Bob Ross's

The Joy of Painting

S27E07 - A Spectacular View

Here's the .srt which was extracted from the Speech-to-Text website.

Proofreading is required, editing, grammar.

Begin .srt file.

00:00:30,405 --> 00:00:31,755

Hi, welcome back.

00:00:31,985 --> 00:00:33,095

I'm glad to see you today.

00:00:33,215 --> 00:00:33,695

Thought today.

00:00:33,695 --> 00:00:36,275

We'd do the little painting that

you see at the opening of each show.

00:00:36,725 --> 00:00:38,705

So let's start out and have him

run all the colors across the

00:00:38,705 --> 00:00:41,615

screen that you need to paint along

with us while they're doing that.

00:00:41,705 --> 00:00:42,815

Let me show you what I got up here.

00:00:43,415 --> 00:00:44,975

I have my standard old canvas.

00:00:44,975 --> 00:00:48,635

This is a double prime pre-stretch

canvas, and I'm using an 18 by 24, but

00:00:48,635 --> 00:00:52,235

you use whatever size is convenient

and I've just covered the entire canvas

00:00:52,235 --> 00:00:53,375

with a little bit of liquid white.

00:00:53,375 --> 00:00:55,265

That's all just liquid wife.

00:00:56,145 --> 00:00:57,975

And with that, let's have some fun.

00:00:57,975 --> 00:00:59,385

I'm going to start with and blue.

00:01:00,165 --> 00:01:04,305

Oh, two inch brush pressure

and blues are very strong blue.

00:01:04,364 --> 00:01:05,474

I like pressure and blue.

00:01:05,565 --> 00:01:05,685

Okay.

00:01:05,685 --> 00:01:06,435

Let's go up in here.

00:01:07,355 --> 00:01:09,845

We started up here in the corner

and we just make little Xs

00:01:09,845 --> 00:01:11,195

or little crisscross strokes.

00:01:11,535 --> 00:01:17,595

Something about like now this will not

be an exact duplicate of what you see

00:01:17,595 --> 00:01:21,255

at the beginning of the show, but it'll

give you an idea of how it was made.

00:01:22,875 --> 00:01:26,295

There we are, because we have no patterns.

00:01:26,295 --> 00:01:28,035

We use no tracings, no drawings.

00:01:28,605 --> 00:01:33,645

So nothing ever comes out exactly

the same, but as I say, once again,

00:01:33,855 --> 00:01:35,145

it'll show you how it was made.

00:01:35,145 --> 00:01:37,665

And when you create your own,

you add anything or subtract

00:01:37,665 --> 00:01:39,015

anything from it that you want.

00:01:40,305 --> 00:01:43,125

There, we are just bringing them down.

00:01:43,185 --> 00:01:44,955

That likes felt like yet.

00:01:45,414 --> 00:01:45,955

Wherever you want it.

00:01:48,175 --> 00:01:48,655

Okay.

00:01:48,655 --> 00:01:51,595

I'm going to go right

into some midnight black.

00:01:51,595 --> 00:01:52,975

I want a dark in these corners.

00:01:54,475 --> 00:01:57,324

I'm darker than this because this

little painting has a lot of clouds

00:01:57,324 --> 00:01:59,035

in it and I want them to stand out.

00:02:00,085 --> 00:02:04,104

So the way to make them look

brighter is to make the sky darker.

00:02:04,375 --> 00:02:04,945

It makes sense.

00:02:04,945 --> 00:02:05,245

Doesn't it.

00:02:05,785 --> 00:02:06,255

There we are.

00:02:08,544 --> 00:02:09,025

Okay.

00:02:11,935 --> 00:02:13,644

And down here, we can

just wipe off the brush.

00:02:13,855 --> 00:02:16,915

Think it won't hurt me by

it gets it pretty clean.

00:02:19,315 --> 00:02:24,655

Now then I have several these

old brushes going, so I'd spend

00:02:24,655 --> 00:02:25,975

all my time washing brushes.

00:02:26,545 --> 00:02:31,405

Let's go into some titanium, white,

just tap the brush or wipe it.

00:02:31,405 --> 00:02:31,885

It doesn't matter.

00:02:31,885 --> 00:02:34,915

Just get some paint on it

here and let's go up in here.

00:02:35,895 --> 00:02:38,205

And that's just taken, begin, tapping.

00:02:38,205 --> 00:02:39,315

This just happened.

00:02:40,425 --> 00:02:45,135

Like, so let me get a little

more color on the brush there.

00:02:46,275 --> 00:02:49,005

And all we're looking for

here is very basic shapes.

00:02:49,005 --> 00:02:51,525

We're not, we're not looking

for any detail at all.

00:02:52,905 --> 00:02:56,985

Just let that blend ride on out

something about like, can there.

00:02:59,084 --> 00:02:59,715

All right.

00:02:59,744 --> 00:03:01,815

A little more of the titanium white.

00:03:02,834 --> 00:03:05,084

Now the little cloud right

here, and you put as many clouds

00:03:05,084 --> 00:03:06,135

in your world as you want.

00:03:06,885 --> 00:03:10,905

As many as you want, or as few, maybe

you don't want any clouds in your

00:03:10,905 --> 00:03:14,145

world, that's up to you up to you.

00:03:14,625 --> 00:03:16,035

Totally and completely.

00:03:16,785 --> 00:03:18,075

That's what I like about painting.

00:03:18,075 --> 00:03:19,755

It gives you, it gives you freedom.

00:03:21,015 --> 00:03:23,055

You can experience any

world that you want.

00:03:23,105 --> 00:03:26,265

You can put any dream here

that you can conceive.

00:03:27,705 --> 00:03:28,755

All right.

00:03:30,135 --> 00:03:34,425

Something about like cabin, but

all we're doing is just putting

00:03:34,425 --> 00:03:35,835

in some basic little shapes.

00:03:35,835 --> 00:03:37,185

We really don't care.

00:03:37,185 --> 00:03:40,725

We're going to take the blender brush in

a minute here and just blend these out

00:03:40,725 --> 00:03:42,795

in because the canvas is wet up here.

00:03:42,825 --> 00:03:47,895

You can literally move color, can

make it slide right on the canvas.

00:03:49,380 --> 00:03:51,690

We had a sky full of clouds here, maybe.

00:03:51,810 --> 00:03:52,050

Yeah.

00:03:52,080 --> 00:03:52,380

Why not?

00:03:52,380 --> 00:03:58,950

Right there something about like

having that plan ride on out

00:03:58,950 --> 00:04:03,840

to nothing, wherever, wherever.

00:04:03,990 --> 00:04:04,470

All right.

00:04:04,470 --> 00:04:05,730

Let's get her a little blender brush.

00:04:06,990 --> 00:04:11,700

These little Brendan Linder brushes are

very, very soft because my father used

00:04:11,700 --> 00:04:13,800

to say they're tenders a mother's love.

00:04:14,220 --> 00:04:14,850

There we are.

00:04:16,440 --> 00:04:16,920

There.

00:04:18,529 --> 00:04:20,269

And in my case, I was certainly true.

00:04:21,620 --> 00:04:26,930

I'm very prejudice, but I think I had the

greatest mother was beautiful, beautiful

00:04:26,930 --> 00:04:29,719

lady, and I hope she's watching now.

00:04:30,320 --> 00:04:33,590

They're just see how you fluff

that up with that little blender.

00:04:35,060 --> 00:04:37,570

It just goes right over right over.

00:04:38,385 --> 00:04:38,685

There.

00:04:40,995 --> 00:04:41,655

Okay.

00:04:42,405 --> 00:04:46,815

And once again, in your world, you decide

how many clouds live in it or how few.

00:04:48,405 --> 00:04:51,224

And that's basically all there

is to make him a lot of clouds.

00:04:52,245 --> 00:04:52,965

Very quickly.

00:04:54,375 --> 00:04:54,765

Okay.

00:04:54,765 --> 00:04:57,705

You will wash the old blender brush

off and I'll wash it the same way.

00:04:57,825 --> 00:04:58,875

A little paint thinner in there.

00:05:00,585 --> 00:05:02,325

It's not as much fun to beat that window.

00:05:02,865 --> 00:05:06,105

It didn't make near the

mess with a little blender.

00:05:06,135 --> 00:05:10,385

I normally normally wipe it on a

paper towel or a clean rag afterwards.

100

00:05:11,075 --> 00:05:12,784

Cause you wanted as dry as possible.

101

00:05:12,965 --> 00:05:15,725

Go take some black,

some pressure and blue.

102

00:05:16,665 --> 00:05:18,435

Little Brown, little

lizard, Crimson, whatever.

103

00:05:19,995 --> 00:05:21,105

Maybe a little more of that Crimson.

104

00:05:21,105 --> 00:05:21,885

I like Crimson.

105

00:05:21,945 --> 00:05:23,235

It's one of my favorite colors.

106

00:05:24,795 --> 00:05:25,455

All right.

107

00:05:25,725 --> 00:05:29,445

Pull it out as flat as you can get it, cut

across, get a little roll of paint there.

108

00:05:29,445 --> 00:05:31,485

You can see it right down

the edge of the knife.

109

00:05:32,325 --> 00:05:36,105

And we had a mountain in our

world and it lived right here.

110

00:05:36,135 --> 00:05:39,795

All we're looking for

initially is the shape of the.

111

00:05:40,305 --> 00:05:40,995

Top here.

112

00:05:41,055 --> 00:05:42,224

That's really all we're looking for.

113

00:05:42,224 --> 00:05:43,365

We could care less.

114

00:05:44,325 --> 00:05:45,555

What's happening elsewhere.

115

00:05:46,215 --> 00:05:51,075

We will later, but right now that's

all we're looking for right there.

116

00:05:51,105 --> 00:05:57,284

It's just this nice outside edge up here.

117

00:05:57,555 --> 00:05:57,974

That's all.

118

00:05:58,305 --> 00:06:00,765

That's all very little paint.

119

00:06:01,724 --> 00:06:04,094

All we're doing is sustaining the canvas.

120

00:06:05,205 --> 00:06:07,275

There does not take a lot of paint.

121

00:06:09,690 --> 00:06:11,250

I'll put a little bump right there.

122

00:06:12,450 --> 00:06:15,210

So you just make a decision

and drop it in, in your world.

123

00:06:15,420 --> 00:06:17,610

You have total and absolute power.

124

00:06:18,480 --> 00:06:19,260

Scrape it hard.

125

00:06:19,260 --> 00:06:20,160

You can probably hear that.

126

00:06:21,900 --> 00:06:23,610

Get in there, pull that paint off.

127

00:06:25,980 --> 00:06:27,150

You can not get it all off.

128

00:06:27,150 --> 00:06:28,050

Don't worry about it.

129

00:06:28,470 --> 00:06:32,580

No way you could get the canvas back

where you could pay another color

130

00:06:32,580 --> 00:06:33,930

as to wash it with paint thinner.

131

00:06:34,050 --> 00:06:35,940

Just rinse it off, which is okay.

132

00:06:36,030 --> 00:06:37,020

I do that frequently.

133

00:06:38,175 --> 00:06:39,285

I don't care for painting.

134

00:06:39,285 --> 00:06:42,095

I just wipe it off and take a little

paint, thinner, wiped down the canvas.

135

00:06:42,145 --> 00:06:42,765

Let it dry.

136

00:06:44,115 --> 00:06:47,835

Now there'll be a stain on there

still, when you put your liquid

137

00:06:47,835 --> 00:06:49,455

white, black clear, whatever on it.

138

00:06:50,505 --> 00:06:51,105

It's okay.

139

00:06:51,655 --> 00:06:52,515

You paint right over.

140

00:06:52,755 --> 00:06:55,965

Give it a few minutes to dry the way after

you take the paint there and wipe it down.

141

00:06:57,315 --> 00:06:57,945

Alright.

142

00:07:01,155 --> 00:07:02,205

Something about last kid.

143

00:07:03,450 --> 00:07:06,810

Yeah, one of the questions I hear over

and over in the, in the letters that we

144

00:07:06,810 --> 00:07:11,550

get from fantastic people all over the

country is can I use acrylics to do this?

145

00:07:12,960 --> 00:07:15,990

Um, I wished wished you could acrylics.

146

00:07:16,229 --> 00:07:19,800

They're a fantastic medium, but

they just write to graphically.

147

00:07:19,860 --> 00:07:21,450

This is a wet on wet technique.

148

00:07:22,260 --> 00:07:25,920

So we depend on it staying wet

through the entire painting.

149

00:07:25,920 --> 00:07:28,400

If it doesn't, we've defeated our purpose.

150

00:07:29,210 --> 00:07:30,080

Sorry to jump around.

151

00:07:30,080 --> 00:07:33,650

Like it just jump all over the canvas.

152

00:07:36,715 --> 00:07:39,745

There maybe here and there.

153

00:07:40,224 --> 00:07:42,685

We'll just blend up a little

titanium white on there.

154

00:07:43,854 --> 00:07:46,104

I want to create a Misty

effect down here at the base.

155

00:07:48,075 --> 00:07:51,695

And make that a little lighter and then

we can go back to Hafele and let mountain

156

00:07:51,715 --> 00:07:55,635

color in and put the indication of some

little things that are far away back

157

00:07:55,635 --> 00:07:59,055

in here just by tapping, just tapping.

158

00:07:59,594 --> 00:08:01,185

These are going to be the

ones in the background.

159

00:08:01,215 --> 00:08:01,725

Overdone.

160

00:08:01,844 --> 00:08:03,315

If everything works just right.

161

00:08:04,950 --> 00:08:05,400

Fair.

162

00:08:06,359 --> 00:08:10,260

I touched a little touchy with cadmium

yellow, very, very small amount.

163

00:08:10,260 --> 00:08:12,000

And it'll give it an instant green.

164

00:08:13,340 --> 00:08:15,179

It looks like a little green

things that are growing up the

165

00:08:15,179 --> 00:08:16,830

side of that mountain far away.

166

00:08:18,000 --> 00:08:20,669

We back here, we don't even

know how far back it is.

167

00:08:20,789 --> 00:08:25,140

Don't know that we didn't

care many, many, many miles.

168

00:08:27,239 --> 00:08:28,280

All right, that'll be here.

169

00:08:28,310 --> 00:08:33,329

Now we can pull this from

down, grab it and pull it.

170

00:08:34,409 --> 00:08:36,809

Pull it, let it come right into that.

171

00:08:36,840 --> 00:08:37,319

There we go.

172

00:08:40,350 --> 00:08:41,789

And all I'm doing here is blending.

173

00:08:42,660 --> 00:08:43,380

Out the paint.

174

00:08:43,380 --> 00:08:45,930

I want to remove as much pain as possible.

175

00:08:46,290 --> 00:08:48,000

So the next layer will stick easier.

176

00:08:50,310 --> 00:08:52,800

See, it's mixing with the liquid

white and automatically this

177

00:08:53,070 --> 00:08:54,420

beautiful mist will happen.

178

00:08:55,890 --> 00:08:57,180

You don't even have to think about it.

179

00:08:57,870 --> 00:08:58,560

It happens.

180

00:09:02,160 --> 00:09:07,140

So you spend all your thinking time

thinking about your painting there.

181

00:09:08,550 --> 00:09:09,210

All right.

182

00:09:10,910 --> 00:09:15,150

Let's take titanium white and pull

it out as flat as you can get it

183

00:09:15,150 --> 00:09:19,530

and say, just pull it out, take the

knife, go straight down on it and kind

184

00:09:19,530 --> 00:09:26,930

of cross get a little roll of paint

and no, no pressure, no pressure.

185

00:09:26,930 --> 00:09:31,130

Just this knife, just bouncing

play right down through there

186

00:09:31,970 --> 00:09:34,460

and think let's have the light

coming from the right in this one.

187

00:09:34,460 --> 00:09:36,140

If you're right handed us normally easier.

188

00:09:37,245 --> 00:09:39,795

Just think we're light

would strike in play here.

189

00:09:42,455 --> 00:09:46,715

Don't just try to copy in your mind,

decide where world these little

190

00:09:46,715 --> 00:09:48,215

highlights live in your mountains.

191

00:09:48,245 --> 00:09:50,045

Cause your mountains may

be different inviting.

192

00:09:51,155 --> 00:09:52,475

They're probably much better.

193

00:09:53,735 --> 00:09:55,205

Just there it comes a little light.

194

00:09:55,295 --> 00:09:56,195

Just let it play.

195

00:09:57,455 --> 00:09:58,775

We had a little Ridge right there.

196

00:10:00,425 --> 00:10:01,625

See, it's all glass to it.

197

00:10:02,505 --> 00:10:05,505

Mountains to me are one of the

most fun and enjoyable things

198

00:10:05,505 --> 00:10:10,265

to, I love, I love the mountains.

199

00:10:10,265 --> 00:10:14,195

I think I've mentioned many times before

I lived in Alaska for a long time.

200

00:10:14,915 --> 00:10:19,625

And for Alaska has some of the most

gorgeous mountains that God has ever made.

201

00:10:23,135 --> 00:10:23,435

Thank you.

202

00:10:23,435 --> 00:10:27,065

Could, you could find enough material

to paint there to last a lifetime.

203

00:10:28,905 --> 00:10:29,415

All right.

204

00:10:29,685 --> 00:10:33,095

And if you don't have a good, fortunately,

and in an area where there's all these

205

00:10:33,095 --> 00:10:37,235

beautiful, beautiful mountains, you

can go to the library anywhere and

206

00:10:37,235 --> 00:10:42,574

pick up books that show pictures, you

can, art books have pictures in them.

207

00:10:43,545 --> 00:10:47,015

In many, many ways you can find

photographs or drawings of mountains.

208

00:10:47,015 --> 00:10:50,314

That'll allow you to paint some, if you

want to, maybe you want to do this without

209

00:10:50,314 --> 00:10:52,955

a mountain in it, and that's okay too.

210

00:10:54,060 --> 00:10:54,330

Okay.

211

00:10:54,360 --> 00:10:57,060

A little bit of this blue color, and

then we'll go right back up in here

212

00:10:58,680 --> 00:11:00,750

and just begin adding in some shadows.

213

00:11:02,370 --> 00:11:06,870

Once again, this will not be an

exact duplicate of what was on TV

214

00:11:07,890 --> 00:11:10,500

at the beginning of the show, but

it will certainly show you how

215

00:11:10,500 --> 00:11:14,620

it was made there she's there.

216

00:11:15,620 --> 00:11:17,210

Oh, those are the things

that happened in there.

217

00:11:17,210 --> 00:11:18,650

Just by changing some angles.

218

00:11:19,580 --> 00:11:20,780

I'm gonna grab the small knife.

219

00:11:22,560 --> 00:11:23,970

It gets into these little places.

220

00:11:24,000 --> 00:11:24,600

How much better?

221

00:11:24,600 --> 00:11:28,880

Sometimes they're very good.

222

00:11:29,360 --> 00:11:30,740

No pressure, no pressure.

223

00:11:31,280 --> 00:11:32,810

I can't say that enough times.

224

00:11:34,699 --> 00:11:39,140

I get letters every day that say I'm

having trouble making the paint break

225

00:11:39,199 --> 00:11:40,579

or leave all these little holes.

226

00:11:42,420 --> 00:11:43,829

One of two things is happening.

227

00:11:44,459 --> 00:11:50,040

You're using a paint that's soft

and it won't work, or chances are

228

00:11:50,069 --> 00:11:51,660

you're applying too much pressure.

229

00:11:53,610 --> 00:11:57,270

But I used to have students do when I was

teaching every day, I'd have him practice

230

00:11:57,270 --> 00:11:58,980

on their palette until they could.

231

00:11:59,370 --> 00:12:02,219

Every time I pull that paint

across there and make it break.

232

00:12:04,155 --> 00:12:05,835

And the pallets made a plexiglass.

233

00:12:05,865 --> 00:12:09,915

So if you could make it break on the

plexiglass shoot, when you get to,

234

00:12:10,425 --> 00:12:11,925

when you get to canvas, it's easy.

235

00:12:11,955 --> 00:12:13,245

I'm just tapping the bottom here.

236

00:12:14,235 --> 00:12:15,675

I want to blend this out a little bit.

237

00:12:17,535 --> 00:12:21,225

They're following the angles,

always following those angles.

238

00:12:23,575 --> 00:12:26,505

Sometime we come from a camera that

gives you sort of a funny angle.

239

00:12:27,435 --> 00:12:30,885

So if that happens, don't don't think

your painting should look like it.

240

00:12:30,885 --> 00:12:32,235

We're coming from a different angle.

241

00:12:33,420 --> 00:12:34,020

Okay.

242

00:12:36,060 --> 00:12:38,099

That's a, that's a

question I hear frequently.

243

00:12:38,099 --> 00:12:40,079

As I see you look to the side.

244

00:12:40,079 --> 00:12:41,250

What are you looking at over there?

245

00:12:41,790 --> 00:12:43,140

I have a television monitor.

246

00:12:43,170 --> 00:12:45,689

That's right off camera so I can see.

247

00:12:46,095 --> 00:12:47,355

Exactly what you're seeing.

248

00:12:49,574 --> 00:12:52,935

And then we have some of the most

fantastic camera people in the

249

00:12:52,935 --> 00:12:57,735

business here, and they they'll look

at what I'm looking at in between us.

250

00:12:58,635 --> 00:13:01,245

We'll turn everything so you

can see it the best you can

251

00:13:01,245 --> 00:13:02,475

get the best results at home.

252

00:13:03,944 --> 00:13:04,365

There we go.

253

00:13:04,365 --> 00:13:08,985

I'm taking a little bit, a little

Indian, yellow, yellow ochre, and some

254

00:13:08,985 --> 00:13:10,395

of that bluish color ahead on there.

255

00:13:11,085 --> 00:13:16,575

And the brush and that immediately

will make a nice green and we'll just

256

00:13:16,575 --> 00:13:17,925

sort of very back and forth here.

257

00:13:17,925 --> 00:13:23,295

Some of these colors stuff about

like hat and then lifted upward.

258

00:13:25,485 --> 00:13:27,915

I could look like little

trees that live far back here.

259

00:13:28,755 --> 00:13:28,845

Okay.

260

00:13:29,415 --> 00:13:33,165

Little, tiny trees, little baby trees,

but they're really big, but they

261

00:13:33,165 --> 00:13:37,655

just live far away, far, far away.

262

00:13:38,285 --> 00:13:38,885

There we are.

263

00:13:40,595 --> 00:13:41,405

All right.

264

00:13:46,020 --> 00:13:49,460

I think you mentioned that

some of the previous shows the

265

00:13:49,460 --> 00:13:51,260

program is now playing in Japan.

266

00:13:51,680 --> 00:13:56,750

And recently we sent, we sent a whole

bunch of paintings, original, original

267

00:13:56,750 --> 00:13:59,990

Bob Ross paintings over, and they did a

big exhibit with hundreds and hundreds

268

00:13:59,990 --> 00:14:01,670

of people came to see the paintings.

269

00:14:02,660 --> 00:14:03,470

Fantastic.

270

00:14:04,850 --> 00:14:05,930

Fantastic.

271

00:14:07,939 --> 00:14:08,870

A little bit right in there.

272

00:14:10,160 --> 00:14:10,819

All right.

273

00:14:12,240 --> 00:14:13,319

Time to have some fun.

274

00:14:13,980 --> 00:14:20,370

That's take, we'll take some pressure

and blue, some black, some Crimson, and

275

00:14:20,370 --> 00:14:21,750

I'll put some SAP green in there too.

276

00:14:23,810 --> 00:14:24,439

There we go.

277

00:14:25,939 --> 00:14:27,620

That makes up quite a

bit of color like that.

278

00:14:28,110 --> 00:14:29,130

And I cleaned the old knife.

279

00:14:30,450 --> 00:14:33,540

That's make a little trees that

were in the background for that.

280

00:14:34,200 --> 00:14:35,040

There's a fan brush.

281

00:14:35,130 --> 00:14:36,000

I can just clean.

282

00:14:37,470 --> 00:14:39,270

Let's go right into this very dark color.

283

00:14:39,330 --> 00:14:43,830

This color should look black on your

palette, but because of the Prussian

284

00:14:43,830 --> 00:14:45,780

blue, it'll be predominantly blue.

285

00:14:46,230 --> 00:14:46,890

Let's go up in here.

286

00:14:48,570 --> 00:14:51,330

And we'll have some little

trees live right in here.

287

00:14:52,020 --> 00:14:54,240

All we're doing is just

touching and tapping downward.

288

00:14:54,480 --> 00:14:58,710

That's all, that's all very, very simple.

289

00:14:58,710 --> 00:15:02,100

Don't make it complicated when they

start breaking apart like that.

290

00:15:02,100 --> 00:15:05,580

It means it's time to

reload the brush there.

291

00:15:07,050 --> 00:15:07,860

All right.

292

00:15:08,250 --> 00:15:09,780

Maybe they come right in there.

293

00:15:10,560 --> 00:15:11,130

Wherever.

294

00:15:12,120 --> 00:15:14,610

And really the only thing you're

concerned about is these nice

295

00:15:14,610 --> 00:15:17,070

tops what's happening in here.

296

00:15:17,070 --> 00:15:19,460

You could care less at this point.

297

00:15:20,600 --> 00:15:25,220

Maybe later it'll become important,

but at this point we don't even care.

298

00:15:27,320 --> 00:15:30,200

Maybe we have these little

higher and dropped down.

299

00:15:31,550 --> 00:15:34,910

Now, sometimes people say

mine looked like fence posts.

300

00:15:35,240 --> 00:15:36,230

See like that.

301

00:15:37,260 --> 00:15:38,340

They look like fence posts.

302

00:15:38,340 --> 00:15:42,240

The only thing that's wrong is you don't

have enough just go back and fill them up.

303

00:15:43,050 --> 00:15:47,160

Because as you know, we don't

make mistakes in our world.

304

00:15:47,220 --> 00:15:51,990

We only have happy accidents

in very quickly, very quickly.

305

00:15:52,050 --> 00:15:57,209

You learn to work with anything that

happens on this canvas, anything, and

306

00:15:57,209 --> 00:15:58,709

it takes the fear out of painting.

307

00:15:58,740 --> 00:15:59,819

You don't worry about it.

308

00:16:01,709 --> 00:16:05,130

Because for so long, we've been taught

that we've been taught that you had to

309

00:16:05,130 --> 00:16:07,079

be blessed by Michael Angelo at birth.

310

00:16:07,199 --> 00:16:10,969

You couldn't paint that you

may not be able to paint like

311

00:16:10,969 --> 00:16:13,579

he did, but you can sure.

312

00:16:13,610 --> 00:16:14,449

Paint this way.

313

00:16:15,319 --> 00:16:20,479

There we go of this works and

we've got trees all the way across.

314

00:16:22,130 --> 00:16:22,579

It's fun.

315

00:16:22,930 --> 00:16:26,930

Take a little white and you'll make it

look like little tree trunks back here.

316

00:16:26,930 --> 00:16:28,699

Just take a little white and very gently.

317

00:16:29,310 --> 00:16:33,240

Grab that and lift upward

just a little don't overdo.

318

00:16:33,540 --> 00:16:34,260

Don't overdo.

319

00:16:36,829 --> 00:16:37,520

Don't overdo it.

320

00:16:37,810 --> 00:16:40,370

It looks like little tree

trunks far back in the distance.

321

00:16:41,449 --> 00:16:45,560

You can take the knife and

also cut through it and

322

00:16:45,560 --> 00:16:46,880

it'll, it'll give an effect.

323

00:16:46,880 --> 00:16:47,630

It's very nice.

324

00:16:48,500 --> 00:16:48,920

Okay.

325

00:16:50,390 --> 00:16:51,350

Time to have more fun.

326

00:16:51,530 --> 00:16:51,800

Let's go.

327

00:16:51,800 --> 00:16:53,960

Now let's go into that dark color.

328

00:16:54,199 --> 00:16:56,600

This is predominantly black sweats.

329

00:16:57,735 --> 00:16:59,775

And let's have maybe.

330

00:17:01,829 --> 00:17:06,089

Well, I have some big rocks right

there, predominantly black though.

331

00:17:09,480 --> 00:17:10,680

There are some big rocks.

332

00:17:10,680 --> 00:17:11,280

How are we doing this?

333

00:17:11,280 --> 00:17:12,300

Fill it in paint.

334

00:17:12,300 --> 00:17:12,420

Here.

335

00:17:12,420 --> 00:17:16,530

We could, we could really do this with,

we can do this with a paint roller.

336

00:17:17,040 --> 00:17:21,540

It doesn't matter how you put this

on just when you cover the canvas.

337

00:17:22,230 --> 00:17:24,740

In fact, if I had thought a little

bit, we could have, we could have

338

00:17:24,750 --> 00:17:28,170

done the bottom with black Jesso and

this would have already been done.

339

00:17:29,820 --> 00:17:31,170

Or you could use liquid black.

340

00:17:33,060 --> 00:17:36,240

The difference between liquid

black and black Jesso liquid

341

00:17:36,240 --> 00:17:37,950

black is an oil-based medium.

342

00:17:38,070 --> 00:17:42,180

It's designed to stay wet

several days on a good canvas.

343

00:17:43,500 --> 00:17:49,080

Like Jessa was an acrylic base it's

designed to drive very rapidly.

344

00:17:49,740 --> 00:17:52,950

It's for when you want to work on a

dry surface surface, liquid black.

345

00:17:54,150 --> 00:17:57,090

So when you want to work on a wet

surface, so it just depends on your mood.

346

00:17:59,325 --> 00:18:02,355

They're both mediums have

their own characteristics.

347

00:18:02,355 --> 00:18:03,254

And they're both neat.

348

00:18:04,865 --> 00:18:12,605

There we are something about like it, all

we're doing is just covering it up then.

349

00:18:14,115 --> 00:18:19,935

Got to make a little, a little black,

little white makes them a gray color.

350

00:18:20,475 --> 00:18:22,125

Well, it was a little

touch of blue in there too.

351

00:18:22,335 --> 00:18:22,755

Okay.

352

00:18:23,115 --> 00:18:27,675

Black, white, little touch of blue,

then whatever happens, pull it out.

353

00:18:27,965 --> 00:18:28,955

So, but it's marbled.

354

00:18:28,955 --> 00:18:30,095

We haven't over mixed it.

355

00:18:30,695 --> 00:18:34,205

A little roll of paint on the knife

and let's go right up in here and

356

00:18:34,205 --> 00:18:37,415

begin just putting the indication of

all these little rocks and stones.

357

00:18:37,415 --> 00:18:40,355

Let me stand over here and he

just let the knife touch and

358

00:18:40,355 --> 00:18:41,495

sort of bounce along there.

359

00:18:41,525 --> 00:18:42,185

Don't overdue.

360

00:18:43,455 --> 00:18:44,115

Don't overdo.

361

00:18:44,445 --> 00:18:49,955

It just let it bounce, but it

bounced the play change angle.

362

00:18:49,955 --> 00:18:51,275

So they look, some of them look different.

363

00:18:51,275 --> 00:18:52,175

This is far away.

364

00:18:52,385 --> 00:18:58,565

I don't know what it is about, like

him and I wanted to get darker and

365

00:18:58,565 --> 00:18:59,975

darker down here toward the base.

366

00:19:01,655 --> 00:19:04,145

So it gives you Preston that

more lights hitting the top

367

00:19:04,325 --> 00:19:05,285

then down here at the bottom.

368

00:19:06,395 --> 00:19:07,175

So there's to it.

369

00:19:09,284 --> 00:19:09,675

Okay.

370

00:19:10,754 --> 00:19:14,625

That's build us a tree

or two or three for that.

371

00:19:14,685 --> 00:19:16,215

I think I'll use a little oval brush day.

372

00:19:17,324 --> 00:19:18,435

It's easy to distinguish.

373

00:19:18,435 --> 00:19:19,455

It has a black handle.

374

00:19:19,495 --> 00:19:21,014

Rest of them all have white handles.

375

00:19:22,604 --> 00:19:23,205

All right.

376

00:19:24,450 --> 00:19:27,810

We had a big tree in our world

and it lived right there.

377

00:19:29,220 --> 00:19:33,000

Touch, make a little line and we start

just like we do with a fan brush and

378

00:19:33,000 --> 00:19:38,940

using just the corner, just the corner

and on this brush, once we get down,

379

00:19:38,940 --> 00:19:42,720

though we go straight in and it makes

those gorgeous, gorgeous hanging

380

00:19:42,720 --> 00:19:44,730

downs that you see on evergreen trees.

381

00:19:46,530 --> 00:19:51,990

In some parts of the country,

the lambs hang down really low.

382

00:19:52,020 --> 00:19:58,290

They really hang down and other parts of

the country, they stick straight or out.

383

00:19:58,290 --> 00:19:59,100

So it just depends.

384

00:19:59,100 --> 00:20:04,889

I think, on where the tree lives,

maybe it has to do with water.

385

00:20:04,949 --> 00:20:05,429

I don't know.

386

00:20:05,639 --> 00:20:08,760

Sunlight don't know.

387

00:20:11,115 --> 00:20:11,745

There we go.

388

00:20:12,315 --> 00:20:17,475

Now the little tree there, go right

into some yellow, just take same old

389

00:20:17,475 --> 00:20:19,725

brush, go into yellow ochre, CAD yellow.

390

00:20:20,265 --> 00:20:20,355

Okay.

391

00:20:20,765 --> 00:20:21,635

To make a green.

392

00:20:21,665 --> 00:20:22,715

And then very lightly.

393

00:20:23,765 --> 00:20:26,555

We said our highlight was

coming from the right side.

394

00:20:26,585 --> 00:20:27,695

Only had a little liquid whiten.

395

00:20:28,025 --> 00:20:28,925

I get a little thinner.

396

00:20:30,035 --> 00:20:33,065

Our highlights are coming from the

right lights coming from the right.

397

00:20:34,260 --> 00:20:38,910

So that's where we want to put the

most emphasis there and let it get

398

00:20:38,910 --> 00:20:41,850

darker and darker down toward the

bottom till it just disappears.

399

00:20:43,470 --> 00:20:44,160

There we go.

400

00:20:44,160 --> 00:20:48,210

Something about like cabin, but

darker and darker toward the base.

401

00:20:48,210 --> 00:20:48,960

That's important.

402

00:20:49,140 --> 00:20:50,040

It's most important.

403

00:20:51,150 --> 00:20:51,570

All right.

404

00:20:51,570 --> 00:20:55,230

We had a little house in that

little house lived right here.

405

00:20:56,129 --> 00:20:59,639

So all you do is touch and begin

scraping out a basic shape.

406

00:21:00,899 --> 00:21:06,840

Our little house looks something like

it, scrape off all that excess color.

407

00:21:08,490 --> 00:21:09,720

Just get in there and scrape it off.

408

00:21:10,950 --> 00:21:14,100

We use a little bit of the van Dyke

Brown, dark Sienna mixed together.

409

00:21:15,510 --> 00:21:19,320

Let's just fill it in, just fill it in.

410

00:21:20,399 --> 00:21:23,730

It's a little, like a lean

to on the side of this house.

411

00:21:26,625 --> 00:21:28,875

And light Brown, dark

Sienna mixed together.

412

00:21:30,135 --> 00:21:35,835

So there's two, it SI just all we're

doing is blocking it in at this point.

413

00:21:36,735 --> 00:21:39,185

Now I would take the Brown,

put some bright red in it,

414

00:21:39,575 --> 00:21:41,015

little white, little white.

415

00:21:42,545 --> 00:21:47,585

And for that, then come back up here

and we'll just put in a little roof.

416

00:21:49,560 --> 00:21:52,830

There wouldn't this be a

gorgeous, gorgeous place to live.

417

00:21:54,150 --> 00:21:57,420

Look out over all these

beautiful mountains and trees.

418

00:21:58,560 --> 00:21:58,770

Hmm.

419

00:21:59,160 --> 00:22:05,630

I'd like to have this cabin take

a little, little lighter color.

420

00:22:05,670 --> 00:22:07,020

Just highlight it a little.

421

00:22:07,020 --> 00:22:12,480

So this edge stands out

just a little like that.

422

00:22:14,460 --> 00:22:20,490

And we go back to her Brown and

whites and it's put in touch,

423

00:22:23,639 --> 00:22:28,889

touch a little highlights right

there, something about my kid over

424

00:22:28,889 --> 00:22:30,960

here on the side, I'm going to add a

little bit of that pressure and blue.

425

00:22:30,960 --> 00:22:36,330

I want it to look more

like it's in shadow there.

426

00:22:36,330 --> 00:22:37,919

Maybe I'm a little darker than that.

427

00:22:39,300 --> 00:22:39,540

Ooh.

428

00:22:39,570 --> 00:22:40,530

Yeah, that's much better.

429

00:22:41,550 --> 00:22:46,439

I want that to be dark, little

Vandyke Brown and just touch, make

430

00:22:46,439 --> 00:22:49,350

it look like old boards, slabs,

whatever you want to call them.

431

00:22:51,600 --> 00:22:53,040

And we need a door in our cabin.

432

00:22:53,040 --> 00:22:54,780

This whole guy had to have

a way to get in there.

433

00:22:55,340 --> 00:23:02,360

Shoot, cut across a little bit of the

light color, just to Outland the door

434

00:23:02,360 --> 00:23:06,500

a little wipe off the old knife here.

435

00:23:07,590 --> 00:23:10,170

Tell you what, let me go back to

an old two inch brush, dip it a

436

00:23:10,170 --> 00:23:11,310

little bit of the liquid point.

437

00:23:11,850 --> 00:23:13,290

Go into a little bit of my yellows.

438

00:23:13,800 --> 00:23:19,140

We had a little grass around the bottom of

this cabin, so we use all the colors here.

439

00:23:19,140 --> 00:23:24,410

The is a little touch of red once in

a while, here it comes, but this pain

440

00:23:24,410 --> 00:23:28,700

has to be quite thin because we have

so much pain already on the canvas.

441

00:23:29,540 --> 00:23:33,020

Each layer of paint needs

to get thinner and thinner.

442

00:23:34,575 --> 00:23:38,085

There we go just happy.

443

00:23:38,625 --> 00:23:41,945

We need a path path.

444

00:23:42,125 --> 00:23:43,145

No way to get up in here.

445

00:23:44,165 --> 00:23:45,785

Take a little bit of light Brown color.

446

00:23:47,825 --> 00:23:48,725

I want the brighter than that.

447

00:23:48,725 --> 00:23:50,165

I can't, I can't make that out.

448

00:23:50,915 --> 00:23:52,685

Dark Sienna in there,

a little bright green

449

00:23:56,765 --> 00:23:57,155

there.

450

00:23:57,545 --> 00:24:00,065

He may come home a little

impaired and he needs a path he

451

00:24:00,065 --> 00:24:01,535

can see when he comes in here.

452

00:24:03,270 --> 00:24:07,830

Keynote retail that happened

sometime a sound green.

453

00:24:09,600 --> 00:24:10,230

Here we go.

454

00:24:10,470 --> 00:24:15,770

Now you just begin deciding where

everything lives in here about like that.

455

00:24:17,399 --> 00:24:19,169

Want to make us look

like a little Hill here.

456

00:24:21,179 --> 00:24:21,570

Shoot.

457

00:24:21,600 --> 00:24:22,949

Maybe it comes all the way up in here.

458

00:24:24,840 --> 00:24:30,780

Something about like cat, wherever

in your world, you decide.

459

00:24:32,115 --> 00:24:37,035

You decide a little flag, a little point.

460

00:24:39,515 --> 00:24:41,145

Maybe there's just an indication here.

461

00:24:41,175 --> 00:24:43,175

Nerve a little stone in a rocket listener.

462

00:24:43,835 --> 00:24:46,385

And that's basically how we

did that little painting.

463

00:24:48,165 --> 00:24:49,505

Scratchy on a stick in the twig.

464

00:24:50,105 --> 00:24:50,585

Shoot.

465

00:24:50,585 --> 00:24:53,495

You finished hope you've enjoyed this one.

466

00:24:53,555 --> 00:24:55,925

As I say, it'll show you how

the little opening was made.

467

00:24:56,675 --> 00:24:59,135

So from all of us here, I'd

like to wish you happy painting.

468

00:24:59,655 --> 00:25:00,764

God bless my friend.

End .srt file.

Bob Ross' The Joy of Painting

Thursday, December 31, 2020

S27E07 - A Spectacular View

Bob Ross's

The Joy of Painting

No comments:

Post a Comment

FREE DOWNLOAD Bob Ross' The Joy of Painting Subtitles .srt Files FREE DOWNLOAD!

Report Abuse