Bob Ross's

The Joy of Painting

S29E06 - Mountain Lake Falls

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Hey, welcome back.

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Certainly glad you could join us today

because today is a very special day

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for me every once in awhile, when we

can get him off the road from teaching,

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I have my son, Steve, come in and

do a, do a little painting for us.

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And today is one of those days.

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Steve is quite a painter.

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He's been painting all of his adult life.

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And in fact, he sold his first

painting when he was 12 years old.

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So I tell you what, we're going to turn

it over to Steve today and let him do a

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fantastic little painting for you, Steve.

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Thanks, Dan.

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Hi, glad you could join me.

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Um, I've already covered the canvas

with a thin even coat of liquid white.

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Uh, so you want to go ahead and do

that, and while you're doing that,

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they're going to run all your colors

across the screen for you right

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down at the bottom of the screen.

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And, um, Let's see, I think

I'll paint something with, uh,

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a big waterfall in it today.

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Mountains and clouds, and

maybe a big waterfall.

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So, um, start off with your two

inch brush and we'll go into just

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a little bit of fellow blue, very

light drag out a little bit of paint.

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Tap it into those bristles.

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And then we'll go up here.

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Oh, I like that color.

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I think blue is my favorite

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little, extra little Xs everywhere.

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It's a little dark cloud areas in here.

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Maybe a little bit more fellow blue.

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Would that touch if they low green,

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let's just pull that right in.

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Just recently came back from California.

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I've been traveling all over the

country, teaching classes and I ended

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up way over there on the West coast.

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I really like it out there.

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Got the ocean right there and shut

the mountains right there beside you.

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People are really nice too.

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Okay.

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Let's go ahead and use

a clean, dry, big brush.

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I had a spare there.

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See, I pulled a sneaky on you and

we'll just blend out that light area.

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Wow.

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Look at that.

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It gets real soft.

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I'm pushing hard in areas that

I think are too heavy with

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paint and areas that I like.

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I go over I'm real soft,

very light, very light.

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Okay.

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And maybe down here in the water, just

some straight horizontal strokes, just

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like painting the side of your house.

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and maybe down here at the very bottom

of it, what make it extra dark, you

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know, just to have a little bit more.

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Of your silo, blue airway.

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That's almost too easy to believe easy.

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Okay.

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Let's do a couple little

clouds up in the sky.

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We'll go in with a little

bit of titanium white.

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And maybe just a tiny

touch of alizarin Crimson.

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Let's go ahead and just

throw them right in there.

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Heck we're not worried about it.

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Okay.

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Real free and simple.

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This might sound a little bit nutty met,

um, you know, as you're, as you're doing

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your painting with me today, kind of think

about the things that you're painting.

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You know, when you're doing a

cloud thing, like a cloud light.

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Fluffy like that, like the winds

blow and feel that wind in your

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hair when you're doing clouds,

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it's kind of like dad says you don't

have to be crazy to do this, but it helps

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it's around.

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Nice clathrin and nice clouds.

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Whenever I'm painting anything.

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I'm always thinking to myself

how wonderful it's coming out.

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You know, I don't, uh, I don't

get into a bed frame of mind ever

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because I know, you know, no matter

what I do, I'm doing it for me.

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And then I'm going to enjoy it.

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No matter whether it's a

Leonardo, DaVinci or Michelangelo.

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Looking at bang.

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I'm not worried about that.

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Here we go.

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A few clouds, then you can just blend

those out with your two inch brush.

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Real light, real light.

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Thanks.

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Soft,

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Eric.

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I left very gently, just a couple hairs

and some air breeze and across the canvas.

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And then go across those also very light.

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I like those little

hands of pink in there.

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It makes it look like the sun shining

on the clouds free on general.

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Okay.

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Let's do a mountain.

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If we're going to use a

little bit of Vandyke Brown.

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A little bit of midnight, black,

some Crimson and precious and blue.

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That's all in equal parts.

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And then mix that up real good

and get a nice roll on your knife.

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Just like that.

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Very nice roll.

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Come up, push in.

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Oh my gosh.

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It's a grand Teton.

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I can tell already looking out high.

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That peak is I might've

got a little carried away,

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but more than likely it

was just a happy accident.

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Okay.

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It looks like it was coming out.

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Okay.

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You have to do that, you know,

compliment yourself a little,

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tell yourself you're wonderful.

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It's good for you.

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People are too hard on

themselves these days.

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That's just my opinion.

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But you know, when I'm watching the

news and stuff, it seems like people

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almost want to hear bad things.

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I don't want to hear bad things.

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I like hear good ones.

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That's why I paint.

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I can get off in my own little world, not

worry about what anybody else is doing or.

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Saying, just feel free.

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Here we go.

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There's a mountain shape.

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Now I'll just drag that

out with my big brush.

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Try not to get too close

to those top edges.

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You might accidentally get some

birds out there that you don't want,

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or maybe you want birds in your world.

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I don't know.

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Heck, it's up to you.

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There we go.

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Something like that.

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And then let's put a little bit

of titanium white on the knife.

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I touch a Crimson in it.

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Maybe.

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Good.

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There you go.

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Okay.

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Cut the little roll on the knife

again, and we'll just real gently.

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Come on down the mountain.

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Now I got to admit it.

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It gives you quite a powerful feeling

to know that you're moving mountains.

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I really liked that feeling.

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I can't think of anything else

in the whole world that makes

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me feel like painting guys.

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It really, really is special.

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And, you know, when I

first started doing it.

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Yeah, it was, it was a little difficult,

you know, but, uh, riding a skateboard

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is to, I'll never forget the first time

dad said, no, I can ride that skateboard.

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That's no problem.

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Well, you can kind of imagine what

happened first time you stepped on it.

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I won't tell you that though.

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I don't, I don't want to

embarrass dad, you know?

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Okay.

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Let's take a little bit of titanium,

white and a little bit of pressure

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and blue and going to mix those

up, leave that kind of marble.

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Do you know, don't mix it too

much just about like that.

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Get a little roll on your knife and

then we'll put a little shadow behind

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these, just a little shadow, actually

the less blue years, the better.

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Leave a lot of those dark holes

showing through and use the

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small portion of your knife.

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If you'd like in those real small

areas, that'll keep you out of trouble.

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There we go.

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On general around general.

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I love to paint mountains.

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Uh, I'd say they're

about my favorite thing.

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And you know, as I've been

traveling around the country, I

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have seen so many different types

of mountains that I've never even.

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Thought of before.

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I mean, Oh gosh, it's

just, it's wonderful.

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All the new information I've picked up

between that and the people you meet,

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I'd say, you know, there's just no better

job than being a painting instructor.

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Okay.

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And I think for anybody that's

interested in working with people,

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it'd be a good idea to, to join the

program, you know, get involved.

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Become a teacher yourself,

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a little bit of snow

cap at the top of these.

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Okay.

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And then at the bottom of the mountain,

we'll just kind of touch it up a little

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with some mist, just tapping into the

paint, very gently, just like that.

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And then lift up into that pain,

lift up, lift up, pull out, pull

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out, pull out on that dark side.

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I'm used to that being a teacher,

you know, saying everything

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two or three times like that.

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So let's see here.

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Okay.

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It looks pretty close.

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Now I'll go in with a

few little foothills.

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Um, I'm just going to mix

this paint on my brush.

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We'll go into a little bit of SAP,

green, midnight, black alizarin

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Crimson, little pressure blue, and

get a little white on your brush.

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Here we go.

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My dirty debt, my white didn't.

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They.

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Okay now touch right into that

color and come in here and push

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down, push down, push down.

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There's a little one coming

from right back in here.

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I don't really know, to be

honest with you, I'm just making

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this one up as I go along.

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Just pull up a few little trees on

top and then we'll come in with the

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big brush and get rid of that bottom.

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Get rid of that lower area.

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I'll tell you a little secret.

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If you get rid of the bottom

edge of everything in the

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background and look further away.

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Remember that that's one of the

rules that really helped me.

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And, you know, as far as, uh, perspective

and contrast go, there were very easily

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explained, you know, in short, uh,

perspective tells us as things get closer,

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they get larger and contrast tells us as

things get closer, they get darker because

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they get further away from the sun.

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So see those rules are very simple.

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You don't have to make a whole book

out of one little thing like that.

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I try to keep things very

simple in my classes too,

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pound out the bottom of that foot Hill.

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Get rid of that bottom.

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Manage.

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See there.

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Now we got two foothills,

one in front of the other.

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If you want the back one lighter

and the front one darker.

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Can you just use more pain on the

front one and less on the back one?

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No problem.

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Okay.

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We're tired of goofing around here.

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Let's get serious.

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Let's take a little bit of the dark

color we just made and pound in a

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nice big foliage area right back here.

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Wow.

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Listen to that canvas.

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It sounds like a drum.

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Doesn't it.

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By the way I'm part Indian.

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I know I don't look like it, but

I'm a quarter Cherokee Indian,

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and I'm very proud of that fact.

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And I'll tell you what beaten

on this canvas kind of brings

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me back to that Indian thing.

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You know what sounds like a drum.

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Listen to that.

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Boom, boom, boom, boom.

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Isn't that crazy?

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You got to think a little

things like that though.

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When you're creating something,

Indians were very creative.

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Still are okay.

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Grabbing Paul grabbing pole,

grabbing pool to clean brush, and

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you'll get a reflection out of that.

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That's pretty simple.

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And it can just go across it

and it looks just like water.

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Okay, maybe back on these

trees, they're pretty far away.

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So let's just go with some

scratch in type trunks.

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Just scratch them in little wise, little V

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people will think you spent

hours going to all that work.

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We were really, we knew it

just took a few minutes.

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Or even seconds.

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Okay.

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Pull through your paint,

pull through your kid.

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Name yellow.

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You're going to need a drop,

a paint thinner in this.

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Just one little drop, because remember

thin paint sticks on top of thick paint.

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Maybe a touch, a fellow blue

in that to turn it green.

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Wow.

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That was a big touch.

255

00:14:34,025 --> 00:14:34,355

Wasn't it?

256

00:14:36,115 --> 00:14:36,925

Okie dokie.

257

00:14:40,105 --> 00:14:40,885

Very light.

258

00:14:40,915 --> 00:14:41,575

Very light.

259

00:14:48,400 --> 00:14:50,650

Oh man, we are really having fun.

260

00:14:50,650 --> 00:14:51,010

Now.

261

00:14:51,640 --> 00:14:55,780

I love highlighting trees and bushes,

so many different things can happen.

262

00:14:58,319 --> 00:14:58,949

Look at that.

263

00:15:05,505 --> 00:15:07,635

There ya go, Hey, let's change

that color a little bit.

264

00:15:07,635 --> 00:15:08,954

We're getting a lot of green in there.

265

00:15:09,375 --> 00:15:13,395

Let's go for a, I don't know, maybe a

little bit of Crimson in that same color

266

00:15:17,265 --> 00:15:20,204

cramps in green and yellow.

267

00:15:20,775 --> 00:15:24,824

Get that kind of an old Curry type color.

268

00:15:28,845 --> 00:15:29,045

Yeah.

269

00:15:29,045 --> 00:15:33,045

And if you want to make some grass, you

can just kinda pop that right in there.

270

00:15:34,155 --> 00:15:36,615

Just use the side of the brush,

same loading and everything.

271

00:15:36,615 --> 00:15:38,175

Just the side instead.

272

00:15:39,525 --> 00:15:40,065

Okay.

273

00:15:40,695 --> 00:15:43,065

And possibly a little

reflection in the water.

274

00:15:43,305 --> 00:15:44,925

That's easy enough just

to pull it right there.

275

00:15:44,945 --> 00:15:45,125

Yeah.

276

00:15:49,145 --> 00:15:53,165

And as with all reflections, you

want to go across that very gently.

277

00:15:53,705 --> 00:15:53,795

Okay.

278

00:15:55,260 --> 00:15:57,060

Soften that grass down just a little.

279

00:15:59,130 --> 00:15:59,670

There we go.

280

00:16:00,420 --> 00:16:00,720

Good.

281

00:16:02,400 --> 00:16:03,000

Okay.

282

00:16:03,530 --> 00:16:05,390

Maybe a little piece of

land underneath that.

283

00:16:05,870 --> 00:16:08,480

Uh, we'll go with a little bit

of Vandyke Brown on this part.

284

00:16:10,310 --> 00:16:13,220

Pull that pain out, get

a roll on your knife.

285

00:16:13,310 --> 00:16:16,610

And then you're ready to come

right up here and touch touch.

286

00:16:16,610 --> 00:16:19,190

Paul Paul, Paul, Paul to

the right pole to the right.

287

00:16:22,405 --> 00:16:26,005

It's about a a, Oh, heck I don't

know, 15 degree angle to the right.

288

00:16:26,065 --> 00:16:27,005

Let's get technical.

289

00:16:27,085 --> 00:16:30,675

Don't uh, no, really.

290

00:16:30,675 --> 00:16:32,925

I don't think of things that

way in degrees and stuff.

291

00:16:32,955 --> 00:16:37,005

I just trying to give you a little

bit more detailed instruction here.

292

00:16:37,395 --> 00:16:41,775

Let's see a little bit of titanium

white and the Brown together, and

293

00:16:41,775 --> 00:16:42,975

you can make a highlight color.

294

00:16:43,275 --> 00:16:45,585

Very, very light color.

295

00:16:45,865 --> 00:16:47,845

Well cross that it's

almost looks like snow

296

00:16:52,795 --> 00:16:53,905

and let's see

297

00:16:58,074 --> 00:17:06,645

how now, if you pull through your

paint and kind of push into it a

298

00:17:06,645 --> 00:17:10,305

little, you can come up here and make

some grass coming down on that land.

299

00:17:10,454 --> 00:17:11,295

Very simple.

300

00:17:14,150 --> 00:17:17,900

Don't be afraid to get thick areas

of paint on the canvas either.

301

00:17:18,590 --> 00:17:21,350

Uh, some, some people don't like

thick areas of paint, but I think

302

00:17:21,350 --> 00:17:22,550

they, they look really neat.

303

00:17:22,550 --> 00:17:28,340

They add texture to the painting, uh,

and they really make it poke out at you.

304

00:17:28,340 --> 00:17:30,050

Give it that three dimensional look.

305

00:17:32,100 --> 00:17:34,830

Pull down a little bit of your

dirt reflection and you have to

306

00:17:34,830 --> 00:17:36,389

reflect everything above the water.

307

00:17:36,750 --> 00:17:39,990

And remember when you're pulling the

reflections down, reflections are only

308

00:17:39,990 --> 00:17:41,669

as low as what's above them is high.

309

00:17:41,740 --> 00:17:41,899

Right?

310

00:17:46,189 --> 00:17:46,820

Okay.

311

00:17:46,850 --> 00:17:48,409

Just a touch of your liquid white.

312

00:17:49,610 --> 00:17:54,889

Spin that around on the pallet, just

like that real gentle touch through it.

313

00:17:55,770 --> 00:17:56,970

And let's make a waterline.

314

00:17:58,140 --> 00:18:00,810

This is where the water's kind

of bouncing off the shore.

315

00:18:04,190 --> 00:18:06,260

Apparently it's bouncing

quite a bit today to

316

00:18:09,440 --> 00:18:14,090

look at that maybe a little

bass jumped out here.

317

00:18:24,390 --> 00:18:25,140

That's not bad.

318

00:18:26,810 --> 00:18:28,730

Remember you got to keep

telling yourself these things.

319

00:18:29,480 --> 00:18:30,560

Tell yourself you're good.

320

00:18:31,700 --> 00:18:32,120

Okay.

321

00:18:32,780 --> 00:18:36,140

Pull through your paint like this,

pull through that Vandyke brand.

322

00:18:38,520 --> 00:18:40,920

And maybe we'll make a little go.

323

00:18:40,920 --> 00:18:41,400

I don't know.

324

00:18:41,490 --> 00:18:42,330

That'd be a little tree, right?

325

00:18:42,740 --> 00:18:43,730

Just a little tiny one.

326

00:18:43,730 --> 00:18:46,100

Just touch, touch, touch, touch, touch.

327

00:18:46,100 --> 00:18:48,830

I see a little, a little

dead thing back there.

328

00:18:49,710 --> 00:18:53,490

A little bit of the same highlight

you used on your land there.

329

00:18:53,490 --> 00:19:00,200

And we'll touch on that, touch on that,

just like that possibly has a lamb

330

00:19:00,200 --> 00:19:04,790

or two on it, a little bit of Vandyke

Brown and thinner on the liner brush.

331

00:19:05,660 --> 00:19:08,840

And we'll go up here and let's put

a couple of dead lambs on that.

332

00:19:08,960 --> 00:19:09,710

Oh boy.

333

00:19:10,490 --> 00:19:14,840

You know, you got to have a life

and death in nature and uh, you

334

00:19:14,840 --> 00:19:16,190

know, cause it shows reality.

335

00:19:17,550 --> 00:19:22,020

And plus those old nasty looking

dead things, make everything else

336

00:19:22,020 --> 00:19:23,940

look so beautiful in the painting.

337

00:19:24,810 --> 00:19:26,520

There's a place for everything.

338

00:19:26,550 --> 00:19:27,480

God made everything.

339

00:19:29,040 --> 00:19:30,420

So you have a place in this world.

340

00:19:31,860 --> 00:19:32,340

Okay.

341

00:19:33,150 --> 00:19:35,450

Let me just cover up his

little foot's down there.

342

00:19:35,480 --> 00:19:35,990

There we go.

343

00:19:36,010 --> 00:19:36,600

Get rid of that.

344

00:19:36,960 --> 00:19:37,470

Okay.

345

00:19:37,710 --> 00:19:38,790

It looks just like he's planted.

346

00:19:40,070 --> 00:19:40,670

Alrighty.

347

00:19:41,629 --> 00:19:42,590

Let's make a waterfall.

348

00:19:47,310 --> 00:19:51,880

Well, uh, let's see here, we'll go in with

a big brush, get a little bit of pressure.

349

00:19:51,890 --> 00:19:53,910

And then they load

blue, both on the brush.

350

00:19:54,540 --> 00:19:56,760

Very, very dark, full load of paint.

351

00:19:57,690 --> 00:20:01,290

And then we'll come in here and

about right here, pull down.

352

00:20:03,030 --> 00:20:04,650

So you got to make

sound effects like that.

353

00:20:05,070 --> 00:20:05,550

It won't work.

354

00:20:05,550 --> 00:20:09,440

If you don't make the

sound effects, there we go.

355

00:20:11,420 --> 00:20:13,460

Then a little bit of your liquid white.

356

00:20:13,875 --> 00:20:15,075

In titanium together.

357

00:20:15,975 --> 00:20:16,515

I'll tell you what.

358

00:20:16,515 --> 00:20:18,405

I barely have got a white area left here.

359

00:20:18,405 --> 00:20:19,125

I'm making a mess.

360

00:20:22,785 --> 00:20:23,445

Okay.

361

00:20:24,659 --> 00:20:29,850

Pull across and drop down in that

fun way to make splash water.

362

00:20:29,879 --> 00:20:34,230

Look at that comes right

over guns, right over.

363

00:20:36,340 --> 00:20:37,260

Do it fast.

364

00:20:37,440 --> 00:20:41,340

It looks good if you do

it fast, just like that.

365

00:20:45,210 --> 00:20:52,280

Pull in, then take the brush and pull the

top of that waterfall out, pull it out.

366

00:20:56,925 --> 00:20:57,435

Here we go.

367

00:21:00,255 --> 00:21:02,715

We'll just take a little bit of

Vandyke Brown and we'll start

368

00:21:02,715 --> 00:21:04,395

in on some cliffs on the sides.

369

00:21:06,705 --> 00:21:08,115

Just pull it right across.

370

00:21:10,860 --> 00:21:13,560

Remember, you're the creator here.

371

00:21:14,160 --> 00:21:20,790

Do you want to throw it in just like

you're actually creating a world,

372

00:21:21,750 --> 00:21:23,010

which is really what you're doing?

373

00:21:24,960 --> 00:21:27,990

No, there's very few times in life.

374

00:21:27,990 --> 00:21:31,830

You get to play with a

physician of serious power.

375

00:21:33,975 --> 00:21:37,815

Especially if you're me, cause I'll tell

you what my girlfriend she's rough on me.

376

00:21:40,175 --> 00:21:40,925

There you go.

377

00:21:42,695 --> 00:21:42,815

Yeah.

378

00:21:42,845 --> 00:21:45,575

Maybe a few highlights on that.

379

00:21:46,804 --> 00:21:49,895

I like I was saying, it feels

good to be able to know.

380

00:21:50,649 --> 00:21:55,300

Heck, I'm doing all this, myself,

creating it all on my own.

381

00:21:55,419 --> 00:21:57,699

If I want this or that

there, I can put it in.

382

00:21:58,270 --> 00:22:00,370

If I don't like something,

I can take it away.

383

00:22:03,689 --> 00:22:04,350

Here we go.

384

00:22:04,620 --> 00:22:06,000

Maybe there's one down here too.

385

00:22:08,970 --> 00:22:09,210

Okay.

386

00:22:09,210 --> 00:22:13,950

You want to wipe your fan brush out before

you do this, but you want to grab and

387

00:22:13,950 --> 00:22:19,560

pull down, pull down, pull down that makes

these look like little plateaus back in

388

00:22:23,060 --> 00:22:23,750

there we go

389

00:22:27,080 --> 00:22:29,660

pull in towards the center

and towards the center.

390

00:22:30,260 --> 00:22:30,670

Here we go.

391

00:22:31,810 --> 00:22:34,660

And while we're at it, let's add a

little bit of dark paint down here at

392

00:22:34,660 --> 00:22:39,880

the bottom, super dark chop off the

sides of that waterfall down there.

393

00:22:44,290 --> 00:22:45,040

Okay.

394

00:22:45,460 --> 00:22:49,270

We could probably have, I don't know,

a big tree on the left-hand side.

395

00:22:49,270 --> 00:22:51,250

Maybe I like big trees.

396

00:22:56,110 --> 00:22:59,080

Just mix up your green,

Brown, and blue again.

397

00:22:59,435 --> 00:23:02,345

Touch then let's just

smash it right in here.

398

00:23:03,095 --> 00:23:04,985

We are certainly not messing around here.

399

00:23:06,125 --> 00:23:11,825

We're crashing in trees and mountains

and bushes because we're powerful.

400

00:23:12,365 --> 00:23:13,475

We can do anything we want.

401

00:23:19,590 --> 00:23:21,480

Yeah, get that land out there.

402

00:23:21,750 --> 00:23:22,320

Look at that.

403

00:23:23,190 --> 00:23:25,170

A lot of this is brush manipulation.

404

00:23:25,380 --> 00:23:29,100

You're just forcing that brush

to make the shape that you want.

405

00:23:29,810 --> 00:23:34,260

You know, after a while the equipment

actually becomes like a shifter in your

406

00:23:34,260 --> 00:23:39,630

car, you know, you just, it's an extension

of your body, just like anything else.

407

00:23:41,550 --> 00:23:42,360

And maybe there's a.

408

00:23:42,775 --> 00:23:44,245

Small little tree over here.

409

00:23:47,605 --> 00:23:48,235

Oh boy.

410

00:23:48,265 --> 00:23:49,885

That one looks like it had a hard year.

411

00:23:50,005 --> 00:23:50,725

Look at that.

412

00:23:50,995 --> 00:23:54,085

She was maybe a Bush or two.

413

00:23:57,325 --> 00:23:57,925

There we go.

414

00:23:59,425 --> 00:24:01,975

Now a few little highlights

on these trees and bushes.

415

00:24:16,155 --> 00:24:18,375

Not too much highlight on

your evergreen trees though.

416

00:24:18,375 --> 00:24:20,595

Cause you know, they're very,

very dark in the forest.

417

00:24:21,045 --> 00:24:21,915

Very dark.

418

00:24:27,790 --> 00:24:30,820

Maybe this Brooke Bush got hit

by the sunlight just to touch

419

00:24:30,820 --> 00:24:32,890

on the sides, just a touch.

420

00:24:36,010 --> 00:24:37,540

Well, grass down under their foots.

421

00:24:37,540 --> 00:24:40,870

They're throwing you

make them sound effects.

422

00:24:42,105 --> 00:24:42,504

Okay.

423

00:24:42,575 --> 00:24:46,745

And as a final step in this painting,

I believe all add a little bit of foam

424

00:24:48,095 --> 00:24:51,925

touch into your paint, just white and

titanium white together, like with

425

00:24:51,925 --> 00:24:55,014

white and Titanic push right in there.

426

00:24:55,975 --> 00:24:58,375

Look at those splashes

coming up in that waterfall.

427

00:24:59,065 --> 00:24:59,754

That's exciting.

428

00:24:59,754 --> 00:25:02,155

And that makes you feel good.

429

00:25:09,305 --> 00:25:09,835

Maybe.

430

00:25:10,465 --> 00:25:16,405

We'll come in with a little, a

little piece of root, if you can

431

00:25:16,405 --> 00:25:20,995

believe that hanging off this land

edge where the water washed away.

432

00:25:23,665 --> 00:25:24,294

Okay.

433

00:25:25,375 --> 00:25:26,544

I think that's it for that one.

434

00:25:27,145 --> 00:25:30,534

Uh, thank you very much, Dan, for

having me on the show and thank you for

435

00:25:30,534 --> 00:25:32,125

watching me and we'll see you next time.

End .srt file.

Bob Ross' The Joy of Painting

Thursday, December 31, 2020

S29E06 - Mountain Lake Falls

Bob Ross's

The Joy of Painting

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