Bob Ross's

The Joy of Painting

S31E05 - Cabin in the Hollow

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Hi, certainly glad you

could join us today.

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Thought today was just to a

fantastic little winter scene.

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That's very easy and I hope you'll enjoy.

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Let's start out and have him run

all the colors across the screen

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that you need to paint along

with us while they're doing that.

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Let me show you what kind of

craziness I got up here today.

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Today I've taken our standard old canvas,

but after taking a piece of contact paper

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and cut an oval, stuck it on there, and

then using gray Jesso in the background.

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I've just taken a natural sponge

with gray Jesso on it and just

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tapped and then low on an old liner.

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Brush it with a little Jesso

and put the indication of a

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few little sticks and twigs.

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That's all there is to it.

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After that was dry, then I took

him use the same old sponge with

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black Jesso and just tap this in.

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I've allowed that to completely dry.

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The Jesso is dry.

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And on top of all of that, then

I've just put a very thin coat

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of liquid clear, very, very thin

coat, just enough to cover it.

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And I'll show you how to

make a fantastic effect.

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Very simply let's start with it.

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The little white handle, the tattoo

that they low blue today, add a little

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bit of white to it, and they load blue.

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The little blue is such a

wonderful, beautiful color.

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And then we'll just go up in here

and begin painting now that they,

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little blue is very transparent.

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White is opaque, but I've used

such a small amount of white.

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You'll still be able to see through it.

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And make out all the little

individual things that we put in and

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they're just using an old sponge.

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And when you're looking for a sponge,

I'd really recommend for this purpose

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that you use a natural sponge rather

than a man-made sponge reason.

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Being a natural sponge has just

hundreds of irregularities in it.

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Uh, a man-made sponges, very symmetrical,

very all the holes at the same size.

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So it's not a very interesting shape.

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There we are.

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Okay.

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Let me wash the old brush and

that's the fun part of this.

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We wash it to shake off the paint

thinner and beat the devil on it.

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I usually wipe it across paper towel.

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I will take some more white and

a little bit of a lizard Crimson.

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Now I want a little, little

pinkish hue, but very little.

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Very little color on the brush.

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There's not much now.

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Maybe right in here.

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We'll use white and a little

Crimson and we just let this

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little glow happen in here.

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Maybe a little touch, more

white right down in here.

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There we go.

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That today would just do a painting.

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That is very, very pretty.

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When did it make you feel good.

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Okay.

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And that's really about

all I need already.

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It looks Misty and soft in

there just from doing that.

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Now they'll take a little white

and a lizard Crimson again, just

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want a little Crimson in there.

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I'm going to tap it to create, see

that little Ridge of paint right there.

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There's one just like it on the brush.

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Right on that corner.

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So what we're looking for this

clip in here and may be back in

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here, we can begin picking out

just the indication of a few little

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highlights on some of these Rascals.

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We don't want a lot of don't

want a lot of color here.

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Just enough to show some little,

some little happenings on some

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of these trees in the background.

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Just that much, very quickly.

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You can have too much.

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So.

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Be stingy with it.

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They're all kinds of little tutors

without really, without really paintings.

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And it gives the impression

that these things are back

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here and they're happening.

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And since we're just background

material, we don't care.

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This is a very simple way of

doing it and very effective.

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There we go.

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And maybe we just pick up a few

little individual bushes that are

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showing here and there, and that's

really all I want in the background.

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Very soft.

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Colors are very relaxing.

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Just make you feel good.

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When you look at a painting

like this, there we are.

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Okay.

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Now then for these dark trees,

we can get right into the fund.

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I'm going to take a little blue and

alizarin Crimson, proportionately,

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much more Crimson than blue.

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The blue is many, many times as strong.

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There we are, but I want to, I

want to mix this to the ready side.

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You can take it to the blue

side or the ready side today

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for this part of the painting.

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I want it to go sorted to the ready side.

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All right.

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Wipe off the knife.

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I have several little brushes going.

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So we just grabbed one here.

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Good dark color load a little

bit into the bristles in the

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same exact way as we did before.

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And that's go up in here and just put

us in some nice edges on this dark.

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We don't need much paint just

enough to bring us some edges here.

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They're all kinds of

little hanging down doers.

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There.

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Let's see, I, you said just use the

corner of the brush, just the corner.

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And most of this dark

is here with a Jessup.

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You really don't have to worry

about in this part of it.

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And maybe there, maybe there's

some little individual things

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that are happening in here.

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And we just paint in some little basic,

very basic little shapes, just some

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happy little things that live here.

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If you, on the other side

there, something about like,

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just sort of think like a

tree, it's all there is to it.

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It's like when I was a little boy, I

wanted to catch a rabbit and I asked my

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uncle had in the world, he catch a rabbit.

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He says, it's easy to stand.

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Stand behind the tree, make

a noise, like a carrot.

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When the rabbit comes by, you grabbed him.

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I never caught it.

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He rabbits.

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Okay.

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That's really about all

we need right there.

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Now I'm going back to my breast that

had the, the pink, the pink color made

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from alizarin Crimson, titanium, white.

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Let me get just a little liquid

white liquid white here is just

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to thin the color just at them.

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All right.

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Be right back.

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Get a little touch that.

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Ooh, that's perfect.

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Perfect.

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All right, let's go up in here now, then.

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Well, this color, we can just go

in here and just begin dropping

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in little indications of things

on these little trees that easy.

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Maybe a little touch,

more of the liquid white.

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If you have trouble making it stick, add

a little more of the liquid white there.

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See it goes right out.

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Now all there is to it with

a very little practice.

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You'll amaze yourself in just a few

days at what you can do just a few days.

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It didn't take long.

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It didn't take long.

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All right.

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See, and that's picking up that color that

we put on an automatically over in here.

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I want to get a little

darker and darker there.

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All right.

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A little more of the liquid white.

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Once we get liquid whites,

just, just to make it thinner.

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Cause a thin paint.

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As you know, we'll stick to

a thick paint then to thick.

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So each layer of paint needs

to get a little bit thinner.

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All right.

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And you could do this with a one

inch brush or the two inch brush.

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It doesn't matter.

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It really doesn't matter for

the sake of time on TV here.

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We do it with a two inch brush.

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Most of the time.

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Just to save time, but some people

will find it that the one inch brush

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will give them a little more control.

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It's up to you.

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Try them both.

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See which one works the best.

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And that's the one you should use there.

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About like him, but just, just think, I

think about all the little shapes in here.

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This would be a perfect little place

for my little squirrel pea pod to live.

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I tell you what, I've got a little,

little bit of footage right here.

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Pea pod.

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Let me show him to you that little rascal.

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He is such a cute little devil.

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He's lived with me ever since

he was just a tiny little baby.

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Practice eyes wasn't he opened when

he came to me and I'm raised him up

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and he now lives in the backyard.

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I turned him loose quite a while

ago, but he's the one little squirrel

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that doesn't seem to want to go away.

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He just hangs around every morning.

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He comes to my back door and I

feed him and take care of him.

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And he runs through the house.

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Like he owns it, which as far as

he's concerned, he does on it.

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And that's all right.

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Very few people ever have the

opportunity to know a little, a little

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feller like him as well as I do.

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And he's very special to me.

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Very very special.

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He's missing in that something.

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I hope you enjoy.

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Seeing all these little Rascals,

they are very special in my life.

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I spend a great deal of

my time and resources.

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Just devoted to these little

characters and taken care of.

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I've had a little bit of a

little blue now to my brush.

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Kind of change the flavor a little bit,

just a little something about like him.

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All right.

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Now, then we can take, but the

indication here we'll take a little,

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little white, a little dark Sienna.

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And little paint thinner on the liner

brush and maybe here and there and there,

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and here you can see the indication

of just few little tree trunks.

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I don't want many just enough to give

any indication that there's something

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back here, here your mind will fill in.

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What's left out there in our painting.

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You don't have to put in every detail.

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There you go.

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Just enough to give indications.

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All right.

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Minor brush is not much fun to clean it.

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Don't splash and raise cane

like the old big two inch brush.

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I prefer that big one.

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Okay.

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Now that let's grab, let's

grab, let's grab a fan brush.

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Let's try that.

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We could do it with anything, but the

fan brush happens to be convenient.

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Loaded full of titanium white.

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Maybe let's see.

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Maybe up in here, we said this

was a winter scene, so we need a

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little bit of snow that easy and

it too is picking up that color.

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It's on top of the, the Jesso there and

it'll make automatic shadows for you.

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Shoot.

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I tell you what let's do.

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Let's take a little touch

of, are they low blue?

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I'm gonna put it right in here.

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I just, I just decided watch that's.

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What's so fantastic about this.

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You can, you see things as they

happen, you just, you begin seeing

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them and you begin to see, you

know, I see one right there, there.

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Okay.

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Now let's take a little bit

of wind on a two inch brush.

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Watch.

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See, I put that blue in there now.

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Watch what happens.

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Let's see that easy.

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Isn't that sneaky?

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That easy.

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And then we pull across that.

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See, it'll give the impression

of a little water right there

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and that's all you have to do.

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I know sometimes I, I get sorta carried

away and get excited and are probably

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in my life are probably painted

somewhere in excess of 30,000 paintings.

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And I still get excited.

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It's one of the few things in my life.

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That I'd never get tired of

saying it just, it fascinates me.

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I worked for so many years painting,

so the painting was hard for me.

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Listen, it was not fun.

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I worked at it.

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And then, then I discovered

this, this style of painting.

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It's easy.

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Anybody can do it.

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You don't have to go to school

half your life to be able to paint.

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You can do this over here.

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See here, we'll just put in all kinds of

little doers, maybe a little like that.

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You can do this.

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I get letters every day from people who

said, I heard you say that over and over.

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And I finally got up my nerve and

I tried it and you were right.

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You really can't do this.

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You really can't.

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You know what?

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That's such a beautiful, polite,

I want a little cabin right here.

251

00:13:51,240 --> 00:13:51,900

Right here.

252

00:13:53,250 --> 00:13:55,440

I'm just going to scrape off

some of the excess paint,

253

00:13:55,470 --> 00:13:56,790

which there is not much there.

254

00:13:56,790 --> 00:13:57,840

So we don't have to worry.

255

00:13:58,890 --> 00:14:00,510

Let's build us a happy little cabin.

256

00:14:00,510 --> 00:14:05,070

I'll take some Vandyke Brown, pull it

out, very flat, just flat as I can get it.

257

00:14:05,090 --> 00:14:07,320

And then cut across and

get a little roll of paint.

258

00:14:07,560 --> 00:14:08,460

See it, Liz right out there.

259

00:14:08,460 --> 00:14:12,660

And the edge of the knife decide where

your little cabin lives in your world

260

00:14:12,930 --> 00:14:14,790

and it can be anywhere that you want it.

261

00:14:16,335 --> 00:14:18,915

We'll start with the bakiev there we are.

262

00:14:20,745 --> 00:14:22,185

And we just sort of fill it in here.

263

00:14:22,305 --> 00:14:23,775

We're just blocking in color.

264

00:14:25,575 --> 00:14:25,905

Really?

265

00:14:25,905 --> 00:14:26,685

Doesn't matter here.

266

00:14:27,735 --> 00:14:31,665

We're just blocking it in there.

267

00:14:31,665 --> 00:14:35,865

Something about like kid I'll take

a little white little dark Sienna,

268

00:14:37,245 --> 00:14:41,955

mix them together, and I don't want

to overmix these I'm going to leave

269

00:14:41,955 --> 00:14:44,265

them marbled, just sort of marbly.

270

00:14:45,900 --> 00:14:48,989

Like that, see all the different things

happening when you pick up a little

271

00:14:48,989 --> 00:14:50,699

roll of paint, they're still in there.

272

00:14:50,760 --> 00:14:52,949

All those little things are right there.

273

00:14:53,520 --> 00:14:53,760

Okay.

274

00:14:54,630 --> 00:15:01,229

Now we can take that color and

very gently, very, very gently.

275

00:15:01,260 --> 00:15:02,609

Just let it graze.

276

00:15:03,900 --> 00:15:10,020

Just let it Grazie canvas, make it

look like a little boards, old wood.

277

00:15:12,375 --> 00:15:12,675

Fair.

278

00:15:12,675 --> 00:15:15,555

We are something of that.

279

00:15:15,555 --> 00:15:16,155

Like you had

280

00:15:19,575 --> 00:15:21,465

white rascal is hiding

up here in the trees.

281

00:15:22,995 --> 00:15:28,295

Now, then that's side where our

roof lifts snow on the roof.

282

00:15:30,545 --> 00:15:31,055

And.

283

00:15:34,814 --> 00:15:38,475

So knife is wonderful for painting

things like yes, works so well.

284

00:15:40,035 --> 00:15:42,225

Then on the other side of the

roof, we need a little snow

285

00:15:44,355 --> 00:15:45,555

just to bring it all together.

286

00:15:46,965 --> 00:15:53,205

Take a little bit of a little

bit of Vandyke Brown, I

287

00:15:53,205 --> 00:15:54,615

guess look like old boards.

288

00:15:55,395 --> 00:15:56,444

Cause I like cohorts.

289

00:15:57,285 --> 00:16:00,345

You could make us a log cabin or

anything else you wanted very easily.

290

00:16:01,225 --> 00:16:02,084

Need a door though.

291

00:16:02,895 --> 00:16:09,345

So the rascal can get in and out and

we'll just sort of outline the door.

292

00:16:09,345 --> 00:16:12,135

So it stands out in that easy.

293

00:16:12,855 --> 00:16:16,425

We got a little door,

a little cabin ectomy.

294

00:16:18,435 --> 00:16:18,944

All right.

295

00:16:20,475 --> 00:16:23,685

All right, man.

296

00:16:25,305 --> 00:16:27,165

Put a little snow right back up in here.

297

00:16:28,560 --> 00:16:29,370

Bringing him around.

298

00:16:31,560 --> 00:16:31,800

Okay.

299

00:16:31,860 --> 00:16:32,099

Let's see.

300

00:16:32,099 --> 00:16:35,449

What's on this side, this side of Kevin.

301

00:16:35,449 --> 00:16:40,040

Maybe we'll put up a tree

that grows right out in here.

302

00:16:42,620 --> 00:16:45,800

What the heck in our world, we can

do anything that we want to do.

303

00:16:47,660 --> 00:16:47,990

Maybe.

304

00:16:48,915 --> 00:16:49,155

Yeah.

305

00:16:49,245 --> 00:16:49,635

What the heck?

306

00:16:51,465 --> 00:16:53,715

So you just see these things

and you get carried away.

307

00:16:54,405 --> 00:16:57,045

Maybe there's a, maybe it

comes all the way down.

308

00:16:57,675 --> 00:16:58,215

I don't care.

309

00:16:59,505 --> 00:17:00,285

It doesn't matter.

310

00:17:00,875 --> 00:17:01,865

You can do anything.

311

00:17:01,865 --> 00:17:04,655

If you want in your world

in your way that you want.

312

00:17:05,585 --> 00:17:12,214

Take a little Brown and take Brown,

dark Sienna, little white has put us

313

00:17:12,214 --> 00:17:16,325

in the indication here of a little

tree trunk that maybe we'll have

314

00:17:16,325 --> 00:17:17,585

several little sticks and twigs.

315

00:17:17,984 --> 00:17:21,895

Doesn't matter matter.

316

00:17:23,444 --> 00:17:23,984

All right.

317

00:17:25,935 --> 00:17:28,625

Tell you what we talked about using

a one inch brushless trial one.

318

00:17:29,254 --> 00:17:33,125

I'm going to dip it into

liquid white to thin the paint.

319

00:17:33,125 --> 00:17:35,165

That's only reason just

to attend the paint.

320

00:17:36,305 --> 00:17:42,095

And I was grabbing a little fat, the

little blue, just a small amount there.

321

00:17:42,155 --> 00:17:43,655

Now I want to tap the brush.

322

00:17:44,085 --> 00:17:46,755

So once again, we're creating

that same little Ridge of paint,

323

00:17:46,785 --> 00:17:51,135

just like we did with the other

brush or the two inch brush at it.

324

00:17:52,175 --> 00:17:56,345

Try this little brush, try the big brush,

see which one works the best for you.

325

00:17:56,705 --> 00:18:01,325

Once again, I don't want to tell you that

you have to do anything any certain way.

326

00:18:02,015 --> 00:18:07,415

I just want to show you possibilities

and, and you make it work any

327

00:18:07,415 --> 00:18:09,305

way that you, that you want to.

328

00:18:10,995 --> 00:18:14,415

With the one inch brush will

work just as well to make all

329

00:18:14,415 --> 00:18:15,705

these little bushes and trees.

330

00:18:17,355 --> 00:18:19,965

I personally prefer the two inch

brush and that seems to have

331

00:18:19,965 --> 00:18:22,665

more hair in it and it's faster.

332

00:18:23,985 --> 00:18:27,675

And I got a Mino director who has no sense

of humor if I go over 30 minutes here.

333

00:18:28,575 --> 00:18:30,375

Absolutely no sense of humor.

334

00:18:31,695 --> 00:18:33,225

So we'll go back to the two inch.

335

00:18:34,365 --> 00:18:36,075

Just wanted to show you

how it could be done.

336

00:18:38,625 --> 00:18:43,185

They're just a few little

highlights on some of these things.

337

00:18:47,775 --> 00:18:51,105

These paintings come out looking

very, very soft, very delicate,

338

00:18:53,475 --> 00:18:55,935

and they're gorgeous when you hang

them in a room, they just brighten

339

00:18:55,935 --> 00:18:57,825

up a room, make you feel good.

340

00:18:58,845 --> 00:19:00,495

I know, I know.

341

00:19:00,555 --> 00:19:00,825

I know.

342

00:19:01,785 --> 00:19:03,675

Let's take a little titanium white.

343

00:19:05,565 --> 00:19:08,625

And maybe, maybe there's a little sun.

344

00:19:08,675 --> 00:19:09,185

No, right there.

345

00:19:09,395 --> 00:19:11,105

See how you can just keep

adding things though.

346

00:19:12,425 --> 00:19:13,445

Uh, I'm sorry.

347

00:19:13,445 --> 00:19:15,035

I get, I just really get carried away.

348

00:19:15,125 --> 00:19:15,575

I'll take a listen.

349

00:19:15,995 --> 00:19:18,035

I hadn't tightened a little dark Sienna.

350

00:19:18,875 --> 00:19:20,015

Put a little black in it too.

351

00:19:20,795 --> 00:19:21,455

There we are.

352

00:19:22,025 --> 00:19:22,115

Okay.

353

00:19:23,315 --> 00:19:24,515

Yeah, maybe.

354

00:19:25,025 --> 00:19:27,485

Yeah, maybe there's a few

little fence posts right there.

355

00:19:29,105 --> 00:19:30,455

A few little fence posts.

356

00:19:30,485 --> 00:19:31,235

There they are.

357

00:19:31,385 --> 00:19:32,435

But another one right here.

358

00:19:34,410 --> 00:19:36,780

And another one.

359

00:19:38,160 --> 00:19:38,520

Okay.

360

00:19:38,580 --> 00:19:44,820

One more there that's take

a little Brown and white.

361

00:19:45,629 --> 00:19:47,850

It looks like our lights

coming from the left here.

362

00:19:47,850 --> 00:19:50,250

So we'll highlight that side.

363

00:19:53,040 --> 00:19:55,550

That all the shadow side here.

364

00:19:55,560 --> 00:19:58,620

Want take a little point and a

little pressure and blue use pressure

365

00:19:58,620 --> 00:19:59,730

and blue because it's very dark.

366

00:19:59,730 --> 00:20:01,860

I want to make reflected light here.

367

00:20:01,920 --> 00:20:07,610

Just a touch, just a

touch there on the top.

368

00:20:08,120 --> 00:20:10,550

Maybe here's a little snow.

369

00:20:10,670 --> 00:20:11,660

It's just hanging up here.

370

00:20:12,945 --> 00:20:16,155

Just a little, so you can do this

with the liquid white liner brush work

371

00:20:16,155 --> 00:20:18,975

just as well, show you a little trick.

372

00:20:20,475 --> 00:20:22,875

We'll take liquid white, pull

it out as flat as we can get it.

373

00:20:24,345 --> 00:20:27,135

Just really flat, really

flat and then cut across.

374

00:20:27,465 --> 00:20:30,044

Okay, let's go up in here and

you take that liquid white.

375

00:20:30,870 --> 00:20:35,459

And just let it run right down

through here and that easy you can,

376

00:20:36,030 --> 00:20:37,500

you can find a happy little fence.

377

00:20:37,979 --> 00:20:38,340

Okay.

378

00:20:38,669 --> 00:20:39,270

Got aside.

379

00:20:39,270 --> 00:20:41,159

How many strands of wire on your fence?

380

00:20:42,270 --> 00:20:45,060

Let's have three that's our world.

381

00:20:45,060 --> 00:20:46,469

We can have as many as we want.

382

00:20:46,800 --> 00:20:47,370

Shoot.

383

00:20:48,780 --> 00:20:50,490

We can have as many as we want.

384

00:20:52,260 --> 00:20:54,270

Now, then let's go back to a little bit.

385

00:20:55,320 --> 00:20:57,300

Maybe we use a little less

pressure and blue it's darker.

386

00:20:58,590 --> 00:20:59,879

I want it to stand out a little more.

387

00:21:00,810 --> 00:21:02,010

Yeah, that's beautiful.

388

00:21:03,510 --> 00:21:07,050

Put in just some little bushes

and things on this side.

389

00:21:08,340 --> 00:21:08,970

Just a few.

390

00:21:10,860 --> 00:21:11,700

All right.

391

00:21:13,350 --> 00:21:16,649

And we can just cover up foot of

these little post here and there.

392

00:21:17,460 --> 00:21:19,350

Wherever let's go on the

other side of the canvas.

393

00:21:20,730 --> 00:21:23,580

Now, then we'll put a few little

tutors they're hanging right off

394

00:21:23,580 --> 00:21:32,240

into this snowbank that easy,

grabbed a little script liner brush.

395

00:21:33,830 --> 00:21:37,220

Let me mix up a little touch

of, uh, take a little bit

396

00:21:37,220 --> 00:21:39,500

pressure and blue little Crimson.

397

00:21:41,580 --> 00:21:42,480

Yeah, there we go.

398

00:21:42,600 --> 00:21:43,620

A little bite and put it in there.

399

00:21:44,910 --> 00:21:48,300

That's a nice color, sort of a

lavender color to the ready side.

400

00:21:52,230 --> 00:21:52,740

Okay.

401

00:21:52,740 --> 00:21:53,370

Paint thinner.

402

00:21:54,060 --> 00:21:56,640

I want to send this paint very, very thin.

403

00:21:58,020 --> 00:21:59,550

In fact, you can see it, drip there.

404

00:22:00,060 --> 00:22:00,480

Look at there.

405

00:22:00,990 --> 00:22:01,710

It's that thin?

406

00:22:01,800 --> 00:22:02,940

It's almost like ink.

407

00:22:04,170 --> 00:22:05,040

Very, very thick.

408

00:22:05,310 --> 00:22:06,720

Then turn the bristles.

409

00:22:06,900 --> 00:22:09,630

That'll bring it to a very

sharp, very sharp point.

410

00:22:10,890 --> 00:22:16,080

Okay, now then if you'll take this

darker color and just go right along

411

00:22:16,080 --> 00:22:21,150

here, along the edges of these, put

a little dark line into there, it'll

412

00:22:21,150 --> 00:22:26,070

give the impression that there's

depth and thickness in there at easy.

413

00:22:26,580 --> 00:22:30,210

Just like in a seascape where you,

you put a little dark line under the

414

00:22:30,210 --> 00:22:33,360

phone, that's all there is to it.

415

00:22:34,680 --> 00:22:36,600

But didn't it make a radical difference?

416

00:22:38,210 --> 00:22:46,160

Yeah, you can take a little liquid

titanium white and I'm using a little

417

00:22:46,160 --> 00:22:50,330

Filbert brush and we can just pop in

the indication here and there have a few

418

00:22:50,330 --> 00:22:53,120

little snow covered stones live in there.

419

00:22:55,370 --> 00:22:56,270

Take any old brush.

420

00:22:56,270 --> 00:22:56,840

It doesn't matter.

421

00:22:56,840 --> 00:23:02,210

Pull some of it down, go across to make it

look like it's reflecting into the water.

422

00:23:04,695 --> 00:23:11,175

Once again, that little line of brush

that same color, put a little line in

423

00:23:11,175 --> 00:23:15,825

there makes it look like he was a little

thickness to it, I guess is a good word.

424

00:23:17,425 --> 00:23:18,915

It gives it a base to sit on.

425

00:23:20,760 --> 00:23:21,330

That easy.

426

00:23:22,980 --> 00:23:23,670

All right.

427

00:23:25,340 --> 00:23:27,740

They were put in a couple

little sticks and twigs too.

428

00:23:27,800 --> 00:23:31,010

We'll be about ready here with

one to some Vandyke Brown,

429

00:23:31,340 --> 00:23:34,380

little paint thinner, right.

430

00:23:34,400 --> 00:23:37,670

That maybe, maybe there's a

little bit, yeah, right there.

431

00:23:39,500 --> 00:23:40,280

That's right there.

432

00:23:41,570 --> 00:23:43,400

We just put these wherever

you think they should be.

433

00:23:43,430 --> 00:23:44,730

They grow everywhere.

434

00:23:46,050 --> 00:23:46,710

That easy.

435

00:23:47,790 --> 00:23:49,280

Maybe can here in front of the cabin.

436

00:23:49,280 --> 00:23:50,419

There's some little teeny ones.

437

00:23:50,929 --> 00:23:51,679

They're not too big.

438

00:23:53,810 --> 00:23:55,610

If you had in there anywhere.

439

00:23:56,000 --> 00:23:57,439

It doesn't, it really doesn't matter.

440

00:23:58,460 --> 00:24:01,040

All sticks and twigs grow

everywhere in the woods.

441

00:24:03,020 --> 00:24:03,590

There we are.

442

00:24:03,770 --> 00:24:04,010

See.

443

00:24:06,470 --> 00:24:07,070

Okay.

444

00:24:07,250 --> 00:24:09,290

I think we're about ready

for the magic moment here.

445

00:24:10,639 --> 00:24:11,480

Tell you what let's do.

446

00:24:11,629 --> 00:24:15,030

Let's bring the camera pupil,

the, uh, Let's pull the contact

447

00:24:15,030 --> 00:24:17,310

paper off and see what we have.

448

00:24:18,570 --> 00:24:21,840

Isn't that something makes us

striking a little painting.

449

00:24:21,960 --> 00:24:25,350

These little paintings make wonderful

gifts, especially, especially

450

00:24:25,350 --> 00:24:26,850

around Christmas time and et cetera.

451

00:24:27,360 --> 00:24:28,170

Wonderful gifts.

452

00:24:28,170 --> 00:24:29,370

People go crazy over.

453

00:24:30,300 --> 00:24:32,850

I'm gonna take a little bit

of the red paint thinner.

454

00:24:34,290 --> 00:24:36,390

And I think this one's

about ready for a signature.

455

00:24:36,840 --> 00:24:38,010

We had a little more time here.

456

00:24:38,310 --> 00:24:42,240

You could bring his fence right on out,

you know, right on, out through here.

457

00:24:42,270 --> 00:24:47,190

And it just extended past the, the

oval with the old clock on the wall

458

00:24:47,190 --> 00:24:48,870

says it's about time to go for today.

459

00:24:48,900 --> 00:24:51,530

So we'll just sign this

one and called it done.

460

00:24:53,390 --> 00:24:53,930

All right.

461

00:24:53,960 --> 00:24:55,820

And from all of us here, okay.

462

00:24:56,120 --> 00:24:59,600

I'd like to take this opportunity

to wish you happy painting.

463

00:25:00,650 --> 00:25:01,730

God bless my friend.

End .srt file.

Bob Ross' The Joy of Painting

Thursday, December 31, 2020

S31E05 - Cabin in the Hollow

Bob Ross's

The Joy of Painting

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