Bob Ross's

The Joy of Painting

S31E08 - Trail's End

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Welcome back.

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Certainly glad you could join us today.

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I thought today we'd do a painting

that we use some black Jessore.

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I believe you're going to enjoy this one.

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Let's start out and have him run

all the colors across the screen

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that you need to paint along

with us while they're doing that.

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Let me show you what I

get done up here today.

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I have my standard old canvas up here,

but today I've taken a piece of contact

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paper and cut an oval out of it.

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Stuck it on the canvas.

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And then painted the

inside with black Jesso.

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So we have a good dark surface

on top of the black Jesso.

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I've covered it with a very thin

coat of liquid clear, very thin

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coat takes very, very little.

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And with that shoot,

we just have some fun.

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I'm going to take let's mix up

a couple little colors here.

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We'll take some thalo blue and some

alizarin Crimson proportionally,

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much, much more Crimson.

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Now put a little white out here.

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Like, so, and I'm going to make several

different values of this after they

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would do a painting that shoot, you won't

even believe it's on a black canvas.

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When you get done over here,

I'm going to go a little bit

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more to the blue side there.

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We'll just mix up several little values

so we can just pick and play there.

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However we want to do it.

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All right.

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Maybe just a touch,

more white in that one.

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Fair.

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Okay.

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Let's just sort of decide where

we want some of these things here.

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We'll take a little bit of color

and it didn't take much color when

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you're working on a black canvas.

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Doesn't take very much.

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Let's just begin.

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Just dropping in all kinds of little

things like, yes, there we are.

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There.

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Okay.

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Maybe some of that lavender color,

I'm just going to pop them here and

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there, wherever, wherever there we are.

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We didn't have neat little way

that I black canvas color to

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shows up so beautiful on it.

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So beautiful.

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There's a little thalo blue and white.

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Like how that just jumps right out at you.

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Does that say when this is done,

if everything works just right.

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It's hard to tell this

is on a black canvas.

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I like, I like to paint on dark

surfaces, so they make some of the

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most gorgeous effects you've ever seen.

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There, there something about like,

it look how that blue jumps on you.

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It just jumps right up there.

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Hm.

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And you can make this as light

and as bright as you want.

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It's very simple.

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Cause color, once again, on a black

canvas, it just sort of jumps out at you.

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Just sort of jumps out.

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a little bit more of a wipe and we can

just sort of play these colors around.

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It's just titanium whites, all

of them using their hippie.

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Maybe up in here, let's just take,

I'm gonna grab another brush.

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I have several of them

going pick a little white.

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I'll just put it down here.

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A little bit of yellow ochre in

it, just a little yellow ochre.

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So we have white and

yellow ochre and maybe.

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Let's just make a decision

maybe right up in here.

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So a little bit of light.

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Just play them through here using just

the corner of the brush and I'm just

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sort of spinning it around to slide

it out, spin it around, let it go.

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Let it play in here.

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Something about like cat.

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All right.

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Okay.

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Now I'm going to grab a very soft brush.

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This is our blender brush.

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Cause now I want to begin

blending all this together.

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Very soft brush Tinder as a

mother's love is my father used to

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say very, very soft, very gentle.

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Okay.

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And with that, we can just begin putting

in the indication of all kinds of little

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shapes and forms that happen out here.

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Just sorta let them,

don't worry about them.

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There.

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You can even give the impression

that there's a little light zinging

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through there just by doing that,

maybe another little Dewar lives here.

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These are wonderful skies

to do practice with them.

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Play with them, change the colors.

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You can use a multitude of colors

in here and just wonderful things.

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There we go.

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Wherever you think they should be.

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That's exactly where they should be.

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Sometimes you can, if you want

to, you can just tap, take that

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little soft brush and just tap in a

little titanium white and then very

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gently, very gently just blend it.

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It's that easy when you have

a brush, is this gentle?

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You can paint right over paint without

any problem without any problem at all.

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All right.

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We'll that to be just a little brighter.

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So I'll add a little more

white and work from there.

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Yeah.

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Tiny little circles.

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Just blending it and then

very lightly go over it.

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Maybe Dan in here, a little bit of that

color, just singing through the clouds.

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All right.

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You just put it wherever you want it.

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And maybe, maybe right in here,

I'll touch a touch of the lizard

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Crimson just to warm it up.

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Maybe you're over here as a warm spot

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there.

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See how you can change the flavor when you

do this at home and give it as a gift or.

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Or even sell it.

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If you're interested in that

happy book, these kinds of

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little things just are wonderful.

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People enjoy them so much

because they have a lot of color

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in them and they're unique.

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They're different.

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They're just not the standard

old painting that you see.

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Okay.

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Now you can play with this as long as

you want to create any effect that you

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desire and the effect that you desire.

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Okay, now then what are we going

to do down here on the bottom?

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That's about all I'm going to do on top.

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I'm going to take alizarin,

Crimson and SAP green, anybody

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equal parts, equal parts.

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And with that, I'm going to mix

it together to make a gorgeous

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Brown color, a lizard in SAP.

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There we go.

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Okay.

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Let me clean the old brush off.

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The old knife off.

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We'll just take a two-inch brush.

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Now, the bottom of this, I

just want to cover with this

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beautiful Brown hair color.

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Just going to cover it right

over something like that.

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And maybe when we get up in here,

we'll turn the brush and start,

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start using the top corner.

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And let's begin to find the little

individual shapes that live in here.

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There we are.

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So if we just let them come

right on up and play in here.

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Wherever you think they should be.

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These will end up being little

trees and bushes that lived far back

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in the background, just using the

top corner of the two inch brush.

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All you need.

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So two inch brush will do

wonderful things for you.

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Now, if this whole brush sort of

bothers you because of its size,

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you can do everything I'm doing

here for the one inch brush.

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It's just, it's just a little slower, but

it is certainly work either work there

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and we don't put restrictions on you.

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We just want us to, we want

to teach you a technique.

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Can turn you loose on the world.

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You do it any way that you

want because painting painting

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should be free, should be free.

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Each person sees nature through different

eyes and that's what you should paint.

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Or a tree just keeps

getting taller and taller.

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Doesn't it?

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That's okay there

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and about like, so I'm going

to take a whole script liner,

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brush little paint there.

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Quite a bit of paint thinner.

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I want to, I want to make some

little tree trunks and limbs and

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sticks and twigs that live in there.

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So thin the paint to listen.

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Look there.

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It's almost running.

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It does run.

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Turn the bristles, just

turn them in there.

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Loads it full of paint.

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Bring it to a nice sharp point.

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Let's go pin here.

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Now in our little tree up here,

we're going to have a few little

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limbs and sticks and twigs.

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You decide where they are.

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We don't even know how many is in there.

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Don't know that we care right now.

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We're going to put leaves on these trees.

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So most of them will disappear,

but a few of them show through

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few of them will show through.

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Maybe back in here, there's a

few little doodles cause they

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live all through the woods.

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Anytime you have trees and bushes,

you, you got to have all these

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little sticks to hold them up.

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Hmm.

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Talk my little squirrel plays.

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Yeah.

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Okay.

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Yeah.

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Shoot.

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Total one inch or two inch

brush is working pretty good.

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I'm going to take it and tap

it right into yellow ochre.

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I'm just tapping one corner

and two yellow ochre.

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Just give it a little tap.

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Just a little, let's go up in here.

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Now with that, let's see where we're at.

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I want to put the indication

gorgeous, gorgeous, gorgeous works.

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I want to put the indication here

of all kinds of little leaves and

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things that are on this tree there.

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See.

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But leave some little spots that are dark.

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Don't cover them all up.

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I know, I know it's such a temptation when

it gets working well and you get excited

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about it to cover up all the dark areas.

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If you do, then you have no

depth in your little tree.

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He won't play with you.

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But didn't have a neat little

tree just made with the top

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corner old two inch brush.

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We can take a little lizard and

Crimson and add to that color just to

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change the flavor a little and maybe.

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Maybe I'll leave these like they are

and sort of in the foreground here,

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you begin to pick out other little

individuals, still just using the

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top corner of the brush so that easy.

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So lizard, Crimson, and

a little bit of there.

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Ooh, that's beautiful.

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There we are.

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Crimson and yellow ochre.

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That's all we're using.

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That's all we're using.

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Maybe this one here, it's up to you.

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You decide, but don't

highlight all of them.

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Leave some of them like they're

far, far away and they don't

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have any highlight on them.

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Maybe a little more Crimson

just to change the flavor.

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I'm putting Crimson in there just

to change the flavor a little bit.

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So one Bush will stand out from another.

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There we go.

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I'd look at the depth in there

already just from doing something

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like that over here, let's go over

in the other side or right there.

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Let's put a little Deuter in there.

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Okay.

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But you can put as many layers of trees

and bushes in your world as you want

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that easy, that easy, this black canvas.

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Once again.

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Color shows up so much stronger over yet,

and it will on a, on a plain white canvas.

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When you paint on black canvas, a color

will just pop it'll jump right out at

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you and you don't need as much color.

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Okay, let me grab a little

two inch brush here.

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I'm gonna go right back

into some of the dark Brown.

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This is the Brown we made from lizard

Crimson and SAP green, and maybe.

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Yeah, I'll put a few little dark wishes.

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It live right here in the foreground

because all of them may be this delighted

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and hitting and you just continually play

light against dark, dark against light.

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That's what makes it show up there?

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Something about, likes about like that.

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Anything that we're not happy with?

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We can change it.

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Okay.

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Cause you know, we don't make

mistakes, we just have happy accidents.

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I'm gonna take a little bit

of white, a little bit of that

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dark color and mix it together.

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Something like, so, all right.

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Maybe, maybe a little yellow in there too.

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Little yellow ochre.

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Yeah, that's nice.

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I like it.

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Cut off a little roll of paint.

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Right on the edge of the knife.

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Maybe there's a little path

that lives out through here.

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If there is, you have to decide

in your world where it lives

255

00:14:08,805 --> 00:14:10,425

and all you do is just rub it.

256

00:14:10,425 --> 00:14:15,975

Like, so something about like

cat, something about my cat,

257

00:14:19,095 --> 00:14:22,305

wherever you think it should be there.

258

00:14:26,505 --> 00:14:26,955

Okay.

259

00:14:27,285 --> 00:14:31,845

Maybe I'll have it come all the way down,

wherever, wherever it doesn't matter.

260

00:14:34,845 --> 00:14:37,455

Anything that we're not happy

with, who does change it?

261

00:14:40,064 --> 00:14:40,875

No big deal.

262

00:14:42,945 --> 00:14:43,575

Okay.

263

00:14:46,515 --> 00:14:48,825

Now I think it's time

for your bravery test.

264

00:14:49,635 --> 00:14:52,125

Maybe in our world, let's

use the old Filbert brush.

265

00:14:52,155 --> 00:14:56,295

Maybe there's an old tree

lives out here, that old tree.

266

00:14:58,305 --> 00:15:00,824

Now you have to decide

where the tree lives.

267

00:15:01,635 --> 00:15:03,584

As I say, this is going

to be your brave retest.

268

00:15:07,094 --> 00:15:09,045

Just drop it in, drop it in.

269

00:15:09,045 --> 00:15:13,305

I know that's scary after you've worked

so hard, but the paint's very thick here.

270

00:15:14,055 --> 00:15:14,714

Very thick.

271

00:15:14,714 --> 00:15:16,574

I'm I'm using the Filbert brush.

272

00:15:16,949 --> 00:15:19,230

Because it leaves a heavy

layer of paint on here.

273

00:15:19,230 --> 00:15:20,010

And I want that.

274

00:15:21,209 --> 00:15:24,329

I like, I like it when

let's give him an arm here.

275

00:15:25,949 --> 00:15:30,750

See, you decide how many arms your old

tree has and how many foots he has.

276

00:15:30,750 --> 00:15:36,209

There's old foot hanging over there and

trees grow, but any old way to shoot.

277

00:15:37,709 --> 00:15:38,130

Yeah.

278

00:15:38,160 --> 00:15:39,030

And get brave here.

279

00:15:39,540 --> 00:15:44,459

We'll give him another

arm, but I can't there.

280

00:15:46,470 --> 00:15:49,130

Any way you paint a tree,

chances are somewhere.

281

00:15:49,130 --> 00:15:50,449

There's a tree that looks like it.

282

00:15:51,290 --> 00:15:51,860

Years ago.

283

00:15:51,860 --> 00:15:57,290

I tried painting portraits and, you know,

I had a hard time because number one, I

284

00:15:57,290 --> 00:16:01,670

couldn't capture the essence of what a

person, what makes a person an individual.

285

00:16:02,720 --> 00:16:07,245

But the other thing was, if

you paint a landscape, And it

286

00:16:07,245 --> 00:16:08,385

doesn't come out just right.

287

00:16:08,385 --> 00:16:11,235

Somebody else will come along and

say, Hey, I've seen that place.

288

00:16:11,235 --> 00:16:13,035

Maybe I used to fish and play there.

289

00:16:13,665 --> 00:16:18,255

But if you paint a portrait that has

one ice square or something, I guarantee

290

00:16:18,285 --> 00:16:19,605

everybody's going to notice it.

291

00:16:20,655 --> 00:16:22,425

So I gave up portrait painting.

292

00:16:22,435 --> 00:16:26,355

My portrait teacher told me

to go paint bushes and trees.

293

00:16:26,355 --> 00:16:27,615

Cause that's where my heart was.

294

00:16:28,425 --> 00:16:32,325

That's what I did taking a little

bit of that Brown color we had and

295

00:16:32,325 --> 00:16:35,265

very lightly, just barely touching.

296

00:16:35,685 --> 00:16:40,905

Just let it grace and the high points

on there, because remember the paint's

297

00:16:40,905 --> 00:16:43,094

thick, the high points on there.

298

00:16:43,094 --> 00:16:45,224

We'll pick up this color.

299

00:16:46,545 --> 00:16:49,844

Like a dad, maybe this limb, maybe

it's in front, it's up to you.

300

00:16:51,104 --> 00:16:53,194

If you want it in front,

you put it in front.

301

00:16:54,314 --> 00:17:02,135

Can do easy, very easy there,

but gentle touch just enough

302

00:17:02,145 --> 00:17:03,645

to, so the paint comes off.

303

00:17:04,740 --> 00:17:06,210

That it just barely graze.

304

00:17:06,780 --> 00:17:07,350

Apparently great.

305

00:17:07,800 --> 00:17:11,280

Can make some gorgeous, gorgeous effects

and then we'll sort of blend it back.

306

00:17:11,940 --> 00:17:16,710

It makes the limbs look

around that easy, that easy.

307

00:17:17,520 --> 00:17:19,470

So Filbert, Bryce does wonderful things.

308

00:17:20,940 --> 00:17:21,540

There we are.

309

00:17:22,980 --> 00:17:23,520

Okay.

310

00:17:24,180 --> 00:17:24,930

We'll take our liner.

311

00:17:24,930 --> 00:17:27,270

Brush paint.

312

00:17:27,270 --> 00:17:31,290

Some tree limbs on here might as

well get a lot of paint center.

313

00:17:32,790 --> 00:17:36,180

Once again, we're going to thin the

paint till it's almost inconsistency,

314

00:17:36,210 --> 00:17:42,900

not quite, but almost something like,

so, and with that, then you have to

315

00:17:42,900 --> 00:17:46,440

sort of to start deciding where all

the little layers live on your tree,

316

00:17:48,000 --> 00:17:51,000

because they here, they're here.

317

00:17:52,140 --> 00:17:53,760

Maybe I'll put a bunch of limbs on these.

318

00:17:54,330 --> 00:17:58,800

I'll tell you what, you know, every so

often we like to put together painting

319

00:17:59,010 --> 00:18:00,630

photographs that people have sent.

320

00:18:01,380 --> 00:18:02,220

And show them to you.

321

00:18:03,090 --> 00:18:04,770

Now today, let me do that.

322

00:18:05,580 --> 00:18:08,790

This is, this is paintings that have

come from people all over the country

323

00:18:09,210 --> 00:18:12,720

who were, who were just watching the

show and they've picked up the brush and

324

00:18:12,720 --> 00:18:14,760

they've tried it aren't they fantastic.

325

00:18:15,780 --> 00:18:17,100

They really truly are.

326

00:18:17,340 --> 00:18:21,320

And a lot of these people have

never, absolutely never touched

327

00:18:21,330 --> 00:18:22,560

brush before in their life.

328

00:18:23,459 --> 00:18:25,439

And they're doing paintings like these.

329

00:18:26,189 --> 00:18:27,739

I I'm just, I'm so proud.

330

00:18:27,739 --> 00:18:28,889

I'm like an old mother hand here.

331

00:18:28,889 --> 00:18:33,629

I get so proud when I see what

people are doing everywhere I go

332

00:18:33,629 --> 00:18:35,909

and letters I receive every day.

333

00:18:36,540 --> 00:18:41,459

It brings a whole new whole new

areas of confidence to people,

334

00:18:41,760 --> 00:18:44,939

because if they can do this and

they never believed they could,

335

00:18:45,000 --> 00:18:46,500

then they know they can do anything.

336

00:18:47,429 --> 00:18:48,300

Absolutely.

337

00:18:48,300 --> 00:18:48,840

Anything.

338

00:18:49,680 --> 00:18:53,010

All you have to do is believe,

practice a little bit and office.

339

00:18:53,030 --> 00:18:53,510

If you go.

340

00:18:54,830 --> 00:18:58,070

And personally, I think it's

true of anything in life.

341

00:18:59,930 --> 00:19:02,840

You just, if you can

believe it, you can do it.

342

00:19:04,430 --> 00:19:10,550

If it's there, see all kinds of little

lens and you could really take a lot

343

00:19:10,550 --> 00:19:15,620

of time and put them just hundreds of

little limbs on here, little tiny Rascals

344

00:19:15,620 --> 00:19:17,690

that live everywhere and it's gorgeous.

345

00:19:19,110 --> 00:19:22,800

As you know, on TV here, we,

uh, we have is Mino director.

346

00:19:22,800 --> 00:19:26,550

And if I go past 30 minutes, she,

she has no sense of humor at all.

347

00:19:27,210 --> 00:19:28,950

So we will try to get this done in time.

348

00:19:31,020 --> 00:19:33,030

But when you're doing

yours, take your time.

349

00:19:33,500 --> 00:19:35,640

You don't have the same

problems we do here.

350

00:19:36,720 --> 00:19:39,780

Put a lot of lambs on here, but

a little squirrel lives in there.

351

00:19:40,100 --> 00:19:43,879

Maybe, maybe paint pee pot in there,

or you put a little bird in there.

352

00:19:44,210 --> 00:19:45,200

Anything that you want.

353

00:19:46,635 --> 00:19:48,045

In new thing that you want.

354

00:19:50,625 --> 00:19:51,315

There we are.

355

00:19:53,625 --> 00:19:56,175

I remember the contact papers right

there, so we don't care over here.

356

00:19:56,175 --> 00:19:57,075

We can do any old thing.

357

00:19:57,765 --> 00:19:58,695

Don't worry about that.

358

00:19:59,085 --> 00:20:00,705

We're going to pull that

off at the end of the show.

359

00:20:02,745 --> 00:20:03,915

All right.

360

00:20:04,575 --> 00:20:07,185

Maybe, maybe it was an old

dead when hanging right there.

361

00:20:08,505 --> 00:20:10,515

That's where my little squirrel

would say if he was there,

362

00:20:12,075 --> 00:20:13,155

that's where he would sit.

363

00:20:14,639 --> 00:20:18,179

He likes those limbs where he can watch

what's going on all over the yard.

364

00:20:19,850 --> 00:20:23,510

They're okay.

365

00:20:23,810 --> 00:20:25,520

But that gives you an

idea of what you can do.

366

00:20:28,070 --> 00:20:33,530

You can, as I say, you could spend a lot

of time just putting in tree, limbs and

367

00:20:33,530 --> 00:20:38,209

stuff, put in all types of individuals,

limbs there, and it's gorgeous.

368

00:20:44,535 --> 00:20:47,385

Now then let's take our old brush.

369

00:20:47,385 --> 00:20:48,825

It's got the dark Brown on it.

370

00:20:50,445 --> 00:20:53,115

Get a little band Dyke

Brown here, Vandyke.

371

00:20:53,325 --> 00:20:54,435

Cause it's even darker.

372

00:20:55,485 --> 00:20:58,365

It's not as transparent as that

others and want that very dark to

373

00:20:58,365 --> 00:21:02,895

push that path back in there and mix

a little dark Sienna with it too.

374

00:21:04,830 --> 00:21:08,429

Give it a little push there.

375

00:21:09,479 --> 00:21:12,360

All those little Rascals, just

go far back in the distance.

376

00:21:12,570 --> 00:21:14,189

Maybe there's some little duties here.

377

00:21:14,699 --> 00:21:17,159

I don't know wherever you want them.

378

00:21:18,929 --> 00:21:20,459

There's a whole line of them that go back.

379

00:21:22,770 --> 00:21:24,360

Like, all we need to

do is get him in dark.

380

00:21:24,360 --> 00:21:24,810

First.

381

00:21:28,590 --> 00:21:30,899

I tell you what, let's get crazy.

382

00:21:32,264 --> 00:21:37,304

I'm going to take my old Filbert

brush, take it through Brown on

383

00:21:37,304 --> 00:21:40,245

one side, the other side, I'm

going through this light color.

384

00:21:40,574 --> 00:21:44,865

Just like, so let's go up in here

and maybe, maybe there's what

385

00:21:44,865 --> 00:21:46,395

remains of an old fence here.

386

00:21:48,284 --> 00:21:49,754

Maybe an old fence there.

387

00:21:49,905 --> 00:21:51,195

I get a little more color on there.

388

00:21:53,115 --> 00:21:56,085

Maybe this really irregular old fence.

389

00:21:56,085 --> 00:21:58,695

We don't even know where

it, wherever we want it.

390

00:21:59,985 --> 00:22:00,795

There comes one.

391

00:22:00,825 --> 00:22:04,725

Maybe it comes on around sort

of like cap load, a little more

392

00:22:04,725 --> 00:22:08,115

color on the brush right here.

393

00:22:08,385 --> 00:22:10,545

Maybe there's still an

old rail or two left.

394

00:22:11,535 --> 00:22:12,225

Just a couple.

395

00:22:12,645 --> 00:22:13,785

Most of them are long gone.

396

00:22:15,375 --> 00:22:21,945

Now I'll take a little yellow ochre and

let's put the indication here and there.

397

00:22:22,925 --> 00:22:25,575

Have some little highlights on

these bushes that we dropped in.

398

00:22:26,145 --> 00:22:31,775

I have a little alizarin Crimson

in there just to change the flavor.

399

00:22:32,135 --> 00:22:32,345

Ooh.

400

00:22:32,375 --> 00:22:32,765

Yeah.

401

00:22:35,165 --> 00:22:40,175

I like to make bushes with his two inch

brush just to show how easy it is to

402

00:22:40,175 --> 00:22:42,575

create some of these illusions shoot.

403

00:22:42,575 --> 00:22:44,725

If you can do it with the two

inch brush and do it pretty good.

404

00:22:45,035 --> 00:22:45,545

Think I will.

405

00:22:45,545 --> 00:22:51,275

You can do it when you use a small brush,

just a way to get you interested in it.

406

00:22:52,935 --> 00:22:53,535

All right.

407

00:22:54,935 --> 00:23:00,425

And a few little looters out in here

might even be a few little things

408

00:23:00,755 --> 00:23:02,585

showing right in here up to you.

409

00:23:02,615 --> 00:23:03,785

You decide where they're at.

410

00:23:05,765 --> 00:23:06,155

They're

411

00:23:09,845 --> 00:23:14,135

back, her little liner brush, but

a few little sticks and twigs and

412

00:23:14,135 --> 00:23:15,905

things that grow right in here.

413

00:23:19,200 --> 00:23:20,610

Maybe I tell you what let's do.

414

00:23:20,610 --> 00:23:21,360

Let's get crazy.

415

00:23:21,420 --> 00:23:22,260

Maybe there's a tree.

416

00:23:22,260 --> 00:23:23,730

It lives right there.

417

00:23:25,950 --> 00:23:31,350

Maybe he died nothing but his old

skeleton hanging around here, but he

418

00:23:31,350 --> 00:23:38,130

still has a place in nature there just

to sort of bring everything together.

419

00:23:40,020 --> 00:23:40,590

All right.

420

00:23:42,000 --> 00:23:45,180

Put a little Bush right there

and that'll, that'll help push

421

00:23:45,180 --> 00:23:46,350

him back into the painting.

422

00:23:47,510 --> 00:23:48,440

Something like that.

423

00:23:51,350 --> 00:23:53,210

Think we're about to the point

where you can take the contact

424

00:23:53,210 --> 00:23:54,650

paper off here and see what we got.

425

00:23:54,980 --> 00:23:56,480

That's always the moment of truth.

426

00:23:57,590 --> 00:23:58,940

That's the moment of truth.

427

00:23:59,330 --> 00:23:59,810

Straightened out.

428

00:23:59,810 --> 00:24:00,860

The bottoms are little.

429

00:24:03,950 --> 00:24:06,620

I like to, I want to highlight

these chest a little more.

430

00:24:09,105 --> 00:24:10,095

He's little fence post.

431

00:24:10,095 --> 00:24:13,395

Just want to make them Xen can do that.

432

00:24:13,815 --> 00:24:18,044

Just like, so they're now they stand out.

433

00:24:20,585 --> 00:24:23,495

All right, let's take the contact

paper off and see what we got today.

434

00:24:24,544 --> 00:24:26,105

This is the moment of truth.

435

00:24:27,935 --> 00:24:28,264

Isn't that?

436

00:24:28,264 --> 00:24:29,075

Fantastic.

437

00:24:30,425 --> 00:24:35,375

These little paintings where the ovals

are so unique people absolutely love them.

438

00:24:36,465 --> 00:24:37,605

Absolutely love them.

439

00:24:37,635 --> 00:24:39,615

I think this one's about

ready for a signature.

440

00:24:40,845 --> 00:24:44,565

We will take a little bit of

red and let's sign this one.

441

00:24:45,705 --> 00:24:46,784

The sign him right here.

442

00:24:47,835 --> 00:24:48,764

Call him finished.

443

00:24:49,665 --> 00:24:51,315

Really hope you've enjoyed this painting.

444

00:24:51,915 --> 00:24:55,815

And also hoping this show you enjoyed

seeing the paintings at other people

445

00:24:55,815 --> 00:24:57,165

all over the country are doing.

446

00:24:58,095 --> 00:25:00,585

If you have time to take a photo

of what you're doing, send it to

447

00:25:00,585 --> 00:25:02,534

us, let us show it until next time.

448

00:25:02,774 --> 00:25:03,555

Happy painting.

449

00:25:03,855 --> 00:25:05,085

And God bless my friend.

End .srt file.

Bob Ross' The Joy of Painting

Thursday, December 31, 2020

S31E08 - Trail's End

Bob Ross's

The Joy of Painting

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