Bob Ross's

The Joy of Painting

S28E11 - Tranquil Seas

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Hi, welcome back.

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Certainly glad you could join us today.

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It's a fantastic day here and I

hope it is wherever you're at.

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So I tell you what let's get started.

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Let's have him run all the

colors across the screen that

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you need to paint along with us.

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And while they're doing that, let me

show you what I've got up here today.

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Have my standard old canvas up

here, but F cut a little oval out

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of contact paper and stuck it on.

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And then I've covered this

portion up here with gray Jesso.

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And the bottom of black chest.

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So, and don't laugh at my wavy line.

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I know it's not straight and I've

covered the entire thing with just a

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very thin, thin coat of liquid clear.

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So it's wet and ready to go.

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So I thought today, maybe we'd

do a little seascape, one.

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It's very simple, very easy.

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And one that would just

have some fun with.

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So I started out with a

little bit of Indian, yellow.

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I'm just going to load a

tiny little amount up here.

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I want a seascape.

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That's very bright and shiny.

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So we'll just take a

little bit Indian, yellow.

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We'll just run it right

along like that somewhere.

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Shoot, maybe without cleaning the brush,

we'll go right into a little bit of yellow

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ochre there, jazz, something like that.

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That's really all we're looking for.

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I'm going to come back and add a little

white in that and brighten it up.

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But we're just putting some little

base colors under right now.

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There we go.

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Just let that sort of blend upward.

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And once again, without washing the brush,

I'm going to go right into a little bit

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of a bright red, just a small amount.

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It doesn't take much.

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Doesn't take much now the

gray Jesso underneath.

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We'll double that.

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So it's not so bright that

it hurts you eyes there.

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Maybe just a touch more right in there.

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Something along that order,

that's all we're looking for.

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Yeah.

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That time to wash the brush

and that's really the most fun

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part of the whole procedure.

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So let's do that.

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Let's wash your old brush.

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Just wash it off.

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Good.

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Give it a shake.

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And there we go.

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There we go.

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Now a little bit of the titanium

white and let's start right in here

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with white, and then we can begin

painting right over the top of that.

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Just begin right over.

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I want this to be the

brightest area right here.

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Maybe the sun sorta, maybe it just sort

of went behind the horizon right here.

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I don't know.

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You just decided, but it, wherever

you want it and blend upward.

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Now, we're just going to blend up

that, that white mix with all the

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colors that you put on the clear.

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And a small amount,

more of the white there.

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Just let them all blend together.

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Something like, so, alright.

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Skies and seascapes that

are very bright and shiny.

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He just, it just seemed

to make you feel better.

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And you can do this several

times to achieve a desired

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brightness up to you up to you.

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See now when we hit that.

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Right.

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Rid of third makes a gorgeous

pink color that easy.

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And that's about all I'm going

to do for that little sky.

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Now I think, I think today, I

take a little fellow blue, some

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alizarin Crimson, mix it together.

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Proportionately much, much

more Crimson than blue.

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I want sort of a reddish lavender

color, maybe a touch, more blue

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in it there, I guess, just right.

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Just right.

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Wipe off the knife.

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And let's use a, we use a fan brush

today, load a little color in the fan

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brush just by going back and forth.

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So.

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Okay.

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Maybe in our world, their

lives should breathe.

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Retest red off today.

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Big hole, strong cloud

lives right up here.

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Just floats around and

has a good time all day.

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There we go.

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There.

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Big old cloud.

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I said a big strong cloud.

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I guess I was serious.

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But I'm going to start in the cloud.

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That's a darkest, which to me would be

this one and maybe we'll make a few more,

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but now we're beginning to have less

paint on the brush, less and less paint.

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So automatically it's going to

get a little, little lighter in

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value to let the canvas work.

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The brushes, work the

color chest, go with it.

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Go with it.

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As I've mentioned before, this is

certainly the lazy man's way of painting.

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And I look for easy ways.

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Maybe there's a little

paint left on the brush.

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Maybe there's a little

cloud that's right there.

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I don't know.

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I don't know.

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Just basically wherever

you think they should be.

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We'll put several in here.

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Just so you have a little

practice with clouds

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there, maybe.

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Okay.

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Okay right there in the string, even

something like, so maybe even one over

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here, but that's really all we need.

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Okay.

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I've had a little color on it, but I just

banged it to knock the color off and we

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can go in here and just blend this up.

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This will pick up the excess paint there.

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I want a softer brush.

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I'm going to pick up the blender

brush so I can get in here.

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And make all kinds of

little soft things happen.

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Very gentle with this blender

brush, you can go right over all

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this without mixing it together.

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Just bring it together.

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There something about like, it,

that's all we're looking for today.

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And that gives us a sky for the clouds.

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We'll wash that little brush out.

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It's not near as much

fun to beat that one.

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Dude.

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Don't like to beat that one

near as much as the other ones.

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Maybe I'll blend that one a little

bit more and out of this clean.

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Okay.

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Let's spend the majority of our

time today working on the bottom.

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I'm going to take the little blue

and yellow green, and just mix them

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together on the brush here, blue and

green, the little blue and green Kim.

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Let's go back up in here

and I'm just going to cover.

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Right along like that.

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See my crooked horizon

didn't matter at all now.

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And they were laughing at my horizon

line here in the studio where we

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started this doesn't matter there

because we don't make mistakes.

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I was just applying a little

color to the, to the liquid clear.

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Then I'll wash this brush.

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And we're in business again,

and then we'll mix up.

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So some SAP, green and Lisbon

Crimson to get out and make up nice,

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transparent chocolate Brown color.

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And these two colors make a gorgeous,

gorgeous Brown, gorgeous Brown.

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All right.

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But it's a very transparent Brown.

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And we can take our brush

with this transparent Brown.

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And I'm just going to fill up the bowl,

this area with a little bit of that Brown.

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I know you can't see it.

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And that's the beauty of it.

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That's the way you tell

if a color is transparent.

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If you put it over black and you

still still seems to be black to

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you, then the color is transparent

enough for what we're doing.

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Can be semi-transparent

but it'll work now.

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Let's find a little number

three fan brush today.

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I find in seascapes, one of the

easiest ways of getting one started,

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figure out if you're going to have

a big, major way, figure out where

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it lives and then work around that.

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So let's say our major wave

is going to live right here.

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There's a top of it.

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It's going to come out maybe

and go like, so behind it.

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Then we can have whatever we want.

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And that just sort of gives you a

little layout and back in here, wherever

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saying this, maybe this will help the

waves going to curve over like it.

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So it makes sense now crash right over.

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That's all there is to it.

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And that sort of gives you an idea

of where everything's going to live.

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Let's have a little in the background

back here, we take a little white.

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A little bit of our lavender color

that we made and mixed it up.

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We just mixed on the brush.

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Doesn't much matter.

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And up in here, maybe let a little bit.

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Yeah.

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Yeah.

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I like it.

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Maybe in our world, right back in.

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Hair's a little, a little Headland

that lives back here that just sort

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of projects out into the water.

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Is there something I can.

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See, that's always to it.

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No big deal.

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Now we have one out there and we'll

go back to the small fan brush and

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now we can start picking out things.

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Do they have, maybe

I'll use the little fan.

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So I'm going to strengthen these.

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Actually what I'm doing is adding

a little white paint, just a little

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white paint and I'll show you why.

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Let me wash that brush.

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There we go now, be

sure it's clean and dry.

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And the paint that's up here is

enough to do what we want to do.

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We're going to take that

and begin pulling it back.

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Just pull it back.

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See, just pull it back.

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But notice the strokes they're

sort of rocking like little

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strokes, very, very important.

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And what you're interested in is

the dark area, not the light area.

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They're just wipe off with paint.

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See, they're just little rocking strokes.

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And from here, we'll beat them back.

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Try to try to maintain that

dark area in there though.

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That's what we're looking for.

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That's the goodie.

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Okay.

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Now the most fun part of doing

seascapes is the eye of the wave or

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the transparency, whatever you want to

call it, let's say it lives right here.

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We can still use the little fan brush.

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It doesn't matter.

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Or you can use a Filbert scratch in a

little bit of that, but we're really

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applying a lot of pressure, really

pushing that color right into the canvas.

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And you can do it several times.

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To achieve a desired lightness, but I'd

recommend you wash the brush each time she

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started with a nice, fresh color there.

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We bet wore this little brush up, washing

it, but that's okay now to our little

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blender and very lightly this little

blenders wonderful for these wonderful,

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because you can make things here that

are absolutely just as smooth as silk.

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There we go just tiny little circles,

but the bristles aren't hardly moving.

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Just winded up.

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They're just a nice little

light spot out there.

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Little hair.

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They're all right there.

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Okay.

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Now we can begin putting

some goodies in there.

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Let's take a little bit

of the titanium white.

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And think about where the water's

going to crash over here, going to go.

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Like, so I've got to

make those little noises.

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If you don't make those little

noises, it just doesn't work the hair.

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No, it's not true.

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You don't have to make us, there we go.

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I like to make them, but

you don't have painters.

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Are we?

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We sorta different little weird.

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There we go.

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That's basically all we need.

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And to make the little crashing

thing there, we'll take some of that.

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We're using lavender and this would

just continue with it works well,

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just load a little bit of that.

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Lavender.

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Carmen had to touch more Bluetooth,

get a little more to the blue side.

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There we go.

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Okay.

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Maybe I don't think you'll be able

to see this, but it's just a shadow

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color I'm putting underneath.

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Very, you can see it as

it comes up over here.

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See, just a little shadow.

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So when we put the nice foam on top

of it, it'll jump right out at us, but

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you need that dark color underneath.

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Just sort of bring it all together.

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Once again, you could do

this with a Phil Burton.

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I do a lot of the times today, I just

sort of got started with a little

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fan brush and decided to go with it.

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Didn't matter.

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It doesn't matter anything

that works for you.

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Load a little bit of a little

bit of titanium white on here.

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00:14:10,740 --> 00:14:17,220

Maybe just a little crasher, just a little

bit of crashing going on out in here.

252

00:14:19,020 --> 00:14:20,579

Just wipe off the paint reloaded.

253

00:14:20,579 --> 00:14:21,090

Sometime.

254

00:14:23,880 --> 00:14:24,630

There we go.

255

00:14:27,810 --> 00:14:28,560

A little more paint.

256

00:14:31,280 --> 00:14:33,660

See these little noises sorta helped me.

257

00:14:35,550 --> 00:14:36,120

I like them.

258

00:14:38,145 --> 00:14:45,485

Okay, now then let's take a little blender

and very lightly, just barely touch it.

259

00:14:46,055 --> 00:14:49,835

Barely touch on blend this edge

out a little bit, right in here.

260

00:14:50,645 --> 00:14:51,425

Very soft.

261

00:14:52,955 --> 00:14:57,005

All right, there we go.

262

00:14:58,405 --> 00:15:03,965

Now that we can start having

some fun here to paint thinner, a

263

00:15:03,965 --> 00:15:05,375

little bit of the titanium white.

264

00:15:07,590 --> 00:15:11,220

And let's make a thin paint here,

so we can just start putting

265

00:15:11,220 --> 00:15:12,420

some of the goodies in there.

266

00:15:12,630 --> 00:15:14,940

Some of the things that

really make it stand out.

267

00:15:14,940 --> 00:15:17,790

Well, there we go.

268

00:15:20,960 --> 00:15:22,340

A little more paint on the brush.

269

00:15:22,970 --> 00:15:23,060

Okay.

270

00:15:23,330 --> 00:15:25,220

So you just pick out all the little waves.

271

00:15:27,110 --> 00:15:28,760

We back in the distance here,

272

00:15:32,540 --> 00:15:32,840

there.

273

00:15:36,560 --> 00:15:38,990

That's a very simple way

of making a seascape.

274

00:15:39,020 --> 00:15:41,390

That's quite colorful, effective.

275

00:15:42,589 --> 00:15:49,069

You'll like it, you will like it and

let some of these things work down.

276

00:15:50,240 --> 00:15:53,150

So you begin getting all kinds

of little foam patterns in here.

277

00:15:56,839 --> 00:15:57,469

There they go.

278

00:15:59,780 --> 00:16:02,180

This is where you create

the shape and the wave.

279

00:16:02,875 --> 00:16:04,635

This is what makes it all come together.

280

00:16:06,675 --> 00:16:07,275

There we are.

281

00:16:09,344 --> 00:16:10,064

Okay.

282

00:16:10,064 --> 00:16:13,185

Maybe let's see here.

283

00:16:13,275 --> 00:16:19,334

We had lizard Crimson and SAP green to

make Brown a cup, a little more Brown,

284

00:16:21,735 --> 00:16:27,915

and maybe in our world, maybe in our

world, we will use a Filbert here.

285

00:16:28,605 --> 00:16:35,475

Maybe right over here and this old crasher

wave lives, a big old stone right there.

286

00:16:37,005 --> 00:16:42,885

Just making that out of Brown comes

right down into the, to the crashing

287

00:16:42,885 --> 00:16:46,365

wave and just, just going all over that.

288

00:16:48,495 --> 00:16:49,035

All right.

289

00:16:49,064 --> 00:16:53,925

Let me wipe off the excess paint

and put a little bit of bright red.

290

00:16:57,270 --> 00:17:01,530

Maybe a little lavender mixed

with, Ooh, that's nice that holds

291

00:17:01,530 --> 00:17:04,680

it down just a little there.

292

00:17:05,040 --> 00:17:08,339

It would just sort of form a,

some basic little rocks out here.

293

00:17:08,339 --> 00:17:09,119

We don't much care.

294

00:17:13,790 --> 00:17:15,170

I like doing little seascapes.

295

00:17:15,170 --> 00:17:16,460

I guess there's so much fun.

296

00:17:17,629 --> 00:17:18,619

So much fun.

297

00:17:20,270 --> 00:17:22,010

I was born Daytona beach, Florida.

298

00:17:22,665 --> 00:17:31,385

So I sort of grew up around the water,

so gonna grew up prevented they're okay.

299

00:17:33,995 --> 00:17:37,715

I still spend quite a bit of time

over, better over by the beach.

300

00:17:38,015 --> 00:17:38,825

I like it.

301

00:17:39,245 --> 00:17:43,415

I liked the water a little, few little

splasher doers all up through here.

302

00:17:46,205 --> 00:17:47,195

Little splasher doers.

303

00:17:47,195 --> 00:17:51,125

That's a word I made up, but

you know what I'm talking about.

304

00:17:52,754 --> 00:17:56,475

Steve, my son and I both most seem to

have this tendency to make up words.

305

00:18:01,715 --> 00:18:03,125

All right, down here.

306

00:18:03,125 --> 00:18:04,535

I want a little beachy area.

307

00:18:04,595 --> 00:18:08,075

So I'm gonna take a little

white, little white with a

308

00:18:08,075 --> 00:18:09,605

touch of the Chad yellow in it.

309

00:18:10,175 --> 00:18:13,325

Figure out where you want the

beach to be pull straight down.

310

00:18:17,190 --> 00:18:18,390

Just pull it straight down.

311

00:18:19,590 --> 00:18:22,560

See that Brown now shows up

and then go across already.

312

00:18:22,560 --> 00:18:25,950

It already is beginning to look

like wet water just by doing that.

313

00:18:28,260 --> 00:18:34,470

Take her knife, small knife, small

knife, get a little roll of paint on it.

314

00:18:35,250 --> 00:18:43,030

Figure out basically where you want

the little ripples to be there.

315

00:18:43,060 --> 00:18:43,380

The cup.

316

00:18:44,490 --> 00:18:52,470

From, from pressure, really from bending

the blade, don't break it, but bend it.

317

00:18:54,090 --> 00:18:57,420

And that'll, that'll help give you that

illusion there that you're looking for.

318

00:19:01,380 --> 00:19:02,100

All right.

319

00:19:02,970 --> 00:19:06,390

And maybe in our room,

maybe, maybe you're right.

320

00:19:10,290 --> 00:19:11,250

There is another one.

321

00:19:13,500 --> 00:19:16,230

Something about my cat

goes right off that edge.

322

00:19:16,800 --> 00:19:17,250

It's okay.

323

00:19:19,080 --> 00:19:21,990

Take a fan brush and very lightly.

324

00:19:22,379 --> 00:19:24,090

I want to grab that and pull it back.

325

00:19:24,720 --> 00:19:30,060

Just give it a little, give it

a little backward, pull there,

326

00:19:30,120 --> 00:19:31,949

but basically pretty straight.

327

00:19:32,490 --> 00:19:34,050

If anything, let it tilt downward.

328

00:19:34,050 --> 00:19:36,530

So it looks like the water

is running down right there.

329

00:19:39,110 --> 00:19:39,949

All right.

330

00:19:41,895 --> 00:19:46,545

We can use a little Filbert with a little

white on in here, and we can just begin

331

00:19:46,545 --> 00:19:51,165

working on all kinds of little, little

patterns and little things, little foam

332

00:19:51,165 --> 00:19:52,575

patterns that are happening in here.

333

00:19:53,735 --> 00:19:54,425

That'll happen.

334

00:19:54,635 --> 00:19:55,325

Don't worry about them.

335

00:19:57,845 --> 00:19:58,625

There they go.

336

00:20:00,695 --> 00:20:01,025

See.

337

00:20:01,055 --> 00:20:07,205

And maybe, maybe in here, there's

some just little things going on.

338

00:20:12,075 --> 00:20:15,785

There just give it a little pull.

339

00:20:16,805 --> 00:20:18,695

Angles are most important in here though.

340

00:20:19,145 --> 00:20:21,305

Pay very close attention to your angles.

341

00:20:23,165 --> 00:20:25,325

They can be your best

friend or your worst enemy.

342

00:20:26,765 --> 00:20:27,875

Just depends on.

343

00:20:29,195 --> 00:20:30,545

Just depends on how they go.

344

00:20:33,215 --> 00:20:36,215

A little bit more of the titanium,

white, a little blue in it.

345

00:20:40,639 --> 00:20:45,740

come along and enforce some of

these things now at home where

346

00:20:45,740 --> 00:20:48,740

you have unlimited time, you can

really put some time in here.

347

00:20:48,740 --> 00:20:50,659

You can put all kinds of little details.

348

00:20:51,139 --> 00:20:52,909

That's what makes your painting special.

349

00:20:54,470 --> 00:20:56,330

That's really what makes it gorgeous.

350

00:20:56,330 --> 00:20:57,230

Makes it stand out.

351

00:20:58,669 --> 00:21:02,659

They're just going to skip around here and

there put all kinds of little doers in.

352

00:21:04,800 --> 00:21:05,430

There we go

353

00:21:10,100 --> 00:21:13,010

back to my little Filbert

brush that has the Brown on it.

354

00:21:15,830 --> 00:21:21,980

And maybe there's a little stone

over here on this side to shoot.

355

00:21:22,400 --> 00:21:23,720

I bet he's got a friend right there.

356

00:21:25,490 --> 00:21:27,350

We'll have little rocks

all over the place.

357

00:21:29,180 --> 00:21:29,600

And.

358

00:21:31,845 --> 00:21:36,675

K a little bit of the bright red

and we'll come right in here and

359

00:21:36,675 --> 00:21:41,534

just highlight that little stone

just enough to make him stand out.

360

00:21:41,534 --> 00:21:41,835

361

00:21:45,544 --> 00:21:50,435

take a little bit of liquid white knife

and just like we were in water, you can

362

00:21:50,435 --> 00:21:51,995

put a little water lines right around it.

363

00:21:51,995 --> 00:21:55,595

So it looks like it's part

of the whole overall scene.

364

00:21:57,600 --> 00:21:58,020

The hair

365

00:22:03,470 --> 00:22:04,460

liner brush.

366

00:22:04,610 --> 00:22:05,870

Oh, liner brush.

367

00:22:07,430 --> 00:22:11,810

We take a little bit of the

Brown, little bit of the brand.

368

00:22:11,810 --> 00:22:13,070

You know me, I got to have a tree.

369

00:22:14,210 --> 00:22:14,600

I got it.

370

00:22:14,720 --> 00:22:15,140

Okay.

371

00:22:15,320 --> 00:22:17,480

Little tree, but I need a tree.

372

00:22:17,510 --> 00:22:18,200

I like trees.

373

00:22:18,200 --> 00:22:21,020

Maybe, maybe off this whole rock here.

374

00:22:21,020 --> 00:22:22,190

There's one old tree.

375

00:22:23,565 --> 00:22:26,865

Uh, this just trying to make

it, he's trying to make a

376

00:22:26,865 --> 00:22:28,275

living out here on this rock.

377

00:22:29,295 --> 00:22:31,485

This is not the best

place to try to survive.

378

00:22:32,615 --> 00:22:37,475

Maybe he didn't, maybe he

didn't gnarly old tree.

379

00:22:37,835 --> 00:22:39,425

Sole arms are wiggly.

380

00:22:41,195 --> 00:22:42,755

He's really had a hard life.

381

00:22:46,505 --> 00:22:47,825

Okay.

382

00:22:49,475 --> 00:22:49,895

Yeah.

383

00:22:50,165 --> 00:22:51,785

See that tree has some character.

384

00:22:53,010 --> 00:22:57,750

This would be a nice tree for the

seagull to come and land in set

385

00:22:57,750 --> 00:22:59,340

appearing, see what's happening.

386

00:22:59,489 --> 00:23:00,330

He could check it out.

387

00:23:02,159 --> 00:23:07,409

Can take a little more paint, thinner,

a little bit of that lavender color,

388

00:23:07,530 --> 00:23:14,729

but I'm thinning it down to very

thin, very thin just about my kink and

389

00:23:14,729 --> 00:23:21,360

underneath this little wave you're I

want to put a dark line, a dark line.

390

00:23:22,230 --> 00:23:28,800

We'll separate and we can see little

seaweeds and things through there, but

391

00:23:28,800 --> 00:23:31,710

this is how we, we, we shaped the waves.

392

00:23:31,710 --> 00:23:32,520

He had curves.

393

00:23:32,520 --> 00:23:33,540

Now you can see through it.

394

00:23:33,540 --> 00:23:34,560

It's transparent.

395

00:23:35,370 --> 00:23:38,610

We can see right through that rascal,

a little that dark red along in there.

396

00:23:40,350 --> 00:23:40,710

Dark.

397

00:23:40,710 --> 00:23:41,790

She's a good friend right here.

398

00:23:41,820 --> 00:23:42,810

Separates once again.

399

00:23:42,830 --> 00:23:43,040

Yeah.

400

00:23:45,410 --> 00:23:47,420

They're something like, so.

401

00:23:51,375 --> 00:23:53,504

And you just sort of vary

these back and forth.

402

00:23:54,695 --> 00:23:59,385

I'm gonna to go into white, the least

little touch to the CAD yellow thin down

403

00:23:59,385 --> 00:24:03,315

with paint thinner, right underneath

here, where it's the brightest.

404

00:24:03,705 --> 00:24:08,025

We can begin putting some nice,

bright, shiny little highlights that

405

00:24:08,025 --> 00:24:09,225

are just zinging right through there.

406

00:24:09,275 --> 00:24:09,455

Yeah.

407

00:24:11,105 --> 00:24:13,055

See, and you just put those

wherever you want them.

408

00:24:14,975 --> 00:24:15,815

Something like it.

409

00:24:19,379 --> 00:24:22,620

And that's, that's basically how to

do a very simple little seascape.

410

00:24:22,739 --> 00:24:24,239

Let's take the contact paper off now.

411

00:24:24,250 --> 00:24:29,699

See what you never know till

you take the paper off, whether

412

00:24:29,699 --> 00:24:30,659

it's going to work or not.

413

00:24:30,719 --> 00:24:32,399

I think this one turned out pretty good.

414

00:24:33,000 --> 00:24:34,290

Pretty good for a quickie.

415

00:24:34,860 --> 00:24:37,409

Let's take a little bit of the

bright, red little paint thinner.

416

00:24:37,889 --> 00:24:38,149

Thank you.

417

00:24:38,149 --> 00:24:39,479

This one's ready for a signature.

418

00:24:41,000 --> 00:24:46,370

So we'll just come right down in here

and sign this little rascal like that.

419

00:24:47,015 --> 00:24:48,195

Hope you've enjoyed this one.

420

00:24:48,795 --> 00:24:52,035

If you have time, send me

a picture of your attempt.

421

00:24:52,215 --> 00:24:53,535

I'd love to see what you're doing.

422

00:24:53,745 --> 00:24:56,265

And from all of us here, I'd

like to wish you happy painting.

423

00:24:56,835 --> 00:24:58,035

And God bless my friend.

End .srt file.

Bob Ross' The Joy of Painting

Thursday, December 31, 2020

S28E11 - Tranquil Seas

Bob Ross's

The Joy of Painting

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