Bob Ross's

The Joy of Painting

S27E09 - Island Paradise

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Hi, welcome back.

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Certainly glad to see you today.

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I thought maybe today we just

do a fantastic little seascapes,

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very easy, and you can do it.

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Let's start out having run all

the colors across the screen

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there that you need to paint along

with us while they're doing that.

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Let me show you what I've got done.

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I thought today I'd put the

little seascape in an oval.

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So we have a piece of contact

paper here that just cut an oval

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out of stuck it on the canvas.

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And that took some black

Jesso in paying the bottom.

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The top I painted with gray Jesso.

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And as you can see, I

didn't do a very good job.

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It doesn't matter.

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Just sort of bring them together.

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Uh, then I've covered the

entire thing with liquid clear.

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And on the bottom here, I've put a little

bit of fellow blue and fellow green,

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the little blue and yellow, green, red

across here, and right down here, I will

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have a little beach if it comes out.

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Right.

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So I'll put a little Brown,

little Vandyke Brown right there.

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Now Vandyke Brown is not a transparent

color it's semi-transparent,

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but it's transparent enough

for what we're doing here.

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So let's have some fun today.

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I want to start out today with a little

Indian, yellow, just a very small amount.

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I use the Indian yellow,

because it's very transparent.

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So.

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Let's go right up in here and let's

just put a little bit the end in

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yellow, right up here in the sky.

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Something about like it

ride over the gray Jesso.

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It will come right down to the water.

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It doesn't matter if a

little bit gets on the water.

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No big deal, no big deal.

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We don't care.

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This is just a fun painting.

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So you already enjoy it out like that.

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Maybe, maybe a little yellow ochre now.

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Yellow ochre is not quite as transparent.

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So we'll put it right in here.

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I thought we'd make a painting.

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That's very bright, very shiny

has a lot of color in it.

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Something that if you hang it in the room,

it'll just brighten the room right up.

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I like paintings like that.

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There we go.

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Okay.

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All we're doing here is just basically

putting a, a glaze on the canvas.

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Just a little transparent

or semi-transparent color

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right over the grade.

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Yes.

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So now that I'm going to begin working

with opaque colors and opaque colors,

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I just made you can't see through them.

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White is very opaque.

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So I'm gonna take a little of that and

go right in here and just begin blending.

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Just begin blending.

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Now that's going to pick up

the yellow that's on the canvas

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and blend right together.

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We're just going to make a

nice little shiny spot there.

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Like, like that's where

our light's coming from.

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That's exactly what I'm looking for.

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You play with opaque and transparent

color and you can make all kinds of

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gorgeous effects there like that.

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I'm gonna take the least,

least, little touch, least

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little touch of the bright red.

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I said Lisa several times because

bright red is a very strong color.

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Careful with it.

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Eat up your whole world.

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Your whole world, but it is gorgeous.

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And see the transparency of it

allows that Jesso to show through.

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So any little thing had happened there,

it comes right out into your world.

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It's okay.

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Works works.

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Well.

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You just started jumping around

from place to place here.

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Put in a few little things.

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I can, I'm gonna make a little lavender

color on some lavender for that halo blue

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and the lizard Crimson proportionately.

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Many times more Crimson

than blue at blue is strong.

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Crimson is weak.

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Now you can't tell what color that is.

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Just looks black.

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So you take a little white and

put it with some and say, Hm.

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Do you like it?

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No, I don't change it up a

little more Crimson in it.

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Cause this is our world and we

can change it any way we want it.

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Yeah.

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I like that better.

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It's a little more to the reddish

side and that's what I'm looking for.

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Cause it sort of goes along

with what we have up here.

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Tell you what I'm gonna do.

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I'm gonna take a little, I'll

just use a little blender

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brush a little blue up here.

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They little blue, just a very

small amount, very small amount.

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Just going to dance

that in right in there.

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Just a little, yeah.

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Add a little white to it.

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And then it'll sparkle.

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It'll jump right out at you.

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But once again, we're working with

opaque and transparent color and he

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creates some gorgeous effects that I

don't know how to achieve any other way.

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There.

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See, and we have a little

touch of blue up there.

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Be careful that it doesn't hit

that yellow and turn bright green.

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Cause that'll happen.

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If you're not careful, we just want

enough to give it a little bluish,

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hint, maybe even a little red in there.

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I don't know.

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Just a little, all right.

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Now, going back to that lavender color,

we made tap a little into the bristles.

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And maybe in our world, there's a

happy little cloud that floats around

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and has a good time right here.

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Just a little cloud there, he comes

just using the top corner, the

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two inch brush top corner only.

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Now the other side has no pain on it.

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See, I flipped the brush over and I can

blend out this cloud with a base of it.

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Just that easy there.

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Maybe there's even a little,

a little Dewar right in there.

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There we go.

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Can you just put him in like that there?

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All right.

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We're going to have all kinds of

beautiful little clouds in here.

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Went back to a little blender brush.

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The splendor brush is so soft.

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Tender.

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You can go right over all this

without blending it all together.

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There say there just make a happy

little cloud there that, because of

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the angle of the camera here, it may

not look just right until we go back

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to a camera that shooting straight on

sorta doesn't look quite right there.

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Maybe in our worlds.

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Let's take a little, I use a little

fan brush, cause it's a little

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more detailed I can get in here.

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I'm gonna put a little,

little cloud right over this.

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Just a happy little cloud that easy

back to our little blender brush

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and very lightly, very lightly.

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You can go right in here and blend it.

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See their little cloud just lives

there now and floats around.

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It was a good time.

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Okay.

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I think that's basically all we're

going to do for that little sky.

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Cause I want to spend

more time with the water.

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All right.

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Let's see, stay low green and fellow blue.

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And we just bring it right

up to the horizon there.

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Oh, about like no big deal.

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However, you can take the little

blender and blend right over it.

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And it doesn't matter if it picks

up a little touch of it, but it

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brings that horizon right together.

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They're okay.

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What a watch that little blender off.

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We watched it the same way as we

watched the other brushes, except

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it's not near as much fun to beat

or hate and dry it on a paper towel.

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Now, maybe in our world tell you

what, we'll move that over there.

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I'm gonna get some dark Sienna, a little

bit of the bright red and some white.

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I would just mix those together like that.

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That's pretty color.

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Ooh.

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Part of it, I'm going to put

a lot of white in product to

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be lighter than the other.

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There sort of a pinkish.

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Okay.

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Let me wipe the whole knife and

we'll grab us a fan brush here.

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There is one.

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Get the whole fan brush

loaded, full of color.

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All right, let's go up in here.

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Maybe there's a little, little

Headland that comes right out here.

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Take the fan brush and I'm going

to push upward and I'm starting

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right into the lightest area.

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With my lightest color

that I made right there.

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Now, now I'm going into the darker

part of the same color and begin

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letting that get dark green, darker,

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darker, darker, both directions,

each time, a little darker.

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And then we just sort of work it together.

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But darker and darker and darker.

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So we're looking for dark,

dark, dark down here, the base

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almost a solid Vandyke Brown.

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When it comes to the water.

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I want that to be very dark.

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All right.

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So I say, this is one of the

easiest little seascapes that you

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can do in it's very effective.

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Very very effective there.

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This will make a beautiful gift for

friends and neighbors, whoever, and

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what's a nice, we know that the paintings

will be with us long after we're gone.

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Maybe for some of us, maybe it's about

as close as we can come to immortality.

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I'm going to the liner brush,

put paint thinner on it.

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And maybe out here in our

world, a little darker.

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So it stands out a little more.

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Sometimes you have to exaggerate

color for television purposes.

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Maybe there's just, maybe

there's just a happy little

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Palm tree that lives out here.

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Several of them just make the indication

of some little Palm trees that live.

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These are too far away

now to have much detail.

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We're just looking for basic

little shapes, basic little shapes.

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We don't even know where they're

at there, but some little arms

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sticking out there on him.

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There we go, something I can see just

wherever you think they should be.

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I'm not going to spend a lot of time

missing them, but that'll give you an

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idea of how to make what looks like a

bunch of little Palm trees far, far away.

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Okay.

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I live in Florida, so we have

a lot of Palm trees there.

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There we go.

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All right.

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Oops.

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Didn't get that first clean try again.

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Now we can get down here

into the fun part of this.

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Let's grab a fan brush.

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I'm going to go right into a very

small amount of the titanium.

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White.

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We don't need much has put some

on the bristles and let's begin

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figuring out where things are at.

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Let's have a big old crasher way even

here in our crasher, where he was going

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to live right about there it'll come over.

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To go right on, off the canvas

somewhere to help them see

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there's where it's going to crash.

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So I'd help my cat.

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So that just sort of lays it out.

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So you have an idea of where you're going.

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Sometimes it's hard to take a trip

if you don't know where you're

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going and we're taking a little

trip now here, let me exaggerate.

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I'm doing this only, not near that big.

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Okay.

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I'm exaggerating grossly there.

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So that you have little, little wave

motions happening back there, far away.

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And then maybe in our world,

maybe there's another little

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way you've lives right here.

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So you just sort of outline them,

really helps you to see where they

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live and, and how you want them, how

you want them to go something about

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my cat, but didn't it color gorgeous

had Tayloe blue and yellow, green.

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I like it.

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Dynamite color dynamite over on this side,

I want to get very dark in comparison.

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All right.

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I have several fan brushes going

here, so I don't have to spend all

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my time Washington Nimol and grab

one and begin pulling it color back.

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I'm just going back with it.

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Something like Kevin say there.

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And we're more interested

in the dark area.

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Believe it or not than

we are the light area.

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So the dark area here,

that's our good friend.

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See those, have they just begin to period.

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And then you come back with a

little liner brush and put all

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the little highlights in there.

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And that's when it really, really

intrusively jumps right out at you.

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All right.

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Something about like, so.

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Back into my paint.

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Tag-team white.

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And this is the fun part.

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Let's make the wave crash over and

start up here where you think it lives.

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Grab it and just give a little,

pull a tiny little pool load, a

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little more color on the brush.

250

00:13:39,105 --> 00:13:40,905

You may have to reload

the brush several times.

251

00:13:41,085 --> 00:13:42,795

So this color stays pretty pure.

252

00:13:43,725 --> 00:13:46,035

You're picking up a little bit,

but you don't want a whole bunch.

253

00:13:46,064 --> 00:13:46,965

I want it to be bright.

254

00:13:47,204 --> 00:13:51,615

This is going to be your center of

interest right here, right there, I guess.

255

00:13:54,000 --> 00:13:57,830

Make those little noises, it helps

scrap a little Filbert brush.

256

00:13:57,860 --> 00:14:01,400

I'm gonna take a little white little

CAD yellow, mix them on the Filbert.

257

00:14:01,940 --> 00:14:05,390

And right here, this is going

to be the eye of the wave or the

258

00:14:05,390 --> 00:14:09,320

transparency or in technical terms.

259

00:14:09,320 --> 00:14:12,920

It's called the pretty part there.

260

00:14:14,210 --> 00:14:15,860

They wipe the color off and reload it.

261

00:14:17,630 --> 00:14:18,950

So it's nice and pure.

262

00:14:19,545 --> 00:14:22,125

But even that makes a

beautiful color against that.

263

00:14:22,125 --> 00:14:27,615

They look blue and green, beautiful

color with a satellite Ted wonder,

264

00:14:27,615 --> 00:14:28,755

I don't down there out of the way.

265

00:14:30,525 --> 00:14:35,235

Now we take our little blender brush, very

soft, very gentle, and you can come right

266

00:14:35,235 --> 00:14:41,685

in here and just sort of use the corner of

it and begin blending that you can blend

267

00:14:41,685 --> 00:14:44,895

it till it's absolutely as smooth as silk.

268

00:14:46,995 --> 00:14:47,775

There we go.

269

00:14:48,405 --> 00:14:48,694

Just.

270

00:14:49,395 --> 00:14:50,175

Wind it up.

271

00:14:51,045 --> 00:14:51,525

Look at that.

272

00:14:51,795 --> 00:14:55,695

See Kevin Little blender

brush makes us so much easier.

273

00:14:55,695 --> 00:14:57,195

You can do it with a

two inch brush though.

274

00:14:57,195 --> 00:15:00,315

If you don't have a little blender,

you can do it with a, two-inch just not

275

00:15:00,315 --> 00:15:04,005

quite as smooth, not quite as smell.

276

00:15:05,865 --> 00:15:13,485

And then back to my little Filbert, I had

a little lavender color, Crimson and blue.

277

00:15:14,055 --> 00:15:15,555

I want to use that for the shadow color.

278

00:15:16,335 --> 00:15:21,465

Of the foam here, Mickey's little

noises and they really help think

279

00:15:21,465 --> 00:15:24,645

about the wave, just coming up

here and turning and crashing.

280

00:15:25,635 --> 00:15:26,475

Just having a good time.

281

00:15:28,445 --> 00:15:31,775

They're all right.

282

00:15:32,725 --> 00:15:35,435

Have it come right on up, like it,

I'm gonna put some rocks there.

283

00:15:36,425 --> 00:15:37,895

Just decided I'll put some rocks there.

284

00:15:37,895 --> 00:15:39,395

So I'm not too worried about that area.

285

00:15:40,715 --> 00:15:42,305

Not too worried about that right now.

286

00:15:43,665 --> 00:15:50,385

Well, we have these old filberts going

bring us right on around, and we could

287

00:15:50,385 --> 00:15:53,685

begin thinking about foam patterns that

are just working right on down the side.

288

00:15:53,685 --> 00:15:53,954

Here.

289

00:15:54,824 --> 00:15:59,324

These foam patterns are what

give shape to your wave.

290

00:16:00,615 --> 00:16:04,935

I find it holding the brush like this,

rather than like a pencil allows you

291

00:16:04,935 --> 00:16:09,435

a little more control, but that's an

individual thing you tried and see.

292

00:16:10,605 --> 00:16:13,574

You try it and see, because

everybody is different.

293

00:16:14,015 --> 00:16:14,885

Thank goodness.

294

00:16:15,755 --> 00:16:17,795

That's what makes us all

wonderful and special.

295

00:16:19,925 --> 00:16:21,515

Would it be boring if

we were all the same?

296

00:16:21,515 --> 00:16:22,235

I'll tell you that.

297

00:16:24,574 --> 00:16:26,525

Let me wash that brush

and get it nice and clean.

298

00:16:28,475 --> 00:16:30,454

Just wipe it on the paper

towel, cleaned it off.

299

00:16:31,505 --> 00:16:33,305

I'll take just pure titanium white.

300

00:16:34,685 --> 00:16:37,235

I'm using pure white because it's

going to mix with all these under

301

00:16:37,235 --> 00:16:39,155

colors and we're going to get that.

302

00:16:39,855 --> 00:16:40,845

All kinds of things.

303

00:16:41,715 --> 00:16:46,875

Let's put a little foam right up

here, little splashy doers once

304

00:16:46,875 --> 00:16:48,105

again, make those little noises.

305

00:16:48,105 --> 00:16:51,765

It really, I know people look

at you funny, but it puts you

306

00:16:51,765 --> 00:16:57,435

in a mood makes you, makes you

feel like you're to ocean there.

307

00:16:58,995 --> 00:17:03,105

See there, they come to just

crashing and having a good time.

308

00:17:04,275 --> 00:17:05,805

Madden backed her a little blender.

309

00:17:07,094 --> 00:17:10,544

Once again, you could use two

inch brush and it'll work.

310

00:17:11,355 --> 00:17:13,635

I did for many years before

we got the little blenders.

311

00:17:14,714 --> 00:17:15,494

It will work.

312

00:17:15,824 --> 00:17:20,655

It's not quite as smooth, but

you'll be delighted with the, with

313

00:17:20,764 --> 00:17:24,004

the effect that you get there.

314

00:17:25,594 --> 00:17:26,314

Okay.

315

00:17:27,034 --> 00:17:29,254

And you're continually

picking up that under color.

316

00:17:30,870 --> 00:17:32,520

We said we was going to

have a rock out there.

317

00:17:32,550 --> 00:17:33,780

So let's build us a rock.

318

00:17:34,169 --> 00:17:36,870

Let me take Vandyke Brown,

little dark Sienna mixed together

319

00:17:37,440 --> 00:17:38,520

and put some black in it too.

320

00:17:38,520 --> 00:17:39,570

I want a dark rock.

321

00:17:40,230 --> 00:17:41,550

In fact, I won't use a lot of black.

322

00:17:41,550 --> 00:17:42,419

I want it really dark.

323

00:17:43,409 --> 00:17:46,710

Our rock lives right there.

324

00:17:47,580 --> 00:17:49,590

So Filbert brush is great for rocks.

325

00:17:49,940 --> 00:17:53,820

Just drop them in there.

326

00:17:53,850 --> 00:17:56,340

We have a whole big old

bunch of rocks there now.

327

00:17:57,330 --> 00:18:00,630

We don't even know how many

rocks take a little to bright

328

00:18:00,630 --> 00:18:02,790

red had been cleaned the brush.

329

00:18:02,790 --> 00:18:07,380

You just leave it on dirty color on

there and you can begin picking out,

330

00:18:07,380 --> 00:18:09,750

informing all the various rocks.

331

00:18:11,490 --> 00:18:13,860

Just let them just let them

come right off your brush.

332

00:18:14,040 --> 00:18:14,760

It comes once.

333

00:18:16,130 --> 00:18:20,870

See there is, I say the old Filbert

brush does is nice things like,

334

00:18:20,870 --> 00:18:25,160

yes, you can literally shape a rock.

335

00:18:26,415 --> 00:18:28,425

What would make a good

song to shape a rock?

336

00:18:30,074 --> 00:18:30,794

There we go.

337

00:18:32,895 --> 00:18:39,254

Wherever we want it, I'll take

my liner, brush, get some white,

338

00:18:39,314 --> 00:18:41,084

but they look blue with it.

339

00:18:41,725 --> 00:18:47,804

That's pretty, I like the little blue

paint thinner here and there and there.

340

00:18:47,804 --> 00:18:52,245

And here, let's just put the indication of

water, this dripping all down these rocks.

341

00:18:53,655 --> 00:18:54,215

And when you have.

342

00:18:54,615 --> 00:18:57,435

When you have unlimited time

at home play with this, you

343

00:18:57,435 --> 00:18:59,415

can literally, Oh, it's fun.

344

00:19:00,195 --> 00:19:01,635

It is so much fun to do this.

345

00:19:02,505 --> 00:19:04,905

I like, I like to do these

little simple seascapes.

346

00:19:04,905 --> 00:19:07,095

Sometimes these can get

to be a son of a gun.

347

00:19:08,205 --> 00:19:09,165

What we show you here, though?

348

00:19:09,165 --> 00:19:11,055

We're very simple and you can do them.

349

00:19:11,805 --> 00:19:12,825

You can do these.

350

00:19:14,205 --> 00:19:18,525

We need a little area up in

here that looks like beach.

351

00:19:19,980 --> 00:19:21,240

We'll take a little white.

352

00:19:21,690 --> 00:19:25,140

Where does use the two inch

pressure decide basically where

353

00:19:25,140 --> 00:19:26,430

your beach is going to be?

354

00:19:26,790 --> 00:19:27,750

Let's say it's right here.

355

00:19:28,650 --> 00:19:31,200

Pull straight down, straight down.

356

00:19:33,050 --> 00:19:33,380

Go.

357

00:19:33,680 --> 00:19:38,240

Let me share something about like yet.

358

00:19:39,380 --> 00:19:42,110

So it looks like, looks

like a little dirt up here.

359

00:19:42,920 --> 00:19:46,730

We'll see Sam put a little

more white right here.

360

00:19:47,030 --> 00:19:48,050

There's a light source.

361

00:19:50,129 --> 00:19:55,709

So we'll put a little additional white

right there and then go across and

362

00:19:55,800 --> 00:20:03,330

instantly it looks like very wet sand,

good place to take your shoes off and just

363

00:20:03,330 --> 00:20:04,919

let your feet run naked through there.

364

00:20:05,850 --> 00:20:06,449

That's fun.

365

00:20:07,800 --> 00:20:08,219

All right.

366

00:20:08,760 --> 00:20:10,260

Now let's decide where a wave comes.

367

00:20:10,260 --> 00:20:11,639

I'm going to take the small knife.

368

00:20:11,669 --> 00:20:13,199

I use the small knife for this.

369

00:20:13,260 --> 00:20:17,280

Take a little blue, yellow, blue,

and put in my white, but not much.

370

00:20:17,685 --> 00:20:26,985

Just a little, basically it

comes right about here, there,

371

00:20:28,065 --> 00:20:30,825

I'm pushing very, very hard.

372

00:20:30,855 --> 00:20:32,505

You can probably see the knife bending.

373

00:20:34,635 --> 00:20:38,085

I guess if you do that over a period of

years, you can finally wear the knife out,

374

00:20:38,205 --> 00:20:40,695

pushing so hard, but it takes a long time.

375

00:20:42,375 --> 00:20:45,555

And we can just go back in here and put

in all kinds of little foam patterns.

376

00:20:47,439 --> 00:20:48,000

We are

377

00:20:52,110 --> 00:20:53,250

something about like him

378

00:20:57,570 --> 00:21:02,100

find a little Filbert brush, take a

little white Lisa, touch it, blue in it.

379

00:21:03,120 --> 00:21:07,470

And you can begin working on all these

little things, putting in detail.

380

00:21:10,590 --> 00:21:11,399

There we are.

381

00:21:12,720 --> 00:21:14,040

That'll touch more on the blue in it.

382

00:21:18,585 --> 00:21:21,405

See there, how easy that is now.

383

00:21:22,304 --> 00:21:28,865

Sometimes it's fun to take, like they low

blue, a little halo, green mixed together.

384

00:21:29,254 --> 00:21:31,264

And you can go back in

here and punch in holes.

385

00:21:31,655 --> 00:21:32,764

I guess that's a good way to call it.

386

00:21:32,764 --> 00:21:35,585

Just punch some holes in the surf, right?

387

00:21:35,585 --> 00:21:37,325

Like Kat, wherever you

think they should live.

388

00:21:39,274 --> 00:21:39,845

All right.

389

00:21:41,345 --> 00:21:43,024

Let's find a little liner brush here.

390

00:21:44,909 --> 00:21:45,510

Oh, there it is.

391

00:21:48,379 --> 00:21:48,740

With that.

392

00:21:48,770 --> 00:21:51,830

I'll take a little white

paint, thinner, touch it, that

393

00:21:51,830 --> 00:21:53,929

they low blue, just a touch.

394

00:21:53,959 --> 00:21:54,949

Just want to tone it.

395

00:21:55,729 --> 00:21:58,939

And let's go in here and begin

putting in all kinds of little things.

396

00:22:00,500 --> 00:22:03,379

Once again, when you do yours,

take your time and put in a

397

00:22:03,379 --> 00:22:04,969

ton of these they're gorgeous.

398

00:22:05,990 --> 00:22:07,939

So what makes your painting

work and look good?

399

00:22:09,889 --> 00:22:11,500

Maybe, maybe there's even a little.

400

00:22:12,960 --> 00:22:14,760

A little bit of water right here.

401

00:22:16,810 --> 00:22:17,310

See here.

402

00:22:19,889 --> 00:22:20,460

Okay.

403

00:22:22,110 --> 00:22:23,580

And you come right in here.

404

00:22:25,139 --> 00:22:28,860

Just begin putting in all your little,

these are the little goodies that make

405

00:22:28,860 --> 00:22:31,470

your painting work, make it beautiful.

406

00:22:32,850 --> 00:22:33,300

There.

407

00:22:33,480 --> 00:22:34,830

I began blending it back.

408

00:22:36,120 --> 00:22:37,950

All kinds of little doers.

409

00:22:38,520 --> 00:22:41,220

Once again, I know you tired of

hearing this, but this, these little

410

00:22:41,220 --> 00:22:43,440

lines here are what shape your waves?

411

00:22:43,440 --> 00:22:46,440

What give form and texture to your waves.

412

00:22:47,610 --> 00:22:48,270

Treasure them.

413

00:22:48,390 --> 00:22:49,230

You're your good friend.

414

00:22:50,100 --> 00:22:50,940

Very good friend.

415

00:22:52,820 --> 00:22:56,600

There we are there.

416

00:22:56,630 --> 00:22:57,710

See that's mud.

417

00:22:57,710 --> 00:22:57,890

Tim.

418

00:22:57,890 --> 00:22:58,160

Go.

419

00:23:00,720 --> 00:23:04,770

We'll go into a little bit of

CAD yellow and white back here.

420

00:23:05,940 --> 00:23:10,490

I want to brighten this area

or as it comes around like that

421

00:23:13,700 --> 00:23:14,240

there.

422

00:23:15,379 --> 00:23:18,530

So you just have a little,

little sun zinging right through

423

00:23:18,530 --> 00:23:22,340

that area soon, right on down.

424

00:23:22,820 --> 00:23:25,250

All right, then you, what?

425

00:23:25,850 --> 00:23:26,870

Let's have some fun here.

426

00:23:28,090 --> 00:23:28,820

Let's have some fun.

427

00:23:28,820 --> 00:23:33,780

I'm gonna take black bravery

test Palm tree lives.

428

00:23:34,139 --> 00:23:34,350

Yep.

429

00:23:34,379 --> 00:23:35,129

You're right, right there.

430

00:23:36,689 --> 00:23:38,969

And he's got a friend lives right there.

431

00:23:39,149 --> 00:23:40,340

Oh, right through all that.

432

00:23:41,570 --> 00:23:46,610

Right through all that,

you take her a knife.

433

00:23:47,060 --> 00:23:48,500

I'm gonna take a little brand and white.

434

00:23:50,250 --> 00:23:52,370

We just put a little

edge on his Palm tree.

435

00:23:52,580 --> 00:23:53,989

Just a little edge, just touch it.

436

00:23:54,110 --> 00:23:56,629

So he got to do touch, just touch.

437

00:23:57,840 --> 00:24:02,910

There Kim fan brush paint thinner.

438

00:24:02,940 --> 00:24:04,320

I want to thin this paint.

439

00:24:04,830 --> 00:24:08,040

Don't want to thin it as thin as

ink, but I want it much thinner.

440

00:24:08,040 --> 00:24:12,960

So it'll slide easily and let's come

up here and we'll put some little

441

00:24:12,960 --> 00:24:14,550

doers hanging off this tree here.

442

00:24:16,620 --> 00:24:17,760

Just a few little things.

443

00:24:17,820 --> 00:24:20,970

There they come there.

444

00:24:22,665 --> 00:24:25,245

Didn't have a simple little

way of making a gorgeous little

445

00:24:25,304 --> 00:24:27,044

seascape and really works well.

446

00:24:27,975 --> 00:24:30,705

This is one of, if you give to

friends, they'll be delighted.

447

00:24:32,024 --> 00:24:32,685

All right.

448

00:24:33,044 --> 00:24:34,514

The other tree he's naked back here.

449

00:24:34,514 --> 00:24:37,534

He needs something too there,

450

00:24:40,564 --> 00:24:43,084

something like, so, okay.

451

00:24:43,395 --> 00:24:45,245

I guess it's a basic little Palm tree.

452

00:24:45,365 --> 00:24:45,985

Very simple.

453

00:24:45,985 --> 00:24:49,504

What I tell you what let's come

up here and take the contact

454

00:24:49,504 --> 00:24:50,915

paper off and see what we have.

455

00:24:53,175 --> 00:24:54,314

This is the moment of truth.

456

00:24:55,695 --> 00:24:56,745

Isn't that fantastic.

457

00:24:57,675 --> 00:25:00,554

It's a beautiful way to make a

very effective little seascape.

458

00:25:00,584 --> 00:25:01,544

I hope you try it.

459

00:25:01,725 --> 00:25:04,365

And from all of us here, I'd

like to wish you happy painting.

460

00:25:04,754 --> 00:25:05,895

And God bless my friend.

End .srt file.

Bob Ross' The Joy of Painting

Thursday, December 31, 2020

S27E09 - Island Paradise

Bob Ross's

The Joy of Painting

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