Thursday, December 31, 2020

S31E11 - Lake at the Ridge

Bob Ross's

The Joy of Painting


S31E11 - Lake at the Ridge

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Hi, welcome back.


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Certainly glad you could join us today

because today is a very special day.


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Every once in a while, when we

get him off the road from teaching


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classes, I bring my son in here.


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Let him give you a demonstration.


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Steve's been painting since he was

about 12 years old and I think you'll


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find he's absolutely fantastic.


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Steve, welcome to the show today.


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Thanks Dan.


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Tell you what I'm going to turn it

over to Steve and I'll see you later.


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Son, do a nice painting for everyone.


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Okay.


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Uh, we're going to start off today by

running your colors across the screen.


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Uh, we're using just about

everything, uh, as you can see,


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we've got, I think about 13 colors.


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Uh, so if you want to go ahead and

get those out on your palette, if


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you're going to paint it with me or

whatever, um, I'm going to start off


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today, maybe just with a little bit of

pressure and blue, and we're going to


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drag that out, pounded into that brush.


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Real good.


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Get tough with it right

from the beginning.


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And we'll go up here and starting,

I'm going to try to make some sorta


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cloudy shapes up here to start with.


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And maybe on this one side over here,

I'll add just a touch, a Crimson to my


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color Elizah and Crimson and depression.


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Blue.


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You have it sort of a

purple-ish glow over here,


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you know, try to use the Xs

and leave a little bit of.


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Flight area showing through


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like that.


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Now leave your sky with lots of movement

in it here, because you don't want


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to, you don't want to destroy that.


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That looked like the sky is weaving in and

out and all that stuff that helps a lot, a


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little more pressure and blue and a little

more lizard and Crimson on your brush.


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And we'll go down here and.


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Put some straight, horizontal strokes,

and this will be where our water


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is at at the bottom of the canvas.


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Okay.


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You real rough on it.


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You're not going to hurt that canvas.


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Okay.


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And then we'll wash that

brush out real quick.


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Okay.


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When you're doing a large painting

like this, it's a really good idea


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to have a sturdy easel like this one.


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And a dad invented this easel

just for that purpose, because


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it doesn't move all over the.


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Floor when you're painting on it.


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Yeah.


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And just a little bit

of blending down here.


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So always start down in the

liquid white and work your way,


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that way you're brushed

and get all full of blue.


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Immediately.


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Okay.


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And then down on the water, same thing,

just use your big brush on the side.


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Like this push, nice and hard.


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You know, if your wrist is wore

out, by the time you get down to


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him and she did something right.


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Maybe with that.


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Clean brush.


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We'll just go across the center

a few times when a nice little


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light reflection in the water.


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Okay.


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Okay.


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And maybe we'll do a real quick

cloud, a little bit of liquid


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white and some titanium white,

maybe just a touch of that.


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Elizah and Crimson in there.


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Just a little bit.


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That's a little too

much in that cheat with.


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There we go now just drop in a few

little cloudy shapes, real light


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touch, and a lot of pain on the brush.


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Think about what a cloud looks like.


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Real light and fluffy on the top.


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And the bottom of it's basically flat.


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If you want to make a.


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Maybe a little straight cloud down here.


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Yeah.


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Dislike that.


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And there's a possibility that

there's one coming in over here too.


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turn your brush on the side.


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Spin it just a little circles.


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Since what clouds are long was

you're making little circles.


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You can't go wrong.


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If you're a beginner and just

starting out for the first time.


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Uh, You might want to try this painting

because it's real simple, real basic.


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It's one of the ones I teach

in class most often lift up on


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those clouds, little cross them


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like dad tells you it's just three

hairs in some air, just a light touch.


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Here we go.


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Okay.


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Maybe we'll put a little.


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Mountain back here in the distance.


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We'll start off with a little white,

a little pression blue and a little


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lizard and cramps and white person

blue and Elizah and craftsman.


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There we go.


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Mix that up.


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Good.


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And maybe this one will be back

off in here in the distance.


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Far away, just make a kind of a triangular

shape and then change it a little bit.


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Put a little bump here, a little bump.


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There


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we go.


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You guys wouldn't believe

what I did the other day.


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I went into New York city and, uh, help

dad work on the Donahue show and yeah,


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went on there and did some paintings.


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And we took five people from the studio

audience and taught them how to paint too.


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And then they came out on the stage

and unveiled their paintings and they


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looked almost as good as Bob Ross is.


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If you can believe that.


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It was the first time they'd ever

picked up a brush and just goes to


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show you what you can do with it.


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even Donahue did a painting.


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Can you believe that?


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I thought, man, Phil Donahue never

picked up a brush in his life.


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And he just learned from one of the videos

and went on and did a beautiful painting.


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It was amazing.


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If you want to take a little bit of

titanium white, and of course I had


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some of that Crimson leftover in that

you don't really want to use pure white


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on this particular mountain, little

roll of paint on the knife, and let's


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go up there and pull down real gently.


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Just lay some snow in there.


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Try not to get too much pain on just

a little bit, always better to have


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just a tiny bit of pain on the knife.


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As you can see, you can get a

really nice effect with not a


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whole lot of effort right here.


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Okay.


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And then if we just go in and

take a little bit of pressure


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and blue and a little bit of

white, it can be dirty white.


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It doesn't have to be clean.


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We can make a nice shadow

color, a nice light blue.


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There we go.


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And then.


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Pull down, pull down with those angles.


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Like I said, a super light touch.


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Okay.


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But you know, it's true.


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You don't have to have any previous

experience to paint like this.


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I know.


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You're probably saying all we have, right?


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Sure.


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Tell me more, but no, I'm serious.


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The first time I ever did a painting,

I was halfway happy with the results.


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I mean, And I got compliments.


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Like you wouldn't believe it made

me feel real good inside know.


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So if you feel like giving it

a try, you were to get one of


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our certified instructors to

teach you a class or something.


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They travel all over the country.


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We go us a little bit more snow.


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You know how mountains are they

have those little snow caps.


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Okay.


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And then let's take a.


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Big brush and tap out the bottom of that


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lift up into it real gently.


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Once again, if you're real brave, you

can even do a little bit right there.


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Yeah.


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Maybe just a touch, more snow right here.


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Just making decisions as I go.


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I don't have any painting that I'm

looking at or anything like that.


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I'm just making it up.


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That's the funnest way to do it.


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Here we go.


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Uh, maybe there's a nice big

Foothill coming under there.


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A little pressure and blue, little

black, little Crimson, and a touch


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of white with that watch I pushed

this brush out just like that.


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Push it into the paint.


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Okay.


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Then maybe that Foothill goes right across

in front of that mountain, just like that.


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Now remember, you're using a squared

off brush here, so turn it to get a nice


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rounded effect on top of your Hills.


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Okay.


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And then maybe we'll lift up a little

to give it to distant pine tree.


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Look.


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Thousands of little pine trees just

appear in right before your eyes.


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I've been doing this now since I was

12 years old and I'm 27 now and it


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never ceases to amaze me the results

I can get with these huge brushes.


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I mean, if somebody, you know, would

come to me and tell me that, and I didn't


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paint it off and tell them they were nuts,

but since you were watching it happen


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right before your eyes, It proves it.


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And like I said, anyone can do it.


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You don't have to be a Leonardo

DaVinci or a Michael Angelo to do this.


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And I'm not going to tell you that this

is art, that, uh, is going to hang in


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the Smithsonian or anything like that.


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But I will tell you that your friends.


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We'll probably buy paintings from

you after you do a couple, so you


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can actually make money off of it.


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I probably shouldn't mention that, but

I know some of you might be interested


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in monetary gain from your paintings.


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I know I am.


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You got to make a living somehow

can't, even if you don't want to make


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a living from it, it's real nice.


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You know, when somebody comes

up and says, I'd love to pay


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you a hundred dollars for that.


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And you're thinking, wow,

am I really that good?


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You know,


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there we go.


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Nice distance foothills.


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Now this side over here,

it looks kind of barren.


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So maybe we were to put a

couple of trees over there.


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How about, um, let's see, let's

make this a little bit of SAP green,


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you know, at the beginning of

the show, they were running your


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colors across the screen for you.


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So you should have

those all out and ready.


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We'll mix up some greens

and Brown and some blue.


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So it's really dark.


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So we had to put white, a little

bit of white with it at work.


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Yeah.


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Maybe a little more green


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right now.


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We'll go through that with the

fan brush, pull through like


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this real long and flat strokes.


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Okay.


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Maybe there's one right here and we'll

push up, push it up on that brush.


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Let's go back and forth like a Z pushing.


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Okay.


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Maybe a taller one right here.


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You got to have a tall

buddy, right beside him.


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That's who gives them advice

on those really cold days?


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Here we go.


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You'll catch me making sound

effects here and there.


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That's really good.


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You know, sometimes if you make a

little sound effect to go along with


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something, it helps you remember that,

then you can just go, you know, do do


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doot or whatever, and pops right out.


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Either easier to remember things that way.


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Then down in here, I'm

just going to draw a line.


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So I know where I'm going to, I'm going

to have my land coming around like that.


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And then rather than wasting time

with the fan brush, went out,


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fill it in with a larger brush.


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When I say large, I mean, it don't.


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Two inch right in there.


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Just like a Foothill.


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If you want to make it look

more like grass, just turn the


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brush over and push up on it.


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Look at that.


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Smashing it right there.


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Right there under the canvas.


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Okay.


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Gee, wait, is that a where your arm out?


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Okay.


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A little bit more on there and

maybe we'll reflect this down.


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So you accidentally made

this piece of land too wide.


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Well, just go up in there a little bit

higher when you're pulling, but keep that


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curve down to the left on it, because

that's what makes it look like it's


244

00:14:18,520 --> 00:14:20,500

further away here than it is over here.


245

00:14:21,800 --> 00:14:23,110

That's the effect we're trying to get.


246

00:14:23,770 --> 00:14:26,560

And remember when you're pulling

a reflection down, pull it down as


247

00:14:26,560 --> 00:14:29,410

low as the things above it are high.


248

00:14:29,560 --> 00:14:30,640

So this tree is this high.


249

00:14:30,640 --> 00:14:32,620

That reflection would have to

go all the way to the bottom.


250

00:14:35,820 --> 00:14:36,150

Okay.


251

00:14:38,005 --> 00:14:41,235

And why don't we just take a clean,

dry brush and go across that real quick


252

00:14:45,455 --> 00:14:48,575

and well, let's use that same one

and go through a little bit of


253

00:14:48,575 --> 00:14:50,765

cadmium yellow card, yellow to work.


254

00:14:50,765 --> 00:14:51,005

Good.


255

00:14:52,325 --> 00:14:53,045

A little bit of thinner.


256

00:14:53,045 --> 00:14:53,645

Maybe in that,


257

00:14:56,735 --> 00:14:58,715

that one drop a thinner

that's all it takes.


258

00:15:01,770 --> 00:15:03,510

And we know yellow and blue make green.


259

00:15:03,510 --> 00:15:08,970

So just push up into that yellow and

blue combination and come in here.


260

00:15:09,180 --> 00:15:10,390

Maybe we'll highlight a little bit.


261

00:15:10,390 --> 00:15:10,440

Yeah,


262

00:15:20,030 --> 00:15:22,250

leave some of that green

graph sticking up and back.


263

00:15:27,329 --> 00:15:28,650

This is a nice, bright color.


264

00:15:28,650 --> 00:15:29,310

I really like it.


265

00:15:30,030 --> 00:15:31,890

It's good that you can make

one come in front of another


266

00:15:31,890 --> 00:15:33,959

or whatever you want to do.


267

00:15:38,880 --> 00:15:42,000

People come up to me while I'm

doing demonstrations and they say,


268

00:15:42,000 --> 00:15:43,980

yeah, where are those numbers at?


269

00:15:43,980 --> 00:15:45,150

Where you got those numbers hidden?


270

00:15:45,750 --> 00:15:47,040

And I say, what numbers

are you talking about?


271

00:15:47,069 --> 00:15:48,439

They said, isn't this paint by number?


272

00:15:48,510 --> 00:15:50,220

No way, no way.


273

00:15:50,220 --> 00:15:51,810

We don't even draw a

picture on the canvas.


274

00:15:52,275 --> 00:15:54,105

Before we start not even a guideline,


275

00:15:58,005 --> 00:16:01,515

you know, once in a while, when I'm doing

a black Jesso type thing, I'll do that.


276

00:16:01,515 --> 00:16:04,335

But on white canvas, I

usually just wing it.


277

00:16:05,535 --> 00:16:06,765

People are impressed by that.


278

00:16:08,475 --> 00:16:11,535

And you know, after you take a

painting class and you come back


279

00:16:11,535 --> 00:16:14,115

home and people see your painting,

they say, Oh my goodness, I


280

00:16:14,115 --> 00:16:15,585

never knew they had it in them.


281

00:16:15,585 --> 00:16:18,735

They really think you're talented

suddenly, you know, and you are.


282

00:16:20,370 --> 00:16:20,910

But I'll tell you.


283

00:16:20,910 --> 00:16:23,520

What's so fun about that is

there's a prestige that goes


284

00:16:23,520 --> 00:16:25,800

along with being an artist.


285

00:16:26,490 --> 00:16:29,730

And I'll tell you what the first

painting you do and you bring it home


286

00:16:30,090 --> 00:16:31,340

and it looks it's nice like that.


287

00:16:31,370 --> 00:16:33,590

They'll say that, you know,

this person is an artist.


288

00:16:33,590 --> 00:16:35,240

Gladys is definitely an artist.


289

00:16:35,720 --> 00:16:40,760

Suddenly people change the way they

think of you too, uh, for the good,


290

00:16:42,170 --> 00:16:43,490

and that makes you feel good inside.


291

00:16:45,209 --> 00:16:49,319

Always go across that reflection with

a clean, dry brush, because you have


292

00:16:49,319 --> 00:16:50,660

to make it look like water down there.


293

00:16:55,310 --> 00:16:55,699

Okay.


294

00:16:55,699 --> 00:16:58,849

And maybe a little,

little land under that.


295

00:16:58,969 --> 00:16:59,060

Okay.


296

00:17:03,109 --> 00:17:07,669

A little bit of Vandyke

Brown touch right here.


297

00:17:08,329 --> 00:17:12,560

And then just pull down

that simple look at that.


298

00:17:18,740 --> 00:17:25,880

With the greatest of ease you have

shale looks even better after you


299

00:17:25,880 --> 00:17:27,140

put a little bit of highlight on it.


300

00:17:27,260 --> 00:17:30,140

Just dark, CNN, white for

that real simple color mix.


301

00:17:33,200 --> 00:17:38,600

This gives it that clay

look, clay and rock.


302

00:17:42,615 --> 00:17:44,295

Here we go just like that.


303

00:17:45,305 --> 00:17:50,105

Now, maybe with a one inch brush in

that same yellow color, we'll drop


304

00:17:50,105 --> 00:17:51,455

in a little grass on top of that.


305

00:17:51,455 --> 00:17:55,685

Remember whenever you're putting

thin paint on top of thick paint,


306

00:17:56,014 --> 00:18:00,815

you want to put quite a bit on the

brush like this, maybe a little blue


307

00:18:00,815 --> 00:18:02,855

with that and use a real light touch.


308

00:18:02,855 --> 00:18:04,625

Why that turned that into a super color?


309

00:18:05,075 --> 00:18:07,205

See, I just guessed and

it came out like that.


310

00:18:10,685 --> 00:18:14,105

now you probably don't believe

that, but that's really how I do it.


311

00:18:14,105 --> 00:18:16,865

I just, if I see two colors that

look like they'd make a nice


312

00:18:16,865 --> 00:18:18,275

color, I just put them together.


313

00:18:18,905 --> 00:18:21,995

People ask me all the time, Steve,

how do you know what colors to mix?


314

00:18:21,995 --> 00:18:22,835

How do you know how to do it?


315

00:18:22,835 --> 00:18:23,765

Well, I just played with it.


316

00:18:24,575 --> 00:18:27,515

I just played with the

brushes and the paints and


317

00:18:27,515 --> 00:18:28,775

everything, all of it, you know?


318

00:18:28,835 --> 00:18:32,105

And suddenly things just

start to happen for you.


319

00:18:32,465 --> 00:18:34,025

Like, I can remember

that fan brush, right?


320

00:18:35,655 --> 00:18:38,205

I had the hardest time learning

how to paint with that fan brush.


321

00:18:38,265 --> 00:18:41,805

Then after I made like a hundred

pine trees on cardboard, I could make


322

00:18:41,805 --> 00:18:43,785

one just as good as anybody else.


323

00:18:43,785 --> 00:18:46,485

Could it have been doing it a long time?


324

00:18:46,485 --> 00:18:47,565

You know, here we go.


325

00:18:47,775 --> 00:18:50,415

How about some highlights?


326

00:18:50,505 --> 00:18:56,475

Highlights on the pine trees, a little

bit of the blue and the yellow together.


327

00:18:58,275 --> 00:19:01,095

Mix it up on the brush.


328

00:19:03,034 --> 00:19:06,095

And we'll come in and just

smash it a little bit of that.


329

00:19:06,095 --> 00:19:11,585

And on the right hand side of those trees,

if you get a little bit too much highlight


330

00:19:11,585 --> 00:19:15,065

here, there, just go back with a little

bit of the dark paint and cover it up.


331

00:19:16,085 --> 00:19:19,325

And if you really don't like something,

you can just scrape it off and start over.


332

00:19:20,915 --> 00:19:22,294

And don't think of it as, Oh my gosh.


333

00:19:22,325 --> 00:19:24,445

I had to scrape something

off my canvas and start over.


334

00:19:24,455 --> 00:19:25,385

Don't think of it like that.


335

00:19:25,385 --> 00:19:26,135

That's depressing.


336

00:19:26,405 --> 00:19:26,794

Think of it.


337

00:19:26,794 --> 00:19:29,524

Like I just got two canvases worth

of practice for the price of one.


338

00:19:33,735 --> 00:19:34,185

Here we go.


339

00:19:34,185 --> 00:19:40,155

They're sitting right down in that

grass and let's see, that'd be a little


340

00:19:40,155 --> 00:19:45,795

shoreline underneath this with liquid

white, spin that liquid wine around like


341

00:19:45,795 --> 00:19:57,105

that, go through it and straight across,

straight across still water lies flat.


342

00:19:57,105 --> 00:19:57,345

So.


343

00:19:58,034 --> 00:20:00,435

Don't let that water line

get all bent up and stuff.


344

00:20:03,004 --> 00:20:03,814

This is exec


345

00:20:10,264 --> 00:20:12,274

and maybe a couple of

water lines out here.


346

00:20:21,965 --> 00:20:26,825

let's go ahead and go through our

dark green color and add a little


347

00:20:26,825 --> 00:20:28,325

bit more blue and green to it.


348

00:20:28,445 --> 00:20:29,585

Make it super dark.


349

00:20:31,235 --> 00:20:33,315

And then, uh, Maybe right here.


350

00:20:33,315 --> 00:20:34,545

We'll just have a little tree.


351

00:20:35,955 --> 00:20:37,305

I was getting bigger all the time.


352

00:20:37,425 --> 00:20:38,295

Oh no, it's huge.


353

00:20:39,375 --> 00:20:40,065

Look at that.


354

00:20:41,325 --> 00:20:42,075

It's a monster


355

00:20:45,365 --> 00:20:46,095

you can tell.


356

00:20:46,095 --> 00:20:47,205

I knew that I was going to do that.


357

00:20:47,205 --> 00:20:51,525

Didn't he tell you that huge, but

you know what we're going to do.


358

00:20:51,525 --> 00:20:53,175

We're going to put another

tree in front of this one.


359

00:20:53,175 --> 00:20:54,885

This will be like a background type thing.


360

00:20:56,175 --> 00:20:57,645

So I'm just doing it real quick.


361

00:20:58,065 --> 00:21:00,855

Not spending a lot of time on the

highlighting of it either because.


362

00:21:01,485 --> 00:21:05,655

Like I said, there'll be a nice Birch

tree right over in front of there.


363

00:21:07,004 --> 00:21:08,325

Well, heck that didn't look too bad.


364

00:21:08,325 --> 00:21:11,534

Like it is now.


365

00:21:11,534 --> 00:21:12,764

You've got to keep your confidence up.


366

00:21:12,764 --> 00:21:13,754

Tell yourself you're good.


367

00:21:20,254 --> 00:21:22,835

Even if I'm not happy with

the way my painting is gone.


368

00:21:23,885 --> 00:21:26,405

I always try to keep it in good

spirits about it, you know?


369

00:21:26,855 --> 00:21:27,784

Cause it's just a painting.


370

00:21:27,784 --> 00:21:30,514

It's not, it's not that big of a deal.


371

00:21:32,159 --> 00:21:35,970

Okay for that Birch tree, get

some Vandyke Brown out there.


372

00:21:36,030 --> 00:21:40,139

Get a roll on your knife

and then nice big one.


373

00:21:40,320 --> 00:21:40,889

Here we go.


374

00:21:41,580 --> 00:21:42,720

All the way down to the bottom.


375

00:21:47,480 --> 00:21:48,889

Maybe it'll have two trunks on it.


376

00:21:54,800 --> 00:21:58,550

Like I said, always,

always give it a friend.


377

00:22:01,095 --> 00:22:04,365

Come in from the other side,

fatten them up a little bit,


378

00:22:04,545 --> 00:22:05,775

feed them some more lasagna


379

00:22:12,065 --> 00:22:17,945

and then a little bit of titanium

white for highlight on those smash,


380

00:22:17,975 --> 00:22:19,835

that titanium white out like that.


381

00:22:22,985 --> 00:22:24,845

I mean, just pull in, pull in.


382

00:22:29,880 --> 00:22:31,500

Don't want to cover the

whole trunk with white.


383

00:22:31,500 --> 00:22:32,460

You want to leave half of it?


384

00:22:32,460 --> 00:22:32,820

Brown.


385

00:22:39,110 --> 00:22:42,170

maybe underneath there, you know,

that same old, green color you


386

00:22:42,170 --> 00:22:45,710

were using before, add a little

bit more blue and Brown and green


387

00:22:45,710 --> 00:22:47,660

to that, make it even darker.


388

00:22:47,690 --> 00:22:49,070

Just making it a little bit darker.


389

00:22:49,280 --> 00:22:54,620

It's the same color you can call

that the base color just smashed


390

00:22:54,620 --> 00:22:57,140

right over the bottom of that

tree and put some bushes in there.


391

00:22:58,130 --> 00:23:00,170

You could do that part with a

paint roller and get away with it.


392

00:23:03,795 --> 00:23:05,625

Cole through your CAD yellow, like this,


393

00:23:08,975 --> 00:23:11,315

maybe a little bit of highlight

on a couple of these bushes.


394

00:23:12,575 --> 00:23:13,625

Just turn that brush.


395

00:23:13,655 --> 00:23:15,035

Just like you're going around the clock.


396

00:23:16,325 --> 00:23:16,805

See here.


397

00:23:16,865 --> 00:23:19,805

12 o'clock, one o'clock to three,


398

00:23:23,045 --> 00:23:24,695

change your color, put

a little red in there.


399

00:23:24,695 --> 00:23:26,675

A little yellow ochre or Indian, yellow.


400

00:23:26,675 --> 00:23:27,275

It's up to you.


401

00:23:28,185 --> 00:23:29,925

Well, it just became a

fall scene that quick.


402

00:23:29,925 --> 00:23:30,285

Didn't it?


403

00:23:33,635 --> 00:23:34,325

That's, what's nice.


404

00:23:34,325 --> 00:23:36,125

You're not committed

or anything with this.


405

00:23:36,815 --> 00:23:37,925

You can do anything you want.


406

00:23:39,065 --> 00:23:42,785

And it's always going to look nice

because you did it and you're wonderful.


407

00:23:42,995 --> 00:23:43,985

You have to believe that.


408

00:23:46,055 --> 00:23:47,345

I heard somebody say one time.


409

00:23:47,345 --> 00:23:49,445

Never, never try anything.


410

00:23:49,505 --> 00:23:50,075

Just do it.


411

00:23:50,945 --> 00:23:52,715

That's probably the best

thing I've ever heard.


412

00:23:57,885 --> 00:24:00,195

A little grass with a

brush sideways like that.


413

00:24:01,065 --> 00:24:06,135

And maybe to finish her up,

we'll have a couple branches.


414

00:24:07,095 --> 00:24:09,795

That's just a Vandyke Brown

and paint thinner together.


415

00:24:09,795 --> 00:24:13,785

You need quite a bit of thinner in that

you want an Indian ink consistency if


416

00:24:13,785 --> 00:24:20,415

possible, extend the tops of your trees

and do a few little trunks coming out.


417

00:24:22,035 --> 00:24:23,745

Keep on putting that thinner in there.


418

00:24:24,405 --> 00:24:25,215

You're going to need a lot.


419

00:24:30,860 --> 00:24:35,630

when you make a branch come out, make

it kinda like a, a guy with his arm


420

00:24:35,650 --> 00:24:40,580

sticking out, you know, go out and

then up a little wise and little bees


421

00:24:44,300 --> 00:24:45,560

and try to stay away from that.


422

00:24:45,560 --> 00:24:47,090

A Pitchfork look.


423

00:24:47,480 --> 00:24:47,900

Yeah.


424

00:24:53,990 --> 00:24:54,770

Okay.


425

00:24:56,970 --> 00:24:58,260

Now she's getting pretty close.


426

00:24:58,260 --> 00:25:07,500

Now, a couple more branches and

uh, maybe a quick signature down.


427

00:25:07,500 --> 00:25:09,959

Here we go.


428

00:25:10,199 --> 00:25:10,919

And we're all done.


429

00:25:11,689 --> 00:25:12,830

Thanks for watching me today.


430

00:25:12,860 --> 00:25:13,790

I hope you enjoyed it.


431

00:25:13,820 --> 00:25:15,889

And if you're a beginner,

try this painting.


432

00:25:15,980 --> 00:25:18,649

It's really a nice one to

start off with good luck.


End .srt file.



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