Bob Ross's

The Joy of Painting

S27E11 - Splendor of a Snowy Winter

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I have certainly glad to see you today.

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I thought today, we'd just do a fantastic

little painting, this nice and easy.

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I believe you'll enjoy it.

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So I tell you what, let's start out

and have him run all the colors across

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the screen that you need to paint

along with us while they're doing that.

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Let me show you what I've got done today.

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I have my standard old canvas up here now,

today I've just taken and I've covered the

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top with liquid white in the bottom with

liquid black and blended them together.

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I have very little liquid

black on the bottom.

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But I know I'm on some dark down here,

so it's an easy way to do it, but the

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black end and it's already there for you.

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Okay.

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Let's do it.

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Let's just, let's do a winter scene today.

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What the heck?

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I'm going to have the least little

touch of a lizard Crimson in it.

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I don't want much just pull

out a tiny, tiny little bit.

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Let's go up in here.

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Maybe I'll have a big mountain today.

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And I want a little touch of this Crimson

right behind the edge, the mountain.

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Just, just to warm it up.

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A tiny little bit, but be careful.

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Don't get too much of this.

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You'll set the old sky on fire.

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I don't want to do that.

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Don't want to do that.

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And I want to keep this painting

quite dark, quite, quite

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a bit into the gray tones.

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I think, I think I'll do it that way.

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All right.

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Just that much Crimson.

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That's all we needed.

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May not even show.

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All right, let's go over here and

get a little, let's get a little

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midnight black and Prussian blue

midnight, black pression blue.

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Okay, go back up in here and

we'll just very quickly using

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our little crisscross strokes.

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Little exes would just dance

in a happy little sky here.

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Something about like cat,

very simple little sky.

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There.

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Okay.

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Now, then right off this time, I get to

wash the brush and that's, that's the

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most fun part of this whole procedure.

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There we go.

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Okay.

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Let's wash the old brush.

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We'll just give it a

little scrub, shake it off.

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I can't beat the devil out of it.

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I will go back into the light

area with a clean brush and just

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blend these two areas together.

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Something about like that.

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Oh, life's wonderful.

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Isn't it.

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There we go.

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That's about all we need.

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I just want sort of a

blue, gray sky in here.

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But dark enough to give

you the feeling of winter.

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All right.

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Which knock off the excess paint.

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Maybe I can use that one again.

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Let's take Prussian blue,

midnight, black Crimson, maybe

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a little Brown in there too.

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Little Vandyke.

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Blue black and Crimson had a little Brown,

pull it out as flat as you can get it.

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Cut across, get a little roll of paint

should live right on the Indian knife.

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And with that, let's go up in here.

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Maybe I'm in big mountains

going to live right here.

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Let's touch.

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Where do you want to go?

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Let's do it.

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Let's make a wild mountain today.

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Shoot.

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If you've painted with me before,

you know, I love mountains,

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there are a lot of fun.

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And they're easy to do in this technique.

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Very, very easy to do mountains

and, and maybe reflections of the

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two things that work the best, or

maybe they're just my favorites.

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See if something's your favorite

then, and you think it works the best.

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So.

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Let's see, maybe I'll tell

you what, let's get crazy.

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Put a bump over here to be enough to

keep us busy, scrape off all the excess,

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just really getting down, scrape it off.

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See most of that pink went away,

but there's going to be a little

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bit to chosen several places.

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And that's all I was looking for just

enough to, to warm it up a little.

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So it's not too cold there.

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Now with a clean brush,

we'll grab that and pull it.

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That removes excess paint

and it pulls it down.

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So it gets lighter in

value toward the horizon.

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And that's what we're looking for.

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So exactly what we're looking for.

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When I said we was going to do a

big mountain, I wasn't exaggerating.

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Yeah.

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Notice how the base of that already.

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It looks like it's just floating there

and that happens automatically when you

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have the liquid white liquid, white is

continually blending with your color.

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And these little effects just happen.

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There we go.

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There we go.

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All right.

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Let's take titanium height, pull

it out flat as we can get it,

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really get in there and get tough.

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Cut across and get our

little roll of paint.

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Once again.

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See, pull it out.

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Cross a little roll of paint with that.

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We have to make some big decisions here.

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Maybe an on our world, this

whole mountain comes right down.

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I can't, I don't know.

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You decide, but no pressure.

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Absolutely no pressure on the knife.

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Just in your mind, pretend that only

the paint is touching the blade of the

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knife is not even touching the canvas.

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Nothing is touching

except the paint there.

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All right today, I'm having this

highlight come from the left side.

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It's up to you.

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You may want to change it and put

it on the other side in your world.

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You can put it anywhere

that you wanted in anywhere.

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Let's mix up some shadow for that.

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We'll use little poly, we'll use

a little Prussian blue and white.

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You could put a little

black in it to dull.

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It don't want it too bright Hertz.

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You guys have to wear sunglasses.

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There maybe a little, little bit

darker that's getting right now.

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It gets good.

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You know, when it's right.

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You can sort of look at it

until our little roll of paint.

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And let's just put in the indication here

and there of a few little shadow areas.

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Yes.

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Just a few little things there.

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I like to do these.

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There's so much fun.

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And if anybody can paint mountains in this

technique, it's probably less than Steve.

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Well, that son of a gun is the

best painter in the country.

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He makes me look bad sometime

is mountain for so good.

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So good.

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But that just means

I'm proud of him there.

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Cause he's painted, he's painted

since he was about 12 years old.

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And he's a good example of.

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Of what can be done even at a young

age, they're right over in there.

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Reach up in here, pull a

little bit of that down.

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Just sort of work these together.

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Tell their life you want.

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I want to say was going

to do a big mountain.

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I wouldn't kill him.

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Was there, maybe there's a shadow

comes right across over here.

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I don't know.

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Maybe a little lights to see you.

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You make the decision, you decide

where you think light's zinging

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through here, there, Erica just barely,

barely, barely touching the canvas.

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I, I can't say that enough.

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I want that to look around it.

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So you just use those kinds of strokes.

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To make it look that way.

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Just think what it would look like.

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I'll look like it's coming

over in front sneaky, huh?

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Arizona right there.

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Back to the white.

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I'm just going back and forth

between white and the shadow color.

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Maybe there's a bump.

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It lives out here wherever.

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It doesn't much matter.

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Do your world.

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You can put this anywhere

that you want it.

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There we go, just let these things happen.

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This whole knife will do wonderful,

wonderful things for you.

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You can do entire scenes using

absolutely nothing but the knife.

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It's a little, it's a little

slower, but the effect is beautiful.

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It is beautiful in some

of the earlier series.

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I think we did a couple of

those are actual painting time.

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Here is less than 25 minutes.

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And there is no editing.

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If you've painted with me

before, you know, what you

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see is what actually happened.

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We don't edit.

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These are filmed, live time, how we go.

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So if we make a booboo it's right

here, but that's all right, because

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we don't make mistakes in our world.

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There.

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We don't even know where

that goes to another.

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We even care, pull that a little lower.

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Now you got us a big mountain here.

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Let's have some fun

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clean, dry two inch brush

all of those angles.

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I want to create the

illusion of miss down here.

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If I don't pick up a

little titanium white.

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So that increases it even more there.

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Nice Misty cold area down in there.

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Something about like that and blend it.

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Take out the tap marks, bring it together.

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That's all history.

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All right.

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Now we've got to decide where we're going.

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Maybe in our world, the Horton

let's take that mountain color.

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I was at Crimson, depression,

blue, some blacks, Jack Brown.

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That's what we had in it.

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Just mixing up a pile, more of it.

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Okay.

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Let's find us a fan brush.

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We'll go right into this very dark color.

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Very, very dark should look black

load, both sides of the brush and

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in our world, maybe there's lives.

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Sure does.

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Now big old evergreen tree is right there.

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I'm turning the brush more.

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I want this one to be a fat little tree.

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One name.

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It makes a gorgeous little Christmas tree.

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That's what it is.

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Let's see.

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Fat little tree.

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So we're going almost straight

in with a brush there.

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Let's give him a couple of friends.

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There we go.

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And you know, trees are like

people, they're all different.

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Maybe this one here is a little skinnier

and maybe this next one over here.

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I don't know.

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I mean, I had a little touch-up

paint thinner on my brush because

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I've have a lot of paint behind it.

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So if you thin that paint, then

it'll stick, it will stack up.

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Then paint will stick to a thick paint.

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See is trees got some naked spots in it?

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And we'll put one more right there.

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Just for the heck of it.

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Maybe this one, here's another

old fat one, like cat poop.

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I like it.

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Beautiful little tree there.

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You see there, mate.

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And there's one back here,

maybe that all you can see is

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just a couple of little things.

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He had a bad year.

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All right.

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A few little bushes that live

right here, but that easy, you can

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create a whole forest whole forest

lives right here in your brush.

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Just create little bushes and stuff.

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Okay.

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I've got several fan brushes

going, so I don't have to spend

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all my time just washing brushes.

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Let me grab another one and put

some liquid white on my brush.

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Okay.

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And go into some thalo

blue and titanium white.

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I put the liquid white in

there only to thin the color.

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So it'll stick to that thicker tree color

and the scope in here now that we can come

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back, we just put a few highlights here.

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Now.

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I don't want a lot.

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I don't want to lose that view.

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Beautiful darkness, just a few.

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They love blue is beautiful and it might

be one of my favorites, colors like him.

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I like it.

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There we go.

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A little more of the

liquid white on the brush.

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Once again, liquid white.

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Is there only that then it would just

pop in a few little bushy indications

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here and there, there is one.

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You make the decision where they left.

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It looks cold already.

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All right.

259

00:13:08,550 --> 00:13:09,540

Let's have some fun here.

260

00:13:10,665 --> 00:13:14,564

I'm gonna go right into the titanium

white with the two inch brush

261

00:13:14,715 --> 00:13:16,725

that she's your brave retest load.

262

00:13:16,725 --> 00:13:19,064

A lot of color in the

bristles, lot of color.

263

00:13:20,585 --> 00:13:22,145

All right, here we go.

264

00:13:23,705 --> 00:13:24,365

Here we go.

265

00:13:24,365 --> 00:13:25,895

I want a nice light area right there.

266

00:13:26,074 --> 00:13:29,975

So I'm going to start there because as

we pick up the black it's underneath

267

00:13:30,005 --> 00:13:34,235

and all this color, it's going to

get darker and darker that easy.

268

00:13:34,775 --> 00:13:37,475

I did that very slow so you

can see exactly how it goes.

269

00:13:39,120 --> 00:13:42,900

I don't want that to

be bright in there now.

270

00:13:42,900 --> 00:13:45,210

I want it to get darker

as it leaves that area.

271

00:13:45,210 --> 00:13:46,770

So I'm not adding any more white.

272

00:13:47,430 --> 00:13:50,640

I'm allowing the brush to pick up

the liquid black it's underneath

273

00:13:51,750 --> 00:13:55,980

and automatically, automatically

that'll get darker and darker

274

00:13:56,820 --> 00:13:59,850

as it works away about my cat.

275

00:14:03,090 --> 00:14:04,260

I think I want a house there.

276

00:14:05,040 --> 00:14:07,680

You know me, I always want to live

in these scenes after a paint them.

277

00:14:08,790 --> 00:14:11,550

So I'm gonna put a little

cabin right there, little house

278

00:14:14,640 --> 00:14:17,940

every once in a while I get a letter from

somebody and they'll say, Oh, I love that

279

00:14:17,940 --> 00:14:19,860

scene until you put that house in there.

280

00:14:19,860 --> 00:14:20,820

And I didn't like the house.

281

00:14:21,720 --> 00:14:23,820

If you don't want a house

in your world, leave it out.

282

00:14:24,030 --> 00:14:27,150

I just want to show you how, what

you put in there, your business.

283

00:14:28,260 --> 00:14:28,950

All right.

284

00:14:28,980 --> 00:14:29,460

Brown.

285

00:14:31,214 --> 00:14:36,405

Just plain old van Dyke, Brown,

little, little dark Sienna in it time.

286

00:14:37,545 --> 00:14:38,954

I sort mix them all the time.

287

00:14:38,954 --> 00:14:42,395

So you get a variation, but don't,

overmix them leave them evenly.

288

00:14:42,395 --> 00:14:44,925

You can't see it as so dark

leaving sort of marbled.

289

00:14:45,735 --> 00:14:48,795

And we go back with little white and

some highlight colors, dark Sienna,

290

00:14:48,795 --> 00:14:51,165

white, Brown, and light Brown.

291

00:14:52,064 --> 00:14:55,905

When you go back and it picks

that up, it'll be marbled.

292

00:14:55,905 --> 00:14:57,824

It just won't be one old dog color.

293

00:14:59,945 --> 00:15:01,935

Say they're just barely touched.

294

00:15:01,935 --> 00:15:04,385

Just like, just like you would

put in snow on the mountain.

295

00:15:04,445 --> 00:15:05,075

It's all you doing.

296

00:15:06,665 --> 00:15:08,285

DJing the side over here.

297

00:15:09,905 --> 00:15:10,775

Add a little more Brown.

298

00:15:10,805 --> 00:15:12,035

I want it darker over here.

299

00:15:13,475 --> 00:15:15,905

Just barely can see there's

anything happening there.

300

00:15:16,595 --> 00:15:18,515

Much darker there.

301

00:15:20,615 --> 00:15:22,535

I think we need a door today.

302

00:15:22,535 --> 00:15:24,395

I'm gonna put a door right there.

303

00:15:26,525 --> 00:15:27,485

Take a little touch of that.

304

00:15:28,680 --> 00:15:31,560

Brown put some indications

like that in there.

305

00:15:32,250 --> 00:15:35,340

Just to make it look like an

old cabin living out here.

306

00:15:36,570 --> 00:15:40,440

We need a roof or this poor man

is going to freeze to death.

307

00:15:41,460 --> 00:15:42,930

We'll give him a roof for his cabin.

308

00:15:44,730 --> 00:15:45,390

I can't.

309

00:15:45,450 --> 00:15:45,780

It's true.

310

00:15:47,940 --> 00:15:48,450

There we go.

311

00:15:51,015 --> 00:15:52,305

Just put it right on there.

312

00:15:54,515 --> 00:15:55,265

Over here.

313

00:15:55,265 --> 00:15:59,225

We need a little bit Liz right

out there, something like that.

314

00:16:00,574 --> 00:16:01,115

All right.

315

00:16:04,055 --> 00:16:05,345

Got a little too much white right there.

316

00:16:05,345 --> 00:16:06,245

So I just lifted off.

317

00:16:08,704 --> 00:16:09,785

They might put that right back.

318

00:16:10,535 --> 00:16:10,625

Okay.

319

00:16:10,655 --> 00:16:12,425

Once again, we don't make mistakes.

320

00:16:13,805 --> 00:16:14,944

Anything happens here.

321

00:16:14,944 --> 00:16:15,625

We can live with it.

322

00:16:16,365 --> 00:16:17,235

We can make it work.

323

00:16:18,375 --> 00:16:19,035

Okay.

324

00:16:19,845 --> 00:16:27,675

Back to her brush has some white paint

on it and maybe in her world, right

325

00:16:27,675 --> 00:16:31,635

there just come right through there.

326

00:16:34,155 --> 00:16:36,885

Beginning to pick up a little bit of

the pressure and blue on the brush.

327

00:16:36,915 --> 00:16:38,415

Very, very little though.

328

00:16:39,495 --> 00:16:43,545

Just want to begin putting a little

cool color or blue is a very cool color.

329

00:16:45,540 --> 00:16:47,850

I actually feel cold there.

330

00:16:48,810 --> 00:16:53,490

And you mix that blue, that little bit of

blue for the liquid black it's on there.

331

00:16:54,180 --> 00:16:55,890

Why it works, it works.

332

00:16:56,400 --> 00:16:56,850

You know what?

333

00:16:57,870 --> 00:16:58,650

Let's get crazy.

334

00:16:59,190 --> 00:17:00,090

I want a window in here.

335

00:17:00,090 --> 00:17:02,130

This guy I'd have to see

out and see all that.

336

00:17:03,420 --> 00:17:06,780

Maybe, maybe a little snow at

the bottom of his window there.

337

00:17:07,350 --> 00:17:08,310

Little touches like that.

338

00:17:08,310 --> 00:17:10,500

Sorta certain makes you painting personal.

339

00:17:11,579 --> 00:17:12,030

All right.

340

00:17:12,179 --> 00:17:13,440

Let's find us a fan brush.

341

00:17:13,800 --> 00:17:23,270

We're going into, into Prussian

blue and black blue and black

342

00:17:23,480 --> 00:17:25,849

or black and blue, whatever.

343

00:17:26,569 --> 00:17:26,659

Okay.

344

00:17:26,990 --> 00:17:30,260

To redo a big tree, let's go up

here and do what do you know me?

345

00:17:32,090 --> 00:17:35,600

I think right there now all

we're going to do is tap.

346

00:17:35,929 --> 00:17:39,110

Take the brush and just tap,

tap, tap, tap all the way down.

347

00:17:40,695 --> 00:17:42,135

All the way down to wherever you want it.

348

00:17:43,275 --> 00:17:43,935

I like that.

349

00:17:44,925 --> 00:17:45,345

I like it.

350

00:17:45,345 --> 00:17:46,125

Maybe I'll do another one.

351

00:17:48,405 --> 00:17:50,565

We'll put a little, little

group of trees here.

352

00:17:50,985 --> 00:17:56,955

Two, three pet accounts, three

blue trees, three little trees.

353

00:17:56,985 --> 00:18:00,345

Maybe, maybe this fourth

little tree maybe.

354

00:18:02,235 --> 00:18:05,835

Yeah, maybe he got hurt when he

was little and he's got the linis.

355

00:18:05,895 --> 00:18:07,275

He sorta just fell over there.

356

00:18:09,480 --> 00:18:11,639

NAMI's going, gonna take the

brush and just wiggle it.

357

00:18:12,179 --> 00:18:18,209

So at the edge of the bristles touch,

and we just sort of smear in some,

358

00:18:18,689 --> 00:18:22,020

some little doers right here that

looked like only highlight them.

359

00:18:22,020 --> 00:18:23,669

It looked like little

bushes that live in there.

360

00:18:25,620 --> 00:18:25,980

Shoot.

361

00:18:25,980 --> 00:18:26,909

That's working pretty good.

362

00:18:28,260 --> 00:18:33,060

Maybe let's just bounce in just taking

the brush and just touching the edge.

363

00:18:34,485 --> 00:18:37,905

Just touching the corner and

Wakeland quickly, quickly, it's

364

00:18:37,905 --> 00:18:39,254

hard to do this slow, quickly.

365

00:18:39,525 --> 00:18:43,545

Piglet see, gives us an indication

of just some little things.

366

00:18:43,545 --> 00:18:44,355

Growing back here.

367

00:18:44,975 --> 00:18:52,235

I need a liner brush, take the liner

brush and we'll go into that same

368

00:18:52,235 --> 00:18:56,345

color, same color, thin some of it out.

369

00:18:57,455 --> 00:19:02,345

We want to thin it till it's almost like

ink turned the bristles that loads it for.

370

00:19:03,660 --> 00:19:04,050

Turn them.

371

00:19:04,050 --> 00:19:04,890

So it's very sharp.

372

00:19:05,310 --> 00:19:05,760

Let's see there.

373

00:19:05,760 --> 00:19:06,900

You can see it so sharp.

374

00:19:06,900 --> 00:19:09,960

It is maybe on our tree out here.

375

00:19:09,990 --> 00:19:11,610

Maybe this is an old evergreen tree.

376

00:19:11,610 --> 00:19:12,780

That's just about had it.

377

00:19:13,980 --> 00:19:16,440

We'll put a few lambs that

hang out through here.

378

00:19:18,090 --> 00:19:18,510

There.

379

00:19:18,900 --> 00:19:20,430

I don't know what kind

of tree it really is.

380

00:19:20,430 --> 00:19:21,450

Whatever you want it to be.

381

00:19:23,250 --> 00:19:24,870

You make that big decision.

382

00:19:26,790 --> 00:19:27,570

There we go.

383

00:19:29,130 --> 00:19:29,940

Evergreen trees.

384

00:19:29,940 --> 00:19:31,050

If that's what it is always have.

385

00:19:31,050 --> 00:19:33,540

These little hangie offers

off the side, all the little

386

00:19:33,540 --> 00:19:34,890

things it's hanging off there.

387

00:19:36,660 --> 00:19:41,940

Now maybe, maybe this tree was a different

kind of tree and it has limbs that go,

388

00:19:44,120 --> 00:19:48,740

I can't, whatever kind of tree you want.

389

00:19:51,945 --> 00:19:54,435

Don't just make your lamps just straight.

390

00:19:54,465 --> 00:19:55,875

Give them some wiggle and jiggle.

391

00:19:55,935 --> 00:19:58,965

I have people write and they said,

Baba, I don't think I can paint.

392

00:19:58,965 --> 00:20:00,585

I have a little shake in my hand.

393

00:20:01,785 --> 00:20:02,985

I think you're ahead of the game.

394

00:20:04,185 --> 00:20:04,965

A little shaken.

395

00:20:04,965 --> 00:20:05,805

The hand here plays.

396

00:20:05,835 --> 00:20:07,185

Great, great dividends.

397

00:20:08,565 --> 00:20:09,375

Now this is winter.

398

00:20:09,375 --> 00:20:12,105

So we're just going to leave

the leaves off that evergreen

399

00:20:12,105 --> 00:20:15,105

sort of keep theirs, but these

kinds of trees, they lose theirs.

400

00:20:16,655 --> 00:20:17,165

All right.

401

00:20:19,440 --> 00:20:22,170

Something about my kid

back to my fan brush.

402

00:20:23,970 --> 00:20:25,110

Let's go up in here.

403

00:20:26,130 --> 00:20:31,050

I'm just gonna tap downward with a brush

with the indication here and there.

404

00:20:31,090 --> 00:20:31,410

A few.

405

00:20:31,410 --> 00:20:35,100

Oh, maybe there's a few

limbs left on this rascal.

406

00:20:36,390 --> 00:20:36,960

There they come.

407

00:20:37,710 --> 00:20:45,780

I can now going back to my breasts that

I had liquid white titanium, white and

408

00:20:45,780 --> 00:20:47,190

a little touch it, they look blue on it.

409

00:20:49,274 --> 00:20:50,655

Just loaded, full of color.

410

00:20:51,945 --> 00:20:56,004

And let's go up in here, here,

and just want to gently touch it.

411

00:20:56,014 --> 00:20:56,764

Don't overdue.

412

00:20:56,915 --> 00:20:58,264

Don't don't lose that dark.

413

00:20:58,834 --> 00:20:59,524

Just highlight.

414

00:20:59,554 --> 00:21:00,125

Don't kill it.

415

00:21:00,725 --> 00:21:02,135

It gets feeling good.

416

00:21:02,165 --> 00:21:09,125

You don't know when to stop sometime, but

just enough, just enough to highlight.

417

00:21:09,735 --> 00:21:12,334

Now we can take in here and I'll

just, I'll just use this brush.

418

00:21:12,365 --> 00:21:14,074

What the heck we can use anything.

419

00:21:15,399 --> 00:21:18,780

Use the old fan brush I'm using

a number six sometime, sometime

420

00:21:18,780 --> 00:21:19,919

I pick up a number three.

421

00:21:20,010 --> 00:21:23,429

I have two different flavors

of fan Bryce, six and a three.

422

00:21:23,520 --> 00:21:24,270

So it's up to you.

423

00:21:25,409 --> 00:21:31,110

Some people prefer the little brush,

some the big, I think it really depends

424

00:21:31,110 --> 00:21:34,320

on the effect you're trying to achieve

and what you're comfortable with.

425

00:21:35,639 --> 00:21:37,800

That's my armchair philosophy for the day.

426

00:21:40,020 --> 00:21:44,370

If it, if it works for you, then it's

good to take a little white reach

427

00:21:44,370 --> 00:21:49,950

right up in the bottom of that and

begin pulling some of that out, allow

428

00:21:49,950 --> 00:21:51,240

it to pick up a little bit color.

429

00:21:51,360 --> 00:21:51,810

Okay.

430

00:21:53,129 --> 00:21:56,220

When it starts mixing with the

liquid black, that's wonderful.

431

00:21:57,090 --> 00:21:57,810

Don't fight it.

432

00:21:58,889 --> 00:21:59,700

Don't fight it.

433

00:21:59,830 --> 00:22:03,090

Take a little bit of that

color or just rub it in right

434

00:22:03,090 --> 00:22:05,970

there or something like that.

435

00:22:08,340 --> 00:22:16,230

Now we'll take a little liquid,

honey got a little blue in it too.

436

00:22:16,290 --> 00:22:18,950

Just a little, yeah, I'm

going to have this come up.

437

00:22:19,190 --> 00:22:21,290

I put the liquid white in

there and once again to thin

438

00:22:21,290 --> 00:22:23,780

it, I want this to look like.

439

00:22:24,200 --> 00:22:26,659

Maybe there's a big ledge

here in stuff's hanging over.

440

00:22:28,980 --> 00:22:30,649

We just sort of blend

that back into there.

441

00:22:32,669 --> 00:22:33,209

They're

442

00:22:39,030 --> 00:22:39,780

little right in there.

443

00:22:40,610 --> 00:22:45,290

She was sort of see these things in

your mind, drop them in, drop them in

444

00:22:45,330 --> 00:22:46,639

wherever you think they should live.

445

00:22:48,350 --> 00:22:49,610

Maybe it goes all the way down there.

446

00:22:49,639 --> 00:22:52,100

I don't know a little bit in there.

447

00:22:54,980 --> 00:22:55,730

I know there's a Bush.

448

00:22:55,740 --> 00:22:56,540

He lives right here.

449

00:22:57,139 --> 00:22:58,459

Just a good place for a little Bush.

450

00:22:58,490 --> 00:22:59,610

We've been using the fan brush.

451

00:22:59,610 --> 00:22:59,780

So.

452

00:23:00,915 --> 00:23:01,965

We'll just continue.

453

00:23:04,365 --> 00:23:10,125

We'll just continue a little bit of

the blue and the white, the low blue.

454

00:23:10,215 --> 00:23:12,195

Cause I want to just

highlight this a little.

455

00:23:14,495 --> 00:23:18,035

They're just pushing up or down.

456

00:23:19,715 --> 00:23:24,875

Give it a little upward push, put a

few little highlighted things in there.

457

00:23:25,625 --> 00:23:27,605

Just makes it look like

some little bushy areas.

458

00:23:31,905 --> 00:23:38,955

Pick her liner brush a little

bit of color we made and tell

459

00:23:38,955 --> 00:23:42,195

you what, maybe there's a tree.

460

00:23:42,205 --> 00:23:43,035

It lives right there.

461

00:23:43,435 --> 00:23:50,295

There he comes the old tree

and get any leaves on him.

462

00:23:50,295 --> 00:23:52,125

His arms are all naked hanging out here.

463

00:23:54,285 --> 00:23:57,405

There Jack Frost just

took his leaves away.

464

00:23:58,485 --> 00:23:59,834

That's okay, come spring.

465

00:23:59,834 --> 00:24:00,524

They'll come back.

466

00:24:01,604 --> 00:24:03,314

Maybe he's got a little

friend lives right there.

467

00:24:04,064 --> 00:24:09,945

It's up to you up to you,

maybe here and there.

468

00:24:09,945 --> 00:24:12,885

We can put in just the

indication of some little things.

469

00:24:14,175 --> 00:24:17,084

Sometimes it's fun to, Kilana

brushed a little bit of the

470

00:24:17,084 --> 00:24:19,495

liquid white and reach up in here.

471

00:24:19,995 --> 00:24:24,524

Pull down icicles that last

sickle that hang off your cabin.

472

00:24:26,760 --> 00:24:27,270

Tell you what happened?

473

00:24:28,250 --> 00:24:31,010

The whole clock on the wall

tells me it's about time to sign

474

00:24:31,010 --> 00:24:32,209

this one and call it finished.

475

00:24:33,080 --> 00:24:34,310

Let's just sign it right here.

476

00:24:36,230 --> 00:24:37,550

And I hope you've enjoyed this one.

477

00:24:38,090 --> 00:24:39,500

It's a very easy little painting.

478

00:24:39,800 --> 00:24:41,389

Bring a lot of pleasure into your life.

479

00:24:42,209 --> 00:24:43,070

Hope you give it a try.

480

00:24:43,070 --> 00:24:45,500

If you do take a picture of it

and send it to us, we'd love to

481

00:24:45,500 --> 00:24:47,360

see it here from all of us here.

482

00:24:47,659 --> 00:24:49,159

I'd love to wish you happy painting.

483

00:24:49,850 --> 00:24:51,020

And God bless my friend.

End .srt file.

Bob Ross' The Joy of Painting

Thursday, December 31, 2020

S27E11 - Splendor of a Snowy Winter

Bob Ross's

The Joy of Painting

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