Bob Ross's
The Joy of Painting
S31E10 - Balmy Beach
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Hi, welcome back.
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Glad to see you today thought
today would do a little seascape.
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So I tell you what, let's start out,
have run all the colors across the
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screen that you need to paint along
with us while they're doing that.
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Let me show you this crazy
thing I've got appear today.
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Today.
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I have my standard old canvas,
but I've taken a piece of contact
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paper and I've cut a design out.
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In fact, the design, if
everything works just right, will
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sort of look like a seashell.
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On the top of painted the little
more than half of painted it with
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gray Jesso on the bottom black GSL,
and then we've taken and covered the
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entire thing with a very thin coat of
liquid clear, just enough to cover it.
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You don't need much on the bottom
down here, I've taken a little bit
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of fellow blue and fellow green,
and it just, just put a little color
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red on there and right at the very
bottom, a little bit of Vandyke Brown.
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That's all.
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Then I got a piece of little masking tape
right here to keep the horizon straight.
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Believe it or not as a lot
simpler than it sounds.
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Let's start with little
Indian, yellow today.
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And let's just go right in here and
drop in a little bit of color using
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the old two inch brush, just like,
so I like using this gray and black,
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just so it makes them gorgeous facts.
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Just absolutely gorgeous.
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Take a little bit of white a little bit.
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Yeah.
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Yellow ochre and mix them together
and come right above that little touch
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of the titanium white in it though.
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That'll make it shine sparkle.
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All right.
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Okay.
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Now then I want it to be very
bright right there at the horizon.
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Once again, this little piece
of masking tape here is just
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to keep the horizon street and
kink without cleaning the brush.
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I'm going to go right into a small amount,
very small amount of the red, bright red.
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Bright red, maybe a little touch of the
titanium, white in it again, since we
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have no color on the top, you sometimes
need to put a little bit of white.
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There we go.
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Isn't that pretty already.
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I like these colors and you can do this
to any degree of brightness that you want.
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All right.
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Now, maybe a little lizard and Crimson.
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I'm gonna add a little weight to that,
to this one, Crimson titanium white.
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And let's just put a
little of that in there.
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I want it to get progressively darker
as we move away from the horizon.
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Okay.
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As I say, these colors are
pretty just like that, Janice,
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and right up here at the very tippy top.
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Let's have a tell you what let's use.
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Thalo blue.
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I like the little blue.
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It's very pretty.
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And we'll just put a little
touch of that in there.
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There.
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Little bit of titanium white with it also.
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Okay.
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Maybe a little more white.
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If you want to stand out a little
brighter, add a little more of the white.
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Okay.
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See you there.
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That's all there is to it now, then.
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Let me wash the old brush.
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I'm just looking for an
excuse to wash the brush.
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Shake off the paint thinner,
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just beat the devil at it.
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You're going to do that.
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Be careful.
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You can change the decor of a room
and beat there something about
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like, so yeah, now, then that
gives us a pretty nice little sky.
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It's very, very colorful, very effective.
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It's not bad at all.
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Just beat the excess paint out there.
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Let's take, let's take a little Tayloe
blue alizarin, Crimson proportionately,
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much more Crimson than blue.
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I want this to be sorted to
the ready side of lavender.
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There we are.
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Dan, let me clean deal.
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Brush, knife, whatever we get.
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That's fine.
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What to use?
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Number three, fan brush.
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It doesn't matter.
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That's what I picked up.
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So that's what we'll use
load a little color on it.
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Don't need a whole bunch,
just a little color on it.
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Okay.
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Let's go up in here,
maybe in our world here.
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There are some happy little
clouds that just float around
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and have a good time all day.
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They just sort of float around, just
decide where they live in your world
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and drop them in, drop them in wherever,
wherever, wherever it doesn't matter.
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Doesn't matter.
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They're just sort of stir them
up on there own we'll come back
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with a little blender brush and
softly, blend them together there.
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We'll just use this little, we'll just
blend it with this little two inch brush.
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See very gently, very,
very gently that easy.
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Just using just the top corner of the
brush, making little tiny circles.
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Tiny little circles.
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There you go.
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It's like that.
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Okay.
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Now
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over here, we're just blended,
blended and blended and blended.
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And then maybe in our room maybe.
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Yeah.
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Why not?
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Maybe there's several little clouds.
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We can have as many clouds as we want.
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Okay.
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In your world, you decide
how many you want Trop.
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A man.
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Now use this lavender color because
if you use blue and went into this
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yellow, guess what you'd have, and
you know, don't, you you'd have bright
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green, and we don't want that today.
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Up here in the sky.
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Sometimes, maybe a little green
in the sky is okay, but not today.
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No, not today.
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There.
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Shoot.
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Well, I got that going.
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Maybe over here, this just
a little stringy cloud.
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They just put in a basic shape.
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That's all you need.
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That's all it does.
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Clouds are very easy there beating at
breasts just to take off excess paint.
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I used it before to blend, so it collected
a little paint, but when you're doing
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clouds, like yes, do them in layers.
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Do the one that you think's
the father's to way first.
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And then put the next layer
a little closer to you.
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Put it on top.
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That way.
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It has the feeling of depth and distance.
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All right.
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This is just a very, very simple way of
making some little clouds in the seascape.
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Very easy, even if you've never
painted a seascape before.
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This one, I believe you
can do without any problem.
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All right.
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This little cloud here,
just blend over it.
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So it'll just softly go
right into the painting.
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Okay.
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That easy.
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Take a brush here.
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We can take a little white paint.
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Okay.
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And you can blend this out
and make it look like there's
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light shining through it.
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There's a million things you
can do when you, when you start
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this practice and have fun.
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Don't just try to do exactly
what we do here on TV.
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Do your own thing, do your own thing.
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That's what the young people say.
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And it's true in painting.
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Just get in there, do it there.
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I like to work with young people because
they don't know any of the fears that
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we know when we get a little older
too, they just get in there and do it.
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I'm gonna take his little
piece of tape off now.
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Just slip it right off.
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There we are.
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That's see our horizon line is perfectly
straight or straight as a tape was,
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and it just makes life a little easier.
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Oh, Kim, take a little Hawaiian and
a little bit of that same old cloud
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color I was using maybe far back in
the distance scenario world here.
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Maybe there's a little Headland
that lives out in here.
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Comes we out wherever
you want it to go there.
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See, it's all there is to it too far away.
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We don't want a lot of details too
far away, much, much too far away.
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Give it a little pool just
to blend the color together
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because canvas is wet paint.
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We'll move on it that easy already.
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It looks like a little piece of
land is far, far in the distance.
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Okay.
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Let's watch the old brush.
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Fan brush had near as
much fun to wash washes.
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Is it two inch brushes now,
then we had to start making
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some, some big decisions for me.
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The easiest way to paint a seascape
is to first determine where your
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major waves going to be or the big
old crash or wave and our world.
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I think it's going to be maybe right
there, crash over to come back this way.
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Helps to make little, little
sounds like you're at the ocean.
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Now, if this doesn't make any
sense, think about it right here.
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It's going to crash over.
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Okay.
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Does that make sense now?
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So, and maybe back in here,
little thing like that, that's
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really about all we need.
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That's really about all we name.
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Oh, okay.
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Let me wipe the brush off.
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I'm just wiping all the
excess paint off now.
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Then we want to start creating.
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The shape of these waves and what's
important here is the dark area.
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Save the dark area.
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That's what we're looking for.
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See there.
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Can you see what's happening?
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I know at first it didn't make sense when
somebody says save the dark area, but the
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dark is what will form the basic shape.
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The light, no big deal.
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Same, same thing back here already.
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You're beginning to see the
little trough between the waves.
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See that dark area right there, most
important, most, most important.
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And then we can start.
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Okay.
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And just little indications
of things that are far away.
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We have it fatal blue
and fellow green color.
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That's underneath on the dark black
canvas and these things just work.
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Look at that color.
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If people don't see you put this color
on, do a demonstration for your family
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or friends and don't let them see you
put the color on it'll drive them crazy.
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They'll think magic's happening there.
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When they see all these colors
that just Excel upload because
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the canvas was still looked black.
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All right, now then.
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Let's start deciding and pick
a little yellow, CAD yellow,
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a little white right in here.
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Ran in here will be the eye.
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So we put that yellow in there.
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Then just use a fan brush.
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It didn't matter.
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Filbert brush works
very nice for this too.
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Okay.
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Better wash that brush.
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It's a little dirty cause we want
this brush to be very clean so
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we can blend the eye that way.
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The pretty part.
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Kay.
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Now we take just the corner of the brush,
just the corner and just very gently,
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very gently using just the corner.
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Just begin to turn it a little bit
just to wiggle it and it'll blend that
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out as smooth as silk, just like that.
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Yeah, I changed corners.
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So we still have the clean corner up here.
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I want to go back and
blend it a little more.
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Don't take a dirty corner back in.
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All right.
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See you there.
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Neat.
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Already.
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You can see the light zinging
right through there, and it's very
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simple, very simple seascapes.
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Seascapes can give you a
hard time when you first.
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Yeah, I try to make them
as simple as possible.
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Titanium white on the fan brush.
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Titanium white.
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This is the fun part.
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That's where the old wave
just crashes over and has fun.
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Now take some of that lavender color.
248
00:13:03,090 --> 00:13:05,790
I still get the same brush, a
little white on it doesn't matter.
249
00:13:07,110 --> 00:13:11,160
And some of that lavender color that
we, that we made for the sky and the
250
00:13:11,490 --> 00:13:12,720
little Headland in the background.
251
00:13:14,205 --> 00:13:16,185
And let's begin putting
in the shadow here.
252
00:13:17,355 --> 00:13:19,545
This is just the shadow for the crasher.
253
00:13:22,085 --> 00:13:22,745
There it comes.
254
00:13:23,074 --> 00:13:24,965
Maybe it splashes cleanup like it.
255
00:13:24,995 --> 00:13:25,535
I don't know.
256
00:13:26,525 --> 00:13:27,875
We'll put some stones in there.
257
00:13:27,935 --> 00:13:28,415
What the heck?
258
00:13:29,855 --> 00:13:31,175
So it has something to crash on.
259
00:13:31,295 --> 00:13:33,725
I like to put little stones and seascapes.
260
00:13:36,215 --> 00:13:39,485
They're just let that
crash right on the back.
261
00:13:41,635 --> 00:13:43,815
See, just let your imagination go.
262
00:13:44,805 --> 00:13:46,335
Sorta try to think like a wave.
263
00:13:46,665 --> 00:13:49,375
Think it you're down at the ocean
today and you're having a good time.
264
00:13:49,375 --> 00:13:51,405
And, and this is what
it looks like to you.
265
00:13:52,785 --> 00:13:55,425
Let's watch the old fan brush here.
266
00:13:55,695 --> 00:13:58,635
I'm still using the number
three fan brush, but you
267
00:13:58,635 --> 00:13:59,865
can do it with a number six.
268
00:14:00,285 --> 00:14:04,305
You might find, you might find the
number three is just a little easier,
269
00:14:05,805 --> 00:14:08,025
a little easier to take titanium white.
270
00:14:10,305 --> 00:14:15,735
Still using that number three
fan brush, add a little light
271
00:14:15,765 --> 00:14:19,665
touch of yellow into it, catio,
but light, light touch not much.
272
00:14:20,385 --> 00:14:24,795
Now then let's go up in here and
now we can come in here and begin
273
00:14:24,944 --> 00:14:26,715
putting some highlights on this phone.
274
00:14:27,885 --> 00:14:28,875
Just highlight it.
275
00:14:30,435 --> 00:14:31,005
There we go.
276
00:14:31,275 --> 00:14:33,194
Don't want to kill all that
nice shadow color that we
277
00:14:33,194 --> 00:14:34,305
worked so hard to put in there.
278
00:14:36,074 --> 00:14:38,355
Just think about the whole
wave crashing over there.
279
00:14:40,680 --> 00:14:41,310
Eric Combs.
280
00:14:43,349 --> 00:14:43,829
See there.
281
00:14:43,890 --> 00:14:48,300
That is I didn't S just churn
and carry on these things.
282
00:14:48,300 --> 00:14:49,050
Get violent.
283
00:14:51,449 --> 00:14:53,910
If you're a surfer, you sure
know what I'm talking about?
284
00:14:54,540 --> 00:14:55,859
Boy, they get violent sometimes.
285
00:14:57,140 --> 00:14:59,300
Good clean, dry two inch brush.
286
00:14:59,750 --> 00:15:05,030
Barely, barely touching, just
barely touching other corner.
287
00:15:06,689 --> 00:15:07,969
Blended blended blended.
288
00:15:09,300 --> 00:15:13,859
You could do this with their little soft
blending brush to work just as well.
289
00:15:15,390 --> 00:15:18,329
Probably better now that I think
about it, but isn't it neat to
290
00:15:18,329 --> 00:15:21,359
see the wave coming over there,
crashing and banging and carrying on.
291
00:15:22,790 --> 00:15:30,410
All right, maybe let's take some
midnight black bin night, black van Dyke.
292
00:15:30,469 --> 00:15:30,680
Okay.
293
00:15:31,670 --> 00:15:32,599
We just mixed them together here.
294
00:15:32,599 --> 00:15:34,430
I've got another fan
brush, number six now.
295
00:15:36,255 --> 00:15:38,444
And maybe in our world.
296
00:15:40,275 --> 00:15:40,485
Yep.
297
00:15:40,574 --> 00:15:46,215
There's a big old stone right in
there, right in there, big old stone.
298
00:15:47,324 --> 00:15:51,995
And maybe there's another stone
there where all this is crashing
299
00:15:51,995 --> 00:15:54,635
and churning it coming in.
300
00:15:54,635 --> 00:15:54,935
Right.
301
00:15:55,205 --> 00:16:01,745
Like I can't, I can't see now
sometimes you can take a liner brush.
302
00:16:02,640 --> 00:16:03,569
We use some bright red.
303
00:16:03,660 --> 00:16:09,180
It doesn't matter if paint thinner on
it and you can go in here and just very
304
00:16:09,180 --> 00:16:11,670
carefully begin to shape your rocks.
305
00:16:13,040 --> 00:16:16,819
You can just shape them there.
306
00:16:16,819 --> 00:16:18,500
See just enough to give
them a little high.
307
00:16:18,510 --> 00:16:22,970
I want them to stay very dark,
very, very dark, very dark.
308
00:16:23,579 --> 00:16:27,089
But that's a neat way of just putting
in all kinds of little details.
309
00:16:27,150 --> 00:16:30,300
Here comes another one, right there.
310
00:16:30,660 --> 00:16:37,050
Get a little more paint thinner there,
Sam, but that's one of the easiest
311
00:16:37,050 --> 00:16:42,360
ways I've ever seen a forming the
basic shape, a little rocks because
312
00:16:42,360 --> 00:16:46,829
you don't, you don't have to do
much and I'm a lazy, lazy painter.
313
00:16:48,480 --> 00:16:51,930
Now then you'd take a
little, little, uh, white.
314
00:16:53,630 --> 00:16:55,350
A little touch if they low blue in it
315
00:16:58,590 --> 00:16:59,730
and do the same thing.
316
00:16:59,910 --> 00:17:04,319
If you want to show like water's
running off those rocks, then
317
00:17:04,319 --> 00:17:06,810
the paint very, very thin.
318
00:17:08,940 --> 00:17:13,510
And then you can have this just
turn in and carrying on here and
319
00:17:13,510 --> 00:17:19,349
any way that you wanted the backdoor
little fan brush, I have it sort
320
00:17:19,349 --> 00:17:20,790
of climbing up in here and there.
321
00:17:22,649 --> 00:17:29,189
Covering up the edges while there's
a lot going on in there, but
322
00:17:29,189 --> 00:17:31,649
didn't that meet and you can do it.
323
00:17:33,260 --> 00:17:33,709
Okay.
324
00:17:34,129 --> 00:17:37,010
Now maybe we'd put a little
Vandyke Brown right in here.
325
00:17:37,610 --> 00:17:39,409
Let's take, let's take a little yellow.
326
00:17:39,439 --> 00:17:39,860
Oof.
327
00:17:39,889 --> 00:17:42,469
Cur little titanium white.
328
00:17:43,159 --> 00:17:46,760
We just put it on the brush there.
329
00:17:46,820 --> 00:17:48,139
Maybe a little caddy yellow on there too.
330
00:17:48,139 --> 00:17:48,620
Out of bright.
331
00:17:48,830 --> 00:17:49,730
Well, yeah, that's it.
332
00:17:50,580 --> 00:17:57,689
That's it now let's decide maybe the
water's coming right down here and there's
333
00:17:57,689 --> 00:18:00,870
some reflections in this, in the wet sand.
334
00:18:01,230 --> 00:18:03,870
So pull it straight
down and then go across.
335
00:18:04,200 --> 00:18:10,409
So it's all we gotta do and that'll
give the impression of wet water.
336
00:18:11,100 --> 00:18:14,670
Cool or wet sand wet sand
is what I meant to say.
337
00:18:14,760 --> 00:18:19,980
Pick a little titanium, white little,
they look blue, mix them together,
338
00:18:21,300 --> 00:18:25,200
wipe off the knife, and then we'll
get a little roll of paint, just like
339
00:18:25,200 --> 00:18:26,639
we normally put on the big knife.
340
00:18:27,540 --> 00:18:35,100
And with that, I'm going to start using a
lot of pressure and really bend the knife.
341
00:18:36,180 --> 00:18:36,570
Bend it.
342
00:18:38,625 --> 00:18:39,314
All right.
343
00:18:39,314 --> 00:18:47,975
This is where we decide lion is where
it's coming up on the bank there.
344
00:18:49,264 --> 00:18:51,095
And maybe it's coming down through here.
345
00:18:52,595 --> 00:18:57,905
However you want it ever take
her little fan brush once again,
346
00:18:58,774 --> 00:19:02,225
grab that and begin pulling it.
347
00:19:03,910 --> 00:19:05,610
Say there isn't that recording issues.
348
00:19:06,210 --> 00:19:09,270
It works easy work so easy.
349
00:19:10,500 --> 00:19:14,120
And you begin to have phone patterns
and stuff that are coming down through,
350
00:19:14,120 --> 00:19:20,840
but here I can't, they're all kinds
of little doers, a little Filbert
351
00:19:20,840 --> 00:19:26,270
brush works great for that to see you
can just take it and go where I know
352
00:19:26,360 --> 00:19:28,270
I call those little watery things.
353
00:19:28,370 --> 00:19:28,760
What happened?
354
00:19:32,235 --> 00:19:40,515
That's user script liner, brush that put a
little bit of the blue and white on here.
355
00:19:41,495 --> 00:19:45,905
And let's begin putting the
indication of all kinds of little
356
00:19:45,905 --> 00:19:47,165
things that are happening in here.
357
00:19:48,515 --> 00:19:49,145
There they come.
358
00:19:51,575 --> 00:19:54,665
Now, when you have a lot of time,
you can put tremendous amounts
359
00:19:54,665 --> 00:19:56,795
of detail in this tremendous.
360
00:19:58,505 --> 00:19:58,865
There.
361
00:20:01,695 --> 00:20:02,415
Paint thinner.
362
00:20:03,395 --> 00:20:07,054
I want to go into that dark lavender
color and I need a little dark
363
00:20:07,054 --> 00:20:12,004
line that lives right into here
to pull this up little dark line.
364
00:20:12,455 --> 00:20:14,975
So yeah, her counsel.
365
00:20:16,504 --> 00:20:17,135
All right.
366
00:20:17,645 --> 00:20:19,835
And you also need it, right.
367
00:20:19,835 --> 00:20:23,345
And here it's separates separates.
368
00:20:24,395 --> 00:20:25,804
It makes it jump out at you.
369
00:20:25,804 --> 00:20:27,784
Maybe you can see a few little
tutors in through there.
370
00:20:30,555 --> 00:20:33,675
That helps create that curve that
you want so badly in that wave.
371
00:20:35,225 --> 00:20:35,855
There we are.
372
00:20:38,855 --> 00:20:39,635
Okay.
373
00:20:43,805 --> 00:20:49,745
And you can take, Oh, a little blue
and white and make the indication that
374
00:20:50,255 --> 00:20:54,455
maybe there's some little watery things
that are happening all out through here.
375
00:20:55,050 --> 00:21:00,180
Stay there just to make it
look like water that easy.
376
00:21:02,190 --> 00:21:02,910
Okay.
377
00:21:02,910 --> 00:21:09,450
A little bit of titanium, white
paint, thinner, touch a blue into that
378
00:21:09,750 --> 00:21:11,490
right here, but it's mainly white.
379
00:21:12,270 --> 00:21:17,430
And then you can begin putting in
some details back in here just to all
380
00:21:17,430 --> 00:21:23,790
kinds of little things, just to give
it to a wave action type of feel.
381
00:21:27,470 --> 00:21:29,870
and you can put all kinds of
little doers in between here.
382
00:21:31,040 --> 00:21:37,220
Once again, when you have, when you have
time to put all these things in, just take
383
00:21:37,220 --> 00:21:39,740
your time and do it, something like, so.
384
00:21:41,205 --> 00:21:43,875
You know, I've gotten so many letters
from people all over the country.
385
00:21:43,875 --> 00:21:46,815
And one of the earlier shows
that I showed a cartoon version
386
00:21:46,815 --> 00:21:48,075
of my little squirrel Peapod.
387
00:21:48,075 --> 00:21:49,785
Well, people have asked to see that again.
388
00:21:50,085 --> 00:21:52,845
So I'm gonna put him up for just a
second, let you check out old people.
389
00:21:53,205 --> 00:21:53,925
Isn't that cute?
390
00:21:55,155 --> 00:21:56,865
You know, and I got
another surprise for you.
391
00:21:56,865 --> 00:22:01,185
My cartoonist, he got a little crazy
guess what he made a cartoon of now.
392
00:22:03,615 --> 00:22:04,395
Oh, Bubba loop.
393
00:22:05,700 --> 00:22:09,090
So, I guess you'll be seeing
Bob in cartoon form pretty
394
00:22:09,090 --> 00:22:10,530
soon, but didn't that cute?
395
00:22:10,980 --> 00:22:12,780
And I think so I'm a
little painter men suit.
396
00:22:13,170 --> 00:22:15,570
It's just like the little
opening that Jerry makes for us.
397
00:22:17,430 --> 00:22:19,980
The cute little, little painter guy.
398
00:22:21,300 --> 00:22:21,960
All right.
399
00:22:22,860 --> 00:22:23,850
I've got a minute left here.
400
00:22:24,480 --> 00:22:26,640
I want to yeah.
401
00:22:27,090 --> 00:22:28,080
Check out your bravery.
402
00:22:28,140 --> 00:22:30,150
So, Kay.
403
00:22:30,660 --> 00:22:32,640
Maybe we'll have us a
little Palm tree in here.
404
00:22:32,640 --> 00:22:33,930
Maybe we'll have a big Palm tree.
405
00:22:35,310 --> 00:22:35,700
All right.
406
00:22:35,700 --> 00:22:36,360
Give him a friend.
407
00:22:37,260 --> 00:22:37,830
There we go.
408
00:22:39,060 --> 00:22:40,440
Just a little Palm tree.
409
00:22:40,470 --> 00:22:41,760
I'm going to grab another fan brush.
410
00:22:41,790 --> 00:22:42,810
I have several going.
411
00:22:43,980 --> 00:22:45,180
We'll take, let's use a little.
412
00:22:45,870 --> 00:22:46,080
Hmm.
413
00:22:46,470 --> 00:22:46,950
It doesn't matter.
414
00:22:47,010 --> 00:22:51,570
Use a little light color here.
415
00:22:52,890 --> 00:22:55,350
Just tap along the edges
and give it a little pull.
416
00:22:56,760 --> 00:22:58,950
Make it look like Oh, Palm
tree lives right there.
417
00:23:00,270 --> 00:23:01,140
A little bit on this one.
418
00:23:04,169 --> 00:23:08,639
There just to give it, just to give
it to impression there a little tree
419
00:23:10,820 --> 00:23:16,159
now then want to take the brush that
has the black pain in it has, this is
420
00:23:17,060 --> 00:23:22,340
midnight black and I've put paint thinner
with it to thin it just to thin it.
421
00:23:22,639 --> 00:23:24,139
Nah, here we go.
422
00:23:25,909 --> 00:23:31,040
Here we are just take, and let's just pull
in a few little leaves on this old rascal.
423
00:23:32,280 --> 00:23:33,090
I'm from Florida.
424
00:23:33,090 --> 00:23:35,189
So we have a lot of
Palm trees around there.
425
00:23:35,210 --> 00:23:37,699
Yeah, there we are.
426
00:23:40,580 --> 00:23:41,120
Okay.
427
00:23:41,570 --> 00:23:43,460
Someone asked him what
part of Florida I live in.
428
00:23:43,460 --> 00:23:47,929
I live right in Orlando, right
close to Mickey mouse's house.
429
00:23:49,460 --> 00:23:55,730
There are, but very soon when we start our
show in Missouri, I'll be moving there.
430
00:23:56,540 --> 00:23:58,070
So I hope to see you in either place.
431
00:23:59,700 --> 00:24:03,360
All right there.
432
00:24:03,480 --> 00:24:08,960
See, that's very, very nice,
easy way to make a Palm tree.
433
00:24:08,960 --> 00:24:09,860
That that's pretty good.
434
00:24:11,210 --> 00:24:11,930
Pretty good.
435
00:24:13,490 --> 00:24:14,090
All right.
436
00:24:15,530 --> 00:24:19,879
Feel a little limbs on him and you
decide how many limbs are on your Palm
437
00:24:19,879 --> 00:24:24,590
tree and if where they're situated,
how they're blowing and the wind
438
00:24:24,620 --> 00:24:27,260
usually blowing around the ocean here.
439
00:24:29,399 --> 00:24:30,090
There we are.
440
00:24:31,460 --> 00:24:33,949
You can come back with your liner
brush and put a lot of greens and
441
00:24:33,949 --> 00:24:34,909
stuff in there if you want to.
442
00:24:36,379 --> 00:24:36,800
Okay.
443
00:24:36,830 --> 00:24:39,919
I'll tell you what, let's pull the contact
paper off and see what we got here.
444
00:24:41,510 --> 00:24:45,320
And as I've mentioned earlier, I've
tried to cut this into something that
445
00:24:45,320 --> 00:24:49,760
looks sort of like a seashell and this
little different, I have done some that
446
00:24:50,240 --> 00:24:52,699
I've taken like the pattern of a fish.
447
00:24:53,415 --> 00:24:54,525
Fish swims in the ocean.
448
00:24:54,525 --> 00:24:56,805
So I don't see anything wrong with
having the ocean and the fish.
449
00:24:57,375 --> 00:25:00,015
Any pattern that you want works very well.
450
00:25:00,135 --> 00:25:00,615
Try it.
451
00:25:01,455 --> 00:25:04,725
If you have time to take a photo, send
it to me, let me see what you're doing.
452
00:25:05,955 --> 00:25:07,785
We're going to call that
little painting finished.
453
00:25:09,285 --> 00:25:11,985
And from all of us here, I'd
like to wish you happy painting.
454
00:25:12,855 --> 00:25:14,025
And God bless my friend.
End .srt file.
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