Bob Ross's

The Joy of Painting

S28E07 - The Old Weathered Barn

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I am certainly glad to see you today.

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I thought the day would

just do a little painting.

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It's a lot of fun and I

think you'll enjoy it.

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So let's start out and have him

run all the colors across the

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screen that you need to paint along

with us while they're doing that.

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Let me show you what I've

got going up here today.

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I have my standard old double prime

pre-stretch canvas up here, but today

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I've taken a little bit of Brown

acrylic and mixed it with Jesso.

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And just took an old brush and

sorta dobbed in a basic idea here.

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As you can see, we're going to have

a big tree here in the rest of it.

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We'll just sorta Hmm.

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Whatever happens.

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We'll we'll just sort of let it happen.

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It doesn't matter.

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Let's start out today and just have fun.

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I want to use the old two inch brush.

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If we go into a small

amount of Indian, yellow.

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And I've chosen the Indian yellow,

because it's transparent out.

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Ready.

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Let's go right up in here.

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I'm just going to come right

in here and just begin.

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But a little, this Indian, yellow

making little, little crisscross strokes

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and just cover up the entire canvas.

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Just cover it up.

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What the heck?

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But just use little Xs little

crisscrosses it doesn't take.

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The second was a big old brush.

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Something about like, yeah, just

for right over the top of this.

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And the Jesso of course was allowed

to drive before we, we covered it

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with liquid clear there and the

liquid Claire's on their chest.

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So the yellow and the other

colors just go on very easily.

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This was a dry campus.

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We'd we'd work herself to death,

trying to, trying to get that on there.

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There.

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Okay.

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When you have the entire canvas covered,

then we can mix up another color.

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If find a little knife here.

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I think today I'll make a transparent

Brown and out of alizarin Crimson,

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and some SAP green, probably a little

more Crimson than green, depending on

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which way you want it to go toward the

red side or the green sides up to you.

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I want mine to go sort of

toward the red East side.

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All right, Kate, let me wipe

off the whole knife here.

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I'll just use the same old brush.

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It doesn't matter.

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We'll go into a little bit of

that Brown color and I'm going

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to start down here at the bottom.

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Allow it to mix with the color that's

already on there and begin blending

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upward again, blending upward.

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I want it to be the darkest

on the base and work up.

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So we'll start at the bottom and

allow it to blend up just like, so

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it's really all there is to it, man.

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Maybe wherever you want to go.

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It didn't matter.

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Doesn't matter because as you

know, if you've painted with this

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before, we don't make mistakes,

we just have happy accidents.

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There we are Brown on the brush.

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Let's take and put a little bit

in the corners by putting a little

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of this dark color in the corners.

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It'll make.

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It'll make the lighter area look brighter.

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There felt like it just let it

blend right into that yellow

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that we already have on there.

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And a little bit over in this corner.

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There we go already.

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That's beginning to look like some

beautiful little trees in the background.

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Using acrylic paint

with Jessa is fantastic.

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It opens all kinds of doors

to, to your imagination.

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It just it'll let you go wild.

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Okay.

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And that's really about all I'm going to

do for the background in this painting.

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Okay.

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Now the most fun of all

let's wash the brush.

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And as you know, we wash our brush

with odorless paint thinner, be sure

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it's odorless shake off the excess.

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And just beat the devil out of it.

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I thought maybe today, tell you

what, let's get our little round

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brush and we'll take it and go into

some of the yellows yellow ochre.

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Oh, even a little bright red

and Andy and yellow here.

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I'm going to just jump back and

forth between all the yellows and.

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Bright red.

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And sometimes I'm going to

pick up be right back a little

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bit of a lizard Crimson.

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Okay.

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Let's go right up in here.

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Now we can come along in here and just

begin picking out little individual

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things, just little individual things.

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Maybe we'll make it a little brighter.

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So it'll show up a little better there.

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The little individual things.

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They're just all kinds of little

doers that live in these things.

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Maybe over in here, take one.

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Let's make a, like a fall scene here.

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Like we have all kinds of little things

happening, all kinds of nice warm colors.

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So you just decide where they are

and drop them in wherever, wherever.

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This is just going to be

little background, things

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that live far in the distance.

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Pick up a little SAP

green once in a while too.

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Maybe even if this is fall, sometimes

just still a little Bush or two

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that got a little green left on it.

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That hides back in here.

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We don't want to leave him out.

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There would work in layers, do one

little Bush at a time and they'd

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worked forward forward, forward.

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Maybe, yeah.

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This one right here.

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We'll put some little, some

little highlights on him, but

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that's basically all we're doing.

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Allow that color that you put

on first with the Jesso in the

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acrylic to show through and it'll

create all kinds of beautiful and

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interesting effects that easy.

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That is the red light.

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Katie yellow with it

makes a nice orange color.

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Yeah.

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In the fall, it looks like Jack Frost took

all the colors in the palette and just

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sort of went crazy, just sorta went crazy.

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And that's what we're going to do.

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The hair.

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It's a happy little Bush lips right there.

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Just like it.

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Once again, work in layers though.

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Do the, do the little Bush that you

thinks the fathers to way and work

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forward, always working forward

to vary your colors a little bit.

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The fall colors gives you a

multitude of things to choose from.

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You can do all kinds of gorgeous things.

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There we are.

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Back into my yellow and red makes

a nice orange once again, I'm just

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going to sort this very colors

back and forth, wherever, wherever.

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Just to know.

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So they stand out there

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in that.

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Fantastic though, that you

can do a beautiful background.

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Look at all the different planes,

the layers in there, put a few sticks

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and twigs in there and it'll look

like it goes back a thousand miles.

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And to me, that's what makes a painting.

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Fantastic.

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Is it has depth in it then dimension.

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It's not just an old flat surface there.

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Right now a little bit.

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So you can see there, there we go.

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See, look at all those.

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Isn't that wonderful.

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Isn't that fantastic.

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There.

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I tell you what let's get crazy today.

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Maybe in our world back here.

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Yeah.

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That's that's having an old barn,

maybe that lives right in here.

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I'm going to take him, just

pick out a basic shape.

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I'm just scraping off the excess paint.

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And at the same time, just grape in,

as I say, a basic shape for an asshole

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barn, it lives back here has a good time.

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Maybe comes out like cat.

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I don't know.

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Something like that in here might

even be some, no, none of that

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makes sense yet, but it will.

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I miss removing any excess paint now, then

we can just take the knife, begin blocking

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some of this and there's the back Yves.

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We'll have no barn that

has a projection out there.

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I like those.

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I like those, something about my camp.

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There comes out.

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I don't need a backside

for the whole rascal.

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We're just blocking in color here.

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Don't worry about it.

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I'm using that same Brown that I made from

the Elizabeth Crimson in the SAP green.

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And here we need a front on our

barn, so we'll just drop it in there.

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And the side like that, maybe it's

got a, maybe there's an old shed

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that comes out here on the side.

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Probably none of this makes sense yet,

but I, I can sort of see it in my mind.

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And that's really all you have to do.

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If you can just sort of visualize things

then off you go, gosh, what started

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out to be a little barn is going to end

up being a big barn, but that's okay.

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We need a place to put the old cow.

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There we go.

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And all this would just fill them.

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All right.

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Maybe today, tell you what let's do.

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Let's get crazy.

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Let's take the old Filbert brush.

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I'm going to take some of that

Brown that I made and we use the

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old Filbert Brown be right back.

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Get a little touch of the

red, a lot of paint on there.

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Just really garbage.

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So you just pull it through there,

but don't, overmix your color.

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There's all kinds of colors

going on in there now.

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Very gently.

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You just touch this and let's

just start pulling it down.

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Barely touch though.

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Barely touch just enough to let

the paint come off and it'll

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make it look like old boards.

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They're old wood.

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Just enough, just enough that it

drags the paint off the brush.

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There.

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It's just, it's very gentle.

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It's like putting snow on the mountain.

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Very, very gentle, barely touch.

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You could do this with a

knife if you want it to.

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I thought maybe they would

just do it with this.

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Doesn't much matter.

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It's up to you.

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They're

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okay.

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Red in there, just so it

sort of matches everything.

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This is a super way of making old

wood and a little bit of the dark

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color when a little darker up here.

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Cause it'd be a little

shadow cast from the top.

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Something like that.

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Let's get the nigh.

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We'll take a little bit of yellow,

yellow ochre, a little bit of red,

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little bit of that Brown we made.

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But don't, overmix it

leave it sort of marbled.

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So when you cut off that little

roll of page, you have all these

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colors they're living right

here in this role, on the knife.

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I just want to touch now

and let it just bounce.

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Just let it bounce and make it look

like an old, old roof on this thing.

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It's like me.

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It's had a hard laugh and this

one's probably seen its better day.

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There.

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It comes a little point

out there on the barn.

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I like to paint old barns.

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There are a lot of fun, a

lot of fun, and I travel.

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I see barns all over.

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Sometimes I stop and

take pictures of them.

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It's a good way to, to make your

reference library on old buildings or

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even trees and clouds and stuff like that.

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She would stop and take pictures of them.

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Save them.

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I have a, I have a file, I

guess you would call it a.

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Photographs and pictures and

ideas that people have sent

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from all over the country.

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And that's where a lot

of these ideas come from.

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I go through there and look at

them and see what kind of scenes

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are that people are sending in and

that they want to see painting.

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And that's where we get a lot of it.

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So if you have some ideas you

want done, send me a photograph.

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Maybe, maybe one day,

you'll see it on here.

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There.

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Just put a little highlight along

the edge, maybe a little bit

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there, just so it stands out.

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Okay.

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Wipe the old NIFA.

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Now just take a little

bit of Brown on the knife.

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Just touch here and there.

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Just to give a little division

between the individual boards, slabs,

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whatever you want to call them.

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Just a little division between them.

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They're so easy.

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That is.

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You can really make old, old looking good.

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Like it's not that difficult over here.

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I want this to be almost, almost

dark, very dark, but almost the

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color we painted it originally.

253

00:13:59,510 --> 00:14:02,090

Now we can come back with a

knife and just do a barn ectomy.

254

00:14:02,780 --> 00:14:03,980

We just cut the barn off.

255

00:14:05,240 --> 00:14:06,260

So it's where we want it.

256

00:14:08,520 --> 00:14:15,780

Something about like, so let's take some,

let's take some midnight and black come

257

00:14:15,780 --> 00:14:21,630

right in here, put a door in, got to

have a place for the old cow to get in

258

00:14:21,630 --> 00:14:27,500

there, there, take a little bit of Brown.

259

00:14:27,890 --> 00:14:29,750

Just go around, sort of outline the door.

260

00:14:31,470 --> 00:14:32,090

Shoot.

261

00:14:32,400 --> 00:14:33,180

That's not so bad.

262

00:14:33,180 --> 00:14:35,490

We got us a little barn

right there that easy.

263

00:14:36,780 --> 00:14:39,960

Now, maybe in our barn, let's

make some more of that Brown

264

00:14:39,960 --> 00:14:42,090

Crimson, Seth green mixed together.

265

00:14:43,620 --> 00:14:45,180

Didn't mix up enough to start with.

266

00:14:47,180 --> 00:14:47,770

Okay.

267

00:14:48,980 --> 00:14:50,060

Let's just sort of have an idea.

268

00:14:50,090 --> 00:14:53,960

Maybe here, there's an old

path that I have a way for

269

00:14:53,960 --> 00:14:55,100

the cow to get up to the bar.

270

00:14:55,100 --> 00:14:58,190

And maybe when the storm comes,

he has to go up here and hide.

271

00:14:59,985 --> 00:15:02,055

So we'll just put a little

bit of color right on here.

272

00:15:02,115 --> 00:15:08,435

I guess what's there have a

path that goes up into the barn.

273

00:15:09,995 --> 00:15:10,655

All right.

274

00:15:12,005 --> 00:15:12,905

Wipe both the knife.

275

00:15:15,625 --> 00:15:17,555

We just use a one, two inch

brush here a little bit.

276

00:15:18,545 --> 00:15:19,715

Let me put a little bit Brown on it.

277

00:15:19,715 --> 00:15:24,905

Then go into the mint, all the yellows and

the reds, but I put a little Brown on it.

278

00:15:24,905 --> 00:15:27,875

First Kings, go up in here.

279

00:15:29,175 --> 00:15:32,385

That's begin putting in some little

grassy areas back in here just

280

00:15:32,385 --> 00:15:35,295

by tapping, not bright enough.

281

00:15:35,685 --> 00:15:36,795

Let's brighten it up a little.

282

00:15:36,855 --> 00:15:39,075

I'm going to dip the brush into

a little bit of liquid white.

283

00:15:40,065 --> 00:15:42,195

That'll brighten it and

thin it at the same time.

284

00:15:42,825 --> 00:15:44,145

C jumps right on us.

285

00:15:46,050 --> 00:15:50,310

There we go back to my little round brush

286

00:15:53,459 --> 00:15:54,479

and let's go in here.

287

00:15:55,290 --> 00:15:57,479

Maybe this old farmer was like me.

288

00:15:57,479 --> 00:15:59,280

He didn't take care of

his yard to welding.

289

00:16:00,000 --> 00:16:03,300

The bushes sorta grew up, took over.

290

00:16:05,910 --> 00:16:08,790

We just play with some of these

colors that we were using the reds

291

00:16:08,790 --> 00:16:13,620

and the yellows, a little green,

and then all kinds of little things.

292

00:16:15,570 --> 00:16:17,790

Little more of the liquid

white, just to thin the color.

293

00:16:18,510 --> 00:16:20,400

We're getting quite a

buildup of paint here now.

294

00:16:21,360 --> 00:16:23,310

So we have to begin thinning the color.

295

00:16:27,050 --> 00:16:27,770

There

296

00:16:32,720 --> 00:16:40,520

came maybe a little, all kinds of little

doers and over here on the other side.

297

00:16:42,030 --> 00:16:43,979

Shoot, maybe it's growing up here too.

298

00:16:44,099 --> 00:16:44,610

We don't know.

299

00:16:46,349 --> 00:16:47,790

We don't know wherever.

300

00:16:50,520 --> 00:16:51,270

Okay.

301

00:16:51,870 --> 00:16:55,199

What do you put some highlights

on our path for that?

302

00:16:55,199 --> 00:16:59,880

Let's use some Brown and some

plight, a little bit more Brown.

303

00:17:00,030 --> 00:17:00,780

Ooh, that's pretty.

304

00:17:01,439 --> 00:17:01,979

I like that.

305

00:17:02,400 --> 00:17:05,490

A little roll of paint, barely touch.

306

00:17:06,000 --> 00:17:08,760

Then you might want to use a small

knife to get sneak in here and do this.

307

00:17:09,615 --> 00:17:10,365

Barely touch.

308

00:17:10,605 --> 00:17:12,525

Just like you're making

snow break on the mountain.

309

00:17:14,415 --> 00:17:18,825

I'll take a little bit of

blue, little blue, white.

310

00:17:20,655 --> 00:17:22,575

I want to just graze this with blue.

311

00:17:22,575 --> 00:17:26,325

So it looks like shadows

just here and there.

312

00:17:26,465 --> 00:17:30,515

Not much, not much there.

313

00:17:30,515 --> 00:17:31,925

And back to her little round brush.

314

00:17:33,975 --> 00:17:38,055

And let's go back in here and put in

all kinds of little bushes and stuff

315

00:17:38,055 --> 00:17:40,004

that live in around the old barn.

316

00:17:41,865 --> 00:17:44,325

We don't know, don't know that we care.

317

00:17:47,085 --> 00:17:50,595

I'm just going to jump back and forth

between the two inch brush and the

318

00:17:50,595 --> 00:17:52,215

little round brush back and forth.

319

00:17:52,215 --> 00:17:55,575

I want to make little grassy areas

and then little bushes, and let's

320

00:17:55,575 --> 00:17:56,835

just sort of see what happens.

321

00:17:58,725 --> 00:18:00,225

Just let it work itself out.

322

00:18:02,535 --> 00:18:02,865

There

323

00:18:06,195 --> 00:18:07,875

maybe a little more red here and there.

324

00:18:09,525 --> 00:18:14,925

It's pretty, there I'd be a wonderful

place for an old cattle there.

325

00:18:16,785 --> 00:18:19,545

Let's see, you already have your

dark hand, the acrylic and the Jesso

326

00:18:20,115 --> 00:18:21,495

butts, all your dark in for you.

327

00:18:21,495 --> 00:18:25,845

So all you have to do is put your

highlights, so it makes it so much easier.

328

00:18:27,330 --> 00:18:30,149

There we go here and there and

they're in here or whatever.

329

00:18:32,669 --> 00:18:33,389

All right.

330

00:18:35,580 --> 00:18:38,280

That's really about all there

is to, it works very well.

331

00:18:43,919 --> 00:18:45,929

Helps create that illusion

of depth and distance.

332

00:18:45,929 --> 00:18:47,340

So you can sneak back up in there.

333

00:18:49,530 --> 00:18:50,639

Let's take a liner brush.

334

00:18:51,929 --> 00:18:53,040

We use a little Brown.

335

00:18:54,000 --> 00:18:54,930

A little paint thinner in it.

336

00:18:55,320 --> 00:18:58,630

I just want to put in the indication here

and there a few little sticks and twigs

337

00:18:58,630 --> 00:19:01,410

that live in between some of these things.

338

00:19:01,740 --> 00:19:04,440

Once again, that'll help create

the illusion of depth and

339

00:19:04,440 --> 00:19:06,660

distance in between individual.

340

00:19:10,850 --> 00:19:14,780

Now let's have some fun

wipe off my Philbrick.

341

00:19:14,990 --> 00:19:19,160

I'm going to go right into that

Brown use the little Filbert brush.

342

00:19:21,149 --> 00:19:21,360

Right.

343

00:19:21,360 --> 00:19:27,960

In some of that Brown that we made

Crimson SAP, green, a lot of pain, maybe.

344

00:19:28,290 --> 00:19:28,560

Okay.

345

00:19:28,560 --> 00:19:29,669

Here's your bravery test?

346

00:19:30,210 --> 00:19:30,659

Maybe?

347

00:19:32,550 --> 00:19:34,110

Well, maybe not too big today.

348

00:19:34,379 --> 00:19:37,470

How about just a, a little

tree that lives right here.

349

00:19:39,060 --> 00:19:43,200

It comes right down like it,

you know, me, I think everything

350

00:19:43,409 --> 00:19:44,970

needs a friend, even a tree.

351

00:19:45,330 --> 00:19:47,580

So we'll give him a little friend

that lives here beside him.

352

00:19:49,905 --> 00:19:51,225

They have a good time together.

353

00:19:52,595 --> 00:19:53,075

It's okay.

354

00:19:53,075 --> 00:19:54,905

To make up little stories

about your paintings.

355

00:19:54,905 --> 00:19:58,325

People will look at you like

you're strange, but it's okay.

356

00:19:59,195 --> 00:20:01,685

It really does help you in your mind.

357

00:20:01,685 --> 00:20:03,004

Sort of put these things together.

358

00:20:05,254 --> 00:20:11,825

Just put a little color around the edge,

then a little Brown and white, like, so

359

00:20:13,955 --> 00:20:16,145

just make him stand out a little bit.

360

00:20:17,430 --> 00:20:19,740

There, you could do that with

a fan brush too, if you wanted

361

00:20:19,740 --> 00:20:22,860

to and just pull it around and

make it look like a little doers,

362

00:20:26,450 --> 00:20:29,150

take our liner, brush some

of the Brown that we made.

363

00:20:30,000 --> 00:20:35,870

We want this paint to be very

thin, almost like ink liner brush

364

00:20:35,870 --> 00:20:37,190

has very long bristles there.

365

00:20:37,190 --> 00:20:38,450

You can see it in front of that color.

366

00:20:39,320 --> 00:20:43,340

So it holds a lot of paint, but

when you do it, turn it, twist it.

367

00:20:43,340 --> 00:20:44,120

That fills it.

368

00:20:45,300 --> 00:20:45,960

And that's ready.

369

00:20:45,960 --> 00:20:46,620

Let's go up here.

370

00:20:47,460 --> 00:20:47,550

Okay.

371

00:20:47,810 --> 00:20:50,480

We can go back up in here with our

liner brush with it, then the paint.

372

00:20:51,710 --> 00:20:54,500

And we can just, just put in

the indication here and there.

373

00:20:54,500 --> 00:21:00,650

If some little tree limb sticks, twig

places for the birds to sit there

374

00:21:00,650 --> 00:21:04,610

we are wherever you want them there.

375

00:21:05,490 --> 00:21:06,610

Pod pockets, girl.

376

00:21:06,610 --> 00:21:08,360

He'd he'd love to live in this tree.

377

00:21:09,350 --> 00:21:11,870

Did you see the little squirrels

that we had in the series earlier?

378

00:21:12,885 --> 00:21:14,085

They were so fantastic.

379

00:21:14,085 --> 00:21:18,004

We showed them a couple of times there.

380

00:21:18,695 --> 00:21:23,044

I like all those little critters,

Peapod still lives in my backyard.

381

00:21:23,044 --> 00:21:23,885

We've turned him loose.

382

00:21:23,885 --> 00:21:25,925

He's been loose for quite a while.

383

00:21:26,555 --> 00:21:30,935

Probably has his own family now,

but he still comes every day

384

00:21:31,685 --> 00:21:33,095

and he's like a little puppy.

385

00:21:33,095 --> 00:21:37,955

He comes to my back door and he'll,

he'll actually scratch on the glass at

386

00:21:37,955 --> 00:21:39,885

the back door, sliding glass door there.

387

00:21:40,595 --> 00:21:40,985

And.

388

00:21:41,385 --> 00:21:42,705

Hassle me to let him man.

389

00:21:42,705 --> 00:21:44,295

And then he knows where

the nuts are stored.

390

00:21:44,595 --> 00:21:48,015

He goes and finds the one

that he wants and how he goes.

391

00:21:49,905 --> 00:21:52,995

We do not advocate keeping any

of these wild animals as pets.

392

00:21:54,015 --> 00:21:58,415

We raise them and we turn them

loose back to the wild there,

393

00:21:59,885 --> 00:22:01,685

but wild animals need to be wild.

394

00:22:03,665 --> 00:22:04,385

There we are.

395

00:22:06,885 --> 00:22:07,415

Okay.

396

00:22:07,535 --> 00:22:10,235

But you just put as many or as few

little limbs on there as you want.

397

00:22:11,565 --> 00:22:19,055

Just sort of decide where they

should live, drop them in there.

398

00:22:20,585 --> 00:22:25,745

Something about like him and

little more paint center.

399

00:22:26,345 --> 00:22:28,085

I'm just adding a little

more thinner here and there.

400

00:22:29,015 --> 00:22:32,405

Well, for a few little sticks and twigs

that live down in here and wherever

401

00:22:32,405 --> 00:22:35,045

we want them maybe over in here too.

402

00:22:35,135 --> 00:22:36,365

Sorry to keep jumping around.

403

00:22:39,165 --> 00:22:39,524

Kenny.

404

00:22:41,445 --> 00:22:45,155

And I put a few up in here and I

think that's going to be about all

405

00:22:45,155 --> 00:22:48,335

we need to do this part up in here.

406

00:22:48,365 --> 00:22:49,475

I'm not even going to touch.

407

00:22:49,595 --> 00:22:52,685

I'm just going to let, I'm

going to let the acrylic and

408

00:22:52,685 --> 00:22:54,335

Jesso mixture show through.

409

00:22:55,565 --> 00:22:57,725

And that way we have parts

of the painting that are very

410

00:22:57,725 --> 00:22:59,465

thick parts that are very thin.

411

00:23:00,314 --> 00:23:04,004

Parts that are dark parts of the light

and it just sort of all works together.

412

00:23:04,004 --> 00:23:07,754

And it's a beautiful way of doing a

little painting that I think you'll like,

413

00:23:09,125 --> 00:23:15,034

okay, shoot, let's take a little paint,

thinner, a little bit of the bright

414

00:23:15,034 --> 00:23:19,085

red think I'll sign this little rascal.

415

00:23:20,635 --> 00:23:22,054

We'll sign it right down here.

416

00:23:23,735 --> 00:23:24,965

Something about like, so.

417

00:23:26,970 --> 00:23:28,710

You know, that's, I've mentioned before.

418

00:23:28,710 --> 00:23:30,389

One of the questions I hear over and over.

419

00:23:30,990 --> 00:23:33,720

And I get a lot of letters from

fantastic people every week.

420

00:23:34,440 --> 00:23:38,400

One of the questions is how do I

sign my painting, physically, how

421

00:23:38,400 --> 00:23:40,380

you sign it is I thin the paint too.

422

00:23:40,410 --> 00:23:44,460

Once again, it's almost like ink and

use the liner brush and you can write,

423

00:23:44,760 --> 00:23:47,880

I've had people who use the back of the

liner brush and just scratch through

424

00:23:47,880 --> 00:23:49,740

the paint to do their signature.

425

00:23:50,460 --> 00:23:54,720

Some people will sign with a symbol, some

with a name, some of the last name, some

426

00:23:54,720 --> 00:23:58,860

of the first name, uh, probably the most

unique signature that I ever remember.

427

00:23:59,030 --> 00:24:01,280

Was a wonderful lady that

painted with me in Alaska.

428

00:24:01,820 --> 00:24:03,440

And she used to sign her paintings.

429

00:24:03,860 --> 00:24:04,910

Grandpa's wife.

430

00:24:04,940 --> 00:24:07,970

She said, everybody signed a grandma,

but she wanted to be different.

431

00:24:07,970 --> 00:24:08,870

So she signed it.

432

00:24:08,960 --> 00:24:14,150

Grandpa's wife, but develop your

own signature and it becomes part

433

00:24:14,150 --> 00:24:17,660

of your personality and part of your

painting that everyone will recognize.

434

00:24:18,140 --> 00:24:21,590

And a hundred years from now, when people

find your painting, they'll recognize

435

00:24:21,590 --> 00:24:25,790

your signature and they'll know that

you had a fantastic day and that on this

436

00:24:25,790 --> 00:24:31,545

day, You experienced the joy of painting

until next show from all of us here,

437

00:24:31,785 --> 00:24:33,225

I'd like to wish you happy painting.

438

00:24:33,675 --> 00:24:34,785

And God bless my friend.

End .srt file.

Bob Ross' The Joy of Painting

Thursday, December 31, 2020

S28E07 - The Old Weathered Barn

Bob Ross's

The Joy of Painting

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