling wiggling, as you pull it


109

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that pulls the paint toward the end of

the bustles makes the brush very sharp.


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See there.


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Go ahead now with that, let's go up

in here and let's make the indication


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of some little distant trees.


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They live far back in the distance.


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We just using the side of

the brush and bending it.


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Sidewards.


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This is a super way of making little

trees that are far away, far away.


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I don't want a lot of detail in

these as trees get closer to us,


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then we'll put more detail in.


119

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Right now just looking for

indications of little trees there.


120

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Isn't that an easy,

easy way of making them.


121

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You can do this.


122

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You can do this.


123

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Give them a little friend right there.


124

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Something about like, yeah, just put a few

little doers in there and we'll come back.


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We'll come back and we'll

blend them out outside.


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Okay.


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Watch.


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Cleaning dry brush and

get, get mean with it here.


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This is where you get tough.


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Take out all your frustrations and

hostilities just to get in there.


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Really tap it, just tap it.


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We want to create the illusion of the

mist down at the base of these lift.


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Dufford takes out all the

little tap marks shoot.


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We got it.


135

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That easy.


136

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I'm going back to that brush

and I'm going into same color.


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It's just great.


138

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We'll put the least little

touch oppression, blue into it.


139

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At least little touch, least little touch.


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Not much.


141

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I want it to be gray.


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Just want to change the flavor a little

bit now then maybe, maybe we're getting


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into some trees that are closest to us.


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So we touch and this time I'm going

to give it a little upward push.


145

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So it looks like the bristles on the tree.


146

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I mean the limbs on the tree,

the bristles are on the brush.


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It looks like the limbs on the

tree are sort of going upward.


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Look at that and that the

easiest way to make a tree.


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You ever seen shoot trees.


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Aren't difficult.


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They're just put them in the side where

they live in your world and drop them in.


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Now we have two trees.


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This is mostly black touch oppression,

blue, little white, but mostly, mostly.


154

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Black and white, once again,

pushing sort of upward.


155

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I want these limbs to sort of go up or

down the tree and you decide in your


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world how many there are you decide there.


157

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Say here comes another one.


158

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Now sometimes, sometimes

you get a little crazy.


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Hmm.


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Cryosphere and artists that's expected.


161

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You can even, you can

take the big brush here.


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Look at there.


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Here's a tree.


164

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Maybe he got a little more sunlight.


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He's a little stronger, got a little

more detailed to him about like yet.


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And we'll go back.


167

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I'm just getting a clean.


168

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Two inch brush and all that.


169

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When I beat it on the easel like

that, the only thing I'm doing


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is removing any excess paint.


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That's cumulative.


172

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Once again, beating it very hard, really

getting in there and tapping it there.


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At least these planes.


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Create the illusion of depth

and distance in your painting.


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They're very valuable.


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They're your best friend.


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Take care of them.


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Take care of them.


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Now I'm going to bend

to the black some more.


180

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I'm just saying color,

making it darker money.


181

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Put a little Vandyke Brown in there too.


182

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I want it to get much darker now.


183

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All right.


184

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I have one more row of trees that covers

up this side and it starts right in there.


185

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See if it's sort of pushing upward

at the same time, going sideboards


186

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and upwards at the same time there.


187

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And you put as many as you want, once

again, you just, you, you create your


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own world here any way that you want it.


189

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You do it that you want to get brave.


190

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Here's a big one.


191

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Push I'm really pushing

hard toward the bottom.


192

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As you run out of paint,

you push harder and harder.


193

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You do it all out.


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That's the beauty of

using these big brushes.


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There we go there.


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And then just a few more little things

here and there, wherever you want there.


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Okay.


198

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There's one, something about like cabin.


199

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All right.


200

00:10:08,970 --> 00:10:10,410

You have to decide where these go.


201

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Sometimes when you have this much power,

you have to make these big decisions.


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That's the point she paid for power.


203

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You have to make decisions.


204

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And that's what we're doing right here.


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We're making decisions where

our world is and where it goes.


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Fair.


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All right.


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But the nice thing about it here,

you can change your decisions.


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You can change them at any time.


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It doesn't matter.


211

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You could also put these in these

basic shapes in with a fan brush,


212

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if you so desired works too.


213

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Sometimes I do them with a fan where

sometimes it's two inch brush, just.


214

00:10:48,870 --> 00:10:53,790

Whatever find what works for

you and do it, use it, use it.


215

00:10:54,570 --> 00:10:58,110

The biggest thing here is that

each layer becomes a little darker


216

00:10:59,430 --> 00:11:05,400

and that way it creates that

illusion of depth distance there.


217

00:11:06,990 --> 00:11:08,490

Well, we have a whole forest here.


218

00:11:08,490 --> 00:11:10,590

I didn't know it was going to

paint it for us, but that's okay.


219

00:11:11,520 --> 00:11:12,689

It gives you a lot of practice.


220

00:11:12,930 --> 00:11:18,600

You learn by repetition, doing it

over and over and over some, some


221

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circles, they call that practice.


222

00:11:22,319 --> 00:11:27,584

And if there's any secret to this

technique or any technique, It's practice.


223

00:11:27,614 --> 00:11:30,525

That's all just practice,

like tying your shoe.


224

00:11:30,525 --> 00:11:32,204

When you first started,

it was quite difficult.


225

00:11:32,204 --> 00:11:34,244

She had to look and take your

time and really work at it.


226

00:11:34,244 --> 00:11:36,614

And now you do it probably

without even looking.


227

00:11:36,854 --> 00:11:38,864

I told that to a lady one time

she looked down and she says,


228

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why are you wearing loafers in.


229

00:11:41,685 --> 00:11:45,314

So anyway, some of us

learn better than others.


230

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Now I want to tap the base

here, tap it firmly from me.


231

00:11:51,375 --> 00:11:55,935

I want to create a lot of missed, a

lot of missed, really good in hearing.


232

00:11:56,025 --> 00:11:58,185

Take out all your

frustrations and hostilities.


233

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This is better than.


234

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Arguing with your spouse or

picking on the dog or whatever,


235

00:12:08,390 --> 00:12:15,110

something like that, then lift up

gently, gently after he do all that hard.


236

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Happy.


237

00:12:16,370 --> 00:12:22,130

Now you got to lift up gently, but that

to make a mist, it looks like it's so soft


238

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and everything is just floating in there.


239

00:12:24,380 --> 00:12:25,520

It's time to wash your brush.


240

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I really just want to get, even

with the camera people they've been


241

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hassling now, then in this painting,

let's have some snow, as many ways


242

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to make snow easiest way is just

to load the brush and pull it down.


243

00:12:44,585 --> 00:12:46,955

But sometimes you want to make

snow that looks like powder.


244

00:12:46,955 --> 00:12:49,505

I think we did that in another

painting in this series.


245

00:12:50,075 --> 00:12:50,885

We'll do it one more time.


246

00:12:51,575 --> 00:12:52,115

Just tap.


247

00:12:53,105 --> 00:12:53,195

Okay.


248

00:12:54,000 --> 00:12:54,750

And then we go up here.


249

00:12:54,780 --> 00:12:58,080

It just like was putting grass

in a summer scene to tap you.


250

00:12:58,320 --> 00:12:59,010

Just tap it.


251

00:13:00,210 --> 00:13:04,020

Just pretend you're making a little,

a little Hill of grass back here only.


252

00:13:04,020 --> 00:13:04,770

It's not green.


253

00:13:04,770 --> 00:13:05,370

It's white


254

00:13:09,390 --> 00:13:10,700

because green snow is bad.


255

00:13:10,750 --> 00:13:14,730

It really bothers people when

they look at your painting there.


256

00:13:14,970 --> 00:13:15,300

Okay.


257

00:13:15,690 --> 00:13:20,160

Now let's take our little blender,

this just as tender as it can be.


258

00:13:21,105 --> 00:13:22,995

Very gently, very gently.


259

00:13:23,775 --> 00:13:26,265

Just go over there and it

makes it look like snow.


260

00:13:26,535 --> 00:13:27,615

That's just powdery.


261

00:13:28,275 --> 00:13:28,485

Hope.


262

00:13:28,485 --> 00:13:29,055

That's a word.


263

00:13:32,615 --> 00:13:36,335

What I'm going to take at least

little touch, at least little touch


264

00:13:36,335 --> 00:13:37,715

of the blue air on the blender.


265

00:13:38,910 --> 00:13:41,609

And add a little bit of

blue right down in here.


266

00:13:43,109 --> 00:13:46,469

The depression, blue little pressure.


267

00:13:46,979 --> 00:13:48,479

That'll be our shadows and snow.


268

00:13:48,479 --> 00:13:49,829

That's closer to us.


269

00:13:51,060 --> 00:13:54,810

Just blue there,


270

00:13:58,800 --> 00:13:59,339

wherever you want.


271

00:14:01,530 --> 00:14:02,250

All right.


272

00:14:03,479 --> 00:14:05,790

Now that we have a shadow there,

maybe there's know the little.


273

00:14:06,805 --> 00:14:07,815

Little layer of snow.


274

00:14:07,845 --> 00:14:10,425

This is what creates the lay

of the land and your painting.


275

00:14:11,595 --> 00:14:12,675

That it go right down into that.


276

00:14:12,675 --> 00:14:13,395

Nice shadow.


277

00:14:14,805 --> 00:14:15,285

Take your, what?


278

00:14:15,285 --> 00:14:15,855

Maybe comes.


279

00:14:16,005 --> 00:14:17,505

I don't know, make a decision here.


280

00:14:17,505 --> 00:14:18,735

Maybe it comes around like that.


281

00:14:20,355 --> 00:14:22,845

That'd be very simple

to turn this into water.


282

00:14:23,025 --> 00:14:27,375

If you wanted a little pond in

your painting, be very simple.


283

00:14:27,465 --> 00:14:29,955

All you need to do is put a little

reflection under call it down, but


284

00:14:30,525 --> 00:14:31,665

I don't think we'll do that today.


285

00:14:33,515 --> 00:14:35,315

See, now you have all

these different layers.


286

00:14:39,180 --> 00:14:42,330

Yep right here, right there.


287

00:14:42,360 --> 00:14:43,080

That's a good spot.


288

00:14:43,770 --> 00:14:44,490

Let's put this in.


289

00:14:45,630 --> 00:14:46,770

Let's put a little house in here.


290

00:14:47,790 --> 00:14:52,110

We're going to be a gorgeous place

to have a little house there.


291

00:14:52,980 --> 00:14:53,820

Come right on out here.


292

00:14:54,210 --> 00:14:57,540

I wouldn't do it as scraping

out a very basic design.


293

00:14:58,500 --> 00:14:59,490

Just so I have an idea.


294

00:14:59,790 --> 00:15:03,570

Let's go into the Vandyke Brown, dark

Sienna mixed together, but a little


295

00:15:03,570 --> 00:15:08,120

Crimson in there too now then decide.


296

00:15:08,180 --> 00:15:08,630

So


297

00:15:11,960 --> 00:15:12,530

there he is.


298

00:15:12,890 --> 00:15:16,910

See, I'm putting the dark in first because

I'm going to have snow on his roof.


299

00:15:17,780 --> 00:15:20,120

So just decided basically

where the roof line is.


300

00:15:21,620 --> 00:15:23,660

This is both Browns with

a little Crimson in it.


301

00:15:26,340 --> 00:15:27,829

Not much, just a little cramps.


302

00:15:27,960 --> 00:15:32,130

Just want to warm the

Brown up even more there.


303

00:15:32,130 --> 00:15:36,990

I don't want this painting to be too

cold to put your coat on, to look at it.


304

00:15:38,250 --> 00:15:41,550

Something like that I'm looking

for is a very basic little shape.


305

00:15:43,280 --> 00:15:43,790

All right.


306

00:15:45,260 --> 00:15:47,060

Tell you what let's get crazy.


307

00:15:49,010 --> 00:15:52,579

Let's make, let's turn our

little house into a log cabin.


308

00:15:53,120 --> 00:15:53,569

You don't do that.


309

00:15:54,870 --> 00:15:55,140

Okay.


310

00:15:55,170 --> 00:16:00,060

We'll put some little doers

across this way for the top there.


311

00:16:00,180 --> 00:16:03,060

I lived in Alaska for a long time

and are some of the most gorgeous log


312

00:16:03,060 --> 00:16:05,130

cabins there I've ever seen in my life.


313

00:16:06,060 --> 00:16:07,440

You wouldn't think they were log cabins.


314

00:16:07,440 --> 00:16:09,240

They look like castles made out of logs.


315

00:16:10,230 --> 00:16:10,770

Beautiful.


316

00:16:11,340 --> 00:16:12,660

Beautiful in Anchorage.


317

00:16:12,660 --> 00:16:15,540

There's a couple that you

have to see to believe.


318

00:16:17,220 --> 00:16:19,650

Now here, we're going to have

logs going the other way.


319

00:16:21,285 --> 00:16:23,355

And I will do is first put

in a little light area.


320

00:16:24,045 --> 00:16:24,855

Don't worry about it.


321

00:16:26,885 --> 00:16:30,425

I see attention to the angle.


322

00:16:30,455 --> 00:16:35,345

That's probably the most important thing

because we're looking at what's called


323

00:16:35,345 --> 00:16:36,695

a three-quarter view of the cabin.


324

00:16:36,695 --> 00:16:38,615

We see both the front and the side.


325

00:16:39,605 --> 00:16:41,855

So you have to play with

angles are important here.


326

00:16:44,315 --> 00:16:47,525

Now the other side, maybe it's not as

much light, so I'll add some Brown to it.


327

00:16:49,230 --> 00:16:52,620

And we'll attend indication of a

few little things over here, too.


328

00:16:54,470 --> 00:17:00,260

There something about like

cat, that's all we need.


329

00:17:00,710 --> 00:17:02,240

That'll give us what we're looking for.


330

00:17:02,840 --> 00:17:04,970

Maybe tell you what let's get crazy.


331

00:17:05,000 --> 00:17:06,710

Let me get the small

knife that one's too big.


332

00:17:08,480 --> 00:17:11,180

Maybe they'll have a window.


333

00:17:14,540 --> 00:17:16,550

I always do cabins nearly in my paintings.


334

00:17:17,460 --> 00:17:18,990

The there's nobody home.


335

00:17:19,890 --> 00:17:20,819

So let's put the application.


336

00:17:20,819 --> 00:17:21,660

Maybe somebody's home.


337

00:17:21,960 --> 00:17:24,960

Take a little bit yellow,

cat, yellow, little white.


338

00:17:27,660 --> 00:17:29,190

We'll just put some

light in the window here.


339

00:17:31,230 --> 00:17:36,020

Of course, maybe the lights

are on and nobody's home there.


340

00:17:37,700 --> 00:17:42,800

I've been accused of having a

disease myself, but that's okay.


341

00:17:42,860 --> 00:17:44,600

Artists are expected to

be a little different.


342

00:17:46,095 --> 00:17:48,524

And I take full advantage of it there.


343

00:17:50,385 --> 00:17:50,955

All right.


344

00:17:50,955 --> 00:17:56,625

We'll just put some little window panes

in there that easy, easy we need, we need


345

00:17:56,625 --> 00:18:01,845

a roof because right now, right now this

whole fellow is probably getting cold.


346

00:18:03,705 --> 00:18:06,345

Now one of the easiest ways

is to sort of outline it.


347

00:18:07,155 --> 00:18:11,804

See, and then you come down,

just come right on down.


348

00:18:13,995 --> 00:18:20,165

Once again, the angles are very

important, very important there.


349

00:18:22,385 --> 00:18:23,135

All right.


350

00:18:25,875 --> 00:18:26,385

All right.


351

00:18:26,525 --> 00:18:29,385

I think we're in business there

and we need a little snow on


352

00:18:29,415 --> 00:18:31,385

other side to show that it's deep.


353

00:18:32,015 --> 00:18:32,885

It's very deep.


354

00:18:35,825 --> 00:18:37,115

Now you can make it very smooth.


355

00:18:37,355 --> 00:18:40,865

I like to leave it rough sometime

because snow begins the K on you.


356

00:18:42,285 --> 00:18:44,655

There tell you what y'all get crazy.


357

00:18:46,305 --> 00:18:46,785

Let's do it.


358

00:18:47,085 --> 00:18:50,045

Maybe, maybe this little

Cartner that built.


359

00:18:50,045 --> 00:18:52,895

This was industrious and maybe

he bought a poor children.


360

00:18:54,335 --> 00:18:57,875

So we pull out a little that color

just to get rid of that Brown.


361

00:18:58,895 --> 00:19:00,035

They will come back in here.


362

00:19:00,155 --> 00:19:02,945

A little white, got to put a little

snow out here on the porch, too.


363

00:19:03,215 --> 00:19:04,175

It's snowing on the roof.


364

00:19:04,205 --> 00:19:05,285

It's snowing on the porch.


365

00:19:06,995 --> 00:19:07,955

Something like that.


366

00:19:10,740 --> 00:19:12,840

There, let me just wipe the knife off.


367

00:19:13,530 --> 00:19:17,820

Take a little Brown, put about

the same basic thing out here.


368

00:19:18,520 --> 00:19:20,340

Need a little place to

set the rocking chair.


369

00:19:22,230 --> 00:19:22,830

All right.


370

00:19:23,159 --> 00:19:26,520

Let's put a, just a few little

posts to hold the roof up.


371

00:19:27,600 --> 00:19:28,350

Something like that.


372

00:19:31,920 --> 00:19:32,820

Take a little color.


373

00:19:33,690 --> 00:19:35,850

Just come along the edge here and

just started cleaning the edge


374

00:19:35,850 --> 00:19:37,649

up, bringing it all together.


375

00:19:38,804 --> 00:19:39,405

Shoot.


376

00:19:39,524 --> 00:19:41,504

We do a cabinet to me

here to get her angles.


377

00:19:41,504 --> 00:19:41,804

Right.


378

00:19:43,784 --> 00:19:44,925

We're coming along pretty good.


379

00:19:46,544 --> 00:19:51,554

Let's go back to our snow brush,

a little snow lives right in


380

00:19:51,554 --> 00:19:54,165

here, right along in here.


381

00:19:55,754 --> 00:19:56,865

Maybe it comes right on out.


382

00:19:57,375 --> 00:19:58,514

I don't know wherever you want it.


383

00:20:00,345 --> 00:20:05,415

And back to our little blender brush

fairly lightly, barely, barely touching.


384

00:20:06,495 --> 00:20:09,645

Something about like cabin shoot.


385

00:20:10,595 --> 00:20:11,435

That's almost too good.


386

00:20:11,435 --> 00:20:12,275

I have to do it.


387

00:20:13,505 --> 00:20:14,045

I have to do it.


388

00:20:14,315 --> 00:20:16,625

This is just the perfect

place to have a little path.


389

00:20:16,685 --> 00:20:21,335

Take a little white that it just

wonder right on back a little road.


390

00:20:21,335 --> 00:20:22,865

Maybe it goes right on back up in here.


391

00:20:24,275 --> 00:20:32,455

Something about like, it just meanders

up the way there they say there they're a


392

00:20:32,465 --> 00:20:34,235

darker color in here where the ruts are.


393

00:20:36,990 --> 00:20:38,520

Shoot, maybe just comes all the way up.


394

00:20:38,550 --> 00:20:38,970

I don't know.


395

00:20:41,100 --> 00:20:46,649

Can take a little white, make it snowbank

a little more distinct right there.


396

00:20:48,409 --> 00:20:51,510

So now we have just the indication

of a little road that goes up.


397

00:20:51,560 --> 00:20:54,919

There are a little blender

brush, bring it all together.


398

00:20:58,159 --> 00:20:58,970

All right.


399

00:21:01,580 --> 00:21:02,450

Let me find.


400

00:21:03,330 --> 00:21:04,140

The old life.


401

00:21:04,950 --> 00:21:06,090

One more thing I'll put in here.


402

00:21:07,230 --> 00:21:10,920

Take a little bit of Brown,

maybe in our world, their lives.


403

00:21:11,400 --> 00:21:13,920

Maybe there's what remains

of an old fence right here.


404

00:21:15,060 --> 00:21:15,780

Something about life.


405

00:21:15,830 --> 00:21:16,130

Okay.


406

00:21:19,650 --> 00:21:22,910

And we need a rail that goes

across the old fence too.


407

00:21:24,350 --> 00:21:25,460

And here comes another one.


408

00:21:29,900 --> 00:21:29,990

Okay.


409

00:21:30,525 --> 00:21:31,335

Let me wipe the knife.


410

00:21:31,335 --> 00:21:34,155

We take a little bit of white

and just go right above it.


411

00:21:34,245 --> 00:21:36,495

So it looks like you're some

snow laying on the fence too.


412

00:21:37,695 --> 00:21:37,905

There.


413

00:21:37,935 --> 00:21:38,955

See there, there it is.


414

00:21:39,255 --> 00:21:39,645

There it is.


415

00:21:40,875 --> 00:21:41,415

He can do that.


416

00:21:41,445 --> 00:21:43,875

Maybe a little snow up here

on the top of that post too.


417

00:21:44,955 --> 00:21:48,285

All right, let me get

a little liner brush.


418

00:21:50,175 --> 00:21:54,075

They're usually at the bottom of

fence posts, they're little weeds and


419

00:21:54,075 --> 00:21:55,545

sticks and stuff that grow in here.


420

00:21:56,295 --> 00:21:58,125

Cause you can't cut

too close to the fence.


421

00:21:59,115 --> 00:22:00,195

So you get these little things.


422

00:22:00,195 --> 00:22:01,784

Maybe there's all kinds

of little doers here.


423

00:22:03,764 --> 00:22:04,334

All right.


424

00:22:05,175 --> 00:22:09,465

You know me, I like, I like

trees take that same color


425

00:22:12,645 --> 00:22:13,064

there.


426

00:22:14,385 --> 00:22:17,205

If you have trouble making it, come

off, your brush, all you need to do is


427

00:22:17,205 --> 00:22:21,675

add just a little more paint thinner

because the thin paint will slide


428

00:22:21,675 --> 00:22:23,385

right over the top of a thick paint.


429

00:22:23,504 --> 00:22:27,735

So that easy there,

something about like, yeah.


430

00:22:29,280 --> 00:22:33,030

She asked, decide where they

live, drop them in, in your world.


431

00:22:33,030 --> 00:22:38,880

You can put them anywhere that you want

them totally and completely up to you.


432

00:22:41,190 --> 00:22:45,120

And you can add all kinds of little

branches or, or maybe the old trees did,


433

00:22:45,120 --> 00:22:47,880

and there's not many left on it, but you

got to have a few things here for the


434

00:22:47,880 --> 00:22:51,180

little birds to sell in the winter time.


435

00:22:51,180 --> 00:22:52,200

They need a place to set.


436

00:22:53,400 --> 00:22:57,180

Of course they do it in the summertime

too, but here they can set them.


437

00:22:58,210 --> 00:22:59,700

Watch it here and wait

for you to bring him out.


438

00:22:59,700 --> 00:23:03,720

Some bird seed or something to eat

are raised a lot, a little birds


439

00:23:03,720 --> 00:23:05,010

every year and turn them loosen.


440

00:23:05,550 --> 00:23:10,760

So I have a special place in my

heart for a little birds there.


441

00:23:11,900 --> 00:23:14,690

Sometime you can take a little of

liquid white filmmaker look like


442

00:23:14,690 --> 00:23:18,470

icicles hanging off and just pull

a little just here and there.


443

00:23:18,500 --> 00:23:22,879

A few little icicles can even

highlight one side of these posts, so


444

00:23:22,879 --> 00:23:26,120

they show up a little better there.


445

00:23:27,625 --> 00:23:28,445

Okay.


446

00:23:29,175 --> 00:23:32,804

When you do yours, you take your time

and you can fix all these little details.


447

00:23:34,264 --> 00:23:36,304

They're all right.


448

00:23:39,425 --> 00:23:42,514

And wherever you want to have some

little indications, that little


449

00:23:42,514 --> 00:23:44,284

things are, are still growing.


450

00:23:44,345 --> 00:23:45,774

Just drop them in there.


451

00:23:45,784 --> 00:23:47,284

Some appear to, okay.


452

00:23:47,645 --> 00:23:54,215

I'll put a couple up in here,

there, wherever, wherever.


453

00:23:55,935 --> 00:23:58,515

If you want to make the road look a

little deeper, take a little bit of that.


454

00:23:59,715 --> 00:24:02,625

I mean, the bank here on the road, look

a little deeper, take a little that


455

00:24:02,625 --> 00:24:11,115

gray color and just sort of outline it a

little and then blended right in there.


456

00:24:11,175 --> 00:24:13,335

See, and it gives depth

to that side of the road.


457

00:24:15,155 --> 00:24:15,485

Fair.


458

00:24:15,495 --> 00:24:16,085

I like that.


459

00:24:17,915 --> 00:24:18,455

Shoot with that.


460

00:24:18,455 --> 00:24:19,985

And we're about what about to the point?


461

00:24:19,985 --> 00:24:21,065

We have a finished painting.


462

00:24:21,335 --> 00:24:22,265

Let that camera, I don't know.


463

00:24:23,399 --> 00:24:26,540

I'm gonna take a little

bit of red in sign.


464

00:24:26,540 --> 00:24:28,760

This one, I think we're

going to call it done.


465

00:24:29,500 --> 00:24:31,040

Hope you've enjoyed this

little winter scene.


466

00:24:31,040 --> 00:24:31,939

It's very simple.


467

00:24:32,689 --> 00:24:34,159

You have a lot of fun doing it.


468

00:24:35,149 --> 00:24:39,439

And if you have time after you do it,

take a picture of it and send to us.


469

00:24:39,439 --> 00:24:40,310

We'd love to see it here.


470

00:24:40,310 --> 00:24:42,889

Sometimes when time permits,

we show them on the air.


471

00:24:42,889 --> 00:24:46,760

What people just like yourself have

done until then from all of us here.


472

00:24:46,909 --> 00:24:48,230

I'd like to wish you happy painting.


473

00:24:48,919 --> 00:24:50,030

And God bless my friend.


End .srt file.



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