Bob Ross's
The Joy of Painting
S31E11 - Lake at the Ridge
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Hi, welcome back.
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Certainly glad you could join us today
because today is a very special day.
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Every once in a while, when we
get him off the road from teaching
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classes, I bring my son in here.
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Let him give you a demonstration.
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Steve's been painting since he was
about 12 years old and I think you'll
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find he's absolutely fantastic.
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Steve, welcome to the show today.
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Thanks Dan.
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Tell you what I'm going to turn it
over to Steve and I'll see you later.
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Son, do a nice painting for everyone.
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Okay.
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Uh, we're going to start off today by
running your colors across the screen.
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Uh, we're using just about
everything, uh, as you can see,
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we've got, I think about 13 colors.
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Uh, so if you want to go ahead and
get those out on your palette, if
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you're going to paint it with me or
whatever, um, I'm going to start off
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today, maybe just with a little bit of
pressure and blue, and we're going to
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drag that out, pounded into that brush.
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Real good.
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Get tough with it right
from the beginning.
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And we'll go up here and starting,
I'm going to try to make some sorta
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cloudy shapes up here to start with.
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And maybe on this one side over here,
I'll add just a touch, a Crimson to my
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color Elizah and Crimson and depression.
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Blue.
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You have it sort of a
purple-ish glow over here,
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you know, try to use the Xs
and leave a little bit of.
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Flight area showing through
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like that.
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Now leave your sky with lots of movement
in it here, because you don't want
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to, you don't want to destroy that.
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That looked like the sky is weaving in and
out and all that stuff that helps a lot, a
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little more pressure and blue and a little
more lizard and Crimson on your brush.
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And we'll go down here and.
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Put some straight, horizontal strokes,
and this will be where our water
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is at at the bottom of the canvas.
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Okay.
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You real rough on it.
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You're not going to hurt that canvas.
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Okay.
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And then we'll wash that
brush out real quick.
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Okay.
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When you're doing a large painting
like this, it's a really good idea
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to have a sturdy easel like this one.
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And a dad invented this easel
just for that purpose, because
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it doesn't move all over the.
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Floor when you're painting on it.
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Yeah.
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And just a little bit
of blending down here.
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So always start down in the
liquid white and work your way,
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that way you're brushed
and get all full of blue.
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Immediately.
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Okay.
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And then down on the water, same thing,
just use your big brush on the side.
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Like this push, nice and hard.
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You know, if your wrist is wore
out, by the time you get down to
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him and she did something right.
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Maybe with that.
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Clean brush.
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We'll just go across the center
a few times when a nice little
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light reflection in the water.
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Okay.
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Okay.
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And maybe we'll do a real quick
cloud, a little bit of liquid
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white and some titanium white,
maybe just a touch of that.
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Elizah and Crimson in there.
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Just a little bit.
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That's a little too
much in that cheat with.
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There we go now just drop in a few
little cloudy shapes, real light
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touch, and a lot of pain on the brush.
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Think about what a cloud looks like.
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Real light and fluffy on the top.
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And the bottom of it's basically flat.
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If you want to make a.
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Maybe a little straight cloud down here.
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Yeah.
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Dislike that.
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And there's a possibility that
there's one coming in over here too.
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turn your brush on the side.
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Spin it just a little circles.
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Since what clouds are long was
you're making little circles.
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You can't go wrong.
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If you're a beginner and just
starting out for the first time.
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Uh, You might want to try this painting
because it's real simple, real basic.
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It's one of the ones I teach
in class most often lift up on
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those clouds, little cross them
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like dad tells you it's just three
hairs in some air, just a light touch.
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Here we go.
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Okay.
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Maybe we'll put a little.
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Mountain back here in the distance.
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We'll start off with a little white,
a little pression blue and a little
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lizard and cramps and white person
blue and Elizah and craftsman.
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There we go.
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Mix that up.
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Good.
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And maybe this one will be back
off in here in the distance.
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Far away, just make a kind of a triangular
shape and then change it a little bit.
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Put a little bump here, a little bump.
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There
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we go.
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You guys wouldn't believe
what I did the other day.
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I went into New York city and, uh, help
dad work on the Donahue show and yeah,
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went on there and did some paintings.
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And we took five people from the studio
audience and taught them how to paint too.
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And then they came out on the stage
and unveiled their paintings and they
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looked almost as good as Bob Ross is.
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If you can believe that.
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It was the first time they'd ever
picked up a brush and just goes to
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show you what you can do with it.
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even Donahue did a painting.
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Can you believe that?
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I thought, man, Phil Donahue never
picked up a brush in his life.
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And he just learned from one of the videos
and went on and did a beautiful painting.
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It was amazing.
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If you want to take a little bit of
titanium white, and of course I had
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some of that Crimson leftover in that
you don't really want to use pure white
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on this particular mountain, little
roll of paint on the knife, and let's
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go up there and pull down real gently.
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Just lay some snow in there.
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Try not to get too much pain on just
a little bit, always better to have
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just a tiny bit of pain on the knife.
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As you can see, you can get a
really nice effect with not a
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whole lot of effort right here.
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Okay.
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And then if we just go in and
take a little bit of pressure
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and blue and a little bit of
white, it can be dirty white.
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It doesn't have to be clean.
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We can make a nice shadow
color, a nice light blue.
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There we go.
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And then.
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Pull down, pull down with those angles.
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Like I said, a super light touch.
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Okay.
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But you know, it's true.
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You don't have to have any previous
experience to paint like this.
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I know.
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You're probably saying all we have, right?
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Sure.
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Tell me more, but no, I'm serious.
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The first time I ever did a painting,
I was halfway happy with the results.
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I mean, And I got compliments.
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Like you wouldn't believe it made
me feel real good inside know.
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So if you feel like giving it
a try, you were to get one of
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our certified instructors to
teach you a class or something.
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They travel all over the country.
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We go us a little bit more snow.
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You know how mountains are they
have those little snow caps.
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Okay.
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And then let's take a.
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Big brush and tap out the bottom of that
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lift up into it real gently.
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Once again, if you're real brave, you
can even do a little bit right there.
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Yeah.
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Maybe just a touch, more snow right here.
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Just making decisions as I go.
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I don't have any painting that I'm
looking at or anything like that.
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I'm just making it up.
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That's the funnest way to do it.
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Here we go.
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Uh, maybe there's a nice big
Foothill coming under there.
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A little pressure and blue, little
black, little Crimson, and a touch
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of white with that watch I pushed
this brush out just like that.
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Push it into the paint.
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Okay.
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Then maybe that Foothill goes right across
in front of that mountain, just like that.
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Now remember, you're using a squared
off brush here, so turn it to get a nice
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rounded effect on top of your Hills.
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Okay.
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And then maybe we'll lift up a little
to give it to distant pine tree.
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Look.
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Thousands of little pine trees just
appear in right before your eyes.
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I've been doing this now since I was
12 years old and I'm 27 now and it
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never ceases to amaze me the results
I can get with these huge brushes.
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I mean, if somebody, you know, would
come to me and tell me that, and I didn't
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paint it off and tell them they were nuts,
but since you were watching it happen
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right before your eyes, It proves it.
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And like I said, anyone can do it.
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You don't have to be a Leonardo
DaVinci or a Michael Angelo to do this.
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And I'm not going to tell you that this
is art, that, uh, is going to hang in
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the Smithsonian or anything like that.
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But I will tell you that your friends.
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We'll probably buy paintings from
you after you do a couple, so you
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can actually make money off of it.
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I probably shouldn't mention that, but
I know some of you might be interested
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in monetary gain from your paintings.
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I know I am.
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You got to make a living somehow
can't, even if you don't want to make
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a living from it, it's real nice.
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You know, when somebody comes
up and says, I'd love to pay
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you a hundred dollars for that.
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And you're thinking, wow,
am I really that good?
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You know,
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there we go.
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Nice distance foothills.
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Now this side over here,
it looks kind of barren.
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So maybe we were to put a
couple of trees over there.
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How about, um, let's see, let's
make this a little bit of SAP green,
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you know, at the beginning of
the show, they were running your
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colors across the screen for you.
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So you should have
those all out and ready.
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We'll mix up some greens
and Brown and some blue.
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So it's really dark.
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So we had to put white, a little
bit of white with it at work.
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Yeah.
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Maybe a little more green
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right now.
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We'll go through that with the
fan brush, pull through like
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this real long and flat strokes.
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Okay.
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Maybe there's one right here and we'll
push up, push it up on that brush.
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Let's go back and forth like a Z pushing.
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Okay.
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Maybe a taller one right here.
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You got to have a tall
buddy, right beside him.
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That's who gives them advice
on those really cold days?
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Here we go.
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You'll catch me making sound
effects here and there.
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That's really good.
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You know, sometimes if you make a
little sound effect to go along with
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something, it helps you remember that,
then you can just go, you know, do do
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doot or whatever, and pops right out.
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Either easier to remember things that way.
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Then down in here, I'm
just going to draw a line.
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So I know where I'm going to, I'm going
to have my land coming around like that.
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And then rather than wasting time
with the fan brush, went out,
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fill it in with a larger brush.
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When I say large, I mean, it don't.
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Two inch right in there.
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Just like a Foothill.
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If you want to make it look
more like grass, just turn the
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brush over and push up on it.
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Look at that.
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Smashing it right there.
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Right there under the canvas.
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Okay.
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Gee, wait, is that a where your arm out?
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Okay.
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A little bit more on there and
maybe we'll reflect this down.
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So you accidentally made
this piece of land too wide.
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Well, just go up in there a little bit
higher when you're pulling, but keep that
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curve down to the left on it, because
that's what makes it look like it's
244
00:14:18,520 --> 00:14:20,500
further away here than it is over here.
245
00:14:21,800 --> 00:14:23,110
That's the effect we're trying to get.
246
00:14:23,770 --> 00:14:26,560
And remember when you're pulling
a reflection down, pull it down as
247
00:14:26,560 --> 00:14:29,410
low as the things above it are high.
248
00:14:29,560 --> 00:14:30,640
So this tree is this high.
249
00:14:30,640 --> 00:14:32,620
That reflection would have to
go all the way to the bottom.
250
00:14:35,820 --> 00:14:36,150
Okay.
251
00:14:38,005 --> 00:14:41,235
And why don't we just take a clean,
dry brush and go across that real quick
252
00:14:45,455 --> 00:14:48,575
and well, let's use that same one
and go through a little bit of
253
00:14:48,575 --> 00:14:50,765
cadmium yellow card, yellow to work.
254
00:14:50,765 --> 00:14:51,005
Good.
255
00:14:52,325 --> 00:14:53,045
A little bit of thinner.
256
00:14:53,045 --> 00:14:53,645
Maybe in that,
257
00:14:56,735 --> 00:14:58,715
that one drop a thinner
that's all it takes.
258
00:15:01,770 --> 00:15:03,510
And we know yellow and blue make green.
259
00:15:03,510 --> 00:15:08,970
So just push up into that yellow and
blue combination and come in here.
260
00:15:09,180 --> 00:15:10,390
Maybe we'll highlight a little bit.
261
00:15:10,390 --> 00:15:10,440
Yeah,
262
00:15:20,030 --> 00:15:22,250
leave some of that green
graph sticking up and back.
263
00:15:27,329 --> 00:15:28,650
This is a nice, bright color.
264
00:15:28,650 --> 00:15:29,310
I really like it.
265
00:15:30,030 --> 00:15:31,890
It's good that you can make
one come in front of another
266
00:15:31,890 --> 00:15:33,959
or whatever you want to do.
267
00:15:38,880 --> 00:15:42,000
People come up to me while I'm
doing demonstrations and they say,
268
00:15:42,000 --> 00:15:43,980
yeah, where are those numbers at?
269
00:15:43,980 --> 00:15:45,150
Where you got those numbers hidden?
270
00:15:45,750 --> 00:15:47,040
And I say, what numbers
are you talking about?
271
00:15:47,069 --> 00:15:48,439
They said, isn't this paint by number?
272
00:15:48,510 --> 00:15:50,220
No way, no way.
273
00:15:50,220 --> 00:15:51,810
We don't even draw a
picture on the canvas.
274
00:15:52,275 --> 00:15:54,105
Before we start not even a guideline,
275
00:15:58,005 --> 00:16:01,515
you know, once in a while, when I'm doing
a black Jesso type thing, I'll do that.
276
00:16:01,515 --> 00:16:04,335
But on white canvas, I
usually just wing it.
277
00:16:05,535 --> 00:16:06,765
People are impressed by that.
278
00:16:08,475 --> 00:16:11,535
And you know, after you take a
painting class and you come back
279
00:16:11,535 --> 00:16:14,115
home and people see your painting,
they say, Oh my goodness, I
280
00:16:14,115 --> 00:16:15,585
never knew they had it in them.
281
00:16:15,585 --> 00:16:18,735
They really think you're talented
suddenly, you know, and you are.
282
00:16:20,370 --> 00:16:20,910
But I'll tell you.
283
00:16:20,910 --> 00:16:23,520
What's so fun about that is
there's a prestige that goes
284
00:16:23,520 --> 00:16:25,800
along with being an artist.
285
00:16:26,490 --> 00:16:29,730
And I'll tell you what the first
painting you do and you bring it home
286
00:16:30,090 --> 00:16:31,340
and it looks it's nice like that.
287
00:16:31,370 --> 00:16:33,590
They'll say that, you know,
this person is an artist.
288
00:16:33,590 --> 00:16:35,240
Gladys is definitely an artist.
289
00:16:35,720 --> 00:16:40,760
Suddenly people change the way they
think of you too, uh, for the good,
290
00:16:42,170 --> 00:16:43,490
and that makes you feel good inside.
291
00:16:45,209 --> 00:16:49,319
Always go across that reflection with
a clean, dry brush, because you have
292
00:16:49,319 --> 00:16:50,660
to make it look like water down there.
293
00:16:55,310 --> 00:16:55,699
Okay.
294
00:16:55,699 --> 00:16:58,849
And maybe a little,
little land under that.
295
00:16:58,969 --> 00:16:59,060
Okay.
296
00:17:03,109 --> 00:17:07,669
A little bit of Vandyke
Brown touch right here.
297
00:17:08,329 --> 00:17:12,560
And then just pull down
that simple look at that.
298
00:17:18,740 --> 00:17:25,880
With the greatest of ease you have
shale looks even better after you
299
00:17:25,880 --> 00:17:27,140
put a little bit of highlight on it.
300
00:17:27,260 --> 00:17:30,140
Just dark, CNN, white for
that real simple color mix.
301
00:17:33,200 --> 00:17:38,600
This gives it that clay
look, clay and rock.
302
00:17:42,615 --> 00:17:44,295
Here we go just like that.
303
00:17:45,305 --> 00:17:50,105
Now, maybe with a one inch brush in
that same yellow color, we'll drop
304
00:17:50,105 --> 00:17:51,455
in a little grass on top of that.
305
00:17:51,455 --> 00:17:55,685
Remember whenever you're putting
thin paint on top of thick paint,
306
00:17:56,014 --> 00:18:00,815
you want to put quite a bit on the
brush like this, maybe a little blue
307
00:18:00,815 --> 00:18:02,855
with that and use a real light touch.
308
00:18:02,855 --> 00:18:04,625
Why that turned that into a super color?
309
00:18:05,075 --> 00:18:07,205
See, I just guessed and
it came out like that.
310
00:18:10,685 --> 00:18:14,105
now you probably don't believe
that, but that's really how I do it.
311
00:18:14,105 --> 00:18:16,865
I just, if I see two colors that
look like they'd make a nice
312
00:18:16,865 --> 00:18:18,275
color, I just put them together.
313
00:18:18,905 --> 00:18:21,995
People ask me all the time, Steve,
how do you know what colors to mix?
314
00:18:21,995 --> 00:18:22,835
How do you know how to do it?
315
00:18:22,835 --> 00:18:23,765
Well, I just played with it.
316
00:18:24,575 --> 00:18:27,515
I just played with the
brushes and the paints and
317
00:18:27,515 --> 00:18:28,775
everything, all of it, you know?
318
00:18:28,835 --> 00:18:32,105
And suddenly things just
start to happen for you.
319
00:18:32,465 --> 00:18:34,025
Like, I can remember
that fan brush, right?
320
00:18:35,655 --> 00:18:38,205
I had the hardest time learning
how to paint with that fan brush.
321
00:18:38,265 --> 00:18:41,805
Then after I made like a hundred
pine trees on cardboard, I could make
322
00:18:41,805 --> 00:18:43,785
one just as good as anybody else.
323
00:18:43,785 --> 00:18:46,485
Could it have been doing it a long time?
324
00:18:46,485 --> 00:18:47,565
You know, here we go.
325
00:18:47,775 --> 00:18:50,415
How about some highlights?
326
00:18:50,505 --> 00:18:56,475
Highlights on the pine trees, a little
bit of the blue and the yellow together.
327
00:18:58,275 --> 00:19:01,095
Mix it up on the brush.
328
00:19:03,034 --> 00:19:06,095
And we'll come in and just
smash it a little bit of that.
329
00:19:06,095 --> 00:19:11,585
And on the right hand side of those trees,
if you get a little bit too much highlight
330
00:19:11,585 --> 00:19:15,065
here, there, just go back with a little
bit of the dark paint and cover it up.
331
00:19:16,085 --> 00:19:19,325
And if you really don't like something,
you can just scrape it off and start over.
332
00:19:20,915 --> 00:19:22,294
And don't think of it as, Oh my gosh.
333
00:19:22,325 --> 00:19:24,445
I had to scrape something
off my canvas and start over.
334
00:19:24,455 --> 00:19:25,385
Don't think of it like that.
335
00:19:25,385 --> 00:19:26,135
That's depressing.
336
00:19:26,405 --> 00:19:26,794
Think of it.
337
00:19:26,794 --> 00:19:29,524
Like I just got two canvases worth
of practice for the price of one.
338
00:19:33,735 --> 00:19:34,185
Here we go.
339
00:19:34,185 --> 00:19:40,155
They're sitting right down in that
grass and let's see, that'd be a little
340
00:19:40,155 --> 00:19:45,795
shoreline underneath this with liquid
white, spin that liquid wine around like
341
00:19:45,795 --> 00:19:57,105
that, go through it and straight across,
straight across still water lies flat.
342
00:19:57,105 --> 00:19:57,345
So.
343
00:19:58,034 --> 00:20:00,435
Don't let that water line
get all bent up and stuff.
344
00:20:03,004 --> 00:20:03,814
This is exec
345
00:20:10,264 --> 00:20:12,274
and maybe a couple of
water lines out here.
346
00:20:21,965 --> 00:20:26,825
let's go ahead and go through our
dark green color and add a little
347
00:20:26,825 --> 00:20:28,325
bit more blue and green to it.
348
00:20:28,445 --> 00:20:29,585
Make it super dark.
349
00:20:31,235 --> 00:20:33,315
And then, uh, Maybe right here.
350
00:20:33,315 --> 00:20:34,545
We'll just have a little tree.
351
00:20:35,955 --> 00:20:37,305
I was getting bigger all the time.
352
00:20:37,425 --> 00:20:38,295
Oh no, it's huge.
353
00:20:39,375 --> 00:20:40,065
Look at that.
354
00:20:41,325 --> 00:20:42,075
It's a monster
355
00:20:45,365 --> 00:20:46,095
you can tell.
356
00:20:46,095 --> 00:20:47,205
I knew that I was going to do that.
357
00:20:47,205 --> 00:20:51,525
Didn't he tell you that huge, but
you know what we're going to do.
358
00:20:51,525 --> 00:20:53,175
We're going to put another
tree in front of this one.
359
00:20:53,175 --> 00:20:54,885
This will be like a background type thing.
360
00:20:56,175 --> 00:20:57,645
So I'm just doing it real quick.
361
00:20:58,065 --> 00:21:00,855
Not spending a lot of time on the
highlighting of it either because.
362
00:21:01,485 --> 00:21:05,655
Like I said, there'll be a nice Birch
tree right over in front of there.
363
00:21:07,004 --> 00:21:08,325
Well, heck that didn't look too bad.
364
00:21:08,325 --> 00:21:11,534
Like it is now.
365
00:21:11,534 --> 00:21:12,764
You've got to keep your confidence up.
366
00:21:12,764 --> 00:21:13,754
Tell yourself you're good.
367
00:21:20,254 --> 00:21:22,835
Even if I'm not happy with
the way my painting is gone.
368
00:21:23,885 --> 00:21:26,405
I always try to keep it in good
spirits about it, you know?
369
00:21:26,855 --> 00:21:27,784
Cause it's just a painting.
370
00:21:27,784 --> 00:21:30,514
It's not, it's not that big of a deal.
371
00:21:32,159 --> 00:21:35,970
Okay for that Birch tree, get
some Vandyke Brown out there.
372
00:21:36,030 --> 00:21:40,139
Get a roll on your knife
and then nice big one.
373
00:21:40,320 --> 00:21:40,889
Here we go.
374
00:21:41,580 --> 00:21:42,720
All the way down to the bottom.
375
00:21:47,480 --> 00:21:48,889
Maybe it'll have two trunks on it.
376
00:21:54,800 --> 00:21:58,550
Like I said, always,
always give it a friend.
377
00:22:01,095 --> 00:22:04,365
Come in from the other side,
fatten them up a little bit,
378
00:22:04,545 --> 00:22:05,775
feed them some more lasagna
379
00:22:12,065 --> 00:22:17,945
and then a little bit of titanium
white for highlight on those smash,
380
00:22:17,975 --> 00:22:19,835
that titanium white out like that.
381
00:22:22,985 --> 00:22:24,845
I mean, just pull in, pull in.
382
00:22:29,880 --> 00:22:31,500
Don't want to cover the
whole trunk with white.
383
00:22:31,500 --> 00:22:32,460
You want to leave half of it?
384
00:22:32,460 --> 00:22:32,820
Brown.
385
00:22:39,110 --> 00:22:42,170
maybe underneath there, you know,
that same old, green color you
386
00:22:42,170 --> 00:22:45,710
were using before, add a little
bit more blue and Brown and green
387
00:22:45,710 --> 00:22:47,660
to that, make it even darker.
388
00:22:47,690 --> 00:22:49,070
Just making it a little bit darker.
389
00:22:49,280 --> 00:22:54,620
It's the same color you can call
that the base color just smashed
390
00:22:54,620 --> 00:22:57,140
right over the bottom of that
tree and put some bushes in there.
391
00:22:58,130 --> 00:23:00,170
You could do that part with a
paint roller and get away with it.
392
00:23:03,795 --> 00:23:05,625
Cole through your CAD yellow, like this,
393
00:23:08,975 --> 00:23:11,315
maybe a little bit of highlight
on a couple of these bushes.
394
00:23:12,575 --> 00:23:13,625
Just turn that brush.
395
00:23:13,655 --> 00:23:15,035
Just like you're going around the clock.
396
00:23:16,325 --> 00:23:16,805
See here.
397
00:23:16,865 --> 00:23:19,805
12 o'clock, one o'clock to three,
398
00:23:23,045 --> 00:23:24,695
change your color, put
a little red in there.
399
00:23:24,695 --> 00:23:26,675
A little yellow ochre or Indian, yellow.
400
00:23:26,675 --> 00:23:27,275
It's up to you.
401
00:23:28,185 --> 00:23:29,925
Well, it just became a
fall scene that quick.
402
00:23:29,925 --> 00:23:30,285
Didn't it?
403
00:23:33,635 --> 00:23:34,325
That's, what's nice.
404
00:23:34,325 --> 00:23:36,125
You're not committed
or anything with this.
405
00:23:36,815 --> 00:23:37,925
You can do anything you want.
406
00:23:39,065 --> 00:23:42,785
And it's always going to look nice
because you did it and you're wonderful.
407
00:23:42,995 --> 00:23:43,985
You have to believe that.
408
00:23:46,055 --> 00:23:47,345
I heard somebody say one time.
409
00:23:47,345 --> 00:23:49,445
Never, never try anything.
410
00:23:49,505 --> 00:23:50,075
Just do it.
411
00:23:50,945 --> 00:23:52,715
That's probably the best
thing I've ever heard.
412
00:23:57,885 --> 00:24:00,195
A little grass with a
brush sideways like that.
413
00:24:01,065 --> 00:24:06,135
And maybe to finish her up,
we'll have a couple branches.
414
00:24:07,095 --> 00:24:09,795
That's just a Vandyke Brown
and paint thinner together.
415
00:24:09,795 --> 00:24:13,785
You need quite a bit of thinner in that
you want an Indian ink consistency if
416
00:24:13,785 --> 00:24:20,415
possible, extend the tops of your trees
and do a few little trunks coming out.
417
00:24:22,035 --> 00:24:23,745
Keep on putting that thinner in there.
418
00:24:24,405 --> 00:24:25,215
You're going to need a lot.
419
00:24:30,860 --> 00:24:35,630
when you make a branch come out, make
it kinda like a, a guy with his arm
420
00:24:35,650 --> 00:24:40,580
sticking out, you know, go out and
then up a little wise and little bees
421
00:24:44,300 --> 00:24:45,560
and try to stay away from that.
422
00:24:45,560 --> 00:24:47,090
A Pitchfork look.
423
00:24:47,480 --> 00:24:47,900
Yeah.
424
00:24:53,990 --> 00:24:54,770
Okay.
425
00:24:56,970 --> 00:24:58,260
Now she's getting pretty close.
426
00:24:58,260 --> 00:25:07,500
Now, a couple more branches and
uh, maybe a quick signature down.
427
00:25:07,500 --> 00:25:09,959
Here we go.
428
00:25:10,199 --> 00:25:10,919
And we're all done.
429
00:25:11,689 --> 00:25:12,830
Thanks for watching me today.
430
00:25:12,860 --> 00:25:13,790
I hope you enjoyed it.
431
00:25:13,820 --> 00:25:15,889
And if you're a beginner,
try this painting.
432
00:25:15,980 --> 00:25:18,649
It's really a nice one to
start off with good luck.
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