Bob Ross's

The Joy of Painting

S29E05 - Countryside Barn

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Hey, welcome back.

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Certainly glad you could join us today.

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I thought today we'd just do a painting.

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It's a lot of fun.

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So I hope you get your paints

and brushes out and you're all

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ready to paint along with us.

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Let's start out and have him run

all the colors across the screen

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that you need to paint along

with us while they're doing that.

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Let me show you what I've got today.

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Get plain old, double prime.

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Pre-stretch canvas up here and I'm

using 18 by 24 inch, but you use

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whatever size is convenient and I've

just covered the entire canvas with

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a very thin coat of liquid white.

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So it's all wet and ready to go.

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So let's just have some fun once again.

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Let's just enjoy today.

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Maybe today, we'll start with a little

two inch brush and we'll go right

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into small amount of the theolo blue.

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Just a little, just a

little, let's go up here.

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And said, let's do this.

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There, we are just take off and

put some gorgeous colors in here.

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They look blue is such

a beautiful, warm blue.

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I like it very much.

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Very, very much.

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There we go.

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Just paint something about like that.

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Little more of the paint, tell you what,

and they would just go on that a little

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further with it doesn't really matter.

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Absolutely.

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Doesn't matter here, because if you

painted with me before, you know, we don't

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make mistakes, we have happy accidents,

anything that happens here we can live

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with and we can turn it into something

that looks pretty good most of the time.

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And so can you.

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Don't worry about it.

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Painting should make you happy.

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All right.

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I must begin adding a little

pressure and blue, make it a little

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darker out here on the corners.

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This is pressuring blue and

I did not clean the brush.

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So there's a little fellow

blue steel in the brush.

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Doesn't matter.

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Really really doesn't matter down in here.

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We'll just do the same thing, something

like that, a little more depression, blue.

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And we're just, let's just fill

up the whole canvas since we

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were about done that already.

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There and then we'll just begin

blending it a little, maybe in the

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corners, the dark net, a little,

add a little bit of midnight black.

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So we have black oppression,

blue working toward fellow blue.

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All right.

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A little bit over in other corner too.

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We don't want it left out there.

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Hey, few tests.

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So much fun.

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I'm going to do the bottom

two, the one that left out

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and a little bit over in here.

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Oh, okay.

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Fun times.

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Let's wash the old brush.

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That's what I look forward to

and everything we wash our brush

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with odorless paint thinner.

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Be sure it's odorless.

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If it's not, you're going to run

everybody in your family, out in the yard.

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Be sure it's odorless off.

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I kicked the bucket too.

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Okay.

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Then we'll go right into titanium.

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White.

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Let's go right up in here with a titanium

white and I'm going to start right here.

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This will be our light source.

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This will be our lightest area in the

sky and begin just blending outward.

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They're all right.

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And you can do this as many times as you

want to make it as bright as you want.

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Doesn't matter.

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I would suggest though, if your

brush picks up a lot of that blue,

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that you wash your brush, before

you go back into that light area.

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And you can just sort of look

at the end Bevin and see if

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it's got a lot of blue on it.

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All right.

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We just blend out any, any

little brushstrokes, just

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blend them out, just like that.

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Easy as it can be down

here, doesn't really matter.

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All right.

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Now then, Oh, brushwork and pretty good.

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It's going to go right into some more of

the blue color, mainly depression blue,

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and I'm just tapping just the corner.

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See, just the corner.

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Let's go up in here.

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Maybe back here now.

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World lives.

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Some little trees and bushes,

little things like yes.

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And I'm just kind of began by putting

in some very basic little shapes,

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just tapping with the top corner,

just the top corner, something

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like, so they're a little bit more.

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And you decide where they do.

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All right.

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And we'll have a big one open,

just, just sort of let this happen.

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Don't worry about it.

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Don't worry about it because

the worst thing could happen at

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this point is you just blended

in and make it part of this guy.

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It's no big deal.

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No big deal saying that as they

get a little closer to us, we'll

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make them just a little darker.

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So they stand out.

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That's the reason we're just using

the corner of the brush automatically.

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The bottom will be lighter than the top C.

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Sneaky.

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And there we go.

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You just decide where they are,

drop them in wherever, and you can

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make as many layers as you want to

add this many, many, many layers.

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And I think that's what

makes a painting look deep.

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It gives it depth.

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It's layers in it.

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This is very simple to do.

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Now.

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Let's go back.

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Same old brush.

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I still haven't cleaned the

brush because it has blue on it.

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I'm going to go into a little bit

of the CAD yellow and a little

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yellow ochre here and there and

pick up a beautiful green color.

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It will turn green automatically.

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Okay.

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We can go back up in here.

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And just using the top corner,

the two inch brush, we can put the

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indication of some little highlights

on some of these little trees and

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bushes that live back in here.

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And I think, I think I'll do

that to all of these shoot.

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We'll just sort of very back and forth.

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Okay.

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Something, there we go.

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That one's got a little more of a

yellow ochre in it there, you know,

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I talk all the time about all the

fantastic letters we get from people

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all over the country who are doing

beautiful, beautiful paintings.

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And today I'd like to share

a couple of those with you.

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And we get letters from people

in every walk of life from

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every part of the country.

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And look at some of the

paintings are doing.

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A lot of these people have never,

never had a lesson in their life.

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They're painting strictly from watching

the show, but isn't that fantastic.

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I just, I'm always amazed

if what people are doing.

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And some of these are very, very young

people, very young people, my young

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friends who dynamite, absolutely dynamite.

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And people are taking it

further than I ever dreamed.

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They're doing scenes

that are just gorgeous.

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Just I'm I'm just so proud

of so many of these painters.

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Absolutely wonderful.

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They certainly, they

certainly amaze me every day.

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We get more and more isn't

that something look at there.

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And you can do this.

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You can do this there.

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Now.

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This is a, is a papier-mache

sculpture that was sent to me by a

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beautiful lady named Rose McLaughlin.

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Isn't this something that's probably about

20 inches high and it's, as I say, it's

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a papier-mache sculpture of guests who.

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Oh, Bob, there, you can tell by the,

the wild hairstyle, I think, but

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Rose did a cordless job on this.

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In fact, that's, I've sent that

to our warehouse and it's going

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to be on permanent display there.

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Thanks Rose.

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It was gorgeous there.

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See, I'm just putting in a few

little highlights here and there.

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Or you were viewing all those

beautiful, beautiful paintings.

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They are something aren't.

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They.

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It just, it does fantastic things.

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It makes all this worthwhile.

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When I see what people are doing

all over the country, taking a

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little paint, thinner, a little

bit of the dark color, and let's

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go up in here and here and there.

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And they're in here put in an indication.

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I don't want too many, just a

few little indications of some

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little tree trunks and stadiums.

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Liam's whatever you want to call them.

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They live back here.

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They're just very lightly

touched the canvas.

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Don't need much, just a few

little doodles there we are.

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See they're just like, so, and you

just decide where you think he's little

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limbs live in your world and you put

them in wherever you want them is

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exactly, exactly where they should be.

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Painting is a very individual thing.

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It's very free.

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It's very loose there.

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Okay, great.

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And that easy.

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We've got a nice little background.

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I thought maybe today.

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Yeah.

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Let's paint.

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Let's paint a barn today.

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We filmed the show in London, in the

great town of Muncie, Indiana, and

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around here, get a little set green.

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There are a lot of beautiful,

beautiful barns and covered bridges.

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So let's paint one.

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Okay.

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Take a little bit of that

green, that green, the yellows.

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And let's just decide back here.

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Yeah.

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Maybe back in here too.

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Maybe there's a little Hill right there.

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What the heck.

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All right.

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And we'll just begin working on that.

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Think about shape and form of your Lando,

or is it's called the lay of the land.

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They're a little more of the color.

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I'd be a little more yellow.

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I want that to stand

out just a wee bit more.

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And if you have trouble making

the paint stick, you can add that.

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Yeah.

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That's it the least little

touch of paint thinner.

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Or liquid white liquid

white will change it color.

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That'll make it brighter.

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Paint thinner would just make it thinner.

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Probably why they call it Fenner.

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There we go.

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A little background right in there.

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Something like sow barn.

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Are we going to do a barn?

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Maybe?

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What the heck?

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Listen, you're ready to get crazy.

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Let's do a big barn.

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I find that taking the knife.

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And scraping out a basic shape

when I'm doing building helps me.

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Maybe, maybe you don't need to do that,

but it helps me a little bit just to have

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an idea of shape and where I'm going to

put everything perspective, whatever.

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I'm a big, fancy word

you're going to use there.

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Maybe this, maybe it's one of

them old barn just got some arms

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that stick out on the sides.

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Something like, so, and all we're

doing here is removing excess paint

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and giving us a basic shape to go by.

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Let's take some Vandyke Brown on the

knife, and we'll start back here with the

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back Yves, something about like, yeah.

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And there's more at this point.

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We're not committed.

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We can change this any way we want.

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We're absolutely not committed.

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This is just blocking in a

little color, just a basic shape.

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You cannot make a mistake here.

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The only thing you'd happens is maybe

a barn gets a little bigger there, but

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you can change it any way that you want.

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All right, right.

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We'll come down.

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Does that begin to make sense?

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I sort of see things in my mind.

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And from there off we go.

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Because this painting technique allows

you to, to visualize things and then to

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put them on canvas in a very short time,

very short time, I get letters from a lot

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of professional people who say they have

very limited amounts of time and they

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love this technique because after a busy

day, they can come home, unwind, relax,

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set their easel up and in an hour or two,

can I have her a nice little painting?

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And that's wonderful.

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Over here on this side, we decided

we was going to have a little thing

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coming out here about to there.

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It doesn't matter.

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See boys, the guy's

going to be a big barn.

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I got carried away, but that's okay.

257

00:13:04,860 --> 00:13:05,550

It's our world.

258

00:13:05,550 --> 00:13:10,500

And we can do anything in our world that

we want to do anything that we want to do.

259

00:13:12,510 --> 00:13:13,170

All right.

260

00:13:13,170 --> 00:13:17,219

And as far and keeps growing hair there.

261

00:13:17,880 --> 00:13:21,120

Now, now we can begin

putting in the goodies.

262

00:13:22,410 --> 00:13:23,880

We've got some color blocked in.

263

00:13:24,450 --> 00:13:28,290

Let's take some dark CNS and white, and

I'm going to pick up a little bit of

264

00:13:28,290 --> 00:13:31,020

yellow ochre, just little yellow ochre.

265

00:13:31,030 --> 00:13:36,110

I like it sort of a gold color, but

notice the pain is very marbled.

266

00:13:36,110 --> 00:13:38,160

There's all kinds of

colors happening in there.

267

00:13:39,210 --> 00:13:40,530

Pick up a little roll of paint.

268

00:13:40,740 --> 00:13:45,270

I can go back up here and very

lightly touch and pull down.

269

00:13:46,665 --> 00:13:48,045

Just touch it and pull it down.

270

00:13:49,035 --> 00:13:53,415

And all those different colors that we saw

on the palette are in that role of paint.

271

00:13:53,595 --> 00:13:54,825

So you get a variation.

272

00:13:55,695 --> 00:13:57,705

It's not just one old dead color.

273

00:13:57,765 --> 00:13:59,535

It's a lot of things happening in there.

274

00:14:00,555 --> 00:14:02,775

A lot of gorgeous

things, lights and darks.

275

00:14:03,915 --> 00:14:09,285

You couldn't do that to intentionally

if you tried, but we, we knew

276

00:14:09,285 --> 00:14:12,045

how to make happy accidents

happen on a regular basis here.

277

00:14:13,185 --> 00:14:20,255

There now over here, I'll put some more,

we'll get a little more the dark Sienna.

278

00:14:20,255 --> 00:14:22,695

I want this side over here to be darker.

279

00:14:24,635 --> 00:14:29,225

Something about my cat,

take a little of the van.

280

00:14:29,225 --> 00:14:33,275

Dyke is playing van Dyke

and maybe here and there.

281

00:14:33,275 --> 00:14:36,995

We can put the indication of

some fuel boards live in there.

282

00:14:38,525 --> 00:14:40,895

Just touching, allowing it

to pull off what it wants.

283

00:14:42,615 --> 00:14:46,505

There Waco it's there that

easy, good place for the old

284

00:14:46,505 --> 00:14:47,795

cow to live right in here.

285

00:14:49,445 --> 00:14:49,985

Hair.

286

00:14:52,175 --> 00:14:55,835

I grew up with that with an

old cow that lived with us.

287

00:14:56,105 --> 00:14:56,755

She was nice.

288

00:14:56,765 --> 00:14:57,245

Okay.

289

00:14:57,575 --> 00:14:58,295

I'll milk cows.

290

00:14:59,495 --> 00:14:59,975

I miss her.

291

00:15:00,035 --> 00:15:04,205

We used to drink fresh milk, right from

the cow unpasteurized and all that.

292

00:15:04,985 --> 00:15:06,755

I guess that's not

considered safe anymore.

293

00:15:07,965 --> 00:15:11,535

But it was some of the most

best taste in milk I've ever

294

00:15:11,535 --> 00:15:15,195

had out right now for the roof.

295

00:15:16,785 --> 00:15:18,825

Let's take, what does he use?

296

00:15:18,825 --> 00:15:25,725

Those same colors and brighten them,

yellow ochre, dark Santa, and some white

297

00:15:26,085 --> 00:15:28,095

once again, don't, overmix the color.

298

00:15:28,155 --> 00:15:30,765

We want all those things happening

so you can just sort of pick and

299

00:15:30,765 --> 00:15:32,835

choose wherever you want them.

300

00:15:33,525 --> 00:15:34,395

A little roll of paint.

301

00:15:34,890 --> 00:15:38,460

Go back up here and let's just

take the knife touch and just

302

00:15:38,460 --> 00:15:41,220

sort of let it bounce noise.

303

00:15:41,220 --> 00:15:46,020

And so there we are, look at all

the colors that happened in there.

304

00:15:47,550 --> 00:15:50,460

I mean, think how long you'd have to

work to try to come up with those colors.

305

00:15:50,550 --> 00:15:55,080

If you ever could don't know that you

ever could, but just let it bounce

306

00:15:59,120 --> 00:15:59,540

there.

307

00:16:02,565 --> 00:16:09,135

Say, maybe brightness age, just a wee bit

darker, darker, darker as it goes down and

308

00:16:09,135 --> 00:16:13,125

over here, coming out in this direction.

309

00:16:13,515 --> 00:16:21,435

There are some more they're old, old barn

and they're little right along the edge.

310

00:16:23,115 --> 00:16:23,625

All right.

311

00:16:24,945 --> 00:16:27,285

Now we can take, let's

see, what will we use here?

312

00:16:29,145 --> 00:16:31,665

There's a little white with

a touch of the little blue.

313

00:16:31,665 --> 00:16:34,185

It just a touch just enough

to shade it a little bit.

314

00:16:34,755 --> 00:16:37,715

Very small roll of paint with that.

315

00:16:38,045 --> 00:16:42,125

I just want, I just want to sort

of Markle that edge, so it stands

316

00:16:42,125 --> 00:16:46,925

out and you can see it just enough

to sparkle a little, maybe just

317

00:16:46,925 --> 00:16:48,515

indication that it goes back here.

318

00:16:49,025 --> 00:16:52,715

See there, but not much, not much.

319

00:16:53,025 --> 00:16:57,615

You could overdo very quickly, just

tiny little bit around the bar.

320

00:17:01,745 --> 00:17:03,485

Just enough to, to outline it.

321

00:17:03,875 --> 00:17:05,915

Now we can do a barn ectomy.

322

00:17:07,055 --> 00:17:12,395

If we can just cut it off wherever

we want it think about perspective

323

00:17:12,395 --> 00:17:13,565

and all those little things.

324

00:17:17,255 --> 00:17:17,765

Okay.

325

00:17:18,905 --> 00:17:19,385

And.

326

00:17:20,954 --> 00:17:23,474

I didn't put any little boards

there, just touch with the dark

327

00:17:23,474 --> 00:17:25,865

Sienna or the Vandyke Brown.

328

00:17:25,865 --> 00:17:31,745

Either one just gives a little

indications right along in there and

329

00:17:31,805 --> 00:17:35,585

it will help make it look like it

was made out of all boards there.

330

00:17:36,335 --> 00:17:37,264

And that's basically.

331

00:17:38,475 --> 00:17:42,375

All we have to do to have a little

barn shoot, and we'll go back

332

00:17:42,375 --> 00:17:47,175

to her brush with the SAP green,

the yellows, all the yellows.

333

00:17:48,085 --> 00:17:49,004

Watch the fine I'll touch.

334

00:17:49,014 --> 00:17:50,565

At least little amount of the bright red.

335

00:17:50,895 --> 00:17:53,294

I use that to dull color it.

336

00:17:53,294 --> 00:18:00,284

Believe it or not, it will doll your

greens because green and yellow.

337

00:18:02,235 --> 00:18:04,845

Our green and red make Brown and Brown.

338

00:18:04,845 --> 00:18:07,365

We'll dial your color for you there.

339

00:18:09,855 --> 00:18:17,055

Just tap in a few little grassy

areas, something like, so, all right.

340

00:18:17,565 --> 00:18:18,825

We'll put the least little touch up.

341

00:18:18,855 --> 00:18:21,195

Paint thinner on my brush

just to thin the paint down.

342

00:18:21,254 --> 00:18:22,784

So it'll slide on here.

343

00:18:22,784 --> 00:18:23,504

A little easier.

344

00:18:24,780 --> 00:18:28,199

If you have trouble making the paint

stick once again, add the least little

345

00:18:28,199 --> 00:18:35,600

touch of paint, thinner, nah, pay very

close attention to the lay of the land.

346

00:18:37,010 --> 00:18:39,379

I sort of want this to look

like a Hill going down today.

347

00:18:40,939 --> 00:18:41,570

There we are

348

00:18:45,020 --> 00:18:45,530

like that.

349

00:18:47,419 --> 00:18:48,169

All right.

350

00:18:52,455 --> 00:18:53,534

A little more of the paint.

351

00:18:56,165 --> 00:18:56,465

Okay.

352

00:18:56,495 --> 00:18:58,805

See, just let it go.

353

00:18:59,315 --> 00:19:02,105

Let it go there.

354

00:19:04,955 --> 00:19:05,855

All right.

355

00:19:07,055 --> 00:19:07,655

We just sorta.

356

00:19:08,774 --> 00:19:10,544

Tapping in some basic little grass here.

357

00:19:10,544 --> 00:19:12,314

That's all, we're doing

a little grassy area.

358

00:19:12,735 --> 00:19:16,965

And if a little bit blue shows through

that's wonderful and it's wonderful.

359

00:19:16,965 --> 00:19:19,274

The brighter, you want this to

be the darker you make that.

360

00:19:19,635 --> 00:19:22,844

So if you wanted the grass to be

brighter, you make that a little

361

00:19:22,844 --> 00:19:24,465

darker and a little more black to it.

362

00:19:24,645 --> 00:19:25,245

It's up to you.

363

00:19:26,625 --> 00:19:28,125

Totally, completely up to you.

364

00:19:30,014 --> 00:19:33,764

When those photographs we showed of

people's paintings, aren't they fantastic.

365

00:19:34,995 --> 00:19:38,145

You have to be, you have to be

proud when you do a painting

366

00:19:38,145 --> 00:19:41,205

like it as absolutely have to be.

367

00:19:42,195 --> 00:19:45,524

And as I've mentioned over and over

again, when you give a painting to

368

00:19:45,524 --> 00:19:50,685

someone as a gift, it is so much more

special than something you just run down

369

00:19:50,685 --> 00:19:52,215

to the store and you buy it for form.

370

00:19:52,875 --> 00:19:54,375

This is something that came directly.

371

00:19:54,920 --> 00:20:00,080

From your heart, there's love

in a painting and it will be

372

00:20:00,080 --> 00:20:06,290

cherished more than likely,

forever and ever for ever and ever.

373

00:20:07,970 --> 00:20:11,420

We need, you know, we need

a little path right here.

374

00:20:11,570 --> 00:20:12,530

Ooh, Vandyke Brown.

375

00:20:12,590 --> 00:20:14,810

Let's bring it right on out.

376

00:20:17,355 --> 00:20:17,625

Shoot.

377

00:20:17,625 --> 00:20:19,875

We got to have a way for the

old cow to walk up in here.

378

00:20:22,395 --> 00:20:24,285

There, there he goes.

379

00:20:26,835 --> 00:20:29,865

This is just Vandyke

Brown, a little dark CNN.

380

00:20:29,865 --> 00:20:29,985

It.

381

00:20:31,710 --> 00:20:34,680

That's about all there.

382

00:20:34,950 --> 00:20:37,530

I'll take a touch of lizard

Crimson and put in there too.

383

00:20:38,370 --> 00:20:39,090

Down into sin.

384

00:20:39,360 --> 00:20:39,840

Yeah.

385

00:20:39,930 --> 00:20:40,260

Yeah.

386

00:20:40,290 --> 00:20:41,880

That's what that'll show.

387

00:20:41,880 --> 00:20:45,630

When we put a highlight on there

for highlight, we'll just use a

388

00:20:45,630 --> 00:20:47,970

little bit of the Brown, white

with a touch of Crimson in it.

389

00:20:48,570 --> 00:20:49,800

I want to read it up a little bit.

390

00:20:51,530 --> 00:20:52,160

There we go.

391

00:20:53,840 --> 00:20:54,440

And then Nate.

392

00:20:56,390 --> 00:20:57,080

All right.

393

00:20:59,625 --> 00:21:00,945

Back to her rush.

394

00:21:00,945 --> 00:21:05,145

We were making the, all the little

grassy areas and we can go back

395

00:21:05,145 --> 00:21:08,775

in here and cover up some of these

little edges, bring it all together.

396

00:21:10,395 --> 00:21:11,115

There we are.

397

00:21:13,305 --> 00:21:16,725

The more you tap this, the softer

it becomes, it just will get.

398

00:21:17,439 --> 00:21:22,649

Where it looks almost like velvet,

almost like velvet is gorgeous.

399

00:21:22,649 --> 00:21:26,399

What you can do with a big

old brush like that there.

400

00:21:28,980 --> 00:21:29,610

Okay.

401

00:21:30,000 --> 00:21:34,649

I think we can just clean up

our edges, a little something.

402

00:21:34,659 --> 00:21:42,419

My cat, and off we go, Hey, we've got an

old barn, tell you what, you know, me,

403

00:21:42,419 --> 00:21:44,550

Dutch, you know, what's going to happen.

404

00:21:45,419 --> 00:21:47,040

People who paint with me for a long time.

405

00:21:47,070 --> 00:21:48,449

They know what's happening here.

406

00:21:49,020 --> 00:21:53,459

I want to use a fan version, get a

little bit of Vandyke Brown, dark

407

00:21:53,459 --> 00:21:55,169

Sienna, just mixed together on the brush.

408

00:21:55,260 --> 00:21:56,879

And we're going to have a bravery test.

409

00:21:57,120 --> 00:21:58,080

Yeah, you're right.

410

00:21:58,139 --> 00:21:58,649

Big tree.

411

00:22:03,770 --> 00:22:04,699

I'm telling you.

412

00:22:05,030 --> 00:22:08,990

Big tree was not kidding

on us at big tree.

413

00:22:10,280 --> 00:22:13,189

Let's yeah, let's give

him another arm out here.

414

00:22:15,300 --> 00:22:16,560

Let him get even bigger.

415

00:22:16,620 --> 00:22:18,240

Trees will grow on you in a heartbeat.

416

00:22:20,070 --> 00:22:23,610

I started out with little tiny

twigs and ended up with all muddy

417

00:22:23,610 --> 00:22:29,070

redwoods, just that easy, but that's

all right, because in this world you

418

00:22:29,070 --> 00:22:31,500

can do anything that you wanted to.

419

00:22:32,190 --> 00:22:34,860

We'll take a little bit,

that's working so nice.

420

00:22:34,889 --> 00:22:37,740

Same color that I use their touch.

421

00:22:38,070 --> 00:22:39,419

Barely give it a little pull.

422

00:22:40,084 --> 00:22:41,084

I'm barely touching.

423

00:22:41,895 --> 00:22:47,024

If you've put snow on the mountains before

it's that light, that light of a touch.

424

00:22:47,054 --> 00:22:48,614

Just touch it and give it a little pull.

425

00:22:49,604 --> 00:22:53,895

Maybe this, maybe this

is a dead old tree there.

426

00:22:54,495 --> 00:22:57,495

Maybe the old farmer just hadn't got

around to taking this tree down at

427

00:22:57,584 --> 00:23:02,854

all, but he will, one day he will.

428

00:23:02,854 --> 00:23:03,215

One day.

429

00:23:03,215 --> 00:23:05,314

He's like me one day, one day.

430

00:23:05,375 --> 00:23:06,995

We're going to do it one day.

431

00:23:08,550 --> 00:23:10,320

I have a tendency to procrastinate.

432

00:23:12,770 --> 00:23:13,520

There we are.

433

00:23:14,990 --> 00:23:16,640

Oh, arm sticks out over there.

434

00:23:17,900 --> 00:23:17,990

Okay.

435

00:23:18,500 --> 00:23:19,760

Wherever you think they should be.

436

00:23:20,150 --> 00:23:24,620

Maybe there's some old Liam's that are

broke off hanging on the bottom here.

437

00:23:25,310 --> 00:23:25,760

Okay.

438

00:23:26,360 --> 00:23:27,080

How about right there?

439

00:23:28,700 --> 00:23:33,590

Just drop them in where ever you

think they should be wherever.

440

00:23:35,130 --> 00:23:36,060

There they go.

441

00:23:36,630 --> 00:23:40,680

If you have trouble making this paint

flow, add more paint thinner to it.

442

00:23:44,940 --> 00:23:46,590

I said, when I'm a little gnarly limbs.

443

00:23:47,640 --> 00:23:48,960

Yeah, it had a hard life.

444

00:23:49,170 --> 00:23:50,610

Really had a hard life.

445

00:23:52,500 --> 00:23:55,650

I like, I like trees and

limbs with character.

446

00:23:57,240 --> 00:24:00,360

Every tree is not going

to be a telephone pole.

447

00:24:00,750 --> 00:24:01,590

Thank goodness.

448

00:24:02,130 --> 00:24:06,750

Some of them are going to have all wiggly,

arms and legs at hangout ever, which way.

449

00:24:08,280 --> 00:24:10,980

And those are the trees to

me that are most interesting.

450

00:24:12,390 --> 00:24:14,280

The absolute, most interesting.

451

00:24:16,880 --> 00:24:17,390

Yeah.

452

00:24:17,460 --> 00:24:21,620

Something like Kevin, but that'll

give you an old tree there.

453

00:24:22,460 --> 00:24:22,910

All right.

454

00:24:23,745 --> 00:24:24,254

Danny what?

455

00:24:24,975 --> 00:24:28,395

Maybe down here at the bottom,

take a little bit of Brown.

456

00:24:28,574 --> 00:24:32,145

Maybe there's what remains just a

piece of an old fence down here.

457

00:24:32,145 --> 00:24:37,875

That's still left, but in a couple of

little fence doers, take a little bit

458

00:24:37,875 --> 00:24:43,245

of highlight color, same Brown that

we've been using has to be brighter.

459

00:24:43,304 --> 00:24:45,705

Won't show there like that.

460

00:24:48,225 --> 00:24:50,595

I in her brush, I use a little

bit of the Vandyke Brown.

461

00:24:50,985 --> 00:24:53,875

Maybe was still a little bit

old wire hanging on there too.

462

00:24:54,315 --> 00:24:55,545

We just do something like that.

463

00:24:57,105 --> 00:25:00,495

Shoot, take her big brush, tap

a little grass around the foot.

464

00:25:00,885 --> 00:25:02,295

We about have a finished painting.

465

00:25:03,765 --> 00:25:04,575

There we go.

466

00:25:05,265 --> 00:25:06,225

Thanks for call that one.

467

00:25:06,265 --> 00:25:09,825

Done that easy hope you've

enjoyed this little barn.

468

00:25:10,245 --> 00:25:12,255

Give it a try from all of us here.

469

00:25:12,285 --> 00:25:13,635

I'd like to wish you happy painting.

470

00:25:14,380 --> 00:25:15,450

God bless my friend.

End .srt file.

Bob Ross' The Joy of Painting

Thursday, December 31, 2020

S29E05 - Countryside Barn

Bob Ross's

The Joy of Painting

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