Bob Ross's

The Joy of Painting

S31E06 - View from Clear Creek

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Hi, welcome back.

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Certainly glad you could

join us today about today.

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We'd just do a fantastic little

scene that I hope you'll enjoy.

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Let's start out and have run

all the colors across the screen

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that you need to paint along

with us while they're doing that.

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Let me show you what I've

gotten done up here today.

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Have my standard old pre stretched

double prime canvas, and I'm

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using an 18 by 24 inch, but use

any sizes convenient for you.

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And I've covered the entire canvas

with a very thin coat of liquid white.

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The liquid white is still wet.

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Now it's wet and slick

and we're ready to go.

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So let's just have some fun.

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Tell you what, let's start

over the lizard Crimson today.

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What the heck on the old two inch

brush, let's put in a little, a

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little bit key area here in the sky.

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Once again, the sky is covered

with liquid white or the entire

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canvas is this Elysium Crimson.

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It's just mixing with it so that it

gets lighter and lighter in value.

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If this were a dry canvas,

it'd be very difficult.

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To put paint on this smooth, this easy.

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Okay.

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Something about like, so I don't

want to set the sky on fire.

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All I want to do is put just

a nice warm glow in here.

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And most of this will cover up.

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I think, there we go.

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Now then, Oh, we still

have an old brush going.

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Let's go into a little bit of thalo blue.

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They know, blue is a very

warm blue, beautiful blue.

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My favorite cadence go up in here

and that was a, a little blue.

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We're going to make little Xs, little

crisscross strokes, just little exes.

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I bet out that, that easy, easy.

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There we are something about like that.

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We'll come back and blend it.

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When we have a clean brush, just

bring it down to the Crimson and stop.

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It'll cover up your

Crimson, eat it all up.

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So just stop right at it.

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And then we'll blend it together later.

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Shoot.

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How do we get to go in there?

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Sleep, put a little more of

the blue on the brush, loaded

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just exactly the same way.

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And I'm going to reach here

and get a little touch.

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If they look green, don't

need much fatal greens.

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Very strong, beautiful color though.

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Okay, let's go up in here.

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We will have little water here.

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What the heck?

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Just pull from the outside

in, outside in like, so.

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Okay.

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A little more paint on the brush.

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Do the same thing to the other side.

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I'm intentionally leaving

a little area open here.

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So to looked like a little sheen of light

coming across the water home refinished.

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All right.

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Now then I'll tell you what

let's wash the old brush.

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That's the fun part.

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That's the fun part.

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That's where I get.

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Even with everybody here, washing

the brush, shake off excess.

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Just beat the devil out

of that really is fun.

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There's such a thing as a

little brush feeder, right?

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So when you're doing this at home, you

don't cover the entire living room or

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wherever you happen to be painting.

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This can, if you do what I'm doing

with a brush at home, you can

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certainly end a happy relationship.

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He's very careful.

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See now with a good dry.

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Clean brush.

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We can just blend those colors

together to where we can't tell her

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one color stops and the next color

starts there where you can make it

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as smooth as you want down here.

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Same basic thing, how we just

want to smooth it out and I'm

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going to go totally across.

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But see that little light here,

you will still be in there.

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It's not as distinct as it

was, but it's still there.

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We don't want it to be real distinct.

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We just want it to have a nice little

sheen of light coming across the

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water when everything's finished.

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All right, now then let's take, let's

use one of these little oval brushes.

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I'm going to go into

a little bit of white.

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I said oval, but I meant around breast.

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This is a small round brush.

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Sometimes my tongue gets over my

eye teeth and I can't see what I'm

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saying, but this is just a little round

brush who was playing with it today.

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Maybe back in our world here, there's just

a little mountain that lives right there.

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And we can use this brush to just

put in a little, a little indication.

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You can paint entire paintings

with these Brown brushes.

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There's a big one and a small one.

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There we are now get the old two inch

brush and we'll pull it and blend it.

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So the bottom just disappears.

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I wanted to just sit there very quietly.

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Very very quietly, very distant.

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See, and now we just have that

little pinkish glow around the tough,

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and that's all we're looking for.

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Let's take, we'll use, we'll

use some, stay low blue,

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some alizarin Crimson though.

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Like let's make sort of

a lavender color shoot.

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I like that.

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It looks good.

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We just work with what we have here.

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I'll take a little lit

on the same little brush.

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I didn't clean the

brush, just like it was.

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And that's go up in here and

maybe, maybe right along in here,

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we'll just put the indication of

another little Hill and bump it up.

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Hills and Dales.

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We got Hills and bumps there.

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Maybe right on after.

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I don't know.

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Doesn't matter.

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Absolutely.

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Doesn't matter if you'll make it look

like he's a little trees left upward path,

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say it look like you're covered, like

some of the Hills of North Carolina and

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Missouri, ah, beautiful places back then.

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We'll be in the Missouri pretty soon.

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We're going to be in Branson,

Missouri doing the show.

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So if you get a chance and you're

in that area, stop by and say,

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hello, I'd love to talk to you.

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See what you're doing?

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There.

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Okay.

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Now then see, we have two

ranges of Hills already.

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Madden.

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Let's go a little further.

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We'll take a little pressure.

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And blue Prussian blue is much

stronger, darker, a little more Crimson.

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I want this to get darker.

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As things get closer to you in

a landscape, they should get

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darker and darker and value.

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All right, let's go up in here.

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Decision time.

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All right, let's see here.

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Maybe there it is.

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You just decide in your world, you

could have things anywhere that you

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want anywhere that you want them.

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There we are.

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All right.

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Maybe, maybe it goes right on out

there somewhere doesn't matter.

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Absolutely does not matter.

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And since we had trees on that one,

maybe this one here should have the

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indication of little distant trees there.

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See it's that easy, little

short strokes though.

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When you're doing this, don't get greedy.

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I know he gets feeling good

and you, and you want it all

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at once, but take your time.

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Little strokes, work in

layers, work in layers.

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Just keep working down down to let's

see it makes it look like this tiny

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little trees growing back here.

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Okay, we can take, I want to

create some mist then at the base.

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I like these mysterious, so we'll

just tap firmly tap and that's

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mixing with the liquid wipe.

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It's on the canvas and automatically

you will get the impression of mist.

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Very, very easy, very easy, very soft.

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And you could just keep going here.

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It doesn't matter.

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Let's see though, may add a little

black to that and we'll get it darker.

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We'll have a lot of little footy

Hills in this one, much darker fact.

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This one's almost pure

dark, but not quite.

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It's still a little white in there

and maybe let's just start up in here.

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There's a bump.

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See there.

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Just let your imagination go.

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Absolutely.

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Let your imagination go wherever

you want it to, to take you there.

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Okay.

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I just want to use a small round for our

state just to show you what fantastic

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things that are just unbelievable.

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What you can do with it.

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If you'll just practice a little.

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Just make friends with all of these tools.

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You have to be friends with.

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We got some dark color.

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Now look at all the distance

in this painting though.

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Already just in that background, it

looks like you could, it looks like

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you could walk back in there forever.

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And you know, there's a ton of

little streams and waterfalls

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and all kinds of things happening

on those little mountains.

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All right.

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Yeah, we'll just continue to use it.

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Same brush.

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I'm going to take a little bit

of green, little bit of yellow.

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It'll set green right there.

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All right.

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Let me yellow ochre Indian yellow.

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Once in a while.

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I'll hit break red, but tap it.

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See?

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Okay, let's go up in here.

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Now then, well, that color, we can

just begin creating the illusion

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of grass on some of these little

things, just little hilly areas.

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Now you can do this with a two inch

brush and it's much, much quicker.

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Just want to show you that you can

use this brush to do these things

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much, much faster with a bigger brush.

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This one, I give you a little more detail.

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You get into the yellow ochres here.

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And I say a little touch of the red nine.

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Yeah.

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There I'll just let all

these little things happen.

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It was right up.

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We don't care wherever you want it.

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Wherever.

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If you have trouble making it stick

at the least little touch of paint,

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thinner, at least a little touch.

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Not much, not much.

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It doesn't take much.

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You can always add a little more.

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It's a son of a gun to

try to get rid of it.

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There.

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Little, and we're just tapping, just

tapping, seeing that we get a little

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more of the yellow ochre here, maybe.

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Oh, I don't know.

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You could put all kinds of little doodles.

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Wherever, wherever with the two inch

brush, we'd probably already been finished

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with this, but this is more fun there.

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Let's see.

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It already is beginning to look like

little Hills that are back here.

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Maybe Jack Frost is

playing his way through.

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Autumn's beginning to Kevin.

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The colors of turning some of

the little birds are flying

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South for the winter there.

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I live in Florida.

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So the little birds come to

see me during the winter.

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There we are.

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All right.

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This series I've showed you.

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Pete bought my little, my little

pocket squirrel a whole bunch of times.

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He's my friend, Katie, little touch here.

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You decide maybe there's

another little dude here.

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You put as many of these in as

you want, you can create these

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illusions anywhere that you want to.

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Anywhere that you want to put

a little dark right there.

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There we are.

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But look at the distance in that already.

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There's one, two, three, four, five,

six planes, six planes in there.

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Now I know you're not interested in

selling paintings and making all that

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money, but if you should be these

little planes show distance in painting,

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and they're what make painting, sell.

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People like that, to be able to look

into a painting and just see forever.

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And it's very simple, very, very simple.

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You can do it.

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You can do it, hit her right there.

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We are something like, so, okay.

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Then you can also take and put a little

titanium white on the brush or even a

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little liquid white that's due to stiff.

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We use liquid white.

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And you can pick out a few

areas and really sparkle them.

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Don't do too many though.

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If you do too many, it'll lose the

effectiveness of it just here and there.

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Just hearing that.

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All right.

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Right.

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And we watched the old brush.

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This little round brush is not

as much fun as a two-inch brush

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to Washington, but it's not bad.

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It's not bad.

255

00:13:30,555 --> 00:13:34,515

Nathan let's mix up a big

old pile of color here.

256

00:13:34,575 --> 00:13:35,385

Let's have some fun.

257

00:13:35,415 --> 00:13:40,245

Let's take some pression, blue, black,

we'll put some thalo green in it.

258

00:13:40,635 --> 00:13:41,715

Brown.

259

00:13:41,715 --> 00:13:42,495

It doesn't matter.

260

00:13:43,755 --> 00:13:44,505

Crimson.

261

00:13:44,925 --> 00:13:46,185

It's just all the dark colors.

262

00:13:48,135 --> 00:13:49,035

All right.

263

00:13:51,675 --> 00:13:54,545

Now, there are many, many winning

ways to pay bushes and stuff.

264

00:13:55,085 --> 00:13:55,925

I want to show you one.

265

00:13:55,954 --> 00:13:56,855

That's very simple.

266

00:13:56,915 --> 00:14:00,395

If you've never painted and

you're afraid to try, because

267

00:14:00,395 --> 00:14:01,625

you say it's too difficult.

268

00:14:01,715 --> 00:14:02,435

Watch this.

269

00:14:02,915 --> 00:14:06,935

We'll take this little round brush and

I'm going to load a lot of pain in it.

270

00:14:07,715 --> 00:14:09,064

Just a lot of paint.

271

00:14:09,365 --> 00:14:11,025

You need a pile of paint to work out.

272

00:14:11,085 --> 00:14:12,485

Don't be stingy with paint here.

273

00:14:13,650 --> 00:14:14,280

A lot of paint.

274

00:14:15,000 --> 00:14:18,060

Now I figure out maybe we'll

have a little, maybe we'll

275

00:14:18,060 --> 00:14:19,050

have some water down here.

276

00:14:19,620 --> 00:14:21,740

Maybe there's some little

weeds girl, back in here.

277

00:14:22,850 --> 00:14:23,210

Look at that.

278

00:14:23,930 --> 00:14:24,410

It's that easy.

279

00:14:24,410 --> 00:14:26,960

That is all you gotta

do is take and tap it.

280

00:14:27,990 --> 00:14:28,740

Just tap it.

281

00:14:28,780 --> 00:14:30,569

It's like playing the wardrobe here.

282

00:14:31,350 --> 00:14:36,089

My father was a, was a Cherokee and

didn't so I can play the wardrobe here.

283

00:14:37,530 --> 00:14:40,640

Let's see that isn't that fantastic.

284

00:14:41,870 --> 00:14:43,069

Anybody can paint.

285

00:14:43,189 --> 00:14:44,630

There are no big secrets to it.

286

00:14:44,630 --> 00:14:45,740

We give them all to you here.

287

00:14:47,000 --> 00:14:48,530

Give you all the secrets.

288

00:14:49,760 --> 00:14:54,410

Now, then if you want a reflection.

289

00:14:54,695 --> 00:14:58,595

Decide where you want

it pull straight down.

290

00:14:58,985 --> 00:15:03,275

That's all, that's all, it's a

little easier with a two inch brush.

291

00:15:03,305 --> 00:15:06,185

Cause we've got a little more

hair to work with, but just

292

00:15:06,185 --> 00:15:09,845

pull it straight down like that.

293

00:15:10,235 --> 00:15:13,445

And then very gently go

across and you have instant

294

00:15:13,445 --> 00:15:17,045

reflections that easy, that easy.

295

00:15:18,095 --> 00:15:19,775

Now you want to put some

highlights on those.

296

00:15:19,955 --> 00:15:20,885

We'll do it the same way.

297

00:15:21,810 --> 00:15:23,550

Now I'm not going to

load it as deep notice.

298

00:15:23,550 --> 00:15:25,320

It's not as deep as the dark color is.

299

00:15:25,740 --> 00:15:28,740

I'm putting just, I just went through

the yellow because it has blue on there.

300

00:15:29,270 --> 00:15:30,710

You'll get instant green.

301

00:15:32,090 --> 00:15:32,480

All right.

302

00:15:32,780 --> 00:15:33,110

Now.

303

00:15:34,875 --> 00:15:36,314

Wherever you want a little highlight.

304

00:15:36,824 --> 00:15:37,635

All you do is touch.

305

00:15:37,665 --> 00:15:37,775

Now.

306

00:15:37,775 --> 00:15:40,515

I want to leave these dark,

so they'll stand out, but

307

00:15:40,515 --> 00:15:41,444

that's all you're going to do.

308

00:15:43,064 --> 00:15:45,974

If you write in here, I don't want too

many because I want this to stay dark.

309

00:15:46,155 --> 00:15:47,235

We'll we'll do this.

310

00:15:47,564 --> 00:15:50,625

We'll do this in the foreground and

I'll show you how to put more highlight.

311

00:15:50,985 --> 00:15:51,285

Okay.

312

00:15:52,515 --> 00:15:53,714

But that's about all we need there.

313

00:15:55,694 --> 00:16:00,395

Little touch of the liquid

one, maybe a little more.

314

00:16:01,155 --> 00:16:05,805

Did put a little, Oh, a little blue

in there, just a small amount to

315

00:16:05,805 --> 00:16:11,415

change the flavor and we'll come

right up in here and let's make the

316

00:16:11,415 --> 00:16:13,635

indication of a little water lag.

317

00:16:13,695 --> 00:16:14,295

I don't want one.

318

00:16:14,295 --> 00:16:15,135

That's very distinct.

319

00:16:16,275 --> 00:16:17,385

Just the indication.

320

00:16:18,465 --> 00:16:22,605

If you put one in here, this too bright,

too much paint, all you got to do is

321

00:16:22,605 --> 00:16:27,405

rub it and it'll, it'll just be absorbed

right into that right into what's there.

322

00:16:28,665 --> 00:16:29,565

That's all there is to it.

323

00:16:30,735 --> 00:16:31,695

Now let's do that again.

324

00:16:32,535 --> 00:16:37,245

Back to deep bloating, the brush,

lots of paint, lots of paint.

325

00:16:37,305 --> 00:16:39,765

Once again, you need a pile of paint.

326

00:16:39,765 --> 00:16:40,635

If you want to do this.

327

00:16:40,815 --> 00:16:45,275

So you can really load the

Brussels brushes thick with paint.

328

00:16:47,105 --> 00:16:48,095

All you do is just tap.

329

00:16:48,095 --> 00:16:48,695

Let's just say.

330

00:16:51,705 --> 00:16:52,485

This is so easy.

331

00:16:52,485 --> 00:16:58,065

It's almost unbelievable if you've never

painted, I believe you can do this.

332

00:16:58,695 --> 00:17:00,255

I really believe you can do this painting.

333

00:17:00,315 --> 00:17:03,255

It's that simple there.

334

00:17:08,385 --> 00:17:09,405

Cause that's one of the things we did.

335

00:17:09,405 --> 00:17:11,835

We traveled around in and

teach people to paint.

336

00:17:13,335 --> 00:17:15,464

Honestly, don't think

they have any talent.

337

00:17:16,574 --> 00:17:18,135

Or that they say they never could.

338

00:17:18,314 --> 00:17:22,304

And recently we were on the Phil

Donahue show and they picked us

339

00:17:22,304 --> 00:17:26,564

out five people out of the audience

and said they absolutely could not

340

00:17:26,564 --> 00:17:31,395

paint had no talent, no experience

and knew they couldn't do it.

341

00:17:32,445 --> 00:17:34,455

We worked with them for

just over two hours.

342

00:17:35,745 --> 00:17:38,475

And if you saw the show, they

produce beautiful paintings.

343

00:17:38,475 --> 00:17:42,524

I was, I was as proud as

an old mother hen and Phil.

344

00:17:43,475 --> 00:17:44,085

Himself.

345

00:17:44,735 --> 00:17:47,145

He just took a video tape

home and painted with it.

346

00:17:48,405 --> 00:17:48,765

Shoot.

347

00:17:48,765 --> 00:17:51,915

He didn't even need any instructions,

but I think he's good at everything.

348

00:17:51,915 --> 00:17:56,445

You try as if you'll know the

truth and we'll go back, get

349

00:17:56,445 --> 00:17:57,735

a little more of that color.

350

00:17:58,005 --> 00:17:58,515

Once again.

351

00:17:58,515 --> 00:18:02,265

I noticed I haven't loaded

it as deep as I did the dark.

352

00:18:02,625 --> 00:18:05,025

Cause I just want these

highlights to be more on the top.

353

00:18:05,805 --> 00:18:06,075

Okay.

354

00:18:06,135 --> 00:18:06,825

Let's try this.

355

00:18:07,395 --> 00:18:09,045

Sometimes you have to bend

the paint a little bit.

356

00:18:09,360 --> 00:18:12,899

To make it come off there.

357

00:18:12,899 --> 00:18:16,050

See like, just looks like old

swamp grass, and then just work

358

00:18:16,050 --> 00:18:17,669

with individual little clumps.

359

00:18:18,989 --> 00:18:21,389

If one's too bright,

just continue to tap it.

360

00:18:21,810 --> 00:18:24,689

That dark color will absorb it

and it'll go away to leave you

361

00:18:26,189 --> 00:18:29,629

just go away and leave you there.

362

00:18:29,699 --> 00:18:33,750

We are add a little touch of

paint, thinner to my pain.

363

00:18:35,790 --> 00:18:38,189

See, and then it comes off so much easier.

364

00:18:40,455 --> 00:18:45,615

Just have to barely hit it

there, but you can make beautiful

365

00:18:45,615 --> 00:18:47,955

effects, beautiful effects.

366

00:18:47,955 --> 00:18:48,915

Just doing this.

367

00:18:52,185 --> 00:18:55,485

You can even take, touch it this way

and give it a little upward push.

368

00:18:55,485 --> 00:18:58,575

If you want to make little

small grassy areas, see there.

369

00:18:59,925 --> 00:19:00,435

That's all.

370

00:19:01,785 --> 00:19:03,315

That's really all there is to it.

371

00:19:05,385 --> 00:19:06,045

There we are.

372

00:19:07,700 --> 00:19:14,160

Okay, now then we can, once again,

just a little reflection here and

373

00:19:14,160 --> 00:19:24,390

there, there that'll touch your bar

liquid light come right in like that.

374

00:19:26,070 --> 00:19:28,800

Put us a little, just a happy

little water line right in there.

375

00:19:28,890 --> 00:19:29,940

It doesn't matter

376

00:19:34,680 --> 00:19:35,850

something about like, so.

377

00:19:37,995 --> 00:19:41,825

Fair now then let's do

the same thing over here.

378

00:19:41,885 --> 00:19:43,745

Put some grassy areas

that's working so well.

379

00:19:43,805 --> 00:19:44,345

I like it.

380

00:19:44,375 --> 00:19:44,855

That's fun.

381

00:19:45,425 --> 00:19:46,715

That is fun.

382

00:19:48,335 --> 00:19:49,145

Where do we want this?

383

00:19:50,075 --> 00:19:50,585

Right there?

384

00:19:52,085 --> 00:19:53,855

We're just tapped in all kinds.

385

00:19:53,855 --> 00:19:54,305

A little dude

386

00:19:58,024 --> 00:19:58,595

there.

387

00:20:01,510 --> 00:20:01,950

Sit there.

388

00:20:02,160 --> 00:20:03,840

And you just decide

where the reflection is.

389

00:20:03,860 --> 00:20:04,070

Yes.

390

00:20:04,730 --> 00:20:06,290

Just divided up with a reflection.

391

00:20:07,580 --> 00:20:08,330

All there is to it,

392

00:20:14,180 --> 00:20:17,480

a little color, and I'm going to grab

the two inch purchase just because

393

00:20:17,480 --> 00:20:21,140

it's a little faster, you really could

do just about this entire painting

394

00:20:21,800 --> 00:20:23,300

with nothing but this small brush.

395

00:20:25,040 --> 00:20:25,670

All right.

396

00:20:27,315 --> 00:20:29,985

A little paint thinner, then I'm

going to go through the greens again,

397

00:20:30,945 --> 00:20:37,105

just so we can, you can highlight and

we'll put in just a few little duties,

398

00:20:37,105 --> 00:20:40,385

like Kat, not many, not too many.

399

00:20:41,195 --> 00:20:42,455

Don't kill all your dark area.

400

00:20:44,825 --> 00:20:45,485

There we are.

401

00:20:46,415 --> 00:20:47,945

Now I know, I know what's here.

402

00:20:48,395 --> 00:20:49,565

Let me find old fan brush.

403

00:20:52,095 --> 00:20:55,725

I see something that's more

dark color near Brendan out of

404

00:20:55,725 --> 00:21:00,915

color, same colors, too low.

405

00:21:00,915 --> 00:21:02,774

Do brush full of paint.

406

00:21:03,105 --> 00:21:04,575

A lot of paint, both sides.

407

00:21:06,375 --> 00:21:07,004

All right.

408

00:21:07,485 --> 00:21:10,034

And maybe right there.

409

00:21:10,995 --> 00:21:15,675

Maybe in our world, their lives,

just a little evergreen tree.

410

00:21:17,445 --> 00:21:18,165

They live right here.

411

00:21:18,165 --> 00:21:21,525

And your fan brush just to scare them out.

412

00:21:22,725 --> 00:21:23,265

I right.

413

00:21:23,335 --> 00:21:23,895

Give him a friend.

414

00:21:25,535 --> 00:21:29,675

See, they're just like, just like him.

415

00:21:33,095 --> 00:21:37,265

And there was two there sooner

or later, there'd be three.

416

00:21:38,669 --> 00:21:41,520

You didn't have them trees are there,

417

00:21:44,540 --> 00:21:47,090

take it color, leave it

right on the fan brush.

418

00:21:47,090 --> 00:21:50,540

Go right through a little bit

of yellow and that'll give us

419

00:21:50,570 --> 00:21:52,490

instant green for highlights.

420

00:21:53,270 --> 00:21:56,330

Don't want a lot of highlights just

enough to make them stand out a little.

421

00:21:58,280 --> 00:21:59,570

And that's really about all we want.

422

00:22:01,280 --> 00:22:02,750

It's really about all we want.

423

00:22:08,250 --> 00:22:08,790

A little water.

424

00:22:10,020 --> 00:22:10,709

Let's get crazy.

425

00:22:10,709 --> 00:22:11,280

We got a minute.

426

00:22:11,310 --> 00:22:14,909

So left here back to mow.

427

00:22:14,909 --> 00:22:17,010

Brush has got all that dark, dark color.

428

00:22:18,570 --> 00:22:20,429

Sometimes tote.

429

00:22:20,429 --> 00:22:21,360

You would get crazy here.

430

00:22:22,500 --> 00:22:23,010

Sometimes.

431

00:22:23,010 --> 00:22:23,550

It's fun.

432

00:22:26,805 --> 00:22:31,485

Just, I know, we're

just let this go there.

433

00:22:31,485 --> 00:22:37,385

It is just stay there, but

don't be afraid to try things.

434

00:22:37,385 --> 00:22:43,275

Shoot, pick a chance sometime in painting,

you can take all the chances you want.

435

00:22:44,145 --> 00:22:44,925

Go out on a limb.

436

00:22:48,780 --> 00:22:49,770

So I'll take a chance.

437

00:22:50,820 --> 00:22:51,330

Shoot him.

438

00:22:51,410 --> 00:22:52,460

I learned a long time ago.

439

00:22:52,700 --> 00:22:55,700

That's where the fruit grows is that

on the end of the limb, all the good

440

00:22:55,700 --> 00:22:57,680

things are there, take a chance.

441

00:22:57,740 --> 00:23:00,560

Don't be afraid of it,

especially in painting.

442

00:23:00,560 --> 00:23:01,730

You're not going to hurt anything.

443

00:23:04,190 --> 00:23:04,580

There.

444

00:23:07,100 --> 00:23:08,660

All the little grass areas.

445

00:23:09,860 --> 00:23:10,110

See.

446

00:23:12,284 --> 00:23:14,625

That easy, leave some

dark in there though.

447

00:23:14,804 --> 00:23:15,794

Vary your colors.

448

00:23:16,695 --> 00:23:20,625

Just a little that leaves some of

those little dark holes in there

449

00:23:22,274 --> 00:23:26,834

and figure out where all your

little water lines are back here.

450

00:23:29,685 --> 00:23:31,455

She would have to make

all these decisions.

451

00:23:32,655 --> 00:23:33,945

Where do they live?

452

00:23:34,365 --> 00:23:34,965

Maybe.

453

00:23:36,915 --> 00:23:37,905

Just little things in there.

454

00:23:38,685 --> 00:23:43,395

This looks like some of the swamps

in Florida almost, but we don't

455

00:23:43,395 --> 00:23:46,995

have these kinds of foothills,

but this be a beautiful way

456

00:23:46,995 --> 00:23:48,465

of making little swamp scenes.

457

00:23:50,225 --> 00:23:50,825

Okay.

458

00:23:51,785 --> 00:23:56,645

I'll take my little script liner brush

a little dark Sienna, the Vandyke Brown,

459

00:23:56,645 --> 00:23:58,085

just mixed together here on the brush.

460

00:23:58,115 --> 00:24:00,875

A lot of paint, thinner

lover, paint thinner.

461

00:24:01,415 --> 00:24:03,455

Maybe I'm a little black too on the dark.

462

00:24:04,205 --> 00:24:04,265

Yeah.

463

00:24:05,715 --> 00:24:06,285

All right.

464

00:24:06,315 --> 00:24:12,645

Maybe in our world, shoot, you know

me now this isn't going to be that

465

00:24:12,645 --> 00:24:18,135

big a tree and you think I'm going to

put her on a huge tree and I'm just

466

00:24:18,135 --> 00:24:26,175

going to put a junior size tree, just

like, so if you have trouble making

467

00:24:26,175 --> 00:24:30,495

the paint flow, add paint thinner to

your brush, that's all there is to it.

468

00:24:31,315 --> 00:24:31,965

It's still enough.

469

00:24:31,995 --> 00:24:33,135

It'll slide right over here.

470

00:24:34,560 --> 00:24:35,850

Maybe this old tree is dead.

471

00:24:37,800 --> 00:24:41,280

I hate it, but it happens there.

472

00:24:43,370 --> 00:24:46,550

So just put as many arms as

you think are remaining on him.

473

00:24:48,410 --> 00:24:51,800

Just as many as you think, or remain

would give him a little friend right here.

474

00:24:51,920 --> 00:24:54,680

Maybe they, maybe it's the

same tree and both of them,

475

00:24:56,600 --> 00:24:57,980

maybe both of them pooped out.

476

00:24:58,815 --> 00:24:59,325

I don't right.

477

00:25:00,015 --> 00:25:02,865

Tell you about assign this little

devil and call it finished.

478

00:25:04,275 --> 00:25:05,835

Take a little, read it.

479

00:25:05,835 --> 00:25:06,405

We'll sign it.

480

00:25:06,795 --> 00:25:08,535

I really hope you've enjoyed

this little painting.

481

00:25:09,015 --> 00:25:13,125

It's one of the most simple paintings

you'll ever come across and you

482

00:25:13,125 --> 00:25:15,105

can do it from all of us here.

483

00:25:15,375 --> 00:25:16,755

I'd like to wish you happy painting.

484

00:25:17,565 --> 00:25:18,615

God bless my friend.

End .srt file.

Bob Ross' The Joy of Painting

Thursday, December 31, 2020

S31E06 - View from Clear Creek

Bob Ross's

The Joy of Painting

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