Bob Ross's
The Joy of Painting
S30E05 - A Copper Winter
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Hi, welcome back.
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Certainly glad you could join us today.
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Today.
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I thought we'd do a little winter scene.
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There's just a lot of fun.
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So let's start out and have him
run all the colors across the
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screen that you need to paint along
with us while they're doing that.
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Let me show you what I've gotten
done already had my standard old
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canvas up here, but today I've taken
a mixture of liquid clear and liquid
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white, both, both of them and covered
the entire canvas and it's very
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wet and slick and all ready to go.
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So.
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I thought they would just have some fun.
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I want to start out today.
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First thing and make some Brown.
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I'm going to use some SAP
green and alizarin Crimson
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in about equal proportions.
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I sorta, I sorta like it to the ready
side, but you make your own decision.
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There we are.
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This makes a beautiful, beautiful Brown.
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Something about like cat.
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Hmm.
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Okay.
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Let me wipe off the little knife.
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That's say thought today.
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We'd just, we'd just have some fun.
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Let's just do something
a little bit crazy.
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Gonna take a old two inch brush
and go right into some of that
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nice Brown color that we made.
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And this one's hard one to do.
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Right?
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How about something like that?
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Just drop in a little bit of color
here and there and there in here.
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I'm going to go into dark Sienna.
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It's a little bit different in color.
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Just to change the
flavor a little bit, man.
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Okay.
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A little Vandyke Brown.
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What the heck?
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We just put some streaks on here.
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Maybe over on the other side,
let's go red back there.
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I'm just, just putting any, some Browns.
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I want a very warm, warm painting, and
this is going to end up being disciplined.
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Background colors,
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going to wash the old brush.
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And did you know, we wash our
brushes with odorless paint thinner.
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Since these are oils, you
need paint thinner to get the.
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Paint off your breath.
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Not supposed to hit the bucket though.
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Like I did.
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I'm just shaking a trash.
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Can there take a little bit of
titanium white now in the brush?
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Same old two inch brush.
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Let's go back up in here.
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I'm just going to begin taking
a little that fight and just
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allowing it to blend together.
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I just want to make a very
warm little background.
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So in between these colors, I'm just going
to add a little white here and there and
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there and here and let them blend felt
like it really don't worry about it.
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There there is no right or wrong here.
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It's just, if it makes you happy
and you enjoy it, there we are.
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And that's really about all I'm going
to do for the little background.
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I can't shoot while we got the
old brush go and we can three
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for a little down here, I'm going
to have a little winter scene.
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It's very warm.
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It's very, very warm.
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So this Brown will be our shadow color.
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Cause it's a very warm color.
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How's that?
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Yeah, we can wash the brush again.
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Actually I just look for
excuses to wash the brush.
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There we go.
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Shake it off and just
beat the devil out of it.
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All right.
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Maybe in the.
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Back here in the background somewhere.
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Do we wanna take a little at Brown?
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We've made, grab a little
white to the paint, thinner,
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quite a bit of paint thinner.
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And I want to make this very thin,
almost like ink, but not quite there.
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Turn the bristles in there.
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Say it brings it to a very sharp point.
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All right, let's go up in here now, then
back in here, I just want to begin putting
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the indication of some happy little
trees that live far, far away there.
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So these are just a little background
trees, so it don't much matter.
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There we are.
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And you can put as much detail
on yours as you want there.
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Little limbs and sticks and twigs maybe.
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Yep.
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You're right.
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He's got a friend right there.
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You know me, I think even Matree needs
a friend, they're a little more of that.
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The more of the color there.
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Once again, these are just going
to be a little background trees.
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So we're not too concerned
about them at this point.
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Not too concerned there.
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Maybe, maybe, maybe, yeah.
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Right in here.
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Something like, so this is a good, good
painting to give you some practice,
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making little tree limbs, all the
little things that sometimes give
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you, give you a little problem to you.
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Practice a little.
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All right.
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There's one.
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Okay.
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Just a little indications.
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We're going to other side over here.
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A little more paint thinner.
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We don't want this side left out.
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So we'll put in a few over here too.
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I see if you have enough paint
thinner, this will just slide.
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They're going to be careful when you're
putting liquid meanings on the back.
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Not to get too much of the clear, not
too much of the clear, I want a little
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bit on there, cause I want it to have
some translucence, but not too much.
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There just all kinds of little doers
that live in there, back in the woods.
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This is where all the little
squirrels and the rabbits hide.
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There we are.
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All right.
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A little more of the paint thinner.
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Yeah.
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We'll put art.
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Well, there's an old
gnarly one right there.
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Maybe, maybe something stepped on
him when he was just a little baby.
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Put a little anyway
that happened sometime.
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Yeah.
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All trees aren't straight.
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All of them are future telephone pole.
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Some have personalities
that are just wonderful.
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Just like people, some tall, some short.
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Some heavy, some real skinny
trees in the same way.
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They're individuals.
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Okay.
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There's one that went
right off the canvas.
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All right.
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Now sometimes it's fun.
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And if you have just enough liquid
core on there, you can take.
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Just paint thinner on a fan brush and
flick it a little bit and it'll make
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the indication and it takes a while
for this to work, but you'll begin
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seeing little places where the paint
thinner begins eating through the liquid
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clear and it'll look like little tiny
leaves and stuff on your trees there.
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And it'll take, sometimes it takes up for
10 minutes or so for it works and we'll
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just splash a little red around in here.
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For the paintings over.
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You'll begin to see some of it.
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Now, the more clear you put in
your background, the more of this
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that'll happen, but it looked like
little, little things that are
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happening back in the distances.
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Really neat.
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There what's that like it
now let's grab tell you what.
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I like his own two inch brush.
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Let's just use it.
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I'll put a little white on it and I'm
going to go right into that Brown we
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made out of alizarin, Crimson and SAP
green, little white, just to, just
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to make it a little bit brighter.
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And we're just tapping
one corner in there.
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Let's get back in here.
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And maybe there's some little
background bushes that live in here.
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Let's take the brush and we're just
tapping into the top corner of the brush.
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Just the top corner we'll
begin putting in basic shape.
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We're not looking for
detail only basic shape.
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Don't worry about it.
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There is no right or no wrong here.
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They're just a little background
things, something like, so you
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decide, this is where you have
to make all these big decisions.
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Where does all these little
things live in your world?
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There they go.
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Wherever you'd like, um,
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something about my cat.
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Now let's get crazy today
in here to your heart.
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I'm going to a little bit of the
yellow ochre and I'll sort of vary
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back and forth between the yellow
ochre, CAD yellow and in yellow.
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And once in a while, a little
touch of the bright red, I
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want to warm this up even more.
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We use the same old brush and you just
go right up in here and just begin
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tapping on the indication of a few
little highlights there up too many, too
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many, just enough to get them to come
out a little there, something about my
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cat, but think about, think about form.
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Think about shape.
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Don't just throw them on at random.
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I say that nearly every
painting, but it's so important.
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So important.
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So many little things like yes.
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Make your paintings very,
very special, very special.
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No, I know nobody's interested in that.
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They go happy book, but if you're ever
out selling paintings, it's these little
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details that make your painting special,
makes him stand out from the crowd.
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There we are.
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All right.
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Something about like, but see, it's
just a really puts a lot of detail
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back in there and you see this
sometime in winter, I lived in Alaska
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for about a dozen years and a lot of
times, in fact, I've seen it snow.
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When, when everything was still
green, we'd get some unexpected snows
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and it would be so weird looking.
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Because you'd have all the green trees
and bushes and everything and snow
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laying around, but you've a lot of
times you have this brownish stuff with
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snow on the ground and it's gorgeous.
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Makes a beautiful, beautiful painting
titanium white whole two inch brush.
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And you just decide where the snow
is laying here and drop it in that
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easy, that easy, just pay attention
to the lay of the land, the way
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the snow flows, the directions.
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I like it.
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There we go.
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Okay here or there, we'll
just throw him right off.
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Sometimes these brushes, these
are natural bristle brushes, and
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sometime the hair sort of sneaks out.
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It's like, mine's a little
wild at times there.
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If you remember, a couple of years
ago, we had John fam on the show.
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I asked him if he'd do a portrait of me.
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And he said, no, it was too easy.
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All he had to do was pay the steel
wool bone, put a smile on it.
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So.
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We didn't invite him back.
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Yeah, we did.
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All right.
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Now, maybe right down in here,
we'll just take a little bit of
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blank, little bit of little bit
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pressure and blue in it.
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Not much, just a little, mostly black.
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Mostly black, pull it straight down.
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I decided maybe there would
be a little water in there.
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Something about like, it
just decide where it's at.
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I'll put down, there we go.
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Right.
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And that easy it'll make the
indication of some water.
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Maybe I'll add a little Brown to that.
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It's too blue.
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Yeah.
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I liked it much better.
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See how you can change your
mind that easy and your world.
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You can change it any
way that you want it.
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I like it much better fits
more in the painting now.
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All right.
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Back to our titanium
white, bring it right down.
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Sort of smoothed out the edges
a little and we're in business.
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Okay, Dave, what?
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I'm just going back and forth
between several of the, all to
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interpersonal and take a little
van Dyke Brown, little dark Sienna.
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Mix them together.
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I want this to be pretty dark.
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Maybe we got some more big
bushes that live do now.
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Right here.
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Right there.
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You decide where they live in your
world, just drop them in something
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about like, then there we go.
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Maybe she would maybe comes
all the way down in here.
246
00:13:29,850 --> 00:13:30,390
I don't know.
247
00:13:31,380 --> 00:13:32,220
It doesn't much matter.
248
00:13:34,170 --> 00:13:35,750
You can put them anywhere that you want.
249
00:13:40,350 --> 00:13:41,010
Alright.
250
00:13:42,570 --> 00:13:43,770
Something about like, it.
251
00:13:45,735 --> 00:13:49,635
Take a little bit of that and put a little
liquid white on the brush does two things.
252
00:13:49,635 --> 00:13:56,295
It makes the color a little bit lighter
in value and it makes it thinner because
253
00:13:56,295 --> 00:13:59,055
at the end paint, as you know, we'll
stick to a thick paint, then the thick
254
00:13:59,805 --> 00:14:05,265
tap a little in there and let's go in
here and it would just pick out indication
255
00:14:05,265 --> 00:14:11,295
here and there of a little Bush that
lives in here, something about like, so.
256
00:14:13,470 --> 00:14:18,780
There we are maybe a little bit
of the bright red and then yellow.
257
00:14:19,590 --> 00:14:20,670
What's that nice one.
258
00:14:23,040 --> 00:14:24,510
But leave some of those
dark ones in there.
259
00:14:24,510 --> 00:14:26,640
See it creates shadows and
depths in your painting.
260
00:14:27,960 --> 00:14:29,040
Don't don't kill them all.
261
00:14:30,960 --> 00:14:36,030
Sometimes it's almost hard to
stop just, but it should make you
262
00:14:36,030 --> 00:14:39,450
happy when you painters sang a
little song, go along in there.
263
00:14:41,400 --> 00:14:50,990
There wherever turtle, two inch
brush the hiss titanium white on it.
264
00:14:50,990 --> 00:14:52,459
And we just pulled it right to the white.
265
00:14:52,819 --> 00:14:54,800
It's no big deal just below it.
266
00:14:54,800 --> 00:14:55,640
A little color on it.
267
00:14:56,930 --> 00:14:57,020
Okay.
268
00:14:57,290 --> 00:14:58,310
I'm going to go right up in here.
269
00:14:58,579 --> 00:15:01,610
Maybe there's a little, maybe there's
a little peninsula lives right here.
270
00:15:02,150 --> 00:15:03,680
It looks like a natural place for one.
271
00:15:04,455 --> 00:15:05,325
So just pull it out.
272
00:15:06,045 --> 00:15:07,725
Intentionally, pick up a little bit Brown.
273
00:15:07,725 --> 00:15:10,005
It ends up being beautiful
shadows in your painting.
274
00:15:12,135 --> 00:15:13,455
Beautiful little shadows.
275
00:15:15,345 --> 00:15:16,245
There we go.
276
00:15:18,605 --> 00:15:18,965
Shoot.
277
00:15:18,965 --> 00:15:19,325
Who knows?
278
00:15:19,325 --> 00:15:21,185
Maybe it just sorta comes around.
279
00:15:21,185 --> 00:15:22,415
Like it, we don't know where it goes.
280
00:15:22,565 --> 00:15:23,405
Just let it disappear.
281
00:15:23,405 --> 00:15:23,615
Right.
282
00:15:23,615 --> 00:15:27,185
Don't add in here about like that.
283
00:15:31,170 --> 00:15:33,330
And you can push upward and
make it look like a little bushy
284
00:15:33,900 --> 00:15:35,160
or lift up with either way.
285
00:15:35,190 --> 00:15:36,390
It works both ways.
286
00:15:37,700 --> 00:15:38,420
Smooth it out.
287
00:15:41,270 --> 00:15:41,960
All right.
288
00:15:43,620 --> 00:15:45,720
Don't take a knife,
just, just a clean knife.
289
00:15:45,790 --> 00:15:49,350
You can go back in here and scrape through
and let let the canvas show through.
290
00:15:49,350 --> 00:15:53,069
And it makes it look like little
sticks and twigs and just all kinds
291
00:15:53,069 --> 00:15:54,300
of little doodles that live in there.
292
00:15:56,400 --> 00:15:59,580
And it also helps create that illusion
of depth and distance in your painting.
293
00:16:01,650 --> 00:16:03,230
There went back here too.
294
00:16:05,689 --> 00:16:06,470
Okay.
295
00:16:07,280 --> 00:16:08,120
Ready to get crazy.
296
00:16:10,189 --> 00:16:10,760
You know, me?
297
00:16:12,375 --> 00:16:13,335
I like big trees.
298
00:16:14,145 --> 00:16:20,835
I'm going to go right into some black
midnight, black and van Dyke Brown.
299
00:16:21,345 --> 00:16:22,725
Just mix them together on the brush.
300
00:16:22,725 --> 00:16:23,295
It doesn't matter.
301
00:16:25,005 --> 00:16:26,235
It's a big trees in our world.
302
00:16:28,305 --> 00:16:28,935
Okay.
303
00:16:28,935 --> 00:16:30,135
This is your bravery test.
304
00:16:30,945 --> 00:16:31,455
A lot of paint
305
00:16:34,545 --> 00:16:35,025
right there.
306
00:16:37,605 --> 00:16:38,745
Big old tree lives there.
307
00:16:40,275 --> 00:16:43,335
Maybe I tell you what I
tell you what I'll tell you.
308
00:16:44,115 --> 00:16:44,505
Maybe.
309
00:16:45,405 --> 00:16:45,675
Yeah.
310
00:16:45,704 --> 00:16:47,475
Let's have a whole family of trees there.
311
00:16:48,225 --> 00:16:54,885
Mama, Papa, maybe a couple of
little kids that are grown there.
312
00:16:55,545 --> 00:17:01,515
Something about like, so maybe
tell you, I'll tell you what,
313
00:17:02,895 --> 00:17:04,004
I'll put one over here too.
314
00:17:05,444 --> 00:17:06,045
Smaller one.
315
00:17:06,135 --> 00:17:06,795
It's farther away.
316
00:17:06,795 --> 00:17:07,845
So here it looks smaller.
317
00:17:09,900 --> 00:17:12,740
Maybe these are Birch trees.
318
00:17:12,740 --> 00:17:16,730
I just made a decision, take
some titanium, white, pull it
319
00:17:16,730 --> 00:17:20,360
out, very flat, then cut across
and get a little roll of paint.
320
00:17:20,390 --> 00:17:21,230
I don't know if you can see that.
321
00:17:21,230 --> 00:17:21,800
Let me do it again.
322
00:17:21,830 --> 00:17:22,490
Pull that flat.
323
00:17:23,540 --> 00:17:24,200
Cut across.
324
00:17:24,290 --> 00:17:25,400
See the little roller paint.
325
00:17:25,520 --> 00:17:26,720
That's exactly what we need.
326
00:17:27,740 --> 00:17:31,790
Now we can go up in here, touch the canvas
and give it sort of a little round pool.
327
00:17:32,625 --> 00:17:32,985
By that.
328
00:17:32,985 --> 00:17:35,535
I mean, I'm exaggerating
going around like that.
329
00:17:37,275 --> 00:17:47,175
Something about like cat, just touch, give
it a little pull there, but no pressure.
330
00:17:47,255 --> 00:17:47,495
Sure.
331
00:17:47,585 --> 00:17:48,125
Absolutely.
332
00:17:48,155 --> 00:17:49,685
It's like, you're putting
snow on the mountain.
333
00:17:49,745 --> 00:17:52,865
If you've painted with me before and
didn't mountains, it's just like, you're
334
00:17:52,865 --> 00:17:56,165
putting snow in the mountains there.
335
00:17:57,185 --> 00:17:58,265
We worked down on this one.
336
00:17:58,265 --> 00:17:58,745
It didn't matter.
337
00:17:58,745 --> 00:17:59,945
You can work up work there.
338
00:18:01,425 --> 00:18:09,545
Whichever way there we are a little on
this one, told him left out that I can't
339
00:18:11,855 --> 00:18:17,075
now we're come around, but a little
bit on the other side, I'm a little
340
00:18:17,075 --> 00:18:20,375
noises really do help, really do help.
341
00:18:20,375 --> 00:18:21,875
I got a letter from a psychiatrist.
342
00:18:21,875 --> 00:18:28,955
One time said he didn't know about me, but
he, he said he enjoyed the show anyway.
343
00:18:29,955 --> 00:18:30,254
Here.
344
00:18:31,155 --> 00:18:36,004
So I guess everybody's happy,
just a few little doers and we
345
00:18:36,004 --> 00:18:37,264
can go back to our dark color.
346
00:18:37,264 --> 00:18:39,604
That was a little bit
of black bandaid Brown.
347
00:18:39,995 --> 00:18:43,504
And I like to, I like to have
Birch trees that really, when
348
00:18:43,504 --> 00:18:44,915
they're dry, you could touch it.
349
00:18:44,915 --> 00:18:46,445
It feels like birchbark.
350
00:18:47,465 --> 00:18:50,344
So I really had a lot make it
thick, but that's up to you.
351
00:18:50,344 --> 00:18:52,864
You can make them very thin
where you can make them thick.
352
00:18:53,854 --> 00:18:57,975
So one of the things that sounded like
so much about oil paint, Is that you
353
00:18:57,975 --> 00:19:04,965
can build it up very, very thick can
make some gorgeous effects with it.
354
00:19:08,525 --> 00:19:08,825
Sorry.
355
00:19:11,855 --> 00:19:15,335
And not a super way of making some
gorgeous little Birch trees in there.
356
00:19:15,335 --> 00:19:15,725
Easy.
357
00:19:16,595 --> 00:19:17,465
Don't want to forget him.
358
00:19:19,445 --> 00:19:24,665
Let's start with a little bit of
the white something about like, so.
359
00:19:26,534 --> 00:19:27,225
No touch.
360
00:19:30,774 --> 00:19:32,524
We'll even put a little dark in that one.
361
00:19:32,584 --> 00:19:35,375
You don't want it left out, but
this one's going to be farther away.
362
00:19:35,375 --> 00:19:36,965
So you won't see quite as much detail.
363
00:19:36,995 --> 00:19:38,014
I don't have to worry about it.
364
00:19:40,004 --> 00:19:43,445
Then get a little paint thinner up here
365
00:19:46,534 --> 00:19:48,185
and we'll take a script liner brush.
366
00:19:49,175 --> 00:19:51,034
Oh, number two, script liner brush.
367
00:19:51,695 --> 00:19:53,375
I'm going to use that same color black.
368
00:19:53,880 --> 00:20:00,720
Vandyke Brown, then paint, let's go up in
here and let's put some arms on our trees.
369
00:20:00,900 --> 00:20:01,530
Here they come.
370
00:20:03,420 --> 00:20:05,130
Just as many or as few as you want.
371
00:20:06,070 --> 00:20:07,230
Just drop them in.
372
00:20:11,660 --> 00:20:11,750
Yeah.
373
00:20:12,260 --> 00:20:13,130
Arms on a tree.
374
00:20:13,130 --> 00:20:16,400
They just sort of grow
wherever they feel right there.
375
00:20:18,200 --> 00:20:21,050
And you can put all kinds of little
doors it's wintertime and the leaves
376
00:20:21,050 --> 00:20:22,400
have fell off these Birch trees.
377
00:20:23,940 --> 00:20:26,610
They're resting, but come
spring time, they'll be back.
378
00:20:27,000 --> 00:20:27,660
They'll be back.
379
00:20:27,660 --> 00:20:33,800
They just taking life easy for a few
days on vacation, went to Florida there.
380
00:20:35,540 --> 00:20:35,960
Yeah.
381
00:20:37,370 --> 00:20:38,540
A little more of the paint thinner.
382
00:20:40,580 --> 00:20:45,320
And you just, once again, you put as
many as you want in your world, right?
383
00:20:45,450 --> 00:20:49,640
Wherever you want them to live, because
that's exactly where they should be each
384
00:20:49,640 --> 00:20:51,260
and every one of us will say nature.
385
00:20:51,915 --> 00:20:56,865
Through different eyes and you should
paint what you see and what you feel.
386
00:20:58,395 --> 00:20:59,985
That's what makes paintings so special.
387
00:20:59,985 --> 00:21:02,655
It's as unique as the people who do it.
388
00:21:04,445 --> 00:21:05,195
There we are.
389
00:21:06,785 --> 00:21:07,475
He can paint.
390
00:21:07,535 --> 00:21:08,795
There's no big secret to it.
391
00:21:10,475 --> 00:21:13,355
You do not have to know Michael
Angelo on a first name basis.
392
00:21:13,355 --> 00:21:14,435
You can paint.
393
00:21:15,455 --> 00:21:16,295
You really can.
394
00:21:18,645 --> 00:21:19,215
All right.
395
00:21:20,955 --> 00:21:21,705
Let's have some fun.
396
00:21:23,255 --> 00:21:26,255
I think in our world, we've
got a minute or so left here.
397
00:21:26,345 --> 00:21:27,455
So we'll play a little bit.
398
00:21:29,135 --> 00:21:31,985
Let's take, let's take the dark color.
399
00:21:32,525 --> 00:21:38,315
Good dark color, Prussian blue
Vandyke, Brown, black, and Crimson.
400
00:21:39,965 --> 00:21:40,805
Mix them together.
401
00:21:43,365 --> 00:21:53,055
I think in our world today, let's have one
little evergreen tree just to break it up.
402
00:21:54,735 --> 00:21:59,175
Wound little happy, evergreen tree,
lot of color of the fan brush.
403
00:21:59,985 --> 00:22:00,705
Where does he live?
404
00:22:02,235 --> 00:22:02,565
Yep.
405
00:22:02,625 --> 00:22:03,885
I've got to do it right there.
406
00:22:05,265 --> 00:22:08,145
Just drop him in and we'll take it.
407
00:22:09,975 --> 00:22:21,004
Take the fan brush there he is
just drop him in like, gotta
408
00:22:21,014 --> 00:22:22,274
make a decision to have tall.
409
00:22:22,274 --> 00:22:25,455
Is he, where is it a
little bottom going to be?
410
00:22:26,955 --> 00:22:29,024
Maybe there looks like a good place.
411
00:22:30,435 --> 00:22:31,544
Good place right there.
412
00:22:34,430 --> 00:22:38,970
There we are freshest, got titanium
white, and I want to grab the bottom
413
00:22:38,970 --> 00:22:44,340
here and pull it, allow little,
that color to be picked up something
414
00:22:44,340 --> 00:22:50,250
about like, so there is let that
disappear right on out there somewhere.
415
00:22:50,610 --> 00:22:51,590
We don't know where it goes.
416
00:22:52,650 --> 00:22:58,620
Don't know that we even care
indication of a little trunk in there.
417
00:23:01,395 --> 00:23:04,034
Grab another fan brush, put
a little liquid white on it.
418
00:23:05,655 --> 00:23:08,865
Little titanium, white, you
stay a little blue today.
419
00:23:10,425 --> 00:23:12,315
Let's put some highlights
on that little evergreen.
420
00:23:13,935 --> 00:23:16,095
We'll make him stand out in this painting.
421
00:23:17,655 --> 00:23:18,284
Oh my gosh.
422
00:23:18,524 --> 00:23:20,955
Isn't that gorgeous little
tree just lives, right?
423
00:23:21,855 --> 00:23:28,425
What a scene to live and what a place,
few, little doers that live in here.
424
00:23:30,705 --> 00:23:33,705
Just little sticks and twigs and
things that grow along there.
425
00:23:37,380 --> 00:23:39,240
Pactera brush with the white on it.
426
00:23:42,120 --> 00:23:49,170
And off we go, let's take a
little bit more of the Brown.
427
00:23:50,940 --> 00:23:54,090
This is just Vandyke
Brown and that's good.
428
00:23:54,090 --> 00:23:55,050
Right along in here.
429
00:23:57,040 --> 00:24:00,330
We'll just tap in a few little
gooders that live in there.
430
00:24:03,070 --> 00:24:08,920
Back in turn liquid wipe a little bit of
the yellows and the Oakcrest and whatever.
431
00:24:09,970 --> 00:24:11,980
Put a few little highlights
on some of these.
432
00:24:13,500 --> 00:24:19,110
They're a little more,
they Indian yellow cab.
433
00:24:20,910 --> 00:24:25,050
Then we can take a little hike,
decide where you want it to end.
434
00:24:26,490 --> 00:24:27,600
And just sort of clean it up.
435
00:24:27,960 --> 00:24:31,290
That's really all there is to it, but
isn't that a fun, little painting.
436
00:24:32,040 --> 00:24:35,280
It's one that you can do
basically with no problem.
437
00:24:35,850 --> 00:24:36,930
And I think you'll enjoy it.
438
00:24:38,640 --> 00:24:41,970
And as I mentioned on some of the other
shows, if you do some of these little
439
00:24:41,970 --> 00:24:45,180
paintings and you have time, take
a picture and send us, we'd love to
440
00:24:45,180 --> 00:24:49,800
see them take a little read and we'll
sign this little rascal, call it done.
441
00:24:51,120 --> 00:24:52,320
Really hope you've enjoyed it.
442
00:24:54,014 --> 00:25:01,815
There and with that from all of us here,
we'd like to wish you happy painting.
443
00:25:02,565 --> 00:25:03,615
God bless my friend.
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