Bob Ross's

The Joy of Painting

S28E03 - Under Pastel Skies

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Nice.

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I'm so glad you could join me today.

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I've got a couple more little

friends here, a couple of

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little baby squirrels today.

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I have a little gray squirrel right here.

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This is a little gray squirrel

and the other one's a Fox girl.

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They're just little babies.

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Well, three or four weeks old.

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Aren't they precious though?

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I just adore these little critters.

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I just thought I'd share them with

you before we get started here.

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Hi guy.

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How you fellers doing today?

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They are something else.

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There they are absolutely precious.

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As you notice though, the Fox squirrel

is much larger than the little

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gray squirrel and that's the same

way there'll be when they grow up.

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Okay.

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I guess we have to go to work guys.

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Hey, you ready to go to work?

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Okay.

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Tell you what let's start out and have

them run all the colors across the

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screen that you need to paint along

with me while they're doing that.

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And I'll set these little fellows down.

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Kim moon.

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You ready to go?

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He didn't.

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He precious.

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Yeah, you got to go now

time for me to go to work.

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Alrighty, let's go right up

here and let me show you what

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I've already done on the canvas.

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So we can just, we'll do

fantastic little painting today.

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I have my standard old pre-stretch

double prime canvas and I've

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covered the entire canvas with a

very thin coat of the liquid white.

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So it's wet and it's all

slick and it's ready to go.

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And so.

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Let's just have fun today.

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Let's start out today with a

little bit of Indian yellow.

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Let's just do a painting.

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That's fun.

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We'll take a little Indian, yellow,

and just go up here and make little

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crisscross strokes and start like, so

the Indian yellow, as with every color

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we use is mixing with the liquid white

and it allows us to literally blend

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color right on the canvas, maybe a little

yellow ochre, right on top of that.

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Right in there, something like that.

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All there is to it, but these little

crisscross strokes make it much easier to

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blend color together, then making stripes.

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So just use little crisscross strokes.

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Maybe, maybe we'll use a little.

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Alizarin Crimson.

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We'll just use some warm colors back here

in the background, alizarin Crimson stuff.

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Beautiful, beautiful, warm, reddish

color there about like Kevin, we

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just let that and blend radiance.

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Just allow the colors to blend together.

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All right.

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Now I think we can get away with it.

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I asked you into a little

bit of fellow blue.

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The blue blue is so much stronger

than the Crimson that we won't

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even have to clean the brush.

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We can just go right into

it and let's go up in here.

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Let's start on the very top

making little, little crisscross

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strokes, again, little exes.

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And we'll paint the entire remainder of

the sky with a little bit of blue chest.

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Bring it, bring it down

to the Crimson and stop.

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Once again, the blue is so

much stronger than the Crimson.

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It'll just eat up all the Crimson

in your world there, maybe

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in our world here and there.

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Here's a little stringy

cloud that lives out here.

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So just tap in a little cloud

shape wherever you want.

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It doesn't much matter.

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The little clouds are free.

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They just float around.

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Have a good time.

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Maybe shoot.

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Maybe there's a little bit right there.

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I don't know.

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You make the decision now we'll

take a clean, dry brush and we

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just blend all this together.

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Very gently three hairs and some air

just blend it together and that easy.

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We have a fantastic little sky.

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We have that brush and it's

got a little blue on it.

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Let's just take, maybe we'll have

a little water down here and again,

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maybe we won't, but let's just put a

little blue in to see what happens.

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Cause we don't care.

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As you know, we don't make mistakes.

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We used to have happy accidents, anything

that happens here, we can live with it.

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We don't care.

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That's the beauty of

this or the joy of it.

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That's all we're looking for.

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All right.

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Now I get to clean a brush.

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That's really the most fun

part of the whole technique.

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Chest, shake off the excess

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and beat the devil out of it.

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It really is fun.

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I have people that write and say

they have no desire to ever paint,

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but they've just went out and bought

them a brush so they can beat it.

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Cause it makes them feel better, less.

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And there's nothing wrong with that.

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Let's take a little black, a little

bit of blue and I'll be right back.

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Get a little white, mix it together.

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I'm looking for.

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A light color, predominantly blue,

maybe even a little lighter that's

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our world so we can make it any shade.

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We want cut off a little

roll of paint about like yet.

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And maybe we back in here lives just a

little Hill, a little mountain, far away.

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Quiet little mountain.

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He just, he just hangs around back

here and has a good time all day.

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They're not like it.

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We can take a two inch brush, grab

that color and pull it, pull it

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down because that canvas is wet.

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You can move color here.

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Can make it move.

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Just tap it on.

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I want to miss the base this just right

on the, add a little weight to it.

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I want it to be very

soft, very, very soft.

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It's like a sort of floating

around in the midst far away.

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That's about all we're

looking for in that one.

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Maybe, maybe there's

several different planes.

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I like, I like a lot of distance in

painting, so I have a lot of planes

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in the paintings there let's take

Prussian blue, some black lizard

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Crimson, a little van Dyke in there too.

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A little band-aid brand.

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Didn't matter about like it, pull it

out flat, get our little roll of paint.

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And maybe right under here somewhere.

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Maybe there's a little mountain

that lives right there.

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Just to just a nice little mountain,

a little friendly guy there.

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See, I didn't know, face it shape.

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We're only concerned with

the topic we could cure less.

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What's happening anywhere

else in this mountain.

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Once again, grab our two

inch brush and pull that.

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I want it to just disappear over

there in the midst somewhere.

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We don't even know where it goes.

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I don't think we care.

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It doesn't matter in our

world where it goes there now.

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Let's take a little titanium white.

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I'm going to put the least

little touch, a bright red in it.

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Since there's some pink in the

sky, maybe as a hint of pink in our

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mountain color, a little roller paint.

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Let's go up in here and touch.

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No pressure, no pressure, no

pressure, no pressure at all.

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Just let it float.

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Let it float and play very gently.

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Very, very gently.

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Now then a little bit over

white blue mixed together.

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I mean, he was a little bit of.

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They love blue in there, a little

black in it, little tiny roller paint

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come back in here, but the indication

of a few little shadows on these

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little mountains that live back here,

that's about all we're looking for.

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Make sure it brushes clean dry.

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Now I want to Crete mist down at

the base, a tap, tap the mountain,

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following the angles most important

that you follow those angles

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that you put in there over here.

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Follow this direction now.

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Very lightly, just graze.

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It lifted, lifted that takes

out all the little tap marks.

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Flynns everything together.

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And that easy, that easy.

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Oh, we have less than let's have some fun.

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I'll take the fan brush, put a

little, same little blue color on it.

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Just a little backup in here.

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Maybe it's the base of our mountain.

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Just touch, just touch like that.

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We don't know where it goes.

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Now.

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Snap it up by that touch.

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Just to give it a quick

little upward lift.

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A lot of that and a little downward pull,

started to say a downward lift, but I

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guess that's a contradiction of words

and very lightly go across the bottom.

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I'll make it a little bit

darker right at the base.

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So it stands out.

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Oh yeah.

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That's better.

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That's better.

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Yeah.

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A little liquid white on the knife.

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Pull it up flat on, put a

little bright red in that too.

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Just enough.

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Just enough to give it

a little pinkish hue.

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If you look real close, I have

to really look forward to them.

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I want a little water line of

far away, far, far away there.

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Something about like there.

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All right.

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Let's build a big mountain shoot.

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Going back to that dark color, we

had pull the paint out flat and

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once again, our literal of paint

lives right on the edge here.

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And let's come right up in here.

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Let's get a, see a bravery test.

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Maybe what the heck?

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There's a big mountain.

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He lives, maybe he's

got an old jacket arm.

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It sticks out like mountains, girl

ever, which way I have fun with him.

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They're one of the most interesting

and fun things to paint.

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I think in this whole tech, okay.

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Hundreds of mountains and the

mini shows that we've made and,

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you know, people still write

and say, do more mountains, Bob.

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I like the mountains.

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My favorite.

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Fair.

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But any of these paintings that we do

here, if you don't want the mountains,

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leave them out, you can do the painting

without having a mountain in it.

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It's no big deal.

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You can do anything here in the

thing that you want to do right here.

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This truly is your world.

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Yeah, I'm just blending that out again.

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Like, so maybe let's get crazy.

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Maybe this.

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Yeah.

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Why not?

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Why not just use that mountain color?

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Maybe it just comes right across

and there's a little Lake.

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It lives way back over there, somewhere.

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Lift up, make it look like

little, little trees right there.

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See, see, I see.

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Easy, you can do this.

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You can do this.

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You do not have to be blessed

by Michelangelo at birth to

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be a pretty good painter.

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You can do this.

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Maybe let's get crazier

maybe in our world.

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Maybe there's another little pond here.

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Like, if you want something like

it, I ain't going to do is pull

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straight down with a little bit

of color and then go across just

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enough to give it a watery sheen.

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Sometimes you can take

a little bit of white.

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Don't do this too much.

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So just a little and put a little,

like a little shine on the water.

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Easy, not too much.

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Just enough to give it up.

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Keep it a nice shimmer.

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You can overdue can overdue

easy because it gets good.

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And you don't want to stop

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with waterline right there.

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We'll just have to decide

where all these things live.

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Okay.

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We need some, we need some

highlights on this mountain.

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Doesn't matter.

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We just use whatever color we get going

here, there, big mountain strong mountain,

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wanting to have a lot of character.

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We don't like wimpy little

mountains, big mountains.

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Of course.

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Sometimes we paint little

with the mountains.

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It's all right.

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Any kind that you want in your world.

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Nope.

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I know you get tired of hearing me

say that, but over and over and over

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again, I get letters from people saying

that I'm having trouble making, making

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the snow break on the mountain here.

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Normally it's one of two

things you're applying too much

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pressure or you're using a paint.

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That's not thick enough to you.

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What?

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Let's have a little shadow back here.

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You need a very dry, dry paint.

255

00:13:59,490 --> 00:14:01,110

I can't say that enough times either.

256

00:14:02,280 --> 00:14:03,240

It's most important.

257

00:14:03,390 --> 00:14:07,680

It really does make a difference there.

258

00:14:07,740 --> 00:14:09,290

Maybe look here, look here.

259

00:14:09,360 --> 00:14:09,690

Watch.

260

00:14:10,440 --> 00:14:12,690

Maybe there's a little right there.

261

00:14:13,290 --> 00:14:13,770

I don't know.

262

00:14:15,209 --> 00:14:21,209

You decide little place for the mountain

goat to walk around the mountain there.

263

00:14:22,230 --> 00:14:23,250

He needs a little place.

264

00:14:23,250 --> 00:14:24,420

Like it don't laugh.

265

00:14:25,290 --> 00:14:25,800

Yeah.

266

00:14:28,260 --> 00:14:31,579

He likes to go on a loose Sunday

hike come around the mountain.

267

00:14:31,620 --> 00:14:35,850

See what's on the other side there.

268

00:14:36,300 --> 00:14:41,100

And just begin playing with highlights

and shadows admins, wherever.

269

00:14:42,645 --> 00:14:44,535

Where ever you think they should be?

270

00:14:46,245 --> 00:14:47,564

There's one right there.

271

00:14:47,655 --> 00:14:49,995

See, I'm putting a shadow

in, it, pops out up.

272

00:14:50,025 --> 00:14:52,275

Makes it look big strong.

273

00:14:53,355 --> 00:14:53,865

All right.

274

00:14:55,275 --> 00:14:57,314

Let's take two inch brush.

275

00:14:57,495 --> 00:15:02,055

And once again, once again, I want

to create the illusion of miss

276

00:15:02,064 --> 00:15:07,635

down here just by tapping there.

277

00:15:10,245 --> 00:15:10,814

Maybe.

278

00:15:12,765 --> 00:15:15,735

Yeah, there we go.

279

00:15:16,125 --> 00:15:18,225

Maybe there's a little

tree limbs right down here.

280

00:15:19,205 --> 00:15:23,425

Oh, little forest lives, right at

the edge of this mountain comes down.

281

00:15:23,485 --> 00:15:24,245

Do this in layers.

282

00:15:24,245 --> 00:15:29,135

If you want to put like likers little,

little tree ranges and then maybe.

283

00:15:30,780 --> 00:15:37,950

Maybe it comes right on down my cat,

whatever you come back at another

284

00:15:37,950 --> 00:15:43,050

range in, but say you can just go on

and on and on and create all kinds

285

00:15:43,050 --> 00:15:44,700

of depth and distance in your world.

286

00:15:45,840 --> 00:15:47,610

That's what makes it so fantastic.

287

00:15:48,150 --> 00:15:49,380

There are no limits to this.

288

00:15:50,920 --> 00:15:53,500

There absolutely no limits.

289

00:15:54,220 --> 00:15:59,470

You're limited only by your imagination

and your willingness to practice.

290

00:16:01,065 --> 00:16:03,015

Recently in Daytona beach, Florida.

291

00:16:03,015 --> 00:16:07,065

We had a reunion of all of our

instructors and over 150 instructors.

292

00:16:07,085 --> 00:16:10,055

I just came from all over the

world, all over the world.

293

00:16:11,765 --> 00:16:17,195

Even, even my first certified

Japanese instructor, Mitsuko came

294

00:16:17,225 --> 00:16:19,685

all the way from Japan to be with us.

295

00:16:20,975 --> 00:16:23,585

We have people from Puerto Rico, Canada.

296

00:16:24,870 --> 00:16:26,520

Oh, the joy painting is universal.

297

00:16:26,550 --> 00:16:30,319

Isn't it all right now.

298

00:16:32,270 --> 00:16:33,530

But we spent a whole week.

299

00:16:33,560 --> 00:16:36,740

They tell him the beach we painted

together and we had a good time.

300

00:16:37,730 --> 00:16:38,660

Well, we had a lot of fun.

301

00:16:40,100 --> 00:16:44,000

And then we went to, we went to

new Smyrna beach and all of our

302

00:16:44,000 --> 00:16:45,410

instructors went out and painted.

303

00:16:45,439 --> 00:16:46,730

The public was invited.

304

00:16:47,360 --> 00:16:49,460

We spent a whole day out

in the park painting.

305

00:16:49,460 --> 00:16:50,630

We all got sunburned.

306

00:16:50,780 --> 00:16:52,449

Even my ball spot on top of my head.

307

00:16:52,460 --> 00:16:53,000

Get burned.

308

00:16:54,915 --> 00:16:56,564

There, but we had, we had a lot of fun.

309

00:16:58,875 --> 00:16:59,594

Okay.

310

00:16:59,745 --> 00:17:02,444

I'm just wiping the knife

on a paper towel here.

311

00:17:04,724 --> 00:17:11,175

Let's take Prussian blue,

black, Brown alizarin, Crimson,

312

00:17:11,415 --> 00:17:12,974

and throw in some SAP green.

313

00:17:13,665 --> 00:17:16,665

While we got a conglomeration going there.

314

00:17:17,534 --> 00:17:20,355

All the dark colors, basically

let me wipe off the whole knife.

315

00:17:22,694 --> 00:17:24,464

Do you know me too.

316

00:17:24,525 --> 00:17:25,335

I like him trees.

317

00:17:25,335 --> 00:17:28,395

Let's do a tree, use a fan

brush, loaded, full of color.

318

00:17:28,605 --> 00:17:31,685

A lot of it paint a lot of pain.

319

00:17:32,375 --> 00:17:35,105

My little squirrels had to have

a tree to live in, so let's

320

00:17:35,105 --> 00:17:38,225

give them one right there.

321

00:17:40,415 --> 00:17:43,325

There it comes a tree

lives in your fan brush.

322

00:17:44,615 --> 00:17:45,485

They're there.

323

00:17:45,725 --> 00:17:47,254

Just let them pop right out.

324

00:17:48,525 --> 00:17:50,395

Let him pop right out a little more paint.

325

00:17:50,415 --> 00:17:53,895

And when you're going over, like

here, where there's a lot of pain

326

00:17:53,895 --> 00:17:59,115

already on the canvas, you may have

to put a little, a little, not much

327

00:17:59,145 --> 00:18:05,325

a little bit of paint center on

your brush and go through the paint

328

00:18:05,685 --> 00:18:08,295

costs, our golden rule, a thin paint.

329

00:18:09,435 --> 00:18:10,695

We'll stick to a thick paint.

330

00:18:11,115 --> 00:18:13,395

So if you thin this, you can go

right over the top of the other

331

00:18:14,085 --> 00:18:15,675

without it mixing totally together.

332

00:18:17,265 --> 00:18:20,805

And you know, if you don't mix those

together, you end up, he ended up being

333

00:18:20,805 --> 00:18:23,085

a mud mixer and all of us who've painted.

334

00:18:24,060 --> 00:18:26,610

I have mixed a little bit of mud there.

335

00:18:27,960 --> 00:18:29,370

I'm covering up most of my mountain here.

336

00:18:29,370 --> 00:18:36,180

It didn't mean to do all that, but doesn't

matter one more, one more little tree.

337

00:18:36,210 --> 00:18:37,020

Let's right out here.

338

00:18:39,020 --> 00:18:44,630

Whatever I tell you, maybe

I know, I know, I know.

339

00:18:44,790 --> 00:18:45,050

I know.

340

00:18:45,230 --> 00:18:46,430

Sometimes we get crazy here.

341

00:18:47,570 --> 00:18:48,920

Maybe, maybe, maybe.

342

00:18:50,460 --> 00:18:53,940

Maybe this is a, maybe

we're a PI looking down.

343

00:18:55,380 --> 00:18:57,450

Let's take some of it and pull it over.

344

00:18:59,100 --> 00:19:00,810

There's another point, maybe it comes.

345

00:19:00,960 --> 00:19:01,950

Maybe it comes all the way around.

346

00:19:02,010 --> 00:19:02,430

I don't know.

347

00:19:03,090 --> 00:19:07,350

Just pick up some of

that tree color there.

348

00:19:09,150 --> 00:19:10,170

Let's just fill this in.

349

00:19:10,170 --> 00:19:12,210

You could do this with a paint

roll or it doesn't matter.

350

00:19:13,225 --> 00:19:17,054

Really doesn't matter, but

it's a super way to practice.

351

00:19:17,054 --> 00:19:18,284

Do it, do it this way.

352

00:19:18,314 --> 00:19:21,314

And you get a little practice there.

353

00:19:21,465 --> 00:19:21,975

Don't waste it.

354

00:19:22,034 --> 00:19:23,084

Don't waste your strokes.

355

00:19:24,435 --> 00:19:24,915

Here we are.

356

00:19:26,685 --> 00:19:26,925

Yeah.

357

00:19:28,004 --> 00:19:28,695

Let's take that brush.

358

00:19:28,695 --> 00:19:30,485

We made the trees with

the color still on it.

359

00:19:30,495 --> 00:19:34,094

I'm go right through CAD yellow,

yellow ochre, little Indian, yellow.

360

00:19:35,905 --> 00:19:38,635

And because it has blue and black

will be touched at the yellow.

361

00:19:38,665 --> 00:19:39,475

We get green.

362

00:19:39,775 --> 00:19:44,005

Let's go back up in here and let's put

some highlights right on our trees,

363

00:19:44,035 --> 00:19:52,165

or they go to make a little noises

some over here, just a few, just a

364

00:19:52,165 --> 00:19:57,615

few big tree needs, something too big.

365

00:19:57,615 --> 00:20:02,895

Old tree needs something there

a little bit back in here too.

366

00:20:03,855 --> 00:20:05,145

Just some indications.

367

00:20:06,615 --> 00:20:10,845

Now I know changed my mind.

368

00:20:11,835 --> 00:20:13,995

You can do that true world.

369

00:20:14,805 --> 00:20:17,325

Take a little dark sand, a little

van Dyke Brown mixing together.

370

00:20:19,200 --> 00:20:21,149

We need some big rocks

and live back in here.

371

00:20:21,750 --> 00:20:26,139

So we'll just put some little doers

in here like that, where we want to

372

00:20:27,300 --> 00:20:32,610

take a little white with a little bit

of that Brown who was using it, mix it

373

00:20:32,610 --> 00:20:36,000

together and make a little highlight

color and barely touch, barely touch

374

00:20:36,179 --> 00:20:38,010

white and Brown or Brown and white.

375

00:20:39,389 --> 00:20:42,629

This will put grass over the top and some

of these will show through and it'll look

376

00:20:42,629 --> 00:20:44,070

like the little rocks that live out here.

377

00:20:47,475 --> 00:20:48,135

Okay.

378

00:20:49,445 --> 00:20:54,425

Use a two inch brush tap right into

a little at the same color, just

379

00:20:54,425 --> 00:20:57,485

SAP, green, yellow, all those colors.

380

00:20:58,055 --> 00:21:02,435

And let's just begin tapping

in the indication of all

381

00:21:02,435 --> 00:21:03,695

kinds of little land areas.

382

00:21:04,025 --> 00:21:05,675

Have them come hanging

right over these rocks.

383

00:21:05,675 --> 00:21:07,835

If we don't have rocks here,

just let them hang right over.

384

00:21:09,240 --> 00:21:14,970

Um, I can read over, but this is where you

create the lay of the land or the, the way

385

00:21:14,970 --> 00:21:23,730

the, the land flows sometimes that see,

maybe it comes right on down, out like it,

386

00:21:23,910 --> 00:21:25,410

and it creates a whole different plane.

387

00:21:26,790 --> 00:21:31,740

Now little rabbit can hide down in

there and look over at us there.

388

00:21:33,480 --> 00:21:37,110

All right there.

389

00:21:37,410 --> 00:21:38,310

Just tap them.

390

00:21:38,580 --> 00:21:39,690

Don't let the brush slide.

391

00:21:39,750 --> 00:21:40,360

Just tap.

392

00:21:41,760 --> 00:21:45,150

Just tap there.

393

00:21:45,270 --> 00:21:47,460

Isn't not a super way of

making little grassy areas.

394

00:21:47,670 --> 00:21:48,420

I like it a lot.

395

00:21:49,590 --> 00:21:51,570

I like it a lot there.

396

00:21:51,810 --> 00:21:52,170

Maybe.

397

00:21:52,500 --> 00:21:53,640

Yeah, come try it over.

398

00:21:54,810 --> 00:21:56,610

Don't touch the bright red nine then too.

399

00:21:57,730 --> 00:21:58,380

Not much break.

400

00:21:58,830 --> 00:22:02,670

Just enough to do all the color,

a little bit red and green,

401

00:22:02,670 --> 00:22:06,450

make Brown sweet Dawes there.

402

00:22:06,510 --> 00:22:10,980

Let's see there all kinds of little

doers, but now the little rocks

403

00:22:11,040 --> 00:22:12,300

still look like they're in there.

404

00:22:15,135 --> 00:22:18,635

That's all there is to, but then

you can put little highlights.

405

00:22:18,635 --> 00:22:23,645

Sometimes I dip the brush into a very

small amount of liquid white, because

406

00:22:23,645 --> 00:22:27,064

that it brightens the, it brightens

the color and it makes it thinner.

407

00:22:27,064 --> 00:22:28,804

So it'll stick right over the top.

408

00:22:29,225 --> 00:22:30,665

See that little Ridge

of paint right there.

409

00:22:30,784 --> 00:22:33,995

We're pushing there's one,

just like it on the brush.

410

00:22:35,014 --> 00:22:36,425

So try to get that.

411

00:22:36,425 --> 00:22:38,435

And that will go up here and

use that little Ridge of paint.

412

00:22:39,155 --> 00:22:41,945

Maybe our lights coming through here,

and we want to sparkle that edge.

413

00:22:42,535 --> 00:22:47,955

See, you can sparkle little parts

of it, but don't sparkle it off.

414

00:22:49,095 --> 00:22:56,385

If you sparkle it all, then it loses

it loses its sharpness too much.

415

00:22:56,895 --> 00:23:00,105

Just little, just think we're light

would zing through there and play.

416

00:23:01,650 --> 00:23:06,120

Sometimes I even, I even take maybe a

little bit of pure white and put on there

417

00:23:07,170 --> 00:23:08,880

just to brighten it, but not very often.

418

00:23:09,540 --> 00:23:12,510

I can't light singing through there.

419

00:23:12,510 --> 00:23:16,980

Maybe over here to be a little

brighter, to just play with it.

420

00:23:16,980 --> 00:23:17,430

Like it.

421

00:23:19,355 --> 00:23:21,065

But this is a very nice little painting.

422

00:23:21,065 --> 00:23:21,845

It's very easy.

423

00:23:21,875 --> 00:23:24,365

It gives you a lot of practice

with, with just about all the

424

00:23:24,365 --> 00:23:25,805

equipment you get to do mountains.

425

00:23:25,805 --> 00:23:28,504

You get to do all of the little foothills.

426

00:23:29,435 --> 00:23:33,095

And if there's a secret to this

style of paint or any style of

427

00:23:33,095 --> 00:23:34,175

paint he had, doesn't matter.

428

00:23:34,925 --> 00:23:34,985

Yeah.

429

00:23:35,065 --> 00:23:35,875

Just practice.

430

00:23:37,105 --> 00:23:37,615

That's all.

431

00:23:37,735 --> 00:23:38,514

Just practice.

432

00:23:40,375 --> 00:23:42,325

The more you pray, just

the easier it becomes.

433

00:23:42,325 --> 00:23:43,045

So you can lift up.

434

00:23:43,075 --> 00:23:45,264

I could look like some little

grassy areas back in there.

435

00:23:46,860 --> 00:23:48,030

Wherever you want.

436

00:23:49,159 --> 00:23:49,620

Shoot.

437

00:23:50,490 --> 00:23:51,479

I think that's about it.

438

00:23:53,010 --> 00:23:54,270

It makes a pretty nice little painting.

439

00:23:54,300 --> 00:23:55,139

Let's sign this one.

440

00:23:56,729 --> 00:23:58,800

Let's take a little paint thinner.

441

00:24:00,600 --> 00:24:05,159

I use bright red, but you use any

color you want, see, see out then.

442

00:24:05,159 --> 00:24:06,870

That is, it's almost like.

443

00:24:07,395 --> 00:24:09,225

Ink turn the bristles.

444

00:24:09,435 --> 00:24:12,375

I'm still getting a lot of letters

saying I'm having trouble signing the

445

00:24:12,375 --> 00:24:13,635

painting, making the paint thinner.

446

00:24:14,195 --> 00:24:15,605

It's almost like ink.

447

00:24:16,505 --> 00:24:19,655

A lot of paint let's go up in here,

decide where you want to sign the

448

00:24:19,655 --> 00:24:21,575

painting and all you have to do.

449

00:24:21,575 --> 00:24:25,085

Then if the paint's thin enough,

it will literally just flow right

450

00:24:25,175 --> 00:24:26,495

over top of the other paint.

451

00:24:28,710 --> 00:24:31,340

And I'm lucky I have a very short

name, so it didn't take, but a second.

452

00:24:31,430 --> 00:24:31,640

Okay.

453

00:24:33,440 --> 00:24:34,280

And that's about all you have.

454

00:24:35,540 --> 00:24:39,320

I really hope you've enjoyed not only

this painting, but seeing my little

455

00:24:39,320 --> 00:24:43,280

squirrels, as I say, I had both the, a

little gray squirrel and a Fox squirrel.

456

00:24:43,280 --> 00:24:44,720

So you could see the

difference between them.

457

00:24:45,410 --> 00:24:48,560

So from my little squirrel friends

and everybody here at the studio,

458

00:24:48,590 --> 00:24:52,550

we'd like to wish you happy

painting, and God bless my friend.

End .srt file.

Bob Ross' The Joy of Painting

Thursday, December 31, 2020

S28E03 - Under Pastel Skies

Bob Ross's

The Joy of Painting

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