Bob Ross's

The Joy of Painting

S29E03 - Seasonal Progression

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Hey, welcome back.

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Certainly glad you could join me today.

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Today.

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I have one of my little friends with me.

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This is a little baby Cedar waxwing.

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He's just, uh, all, probably 12, 14

days old, maybe a little, maybe a little

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older than that, but not very old.

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And he's just as precious as he could be.

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I thought I'd bring him on

today and share him with you.

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Hi guy.

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How are you?

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Can you talk a little bit, can you

talk a little bit, talk a little bit.

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Yeah, I know.

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Yeah, but he's something else that

you, what let's have him run all the

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colors across the screen that you

need to paint along with us today.

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And while they're doing

that, I'll sit him down.

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If you'll come right up to the

canvas here, I'll show you.

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I'll show you what we've got going on.

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Well, he's decided to clean

himself here a little bit.

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There are right today.

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I have a long skinny canvas, a

12 by 24 inch canvas, and I've

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taken a little masking tape that

I picked up here in the studio.

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And I've just sort of.

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Puts a mask and paper and edges.

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I thought we'd do something a little

different where we take, maybe let's

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paint a scene that goes through these

two sections and maybe it'll start out as

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summer and ended up as winter over here.

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Just, just to break it

up something different.

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It'll give you a lot of good practice.

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So let's have the summer

scene on the left.

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So I'll start with the little

blue, a little bit of a blue

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blue in the two inch brush.

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Okay.

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Let's go right up in here and we'll

drop in just a happy little sky.

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Just just a simple little thing.

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Just making little crisscrosses little

exes, summer skies are normally a lot

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brighter than winter skies, winter.

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We get sort of gloomy and drab.

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So we'll put a little water,

we'll have water there.

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I like it.

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Right.

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And they will come back and we'll

blend all that out in a minute.

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But right now that's good enough.

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That's good enough.

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All right.

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On the other side, it's

going to be winter.

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I'm going to go into Prussian blue.

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It's much darker there.

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It'll make it look colder, rough there.

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All right.

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Something about like catching,

you can even add a little touch

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of the midnight and black too.

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If you want a really

great down, see there.

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Yeah.

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And we'll have a little water in that.

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We'll take the same color of oppression,

blue little touch of the black in it.

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We'll just put in a little water

indication, just pulling straight across.

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It's that simple, that simple.

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Let me grab another brush here.

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If several of them going.

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Maybe over here in the summer

side, he sounds like a new series.

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Summerside maybe there's a happy

little cloud or two over in the sky.

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We just take a little titanium,

white, a two inch brush.

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It would just put an indication

I don't want to get, I don't want

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to get too carried away today.

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Just a little indication.

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Have some happy little

clouds that live up here.

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Little fluffy clouds

up here in the summer.

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Now over here on the winter, maybe there's

just a long stringy cloud or something

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like that, like that that comes across.

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And that's about all you have to do.

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And little stringy clouds are easy.

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We'll make another one since so much fun.

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But that'll give the indication of a

little cloud that lives right there.

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All right.

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All right.

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Most fun.

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Part of this is Washington brush.

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Let's do that.

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We wash her brushes with odorless

paint thinner, and here we

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just beat the devil at him.

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All right.

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Let's do a happy, happy little

mountain, take some black Prussian blue.

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I'll get some Crimson, maybe a little

Vandyke Brown doesn't matter, whatever.

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Pull it out as flat as you can get it.

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Take the knife.

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Cut across, get a little roll of

paint lives are right on the edge

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of the knife and the scope in here.

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And maybe here we are, maybe it is

a mountain that lives right here.

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Wouldn't that little bird cute.

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He's a little Cedar waxwings.

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I borrowed him from the bird lady here

in Muncie, Indiana where we filmed and

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her name is Diana Schafer and Diana

devotes just about her entire life,

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taking care of these little kids.

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Yeah.

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Fantastic.

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That people care enough to devote

their time and their resources

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to doing these kinds of things.

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My hats off to her there.

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There we go.

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Careful.

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I could, I could become just like Diane.

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I could become so infatuated with these

little Rascals that I'd spend most

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of my time just working with them.

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And there's a lot of people

like Diane all over the country.

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Nearly every town has a bird lady

or someone who takes care of injured

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and orphaned little creatures.

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And you need to, if you have

time, go out and see them.

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They've got interesting things.

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They need your support and

they're super people just taking

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the two inch brush, pulling it.

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I want to blend that color out because

if you can see the entire mountain,

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it's always more distinct at the top.

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Then there's is at the bottom

and this will do that too.

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It automatically already see

just sort of sitting in the mist.

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Now we will take some titanium

white, pull it out very, very flat.

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Once again, take the knife, go in.

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Cut.

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And we need that little roll of paint.

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Getting the habit of

loading the knife like that.

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Save you a lot of agony.

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Touch.

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No pressure, no pressure, no

pressure, no pressure at all.

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No pressure at all.

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Just let it glide cross here to us.

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Let it glide that easy.

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Maybe this one, you have

to make decisions here.

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Maybe this one comes up here.

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I don't know.

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I don't know.

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It's up to you.

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You can bring them

together if you want to.

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Totally and completely up to you.

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I want to stop there this side to

have a little highlight on it too.

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Just cause it's winter, it would

probably have more snow on it.

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And you can make this with any

color I'm just using quite today.

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Sometime you summary scenes, you'd like to

use various colors of Brown and stuff to

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make different types of mountain shapes.

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And that works works just the same.

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Take a little blue, little

quite pull it out flat.

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Once again are literal of paint.

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And with that, we can go back up in here.

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We put the indication

of some little shadows.

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Pay particular attention to angles

mountains, or just your geometric shapes.

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And it's a game of angles.

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Notice that most of your shadow

angles go in one direction.

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Most of your highlight angles going

into opposing or opposite directions.

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And that's basically all there is to it.

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No pressure.

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Absolutely.

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No pressure.

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Can't say that enough times.

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Yeah.

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I get letters every day.

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When people see him, my

mountains just, I don't work.

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Right.

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What's what's happening.

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It's normally one or two things.

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Most common is people try

to do it with a paint.

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Then you absolutely must

have a very firm dry paint.

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That is like, it's essential without it.

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You're just going to become a mud mixer.

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You need a firm, dry paint.

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That's the only way you can paint over

the top of this over and over and over.

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See, now you can come back in here.

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I didn't change your mind.

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Sorry to keep jumping around there

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and you can even get crazy and maybe

put a whole nother projection here.

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Yeah, it's up to you.

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Just see these things in your

mind and drop them in there.

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No big deal you have to total

total control with a total power.

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Can do anything.

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Just wipe the knife off and you

just put any O shape you want in

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here, wherever I'm going to quit.

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I'm going to fill the whole canvas

up for the mountains, which is okay.

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It's a super way to practice this.

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I'll take a two inch brush and

just tap, follow the angles though.

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Follow those angles and then

very gently lift up or down.

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Upward upward over here, still following

those angles most, most important.

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Got to follow him there or you'll

destroy everything you built.

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All right.

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Now maybe, maybe be back

here in the distance.

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Let's see.

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We'll take a little, I'm gonna

take some titanium, white

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impression, blue, little Crimson.

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Just sort of mix them together here

making it's basically a blue color, but

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a little bit of the, a little bit of

the Crimson and it just like, it just

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sort of mix around you find something

that really turns you on the next.

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Good.

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Now let me just use the

old two inch brush here.

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Tap in a little color.

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And maybe there's a little footie

Hill back here in our world.

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It leaves right here and we'll let it

go right through, right on through to

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something about like, yeah, all we have

done here is just tapped on some color.

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Now, very gently short strokes.

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I'm going to grab it.

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Lift upward, upward, upward,

upward, very short, little

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strokes, very short, very short.

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See, it looks like little

trees live far away already.

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Now then maybe one dark in that color,

same color, but I'm gonna make it

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darker much darker come right in here.

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And here.

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I'm just gonna touch.

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Watch your watch.

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Okay.

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I'm sorry.

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I get excited.

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I've painted thousands and thousands of

paintings and is still fascinates me.

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Just it excites me every time

I paint another painting.

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It's one of the few things that

I've ever done in my life that

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doesn't get old and boring very

quickly because every painting,

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everyone is a learning experience.

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And you know, each time you do a

painting that you've learned something

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and that next time, next time the

painting is going to be even better.

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There.

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It's like we have well over 400

instructors in the country and I hear

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over and over that we're not satisfied

with what we're doing and I tell them

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that's the greatest thing that could

ever happen to your dissatisfaction.

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I hope you're plagued with it because if

you're not satisfied, then that's what

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drives you to go forth and do another one.

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And it'll be better.

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So I hope you two are plagued

with this satisfaction.

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I'm making up a dark color here.

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Got a little white in it.

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Same color we were using just darker.

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Hey, we'll find this a little

fan brush load, some color in it.

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Both sides.

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Scoping here now maybe, maybe there's

some more little trees right in here.

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There, these are a little closer, so

we can make out a little more detail

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there.

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You decide where they live,

where ever you want to wherever.

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All right.

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Maybe they come down here.

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I'm just going to push in and then lift up

or to make it look like more little trees.

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Pull that down.

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All right.

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That's all there is to it.

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No problem at all right now, watch here.

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I want to grab that, pull it down and

that'll make us a nice reflection.

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And we'd go across instantly.

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Nice little reflections, lift up.

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Smooth it out a little.

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Sure.

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You got a nice little painting

going there now, maybe underneath

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here, underneath here to take what

let's put a little dirt over there.

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Take a little Brown, both

van Dyke and dark Sienna.

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I'm just going to come right in here.

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And we're just going to put the

indication of some soil, dirt,

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rocks, whatever, live right in there.

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And on top of that, let's get crazy.

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Take some SAP green right into the

Cadieux yellow ochre, Indian, yellow,

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just mix them together on the brush.

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So you get a multitude of colors.

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00:13:18,765 --> 00:13:23,385

Let's go up in here and maybe there's

some little grassy areas back in here.

255

00:13:23,775 --> 00:13:28,785

Just take the little fan brush, push

upward, push it up or use the corner.

256

00:13:28,845 --> 00:13:32,385

Otherwise you get smiley faces there.

257

00:13:32,715 --> 00:13:33,495

Just use the corner.

258

00:13:33,495 --> 00:13:34,935

Now we got a little grassy area there.

259

00:13:36,345 --> 00:13:38,385

Take a little white little dark Sienna.

260

00:13:39,105 --> 00:13:46,215

We make a little Brown cutter and we

can go back and just make it look like.

261

00:13:47,310 --> 00:13:50,610

They're little rocks and stones

living right along the edge.

262

00:13:51,449 --> 00:13:56,640

Now, over on this side, we said this

was going to be winter over here.

263

00:13:56,730 --> 00:13:57,300

I won't do that.

264

00:13:57,300 --> 00:13:58,290

Same basic thing.

265

00:13:58,920 --> 00:13:59,760

Only with light.

266

00:14:01,140 --> 00:14:03,449

I would take some liquid white

and pull it out very flat.

267

00:14:04,980 --> 00:14:06,839

This is just liquid right on the knife.

268

00:14:07,050 --> 00:14:08,069

Just cutting across.

269

00:14:09,360 --> 00:14:13,980

Let's put a little water line back

there and we'll come right in here.

270

00:14:14,069 --> 00:14:15,060

Put a little water line.

271

00:14:16,425 --> 00:14:19,185

That follows the right

through right through.

272

00:14:20,865 --> 00:14:24,255

Just let that scene

continue right on through.

273

00:14:24,255 --> 00:14:26,745

We're actually doing two

paintings at one time here.

274

00:14:28,094 --> 00:14:28,814

There we go.

275

00:14:30,225 --> 00:14:32,084

Maybe there's even a little

ripple here and there.

276

00:14:32,475 --> 00:14:37,814

Wherever up to you can have ripples

anywhere you want them in your world.

277

00:14:39,704 --> 00:14:40,935

Let me grab another fan brush.

278

00:14:40,964 --> 00:14:42,165

I have several of them going here.

279

00:14:43,470 --> 00:14:45,360

Let's take clean off a spot.

280

00:14:46,680 --> 00:14:48,120

I got the biggest pallet in town.

281

00:14:48,120 --> 00:14:49,290

It's just not big enough.

282

00:14:51,000 --> 00:14:52,890

You always it's like a goldfish.

283

00:14:52,890 --> 00:14:54,660

You'll grow to the size

of your environment.

284

00:14:54,660 --> 00:15:00,750

I think thick, black Prussian,

blue, yellow, green, some

285

00:15:00,750 --> 00:15:03,540

Crimson put them together.

286

00:15:03,840 --> 00:15:06,500

I like they will bring

their, just like that.

287

00:15:07,670 --> 00:15:08,270

All right.

288

00:15:11,670 --> 00:15:12,930

Go right into the color.

289

00:15:13,350 --> 00:15:19,620

A lot of it, little lot of colored to the

fan brush and let's make a few evergreen

290

00:15:19,650 --> 00:15:21,450

trees, some nice ones, a lot of paint.

291

00:15:24,300 --> 00:15:24,720

Ready.

292

00:15:24,780 --> 00:15:25,770

It's your bravery test.

293

00:15:26,520 --> 00:15:31,170

There comes a corner of

the brush back and forth.

294

00:15:31,920 --> 00:15:33,570

Maybe there's one big old tree.

295

00:15:33,570 --> 00:15:34,440

It lives right here.

296

00:15:34,590 --> 00:15:36,570

And he looks out over this mountain.

297

00:15:37,335 --> 00:15:38,625

Gosh, what a view he would have.

298

00:15:40,485 --> 00:15:43,965

That's where I want to live right there.

299

00:15:44,625 --> 00:15:46,005

Look out over the mountains.

300

00:15:46,005 --> 00:15:47,865

Heal God's creations.

301

00:15:49,245 --> 00:15:49,845

All right.

302

00:15:50,415 --> 00:15:50,835

I like that.

303

00:15:50,835 --> 00:15:52,125

Let's make some trees on the other side

304

00:15:55,485 --> 00:15:55,785

there.

305

00:15:57,285 --> 00:15:59,895

Sometimes when you're painting step

back for your painting and take a

306

00:15:59,895 --> 00:16:05,145

look, see at it every so often when you

paint really close to it, it sort of

307

00:16:05,355 --> 00:16:10,455

is sort of gets distorted step back and

look at it step back and take a look.

308

00:16:10,455 --> 00:16:16,515

See they're just drop

them little Rascals yet.

309

00:16:17,265 --> 00:16:19,575

We need one more tear Combs.

310

00:16:20,275 --> 00:16:24,045

Color, the brush work back and forth,

applying more and more pressure.

311

00:16:24,045 --> 00:16:26,745

As you work down down here, we

just put a little color down

312

00:16:29,824 --> 00:16:38,105

and you guessed, it ended up being

some reflection that easy, that easy.

313

00:16:38,944 --> 00:16:42,605

Now we can put a little

dark color in there.

314

00:16:42,605 --> 00:16:44,765

See, and we have

reflections for that easy.

315

00:16:45,735 --> 00:16:47,505

Painting does not have to be difficult.

316

00:16:47,505 --> 00:16:48,765

There's no big secret to it.

317

00:16:48,824 --> 00:16:49,395

You can do it.

318

00:16:50,865 --> 00:16:57,615

Let's take SAP, green, yellow,

lot of color on the brush came.

319

00:16:57,615 --> 00:17:02,355

Let's go up here and let's put, let's put

some highlights and these little Rascals

320

00:17:03,405 --> 00:17:05,115

darker, darker, darker toward the base.

321

00:17:06,725 --> 00:17:10,185

Always want them to get darker

yellow ochre and that one,

322

00:17:10,605 --> 00:17:13,065

I buy cat little sparkler.

323

00:17:14,925 --> 00:17:15,375

That's what I did.

324

00:17:15,375 --> 00:17:16,425

I'm happy accidents.

325

00:17:16,755 --> 00:17:18,525

They happen in your world.

326

00:17:19,085 --> 00:17:20,675

You learn how to work with anything.

327

00:17:20,675 --> 00:17:22,865

It happens and grab another fan brush.

328

00:17:23,790 --> 00:17:25,740

I'm going to dip this one into

a little bit of the liquid

329

00:17:25,740 --> 00:17:27,480

white, because this is winter.

330

00:17:28,170 --> 00:17:32,490

Got to remember a little liquid white

titanium, white be right back a little

331

00:17:32,670 --> 00:17:36,210

fellow blue, pretty color Caymus.

332

00:17:36,210 --> 00:17:36,750

Go up in here.

333

00:17:37,620 --> 00:17:41,250

Now for this winter tree, maybe there's

snow, little snow laying on these.

334

00:17:41,835 --> 00:17:42,615

Arms here.

335

00:17:43,545 --> 00:17:44,745

So we've put a little debt on there.

336

00:17:44,805 --> 00:17:45,585

Not a whole lot.

337

00:17:45,645 --> 00:17:46,395

That's about enough.

338

00:17:47,835 --> 00:17:49,215

Just take a one inch brush.

339

00:17:49,935 --> 00:17:50,505

That's a Goodman.

340

00:17:51,825 --> 00:17:53,625

Won't take some of that nice dark color.

341

00:17:55,305 --> 00:17:58,215

Like, so I hear my little bird over there.

342

00:17:59,415 --> 00:18:01,575

He's still he's chirping so nice.

343

00:18:02,715 --> 00:18:02,805

Okay.

344

00:18:02,939 --> 00:18:03,510

He was good.

345

00:18:03,510 --> 00:18:10,590

I'll have to feed him extra special, extra

special for doing a good job with us.

346

00:18:11,550 --> 00:18:11,909

Yeah.

347

00:18:13,230 --> 00:18:15,330

And he likes blueberries,

fresh blueberries.

348

00:18:15,360 --> 00:18:16,230

Who loves them.

349

00:18:16,949 --> 00:18:17,429

There we go.

350

00:18:18,149 --> 00:18:24,449

I just let that come right

on through there now.

351

00:18:25,815 --> 00:18:27,555

There's another one inch brush it's clean.

352

00:18:28,005 --> 00:18:28,545

I'm on dip.

353

00:18:28,545 --> 00:18:30,435

The one inch brush into liquid white.

354

00:18:31,035 --> 00:18:35,385

I dip it into the liquid white only

to thin the titanium white, some

355

00:18:35,475 --> 00:18:39,705

go through titanium white, be right

back, right back, get a little, they

356

00:18:39,705 --> 00:18:43,005

little blue, pull it in one direction.

357

00:18:43,695 --> 00:18:48,285

It's important to go in one direction

around one corner, turn it over.

358

00:18:48,285 --> 00:18:50,235

So at round corners to the

top, look at the end of that.

359

00:18:50,235 --> 00:18:51,585

Brush all the paint that's in there.

360

00:18:52,785 --> 00:18:54,014

Tremendous amount of paint.

361

00:18:54,045 --> 00:18:54,375

Okay.

362

00:18:54,675 --> 00:18:56,475

Let's go up in here now.

363

00:18:56,475 --> 00:18:59,835

All you gotta do is just

barely touched the canvas.

364

00:18:59,985 --> 00:19:01,395

You don't have to sock it hard.

365

00:19:02,085 --> 00:19:05,535

Just barely touch it and you can

make all these gorgeous little Lacy

366

00:19:06,645 --> 00:19:09,254

looking frozen bushes that easy.

367

00:19:09,705 --> 00:19:10,065

See ya.

368

00:19:10,425 --> 00:19:14,945

They live right here in your

Oh one inch brush and you can

369

00:19:14,945 --> 00:19:16,865

just scare them out there.

370

00:19:16,865 --> 00:19:18,365

They are maybe.

371

00:19:18,840 --> 00:19:19,330

I take one.

372

00:19:21,120 --> 00:19:25,830

So when you paint, you see things,

you just, you begins, you just do it.

373

00:19:26,400 --> 00:19:27,840

So it makes it fun pool.

374

00:19:28,800 --> 00:19:30,060

Maybe there's a little snow right there.

375

00:19:31,350 --> 00:19:33,090

They're living in Florida.

376

00:19:33,090 --> 00:19:33,240

Now.

377

00:19:33,240 --> 00:19:39,900

I don't see a lot of that, but for well,

over a dozen years, I lived in Alaska.

378

00:19:41,100 --> 00:19:42,720

I certainly saw my share there.

379

00:19:44,070 --> 00:19:48,000

Laska may be one of the most

beautiful creations God's ever made.

380

00:19:49,425 --> 00:19:50,715

Water pretty pretty place.

381

00:19:50,895 --> 00:19:51,855

Let me wash this brush.

382

00:19:53,175 --> 00:19:53,955

Not as much fun.

383

00:19:53,955 --> 00:19:55,215

Washing the one inch brush it.

384

00:19:55,215 --> 00:19:56,505

Doesn't splatter near as bad.

385

00:19:58,889 --> 00:20:00,570

I didn't get people standing real close.

386

00:20:01,080 --> 00:20:01,679

All right.

387

00:20:02,070 --> 00:20:04,980

I can do the liquid wide camera.

388

00:20:04,980 --> 00:20:05,909

People hate me here.

389

00:20:06,600 --> 00:20:15,000

I live through right through some of the

SAP green, the Cadieux yellow ochre over

390

00:20:15,000 --> 00:20:18,750

here, where we're going to have summer

on the other side, King scoping here.

391

00:20:18,750 --> 00:20:22,470

Same thing that we rounded one

corner with that rounded corner up.

392

00:20:23,010 --> 00:20:24,600

Now, then we can just go in here.

393

00:20:25,445 --> 00:20:28,625

And lay him some highlights on all

these little bushes that live over here

394

00:20:28,625 --> 00:20:33,004

on, on Summerside over on this one.

395

00:20:33,635 --> 00:20:33,965

Yeah.

396

00:20:34,685 --> 00:20:35,465

There is one.

397

00:20:36,365 --> 00:20:38,305

See, do one little bullshit attack.

398

00:20:38,315 --> 00:20:39,205

Don't get greedy.

399

00:20:39,985 --> 00:20:40,825

Don't get greedy.

400

00:20:42,534 --> 00:20:42,985

All right.

401

00:20:43,014 --> 00:20:44,575

Where's the next one live right there.

402

00:20:44,635 --> 00:20:45,715

You're right there.

403

00:20:45,715 --> 00:20:47,935

He is neat.

404

00:20:48,415 --> 00:20:49,735

You can just put them in ever.

405

00:20:50,325 --> 00:20:51,285

You think they should be?

406

00:20:52,605 --> 00:20:54,465

There's another one, do

one at a time though.

407

00:20:54,615 --> 00:20:57,915

I know I say that on every show

that I paint them, but it's

408

00:20:57,915 --> 00:20:59,865

most important, most important.

409

00:20:59,865 --> 00:21:03,645

This reflect a little down

in here, something like that.

410

00:21:05,265 --> 00:21:10,425

A little bit of that

color now, now dry brush.

411

00:21:10,545 --> 00:21:13,515

This is your gentle test

because it has to be very light.

412

00:21:14,115 --> 00:21:16,125

Whisper, barely touch.

413

00:21:17,385 --> 00:21:23,535

Just graze it, go over and then

go across and look at there, have

414

00:21:23,565 --> 00:21:28,425

gorgeous mirror reflections that

easy, that easy, you can do it.

415

00:21:29,135 --> 00:21:34,895

Vandyke Brown owned the knife

and we need, we need a little

416

00:21:34,895 --> 00:21:36,365

land in our world, right there.

417

00:21:37,655 --> 00:21:39,005

Just a little bit of land.

418

00:21:40,265 --> 00:21:41,285

And we, there it is.

419

00:21:41,285 --> 00:21:43,415

We had some Brown and white,

white and mixed up earlier.

420

00:21:44,940 --> 00:21:48,060

So with that, we'll just come

right in here, but some little

421

00:21:48,060 --> 00:21:50,250

highlights back to our liquid white.

422

00:21:51,960 --> 00:21:55,230

We use the liquid white here just to

make a little waterline underneath.

423

00:21:55,260 --> 00:21:59,430

It's sort of a little separator,

separate you to dark areas

424

00:22:00,330 --> 00:22:03,660

there that easy, that easy.

425

00:22:05,850 --> 00:22:06,360

I can.

426

00:22:07,380 --> 00:22:07,980

All right.

427

00:22:09,090 --> 00:22:11,250

Now we can take, take a clean knife.

428

00:22:11,550 --> 00:22:14,940

And all I'm going to do is go in here and

just scraping mainly in the dark areas.

429

00:22:15,300 --> 00:22:19,650

And I'm going to jump all around just

to put in the indication of some little

430

00:22:19,650 --> 00:22:23,130

sticks and twigs and all kinds of

little things that live here in our

431

00:22:23,130 --> 00:22:27,530

world, just wherever you want there.

432

00:22:27,530 --> 00:22:27,890

Right?

433

00:22:28,580 --> 00:22:29,270

Okay.

434

00:22:30,465 --> 00:22:32,895

And that let's put a few over here too.

435

00:22:33,195 --> 00:22:34,515

I don't want this side lift up.

436

00:22:35,915 --> 00:22:39,585

If you turn the Mac, sidewards

could make wider sticks.

437

00:22:39,975 --> 00:22:43,065

If you want little sticks, go straight

in because of blades very thin.

438

00:22:43,155 --> 00:22:47,355

See, and that way you can make a

whole variety of different kinds of

439

00:22:47,355 --> 00:22:49,005

sticks and branches in your world.

440

00:22:50,535 --> 00:22:51,765

Break up that edge right there.

441

00:22:51,765 --> 00:22:56,085

So I'll just put a little Bush with a

fan brush that grows right down the side

442

00:22:56,085 --> 00:22:58,065

there a little bit, something like, so.

443

00:22:59,415 --> 00:23:03,615

There, I don't take my liner brush

a little bit of paint thinner,

444

00:23:06,885 --> 00:23:08,175

maybe here and there.

445

00:23:08,685 --> 00:23:10,755

A little stick that just

lives right in there.

446

00:23:11,985 --> 00:23:12,825

Something like that.

447

00:23:14,895 --> 00:23:16,095

Now I'll tell you what let's do.

448

00:23:17,580 --> 00:23:21,090

Let's take the masking tape that

we have around this painting off,

449

00:23:21,660 --> 00:23:22,860

and let's find out what we have.

450

00:23:23,070 --> 00:23:24,420

And this will take just a second.

451

00:23:25,860 --> 00:23:29,040

Does that say, this is just something

we cut here at the studio and to make

452

00:23:29,040 --> 00:23:35,610

these little circles that took the cap

off of my paint at, around cap on it and

453

00:23:35,610 --> 00:23:37,500

just cut right around the masking tape.

454

00:23:38,730 --> 00:23:39,180

See there.

455

00:23:41,320 --> 00:23:45,420

And go get two for the price

of one, but isn't that neat.

456

00:23:45,450 --> 00:23:49,290

Now we have, it starts in summer

and it runs all the way across.

457

00:23:49,620 --> 00:23:52,290

It goes from summer into

winter in the same scene.

458

00:23:53,100 --> 00:23:55,830

And these are very, very effective

when you put this in a frame and

459

00:23:55,830 --> 00:24:00,060

present it to maybe a friend or

relative as a gift, or you've just

460

00:24:00,060 --> 00:24:01,690

made a lifelong friend guarantee.

461

00:24:01,690 --> 00:24:06,360

You tell you what, let's take some

paint center within a little bit of the

462

00:24:06,360 --> 00:24:08,400

bright red till it's literally like ink.

463

00:24:09,300 --> 00:24:10,110

Very very thin.

464

00:24:11,400 --> 00:24:15,720

So you work at, I get so many letters

asking about how you sign a painting.

465

00:24:15,750 --> 00:24:20,280

First thing is to get the paint

very thin and then just work

466

00:24:20,280 --> 00:24:21,990

it, look at it, see it run.

467

00:24:22,260 --> 00:24:26,430

That's what we're looking for that

turned the bristles in their loads

468

00:24:26,430 --> 00:24:29,100

at full comes to a very sharp point.

469

00:24:30,120 --> 00:24:31,170

All right, let's go up in here.

470

00:24:32,669 --> 00:24:33,780

Now you have to make a decision.

471

00:24:33,780 --> 00:24:36,149

Do you sign this one once or

twice since you have to pay?

472

00:24:36,149 --> 00:24:41,399

And I'm just going to sign it once since

it's just a half hour show and we'll

473

00:24:41,399 --> 00:24:46,020

sign it right there, really hope you've

enjoyed this and that it will spark your

474

00:24:46,020 --> 00:24:48,899

imagination, set your whole world on fire.

475

00:24:49,500 --> 00:24:52,980

Because with paint, you can take

a trip and go anywhere that you

476

00:24:52,980 --> 00:24:57,389

want to be until next time from

all of us here, happy painting.

477

00:24:58,110 --> 00:24:59,250

And God bless my friend.

End .srt file.

Bob Ross' The Joy of Painting

Thursday, December 31, 2020

S29E03 - Seasonal Progression

Bob Ross's

The Joy of Painting

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