Bob Ross's

The Joy of Painting

S29E08 - Trapper's Cabin

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Welcome back.

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Certainly glad you could join us today.

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You going to do a fantastic

little painting before we start.

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I'd like to just a second

and introduce you to a couple

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of friends that I have here.

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It was a little tiny swamps, just

this little babies and seeing

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that it probably seems.

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Absolutely.

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And the characters are so cute.

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They just begin to get the photos

in probably over six weeks.

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We'll turn them loose across the

screen that you need to paint along

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with this while they're doing that.

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And we would try to put them back in

your little nest and offload there.

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You guys were asleep.

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Okay.

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I had my standard old canvas and I'm done.

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It's just covered it with a little bit

of liquid white, so it's almost slick

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and we can take off and have a good time.

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Let's start to with a little bit

of just a small amount, two inch

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brush, and we go right up in here.

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Just put in right here.

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they're being taken care of by Diana

Shuford who lives in the bird ladies.

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Just a little bit of Eben brush.

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I rushed the brush in between

these colors because it should know

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very carefully, carefully,

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gently, gently blend blended together.

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once again, cautious, very cautious.

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Unless you're looking for where's

this guy, as it all happened,

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what the heck is going on here?

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Let's just pull it a little bit.

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Just making a stringy clap.

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Okay.

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Let's take a little bit.

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Do to it to make it darker.

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Dark colors.

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Come back here.

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We'll have some waters here from

the outside in open, right in here.

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So pull from the outside

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from the other side.

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See if it works out, it'll make

like a light coming across the

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water can be your best friends.

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People who go crazy.

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really is the most fun

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and everything just blended together.

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Yeah, we'll go the entire

canvas color across the,

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okay.

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All right.

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Let's have some fun today.

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Let's take some

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we'll just mix them together here.

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I'm going to make a lavender color,

sort of to the ready side paint.

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We'll go right up in here.

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And today let's just have some fun.

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Let's do all kinds of things

that live in here just forever.

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Hope you enjoy seeing the little birds and

other animals that we show on this series.

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I spend a great deal of my

time with these little critters

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and trying to help them out.

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give us some nice little shapes

that are quite different.

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Now he's granted this and pull it,

take a look to see it's mixing colors

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underneath something like that.

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So automatically looking like

highlights and shadows in your method,

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the brush work canvas to paint.

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You don't have to work yourself to death.

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Mr mountain.

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Look at Misty.

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It is at the base happens on medically.

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If you have a little color on the

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a little bit more, I just do it

on a brush and identical Connor

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touched.

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You can pull down, just

touch it and pull down.

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Just make another

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That's a good start right there.

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If you don't like the shape,

you can change anything that you

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Has yellow in the scan

listing between these two.

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And you can just keep

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and little Crimson.

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I want this to be much darker.

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These are, this would be

closer to us in my mind.

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I'm darker.

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Just tap.

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It goes back up.

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This is really just

applying some dark color.

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You can put this on with a paint roller,

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you put it on the same way.

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You're going to paint on top of it

because it gives you a little practice.

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It gives you, it gives you some

practice, fooling the brush.

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So this is a field that

comes, it comes with practice.

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It's like anything else?

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Practice easier.

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What's hard to do will be simple tomorrow.

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And the next day we'll just be a habit.

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You wouldn't have to think about it.

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And that just comes with practice,

doing it over and over and over

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repetition, repetition in all honesty.

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I don't care how they paint

or what they have practiced.

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If they're good at what they do.

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It's not just artists.

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Would be the time to practice.

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Okay.

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Let's have water here.

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Reflection

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most important, pretty dark, dark.

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I'm using black

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dirty.

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Take one.

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That's pretty clean, straight down.

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reflections.

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She was the same brush blue and black.

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brilliant.

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So gives us a nice

collection of brains here.

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Let's go back up here.

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Oh yeah.

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Nice grass here.

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That lives back in here.

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But you moved that dark

underneath or just absolutely.

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the darkness.

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So the light shows the light shows

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just a little more, but looking right

in, if you want to paint them, if

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you just want to change the color.

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crazy when you do this, let's take

a little bit back, a little mix it

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together, make a nice color and a little

dark Sienna don't want to overmix it.

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Move it to marble.

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Cut off a little bit of

paint and maybe up in here.

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Maybe we can see a little bit of

indication of some dirt here and there.

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He doesn't, you know, cause it's hard.

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We have absolute power.

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We can do anything here.

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And if you could imagine

it, you can do it here.

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I want to take a little practice,

like anything else as we discussed.

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comes out.

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We like it.

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Two inch brush go red in color, not

a paint into it, full of color, and

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then shoot you down in it and bring

it to a very sharp chisel hinge.

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Sharp is shave.

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It looks like I need to

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touch it.

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Make us a happy little tree right there.

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You can make a tree with a two

inch brush, one inch brush.

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It doesn't matter.

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That's what's so great

about working with children.

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I spend a lot of time

working with children

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with a two inch brush.

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It's wonderful.

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They have no hangups.

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We learned later in life.

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Children don't have those yet.

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There's another one right there.

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This separated with

highlights at this point.

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Let's go on the other side.

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that's okay.

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We can do anything.

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We expect this to be a

little different expected.

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gray tree trunk, right in here, somewhere

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indication here and there.

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So it's not left out,

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going to show.

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Hmm, let's go through.

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just mix them in the brush

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with evergreen trees.

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It gets feeling good and it's

sort of a, sort of a tendency

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just to cover it all up trash

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yellow, load up a one inch

brush, a lot of color.

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Turn out around the corner to the

top and you go right up in here, but

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you can pick them out little trees.

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projecting one way or another

to that protrusion in the tree.

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I'm just,

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with the tree.

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People looked at you.

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Like you're a little

weird, but that's okay.

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So say we're artists.

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We can do that.

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I get really crazy.

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I don't do this really

often, but I thought

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a lot.

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That's a firecracker.

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Okay and mean, Jack Frost has

worked on this tree big time.

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I say I didn't do that very

often to the yellow, this time

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one to the Indian, yellow.

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I don't want to over here to just sorta

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feels like it's got a little bit

bright tree check Fox insights.

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There we go.

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It's too bright for me.

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I just want to show you

like can be done sometimes.

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It's nice to put a sparkler in a painting.

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Sometimes

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Lisa's gorgeous with all this color

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and mixed together

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to put in the roof.

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This is just a very simple,

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put some bushes over it.

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Don't even have to worry about them.

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Mix it together.

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We'll take a little break.

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Let's get crazy little bright red.

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We have red in this painting.

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What the heck was this really crazy?

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Take a little dark cut through there.

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Like it look like some boards.

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Here we go.

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There's a touch of light

color around the edges,

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a little tiny cabin, not

the best cabin in the world.

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Wouldn't be a place to, if you

were out here, you get cold.

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Let me just take some of that same color.

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Just hang right over a little bit.

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Here's a happy little Bush

change brushes on you.

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I am changing brushes in case you

don't catch that between the red

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and the greens changing brushes.

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I should have mentioned that earlier.

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I didn't there.

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I would change the brushes so they

don't get contaminated with each other.

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When you're painting.

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So Rascals don't keep greeting.

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You try to get them all at once.

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It's tempting, it's tempting.

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she lives right here on the water's edge.

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We can do that.

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Make some darker reflections, straight

down, conceivably across shifts.

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Just to move to sorta

give it a rotary, feel

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pumped in a little Bush.

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they come up.

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there we go.

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Come back in here and begin scratching

in some of the sticks and twigs.

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Make the decision.

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Maybe if you

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touch the liquid right clean

off a little spot here.

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Pallets is about four feet

across before we cut across it.

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It's just a little indication

don't want, I don't want a strong

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water line in this painting.

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Just, just enough to sort of

clean up the edges a little bit.

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You think they should be like, so.

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There's one lines and envelope is both.

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Keep them basically

straight down the Hill.

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But notice these lines

are basically straight.

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If you don't do that, you're

what does it look like?

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It's going on the other side of the

painting, lock it on the side to catch it

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a few little indications here and there.

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I think we don't have a finished painting.

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Take a little paint,

thinner, the bright red.

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I think this one's ready for a segment.

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Luckily I have a very short name.

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It didn't take, but a second time, I

hope you've enjoyed this little painting.

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It'll it'll give you a lot of

experience using all of the equipment.

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Basically it'll teach

you a tremendous amount.

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If you do it, take the

time, send us a photograph.

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Let us see what kind of work

that you're turning out.

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Maybe one of the earlier shows you saw.

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We put a lot of people's photographs

in the air so everyone could see them.

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And I'd like to see yours there too.

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I'm telling them from Elvis

here, I'd like to wish you happy

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painting and God bless my friend.

End .srt file.

Bob Ross' The Joy of Painting

Thursday, December 31, 2020

S29E08 - Trapper's Cabin

Bob Ross's

The Joy of Painting

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