Bob Ross's

The Joy of Painting

S28E01 - Fisherman's Trail

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Hello, I'm Bob Ross.

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And I'd like to welcome you to

the 28th joy of painting series.

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If this is your first time with us, that

makes it into a personal invitation for

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you to get out to your brushes and your

paints and paint along with the sea chew.

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And I'll show you how to put some

of nature's masterpieces, right.

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A pair on canvas.

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And if you've been with us before, please

allow me to thank you for inviting us

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back for another series of painting shows.

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So I tell you what, let's start

out today and get right to it.

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Let's have him run all the colors across

the screen that you will need to paint

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along with us while they're doing that.

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Let me show you what I've

got done up here today.

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I have a 18 by 24 inch double prime.

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Pre-stretch canvas up here,

but you use any size that.

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That's desirable to you.

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I just pick this size because

it seems to work well.

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And all I've done today is covered

the canvas with a very thin, very,

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very thin coat of liquid clear and

the clearest transparent, of course.

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And so it's very easy to put too much,

very thin, very, very small amount.

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I thought today we just have some fun.

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Let's do a, let's do a

little painting today.

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They'll just make you feel good inside.

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I'm going to start out and mix a

Brown color using alizarin Crimson.

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And SAP green in about equal proportions.

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I thought I thought today, I'd

show you how to make a painting.

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That looks like its own wood,

but it's really on canvas.

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It's very, very simple.

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If you've never painted before,

this is one that you can do.

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This is an easy one.

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This one you'll have

immediate success there.

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We just mix the color up.

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Like, so, and as I say,

this will make a beautiful.

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Beautiful warm Brown.

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And when you're mixing the green and

the Crimson together, you can pick

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if you want it toward the greenish

side or toward the British side.

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Normally I sort of like it toward

the reddish size, but that's,

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that's just my personal preference.

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I will pick a little bit of

titanium white and then mix it

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right into this Brown color.

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This is a very transparent color and

I put a little white in there just to

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give it a little bit of opaqueness.

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All right.

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And let's go up here.

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And once again, we have

liquid clear up here.

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So I'm just going to try to make

us look like a wood that like,

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so it really doesn't matter.

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We're just going to make some

streaks up and down through here,

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there, and you can make them as

dark or as light as you want them.

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It's up to you by adding different amounts

of white, you can change the value or

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the color and just let it go wherever,

wherever something about like cat

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sometimes.

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Sometimes you might want to put a

little more of the Crimson in just to

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give it a little reddish tone, little

reddish flavor, sometime, maybe a

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little touch, a little touch of black.

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I can look gray.

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Just depends on what kind of

wood you're trying to make here.

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That's continuing mixing with the liquid

clear that's already on the canvas there.

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If this was not a wet canvas, you'd

have a devil of a time trying to

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make this paint, just slide on there.

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But since it's wet with a

clear, this is very easy.

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And I'm sort of doing this in streaks.

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So it looks like would want

to look like old boards.

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Maybe somebody has just nailed together.

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All right, there we go.

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And that's really about all these two.

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It, once again, when you're

doing yours, you change the

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flavor any way that you want it.

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If you want it to be darker

or more to the gray hue.

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It's up to you any way that you want it.

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Okay.

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The most fun part of this whole

technique is washing the brush.

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So let's do that.

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We wash our brushes.

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Since these are oil paints, we wash

them with odorless paint thinner.

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I have a screen down here in

the bottom of the bucket that I

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scrubbed the bristles against.

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Shake it off and then just,

just beat the devil out of it.

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I'd recommend if you do that in your

living room, you get some kind of

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protection because it'll, it'll change

your whole decor in a matter of seconds.

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Now let's have some fun,

let's have some fun.

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We'll take her a fan brush and put in

a little paint, thinner shake off the

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excess and very lightly, very lightly.

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I'm just going to allow that thinner

to work right down through here.

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Just a little paint thinner and it'll

take a second for this to start working

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with paint thinner and liquid clear,

have quite a violent little reaction

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and it'll make it look like wood grain.

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Is it begins to work and think

about individual boards here and

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sorta change the grain a little bit.

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There, and you can make this

any old way that you wanted.

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This piece of canvas really is your world.

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And on this piece of canvas, you

have total and absolute power.

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You can create any illusion

that you want here.

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See there, but just let

that paint thinner work.

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And if you have a little nervous

Twitch in your hand, it'll

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pay you great dividends here.

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Just let it wiggle and jiggle

and carry on and it'll begin to

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look like a wood as it works.

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Maybe over here, maybe this one

sort of goes like at Woodgreen

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is not always straight.

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It goes in every old direction.

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Just sort of depends on how the, how

the old tree lived fit had a good,

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easy life, or sometimes maybe they

will treat you had a rough life.

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Woodgrains all gnarly there.

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All right.

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But you just do this till you

have it the way that you like it.

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It's very, very simple

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and it doesn't have to just be with Brown.

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You can do this with any color.

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You may want it to match the decor of

a certain room or something and you

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need, maybe you need it done in blue.

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You can certainly do that.

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The secret is the liquid clear and the

reaction that it has with paint thinner.

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There we go.

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That's all maybe over in here, say

there, but isn't that fantastic.

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So, so simple.

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All right.

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And as I say, if you've never

painted before this, you can do okay.

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Now we've got, we've got a canvas that's

beginning to look like old wood, and

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it'll take a few minutes for this to work.

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But while that's working, let's

just have some fun here and we'll

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clean off a little spot to work.

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Let's take that.

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Let's take some black would

use a little bit of that.

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A little bit of depression.

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You blew some Crimson, maybe even

a little bit of Vandyke Brown.

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What the heck?

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We don't care.

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Pull it out as flat as we can get it.

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And then cut across and

get a little roll of paint.

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Set.

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Liberal to paint is right out

on the edge of your knife there.

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Okay.

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Let's go up in here, maybe

back here in our world.

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Maybe let's get brave.

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Maybe there live a happy

little mountain back here.

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Just something very simple.

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And I'm just gonna let it

sort of fade off on the edges.

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Just wherever you want it.

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And you decide how many little peaks

and bumps live in your mountain,

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because you can create any kind of

mountain that you want in your world.

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And we'll take our two inch brush.

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Be sure it's good and

dry and pull it paint.

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Just let it, just let it move here.

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Give it a little pool there.

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That's all there is to it.

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What I'm doing here is removing excess

paint and I want, I want it to be

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Misty at the bottom of the mountain.

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Something about like, yeah.

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All right.

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Now let's come back.

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Take a little bit of the titanium white.

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I'm going to put the least a little touch

or bright red into it, just to warm it up.

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Be very careful.

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The bright red is, is

unbelievably strong a little bit.

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We'll set your whole world on fire.

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Once again, our little rule of

paint must go up in here now, then

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you have to make a determination.

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Where's your light coming from?

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I'm right-handed so most right-handed

people find it easier to have the light

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come from the right left-handed people

we'll find that it's different for each

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person because left-handed people have

been forced to, to do right-handed things.

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Their whole life, most of

them can do it either way.

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If they have an advantage on

the rest of us, my brother's

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left-handed and he can do things.

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With either hand, I have trouble

working with just once I'm going

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to take a little faint little blue.

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Now I want a brighter blue, little white

mix them together, something like that.

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Now, when you're doing your painting

use any color that you want, the

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only thing we want to do here is just

show you how to make these effects.

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What you make is totally

and completely up to you.

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Little roll of paint once again,

cause it's, you know, Painting

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is a very individual thing.

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Everybody sees nature

through different eyes.

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And what you see is what you should paint.

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That's the representation you

should try to put on, on canvas.

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There there's no right or wrong

here just makes you feel good.

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Let you let you be creative.

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And I think we all have, we have a little

creative being that lives within us here.

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Go back to a little bit of the white.

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Maybe just put a little, yeah,

little bump on the mountain there.

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Just to break up that age.

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He needs his own shadow though.

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It allow it to pick up a little

bit of white and pull it down.

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It looks like a light sorta,

sorta dripping over the side here.

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It's a very nice little effect and

it'll happen automatically for you.

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Don't worry about it.

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There.

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Nah, we get a good clean,

dry two inch brush.

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And I want to, I want to create

the illusion of mist right down

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here at the base of the smell.

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So tap, but pay particular

attention to angle.

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See the angles coming down, follow those

ankles over here, go in this direction.

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Just like, so there.

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And then very gently two hairs in

some air, just lift up like that

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so that it creates a nice soft

Misty area right down to the base.

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Okay.

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Yeah, we got to make

some more big decisions.

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What lives back here and our world.

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Let's just take it.

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And mountain color that was pressuring and

blue, black, some Browns, some Crimson,

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and it add SAP green in there too.

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Well, we just basically have all

the dark colors, throw it in, mix

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them up, wipe off the old night.

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There let's have.

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Let's have the fan brush going

to load a lot of color in there.

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And maybe let's go up here

maybe in our world lives, lives.

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Yep.

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You're right.

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Happy little evergreen tree right here.

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Maybe there's several evergreen trees.

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They live right here in

front of this mountain.

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There we go.

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See, that's all there is to it.

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Give him a little friend.

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Everybody needs a

friend, even little tree,

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maybe.

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Yeah.

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You decide just sort of look at

your painting because each person's

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painting will be different and

unique, different every way.

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We don't try to teach

you how to copy here.

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We try to teach you how to be creative.

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In your own, right?

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We only want to show you how to make

effects there, because if you can paint

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one evergreen, you can paint a million.

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It's up to you, maybe.

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Oh, what the heck?

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Maybe there's a bigger one over

here and that'll be the last tree.

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We just sort of let this

wander off on the edge.

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There we go.

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Maybe there's one there that's,

he's not totally straight.

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He didn't want to be a telephone

pole when he grew up there.

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He just wanted to be an individual.

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You decide wherever.

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I didn't know who was going to

do a forest, but that's okay.

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You put as many trees in

your world, as you want.

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Many as you want.

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Let's get Brady over here on this side.

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Big old tree.

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We need a daddy tree here.

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There he is.

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Fake tall guy, strong tree.

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All right.

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Maybe, maybe another one.

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If we really are going to a

forest here today, something about

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like, it doesn't much matter.

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We just want to put in some happy

little indications of trees and

247

00:14:06,959 --> 00:14:08,160

bushes that live back in there.

248

00:14:09,585 --> 00:14:12,705

Let's take, let's take some height

and a little dark Sienna, mix them

249

00:14:12,705 --> 00:14:17,235

together and we'll make a last Brown

cut off a little roll of paint.

250

00:14:17,265 --> 00:14:20,625

Once again, practice loading your

knife or that little roll of paint.

251

00:14:20,625 --> 00:14:25,155

If you're just starting a little

roll of paint works for everything.

252

00:14:25,545 --> 00:14:27,855

We'll put the indication here

and there and they're in here.

253

00:14:29,025 --> 00:14:30,465

That's a little tree trunks that live.

254

00:14:30,465 --> 00:14:31,395

We back in there.

255

00:14:31,665 --> 00:14:32,895

We don't know how many is there.

256

00:14:34,435 --> 00:14:36,314

You can cut in the

indication of some trunks.

257

00:14:36,314 --> 00:14:42,525

Maybe, maybe the trees passed away

because that happens in the woods and

258

00:14:42,525 --> 00:14:45,785

he just leaves his trunk hanging Claire.

259

00:14:47,785 --> 00:14:47,975

Yeah.

260

00:14:48,485 --> 00:14:49,685

We just use that same brush.

261

00:14:49,835 --> 00:14:54,305

What the heck, we'll go right into some

OCAD, yellow, yellow ochre, Indian,

262

00:14:54,305 --> 00:14:56,705

yellow to sort of mix them on the brush.

263

00:14:57,665 --> 00:15:00,574

But since there was blue and

black in these colors that we're

264

00:15:00,574 --> 00:15:01,574

going to automatically get.

265

00:15:02,069 --> 00:15:04,800

Beautiful greens cake, a little

lot of color in the breast.

266

00:15:04,810 --> 00:15:06,180

See, both sides are full.

267

00:15:06,839 --> 00:15:07,530

Let's go up in here.

268

00:15:08,459 --> 00:15:11,760

Now we said our light was coming

from the right in this painting.

269

00:15:12,930 --> 00:15:16,050

So place more emphasis on the right

side of the tree than the left.

270

00:15:16,939 --> 00:15:17,479

You knew them.

271

00:15:18,859 --> 00:15:25,160

I know they're just a reminder

and a little bit in here and

272

00:15:25,160 --> 00:15:26,449

each one doesn't have to be.

273

00:15:27,314 --> 00:15:32,205

Painted totally in because you won't

see each one, especially down toward

274

00:15:32,205 --> 00:15:37,755

the base here, we just need, we

just have little indications there.

275

00:15:39,705 --> 00:15:43,605

See, that's all there is to

it and leave the base of the

276

00:15:43,605 --> 00:15:46,425

tree darker than the top there.

277

00:15:46,485 --> 00:15:47,325

Cause it's not in much.

278

00:15:47,325 --> 00:15:48,465

Light's going to hit the bottom.

279

00:15:49,785 --> 00:15:52,814

Not as much light star can shed.

280

00:15:52,814 --> 00:15:55,035

We D that's where all my

little animal friends live.

281

00:15:56,385 --> 00:15:57,885

See my little squirrel, pea pod.

282

00:15:58,484 --> 00:16:01,515

He lives up here in the tree and then

the little bunny rabbits and stuff.

283

00:16:01,545 --> 00:16:02,805

They live down here at the base.

284

00:16:03,464 --> 00:16:06,375

Maybe, maybe we'll show you some

little squirrels in this series.

285

00:16:06,734 --> 00:16:09,165

I've got some little, some

little friends I'll show you.

286

00:16:09,185 --> 00:16:09,395

Yeah.

287

00:16:10,714 --> 00:16:11,194

Okay.

288

00:16:11,224 --> 00:16:13,474

Let's go back and find

that two inch brush.

289

00:16:14,555 --> 00:16:14,645

Okay.

290

00:16:15,224 --> 00:16:16,964

Take a little bit of

that color right there.

291

00:16:17,925 --> 00:16:21,875

And I'm going to pull it

straight down, straight down.

292

00:16:23,435 --> 00:16:26,165

Let's make a, let's make a

nice reflection down here.

293

00:16:26,165 --> 00:16:27,094

Maybe this is water.

294

00:16:28,084 --> 00:16:30,724

Pull it straight down that easy.

295

00:16:31,354 --> 00:16:35,405

When I was traditional painting

painter, the one of the hardest

296

00:16:35,405 --> 00:16:36,814

things to do was reflections.

297

00:16:36,994 --> 00:16:38,015

Now it's one of those.

298

00:16:38,200 --> 00:16:40,240

Absolute easiest things there is to do.

299

00:16:41,410 --> 00:16:45,580

It's all there is to pull it down

for across and he creates that little

300

00:16:45,580 --> 00:16:50,680

illusion and we can go back to our

little fan brush, yellow ochre,

301

00:16:51,070 --> 00:16:53,800

the color that was on there once

in a while, a little bright red.

302

00:16:55,480 --> 00:16:58,420

And we can go back up in here

and let's make some decisions.

303

00:16:58,660 --> 00:16:59,470

Maybe there's some little.

304

00:17:00,194 --> 00:17:05,655

Little bushy areas back at the base of

these trees, wherever you want them.

305

00:17:06,165 --> 00:17:08,655

That's where they live right there.

306

00:17:10,004 --> 00:17:14,865

Just wherever say, make it all jagged.

307

00:17:14,865 --> 00:17:18,764

So you have little places that maybe you

can take a canoe and sneak back in there.

308

00:17:19,425 --> 00:17:20,714

Big old trout lives in there.

309

00:17:21,950 --> 00:17:25,160

I like to fish, but I'm not a very

good fisherman because I catch him

310

00:17:25,160 --> 00:17:28,600

and take him out of the water and take

the hook out and put a bandaid on and

311

00:17:28,600 --> 00:17:31,460

give him a little CPR, Pat him on the

two, two, and put them back in there.

312

00:17:32,600 --> 00:17:35,600

So they'll be there the next time

I come, we'll take a little, the

313

00:17:35,600 --> 00:17:42,800

liquid white on the knife and just

cut an indication here and there.

314

00:17:43,490 --> 00:17:45,889

I have a little water line that

just sort of floats around.

315

00:17:47,925 --> 00:17:51,524

Just sort of a little light area,

this, between these darks there.

316

00:17:52,635 --> 00:17:55,514

So there's to it, but I just like,

you're trying to cut a hole right

317

00:17:55,514 --> 00:18:01,455

through the canvas right through

the old canvas and canvas is tough.

318

00:18:01,485 --> 00:18:01,635

Yeah.

319

00:18:01,754 --> 00:18:03,165

Chances are, you're not going to hurt it.

320

00:18:04,425 --> 00:18:07,185

You'd have to take a running

start and hit it to the damage.

321

00:18:07,185 --> 00:18:09,074

It, okay.

322

00:18:09,465 --> 00:18:09,975

Let's get a.

323

00:18:11,640 --> 00:18:16,620

A small brush, a small brush, and our

style of painting is a one hand that's.

324

00:18:16,620 --> 00:18:20,580

All right, I'm going to pull it through

that same dark color in one direction.

325

00:18:20,650 --> 00:18:23,970

Notice that the brushes straight

down pulled in one direction,

326

00:18:24,660 --> 00:18:25,800

load a lot of pain in it.

327

00:18:26,310 --> 00:18:28,800

See then when you turn it,

it has a rounded corner.

328

00:18:29,430 --> 00:18:31,380

We want that rounded

corner toward the top.

329

00:18:31,410 --> 00:18:35,850

Let's go up here and maybe, maybe

we'll have some little bushes and

330

00:18:35,850 --> 00:18:37,530

stuff that live back here in our world.

331

00:18:38,790 --> 00:18:40,590

Just push it and don't

let the brush slide.

332

00:18:40,620 --> 00:18:44,340

Just give it a little upward

push, bend it, bend the bristles.

333

00:18:45,780 --> 00:18:46,620

Just bend up.

334

00:18:48,955 --> 00:18:52,435

And it'll help create that

nice leafy looking effect.

335

00:18:53,545 --> 00:18:55,225

Maybe it comes out like,

yeah, we don't care.

336

00:18:56,485 --> 00:18:57,085

Doesn't matter.

337

00:18:57,295 --> 00:19:01,135

Any words you want it

anywhere that you want.

338

00:19:03,145 --> 00:19:04,555

Now, one of our golden rules.

339

00:19:04,555 --> 00:19:08,005

So if you've painted with this before,

you certainly know this, a thin

340

00:19:08,005 --> 00:19:09,835

paint will stick to a thick paint.

341

00:19:10,225 --> 00:19:12,175

The paints that we use

here are very thick.

342

00:19:12,205 --> 00:19:13,015

They're very dry.

343

00:19:13,045 --> 00:19:15,565

They're not like normal oil

paints that are soft and creamy.

344

00:19:15,905 --> 00:19:16,595

Very dry.

345

00:19:17,615 --> 00:19:20,585

So then we can take and put layers

of thinner paint to run over the

346

00:19:20,585 --> 00:19:23,585

top of it without waiting for

it to dry between each layer.

347

00:19:24,125 --> 00:19:26,045

So I've dipped the

brush into liquid white.

348

00:19:27,355 --> 00:19:29,495

I'm going to pull it through the greens.

349

00:19:29,495 --> 00:19:34,505

I got a little set green here,

so just pull it same way, one

350

00:19:34,505 --> 00:19:36,665

direction, a lot of color.

351

00:19:37,469 --> 00:19:39,780

I see, can you turn that brush

over then you have a rounded

352

00:19:39,810 --> 00:19:41,280

corner that goes toward the top.

353

00:19:41,310 --> 00:19:41,550

Okay.

354

00:19:41,550 --> 00:19:42,510

Let's go up in here again.

355

00:19:43,560 --> 00:19:46,889

Now let's pick out individual little

bushes and stuff that live in here.

356

00:19:47,909 --> 00:19:52,169

You don't have to push hard,

do one little Bush at a time.

357

00:19:52,500 --> 00:19:54,360

He's your friend take care of him.

358

00:19:55,110 --> 00:19:56,879

Vary the color a little

bit here and there.

359

00:19:56,879 --> 00:19:57,540

A little bit of the.

360

00:19:58,500 --> 00:20:01,500

Yellow Oak or some time

just to change the flavor.

361

00:20:03,330 --> 00:20:04,110

There we go.

362

00:20:04,439 --> 00:20:06,149

See one little bullshit of time though.

363

00:20:06,480 --> 00:20:07,770

Think about these little Rascals.

364

00:20:07,770 --> 00:20:10,379

They're your friends in a painting.

365

00:20:11,040 --> 00:20:12,240

These create depth.

366

00:20:13,379 --> 00:20:14,399

So take care of them.

367

00:20:14,399 --> 00:20:15,780

You want them to work?

368

00:20:15,810 --> 00:20:17,399

Well there.

369

00:20:19,140 --> 00:20:23,220

You can put a little bit and let me

say that again, a little bit of paint

370

00:20:23,220 --> 00:20:25,440

thinner on your brush and go into color.

371

00:20:25,440 --> 00:20:28,560

If you don't want to change the

value because the liquid white,

372

00:20:28,650 --> 00:20:33,630

since it is white, needless to say,

we'll change the value a little bit.

373

00:20:33,630 --> 00:20:36,810

It'll make the paint brighter, a

little lighter, a little paint thinner.

374

00:20:36,840 --> 00:20:39,090

We'll just keep it the

same only make it thinner.

375

00:20:40,610 --> 00:20:41,360

Okay.

376

00:20:42,830 --> 00:20:43,580

Maybe I'll tell you.

377

00:20:43,650 --> 00:20:46,220

I know, I know, I know let's

take a little bam, Dyke Brown,

378

00:20:46,220 --> 00:20:47,630

little dark Sienna mixed together.

379

00:20:49,125 --> 00:20:54,885

Let's have a little path and need

a way to get up in here to put

380

00:20:54,885 --> 00:20:58,544

your canoe in the water, to catch

that trout, make up little stories.

381

00:20:58,544 --> 00:20:59,235

When you paint.

382

00:20:59,395 --> 00:21:00,405

It really helps.

383

00:21:00,764 --> 00:21:06,165

If you know, in your mind what this world

is like, then it's more personal to you.

384

00:21:06,284 --> 00:21:10,185

You have a better time when you paint

and painting should be relaxing.

385

00:21:10,185 --> 00:21:12,375

It should take you to a world

where there's no worries.

386

00:21:12,375 --> 00:21:15,945

There's no, no hassles,

a little Brown and white.

387

00:21:17,129 --> 00:21:18,090

Just barely touch.

388

00:21:18,120 --> 00:21:22,520

Just graze, just like you were laying

in snow, on the mountain there.

389

00:21:22,660 --> 00:21:25,820

See there, we have a little path.

390

00:21:26,420 --> 00:21:26,620

Now.

391

00:21:26,660 --> 00:21:32,870

We want to set that path down into the

painting, take and put some bushes there.

392

00:21:32,960 --> 00:21:34,070

Come right over the path.

393

00:21:34,100 --> 00:21:35,780

See how that pushes it

right down in there.

394

00:21:37,160 --> 00:21:38,430

We don't know where it goes back.

395

00:21:38,480 --> 00:21:39,620

We don't care where it goes.

396

00:21:40,395 --> 00:21:44,504

It's just a happy little path that takes

us back into a part of our painting.

397

00:21:44,594 --> 00:21:48,314

That's very special to us there.

398

00:21:49,304 --> 00:21:54,705

Something about like, can see

wherever you want them all Cannes,

399

00:21:54,705 --> 00:21:56,145

a little doers live back in here.

400

00:21:58,845 --> 00:21:59,595

There we are.

401

00:22:01,425 --> 00:22:05,285

Now we can come back, take our

knife and there's in bushes.

402

00:22:05,285 --> 00:22:08,615

There's always little sticks and

twigs and limbs and arms at hang up.

403

00:22:08,615 --> 00:22:12,725

And through here, you can take the knife

and just scrape right through the paint

404

00:22:13,535 --> 00:22:15,425

and just allow the canvas to show through.

405

00:22:15,995 --> 00:22:19,565

And it looks like all kinds of

little sticks and twigs and just

406

00:22:19,565 --> 00:22:20,735

little things that live in there.

407

00:22:21,965 --> 00:22:25,775

These show different layers or Plains

in your painting and those planes.

408

00:22:26,835 --> 00:22:28,575

That's what creates the illusion of depth.

409

00:22:29,565 --> 00:22:33,525

I know you've looked at paintings

and they look flat to you.

410

00:22:35,525 --> 00:22:40,055

That's the reason it's because little

things like kiss haven't been done, I

411

00:22:40,055 --> 00:22:43,595

think put little hangie down limbs on

the evergreens, back in here, wherever

412

00:22:43,595 --> 00:22:46,264

you want them all kinds of little things.

413

00:22:46,264 --> 00:22:47,525

Maybe a little stick lives over there.

414

00:22:49,235 --> 00:22:52,565

Just sort of let your imagination

take you wherever you want to be.

415

00:22:53,435 --> 00:22:53,975

I can't.

416

00:22:55,125 --> 00:22:57,074

You can also take the script liner brush.

417

00:22:57,105 --> 00:23:01,635

That's our only small brush

put little thinner on it.

418

00:23:02,504 --> 00:23:07,844

We'll use a little bit of Brown just to

show you how, but the big thing here is

419

00:23:07,844 --> 00:23:11,564

make the paint thin should get very thin.

420

00:23:11,564 --> 00:23:13,574

And the liner brush has

very long bristles on it.

421

00:23:13,574 --> 00:23:18,225

There you can see I'm against that very

long bristles that holds a lot of paint.

422

00:23:18,915 --> 00:23:19,245

So.

423

00:23:19,710 --> 00:23:23,639

Don't be bashful, fill it up full of

paint and you can come back in and you

424

00:23:23,639 --> 00:23:28,440

can put in little, little limbs and

twigs and sticks and things that live

425

00:23:28,440 --> 00:23:33,649

here wherever you want them chess.

426

00:23:33,649 --> 00:23:37,670

Let them go where it's, where it's dark.

427

00:23:37,700 --> 00:23:37,790

Okay.

428

00:23:38,120 --> 00:23:39,649

Then you can use a lighter color.

429

00:23:39,649 --> 00:23:44,389

So it shows up there cause there's little

twigs and sticks in the woods that are

430

00:23:44,389 --> 00:23:47,600

light color, something about by cat.

431

00:23:49,125 --> 00:23:51,885

That's all there is to it

many or as few as you want.

432

00:23:54,245 --> 00:23:55,685

I think we about get a finished painting.

433

00:23:57,005 --> 00:23:58,745

Let's sign this rascal for that.

434

00:23:59,325 --> 00:24:04,085

Won't take paint thinner once again, and

I use bright red, but you use any color to

435

00:24:04,085 --> 00:24:05,975

sign your painting, that you would like.

436

00:24:06,725 --> 00:24:09,185

One of the things that I get

a lot of letters it's over and

437

00:24:09,185 --> 00:24:11,225

oversee, how do I sign my painting?

438

00:24:11,225 --> 00:24:12,875

What do I use to sign my painting?

439

00:24:13,770 --> 00:24:14,909

That's very individual.

440

00:24:15,149 --> 00:24:15,750

Let's go up here.

441

00:24:16,290 --> 00:24:19,740

Some people use initials, some

use their entire name, some use

442

00:24:19,740 --> 00:24:21,180

last name, some use first name.

443

00:24:21,750 --> 00:24:25,830

You come up with a way of signing

your painting and however you

444

00:24:25,830 --> 00:24:27,629

sign it, make it consistent.

445

00:24:28,200 --> 00:24:30,990

So that a hundred years from now,

when collectors are looking for your

446

00:24:30,990 --> 00:24:33,600

paintings, they'll know what to look for.

447

00:24:34,155 --> 00:24:40,125

And they'll know that on this day you

had a fantastic day and today you, you

448

00:24:40,125 --> 00:24:45,255

experienced the joy of painting and

from all of us here until the next show,

449

00:24:45,255 --> 00:24:46,725

I'd like to wish you happy painting.

450

00:24:47,385 --> 00:24:48,615

And God bless my friend.

End .srt file.

Bob Ross' The Joy of Painting

Thursday, December 31, 2020

S28E01 - Fisherman's Trail

Bob Ross's

The Joy of Painting

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