Bob Ross's
The Joy of Painting
S28E06 - Glacier Lake
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I will come back.
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Certainly glad you could join us today.
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I thought today would do a pain and
has a fantastic mountain that I get
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a lot of letters saying, show me how
to do a big mountain with snow on it.
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So I'm going to show you a mountain
that takes up most of this painting.
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Let's start out in them, run
all the colors across the screen
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that you need to paint along
with us while they're doing that.
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Let me show you what I've got done today.
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Have my standard Dole, double
prime pre-stretch canvas.
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And I'm using an 18 by 24 inch, but you
use whatever size is convenient and I've
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just covered the entire canvas with a
very thin even coat of liquid white.
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So it's all wet and slick and ready to go.
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And let's just have a good time.
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Let's start today.
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We use a little fellow blue.
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I like the little blue.
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It's a very pretty warm blue, a
little bit on the two inch brush.
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And we just go right up in here and just
make it little crisscross strokes, little
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exes, something about my cat there.
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I think we'll put a little cloud
in the sky too, so I'll just
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leave new areas sorta open.
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There we go.
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We're going to put a huge amount in here.
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We don't need a lot of sky.
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Let's just take about let's do it.
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Big one right there.
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Like it, something I can, whatever,
maybe in our world, maybe underneath
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there, we might even have a little
water down at the base, just depending
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on how much time we have left.
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If we have enough time, we'll put it.
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But I want to devote
most of the time today.
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To working on that huge, huge mouth.
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Yeah.
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We'll have his breast gun.
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I'm going to add a little pressure and
blue to the corners just to darken it
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just in the corners, just in the corners.
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They're just depression.
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Blue.
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It's much, much darker than that.
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They low blue.
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It's very strong and a
little bit down here too.
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If you put a little blue in the corners,
that's darker than the rest of it.
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When the painting's done, it'll sort
of make your eye go toward the center.
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That's all very likely we'll go across
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that's about all we need.
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Yeah.
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The most fun part of this whole
technique is washing the brush.
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So let's do that.
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We scrubbed the brush and odorless
paint, thinner shake off the excess.
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And just beat the devil out
of it really is the fun part.
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That's the fun part.
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That's going to titanium white.
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Just take the old two integration, tap
it, just tap it right into some titanium.
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White let's make a cloud now go up here.
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Take the brush to decide where
your cloud lives in your world.
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It's the easiest way I know of
making a big, effective cloud.
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Just tapping a basic shape.
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Maybe it comes right on around.
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I don't know, a little more color.
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We don't care.
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Maybe it just sort of floats up.
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I can't.
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I don't really know, you decide in your
world where the big old cloud lives,
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but that's easy enough right there.
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And then very lightly, very lightly,
just barely touching the canvas.
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Just sort of blended a little bit.
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Just enough to take out the little
tap marks and that easy, that easy.
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You have a nice little cloud that
just lives up here in your sky.
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There they're used to making
a lot of work out of it.
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There's another, as a little
indication right there.
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If you're going to do more than
one layer to the back layer
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first and then work forward.
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I just want a little hint.
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Okay.
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Now then let's wash the
brush one more time.
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It will be ready to
make our bees mountain.
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Hit the bucket there.
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All right.
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Today, we're going to have
our brave retest right in the
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beginning of the painting.
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So here we go.
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Who's midnight black cut us off
a little roll of paint lives,
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right on the edge of the knife.
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There let's go up here and make our
first major decision jump right in.
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I think there's a big
rock lives right there.
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Just put it in basic, basic shape.
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That's all we're looking
for at this point.
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It's just using black.
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You put a little pressure and
blue that if you wanted to, but
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I'm just using basically black.
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Maybe.
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Why not?
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Right about there.
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We'll just have another big rock there
we are something like, so, and has
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had to say, this is your bravery test.
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Maybe.
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Yeah.
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Maybe another rock over here.
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I bet you're saying Bob you've,
you've done it this time.
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The mine has finally gone.
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You may be right to maybe right there.
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I've been told that before.
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It seems a little white Prussian
blue on good, strong blue.
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Once again, a little bit of paint
lids, right on the edge of the knife.
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Just barely touching the canvas.
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I just want to put the
indication here and there.
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I have a few little shadows
that live up in the air.
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There don't want a lot of
detail in that a little bit.
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Right over in here.
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Something about my cat.
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Just put a few little shadows.
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I want to keep this very dark.
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Very dark.
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Maybe shoot.
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Yeah.
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Why not right there.
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No pressure.
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Just let the knife touch.
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Just barely, barely touch.
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All right.
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Fun time.
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Two inch brush two inch brush.
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Let's go right through the titanium white
load, a lot of color into the bristles.
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A lot of paint, just fill it up and by
wiggling it, I want to bring it to a nice
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sharp edge by wiggling it and pulling it.
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It'll bring the paint toward
the end of the bristles and
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that'll happen automatically.
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All right now, maybe in our world.
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There is a nice, maybe this is a
big glacier that lives up here.
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There we go.
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Public right through nightcap, decide
where all these little things live.
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I began dropping them in,
just begin dropping them in.
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Don't be afraid there.
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Maybe in our world, maybe shoot.
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Yes.
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Comes right over.
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I can
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we'll come back and smooth that
out a little bit in a minute, but
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right now we're just putting in
some basic color and they have to be
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cleaned off a little spot to work.
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You'd think with a palette, this
big, I wouldn't run out of space.
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I'm going to take quite a
bit of black, mix it to get
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out and make a grayish color.
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So just titanium white,
little, midnight, black.
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Something about like, you don't have
to overmix it clean off the old knife,
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let's go right through that grayish color.
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We use the same old brush.
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I want to shadow side to this mountain.
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So I'm going to use this gray
color to do the shadow and
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our shadow lives starts right.
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There comes down.
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See there.
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I can't solve it.
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Just do it now.
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Well, just apply a little, that
great color to make our shadow side.
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And this angle right
here is very important.
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It's a good friend to real good friend.
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Take care of it.
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There.
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Maybe somewhere in here.
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We don't know yet.
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We will decide all this later.
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Right now.
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We're just blocking in a little
color about my cat back to
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my pure titanium white there.
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Look at that.
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See how that just looks like a
sheer drop, that easy, that easy.
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But I want this angle right here to
indicate that this bending toward me.
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Okay.
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Back to black, maybe.
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Yep.
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Right in here.
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Maybe there is a big rock,
big old rock right in here.
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Maybe this big, whole rock.
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I don't know.
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You decide where you pick
all things live in here.
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That's your imagination.
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Take you wherever you want to
be, where ever you want to be.
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Maybe this comes down
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there.
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Just let it go.
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I don't, I don't know exactly
where we're going with this.
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I don't know that it matters because
anything that happens here is wonderful.
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We can work with it.
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We can work with it.
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Here's a big old rocket
lives right out here.
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I can't
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maybe, maybe there's even a big
rock protruding right out of
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the side of this big thing here.
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Cause we know there's
rocks underneath there.
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We know they're underneath there.
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Maybe up, up, up above, over in here.
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There's a little something wherever.
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I'm going to grab the small knife.
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I can get into these little places here.
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I just want to sort of
blame that edge out.
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Just sort of blended out and follow
the angles that you put in here.
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Most important.
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Just wiping the knife off.
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She didn't swiping the knife off there.
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That's all there is to it,
but you can put all kinds of.
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Like old things hanging
off the side there.
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Maybe you can see some
little things up in here
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ever where ever the hair we
put at the plight, I'm still
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using the small knife here.
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I want to just sort of bring this together
a little better when you're at home doing
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this and having limited time, you can
really smooth this out, make it gorgeous.
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Make it conscious, some
little things all up in here.
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Yeah.
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Get the little blender brush.
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It's very soft.
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You can blend right over the top of this.
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Just very gently.
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Bring this together, make it
smooth as silk they're like that
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back to my Prussian and blue.
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We'll put a few little shadows on here.
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Just a few little guys right in there.
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Got to have a shadow
on this big rock there.
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Yeah.
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You decide once again, painting is such
an individual thing and each person sees
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nature through different eyes and how you
see it as the way it should be painted.
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So just by changing the angles here
a little bit, we can come back in
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here and make us look like there's a
little snow laying right up in here.
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Just sort of a little recessed
area, right in their sneaky.
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Now back to our two inch brush and
make some snow right out of here.
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I'm intentionally picking
up some of that dark color.
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So it'll make shadows in there.
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So I want that snow to look like it's
just coming up here and lay in right up
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on the top and maybe it comes right up.
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I can
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put another little rock right here
and see, that'll help push that back.
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Just play back and forth with
rocks and stones and angles and all
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these things will happen for you.
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A little practice, and you'll
be shocked at what you can do.
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Yeah, maybe.
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Yep.
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It comes right down.
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I can't right over the
side, right over the side.
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Just like a waterfall sort of, only
as the snow, just let it fall right
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down through there, there just
sort of blend all that together.
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I'll grab the little blender brush
and smooth it out to real smooth.
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There SI a little tender.
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Bryce just moves things.
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There we are now, right along this
edge here, I want to separate it.
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Someone use pure white there.
246
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I want it to separate.
247
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It's important that we have
that bright white area.
248
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So it separates those two.
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Okay.
250
00:13:37,560 --> 00:13:41,010
They're little age is
all we're worried about
251
00:13:46,020 --> 00:13:46,530
now.
252
00:13:46,670 --> 00:13:48,709
Maybe, maybe in our world.
253
00:13:50,599 --> 00:13:51,170
Here we go.
254
00:13:51,770 --> 00:13:52,040
Hmm.
255
00:13:52,280 --> 00:13:53,060
No, there's stone.
256
00:13:53,870 --> 00:13:55,699
Just put these wherever
you think they should be.
257
00:13:55,699 --> 00:13:59,540
I liked him new mountains sometime
where you can see these big rocks
258
00:13:59,569 --> 00:14:00,860
projecting out under the snow.
259
00:14:00,860 --> 00:14:02,420
Looks like a big glacier.
260
00:14:03,885 --> 00:14:04,665
Michael glacier.
261
00:14:04,665 --> 00:14:08,835
I lived in Alaska for a dozen years and
there was some of the most courageous
262
00:14:08,835 --> 00:14:10,845
glaciers there that you've ever seen.
263
00:14:11,505 --> 00:14:13,425
Absolutely fantastic.
264
00:14:14,445 --> 00:14:17,625
There's no doubt in my mind, God
was having a good day when he
265
00:14:17,625 --> 00:14:22,035
made Alaska so beautiful there.
266
00:14:24,405 --> 00:14:25,095
All right.
267
00:14:25,245 --> 00:14:26,535
A little bit of silver right in there.
268
00:14:29,580 --> 00:14:30,840
They were displaying that down.
269
00:14:32,670 --> 00:14:33,630
That's all there is to it.
270
00:14:36,360 --> 00:14:39,930
That's one wild mountain
in it and you can do it.
271
00:14:41,130 --> 00:14:42,480
You can do this one.
272
00:14:43,500 --> 00:14:44,190
Take your time.
273
00:14:44,190 --> 00:14:49,710
When you're at home, look at the
angles, steady it, put it together.
274
00:14:51,540 --> 00:14:52,350
It'll work for you.
275
00:14:54,060 --> 00:14:54,660
Okay.
276
00:14:55,515 --> 00:14:57,525
I think we've got a pretty
nice old mountain there for
277
00:14:57,705 --> 00:14:58,905
such a short period of time.
278
00:15:00,105 --> 00:15:00,945
We're going to live with it.
279
00:15:01,635 --> 00:15:02,355
Just that way.
280
00:15:03,675 --> 00:15:05,475
Create a little mystery
right here at the base.
281
00:15:07,335 --> 00:15:07,995
And off we go.
282
00:15:10,245 --> 00:15:12,495
Now we need some background
things happening in there.
283
00:15:13,665 --> 00:15:15,045
So let's make some big decisions.
284
00:15:15,045 --> 00:15:15,495
What do we want?
285
00:15:15,495 --> 00:15:16,125
We'll take.
286
00:15:17,355 --> 00:15:23,175
Some blacks impression, blue, you
can put a little lizard Crimson in
287
00:15:23,175 --> 00:15:30,765
it and maybe a little Brown looking
for sort of a bluish gray color.
288
00:15:30,795 --> 00:15:32,715
That's getting pretty nice right there.
289
00:15:34,335 --> 00:15:34,935
Right there.
290
00:15:35,595 --> 00:15:36,615
Get a little white here.
291
00:15:37,995 --> 00:15:40,905
I want a couple of different
values of it are strengths of it.
292
00:15:40,905 --> 00:15:42,615
One little darker than the other.
293
00:15:42,645 --> 00:15:43,965
So I just stay up white to some.
294
00:15:45,855 --> 00:15:46,425
There we go.
295
00:15:47,025 --> 00:15:48,315
A little more Crimson in there.
296
00:15:49,605 --> 00:15:50,475
A little more that Brown.
297
00:15:52,035 --> 00:15:52,605
All right.
298
00:15:52,755 --> 00:15:54,585
Now we got a couple of values.
299
00:15:58,395 --> 00:15:58,725
Okay.
300
00:15:59,115 --> 00:16:00,345
We'll wipe the old knife off.
301
00:16:02,625 --> 00:16:08,625
Let's grab a fan brush and we'll
go right into some of this color.
302
00:16:11,215 --> 00:16:13,785
My cat, this is sort of a blue, gray.
303
00:16:16,250 --> 00:16:17,100
A lot of color in there.
304
00:16:17,250 --> 00:16:18,090
Let's go right up in here.
305
00:16:18,750 --> 00:16:19,830
I may be in our world.
306
00:16:19,830 --> 00:16:22,920
There's lives, some nice little trees.
307
00:16:22,920 --> 00:16:25,980
We eat back here in the background,
just kind of taps downward,
308
00:16:25,980 --> 00:16:28,280
but they just tap it down.
309
00:16:30,150 --> 00:16:30,690
Like, so
310
00:16:37,440 --> 00:16:41,850
we'll just let these wander
right on wherever we don't
311
00:16:41,850 --> 00:16:42,480
know where they're going.
312
00:16:43,454 --> 00:16:49,365
Wherever they want to live, but by
making these trees fairly small,
313
00:16:49,365 --> 00:16:50,805
it makes the mountain look bigger.
314
00:16:53,085 --> 00:16:58,305
There we are all relative to the size,
315
00:17:02,444 --> 00:17:05,055
clean two inch brush, and I'm
going to tap the base of it.
316
00:17:05,055 --> 00:17:11,835
Firmly mist down at the
bottom, tap it firmly, and then
317
00:17:11,835 --> 00:17:13,845
gently, gently lift upward.
318
00:17:14,865 --> 00:17:17,595
As he picks out all the little
tap marks and makes them quite
319
00:17:17,595 --> 00:17:21,585
little trees that live far, far
back in the distance far away.
320
00:17:22,950 --> 00:17:24,000
Far far away.
321
00:17:25,800 --> 00:17:32,040
That's where everybody wants to hear
me sing as far away, real far there.
322
00:17:33,420 --> 00:17:33,840
Okay.
323
00:17:34,260 --> 00:17:35,310
I'm making the same color.
324
00:17:35,340 --> 00:17:36,120
Only a little darker.
325
00:17:36,945 --> 00:17:40,784
And in my world, I think, yeah,
maybe there's another little
326
00:17:42,195 --> 00:17:45,195
group of trees that live, maybe
there's I know, I know I got it.
327
00:17:47,534 --> 00:17:49,514
Maybe there's a steep
little thing right here.
328
00:17:50,895 --> 00:17:53,625
Something about like chat and we'll
get a little more color on the brush.
329
00:17:56,260 --> 00:17:59,640
There, maybe it comes down.
330
00:17:59,680 --> 00:18:00,690
We don't know where it goes here.
331
00:18:00,780 --> 00:18:02,040
It just sort of wanders off.
332
00:18:03,480 --> 00:18:11,010
Just wanders off there
we are right on down.
333
00:18:12,060 --> 00:18:13,230
We'll have it go up like that too.
334
00:18:17,670 --> 00:18:19,890
They're just all kinds of little things.
335
00:18:21,650 --> 00:18:24,110
When you said he was going to make a
big mountain today, we weren't kidding.
336
00:18:24,110 --> 00:18:24,470
Marie.
337
00:18:24,860 --> 00:18:26,750
This is one monster mountain.
338
00:18:26,930 --> 00:18:28,250
I'm going to tack the base of this.
339
00:18:29,210 --> 00:18:33,230
Once again, I always want to create that
illusion of the mist and then lift up bird
340
00:18:33,800 --> 00:18:41,810
very lightly, very lightly, very lightly,
very, very lightly one hair in some air.
341
00:18:43,590 --> 00:18:48,540
And you can show different layers of tree
just by changing the flavor or the color
342
00:18:48,540 --> 00:18:52,830
a little bit, just by changing that color.
343
00:18:55,470 --> 00:18:56,100
There we go.
344
00:18:56,280 --> 00:19:01,290
Wherever you want to do one little layer
at a time and then take your brush.
345
00:19:02,130 --> 00:19:02,850
Tap the base.
346
00:19:04,110 --> 00:19:04,980
And blended again.
347
00:19:05,970 --> 00:19:06,480
Let's see there.
348
00:19:10,710 --> 00:19:12,180
That's going to end up being reflections.
349
00:19:12,180 --> 00:19:14,340
I think I just decided I won.
350
00:19:14,580 --> 00:19:15,240
I know, I know.
351
00:19:15,300 --> 00:19:15,570
I know.
352
00:19:15,600 --> 00:19:15,840
I know.
353
00:19:16,200 --> 00:19:17,940
I find there it is.
354
00:19:17,940 --> 00:19:20,820
I got a small number three
fan brush, go and dip it into
355
00:19:20,820 --> 00:19:21,930
a little bit of liquid white.
356
00:19:22,230 --> 00:19:26,160
Go through titanium, white, the
liquid whites in there strictly
357
00:19:26,430 --> 00:19:27,510
to make this a little thinner.
358
00:19:27,510 --> 00:19:30,720
So it'll slide over the thicker
paint without mixing scope here.
359
00:19:31,530 --> 00:19:32,520
Watch it right here.
360
00:19:32,895 --> 00:19:35,355
In my world, bibs to a little waterfall.
361
00:19:35,415 --> 00:19:40,335
Do you see it go across,
down a little waterfall?
362
00:19:42,045 --> 00:19:42,855
That's all it is done.
363
00:19:43,755 --> 00:19:43,895
There.
364
00:19:43,895 --> 00:19:45,465
There's some trees on this side of it.
365
00:19:48,195 --> 00:19:51,255
Just to give the indication
that back there it's a little
366
00:19:51,255 --> 00:19:57,105
waterfall, far away, far away.
367
00:19:59,219 --> 00:19:59,520
Okay.
368
00:19:59,580 --> 00:20:02,219
We can take our little blender brush.
369
00:20:02,250 --> 00:20:07,800
It's so soft, so soft and just tap
in indication of a little mess there.
370
00:20:09,209 --> 00:20:10,080
That's about all we need.
371
00:20:12,389 --> 00:20:17,820
Pull that straight down, create
a little bit of reflection,
372
00:20:21,240 --> 00:20:22,590
a little touch of the liquid white.
373
00:20:25,680 --> 00:20:26,399
Go across.
374
00:20:27,210 --> 00:20:28,440
Don't want a lot of water line here.
375
00:20:28,440 --> 00:20:33,660
Maybe just the indication that something's
happening back in here like that.
376
00:20:35,280 --> 00:20:35,820
All right.
377
00:20:35,850 --> 00:20:42,240
Let's clean this office spot to work
to have some fun here, take some black
378
00:20:42,570 --> 00:20:47,879
oppression, blue Seth green, throw
some Crimson and Brown in there too.
379
00:20:47,879 --> 00:20:48,540
Both Browns.
380
00:20:48,540 --> 00:20:49,020
What the heck?
381
00:20:49,020 --> 00:20:49,590
We don't care.
382
00:20:50,820 --> 00:20:51,030
Good.
383
00:20:51,060 --> 00:20:53,610
Dark color fan brush.
384
00:20:54,615 --> 00:20:58,935
I'm a loaded, full that dark
color, lot of painted and in our
385
00:20:58,935 --> 00:21:04,485
world, maybe their lives right
up through that dark, a big area.
386
00:21:04,565 --> 00:21:07,655
Green tree there.
387
00:21:07,655 --> 00:21:07,985
Yes.
388
00:21:08,615 --> 00:21:11,735
Now, if you have trouble making
them stick at a little paint center,
389
00:21:12,665 --> 00:21:13,895
little paint, thinner to your brush.
390
00:21:13,895 --> 00:21:17,195
When you go through the
paint once again, then paint.
391
00:21:17,760 --> 00:21:18,960
We'll stick to the thick paint.
392
00:21:20,670 --> 00:21:21,270
There we go.
393
00:21:22,080 --> 00:21:24,840
Maybe in here, take whiteness,
have a bunch of them.
394
00:21:26,520 --> 00:21:27,899
We got a couple of minutes left here.
395
00:21:27,899 --> 00:21:32,190
We'll just put in a whole
little forest there.
396
00:21:33,389 --> 00:21:34,680
I, some little shapes.
397
00:21:38,355 --> 00:21:44,385
Here and there, the indication of some
individual trees, those are far away.
398
00:21:46,004 --> 00:21:48,105
They're a little closer to us.
399
00:21:48,105 --> 00:21:49,965
They're a little bigger,
a little more distinct.
400
00:21:52,325 --> 00:21:52,925
There we are.
401
00:21:55,985 --> 00:21:56,645
All right.
402
00:21:57,455 --> 00:21:58,445
I like to paint trees.
403
00:21:58,445 --> 00:21:59,195
We'll do one more.
404
00:22:02,850 --> 00:22:05,899
I can't we'll take that same brush.
405
00:22:05,899 --> 00:22:08,540
Go right through the yellows,
CAD yellow, yellow ochre.
406
00:22:09,050 --> 00:22:12,110
That'll make green just
by going through it there.
407
00:22:12,110 --> 00:22:13,639
See, just load it up.
408
00:22:14,030 --> 00:22:14,810
Go back up here.
409
00:22:16,219 --> 00:22:21,050
Take a little bit of that green and
we'll highlight our little trees there.
410
00:22:21,050 --> 00:22:24,560
They are just some
highlights living out here.
411
00:22:27,660 --> 00:22:33,270
There maybe even back here, just the
indication of a few, little things
412
00:22:33,270 --> 00:22:36,850
that live in there, we'll take.
413
00:22:38,460 --> 00:22:39,180
Whole big brush.
414
00:22:39,210 --> 00:22:42,540
Maybe we'll turn this into a
little peninsula lives right out.
415
00:22:42,540 --> 00:22:47,550
Like it saw there's two, it let's
tap in a little bit of color.
416
00:22:48,930 --> 00:22:50,040
I want to pull some of that down.
417
00:22:50,040 --> 00:22:51,660
So it'll reflect right into the water
418
00:22:55,320 --> 00:22:56,130
and go across.
419
00:22:57,530 --> 00:23:00,320
That easy, same old brush.
420
00:23:00,320 --> 00:23:05,000
I go through some of the
yellows there and we'll just put
421
00:23:05,010 --> 00:23:07,200
indication a little grassy area.
422
00:23:07,200 --> 00:23:14,630
He lives right up in here about my cabin,
little Indian, yellow, once in a while,
423
00:23:14,630 --> 00:23:19,730
a little touch of the bright red, not
much bright red, just a little, just
424
00:23:19,730 --> 00:23:23,780
a little, little things back in here.
425
00:23:25,850 --> 00:23:31,130
Let's take when you's take a little
black, little bit of Brown mixed
426
00:23:31,130 --> 00:23:34,550
together and we'll put the paint
center with it to thin it down.
427
00:23:34,850 --> 00:23:36,410
I want to thin it very thin.
428
00:23:38,650 --> 00:23:39,430
Very thin.
429
00:23:40,810 --> 00:23:41,380
There we go.
430
00:23:42,820 --> 00:23:45,310
Take a Filbert, go right
through that dark color.
431
00:23:46,780 --> 00:23:48,400
And the other side,
we'll go through white.
432
00:23:49,275 --> 00:23:53,205
With a little bit of Brown in it,
a little bit of the dark Sienna.
433
00:23:53,595 --> 00:23:58,275
So we have dark on one side, light on
the other, and let's go right up in here
434
00:23:58,485 --> 00:24:04,355
soon and make some little stones that
live up in there, there wherever you
435
00:24:04,355 --> 00:24:07,835
think they should live right in here.
436
00:24:07,835 --> 00:24:10,115
Maybe there's even some out in here.
437
00:24:11,705 --> 00:24:12,275
I don't know.
438
00:24:12,695 --> 00:24:16,565
You just put them wherever you want
them, but you can make up the entire
439
00:24:16,565 --> 00:24:18,485
stone in just one stroke this way.
440
00:24:20,805 --> 00:24:24,855
There we go take a little bit
of the liquid white, put a, a
441
00:24:24,855 --> 00:24:26,145
little waterline around these,
442
00:24:29,815 --> 00:24:34,725
like, so doing a lot of water,
light, just a little, just
443
00:24:34,725 --> 00:24:35,745
to sort of bring it together.
444
00:24:37,425 --> 00:24:39,855
I'm gonna put in one little bushy
up here and I'm going to call this
445
00:24:39,855 --> 00:24:42,975
one done, but I'll take a little
green on the one inch brush.
446
00:24:44,025 --> 00:24:46,035
I know there's a little
Bush lives right here.
447
00:24:46,545 --> 00:24:47,505
Happy little Bush.
448
00:24:48,719 --> 00:24:49,560
Nah, there's too.
449
00:24:49,740 --> 00:24:53,159
You're right about bikes yet.
450
00:24:54,889 --> 00:24:57,590
I think for that, if we had a little
red, we could sign this rascal,
451
00:24:57,740 --> 00:25:00,649
call him done with Sandy right here.
452
00:25:00,709 --> 00:25:02,179
Hope you've enjoyed this little painting.
453
00:25:02,990 --> 00:25:04,010
It'll give you a challenge.
454
00:25:04,040 --> 00:25:04,879
It's a lot of fun.
455
00:25:06,050 --> 00:25:08,149
Let me know how you do with
it from all of us here.
456
00:25:08,389 --> 00:25:09,770
I'd like to wish you happy painting.
457
00:25:10,485 --> 00:25:11,655
And God bless my friend.
End .srt file.
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