Bob Ross's

The Joy of Painting

S28E10 - Splendor of Autumn

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Hey, welcome back.

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Certainly glad you could join us today.

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I thought today we'd do a painting.

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That's just very pretty to

make you feel good inside.

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So let's start out and have him

run all the colors across the

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screen that you need to paint along

with us while they're doing that.

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Let me show you what we get at pear.

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I have my standard old 18 by 24

inch double prem canvas, but you use

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whatever size is convenient for you.

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I've just covered the entire canvas with

a very, very thin coat of liquid white.

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So it's all wet and ready to go.

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So let's just have some fun today.

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Maybe we'll start out with the

little tiny two inch brush.

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And to that, we'll add a little bit of

Indian, yellow, just a small amount.

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Don't need much thought we just

let's just do something it's bright

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and shiny and pretty, as I say,

it'll make you feel good inside.

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All right.

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We'll just put a little

yellow right there.

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Something about like that.

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There we go without cleaning the brush,

I'm going to go right into yellow ochre,

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yellow ochre, this sort of a gold color.

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Very nice, warm color.

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I like it.

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There you put two eyes and

a big smiley face on there.

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We have somebody's portrait right there.

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No, not really.

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There we go.

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Let's just blend that together.

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Maybe a little more of the, okay.

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We ended out somewhere like that.

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We don't care.

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Doesn't make any difference because

as you know, we don't make mistakes.

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We just have happy

accidents here on canvas.

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Okay.

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We'll wash the old brush off and we wash

our brushes since he's are oil paints with

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odorless paint thinner, shake it though.

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It just cover everything

in about a block radius.

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Now, then I want to mix up.

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Oh, let's take, let's take

some they little blue.

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I'm going to make a pretty good

pile and the lizard Crimson.

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Just mix it together.

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They love blue and lizard Crimson

proportionately much, much, much,

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much more Crimson than blue.

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Much more.

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There we go.

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We just make a nice lavender color.

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About my cat.

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Okay, good.

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Now you may want to put a little white

over here and tested to see what color it

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is because it just sort of looks black on

the pallet and you might want to test it.

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All right.

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I'm gonna put a little bit

of this on my two inch brush.

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Then I want to start on the outside

edge and just begin blending that in.

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I don't want to, I don't

want a dark color here.

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Just a little lavender

just to bring it up.

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Like I say, I thought

we'd do something a day.

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That's just very bright and sparkly.

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Maybe, maybe even something

that has an autumn feel to it.

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What the heck, here we go.

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I'm gonna put a little bit on

the other side over here too.

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We don't want him left out there.

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Just sort of blend it around

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maybe right in here.

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And that's about all we're looking for

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there.

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And I have several brushes going.

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I'm going to grab another one and

put titanium white on it, just

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a little titanium white and come

right up here at about the center.

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Take a little white and

begin blending outward.

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I want this to be very

bright right in here.

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So take a little bit of the

titanium white and just really

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work it in there and work outward.

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Once you get the brush contaminated

with color, try not to take

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it back into the center.

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You can do this as many times as you want

to achieve any desired lightness, but I

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would suggest that you clean the brush

each time you go back to the center.

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Otherwise you're going to drag that dirty

color right back into the light area.

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We can take it very lightly, just blamed

the entire canvas and just sort of

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bring it all together that easy there.

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And that'll sort of give us a

nice warmish glow right out there.

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Now that I got the little brush

going, I'm going to see, I got another

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one here that has lavender on it.

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We'll use that.

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Let's put a little bit of that

lavender color red on the brush.

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Just tap a little into the

bristles and maybe, maybe in

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our world, in the back in here.

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I don't know, just start

making decisions here.

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Maybe there's some little things that

live back in here, wherever we're just

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going to make some little background

indications, things that live far away.

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There as you run out of paint,

just turn the brush over, use

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the other side, either side.

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There we go.

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Just some little indications.

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I don't know exactly what they

are, and I don't know that

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we really care at this point.

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Just background material.

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Sometimes you can take the brush and just

hold it vertically and put in all kinds

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of little indications wherever, once

again, this is just background material.

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We're not really concerned with it at

this point, maybe later on, we will be.

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But right now it's just

background material there.

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As you begin running out of paint,

you can put things that are closer

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to the light source up here,

because they would be lighter.

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There we go.

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Just little, little hints of

things that you can see back here.

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We don't know where they are.

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Very quiet, little, little,

little quiet things.

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Let's see them.

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Let's see.

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It gives the impression

there's things back here.

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Well, we don't know what they

are, and I really don't know

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that it even matters right now.

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Just indications and for

little things hanging out over

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here, wherever you want them,

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just all kinds of little Dover's.

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There we go

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and you're going to have the

whole thing painted already.

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That's all it takes.

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It's really all it takes.

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Just let your imagination take you to

anywhere that you want to be that easy.

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We can come back and begin

making the indication of layers.

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Do the, do the shape that in your mind is

a father's the way first and then worked

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forward and it'll create depth, even in

the little background, things like yes,

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and chances are we'll cover most of it

up, but some of them may show through

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and people will think that you've worked

for long periods of time to create these

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illusions are secret just to enjoy.

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Just enjoy there.

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Let pop right in there.

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See each layer gets a little bit darker.

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And already, it looks like you

can see we've back in there.

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And we really haven't been,

we haven't done hernia thing.

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I got to have a little water.

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We just pull some of this down.

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We'll decide where the water lives later,

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but we have a little bit in there if

we needed them to take a little bit

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of the little bit of blue leaf, they

normally would just add right in there.

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So it has a little bluish cast to it.

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It's still mostly lavender.

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It's just more of a blue side now.

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All right.

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See, here's the breast.

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We would put a little white on it.

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Just, just titanium white,

maybe in our world, right there.

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Maybe there's lights and

right across the water.

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Want that to be nice and shiny

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back to my breast for the lavender.

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I'm just sorta going back and forth.

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Listen, maybe there's a happy little Bush.

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It lives right here.

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Comes right out

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there and we'll put a little

reflection down for him that easy.

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That easy.

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Who knows?

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Who knows?

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Who knows kid crazy.

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Maybe over here, maybe there's

another little peninsula that

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comes out into the water.

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So it looks like water's

back behind there,

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there, once again, just a little,

a little reflection underneath, by

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pulling straight down and then going

across that's all there is to it.

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Take this knife, a little bit of

liquid white, maybe put at least

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little touch of bright red, just enough

to pink it up a little, give it a

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little pinkish flavor, pull it out.

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Flat, cut across.

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Let's do that slow so you

can see it cut across.

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Let's go up in here.

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Okay.

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That we can take.

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And we're then.

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Chin was cutting the indication,

just a little waterline.

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It lives right up in there.

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Something like that.

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I don't want a real distinct one.

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Just, just a hint, just a hint

of color her right in there.

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Like, so there we go.

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All right.

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Already look at the amount of

depth and distances in that.

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It's that simple just

by varying the shades.

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Now you could even go in here and

take your knife and cut in little

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sticks and twigs sometimes in

between all these little areas.

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There they come.

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All of those little things help create

the illusion of distance in your painting.

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There we are.

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That's enough to get us started.

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Now then let's have some fun

here, maybe in our world, maybe.

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We'll just keep using

the old two inch brush.

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It seems to be working pretty good.

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Now change my mind.

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Scoot around brush.

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That's the beauty of this.

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You can just change anytime you want.

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I'm going to take a little round brush,

still go into that lavender color.

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Okay.

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Uh, put a little background tree

background for a tree and ms.

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Right there, they're a little darker.

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Each layer gets a little bit darker.

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All right.

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Maybe this tree lives on

this side of the water.

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Let's put a, let's put a little

tree trunk in there for that.

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I'm going to take a little Vandyke

Brown, dark Sienna, mixed together,

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load the brush full of, of color.

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A lot of color.

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See both sides.

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And we'll take one side and just take

it through a little bit of white.

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So I have light on one side,

dark on the other C white dark K.

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Now you have to decide here's

our light source right here.

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So light's going to come

from both directions.

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Need to keep that in mind.

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Keep the light side of this to the

left needed a little bit lighter.

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Didn't come out quite light enough.

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So that it shows up with this do to

get here, see, get the light and the

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dark side, both at once works well.

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And maybe, yeah.

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What the heck I'd work in.

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So it's working so well.

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Let's do it again.

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Okay.

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One more time.

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Give him a little freedom there.

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I said we had tree trunks that easy.

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And my little round brush there.

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Lint, let's go into a little bit, little

bit of yellow, a little bit of SAP green.

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Maybe there's a little green

still going on back here.

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We decided we'd have maybe a

little autumn thing, but maybe it's

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still a little green back here.

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This little small round brush

does fantastic on trees.

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Like, yes, this is what

it's just wonderful for.

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Just wonderful.

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They're just a little green left

back here, even though Jack Frost

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may be doing this magic still a

little green on some of these.

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There, maybe he missed this one.

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Okay.

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But surely he will come back and

get it there, but for right now

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still got a little color in it.

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We'll just let it blend

right on down to about there.

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And maybe we'll start playing with color.

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Maybe there's a little

yellow ochre right here.

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Touch a bright red once in a while.

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Down in here.

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Maybe this tree has more color of it.

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Just sort of let it happen.

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We'll dip the brush into a small

amount of the liquid white,

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because as you know, at the end,

paint will stick to a thick paint.

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So we're going to thin

it down just a wee bit.

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She noticed a little bit.

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Yeah.

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Maybe a little paint

thinner would do better.

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Yes.

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That's much better.

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I'm looking for a lighter color

so I can go back and yeah, that's

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what I'm looking for right there.

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One highlight that a little bit.

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Just want to highlight it a little bit.

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So it stands out.

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All right.

255

00:14:37,130 --> 00:14:37,880

Okay.

256

00:14:37,970 --> 00:14:41,510

Now let's see.

257

00:14:41,510 --> 00:14:43,160

Maybe over here on the other side.

258

00:14:44,790 --> 00:14:50,130

Maybe there's a happy little Bush

lives over here on this side or into

259

00:14:50,130 --> 00:14:55,470

the green Hughes, just play with these

colors back and forth, forth and back

260

00:14:55,860 --> 00:14:59,100

enjoy just to really and truly enjoy.

261

00:14:59,160 --> 00:15:00,150

That's what it's all about.

262

00:15:02,070 --> 00:15:03,570

Painting does nothing else for you.

263

00:15:03,600 --> 00:15:04,680

It should make you happy.

264

00:15:06,960 --> 00:15:08,220

Should make you happy.

265

00:15:10,230 --> 00:15:10,890

All right.

266

00:15:13,980 --> 00:15:14,340

Okay.

267

00:15:14,340 --> 00:15:17,250

Maybe some, a little Bush right

here in front of that one.

268

00:15:20,130 --> 00:15:22,200

Just working the layers each layer.

269

00:15:23,190 --> 00:15:23,820

Think about it.

270

00:15:25,500 --> 00:15:26,160

Think about it.

271

00:15:26,400 --> 00:15:26,790

Shoot.

272

00:15:27,000 --> 00:15:27,960

Let's get crazy here.

273

00:15:29,070 --> 00:15:31,200

Maybe there's some

bushes on this side too.

274

00:15:31,290 --> 00:15:33,300

While I got the old brush

working, we'll put some right

275

00:15:33,300 --> 00:15:34,620

down there at the foot to them.

276

00:15:34,620 --> 00:15:35,100

Trees.

277

00:15:37,079 --> 00:15:38,130

Who knows where they go.

278

00:15:39,719 --> 00:15:40,050

Yeah.

279

00:15:40,800 --> 00:15:41,849

We'll just bring them together.

280

00:15:44,579 --> 00:15:46,859

As you paint, you begin to

see all these little things,

281

00:15:47,069 --> 00:15:49,560

just practice, just practice.

282

00:15:50,010 --> 00:15:52,170

You'll learn to create as you paint.

283

00:15:53,880 --> 00:15:54,540

There we go.

284

00:15:57,960 --> 00:16:00,480

A little bit of, a little

bit of black credit in there.

285

00:16:01,350 --> 00:16:05,970

I want a dark color in here, somewhat

that has a little black, maybe a

286

00:16:05,970 --> 00:16:08,520

little pressure and blue pression

blue is much stronger than that.

287

00:16:08,520 --> 00:16:14,850

They want the foreground

to be darker there.

288

00:16:16,590 --> 00:16:21,480

Add it back to her little oval

brush, dip it into a little bit

289

00:16:21,480 --> 00:16:23,880

of little bit of the liquid white.

290

00:16:25,605 --> 00:16:29,084

Yellow ochre, little kid, yellow,

maybe even a little bright bread.

291

00:16:29,655 --> 00:16:33,765

Just tap the brush and we'll

go back up to the here.

292

00:16:34,425 --> 00:16:38,895

Ooh, there's a lot of

firecracker little firecracker.

293

00:16:41,295 --> 00:16:41,805

Here we go.

294

00:16:41,954 --> 00:16:43,395

Give me a little friend that lives there.

295

00:16:45,444 --> 00:16:46,305

Just that easy

296

00:16:50,834 --> 00:16:51,224

there.

297

00:16:56,535 --> 00:16:59,615

And the other one just work in layers.

298

00:16:59,615 --> 00:17:04,454

So try to leave a little dark between

each group between each and every group

299

00:17:07,555 --> 00:17:11,535

on the other side and maybe, yeah,

happy little Bush right here, too.

300

00:17:13,815 --> 00:17:14,685

Something I can.

301

00:17:16,484 --> 00:17:22,274

Just varying colors, back and

forth, forth, and back there we

302

00:17:22,274 --> 00:17:30,375

are is another one, Indian, yellow,

sometimes alizarin Crimson, and the

303

00:17:30,375 --> 00:17:32,415

yellows make some gorgeous colors.

304

00:17:32,415 --> 00:17:33,135

Try that too.

305

00:17:34,004 --> 00:17:35,655

Especially if you're doing fall pictures

306

00:17:39,225 --> 00:17:44,625

there, something like,

so whatever, whatever.

307

00:17:46,080 --> 00:17:47,580

Go back to your two inch brush.

308

00:17:48,930 --> 00:17:50,220

We'll put a little color on it here.

309

00:17:50,220 --> 00:17:53,850

The same colors that we're using,

the reds and the yellows, all of

310

00:17:53,850 --> 00:17:58,920

those beautiful colors and some green

we'll come back in here and just

311

00:17:58,920 --> 00:18:02,910

begin tapping in indication of some

little grassy areas that live in here.

312

00:18:04,495 --> 00:18:07,794

The more you tap this, the more it picks

up the lavender and blue color underneath,

313

00:18:08,544 --> 00:18:12,504

and it'll just fade away if you want

it to distinct tap it very few times.

314

00:18:13,524 --> 00:18:15,955

The more you tap it, once again,

the board will pick up that color

315

00:18:15,955 --> 00:18:17,754

underneath and the darker it'll become.

316

00:18:19,435 --> 00:18:21,115

Use that knowledge to your advantage.

317

00:18:25,784 --> 00:18:26,475

Okay.

318

00:18:27,584 --> 00:18:34,274

Maybe, maybe use more of the dark color.

319

00:18:36,155 --> 00:18:39,324

We'll put the indication, maybe

something that comes right down here.

320

00:18:39,324 --> 00:18:41,824

I'm gonna add a little

dark Sienna, made a break.

321

00:18:42,995 --> 00:18:44,165

There we go.

322

00:18:46,175 --> 00:18:49,175

Something about leg so that easy though.

323

00:18:49,205 --> 00:18:50,014

It's all it takes.

324

00:18:55,155 --> 00:18:55,965

All right.

325

00:18:56,715 --> 00:18:58,065

Thank you about the lay of the land.

326

00:18:58,065 --> 00:18:58,995

When you're putting these in

327

00:19:02,295 --> 00:19:02,835

kitty.

328

00:19:03,945 --> 00:19:04,485

Guess what?

329

00:19:05,445 --> 00:19:10,245

Bravery time I'm going to take some

midnight blacks, Vandyke Brown, dark skin,

330

00:19:10,245 --> 00:19:11,655

and just mix all three of these together.

331

00:19:11,685 --> 00:19:16,515

A lot of paint, lots of

paint, a bravery test.

332

00:19:18,075 --> 00:19:18,765

You ready for this?

333

00:19:19,590 --> 00:19:25,530

Maybe in our world, their lives, big

tree right there, or right there.

334

00:19:26,430 --> 00:19:30,290

Maybe the big tree has

a friend right there.

335

00:19:32,630 --> 00:19:33,290

There we go.

336

00:19:33,950 --> 00:19:34,550

It looks like something.

337

00:19:34,550 --> 00:19:38,510

I used to make a Slingshot out

of when I was a kid, got in

338

00:19:38,510 --> 00:19:39,440

a lot of trouble with them.

339

00:19:39,770 --> 00:19:42,380

Maybe on this side, here we go.

340

00:19:42,830 --> 00:19:43,820

Another big old tree.

341

00:19:44,720 --> 00:19:46,010

Don't let these big tree scare.

342

00:19:46,010 --> 00:19:47,810

You just drop them in.

343

00:19:48,570 --> 00:19:51,240

It's your world and you can put

a big tree wherever you want.

344

00:19:51,280 --> 00:19:53,990

Want it, where ever you want it.

345

00:19:55,760 --> 00:20:04,700

Or you can put a little tree up to you

or even a tiny little tree, whatever you

346

00:20:04,700 --> 00:20:06,410

can put a lot of trees in your world.

347

00:20:07,820 --> 00:20:10,550

Now, then let's make several

different kinds of trees.

348

00:20:10,580 --> 00:20:11,540

Just for practice.

349

00:20:12,560 --> 00:20:16,820

Let's say, take a little titanium wide

with at least little touch of Brown in it.

350

00:20:17,495 --> 00:20:18,195

Little roller paint.

351

00:20:18,225 --> 00:20:19,455

Let's say this tree over here.

352

00:20:20,925 --> 00:20:22,455

Let's decide it's a Birch tree.

353

00:20:23,805 --> 00:20:25,665

Just want to show you how

to make several trees here.

354

00:20:26,865 --> 00:20:28,965

Maybe this old Birch

tree lives right here.

355

00:20:30,045 --> 00:20:32,205

Just sort of give it a round pool.

356

00:20:32,925 --> 00:20:35,805

I know that didn't make any sense

of go round like that with a knife.

357

00:20:35,805 --> 00:20:42,095

When you give it a little pull

there, chances are, if that one's

358

00:20:42,095 --> 00:20:44,165

a Birch, his friend will be too.

359

00:20:45,510 --> 00:20:47,040

Since they live right together here.

360

00:20:49,320 --> 00:20:55,699

All right, right on up something

like, so, and you can put a little

361

00:20:55,699 --> 00:20:59,120

touch on the other side, just remember

where you light's coming from.

362

00:20:59,149 --> 00:21:00,320

Always be aware of that.

363

00:21:01,639 --> 00:21:07,550

The other old tree, let's take some dark

Sienna, a little bit of white, and maybe

364

00:21:07,550 --> 00:21:09,020

this tree over here is a different kind.

365

00:21:09,020 --> 00:21:13,220

So all we're going to do for

this one is just touch, touch.

366

00:21:14,520 --> 00:21:17,340

Let the tree take off what

it wants, give you back.

367

00:21:17,340 --> 00:21:19,649

What's left, just touch.

368

00:21:20,070 --> 00:21:25,070

And when this is dry, you'll be able to

actually feel the bark in this tree there.

369

00:21:27,230 --> 00:21:33,320

And once again, this one's probably

the same kinds of just there something.

370

00:21:33,320 --> 00:21:39,740

My kid take her liner brush,

little bit of thin paint,

371

00:21:40,010 --> 00:21:41,300

thinning it with paint thinner.

372

00:21:43,980 --> 00:21:46,950

We'll just put the indication

here in there of an old tree

373

00:21:46,950 --> 00:21:49,290

limb, or two that lives out here.

374

00:21:49,590 --> 00:21:54,330

I don't know wherever you

want to, wherever you want.

375

00:21:56,180 --> 00:21:58,020

I'm gonna put some leaves

up here if we have time.

376

00:21:58,020 --> 00:21:59,879

So it's all right.

377

00:21:59,940 --> 00:22:00,570

We don't care.

378

00:22:01,410 --> 00:22:02,100

What's up here.

379

00:22:03,330 --> 00:22:08,520

Just the indication a few

of them will show there.

380

00:22:09,510 --> 00:22:12,090

Maybe, maybe this little

tree got stoked on it.

381

00:22:12,090 --> 00:22:13,260

He's not doing so good.

382

00:22:14,850 --> 00:22:16,169

Maybe maybe died.

383

00:22:18,000 --> 00:22:20,850

Maybe that's all that's left is

just a skeleton hanging out here.

384

00:22:22,800 --> 00:22:27,629

And the old Birch trees

got a few lambs to fuel.

385

00:22:27,629 --> 00:22:34,760

Lamb's hanging out here, enjoying

the sunshine there, wherever.

386

00:22:37,290 --> 00:22:37,620

Right.

387

00:22:39,710 --> 00:22:42,050

And then let's go back to

our little round brush.

388

00:22:42,860 --> 00:22:45,020

Let us use some that lavender Brown color.

389

00:22:45,040 --> 00:22:45,590

Doesn't matter.

390

00:22:47,780 --> 00:22:48,409

Here we go.

391

00:22:49,100 --> 00:22:52,730

Let's just, let's just drop some happy

little leaves right up here on these.

392

00:22:54,230 --> 00:22:56,030

So round brush, it didn't take too long.

393

00:22:56,030 --> 00:22:56,510

I do that.

394

00:22:58,449 --> 00:22:59,600

In fact, I think I'll just close.

395

00:22:59,600 --> 00:23:03,470

The whole top of this sand makes

it an interesting composition.

396

00:23:08,580 --> 00:23:09,120

There

397

00:23:13,080 --> 00:23:21,900

anywhere you want them to be up to you

up to you, maybe right in Mary Jean.

398

00:23:22,620 --> 00:23:24,840

I think for this, I'm going

to use, so it'll stand out.

399

00:23:25,080 --> 00:23:27,720

I'll make an orange color

out of yellow and red.

400

00:23:28,830 --> 00:23:31,290

Nice, nice orange color.

401

00:23:33,179 --> 00:23:33,510

There.

402

00:23:33,510 --> 00:23:35,550

I need some paint thinner

down then that down.

403

00:23:35,550 --> 00:23:36,179

So it sticks.

404

00:23:37,139 --> 00:23:38,189

I got a lot of paint on here.

405

00:23:38,189 --> 00:23:38,429

Now.

406

00:23:40,949 --> 00:23:41,580

There we go.

407

00:23:44,230 --> 00:23:46,139

Dynamite bright.

408

00:23:46,139 --> 00:23:50,480

Resco very bright, a little

more red, a little more yellow.

409

00:23:52,340 --> 00:23:52,730

Ooh.

410

00:23:52,760 --> 00:23:53,389

I like him.

411

00:23:53,929 --> 00:23:55,189

I like that color.

412

00:23:55,429 --> 00:23:55,939

Gorgeous.

413

00:23:55,939 --> 00:23:57,020

That's what I was looking for.

414

00:23:59,220 --> 00:24:03,360

That's what I was looking for there.

415

00:24:03,450 --> 00:24:05,850

Once again, remember where

your light's coming from, work

416

00:24:05,850 --> 00:24:07,920

with basic shapes and patterns.

417

00:24:08,640 --> 00:24:11,490

Little, a few little things

on this other one over here.

418

00:24:13,620 --> 00:24:15,270

We just use the same basic color.

419

00:24:16,620 --> 00:24:21,870

I say Jack Frost has played through

here and it's starting to turn

420

00:24:22,260 --> 00:24:23,879

all of these gorgeous colors.

421

00:24:25,575 --> 00:24:28,155

I'm just looking for any excuse to

use a lot of yellows and oranges.

422

00:24:28,365 --> 00:24:29,625

Cause I like those colors.

423

00:24:31,065 --> 00:24:34,425

If you hang a painting like that in a

room, it, it brightens the entire room.

424

00:24:36,605 --> 00:24:37,295

There we go.

425

00:24:37,715 --> 00:24:45,365

Something about like, so that's

all, it takes indication.

426

00:24:45,365 --> 00:24:47,825

Maybe a few little things down

here at the base of the tree.

427

00:24:50,135 --> 00:24:53,075

And with him, we having finished painting.

428

00:24:54,335 --> 00:24:58,665

Can take a little red, a little

liner brush, make a quick little

429

00:24:58,665 --> 00:25:01,245

signature and we'll be going.

430

00:25:02,745 --> 00:25:06,014

I hope you've enjoyed this one with that.

431

00:25:06,045 --> 00:25:07,035

We're going to call it done.

432

00:25:07,215 --> 00:25:09,705

And from all of us here, I'd

like to wish you happy painting.

433

00:25:10,305 --> 00:25:11,415

And God bless my friend.

End .srt file.

Bob Ross' The Joy of Painting

Thursday, December 31, 2020

S28E10 - Splendor of Autumn

Bob Ross's

The Joy of Painting

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