Thursday, December 31, 2020

S28E06 - Glacier Lake

Bob Ross's

The Joy of Painting


S28E06 - Glacier Lake

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Begin .srt file.

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I will come back.


2

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Certainly glad you could join us today.


3

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I thought today would do a pain and

has a fantastic mountain that I get


4

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a lot of letters saying, show me how

to do a big mountain with snow on it.


5

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So I'm going to show you a mountain

that takes up most of this painting.


6

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Let's start out in them, run

all the colors across the screen


7

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that you need to paint along

with us while they're doing that.


8

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Let me show you what I've got done today.


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Have my standard Dole, double

prime pre-stretch canvas.


10

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And I'm using an 18 by 24 inch, but you

use whatever size is convenient and I've


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just covered the entire canvas with a

very thin even coat of liquid white.


12

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So it's all wet and slick and ready to go.


13

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And let's just have a good time.


14

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Let's start today.


15

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We use a little fellow blue.


16

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I like the little blue.


17

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It's a very pretty warm blue, a

little bit on the two inch brush.


18

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And we just go right up in here and just

make it little crisscross strokes, little


19

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exes, something about my cat there.


20

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I think we'll put a little cloud

in the sky too, so I'll just


21

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leave new areas sorta open.


22

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There we go.


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We're going to put a huge amount in here.


24

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We don't need a lot of sky.


25

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Let's just take about let's do it.


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Big one right there.


27

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Like it, something I can, whatever,

maybe in our world, maybe underneath


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there, we might even have a little

water down at the base, just depending


29

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on how much time we have left.


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If we have enough time, we'll put it.


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But I want to devote

most of the time today.


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To working on that huge, huge mouth.


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Yeah.


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We'll have his breast gun.


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I'm going to add a little pressure and

blue to the corners just to darken it


36

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just in the corners, just in the corners.


37

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They're just depression.


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Blue.


39

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It's much, much darker than that.


40

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They low blue.


41

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It's very strong and a

little bit down here too.


42

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If you put a little blue in the corners,

that's darker than the rest of it.


43

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When the painting's done, it'll sort

of make your eye go toward the center.


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That's all very likely we'll go across


45

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that's about all we need.


46

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Yeah.


47

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The most fun part of this whole

technique is washing the brush.


48

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So let's do that.


49

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We scrubbed the brush and odorless

paint, thinner shake off the excess.


50

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And just beat the devil out

of it really is the fun part.


51

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That's the fun part.


52

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That's going to titanium white.


53

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Just take the old two integration, tap

it, just tap it right into some titanium.


54

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White let's make a cloud now go up here.


55

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Take the brush to decide where

your cloud lives in your world.


56

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It's the easiest way I know of

making a big, effective cloud.


57

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Just tapping a basic shape.


58

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Maybe it comes right on around.


59

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I don't know, a little more color.


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We don't care.


61

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Maybe it just sort of floats up.


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I can't.


63

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I don't really know, you decide in your

world where the big old cloud lives,


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but that's easy enough right there.


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And then very lightly, very lightly,

just barely touching the canvas.


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Just sort of blended a little bit.


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Just enough to take out the little

tap marks and that easy, that easy.


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You have a nice little cloud that

just lives up here in your sky.


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There they're used to making

a lot of work out of it.


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There's another, as a little

indication right there.


71

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If you're going to do more than

one layer to the back layer


72

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first and then work forward.


73

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I just want a little hint.


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Okay.


75

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Now then let's wash the

brush one more time.


76

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It will be ready to

make our bees mountain.


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Hit the bucket there.


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All right.


79

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Today, we're going to have

our brave retest right in the


80

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beginning of the painting.


81

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So here we go.


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Who's midnight black cut us off

a little roll of paint lives,


83

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right on the edge of the knife.


84

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There let's go up here and make our

first major decision jump right in.


85

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I think there's a big

rock lives right there.


86

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Just put it in basic, basic shape.


87

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That's all we're looking

for at this point.


88

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It's just using black.


89

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You put a little pressure and

blue that if you wanted to, but


90

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I'm just using basically black.


91

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Maybe.


92

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Why not?


93

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Right about there.


94

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We'll just have another big rock there

we are something like, so, and has


95

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had to say, this is your bravery test.


96

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Maybe.


97

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Yeah.


98

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Maybe another rock over here.


99

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I bet you're saying Bob you've,

you've done it this time.


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The mine has finally gone.


101

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You may be right to maybe right there.


102

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I've been told that before.


103

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It seems a little white Prussian

blue on good, strong blue.


104

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Once again, a little bit of paint

lids, right on the edge of the knife.


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Just barely touching the canvas.


106

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I just want to put the

indication here and there.


107

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I have a few little shadows

that live up in the air.


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There don't want a lot of

detail in that a little bit.


109

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Right over in here.


110

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Something about my cat.


111

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Just put a few little shadows.


112

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I want to keep this very dark.


113

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Very dark.


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Maybe shoot.


115

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Yeah.


116

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Why not right there.


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No pressure.


118

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Just let the knife touch.


119

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Just barely, barely touch.


120

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All right.


121

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Fun time.


122

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Two inch brush two inch brush.


123

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Let's go right through the titanium white

load, a lot of color into the bristles.


124

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A lot of paint, just fill it up and by

wiggling it, I want to bring it to a nice


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sharp edge by wiggling it and pulling it.


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It'll bring the paint toward

the end of the bristles and


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that'll happen automatically.


128

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All right now, maybe in our world.


129

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There is a nice, maybe this is a

big glacier that lives up here.


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There we go.


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Public right through nightcap, decide

where all these little things live.


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I began dropping them in,

just begin dropping them in.


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Don't be afraid there.


134

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Maybe in our world, maybe shoot.


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Yes.


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Comes right over.


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I can


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we'll come back and smooth that

out a little bit in a minute, but


139

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right now we're just putting in

some basic color and they have to be


140

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cleaned off a little spot to work.


141

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You'd think with a palette, this

big, I wouldn't run out of space.


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I'm going to take quite a

bit of black, mix it to get


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out and make a grayish color.


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So just titanium white,

little, midnight, black.


145

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Something about like, you don't have

to overmix it clean off the old knife,


146

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let's go right through that grayish color.


147

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We use the same old brush.


148

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I want to shadow side to this mountain.


149

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So I'm going to use this gray

color to do the shadow and


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our shadow lives starts right.


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There comes down.


152

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See there.


153

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I can't solve it.


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Just do it now.


155

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Well, just apply a little, that

great color to make our shadow side.


156

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And this angle right

here is very important.


157

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It's a good friend to real good friend.


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Take care of it.


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There.


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Maybe somewhere in here.


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We don't know yet.


162

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We will decide all this later.


163

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Right now.


164

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We're just blocking in a little

color about my cat back to


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my pure titanium white there.


166

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Look at that.


167

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See how that just looks like a

sheer drop, that easy, that easy.


168

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But I want this angle right here to

indicate that this bending toward me.


169

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Okay.


170

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Back to black, maybe.


171

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Yep.


172

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Right in here.


173

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Maybe there is a big rock,

big old rock right in here.


174

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Maybe this big, whole rock.


175

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I don't know.


176

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You decide where you pick

all things live in here.


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That's your imagination.


178

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Take you wherever you want to

be, where ever you want to be.


179

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Maybe this comes down


180

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there.


181

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Just let it go.


182

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I don't, I don't know exactly

where we're going with this.


183

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I don't know that it matters because

anything that happens here is wonderful.


184

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We can work with it.


185

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We can work with it.


186

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Here's a big old rocket

lives right out here.


187

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I can't


188

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maybe, maybe there's even a big

rock protruding right out of


189

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the side of this big thing here.


190

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Cause we know there's

rocks underneath there.


191

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We know they're underneath there.


192

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Maybe up, up, up above, over in here.


193

00:10:03,194 --> 00:10:05,655

There's a little something wherever.


194

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I'm going to grab the small knife.


195

00:10:07,875 --> 00:10:09,465

I can get into these little places here.


196

00:10:09,465 --> 00:10:11,355

I just want to sort of

blame that edge out.


197

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Just sort of blended out and follow

the angles that you put in here.


198

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Most important.


199

00:10:20,935 --> 00:10:22,215

Just wiping the knife off.


200

00:10:23,865 --> 00:10:27,725

She didn't swiping the knife off there.


201

00:10:29,795 --> 00:10:33,785

That's all there is to it,

but you can put all kinds of.


202

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Like old things hanging

off the side there.


203

00:10:37,755 --> 00:10:40,335

Maybe you can see some

little things up in here


204

00:10:44,975 --> 00:10:49,985

ever where ever the hair we

put at the plight, I'm still


205

00:10:49,985 --> 00:10:51,305

using the small knife here.


206

00:10:52,025 --> 00:10:56,765

I want to just sort of bring this together

a little better when you're at home doing


207

00:10:56,765 --> 00:11:00,665

this and having limited time, you can

really smooth this out, make it gorgeous.


208

00:11:02,055 --> 00:11:04,905

Make it conscious, some

little things all up in here.


209

00:11:04,954 --> 00:11:05,194

Yeah.


210

00:11:07,954 --> 00:11:09,005

Get the little blender brush.


211

00:11:09,035 --> 00:11:10,025

It's very soft.


212

00:11:10,055 --> 00:11:11,735

You can blend right over the top of this.


213

00:11:13,064 --> 00:11:14,104

Just very gently.


214

00:11:14,615 --> 00:11:21,425

Bring this together, make it

smooth as silk they're like that


215

00:11:23,795 --> 00:11:25,474

back to my Prussian and blue.


216

00:11:26,745 --> 00:11:28,395

We'll put a few little shadows on here.


217

00:11:29,925 --> 00:11:34,145

Just a few little guys right in there.


218

00:11:35,535 --> 00:11:39,995

Got to have a shadow

on this big rock there.


219

00:11:40,025 --> 00:11:40,145

Yeah.


220

00:11:40,175 --> 00:11:46,505

You decide once again, painting is such

an individual thing and each person sees


221

00:11:46,505 --> 00:11:51,305

nature through different eyes and how you

see it as the way it should be painted.


222

00:11:53,925 --> 00:11:57,765

So just by changing the angles here

a little bit, we can come back in


223

00:11:57,765 --> 00:12:00,885

here and make us look like there's a

little snow laying right up in here.


224

00:12:01,665 --> 00:12:06,455

Just sort of a little recessed

area, right in their sneaky.


225

00:12:08,675 --> 00:12:14,645

Now back to our two inch brush and

make some snow right out of here.


226

00:12:14,945 --> 00:12:17,585

I'm intentionally picking

up some of that dark color.


227

00:12:17,585 --> 00:12:19,025

So it'll make shadows in there.


228

00:12:20,265 --> 00:12:23,055

So I want that snow to look like it's

just coming up here and lay in right up


229

00:12:23,055 --> 00:12:26,925

on the top and maybe it comes right up.


230

00:12:27,314 --> 00:12:27,824

I can


231

00:12:32,865 --> 00:12:37,694

put another little rock right here

and see, that'll help push that back.


232

00:12:38,175 --> 00:12:42,795

Just play back and forth with

rocks and stones and angles and all


233

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these things will happen for you.


234

00:12:44,625 --> 00:12:47,055

A little practice, and you'll

be shocked at what you can do.


235

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Yeah, maybe.


236

00:12:51,750 --> 00:12:51,990

Yep.


237

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It comes right down.


238

00:12:54,780 --> 00:13:01,110

I can't right over the

side, right over the side.


239

00:13:01,110 --> 00:13:05,760

Just like a waterfall sort of, only

as the snow, just let it fall right


240

00:13:05,760 --> 00:13:11,069

down through there, there just

sort of blend all that together.


241

00:13:11,459 --> 00:13:14,189

I'll grab the little blender brush

and smooth it out to real smooth.


242

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There SI a little tender.


243

00:13:18,420 --> 00:13:19,710

Bryce just moves things.


244

00:13:20,940 --> 00:13:26,190

There we are now, right along this

edge here, I want to separate it.


245

00:13:26,190 --> 00:13:27,750

Someone use pure white there.


246

00:13:27,780 --> 00:13:29,460

I want it to separate.


247

00:13:29,730 --> 00:13:32,730

It's important that we have

that bright white area.


248

00:13:33,090 --> 00:13:34,530

So it separates those two.


249

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Okay.


250

00:13:37,560 --> 00:13:41,010

They're little age is

all we're worried about


251

00:13:46,020 --> 00:13:46,530

now.


252

00:13:46,670 --> 00:13:48,709

Maybe, maybe in our world.


253

00:13:50,599 --> 00:13:51,170

Here we go.


254

00:13:51,770 --> 00:13:52,040

Hmm.


255

00:13:52,280 --> 00:13:53,060

No, there's stone.


256

00:13:53,870 --> 00:13:55,699

Just put these wherever

you think they should be.


257

00:13:55,699 --> 00:13:59,540

I liked him new mountains sometime

where you can see these big rocks


258

00:13:59,569 --> 00:14:00,860

projecting out under the snow.


259

00:14:00,860 --> 00:14:02,420

Looks like a big glacier.


260

00:14:03,885 --> 00:14:04,665

Michael glacier.


261

00:14:04,665 --> 00:14:08,835

I lived in Alaska for a dozen years and

there was some of the most courageous


262

00:14:08,835 --> 00:14:10,845

glaciers there that you've ever seen.


263

00:14:11,505 --> 00:14:13,425

Absolutely fantastic.


264

00:14:14,445 --> 00:14:17,625

There's no doubt in my mind, God

was having a good day when he


265

00:14:17,625 --> 00:14:22,035

made Alaska so beautiful there.


266

00:14:24,405 --> 00:14:25,095

All right.


267

00:14:25,245 --> 00:14:26,535

A little bit of silver right in there.


268

00:14:29,580 --> 00:14:30,840

They were displaying that down.


269

00:14:32,670 --> 00:14:33,630

That's all there is to it.


270

00:14:36,360 --> 00:14:39,930

That's one wild mountain

in it and you can do it.


271

00:14:41,130 --> 00:14:42,480

You can do this one.


272

00:14:43,500 --> 00:14:44,190

Take your time.


273

00:14:44,190 --> 00:14:49,710

When you're at home, look at the

angles, steady it, put it together.


274

00:14:51,540 --> 00:14:52,350

It'll work for you.


275

00:14:54,060 --> 00:14:54,660

Okay.


276

00:14:55,515 --> 00:14:57,525

I think we've got a pretty

nice old mountain there for


277

00:14:57,705 --> 00:14:58,905

such a short period of time.


278

00:15:00,105 --> 00:15:00,945

We're going to live with it.


279

00:15:01,635 --> 00:15:02,355

Just that way.


280

00:15:03,675 --> 00:15:05,475

Create a little mystery

right here at the base.


281

00:15:07,335 --> 00:15:07,995

And off we go.


282

00:15:10,245 --> 00:15:12,495

Now we need some background

things happening in there.


283

00:15:13,665 --> 00:15:15,045

So let's make some big decisions.


284

00:15:15,045 --> 00:15:15,495

What do we want?


285

00:15:15,495 --> 00:15:16,125

We'll take.


286

00:15:17,355 --> 00:15:23,175

Some blacks impression, blue, you

can put a little lizard Crimson in


287

00:15:23,175 --> 00:15:30,765

it and maybe a little Brown looking

for sort of a bluish gray color.


288

00:15:30,795 --> 00:15:32,715

That's getting pretty nice right there.


289

00:15:34,335 --> 00:15:34,935

Right there.


290

00:15:35,595 --> 00:15:36,615

Get a little white here.


291

00:15:37,995 --> 00:15:40,905

I want a couple of different

values of it are strengths of it.


292

00:15:40,905 --> 00:15:42,615

One little darker than the other.


293

00:15:42,645 --> 00:15:43,965

So I just stay up white to some.


294

00:15:45,855 --> 00:15:46,425

There we go.


295

00:15:47,025 --> 00:15:48,315

A little more Crimson in there.


296

00:15:49,605 --> 00:15:50,475

A little more that Brown.


297

00:15:52,035 --> 00:15:52,605

All right.


298

00:15:52,755 --> 00:15:54,585

Now we got a couple of values.


299

00:15:58,395 --> 00:15:58,725

Okay.


300

00:15:59,115 --> 00:16:00,345

We'll wipe the old knife off.


301

00:16:02,625 --> 00:16:08,625

Let's grab a fan brush and we'll

go right into some of this color.


302

00:16:11,215 --> 00:16:13,785

My cat, this is sort of a blue, gray.


303

00:16:16,250 --> 00:16:17,100

A lot of color in there.


304

00:16:17,250 --> 00:16:18,090

Let's go right up in here.


305

00:16:18,750 --> 00:16:19,830

I may be in our world.


306

00:16:19,830 --> 00:16:22,920

There's lives, some nice little trees.


307

00:16:22,920 --> 00:16:25,980

We eat back here in the background,

just kind of taps downward,


308

00:16:25,980 --> 00:16:28,280

but they just tap it down.


309

00:16:30,150 --> 00:16:30,690

Like, so


310

00:16:37,440 --> 00:16:41,850

we'll just let these wander

right on wherever we don't


311

00:16:41,850 --> 00:16:42,480

know where they're going.


312

00:16:43,454 --> 00:16:49,365

Wherever they want to live, but by

making these trees fairly small,


313

00:16:49,365 --> 00:16:50,805

it makes the mountain look bigger.


314

00:16:53,085 --> 00:16:58,305

There we are all relative to the size,


315

00:17:02,444 --> 00:17:05,055

clean two inch brush, and I'm

going to tap the base of it.


316

00:17:05,055 --> 00:17:11,835

Firmly mist down at the

bottom, tap it firmly, and then


317

00:17:11,835 --> 00:17:13,845

gently, gently lift upward.


318

00:17:14,865 --> 00:17:17,595

As he picks out all the little

tap marks and makes them quite


319

00:17:17,595 --> 00:17:21,585

little trees that live far, far

back in the distance far away.


320

00:17:22,950 --> 00:17:24,000

Far far away.


321

00:17:25,800 --> 00:17:32,040

That's where everybody wants to hear

me sing as far away, real far there.


322

00:17:33,420 --> 00:17:33,840

Okay.


323

00:17:34,260 --> 00:17:35,310

I'm making the same color.


324

00:17:35,340 --> 00:17:36,120

Only a little darker.


325

00:17:36,945 --> 00:17:40,784

And in my world, I think, yeah,

maybe there's another little


326

00:17:42,195 --> 00:17:45,195

group of trees that live, maybe

there's I know, I know I got it.


327

00:17:47,534 --> 00:17:49,514

Maybe there's a steep

little thing right here.


328

00:17:50,895 --> 00:17:53,625

Something about like chat and we'll

get a little more color on the brush.


329

00:17:56,260 --> 00:17:59,640

There, maybe it comes down.


330

00:17:59,680 --> 00:18:00,690

We don't know where it goes here.


331

00:18:00,780 --> 00:18:02,040

It just sort of wanders off.


332

00:18:03,480 --> 00:18:11,010

Just wanders off there

we are right on down.


333

00:18:12,060 --> 00:18:13,230

We'll have it go up like that too.


334

00:18:17,670 --> 00:18:19,890

They're just all kinds of little things.


335

00:18:21,650 --> 00:18:24,110

When you said he was going to make a

big mountain today, we weren't kidding.


336

00:18:24,110 --> 00:18:24,470

Marie.


337

00:18:24,860 --> 00:18:26,750

This is one monster mountain.


338

00:18:26,930 --> 00:18:28,250

I'm going to tack the base of this.


339

00:18:29,210 --> 00:18:33,230

Once again, I always want to create that

illusion of the mist and then lift up bird


340

00:18:33,800 --> 00:18:41,810

very lightly, very lightly, very lightly,

very, very lightly one hair in some air.


341

00:18:43,590 --> 00:18:48,540

And you can show different layers of tree

just by changing the flavor or the color


342

00:18:48,540 --> 00:18:52,830

a little bit, just by changing that color.


343

00:18:55,470 --> 00:18:56,100

There we go.


344

00:18:56,280 --> 00:19:01,290

Wherever you want to do one little layer

at a time and then take your brush.


345

00:19:02,130 --> 00:19:02,850

Tap the base.


346

00:19:04,110 --> 00:19:04,980

And blended again.


347

00:19:05,970 --> 00:19:06,480

Let's see there.


348

00:19:10,710 --> 00:19:12,180

That's going to end up being reflections.


349

00:19:12,180 --> 00:19:14,340

I think I just decided I won.


350

00:19:14,580 --> 00:19:15,240

I know, I know.


351

00:19:15,300 --> 00:19:15,570

I know.


352

00:19:15,600 --> 00:19:15,840

I know.


353

00:19:16,200 --> 00:19:17,940

I find there it is.


354

00:19:17,940 --> 00:19:20,820

I got a small number three

fan brush, go and dip it into


355

00:19:20,820 --> 00:19:21,930

a little bit of liquid white.


356

00:19:22,230 --> 00:19:26,160

Go through titanium, white, the

liquid whites in there strictly


357

00:19:26,430 --> 00:19:27,510

to make this a little thinner.


358

00:19:27,510 --> 00:19:30,720

So it'll slide over the thicker

paint without mixing scope here.


359

00:19:31,530 --> 00:19:32,520

Watch it right here.


360

00:19:32,895 --> 00:19:35,355

In my world, bibs to a little waterfall.


361

00:19:35,415 --> 00:19:40,335

Do you see it go across,

down a little waterfall?


362

00:19:42,045 --> 00:19:42,855

That's all it is done.


363

00:19:43,755 --> 00:19:43,895

There.


364

00:19:43,895 --> 00:19:45,465

There's some trees on this side of it.


365

00:19:48,195 --> 00:19:51,255

Just to give the indication

that back there it's a little


366

00:19:51,255 --> 00:19:57,105

waterfall, far away, far away.


367

00:19:59,219 --> 00:19:59,520

Okay.


368

00:19:59,580 --> 00:20:02,219

We can take our little blender brush.


369

00:20:02,250 --> 00:20:07,800

It's so soft, so soft and just tap

in indication of a little mess there.


370

00:20:09,209 --> 00:20:10,080

That's about all we need.


371

00:20:12,389 --> 00:20:17,820

Pull that straight down, create

a little bit of reflection,


372

00:20:21,240 --> 00:20:22,590

a little touch of the liquid white.


373

00:20:25,680 --> 00:20:26,399

Go across.


374

00:20:27,210 --> 00:20:28,440

Don't want a lot of water line here.


375

00:20:28,440 --> 00:20:33,660

Maybe just the indication that something's

happening back in here like that.


376

00:20:35,280 --> 00:20:35,820

All right.


377

00:20:35,850 --> 00:20:42,240

Let's clean this office spot to work

to have some fun here, take some black


378

00:20:42,570 --> 00:20:47,879

oppression, blue Seth green, throw

some Crimson and Brown in there too.


379

00:20:47,879 --> 00:20:48,540

Both Browns.


380

00:20:48,540 --> 00:20:49,020

What the heck?


381

00:20:49,020 --> 00:20:49,590

We don't care.


382

00:20:50,820 --> 00:20:51,030

Good.


383

00:20:51,060 --> 00:20:53,610

Dark color fan brush.


384

00:20:54,615 --> 00:20:58,935

I'm a loaded, full that dark

color, lot of painted and in our


385

00:20:58,935 --> 00:21:04,485

world, maybe their lives right

up through that dark, a big area.


386

00:21:04,565 --> 00:21:07,655

Green tree there.


387

00:21:07,655 --> 00:21:07,985

Yes.


388

00:21:08,615 --> 00:21:11,735

Now, if you have trouble making

them stick at a little paint center,


389

00:21:12,665 --> 00:21:13,895

little paint, thinner to your brush.


390

00:21:13,895 --> 00:21:17,195

When you go through the

paint once again, then paint.


391

00:21:17,760 --> 00:21:18,960

We'll stick to the thick paint.


392

00:21:20,670 --> 00:21:21,270

There we go.


393

00:21:22,080 --> 00:21:24,840

Maybe in here, take whiteness,

have a bunch of them.


394

00:21:26,520 --> 00:21:27,899

We got a couple of minutes left here.


395

00:21:27,899 --> 00:21:32,190

We'll just put in a whole

little forest there.


396

00:21:33,389 --> 00:21:34,680

I, some little shapes.


397

00:21:38,355 --> 00:21:44,385

Here and there, the indication of some

individual trees, those are far away.


398

00:21:46,004 --> 00:21:48,105

They're a little closer to us.


399

00:21:48,105 --> 00:21:49,965

They're a little bigger,

a little more distinct.


400

00:21:52,325 --> 00:21:52,925

There we are.


401

00:21:55,985 --> 00:21:56,645

All right.


402

00:21:57,455 --> 00:21:58,445

I like to paint trees.


403

00:21:58,445 --> 00:21:59,195

We'll do one more.


404

00:22:02,850 --> 00:22:05,899

I can't we'll take that same brush.


405

00:22:05,899 --> 00:22:08,540

Go right through the yellows,

CAD yellow, yellow ochre.


406

00:22:09,050 --> 00:22:12,110

That'll make green just

by going through it there.


407

00:22:12,110 --> 00:22:13,639

See, just load it up.


408

00:22:14,030 --> 00:22:14,810

Go back up here.


409

00:22:16,219 --> 00:22:21,050

Take a little bit of that green and

we'll highlight our little trees there.


410

00:22:21,050 --> 00:22:24,560

They are just some

highlights living out here.


411

00:22:27,660 --> 00:22:33,270

There maybe even back here, just the

indication of a few, little things


412

00:22:33,270 --> 00:22:36,850

that live in there, we'll take.


413

00:22:38,460 --> 00:22:39,180

Whole big brush.


414

00:22:39,210 --> 00:22:42,540

Maybe we'll turn this into a

little peninsula lives right out.


415

00:22:42,540 --> 00:22:47,550

Like it saw there's two, it let's

tap in a little bit of color.


416

00:22:48,930 --> 00:22:50,040

I want to pull some of that down.


417

00:22:50,040 --> 00:22:51,660

So it'll reflect right into the water


418

00:22:55,320 --> 00:22:56,130

and go across.


419

00:22:57,530 --> 00:23:00,320

That easy, same old brush.


420

00:23:00,320 --> 00:23:05,000

I go through some of the

yellows there and we'll just put


421

00:23:05,010 --> 00:23:07,200

indication a little grassy area.


422

00:23:07,200 --> 00:23:14,630

He lives right up in here about my cabin,

little Indian, yellow, once in a while,


423

00:23:14,630 --> 00:23:19,730

a little touch of the bright red, not

much bright red, just a little, just


424

00:23:19,730 --> 00:23:23,780

a little, little things back in here.


425

00:23:25,850 --> 00:23:31,130

Let's take when you's take a little

black, little bit of Brown mixed


426

00:23:31,130 --> 00:23:34,550

together and we'll put the paint

center with it to thin it down.


427

00:23:34,850 --> 00:23:36,410

I want to thin it very thin.


428

00:23:38,650 --> 00:23:39,430

Very thin.


429

00:23:40,810 --> 00:23:41,380

There we go.


430

00:23:42,820 --> 00:23:45,310

Take a Filbert, go right

through that dark color.


431

00:23:46,780 --> 00:23:48,400

And the other side,

we'll go through white.


432

00:23:49,275 --> 00:23:53,205

With a little bit of Brown in it,

a little bit of the dark Sienna.


433

00:23:53,595 --> 00:23:58,275

So we have dark on one side, light on

the other, and let's go right up in here


434

00:23:58,485 --> 00:24:04,355

soon and make some little stones that

live up in there, there wherever you


435

00:24:04,355 --> 00:24:07,835

think they should live right in here.


436

00:24:07,835 --> 00:24:10,115

Maybe there's even some out in here.


437

00:24:11,705 --> 00:24:12,275

I don't know.


438

00:24:12,695 --> 00:24:16,565

You just put them wherever you want

them, but you can make up the entire


439

00:24:16,565 --> 00:24:18,485

stone in just one stroke this way.


440

00:24:20,805 --> 00:24:24,855

There we go take a little bit

of the liquid white, put a, a


441

00:24:24,855 --> 00:24:26,145

little waterline around these,


442

00:24:29,815 --> 00:24:34,725

like, so doing a lot of water,

light, just a little, just


443

00:24:34,725 --> 00:24:35,745

to sort of bring it together.


444

00:24:37,425 --> 00:24:39,855

I'm gonna put in one little bushy

up here and I'm going to call this


445

00:24:39,855 --> 00:24:42,975

one done, but I'll take a little

green on the one inch brush.


446

00:24:44,025 --> 00:24:46,035

I know there's a little

Bush lives right here.


447

00:24:46,545 --> 00:24:47,505

Happy little Bush.


448

00:24:48,719 --> 00:24:49,560

Nah, there's too.


449

00:24:49,740 --> 00:24:53,159

You're right about bikes yet.


450

00:24:54,889 --> 00:24:57,590

I think for that, if we had a little

red, we could sign this rascal,


451

00:24:57,740 --> 00:25:00,649

call him done with Sandy right here.


452

00:25:00,709 --> 00:25:02,179

Hope you've enjoyed this little painting.


453

00:25:02,990 --> 00:25:04,010

It'll give you a challenge.


454

00:25:04,040 --> 00:25:04,879

It's a lot of fun.


455

00:25:06,050 --> 00:25:08,149

Let me know how you do with

it from all of us here.


456

00:25:08,389 --> 00:25:09,770

I'd like to wish you happy painting.


457

00:25:10,485 --> 00:25:11,655

And God bless my friend.


End .srt file.



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