Bob Ross's

The Joy of Painting

S30E01 - Babbling Brook

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Hello, I'm Bob Ross.

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And I'd like to welcome you to

the 30th joy of painting series.

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If this is your first time with us,

please allow me to extend a personal

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invitation for you to join us.

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Each show here as we take

some big unorthodox brushes

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and about a dozen colors.

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And I'll show you step by step.

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How to, how to paint some beautiful

little paintings, very easy.

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And if you've been with us before, please

allow me to thank you for inviting us

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back for another series of painting

shows, tell you what, let's start out

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the day and have him run all the colors

across the screen that you need to paint

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along with us while they're doing that.

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Let me show you what

I've gotten done up here.

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I have an old 18 by 24 inch pre-stretch

double prime canvas, but you use any sizes

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convenient and I've taken today a little

bit of contact paper, just cut an oval out

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of it and stuck it right on the canvas.

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Then we've taken a little bit of gray

and black Jesso and just painted a

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little design, using an old liner brush.

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And all of this is done

with a natural sponge.

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I just took a sponge and just sort of.

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Gobs like that.

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Very easy.

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Just take a sponge.

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I use a natural sponge because

it has, it has a lot of

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little different things in it.

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Manmade sponges are too

symmetrical, so just gob it on

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like that and then let it dry.

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Then we've covered the entire canvas.

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With a very thin coat of liquid

clear, and the clear is on there

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just to make it slick because this

is a wet on wet painting technique.

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So I tell you what, let's

just take off and do it.

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I'm going to start today with

a little bit of yellow ochre.

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Now these are oil paints,

so they're fantastic.

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Little yellow ochre home.

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The two inch brush.

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Like, so just, just put a little on there.

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Let's go up right up here and we

can go up in here and I'm just gonna

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take the yellow ochre and we just

paint the sky right over the top of

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the Jess of don't worry about it.

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Just paint right over it.

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The ochre is transparent enough, but we'll

still see all of our little designs and

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a little tree indications back there.

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And that's really all we're doing.

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It's just covering the head easy there.

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The easiest thing in the world, as

I say, this is a painting technique

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that even if you've never painted,

you can do absolutely can do.

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We try to make it as simple and as easy.

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As it can be.

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We've designed tools and different

colors here that makes this

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painting technique work for anyone.

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All right.

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And basically we just covered

the entire canvas with a

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little bit of the yellow ochre.

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It's mixing with the liquid, clear this

on there, and it just slides on very easy.

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All right.

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Let's make us a color.

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I think today I'm going

to make a Brown out of a.

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Well, you sat green and delivering

lizard Crimson the two together

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to make a gorgeous Brown.

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Very pretty.

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And I'm going to mix it a

little bit to the reddish side.

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You can go to the green

side or the red side.

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It's up to you.

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It's up to you.

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I'm going a little to the

ready side today, though.

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Okay.

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Let me just wipe the old knife on the

paper towel and we'll be in business.

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I just use the same old dirty brush.

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It seems to be working.

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Okay.

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And we'll go right into a little bit

of that Brown that we've made once

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again, SAP green and a lizard Crimson.

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Okay.

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Now, and we'll start on the outside and

begin using little crisscross strokes,

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little exes begin, blending that color

and word who isn't that gorgeous already.

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Those colors just go together.

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So well.

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So a little more paint on the brush.

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I didn't know if we'll go Matthew

painted with me before you know

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that we don't make mistakes here.

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All we do is have happy accidents.

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And all that means is that we learned

very quickly to work with anything.

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It happens in this style of painting.

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There's no right.

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There's no wrong.

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We only want to make paintings

that are very happy, very simple.

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And that once again, that you

can do shoot paintings, no fun.

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If you can't do it.

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All right.

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Maybe a little touch more over

in here, and we're not trying

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to teach you to copy here.

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We want to teach you how to create

certain effects, certain illusions,

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and turn you loose on the world

because each and every one of us will

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see nature through different eyes.

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And what you see is what you should paint.

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All right.

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Let's wash the brush the most

fun part of the whole technique.

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Since these are oils, we wash your

brush with odorless paint thinner.

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We'll shake off the excess

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and just beat the dope.

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That really is the fun part.

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All right.

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I won't take a little bit of

titanium white, just a little bit,

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right on the corner of the brush.

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Just tap a little bit in

there, like, so, okay.

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Now we have titanium

white, just on one corner.

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I'm going to put the indication of

a light source up in, up in the sky.

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So decide where it lives.

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We'll start right there and begin working.

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Like, so just start working with outward.

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We want that to be the

brightest area in the painting.

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Now, titanium white is opaque.

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Can't see through it, but if you put it on

thin enough and it mixes with the yellow

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ochre, that's already owned there in the

clear, it'll be transparent enough that

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we can still see our little trees and.

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All the little indications that we'd

put on there with, with a black and

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great Jesso about my kid, but already

then it make a beautiful effect.

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It looks like the sun's

just burning through there.

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I like to get up early in the morning

and walk through the woods when the

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sun is just beginning to come up and

it just, it shines through the trees.

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I think it's one of the most

beautiful times of the day.

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All the little animals are

out looking for breakfast.

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And I hunt with a camera.

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I go out in the woods with my

camera, take pictures of scenes

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and all the little critters.

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All right.

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Something about like yet.

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And you blend it to any D any

degree of brightness that you want.

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Once again, it's totally and completely

up to you there, but doesn't, it,

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it looked like the sun right there.

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That's just sharing.

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And you can almost see rays

already coming right through.

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At black Jesso is fantastic.

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It just opens the doors to

so many avenues of creation.

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I like to, I like to get you excited

with these things and turn your loosen.

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It's unreal, but you can do, let's take

some black midnight black, get a little

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set, green little lizard and Crimson.

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Let me just mix them together here.

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Put some Vandyke Brown in there too.

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What the heck?

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Doesn't matter.

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Good.

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Dark color.

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All right.

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Now I want to begin creating

the illusion of foliage.

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That's growing all back here in the woods.

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Things that are closer to us.

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We'll see more detail in these.

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We'll go right into that dark color

we've made, but just, just give the

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brush a little push right there.

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That's all.

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Now then.

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I want to use these dark areas that

we've put in there with the Jesso, but

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I'm just going to take the corner of

the brush and begin, begin designing all

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kinds of little trees and happy little

things that live here in our world.

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All of our little critters have

got to have a place to hide

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place where they feel safe.

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And this is it.

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This is it.

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But you could do this with a one

inch brush or the two-inch brush.

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It doesn't matter.

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Just whatever is whatever

feels comfortable for you.

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There we are a one-inch

brush works just as well.

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Okay.

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Something about like down

here, we had the black Jessup.

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We don't even have to worry about it.

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Let's go on the other side.

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Yeah, we don't want it left out.

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Maybe just sort of look at your

painting and each painting.

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Each painting that you do

will be unique and different.

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So when you're painting,

don't just try to copy.

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Shoot.

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That's no fun.

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Do your own thing.

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We just really want to teach

you how to do it there.

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Something about like, I like to have these

old hangie down bushes, just sort of hang

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around, have a good time all their life.

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There we are.

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Yeah.

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Then I'm going to take, take,

take, take L's grip liner brush

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would take a little white, a little

bit of Brown, mix it together.

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I want to make this paint very thin.

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That's the reason I've put

the paint center with it.

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Very thin.

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Let's go up in here and here

and there and there in here.

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We'll put in indication of

a few little tree trunks.

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Now one of our golden rules, a thin

paint will stick to a thick paint.

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The first layer of paint we

put up here is very thick.

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Our oils are unique.

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They're very dry.

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They're very, very firm.

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So by having a firm paint on the

canvas, that we can take layers of

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thinner paint and paint right over the

top of it without a mixing together.

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You know how it is to become a mud mixer.

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If you've painted, you've mixed

a little mud in your life.

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I like this because it allows you to

actually paint while it's all wet.

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You can see a vision in your mind and

put it on canvas before it escapes.

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There we go.

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Just a few, little limbs and sticks.

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We're going to put leaves

on these little bushes.

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So some of them will go away.

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All right, now then tell you what.

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There's a two inch brush, not too dirty.

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We'll take a little

black go right into that.

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Yellow makes a beautiful green

something like, so let me

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grab some SAP green on there.

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Yeah.

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I like him.

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I have cadmium yellow here,

yellow ochre, Indian, yellow.

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There it is.

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And a little bright red.

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I'm going to use all of these

colors and varying amounts and

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we'll paint the foliage with those.

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All right, let's go right up in here.

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Once again, you could, you could use

a one inch brush just as easy today.

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I thought I would just

use old two inch brush.

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It doesn't matter.

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Really doesn't matter.

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It's up to you.

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Sometimes you're a little more

comfortable with a smaller

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brush, but either one will work.

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Either one will work sometimes

this old big brush or a security,

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just because of its size.

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Whoops.

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Put a little more paint on there.

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There.

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But don't be afraid of it.

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Shoot, you know, an oil painting.

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What's so great about it.

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You really can't.

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You can work on it for several days.

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It'll stay wet on the

canvas for several days.

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And if you don't like something, you

know, all you gotta do is take the

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knife, zip it right off and do it again.

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There are no mistakes are no mistakes.

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Only a few little happy accidents.

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And then.

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I'm trying to blink his color a little

bit darker back in here in my mind is

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not a good be as much light back in here.

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It's going to start getting

darker and darker back in there.

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Okay.

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Besides that all my little animal

friends, they need a little place to hide.

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That's quiet and secured.

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That looks like yet, right there.

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Maybe in this series, maybe I'll show you

a new little squirrel that I'm raising.

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If you've painted with

me before, you know, I'm.

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Sort of an animal nut.

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It's an understatement of the month.

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And then, yeah, I've got

a new little squirrel.

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I call him Pepa junior because

Peapod was a little squirrel that

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lived with me for quite a while.

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And he used to live in my pocket.

253

00:12:20,765 --> 00:12:22,895

He liked to stay in my pocket and sleep.

254

00:12:23,375 --> 00:12:24,185

And so does this one.

255

00:12:25,445 --> 00:12:26,585

So we call him pea pod.

256

00:12:26,585 --> 00:12:28,445

Yeah, there we are.

257

00:12:30,065 --> 00:12:30,665

All right.

258

00:12:32,725 --> 00:12:33,995

Little more paint on the brush.

259

00:12:35,595 --> 00:12:38,835

But just putting the indication

of all these little leaves,

260

00:12:39,385 --> 00:12:40,785

think about shape and design.

261

00:12:40,785 --> 00:12:41,865

Don't just hit it random.

262

00:12:42,435 --> 00:12:45,675

I know it, it looks like you just,

you get carried away and just sock

263

00:12:45,675 --> 00:12:51,495

it in where think about clumps little

patterns that grow in trees and bushes.

264

00:12:52,335 --> 00:12:55,275

There's a limb back here where all

this is attached to think about how

265

00:12:55,275 --> 00:12:58,775

it would, how it would flow there.

266

00:13:00,335 --> 00:13:01,025

All right.

267

00:13:01,515 --> 00:13:04,485

And maybe down in here,

there's another one.

268

00:13:04,725 --> 00:13:05,475

It's up to you.

269

00:13:06,105 --> 00:13:10,155

You decide where, how

many, what color it's.

270

00:13:10,155 --> 00:13:11,565

What's so great about painting.

271

00:13:12,045 --> 00:13:16,425

You make the decisions on

this piece of canvas that you

272

00:13:16,425 --> 00:13:18,735

literally have unlimited power.

273

00:13:20,925 --> 00:13:25,185

When I go home, I don't have any power

or anything, but the garbage, it sits

274

00:13:25,185 --> 00:13:26,505

there and waits for me to take it out.

275

00:13:27,675 --> 00:13:28,905

But here, Hmm.

276

00:13:29,580 --> 00:13:31,230

Here I can move rivers.

277

00:13:31,380 --> 00:13:32,970

I can change mountains.

278

00:13:34,140 --> 00:13:36,990

And so can you all right,

let's go on the other side over

279

00:13:36,990 --> 00:13:37,950

here and paint some of that.

280

00:13:39,270 --> 00:13:40,320

It's getting jealous.

281

00:13:42,120 --> 00:13:44,160

I'm going to add at least a little

touch of paint, thinner to my

282

00:13:44,160 --> 00:13:48,810

brush, just to thin it down there.

283

00:13:49,140 --> 00:13:54,750

Remember this golden rule, then

paint will stick to a thick paint.

284

00:13:54,750 --> 00:13:55,950

So always.

285

00:13:56,545 --> 00:14:00,705

Always try to keep thickest paint

on first, if you'll do that,

286

00:14:01,455 --> 00:14:02,475

you probably won't have any.

287

00:14:04,145 --> 00:14:04,745

There we are.

288

00:14:07,235 --> 00:14:07,865

No, it's nice.

289

00:14:07,865 --> 00:14:10,444

This is the 30th joy of painting series.

290

00:14:10,444 --> 00:14:11,375

Almost unbelievable.

291

00:14:11,375 --> 00:14:18,455

There's 13 shows in each series means

there's nearly 400 shows and here

292

00:14:18,455 --> 00:14:21,665

where we filmed the show, they gave

me a big party to celebrate the 30th.

293

00:14:22,635 --> 00:14:26,985

The 30th doing a painting series and

well, over 200 of our friends came.

294

00:14:28,425 --> 00:14:34,995

It was so very nice, so very nice

to know that so many people care and

295

00:14:34,995 --> 00:14:42,095

would take the time to wish us well,

there we are just little bushes or

296

00:14:42,245 --> 00:14:46,595

I see something, I see something I

know I get a little crazy, but Hmm.

297

00:14:47,355 --> 00:14:47,925

That's okay.

298

00:14:48,285 --> 00:14:48,824

It's our world.

299

00:14:48,824 --> 00:14:49,395

We can do that.

300

00:14:49,755 --> 00:14:53,474

I gonna take some liquid white, a

little bit of titanium white, mix

301

00:14:53,474 --> 00:14:55,755

them together just to thin the paint.

302

00:14:55,755 --> 00:14:56,865

That's only reason.

303

00:14:56,865 --> 00:15:00,795

Little fellow blue, just a little touch.

304

00:15:01,694 --> 00:15:02,385

There we are.

305

00:15:03,344 --> 00:15:06,344

So we have liquid white

titanium, white and a touch.

306

00:15:06,344 --> 00:15:10,995

If they low blue, let's

go up in here in my world.

307

00:15:11,235 --> 00:15:12,194

I see something right.

308

00:15:12,375 --> 00:15:14,115

As you paint, you begin to see things.

309

00:15:15,765 --> 00:15:16,815

Watch watch, watch, watch it.

310

00:15:17,835 --> 00:15:20,355

Maybe right here is a little watery fall.

311

00:15:21,375 --> 00:15:24,175

It just sorta zip and falls over there.

312

00:15:24,175 --> 00:15:28,755

It comes, hits down

here and splashes there.

313

00:15:31,145 --> 00:15:31,475

Cute.

314

00:15:31,925 --> 00:15:33,935

Just a little watery fall

out here in the woods.

315

00:15:34,595 --> 00:15:39,425

And maybe it just slides right

along in here and comes right over

316

00:15:39,425 --> 00:15:41,075

along wherever you want it to go.

317

00:15:42,165 --> 00:15:45,675

What's I was saying it helps

to be crazy or something there.

318

00:15:45,735 --> 00:15:47,945

Maybe there's a little, Nope, right there.

319

00:15:48,905 --> 00:15:52,535

Just let, I would imagine nation take

you to any world that you want to go to.

320

00:15:53,735 --> 00:15:54,605

Cause you can do that.

321

00:15:55,085 --> 00:15:59,015

You really, truly can

do that sort of nice.

322

00:15:59,015 --> 00:16:02,525

You can escape from, from

reality once in a while.

323

00:16:02,675 --> 00:16:06,545

Sometimes it's nice just to,

to create your own world and

324

00:16:06,575 --> 00:16:07,835

sort of slip off into it.

325

00:16:08,699 --> 00:16:11,400

And painting painting sort

of allows me to do that.

326

00:16:12,360 --> 00:16:13,800

A lot of people paint for that.

327

00:16:13,800 --> 00:16:14,430

Very reason.

328

00:16:16,469 --> 00:16:17,219

There we go.

329

00:16:18,660 --> 00:16:21,150

Now we have a little watery

fall lives right there.

330

00:16:22,260 --> 00:16:24,089

We need something to contain it right now.

331

00:16:24,120 --> 00:16:25,380

It's just sort of hanging loose.

332

00:16:26,189 --> 00:16:28,560

Let's take clean off

a little spot to work.

333

00:16:30,105 --> 00:16:31,485

Little spot to work.

334

00:16:31,875 --> 00:16:36,645

We'll take, uh, midnight black

Vandyke Brown, a little dark

335

00:16:36,645 --> 00:16:38,805

Sienna, and just mix them together.

336

00:16:40,545 --> 00:16:40,814

Okay.

337

00:16:40,875 --> 00:16:45,525

I'm going to go over here and get some

paint thinner and thin this paint down.

338

00:16:45,795 --> 00:16:49,844

Just take paint thinner and

put in it just to thin it down.

339

00:16:50,025 --> 00:16:52,814

I'm just using a knife to dip in

that whole paint thinner bucket,

340

00:16:54,795 --> 00:16:56,714

just like, so within that down.

341

00:16:58,755 --> 00:17:04,145

And here, I'm gonna take a little touch

of that with use a little liquid white,

342

00:17:05,525 --> 00:17:07,715

put a little black and Brown in it.

343

00:17:08,015 --> 00:17:09,815

I want a thin light color too.

344

00:17:11,525 --> 00:17:12,215

There we are.

345

00:17:12,215 --> 00:17:13,565

Maybe a little more black in there.

346

00:17:14,525 --> 00:17:14,825

Ooh.

347

00:17:14,825 --> 00:17:15,454

I like that.

348

00:17:16,505 --> 00:17:17,285

I like that.

349

00:17:18,125 --> 00:17:20,465

Just sort of get it to whatever

flavor you want it to be.

350

00:17:20,975 --> 00:17:21,065

Okay.

351

00:17:21,485 --> 00:17:22,085

Okay.

352

00:17:22,765 --> 00:17:23,975

Mad and wiped the knife.

353

00:17:26,129 --> 00:17:31,129

I'm going to find a Filbert brush,

number six, Filbert brush, and we'll take

354

00:17:31,129 --> 00:17:35,870

it through this thin dark color, both

sides, both sides, right through that.

355

00:17:35,870 --> 00:17:40,159

Then color, then we'll take one

side and go through the light color.

356

00:17:40,189 --> 00:17:43,250

So now we've got light on

one side, dark on the other.

357

00:17:43,370 --> 00:17:43,550

Hmm.

358

00:17:43,649 --> 00:17:44,090

Sneaky.

359

00:17:44,090 --> 00:17:44,330

Huh?

360

00:17:45,169 --> 00:17:46,460

Now we can come right up in here.

361

00:17:46,580 --> 00:17:50,659

And in one stroke we can

paint some nice little rocks.

362

00:17:52,170 --> 00:17:55,440

Nice little rocks that sort of,

they sort of hold this waterfall,

363

00:17:55,440 --> 00:17:57,240

Liam, and keep it from getting away.

364

00:17:57,690 --> 00:17:59,820

Nothing worse than a waterfall

that's got away on you.

365

00:18:00,900 --> 00:18:05,280

And maybe there's several little stones

and rocks and things that live in

366

00:18:05,280 --> 00:18:09,810

there, you decide, and you put them

wherever you think they should live.

367

00:18:10,140 --> 00:18:12,510

Just totally and completely up to you.

368

00:18:13,980 --> 00:18:17,520

Going back to my brush has got the blue

water color on it and just sort of clean

369

00:18:17,520 --> 00:18:19,170

up the little foots on these stones.

370

00:18:20,730 --> 00:18:21,480

So they fit.

371

00:18:23,610 --> 00:18:24,510

All right.

372

00:18:25,890 --> 00:18:29,480

You know, if you've painted with me

before, you know, I have an obsession

373

00:18:29,480 --> 00:18:34,430

with large trees, it gets me in

trouble sometime, but I think, I think

374

00:18:34,430 --> 00:18:35,810

I need a big tree in this painting.

375

00:18:36,890 --> 00:18:38,629

Take black Vandyke Brown.

376

00:18:38,629 --> 00:18:39,290

We just mix them.

377

00:18:39,320 --> 00:18:40,850

I got a number three fan brush.

378

00:18:42,014 --> 00:18:42,764

Let's go up in here.

379

00:18:44,495 --> 00:18:45,185

Okay.

380

00:18:45,575 --> 00:18:46,774

This is your bravery test.

381

00:18:46,985 --> 00:18:50,675

I'm going to start right here

and go around and make a big,

382

00:18:50,705 --> 00:18:52,465

old, gnarly, gnarly tree.

383

00:18:52,565 --> 00:18:53,284

It was right there.

384

00:18:54,965 --> 00:18:55,325

There.

385

00:18:55,325 --> 00:18:55,715

Yes.

386

00:18:56,014 --> 00:19:01,294

Big tree, maybe big Rudolph the

bottom and hangs over like, so

387

00:19:03,274 --> 00:19:08,435

where ever, maybe there's an arm

of that just reaches up to the sky.

388

00:19:10,050 --> 00:19:17,040

Bagel arm on this tree, just

wherever where ever shoot.

389

00:19:17,510 --> 00:19:18,830

We all have an art over here, too.

390

00:19:18,830 --> 00:19:19,550

It doesn't matter.

391

00:19:19,850 --> 00:19:24,290

Trees grow ever, which way

imaginable, certain kinds of trees

392

00:19:24,290 --> 00:19:28,250

have certain basic shapes, but

other than that, they just grow.

393

00:19:28,250 --> 00:19:30,530

However, trees are free.

394

00:19:31,520 --> 00:19:35,600

I'm going to take the script

liner, brush some paint thinner.

395

00:19:36,735 --> 00:19:42,315

Well thin the paint down to it's literally

almost like ink turn the bristles.

396

00:19:42,524 --> 00:19:44,115

It brings it to a nice sharp point.

397

00:19:44,115 --> 00:19:45,705

See, they're nice and sharp.

398

00:19:46,635 --> 00:19:50,835

And we can go up in here and we can

begin picking out little arms and lamps.

399

00:19:50,835 --> 00:19:53,415

Maybe here's an old dead limb right there.

400

00:19:54,044 --> 00:19:54,855

He just hangs around.

401

00:19:56,024 --> 00:19:57,675

We can put as many as we want.

402

00:19:57,675 --> 00:20:00,885

If you have enough paint thinner though,

it'll just slide right over the top

403

00:20:00,885 --> 00:20:04,995

of all that without any problem there.

404

00:20:05,385 --> 00:20:08,355

And you decide how many

arms are on your tree.

405

00:20:08,745 --> 00:20:09,705

It's really up to you.

406

00:20:11,205 --> 00:20:14,235

I know you get tired of hearing me

say that, but I think painting is

407

00:20:14,235 --> 00:20:20,595

such an individual thing that we

really want people to learn, to just

408

00:20:20,595 --> 00:20:24,785

paint what they feel, what they want

to see, not what somebody tells you.

409

00:20:24,785 --> 00:20:25,635

You have to paint.

410

00:20:25,845 --> 00:20:26,745

There are no rules.

411

00:20:27,555 --> 00:20:29,685

The only rule is painting

should make you happy.

412

00:20:29,685 --> 00:20:30,675

You should enjoy it.

413

00:20:31,950 --> 00:20:33,240

No bad stuff in the world.

414

00:20:33,240 --> 00:20:34,920

Shoot painting should be fun.

415

00:20:36,030 --> 00:20:36,990

I won't take my knife.

416

00:20:38,400 --> 00:20:39,390

Get a little quiet.

417

00:20:39,690 --> 00:20:41,280

Uh, we'll put a little black in it.

418

00:20:41,340 --> 00:20:45,270

I a gray color about

like, yeah, that's nice.

419

00:20:45,270 --> 00:20:48,360

Gray cut off a little roll of

paint would go right up in here.

420

00:20:49,290 --> 00:20:52,530

And maybe we'll just put the

indication of a little highlight lives

421

00:20:52,530 --> 00:20:54,120

right along the edge of this tree.

422

00:20:54,870 --> 00:20:57,420

See, just put it on my kid blended back.

423

00:20:59,445 --> 00:21:07,685

Do you know, something like that,

where ever, there you go there, I've

424

00:21:07,685 --> 00:21:09,125

been here a little bit of dark color.

425

00:21:09,125 --> 00:21:10,324

Just sort of let them work together.

426

00:21:10,324 --> 00:21:13,685

So it looks like bark,

just growing like that.

427

00:21:14,615 --> 00:21:15,544

Very easy to do.

428

00:21:15,574 --> 00:21:19,385

Now you can take your liner brush and

whatever, and you could make bark with it.

429

00:21:19,925 --> 00:21:20,195

Shoot.

430

00:21:20,195 --> 00:21:21,425

Sometime I make it with a Filbert.

431

00:21:21,695 --> 00:21:24,845

It just depends on what kind of

effect you're after what your

432

00:21:24,845 --> 00:21:26,165

mood is that particular day.

433

00:21:27,490 --> 00:21:30,240

Doesn't much matter painting.

434

00:21:30,240 --> 00:21:33,840

Once again is nothing but games of

illusions and you should create the

435

00:21:33,840 --> 00:21:35,610

kind of illusions that make you happy.

436

00:21:37,110 --> 00:21:39,510

All right, let's get crazy.

437

00:21:41,205 --> 00:21:45,195

Yeah, let's take some black

little set green, mix it together.

438

00:21:47,145 --> 00:21:49,935

This tree need some need some hair on it.

439

00:21:50,385 --> 00:21:52,725

Like I have some nice leaves.

440

00:21:54,075 --> 00:21:54,705

There we go.

441

00:21:56,295 --> 00:21:57,045

There they go.

442

00:21:57,045 --> 00:22:00,165

See them just a few little happy

leaves that live up here on this tree.

443

00:22:01,335 --> 00:22:05,355

Something about like him, there we are.

444

00:22:07,095 --> 00:22:07,635

All right.

445

00:22:08,255 --> 00:22:12,545

Let me grab my other two inch brush

that we were using to make the little

446

00:22:12,545 --> 00:22:14,675

leaves and bushes put some SAP green.

447

00:22:14,705 --> 00:22:21,035

I want this quite dark, quite a bit of

SAP green, and they're quite dark though.

448

00:22:22,475 --> 00:22:26,405

Just tap, like, so

let's go up in here and.

449

00:22:27,284 --> 00:22:30,584

Let's put the indication of a few

highlights, right upon that old trick.

450

00:22:31,925 --> 00:22:37,205

Just a few little more

color on the brush there.

451

00:22:38,435 --> 00:22:39,875

Just thanks about basic shape.

452

00:22:39,905 --> 00:22:41,044

That's all we're looking for.

453

00:22:41,824 --> 00:22:43,865

And once again, I want

this to stay quite dark.

454

00:22:43,865 --> 00:22:47,105

I don't want it to distract the

eye to the top of the canvas.

455

00:22:48,635 --> 00:22:50,165

I want you to add to go right there.

456

00:22:50,824 --> 00:22:51,665

When you look at this.

457

00:22:53,235 --> 00:22:53,865

Sarah Waco.

458

00:22:58,145 --> 00:23:00,274

Pretty good for a blue tree, but too much.

459

00:23:00,274 --> 00:23:02,885

It'll get, it'll get too distracting.

460

00:23:02,885 --> 00:23:05,705

We don't want that little, little

grassy areas right in here.

461

00:23:06,754 --> 00:23:08,225

Just sorta bring it all together.

462

00:23:10,865 --> 00:23:11,794

There we are.

463

00:23:13,925 --> 00:23:17,074

It's again, you could use the

one inch brush just as well to

464

00:23:17,074 --> 00:23:18,485

create all these little effects.

465

00:23:20,175 --> 00:23:21,014

Doesn't much matter.

466

00:23:21,075 --> 00:23:24,645

Either one works and

works equally, equally.

467

00:23:24,645 --> 00:23:25,185

Good.

468

00:23:27,135 --> 00:23:30,524

The bit of paint thinner, you can put

a little stick and twig hair in there.

469

00:23:32,865 --> 00:23:36,915

You just decide where they live

and put some that it's nice

470

00:23:36,915 --> 00:23:37,985

to have a few of these things.

471

00:23:37,995 --> 00:23:40,665

Now they showed they showed

different Plains in your painting.

472

00:23:41,534 --> 00:23:42,044

All right.

473

00:23:42,044 --> 00:23:42,945

Maybe even over here.

474

00:23:42,945 --> 00:23:43,725

A couple of little ones.

475

00:23:44,985 --> 00:23:45,075

Okay.

476

00:23:47,040 --> 00:23:47,879

Okay.

477

00:23:48,149 --> 00:23:49,739

I think we're down to the moment of truth.

478

00:23:49,739 --> 00:23:53,010

Let's take the contact paper

off and find out what we have.

479

00:23:54,600 --> 00:23:57,959

This, this is always exciting

when you remove the contact paper.

480

00:23:58,800 --> 00:24:00,780

And we look at that, isn't

that a gorgeous little thing.

481

00:24:02,040 --> 00:24:06,010

This is something though that is just,

it's a marvelous gift to give people

482

00:24:06,010 --> 00:24:10,469

and they can't figure out how you

painted around painting on your canvas.

483

00:24:11,239 --> 00:24:14,629

Let's take a little paint center,

a little bit of the bright red.

484

00:24:16,230 --> 00:24:17,760

And we'll sign this little rascal.

485

00:24:19,020 --> 00:24:21,419

Now we signed with bright

red, but you signed with any

486

00:24:21,419 --> 00:24:22,860

color that makes you happy.

487

00:24:22,860 --> 00:24:26,070

Once again, I'm going to

get this as thin as ink.

488

00:24:26,399 --> 00:24:28,379

It's really, really thin there.

489

00:24:28,500 --> 00:24:30,870

See, and work the bristles in.

490

00:24:32,310 --> 00:24:32,850

There we go.

491

00:24:34,169 --> 00:24:38,490

Let's go right up in here and it was sign

this little rascal, maybe right there up

492

00:24:38,490 --> 00:24:43,409

to you really hope you've enjoyed this

little painting and I hope you try it.

493

00:24:44,190 --> 00:24:48,570

Cause it'll bring you a lot of pleasure

and it's not that difficult to do.

494

00:24:49,170 --> 00:24:52,170

If you do it, you have a moment,

take a picture and send it to us.

495

00:24:52,170 --> 00:24:53,250

We'd love to hear from you.

496

00:24:53,520 --> 00:24:57,150

And I'd love to see what you're doing

until next time from all of us here.

497

00:24:57,210 --> 00:24:58,530

I'd like to wish you happy painting.

498

00:24:59,460 --> 00:25:00,600

And God bless my friend.

End .srt file.

Bob Ross' The Joy of Painting

Thursday, December 31, 2020

S30E01 - Babbling Brook

Bob Ross's

The Joy of Painting

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FREE DOWNLOAD Bob Ross' The Joy of Painting Subtitles .srt Files FREE DOWNLOAD!

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