Bob Ross's

The Joy of Painting

S30E12 - Evening´s Glow

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Hey, welcome back.

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Certainly glad you could join us today.

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I thought today would do a painting.

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It's very simple.

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I think you'll enjoy it.

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Let's start out in having run

all the colors across the screen

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that you will need to paint along

with us while they're doing that.

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Let me show you what I got up here today.

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Having a plain old 18 to 24 inch

double prime pre stretched canvas.

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And I've just covered it with a

very thin coat of liquid white.

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That's basically all we use 18 by

24 inch canvas, but you use any size

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that you like when you're doing yours.

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I thought I'd start with a little.

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Hmm, just a little two inch brush today.

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I'm gonna tap a little bit

of Indian, yellow into it.

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Don't need a lot of color, something

about like, so let's go up in here

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and maybe right here, we'll do that.

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That's all there is to it.

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Okay.

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Got that one finished.

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So it easy.

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I'm gonna go into a

little bit of CAD yellow.

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Same way.

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Just use a little two inch brush.

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We don't have to even do anything.

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Just go around the edges without cleaning.

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It would touch a little

bit of yellow ochre there.

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Just working the yellows out

here, a little more of the yellow

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ochre come right on around.

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Something about like that you put two

eyes and a big smiley face in there

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and look like little orphan nanny.

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Okay.

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Sort of blend those together.

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And that's all we're looking for today.

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Something about like yet still

without cleaning the brush.

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Good touch a little bit of a lizard

and Crimson don't need a whole bunch

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and just begin blending that together.

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I want to make a, I want to make

a sky that looks like a, maybe

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the sun is here and it's shining

out and it's a beautiful day.

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We'll do this painting

mostly in Brown tones.

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Sometimes it's gorgeous to do paintings.

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Just one tone.

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There we are.

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All right.

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Now they don't want to mix up a color.

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I like Brown made from SAP

green and to lizard crims.

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And that's one of my favorite colors.

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There we are.

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And I'm going to mix it a little bit to

the reddish side, just a small amount.

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Normally we don't worry about mixing color

too well today on a mix is pretty good.

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Cause I don't want any green

streaks up in there that ought

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to do it wipe the whole night.

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It will go right into

that round that we made.

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There.

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And we can go up in here

and let's begin using that.

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See it, it sorta matches all this.

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It sort of works together.

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It's really a gorgeous Brown.

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All right.

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So I'm on the other side,

just right in there.

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And then we'll finish the canvas up.

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We'll just use a little Vandyke

Brown a little bit on the other side,

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and we're ready to wash the old brush.

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As you know, if you've painted with me

before, that's really the fun part of this

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whole procedure is just washing the brush.

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This is the way, so the way I

get eaten with everybody here

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in the studio that picks on me.

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All right,

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you can, you can certainly change

the decor of a room very rapidly.

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If you're not careful.

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I suggest when you do this at home,

you get a little device called a brush.

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Beader req it fits down the

bottom of a wastepaper basket.

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It allows you to do all this without,

without ruining a happy marriage, because

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you can certainly do that in a heartbeat.

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If you've covered the living room

with paint, I'm just blending

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all of these colors together.

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Like, so, all right, then I'm

going to wash the brush again.

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I'm really just looking for

excuses to wash the brush

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hair over here.

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Now that I want to brighten

that a little more.

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So I'll go right into titanium white.

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Let me just put a little

on the two inch brush.

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Go right up in here, start in the

lightest area and begin working outward.

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We want this to be the lightest

brightest part in this whole

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painting right here there, and

just begin blending that outward.

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Now you can do this several times too.

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Achieve a desired lightness.

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You can make it as light or as bright

as you want, but once you get out

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here in these dark colors, I suggest

that you clean the brush before

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you bring it back into the center.

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There we go.

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Something about like, so once again,

you can make it as light as you

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wanted when you do your painting

ordinary, but it's dark as you are.

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It's really an individual thing.

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Yeah.

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Very lightly.

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I just want to take out the brush strokes.

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If you want to put the indication,

knock off the excess paint.

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If you don't put the indication of a

little sun, we can do a little finger

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painting right there and just, just take

your finger and make a little round sign.

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Those square signs sort of bother

people, make it sort of round.

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Of course, then you have to

clean your finger and you beat it

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against the easel the same way.

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All right.

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And just barely caress it.

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And the indication of a little sun will

remain right there and new sky that easy.

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See there.

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So all you need.

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Okay.

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Let's have some fun.

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We're still using the same old brush,

a little weight, a little bit of that

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Brown color that we made out of the

SAP and the lizard mixed together.

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Maybe in our world, we

back in the distance.

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There's some little foothills

that live back here.

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So let's do that.

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All you have to do is decide

where they live in your world

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and begin tapping them in.

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You know, when you paint, tell little

stories, it makes painting easier.

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It makes you understand why

things work in your painting.

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Shoot.

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Sometimes I get carried away and

maybe talk about the old trapper that

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lived in the woods, maybe fell in the

river, just crazy things like that,

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but it gives you a reason for an old

abandoned cabin being there or something

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like it, but make up little stories.

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I know, I know.

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You're going to say you're.

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Friends and relatives who sorta

laugh at you standing around and

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talking to yourself, but that's okay.

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That's okay.

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Now there, I'm going to lift gently upward

just to make it look like little trees

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are growing on those Hills, far away,

short little strokes, tiny little strokes.

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They're just a little bit.

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Don't need a lot, just a little bit.

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There we are.

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Okay.

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Maybe I'll even take a

little of the titanium white.

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I'll put the least little touch,

Indian, yellow in it and just

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hearing their touch a little bit.

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So it just stands out a

little, you can lighten it up

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a little they're tough burden.

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That's all I'm looking for just

enough to make it stand out.

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Like the lights zinging across there.

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That's all we want.

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Okay.

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Yeah.

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Yeah.

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Do you use this little number

three fan brush, take a little

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white, a little more of that.

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Brown.

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Want to be a little bit darker

than what we have up there,

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but not a great deal yet.

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All right, let's go up in here.

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Maybe, maybe there's a little stand

of trees that live right here.

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Little group of trees, happy

little family of trees right there.

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I don't know.

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You decide in your world, you

put trees wherever you want them.

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As many as you want.

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Let's see, hang on.

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We can come back with

our whole two inch brush.

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Can we just tap a little bit easy and

create a whole nother plane in our world?

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And we'll lift up, sort of

bring it together, make it work.

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That's all there is to it.

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And back to our white with a little

bit of the Indian, yellow in it.

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And we can begin just showing

some little daughters climb up

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the Hill, I guess this will just

show different Plains in new Hill.

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And that's all we're trying to do

something about like, and lifted up.

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There, it may be open here.

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It just sort of disappears.

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We don't know where it goes.

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Don't know that we even care.

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It doesn't matter.

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I'm just going to cover

all this up with that.

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Nice Brown we made there.

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I say, I want this painting to have a.

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It's sort of a Brown flavor to it.

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I love this color and I like paintings

that are almost monochromatic.

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Just one basic color.

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Right.

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I tell you what sometimes.

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Sometimes you have to get a little crazy.

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Let's take a little bit of that

white and get a little roll of paint,

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right on the edge of the knife.

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There let's go up in here and

maybe we just make the indication.

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Just by doing this,

it's all you have to do

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just enough sort of separates.

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And we can begin putting

little things like it.

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And if you, if you just rub that very

hard and keep it pretty level, when

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this is all done, it'll look like.

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And watch it look like as a little,

maybe the little river back here

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somewhere, but it's far away.

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We don't want a lot of detail in it

far, far away, just something like that.

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And we'll come along and we'll put

something in the foreground, but maybe

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there's some little Rapids back here

that it's slowly running over and it's

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just to give an indication too far

away to have a lot of detail in it.

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All right.

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We don't know where it goes back here.

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I don't know that we need to care.

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Doesn't matter in our world.

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Something about back.

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Yeah.

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Okay.

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I'm to grab a clean, clean two inch brush.

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I'm going to take that same Brown that

I may, but this time we're going to add

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a little bit of midnight black to it.

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I want to start getting very dark or

getting into the foreground now, and

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we need to get much darker, but we

loaded the same way scope in here.

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Okay, brave retest.

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Maybe let's put some

nice dark color in here.

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Very dark.

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You need dark in order to show light.

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And that's all we're putting

this in here for right now.

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The only reason they're

putting it in here.

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We'll just make a nice little heel.

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It pushes all that back

very, very far and easy.

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And you could just decide

where you want this to live.

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Now you could really put

this in, in your way.

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I suggest you practice this tapping

because we're going to put grass

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on top of this and it gives you a

chance to practice those strokes.

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And any time you can practice,

that'll make your life so much easier.

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Besides that it's more fun than just, just

painting it on there with a paint roller.

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And that's coming along pretty good

there, something about like that.

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That's really all we're looking for.

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It's just a dark area.

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They will come back.

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You can put in all the beautiful

little lights in there.

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It's interesting.

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This is the 30th series

of the joy of painting.

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Shoot.

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There's nearly 400 shows.

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Now, if you hadn't got a chance to

see them all in your area, you have

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a station you're watching this on the

call because they're available to them.

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And if you'd like to

see them, let them know.

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That's the only way they

know that you're interested.

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There we go.

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Now then went back to mole.

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Two inch brush.

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We'll take some SAP green, a little

bit of the CAD, yellow, yellow ochre.

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Oh, those beautiful little colors.

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Just tap now, then back in

here, I want the indication.

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I have a little bit of grassy area that

lives right along in here, something

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about like, yeah, but just tap.

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All you have to do is tap.

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Just tap you decide, not like see how

you can make all those little things.

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And the more you tap it, the more

it'll mix with a color that's

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already on the canvas and it'll get

darker and darker automatically.

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Automatically, you don't

even have to worry about it.

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If you want to be bright, don't tap much.

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If you want it to be darker, just get in

there and tap the devil out of it there.

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All right.

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Now let's get crazy.

251

00:13:48,740 --> 00:13:51,020

You painted with me before,

you know, I really like trees.

252

00:13:51,020 --> 00:13:55,580

Let's take some Bendeich Brown

alizarin, Crimson, and midnight

253

00:13:55,610 --> 00:13:56,900

black mix them together.

254

00:13:58,940 --> 00:13:59,510

Alrighty.

255

00:14:00,000 --> 00:14:01,250

My wife deal knife.

256

00:14:02,970 --> 00:14:03,420

That's great.

257

00:14:03,420 --> 00:14:05,370

I I'm using a number six fan burst.

258

00:14:05,370 --> 00:14:06,750

This time number three would work.

259

00:14:06,750 --> 00:14:07,050

Okay.

260

00:14:07,080 --> 00:14:07,560

It doesn't matter.

261

00:14:09,030 --> 00:14:13,620

Whichever one you happen to pick up

loaded, full of color, maybe appear

262

00:14:13,620 --> 00:14:15,960

on the top of our little Hill lives.

263

00:14:16,020 --> 00:14:17,010

Yeah, you guessed it.

264

00:14:17,310 --> 00:14:18,930

Happy little tree right there.

265

00:14:20,730 --> 00:14:21,750

I like little trees.

266

00:14:23,490 --> 00:14:26,790

There are some of the nicest

people in the country there.

267

00:14:26,890 --> 00:14:29,040

See there he lives.

268

00:14:30,420 --> 00:14:31,620

I don't want him to be lonely.

269

00:14:32,460 --> 00:14:34,860

Maybe there's a little family

up here that lives together.

270

00:14:35,700 --> 00:14:41,160

What a magnificent view to set up

here and look at all day envious.

271

00:14:42,600 --> 00:14:43,800

Maybe we'll have a little one right there.

272

00:14:44,925 --> 00:14:49,125

Yeah, we got a whole family,

three little trees on the Hill.

273

00:14:55,355 --> 00:14:59,585

I just want to scratching the indication

of a little tree trunk here and there.

274

00:15:00,245 --> 00:15:01,355

Something about like that.

275

00:15:04,055 --> 00:15:04,895

That's all we need.

276

00:15:06,365 --> 00:15:06,725

Take it.

277

00:15:06,735 --> 00:15:08,435

Same Brown color.

278

00:15:08,465 --> 00:15:10,265

Maybe add a little bit

of the bright red to it.

279

00:15:10,295 --> 00:15:10,865

Not much.

280

00:15:10,925 --> 00:15:11,885

Just a little bright red.

281

00:15:13,635 --> 00:15:16,785

There maybe a little touch of

the titanium white, just to get

282

00:15:16,785 --> 00:15:18,495

it to stand out a little bit.

283

00:15:18,825 --> 00:15:20,325

I don't want a lot of highlights on these.

284

00:15:21,645 --> 00:15:22,665

Yeah, that's plenty.

285

00:15:22,815 --> 00:15:25,425

Just enough so that you get the feeling.

286

00:15:25,425 --> 00:15:30,275

There are some highlights,

but they don't distract there.

287

00:15:30,485 --> 00:15:33,785

This one next you have to

decide which tree lives in the

288

00:15:33,785 --> 00:15:35,435

foreground, which tree lives back.

289

00:15:36,765 --> 00:15:38,415

I think this one's right in the front.

290

00:15:40,485 --> 00:15:41,655

So we do him last.

291

00:15:41,685 --> 00:15:42,645

So he's in front.

292

00:15:43,105 --> 00:15:43,905

Hope it shows up.

293

00:15:45,135 --> 00:15:46,305

Now we can go back to her breast.

294

00:15:46,305 --> 00:15:50,715

It has the SAP, green, little

Indian, yellow, all those colors

295

00:15:51,705 --> 00:15:54,435

of the different greens that we

can begin bringing this together.

296

00:15:57,105 --> 00:16:00,464

If you little dude was back

here, but isn't that neat?

297

00:16:01,485 --> 00:16:04,365

It's like of little family

trees that sit here, they look

298

00:16:04,365 --> 00:16:05,625

out over this beautiful view.

299

00:16:08,204 --> 00:16:09,015

It is gorgeous.

300

00:16:09,694 --> 00:16:10,655

I'd like to live in a place.

301

00:16:10,685 --> 00:16:12,875

Well, I take my, why not?

302

00:16:14,015 --> 00:16:15,395

If I was going to live

here, I need a house.

303

00:16:15,395 --> 00:16:17,255

I'm not very good at sleeping on the dirt.

304

00:16:17,880 --> 00:16:21,060

So let's come right up in here

and let's build us a little,

305

00:16:21,900 --> 00:16:22,800

maybe it was a little house.

306

00:16:22,800 --> 00:16:26,580

They would just create this

out of basic shape something.

307

00:16:26,830 --> 00:16:29,190

So I want it right in

front of these trees.

308

00:16:30,780 --> 00:16:35,550

We'll take a little band, Dyke, little

dark Sienna mixed together, and let's

309

00:16:35,550 --> 00:16:38,190

just paint this in quick little house.

310

00:16:39,690 --> 00:16:45,120

This is just a happy little house

up here on the Hill like that.

311

00:16:46,365 --> 00:16:51,495

There, it gives us a nice roof, got

to have a roof to keep the water out.

312

00:16:54,585 --> 00:16:55,335

There we go.

313

00:16:57,315 --> 00:16:57,525

Sorry.

314

00:16:57,575 --> 00:16:58,445

And like that.

315

00:16:58,895 --> 00:16:59,015

Yeah.

316

00:16:59,045 --> 00:16:59,885

Would you do yours?

317

00:16:59,885 --> 00:17:01,445

Maybe you want to have

a house it's different.

318

00:17:01,505 --> 00:17:02,705

Maybe don't want to have a house.

319

00:17:03,455 --> 00:17:05,105

Maybe you want to have a two story house.

320

00:17:05,495 --> 00:17:06,155

You can do that.

321

00:17:07,595 --> 00:17:12,905

Anything that you want to do painting

gives one almost total freedom,

322

00:17:13,145 --> 00:17:14,705

at least on this piece of canvas.

323

00:17:15,829 --> 00:17:20,099

Little Brown and white, no

pressure on this to be sort

324

00:17:20,099 --> 00:17:23,899

of an old raggedy house there.

325

00:17:25,550 --> 00:17:25,639

Okay.

326

00:17:26,149 --> 00:17:30,260

As we mentioned earlier, doing stories and

stuff, maybe there's a trapper lived here.

327

00:17:30,379 --> 00:17:33,050

He went down to the river one

day to check his Beaver trapping.

328

00:17:33,980 --> 00:17:37,760

Maybe it fell in who knows?

329

00:17:39,080 --> 00:17:39,139

Yeah.

330

00:17:39,409 --> 00:17:40,909

Now we could do a cabin ectomy.

331

00:17:41,180 --> 00:17:42,889

In other words, just cut it off.

332

00:17:44,034 --> 00:17:47,294

Get it the way we want it

better have a door in our cabin.

333

00:17:47,594 --> 00:17:48,794

It's easier to get in and out.

334

00:17:48,794 --> 00:17:52,125

If you've got a door it's hard

climbing through the window.

335

00:17:52,125 --> 00:17:55,115

Sometime here we go.

336

00:17:57,635 --> 00:18:00,514

Take a little dark color, but the

indication of a few boards and

337

00:18:00,514 --> 00:18:04,115

stuff on there, if you want them,

you could have made it a lot.

338

00:18:04,115 --> 00:18:05,764

Cat log cabin, just as easy.

339

00:18:06,094 --> 00:18:09,425

Let's take the little red, little

white, little dark Sienna in it.

340

00:18:12,645 --> 00:18:13,455

Let's see maybe.

341

00:18:13,755 --> 00:18:14,115

Yeah.

342

00:18:14,505 --> 00:18:14,955

Why not?

343

00:18:16,455 --> 00:18:18,645

Maybe this got a little red roof on there.

344

00:18:20,175 --> 00:18:21,555

It's not in too good of shape, either.

345

00:18:23,805 --> 00:18:24,735

Not in too good.

346

00:18:24,735 --> 00:18:25,125

A shape.

347

00:18:25,335 --> 00:18:26,955

The whole shingles about fell off.

348

00:18:26,955 --> 00:18:31,425

It's got some holes in it and

a few little highlights, right?

349

00:18:31,425 --> 00:18:33,915

Appear on top where the sun's

really zinging across the top.

350

00:18:36,605 --> 00:18:38,915

A few little duties down the side here.

351

00:18:40,020 --> 00:18:45,810

So it stands out there

that has a little cabin.

352

00:18:48,270 --> 00:18:48,920

All right.

353

00:18:48,970 --> 00:18:50,100

Now we can go back to her.

354

00:18:51,300 --> 00:18:55,140

Brush with a grass color on it, then

we can begin putting in all kinds of

355

00:18:55,140 --> 00:19:02,010

little grassy areas like, yes, right

up here by the trees, these trees.

356

00:19:02,010 --> 00:19:03,240

Remind me my little squirrel.

357

00:19:03,240 --> 00:19:04,620

That'd be a good place for him to live.

358

00:19:05,070 --> 00:19:06,180

I won't show you my little squirrel.

359

00:19:06,180 --> 00:19:06,750

One more time.

360

00:19:06,810 --> 00:19:07,150

Shoot.

361

00:19:07,470 --> 00:19:10,620

She wouldn't tell you a couple of times

in this series, he's one of the cutest

362

00:19:10,620 --> 00:19:12,000

little devils that you've ever seen.

363

00:19:12,475 --> 00:19:13,735

He's Pete Paul jr.

364

00:19:14,845 --> 00:19:16,675

He likes to live in my pocket.

365

00:19:18,054 --> 00:19:20,845

Of course, by the time you get to see

this, he'll already be turning loosen.

366

00:19:21,205 --> 00:19:25,375

He'll be free, probably living

in my backyard and he'll have a

367

00:19:25,375 --> 00:19:27,054

little condo back here in a tree.

368

00:19:29,544 --> 00:19:30,745

I love these little Rascals.

369

00:19:30,745 --> 00:19:32,095

I raised a bunch of them every year.

370

00:19:32,125 --> 00:19:32,845

Turn them loose.

371

00:19:34,715 --> 00:19:38,705

They go back and they go back to nature

where they, where they're supposed to be.

372

00:19:42,295 --> 00:19:45,024

I enjoy seeing MLRs cause

they really special to me.

373

00:19:45,555 --> 00:19:46,795

And I like to share them with my friends.

374

00:19:49,105 --> 00:19:49,855

All right.

375

00:19:51,120 --> 00:19:52,200

Maybe over here.

376

00:19:54,150 --> 00:19:54,570

Okay.

377

00:19:54,660 --> 00:19:55,830

I see a thing happening here.

378

00:19:55,920 --> 00:19:57,270

It's a place for a path right there.

379

00:19:57,300 --> 00:19:58,730

Yeah, yeah, yeah, yeah.

380

00:19:58,860 --> 00:20:00,330

I see it as you.

381

00:20:01,120 --> 00:20:02,160

Sorry to get excited.

382

00:20:02,370 --> 00:20:07,830

As you, as you paint, you begin seeing

things here, they just sort of happen.

383

00:20:07,950 --> 00:20:08,700

Watch your watch here.

384

00:20:08,730 --> 00:20:13,680

We take a little Brown, little Brown,

and maybe you see the indication

385

00:20:13,680 --> 00:20:15,030

of a little path coming out here.

386

00:20:15,090 --> 00:20:18,630

Maybe sort of disappears comes out here.

387

00:20:19,740 --> 00:20:24,180

Around it, just, these things happen.

388

00:20:24,720 --> 00:20:27,720

Don't fight them when

they happen very quickly.

389

00:20:27,720 --> 00:20:31,020

You'll learn to use anything that

happens in your painting, and it might

390

00:20:31,020 --> 00:20:36,420

make some of the most interesting

compositions, a little bit of Brown

391

00:20:36,420 --> 00:20:41,370

and white, just a small amount that

we can highlight a little, just

392

00:20:41,370 --> 00:20:42,900

so it stands out here and there.

393

00:20:43,920 --> 00:20:44,430

All right.

394

00:20:45,450 --> 00:20:47,640

Take what we need here

and find a liner brush.

395

00:20:49,965 --> 00:20:51,165

Take a little paint thinner

396

00:20:54,185 --> 00:20:57,425

and we need a few little sticks and

twigs that live right along in here.

397

00:20:59,615 --> 00:21:06,935

Maybe, maybe even, or something on

out in here, old stick it lives there.

398

00:21:08,074 --> 00:21:11,764

Might've been a little tree there

that didn't have such a good time.

399

00:21:11,824 --> 00:21:12,754

Things got rough on him.

400

00:21:15,000 --> 00:21:16,409

Okay, let's get crazy.

401

00:21:16,409 --> 00:21:17,340

We got a minute left here.

402

00:21:17,879 --> 00:21:20,850

Take a little bit of the midnight

black van Dyke Brown mixed together.

403

00:21:22,889 --> 00:21:24,659

All right, bravery test.

404

00:21:24,990 --> 00:21:25,260

Here.

405

00:21:25,260 --> 00:21:26,220

It comes.

406

00:21:30,020 --> 00:21:31,520

You gotta make those little weird noises.

407

00:21:32,360 --> 00:21:34,280

We've got a happy little

treat lives are right there.

408

00:21:35,480 --> 00:21:37,879

And he's got a friend to see.

409

00:21:39,050 --> 00:21:41,330

Now we get two little trees to live there.

410

00:21:43,150 --> 00:21:48,270

Let's go back to her liner, brush

needle, the paint thinner though,

411

00:21:48,270 --> 00:21:49,680

to make the paint very thin.

412

00:21:49,680 --> 00:21:51,810

So it'll literally flow right

over the top of the paint.

413

00:21:51,810 --> 00:21:52,980

That's already on the canvas.

414

00:21:54,000 --> 00:21:56,850

Turn the bristles in there that

brings it to a very sharp point there.

415

00:21:56,850 --> 00:22:00,440

He said, so you just turned like that.

416

00:22:00,470 --> 00:22:00,800

Okay.

417

00:22:02,180 --> 00:22:02,480

Yeah.

418

00:22:02,540 --> 00:22:08,210

Uh, nah, if it's thin enough, it'll

just flow right over the top of

419

00:22:08,210 --> 00:22:09,830

that paint without mixing together.

420

00:22:11,480 --> 00:22:12,050

I like him.

421

00:22:12,570 --> 00:22:15,389

And you can put in all kinds

of little arms on your trees,

422

00:22:17,010 --> 00:22:18,149

just wherever you want them.

423

00:22:19,949 --> 00:22:23,399

You have to decide to like which

one's in front, which one's behind.

424

00:22:24,780 --> 00:22:26,969

These are decisions that

you make in your world.

425

00:22:28,620 --> 00:22:32,689

It gives you a lot of

power to there we are.

426

00:22:35,270 --> 00:22:36,139

Okay.

427

00:22:36,620 --> 00:22:39,800

You know, everyday we get letters from

fantastic friends all over the country.

428

00:22:40,469 --> 00:22:43,590

Who were picking up a brush and

trying this, and they're saying,

429

00:22:43,590 --> 00:22:44,790

you told me I could do it.

430

00:22:44,790 --> 00:22:47,370

And I never believed it until I tried.

431

00:22:48,179 --> 00:22:49,860

Now, I have my whole family painting.

432

00:22:50,639 --> 00:22:52,830

That's so wonderful when

families do things together.

433

00:22:52,830 --> 00:22:57,060

Cause this is something you can do

with your spouse, with your children,

434

00:22:58,020 --> 00:23:02,159

with friends, neighbors, or even

people you want to be your friend.

435

00:23:02,489 --> 00:23:07,679

It's a good way to meet new people

because people who paint just seem

436

00:23:07,679 --> 00:23:09,030

to be some of the nicest people.

437

00:23:10,845 --> 00:23:13,335

There we are all kinds of little daughters

438

00:23:17,105 --> 00:23:20,105

and you decide, once again,

you must make these decisions.

439

00:23:21,095 --> 00:23:24,485

We don't want to tell you how many

limbs to put on your tree or even what

440

00:23:24,485 --> 00:23:31,145

kind of tree to paint, because painting

is a very individual thing there.

441

00:23:33,545 --> 00:23:35,645

Oh, I'm going to take a little

white, a little bit of the

442

00:23:35,645 --> 00:23:37,475

midnight and black paint thinner.

443

00:23:38,970 --> 00:23:42,390

Just mix them together a little bit

black and white or white and black.

444

00:23:43,950 --> 00:23:45,120

And I'm gonna come right along here.

445

00:23:45,180 --> 00:23:49,620

Put a little highlight right on the

side of that tree there, the sun's

446

00:23:49,620 --> 00:23:55,830

up here seeing just to make him a

little sparkler on the side there.

447

00:23:58,365 --> 00:24:04,185

Something about like, all right,

go back to her brushes, got the SAP

448

00:24:04,215 --> 00:24:05,595

green and all the yellows on it.

449

00:24:06,795 --> 00:24:12,075

Tap a little color and let's just clean

up the bottom of his foot is here.

450

00:24:13,455 --> 00:24:14,504

Bring all that together.

451

00:24:18,735 --> 00:24:22,754

Maybe, maybe there's a

little baby tree down here.

452

00:24:22,785 --> 00:24:24,045

He's going to take over one day.

453

00:24:25,409 --> 00:24:27,449

One day, he'll be the big tree with now.

454

00:24:27,449 --> 00:24:28,439

He's just a little baby.

455

00:24:29,909 --> 00:24:32,939

And I think with that shoot, we

both got our finished painting.

456

00:24:34,199 --> 00:24:38,189

Take a little paint, thinner, a

little bit of the bright red and

457

00:24:38,189 --> 00:24:40,810

let's sign this little rascal really.

End .srt file.

Bob Ross' The Joy of Painting

Thursday, December 31, 2020

S30E12 - Evening´s Glow

Bob Ross's

The Joy of Painting

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