Bob Ross's

The Joy of Painting

S28E12 - Mountain Serenity

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Hi, welcome back.

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Certainly glad you could join us today.

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I thought today, maybe we just

do a fantastic little painting

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that I hope you'll enjoy.

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Let's start out and have him run

all the colors across the screen

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that you need to paint along

with us while they're doing that.

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Let me show you what I got done today.

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I have my standard old pre-stretch double

prime canvas, and I've covered it with

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just a very thin coat of liquid white.

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So it's all wet and slick

and it's ready to go.

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So let's just have some fun today.

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Do they let's start with

a little tiny breasts.

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The two inch brush will take a

small amount of alizarin Crimson.

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We don't need much, just a

little alizarin, Crimson, just

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tap a little in the bristles.

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There we go.

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And let's go right up in here.

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I'm going to put a little bit right

up in the sky today, somewhere.

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I like it just when the warm it up, be

very careful, very careful in a heartbeat.

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You can set the scout on fire and all

they want to do is warm it a little.

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There we go.

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Something about that, like,

so that's all we need.

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Maybe a touch more of that.

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And they would have a little

water down at the bottom.

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I'll put a little bit

down here at the bottom.

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Maybe a little that pinkish color

will reflect right into the water.

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And if we don't have water,

we'll just cover it up.

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No big deal because in our world, we

can do anything that we want to do.

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All right.

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In that case, let's go into a

little bit of the little blue.

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Once again, don't need much and

don't even have to clean the brush.

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The blue is so much

stronger than the Crimson.

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It'll just eat it.

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Can you just go back up in here and I'm

just going to make little Xs, little

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crisscross drugs, something like that.

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Go all the way across the top and bring it

down until it almost touches the Crimson.

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Once again, blue is so much stronger.

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If you're not careful, it'll

just eat all the Crimson up.

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There about like, so I, I to

still have that brush good.

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And we'll take a little pressure in blue,

which is much darker and just add to the

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corners on each side, something like that.

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And once again, while I have the

blue on the brush, I'm going to go

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down and put a little bit down here.

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If we're going to have water,

we need a little blue down here.

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Something felt like it.

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There we go.

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It really doesn't matter because

we'll change it in any direction

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that we want when we get there.

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All right.

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Now the most fun part of the whole

procedures, let's clean the brush.

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Hmm, we wash our brushes as you

know, with odorless paint thinner,

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and I really, really recommend that

it's odorless or you become the most

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unpopular person in the whole house.

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And if you do that in the living room,

you're going to become unpopular too.

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Get you a little brush beader

rack that you put down in the

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garbage can to contain all that.

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They, there we go.

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I do it here in the studio because

they pick on me and it's a way of

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getting, even with them there we are.

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And besides that, it's a lot of fun.

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Okay.

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Very gently.

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Just blend the entire sky and take

out the little brush strokes and the

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same thing down here in the water.

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We're just going to blend it a little bit.

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See that little bit of pink still there.

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She right through.

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And that's exactly what we want it to do.

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All right.

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Let's have some fun.

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Let's take, I've got several,

these old two inch brushes going.

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I'm going to take one and tap it.

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Tap right into the titanium white show.

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You simple, simple little way

of making a happy little cloud.

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And all we're going to do is just take

and tap in a very basic little shape.

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We don't care.

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Just tap.

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It just happened there.

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This is the easiest way I've

ever found that we're making very

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effective clouds, just tap, but you

do have to put in a basic shape.

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You can't just have it random.

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And a cloud appears there.

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Think about basic shapes.

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How this whole cloud would float

around and just to have a good time

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all day, maybe, maybe something

about like, it doesn't matter.

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Clean dry brush and very gently, very,

very gently one hair in some air.

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We can just blend this rascal, tell

us as soft as you want it to be.

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That easy, that easy.

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All right.

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I think we've got some happy little

clouds that just live up here in our sky.

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Okay, great.

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There.

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If you just have a little paint on your

brush, you can just beat it like that.

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And it'll take the pain off and

it's easier than going through

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the whole cleaning procedure.

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Let's make us a little mountain for that.

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I won't take some pressure and blues and

blank up a little Brown in there, too.

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Little Vandyke, some Crimson,

maybe a little more of the

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Crimson and just mix them up.

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Cut off a little roll of paint should

live right down the edge of your knife.

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And let's decide in our world.

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Maybe we up in here, there's just, okay.

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Happy little mountain lives.

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We up here.

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And we don't care.

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However you want it to be.

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That's the way it should be.

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There we are

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something like, so I'm scraping

off all the excess paint.

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All of it what's left is exactly right.

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It's absolutely perfect.

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There I take the two inch brush.

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Grab it.

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And just poor at there's two things,

most important, it removes excess paint.

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So the next layer goes on much easier.

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And secondly, it blends the paint down.

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So it looks Misty down at the base.

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And that's exactly what

we're looking for today.

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And we can wash the old brush.

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Just want to wash the brush there.

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Does that say that's really the most

fun part of this whole procedure.

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Let's take some titanium, Hawaiian,

we'll put the least little touch of

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bright red in and, and maybe even

a little bit of a midnight black.

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I want to gray it and warm it.

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Don't overmix it.

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Leave that marbled.

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All those little designs

will stay right in there.

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Okay.

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Let's go up in here.

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A little roller paint and we touch and

we just follow the angle in the mountain.

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Follow it, follow it.

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See.

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Follow right along, just like

it it's all there is to it.

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No pressure though.

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Absolutely no pressure.

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Let the knife float.

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I've said it over and over another series.

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But when I was teaching my son,

Steve to paint, I used to tell him

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to just pretend that he was a whisper

and he floated across the mountain

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and it's sort of a good analogy.

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He understood.

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And today.

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Hmm, did it hit a little rascal, makes

the best mountains in the industry.

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All right, now then I've taken a little

white, a little touch of the oppression.

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Blue made a little shadow color.

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And with that, we'll come right up in

here and we'll put the indication of

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some happy little shadows that live

in our mountain right along in here.

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Once again.

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Absolutely no pressure, no pressure.

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Just let it sort of float.

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And when you have this much power, you

have to make decisions maybe right here.

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Yep.

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You're right.

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See, here's another little peak and maybe

it comes right on around here somewhere.

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I don't know.

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Don't know that we really care.

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Just want to show you how to do it.

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And you decide where they

live back to our shadow color.

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Each little highlight needs

its own individual shadow.

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Won't play with you.

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It'll just go home.

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So give each one a shadow.

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Maybe it sort of bends over like hen.

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It's your world and then your world,

you can do anything that you want.

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Clean dry two inch brush will

create a little bit of mist

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appear just by tapping pay.

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Very close attention to

the angles and follow them.

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Lift upward takes out the

little tap marks, sort of,

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sort of blends it all together.

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That easy.

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There we are.

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Once again, just blended angles

are most important though.

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Most important.

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Sometimes let's get crazy.

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Sometimes I like to paint like a

big Ridge of mountains that lives

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underneath one mountain it's striking.

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So we'll have a little Ridge.

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It comes right down through here.

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We don't know where it goes.

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Maybe it, maybe it goes

on over here somewhere.

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I'll probably put some trees

there, so don't worry about it.

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You know, me always have to have a

big tree, so I'll probably have a

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tree there, a little pain on grab.

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Two inch brush and pull it

the same as we did before.

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Pull it really get in there and

grab it that pulls that paint down

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and removes excess paint there.

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Something about like, yeah,

we don't care where it goes.

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There we are.

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We'll take once again, I'm put a

little black with a white degree.

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Just a little small roller paint

and no pressure, no pressure.

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I'm using less pain on this one.

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A lot less pain, just

barely, barely touching.

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I just want the indication here.

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Think we're light would hit this mountain,

says our lights coming from the right.

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So pay attention to where

we're light would strike.

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Think about it in your mind.

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Just think about it.

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Just let it go.

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No pressure at all.

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No.

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And whatsoever, I know you get tired

of hearing that, but it's so important.

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And I get letters every day from

people who say I'm still having a

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little problem with the mountains.

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It's 99 times out of a hundred

it's one or two problems.

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The paint is too thin.

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Paint is too thin and it just, as my

son said, it just mushes together.

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And you have mud or you're

applying too much pressure.

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One of the other one or the other there.

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Once you get the pressure thing down,

then it's easy, then it's so easy.

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I get letters every day.

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As I say, from people all over the

world, fantastic friends and they tell

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me, never believed they could paint.

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And they're doing paintings now that

friends and relatives absolutely don't

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believe I've had some of them tell me

that, that the friends start looking

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real close and try to find the numbers.

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They think they're paint by number

that they never believed that their

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friend had that kind of talent.

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But you can do this.

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You really, and truly can do this.

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Here we go.

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I have youngsters in

their nineties, right.

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And tell me that they wanted

to paint their entire life.

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And now they're doing it.

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Now they're doing it at, if you can

do this, you can do anything that you

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believe you can do anything, anything.

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I know you can do it.

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And if I know you certainly do they're

all right, but that's all I want.

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There's just the indication of

some nice cliffs or something

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there underneath that big mountain.

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There we go.

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I'm just going to lift this

up and blend this together.

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Something like, so I want this

to be very soft at the base.

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Very, very soft.

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All right.

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Okay there.

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It's pretty nice looking the mountains

we made in just a few minutes.

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I'm on take, take some of that mountain

color, add a little white to it, lighten

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it up a little bit about like, yeah.

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And maybe we cleaned the knife here.

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Get a fan brush.

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Maybe in our world, we back under this

mountain, maybe there was an indication

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of a few old trees that are far away.

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We can't make out a lot

of detail in these trees.

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These trees are too far away

to have a lot of detail.

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So don't spend a lot of time

trying to put every leaf on these.

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It will burn the illusion of distance.

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If you do, when things are

far away, you see shape basic

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color, and that's all there.

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Can we take a two inch brush,

half that tap it severely right

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on the bottom and lift up.

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I tapped it down here only to create the

illusion of missed a little bit of mist.

252

00:14:06,125 --> 00:14:09,425

You know, me, um, crazy about trees.

253

00:14:09,425 --> 00:14:11,855

So I thought maybe they

would do a few trees.

254

00:14:13,145 --> 00:14:13,655

Why not?

255

00:14:14,435 --> 00:14:16,805

Let's take Prussian blue.

256

00:14:17,925 --> 00:14:18,735

They little green.

257

00:14:18,765 --> 00:14:20,625

I like the yellow,

green, and my evergreens.

258

00:14:21,075 --> 00:14:24,795

Sometimes a little van Dyke, some Crimson.

259

00:14:24,855 --> 00:14:26,445

I would just mix all those together.

260

00:14:27,645 --> 00:14:28,995

All of them together.

261

00:14:29,925 --> 00:14:31,845

Mazal makes a pretty good pile of paint.

262

00:14:32,235 --> 00:14:33,345

Wipe off the knife.

263

00:14:34,215 --> 00:14:36,015

I just wiped the knife on old paper towel.

264

00:14:37,905 --> 00:14:38,565

Here we go.

265

00:14:39,135 --> 00:14:40,485

Let me find a Wolf fan brush.

266

00:14:41,655 --> 00:14:42,375

The there's one.

267

00:14:43,395 --> 00:14:44,715

I got too many brushes go in here.

268

00:14:46,035 --> 00:14:49,545

I'm a loaded, full of paintable

sides, a lot of color.

269

00:14:50,175 --> 00:14:50,355

Okay.

270

00:14:50,355 --> 00:14:51,105

Let's go up in here.

271

00:14:52,005 --> 00:14:53,175

Big decision time.

272

00:14:53,685 --> 00:14:54,995

We have a tree.

273

00:14:55,084 --> 00:14:57,605

We do have a tree that lives right there.

274

00:14:57,605 --> 00:15:01,625

Now just use the corner

of the brush to start out.

275

00:15:01,805 --> 00:15:04,655

As you work down the tree,

push harder and harder.

276

00:15:04,655 --> 00:15:06,064

Really smooshing it.

277

00:15:06,185 --> 00:15:11,130

Once again, as Steve says,

He's quite a character.

278

00:15:13,020 --> 00:15:16,970

I think he's almost 27 years old now

and he's painted his entire life.

279

00:15:17,000 --> 00:15:17,930

That's all he's ever known.

280

00:15:20,360 --> 00:15:21,380

And I'm so proud of him.

281

00:15:22,819 --> 00:15:25,370

He is a character, just little short guy.

282

00:15:25,370 --> 00:15:26,480

He's nearly six, six.

283

00:15:26,480 --> 00:15:31,130

Now calls me shorty there.

284

00:15:33,760 --> 00:15:34,800

Little touch here.

285

00:15:36,329 --> 00:15:41,430

And Steve is so accomplished at what

he's doing him and my dear friend,

286

00:15:41,430 --> 00:15:45,270

Dana jester, they travel around and

they teach instructors how to instruct.

287

00:15:46,770 --> 00:15:48,540

Plus we have a couple of

other people that do it.

288

00:15:50,490 --> 00:15:55,140

There, but it, his young age he's

practiced enough already, but him and

289

00:15:55,140 --> 00:15:57,540

Dana teach people how to instruct.

290

00:15:57,930 --> 00:16:00,090

So we have teachers running

loose all over the country.

291

00:16:01,410 --> 00:16:02,940

They're got to spread the joy.

292

00:16:03,840 --> 00:16:04,230

Okay.

293

00:16:04,290 --> 00:16:05,280

We'll have another one right there.

294

00:16:06,570 --> 00:16:07,710

Have another one right there.

295

00:16:09,090 --> 00:16:09,570

There we go.

296

00:16:10,890 --> 00:16:14,040

Wherever this is your forest and

you can make it any way you want it.

297

00:16:14,910 --> 00:16:16,890

Sometimes you can just

do something like this.

298

00:16:18,704 --> 00:16:21,765

And cause we don't worry

about detail at the base.

299

00:16:21,795 --> 00:16:26,415

Only, only where they stand as individuals

down in here, you could care less.

300

00:16:26,415 --> 00:16:29,655

We'll separate that with, I'm gonna

separate that with highlights.

301

00:16:31,035 --> 00:16:32,925

You don't even have to worry down here.

302

00:16:32,925 --> 00:16:33,555

All you're worried about.

303

00:16:33,555 --> 00:16:34,454

So nice tops.

304

00:16:35,775 --> 00:16:38,204

See, we just made a forest

right there that easy.

305

00:16:39,844 --> 00:16:43,185

We'll come back with a little light

green and we'll just highlight

306

00:16:43,185 --> 00:16:45,074

those little Rascals easy.

307

00:16:46,800 --> 00:16:47,250

Okay.

308

00:16:47,970 --> 00:16:49,110

I like bigger trees.

309

00:16:50,570 --> 00:16:51,950

We are going to have a forest here.

310

00:16:52,280 --> 00:16:55,730

And when you're painting, I'm not having

too much trouble here, but when you're

311

00:16:55,730 --> 00:16:58,580

painting, if when you go over a mountain

like this or something, you have a hard

312

00:16:58,580 --> 00:17:02,360

time making it stick, dip the brush

into a little bit of paint thinner.

313

00:17:02,770 --> 00:17:03,950

It didn't go through your color.

314

00:17:05,270 --> 00:17:08,599

It'll turn the paint just enough that

you can go right over the top of that

315

00:17:08,599 --> 00:17:09,950

other, without it mixing it together.

316

00:17:09,950 --> 00:17:15,770

So then, all right, we said, this is

going to have a big tree here, so.

317

00:17:16,665 --> 00:17:19,485

I think we should do that here.

318

00:17:19,485 --> 00:17:22,995

We are big old tree.

319

00:17:24,615 --> 00:17:26,475

And once again, down here, we don't care.

320

00:17:27,405 --> 00:17:28,275

We really don't care.

321

00:17:28,275 --> 00:17:30,015

Cause I'm going to fill

this up full of trees.

322

00:17:30,255 --> 00:17:34,035

I want a whole forest out here in

front of this beautiful mountain.

323

00:17:35,985 --> 00:17:39,405

There we'll have one more right here.

324

00:17:40,004 --> 00:17:41,054

Just to cover up that hole.

325

00:17:41,054 --> 00:17:43,754

We've got left and bring business.

326

00:17:44,655 --> 00:17:47,925

Yeah, we could fill this up

here with a paint roller.

327

00:17:48,014 --> 00:17:48,645

It doesn't matter.

328

00:17:49,725 --> 00:17:53,625

It doesn't matter just

quickly drop him some stuff.

329

00:17:55,245 --> 00:17:57,705

In fact, I could have painted

these with one or two integration.

330

00:17:57,705 --> 00:18:03,825

I'm in little faster now than you button.

331

00:18:05,925 --> 00:18:06,975

I'd see something here.

332

00:18:07,545 --> 00:18:10,875

Let's take, that's take, yeah,

let's just bring this together,

333

00:18:11,445 --> 00:18:12,435

down here on the bottom

334

00:18:16,755 --> 00:18:17,235

there.

335

00:18:19,305 --> 00:18:20,415

Jess, bring them together.

336

00:18:22,875 --> 00:18:24,405

This is our world so we can do anything.

337

00:18:24,405 --> 00:18:27,735

We want to hear anything we want to do.

338

00:18:29,925 --> 00:18:30,585

There we go.

339

00:18:30,885 --> 00:18:32,865

And maybe, maybe in our world.

340

00:18:33,985 --> 00:18:36,745

Maybe a little of this is reflected

right down into the water.

341

00:18:37,965 --> 00:18:38,175

Yep.

342

00:18:38,445 --> 00:18:40,004

You're right there.

343

00:18:40,695 --> 00:18:40,784

Okay.

344

00:18:41,054 --> 00:18:42,615

Just pull a little bit

of it straight down.

345

00:18:43,245 --> 00:18:46,815

It's important that it comes straight down

and I'm trying to save it a little bit.

346

00:18:46,895 --> 00:18:54,885

The pink and gold cross and that easy

it easy have instant reflections.

347

00:18:56,054 --> 00:18:58,304

Yeah, I like it now, then.

348

00:18:59,190 --> 00:19:02,160

Oh, this is the little fan brush

that had the tree color on it.

349

00:19:02,460 --> 00:19:05,580

And I just went into some CAD

yellow, yellow ochre, and I'll hit

350

00:19:05,580 --> 00:19:09,680

the Indian, yellow any minute here

because it had blue and black it,

351

00:19:09,730 --> 00:19:11,340

when I touch this, it turned green.

352

00:19:11,520 --> 00:19:12,960

So take a little bit put in there.

353

00:19:13,400 --> 00:19:14,300

It's beautiful green.

354

00:19:15,740 --> 00:19:20,660

Okay, let's go up in here and with

that color now we can come back in here

355

00:19:21,080 --> 00:19:22,850

and begin picking out the highlights.

356

00:19:23,930 --> 00:19:26,629

Now once again, if it doesn't

stick too well in, mine's not

357

00:19:26,629 --> 00:19:27,680

add a little paint thinner.

358

00:19:29,040 --> 00:19:31,110

See now watch the difference,

a little paint thinner.

359

00:19:31,830 --> 00:19:35,670

And I just pull the brush back through

the color at the ended out in that just

360

00:19:36,060 --> 00:19:39,710

it that's right on top of them there.

361

00:19:41,660 --> 00:19:42,560

The brush goes away.

362

00:19:42,560 --> 00:19:44,030

I'm just loading a

little more color on it.

363

00:19:48,830 --> 00:19:49,040

Yeah.

364

00:19:49,160 --> 00:19:51,680

I like to keep my evergreens

very dark toward the base.

365

00:19:52,370 --> 00:19:54,950

Cause that way it looks to me like

there's big shadows down there.

366

00:19:56,160 --> 00:19:58,980

And I'd like to keep

Evergreen's pretty dark period.

367

00:19:59,970 --> 00:20:05,670

To me, they're darker than trees with

leaves on, but it's an individual thing.

368

00:20:07,110 --> 00:20:12,680

The only rule here is that you

enjoy and it makes you happy if

369

00:20:12,680 --> 00:20:14,220

it does that, then it's perfect.

370

00:20:14,430 --> 00:20:15,090

It's perfect.

371

00:20:15,810 --> 00:20:17,730

Couldn't be any better,

no matter what you do.

372

00:20:19,605 --> 00:20:24,065

There and in painting,

you will continually grow.

373

00:20:24,185 --> 00:20:28,955

Every painting is a learning experience

and you know, in your heart that your

374

00:20:28,955 --> 00:20:30,245

next painting is going to be better.

375

00:20:31,215 --> 00:20:33,675

I tell I tell our

instructors all the time.

376

00:20:33,825 --> 00:20:37,635

I hope they're plagued their

entire life with dissatisfaction.

377

00:20:37,905 --> 00:20:42,195

I know that sounds horrible, but as long

as you're not satisfied with what you do,

378

00:20:42,405 --> 00:20:46,575

then you go back and you try it again and

you do it better and better and better.

379

00:20:47,775 --> 00:20:49,815

So I hope you have the same disease.

380

00:20:49,995 --> 00:20:53,445

I hope every painting that you

do, you look at it and you say, I

381

00:20:53,445 --> 00:20:57,105

could do better because you can,

you learn from every painting.

382

00:20:57,495 --> 00:20:59,415

Every painting is a learning experience.

383

00:21:00,630 --> 00:21:02,460

Everything in life is

a learning experience.

384

00:21:02,460 --> 00:21:03,300

It's not failure.

385

00:21:03,760 --> 00:21:04,920

It doesn't work the way you want it.

386

00:21:04,950 --> 00:21:05,760

It's not failure.

387

00:21:06,540 --> 00:21:07,950

It just means you learn something.

388

00:21:09,360 --> 00:21:12,180

And as long as you learn, and you're

not failing, let's take a little

389

00:21:12,630 --> 00:21:16,470

on the two inch brush, a little,

let seen green yellows, maybe a

390

00:21:16,470 --> 00:21:17,460

little bright red here and there.

391

00:21:19,020 --> 00:21:23,190

Tap kins go up in here and

maybe in our own world.

392

00:21:23,790 --> 00:21:27,090

See maybe this is a beautiful

little grassy area back here.

393

00:21:27,990 --> 00:21:31,080

It's one of them places like

take your shoes off and that your

394

00:21:31,080 --> 00:21:32,340

feed run naked through there.

395

00:21:33,480 --> 00:21:35,520

Nice, nice.

396

00:21:35,520 --> 00:21:38,790

I like little Meadows there.

397

00:21:40,290 --> 00:21:41,400

We need some dirt down here.

398

00:21:41,490 --> 00:21:44,040

We'll take a little Brown,

dark Sienna mixed together.

399

00:21:45,840 --> 00:21:49,889

Hey, we'll put the indication, some

soil, dirt, whatever you want to call it.

400

00:21:51,739 --> 00:21:58,520

They're just a little, little Brown and

white mixed together and make a highlight

401

00:22:00,409 --> 00:22:03,260

there just a little, I'm going to bring

some grass down so it didn't matter.

402

00:22:03,770 --> 00:22:09,840

What little evidence show

little over the show came.

403

00:22:10,040 --> 00:22:12,290

Grandpa grabbed me at one inch brush.

404

00:22:13,649 --> 00:22:17,340

Dip it into a little bit of the

liquid white, just to thin this

405

00:22:17,340 --> 00:22:22,229

color, get some SAP green, some

yellow, where the SAP green there.

406

00:22:22,740 --> 00:22:23,669

Ooh, nice color.

407

00:22:24,360 --> 00:22:26,280

Pull that brush in one

direction to load it.

408

00:22:26,745 --> 00:22:27,585

And turn it over.

409

00:22:27,675 --> 00:22:29,865

So the round corner is at the top.

410

00:22:29,895 --> 00:22:32,625

Let's go up here with

that round corner up.

411

00:22:33,015 --> 00:22:37,815

Now we can touch, push, bend very

gently and create the illusion

412

00:22:37,875 --> 00:22:41,025

of all kinds of little bushes and

trees and happy little things.

413

00:22:42,015 --> 00:22:42,645

They live here.

414

00:22:43,185 --> 00:22:44,295

They live here in our world.

415

00:22:45,735 --> 00:22:50,175

We yellow ochre, maybe a little

touch of the bright red, right on

416

00:22:50,175 --> 00:22:51,315

the end and make a little flower.

417

00:22:51,315 --> 00:22:53,115

It lives out there sneaky.

418

00:22:53,115 --> 00:22:53,295

Huh?

419

00:22:54,975 --> 00:22:56,955

Now a little Bush, he lives there.

420

00:22:57,104 --> 00:22:57,584

I know him.

421

00:22:57,735 --> 00:22:58,814

I know he needs my friend.

422

00:23:00,074 --> 00:23:00,915

He's my friend.

423

00:23:02,834 --> 00:23:06,044

He's my friend there.

424

00:23:06,794 --> 00:23:10,574

I know painter's a little weird

to go out and make friends with

425

00:23:10,574 --> 00:23:12,254

bushes and trees, but that's okay.

426

00:23:14,534 --> 00:23:15,405

That's okay.

427

00:23:17,910 --> 00:23:23,190

Whatever it takes now back to the little

two inch brush and we'll come right along

428

00:23:23,190 --> 00:23:29,760

in here and put in some more of that soft

grassy area there just a little here and

429

00:23:29,760 --> 00:23:33,000

there, wherever you think they should be.

430

00:23:34,800 --> 00:23:37,440

Bring them together while you

tap the softer they'll become

431

00:23:39,090 --> 00:23:43,620

to, it looks like velvet land out

here or silk, you can do that.

432

00:23:44,010 --> 00:23:45,120

You really can't do that.

433

00:23:46,245 --> 00:23:51,945

A little bit of liquid wipe and

we can come right in here soon.

434

00:23:52,095 --> 00:23:53,865

Cut in little waterline indication.

435

00:23:54,645 --> 00:23:56,565

This is just a light

area between the darks.

436

00:23:56,565 --> 00:24:00,675

That's all just a little

light between the dark.

437

00:24:02,880 --> 00:24:03,540

All right.

438

00:24:05,430 --> 00:24:09,120

Wherever, something like that.

439

00:24:10,770 --> 00:24:11,760

Sometimes it's fun.

440

00:24:13,380 --> 00:24:14,130

We get crazy.

441

00:24:15,860 --> 00:24:20,330

I to take the old one inch brush, it

may be maybe over here on this side,

442

00:24:20,720 --> 00:24:22,250

there's a little Bush lives right here.

443

00:24:23,690 --> 00:24:25,520

We'll just drop in some dark.

444

00:24:26,150 --> 00:24:29,900

So we'll have something for our

light to show him there we go.

445

00:24:30,230 --> 00:24:30,800

Get our breasts.

446

00:24:30,830 --> 00:24:31,310

It has the.

447

00:24:32,564 --> 00:24:34,514

Green SAP green and the yellow on it.

448

00:24:35,925 --> 00:24:38,175

And let's just pop in a

happy little Bush right here.

449

00:24:39,524 --> 00:24:42,375

This Bush sits on this side

of the water and watches.

450

00:24:42,375 --> 00:24:43,245

Everything happen.

451

00:24:44,175 --> 00:24:44,895

There we are.

452

00:24:46,844 --> 00:24:47,294

Okay.

453

00:24:47,504 --> 00:24:48,854

That'll touch more right in there.

454

00:24:49,254 --> 00:24:53,294

Shoot back at that

rascal where we want it.

455

00:24:55,215 --> 00:24:59,225

Tell you what I think that was about done.

456

00:24:59,225 --> 00:25:01,715

I'm going to take a little bit

of red and we'll sign that one.

457

00:25:01,955 --> 00:25:02,825

Call it finished.

458

00:25:03,655 --> 00:25:05,135

Hope you've enjoyed this little painting.

459

00:25:05,405 --> 00:25:07,445

It'll give you an experience

with all the equipment.

460

00:25:08,075 --> 00:25:10,055

And if you can do this

one, you can do anything.

461

00:25:11,014 --> 00:25:13,685

And from all of us here, I'd

like to wish you happy painting.

462

00:25:14,375 --> 00:25:15,514

And God bless my friend.

End .srt file.

Bob Ross' The Joy of Painting

Thursday, December 31, 2020

S28E12 - Mountain Serenity

Bob Ross's

The Joy of Painting

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