Tuesday, December 15, 2020

S01E02 - Mt McKinley

Bob Ross's

The Joy of Painting


S01E02 - Mt McKinley

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Hello.


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Glad to see you again, thought

today would do a picture of this


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right straight out of Alaska.


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We'll do one of mountain McKinley,

the most almighty mountain in


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the North American continent.


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And let's start off today and

we use just a little bit of


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Prussian blue, maybe a touch.


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If they look green, mixed with it here

and let's dance in some basic shapes


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here, I've already put the magic white

on the canvas to save a little time.


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So we're just literally mixing

color right here on the canvas.


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Just let this brush dance

and play and have fun.


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And all we're looking for is

general basic cloud shapes here.


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We're really not trying

to put anything in.


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Just let it happen.


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Just move the brush, keep it moving,

working, playing, having fun.


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Here we go.


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All something.


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Got a nice little cloud shape right there.


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What the heck?


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Keep the brush moving.


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Don't let it stop.


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Temp.


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Brush is lazy.


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You have to really push it a little.


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All right.


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Quit on you.


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I could keep moving.


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Okay.


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Now we'll take the almighty brush

here and we're going to swirl this.


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We're going to pull the color.


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Move it


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try to avoid a pattern.


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You want this to go every way.


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We're looking for a sky

here that has life in.


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It has movement in it.


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We don't want a sky that looks

like at night, you pull the curtain


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down and everything went black.


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So I want to keep this moving


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already.


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You're beginning to see all

the little things happening up


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here, every which direction.


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There we go.


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Uh, you can blend this too

much and take it all out.


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We don't want to take it out.


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We just want to mix it up, stirred up.


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Well, we got some paint on the brush here.


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We'll add a little.


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Little more pressure and blue and

green will put us in some water.


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We pull it from the outside in and

leave a little area open here that


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will create that little sheen of

light that plays across the water.


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You could go back with white paint

and put it back in, but you've already


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covered a canvas with magic white stuff.


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Why not use it just as a

lazy man's way of painting?


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Let the paint work.


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You let the brushes work.


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Use what happens naturally.


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Don't fight it.


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Clean the old brush off.


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Let's get out an almighty fan brush

here and let's build some happy little


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clouds up here and we'll take titanium

white with a least little touch.


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If the permanent red and load the brakes,

just full of paint, just really loaded up.


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Now we'll start working on some

basic cloud shapes here and we'll


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dance in all these little areas

and let them just play in the sky.


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Keep the brush moving.


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Keep it moving.


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You want areas that have thick areas that

a thin at all these little things happen


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and we'll take the big brush here

and gently, gently blend this


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together very lightly and fluff

it up a little and hypnotize it.


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And right there, you've got an

almighty cloud just that quick,


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but they're very easily killed.


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Clouds are delicate.


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Don't overwork it, put

it in, leave it alone.


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And maybe we'll have another one here.


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We'll put on layer.


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These clouds.


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So


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nature is so beautiful.


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Just let it go.


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Have fun with it.


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Very very easy to work these to death,


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bro.


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Then this end and you work in

layers here, you do the thing as


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the father's to wait first, have him

finished and then worked for him.


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And this one a little bit.


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Yeah.


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a little bit more red here.


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Here we go.


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Don't want to set these clowns on

fire and they, all we want to do


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is have a slight warmish gloat.


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Like the sun is playing along the top.


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There we go.


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Let us not forget this side of the sky.


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We'll put a little something over here.


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Some nice little clouds

playing around in the sky.


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Mix these up a little bit.


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maybe a little streaky one right here.


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Got maybe clouds too.


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If you didn't have baby clouds,

you wouldn't have big clouds.


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Yeah.


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Hey, we can work on this one.


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A little touch.


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There, it looks like a nice place

and we're really pushing this


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pain into the canvas, working

that value right into the canvas.


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Just let it play.


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Don't kill all the dark

areas you can end up with.


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Great big cotton balls in the sky.


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If you're not careful.


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Yes, that'd be considered a

UFO it cotton ball in the sky.


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Fluff that up,


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work that paint look at there.


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And just, just a couple of

minutes, you have a sky that


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has so much action happening.


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Okay.


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Okay.


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If you do this in your living

room, you can redecorate your


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living room in a matter of minutes.


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So be very careful, learn to

control it, have your box.


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You can shake your brush in

and that way you don't have to


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worry about covering everything.


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Okay.


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Let's take a little bit of Brown

and blue, a little touch of a


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lizard Crimson and some white.


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There we go and don't mix your paint dead.


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Mix it marbly and leave it alone.


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Okay.


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Now let's do, since we're

going to do McKinley today,


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let's do the basic shape here.


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Kenley comes down like, so has another

peak running right off through here.


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Okay.


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Just a little more around it.


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There.


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We let the side drop right down and over.


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All you're looking for here is the basic

outline, the basic shape of this mountain.


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You're not worried at all.


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What happens in here?


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Take the big brush and we'll pull it down.


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Just takes off the excess paint.


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It makes the next layer stick better.


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And also when you're doing mountains,

if you can see the entire mountain,


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the top of the mountain is always

more distinct than the bottom.


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The bottom of the mountain we have missed.


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And now we have pollution.


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We have a multitude of things.


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If it break up and diffuse light,


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we'll put some snow on

that almighty mountain.


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Pull that paint out real flat.


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Just pull it out and get

us a little roll of paint.


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And we'll just lay this on and

let it travel right on down.


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And you want the paint to break

like this, to make all the little


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things that happen in there.


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The little shadows,

light and dark curious,


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and there's a little bump.


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It comes out right there.


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And works his way down and

over here at this drop.


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See this, like, so


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go now for the shadow color, we use

a little pressure and blue and white.


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and once again, don't mix it dead.


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You want it to be sorta marbled Cain.


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I will start with the shadows

and we just lay these in here.


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We want to bring these

two areas here together.


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So we just sort of work it

back and forth and let it come.


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There you go.


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And it's just come together.


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Maybe this shadow comes

right down through here.


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Every highlight needs

its own private shadow.


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can you put a little shadow right

there and see how that protrude set up?


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Makes it just jump right out at you

and your Ridge is here and there.


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All kinds of little things

happening in this mountain.


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And we need a shadow back here behind this

almighty peak, or it is just letting go


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okay.


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And we want to peak it comes

right up through here and just


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begins working its way back down.


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smash Ridge coming through here

and we can bring these together.


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Few little shadows in

here, just here in there.


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Okay.


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As we said, we want this to be.


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More distinct at the top than the bottom.


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So we're going to fuse the

bottom of it and only the bottom.


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And here we're just tapping the canvas.


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We're trying not to destroy only diffuse.


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And this is where you really

depend on a firm paint.


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If you have a loose formerly thin

paint, you become a mud mixer here.


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So when you try this at home, If you find

that you're making a lot of mud check your


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pain, it should be very, very firm squeeze

at two, but should stand up maybe about


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three quarters of an inch above the tube.


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Then you have a nice firm paint.


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Okay.


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I'm going to make the same

color and make it darker.


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Blue, Brown, little lizard

added to it because I want


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this mountain to be in front.


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This is a beautiful study of how to

make one mountain look very, very big.


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We'll put some little smaller

mountains here in the foreground


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peak here,


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and we'll take the big

brush and pull that out.


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That's the beauty of painting wet on wet.


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You can move paint on the canvas.


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We'll put some middles

happy little snow here.


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There we go.


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Okay.


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Or light is still coming

from the same direction here.


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So don't let that fool you


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Now we can work in some shadows here.


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Let's push that one into the

background, just come right on


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through and that'll push him back.


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Scary to have as much power

that you can move mountains


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there.


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We can swing this around and

bring these two right together.


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Just make a nice little Ridge out of that.


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Okay, we've got an almighty mountain.


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I'm going to take a little at

the blue Brown Lisbon Crimson.


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Add a little touch of SAP green to it.


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Looking for a dark color here.


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Very dark.


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I would load up this one inch brush

and we'll push in some little.


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Dark areas here.


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This'll be our little trees and we back

in the distance bushes and trees and all


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the little things happening back here.


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There we go.


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Now with a big brush, we can put a

little bit of this color down and this'll


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be the beginning of our reflections.


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give it a little bit of

ripple to make it look watery.


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Hmm.


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Okay.


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Let's put some highlights on here.


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I'm going to use a little bit of magic,

quite mixed with some CAD yellow.


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Little touch-up permanent red and

we just sort of go back and forth.


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Make a nice orangy color here.


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Bright color.


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all these nasty flushes

happening back here.


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and then we'll reflect some of

that right down to the border here.


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yeah.


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Now with the big brush and the most

delicate, delicate touch possible, just


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enough to pull the pain a little bit.


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We'll pull that down.


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And chest, give it a watery effect.


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Don't want to destroy it.


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Okay.


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Now let's take mix up a lot of dark here,

blue, Brown lizard, and a little bit


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of SAP green should look black to you


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and we'll load the brush

full of paint loaded for.


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Yeah.


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And let's make some little

evergreen trees that are growing


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weed back here in a distance.


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frame that one up a little bit,

needs to be a little stronger.


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There we go.


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maybe he's got a friend

that lives right over here.


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can you maybe, maybe they get a little

bigger as it comes around the curve.


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put a little Bush in front of him.


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Yeah.


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Take a little touch of magic.


251

00:18:12,050 --> 00:18:14,240

Quite a little bit of Brown.


252

00:18:17,929 --> 00:18:25,280

yeah, a little touch of yellow just to

make a nice Sandy looking color and we'll


253

00:18:25,280 --> 00:18:26,810

lay in a little water line back here.


254

00:18:40,100 --> 00:18:42,770

and we'll cut in a few, little

trunks and sticks here and there.


255

00:19:02,389 --> 00:19:04,310

maybe we need another tree right here.


256

00:19:06,080 --> 00:19:07,159

Trees are getting closer.


257

00:19:07,159 --> 00:19:08,929

So they're getting a little bigger.


258

00:19:09,080 --> 00:19:10,010

They look bigger to you.


259

00:19:10,010 --> 00:19:11,989

This is the way we push everything back.


260

00:19:13,290 --> 00:19:14,520

Work with perspective here.


261

00:19:24,110 --> 00:19:27,920

let's move to the other side of

the picture while we got a brush


262

00:19:27,950 --> 00:19:30,530

full of pain here, and we'll put an

almighty tree, right, right here.


263

00:19:36,740 --> 00:19:38,060

These trees live in your brush.


264

00:19:38,060 --> 00:19:41,030

You have to, you have to scare them

out sometime, really work at it.


265

00:19:42,195 --> 00:19:43,965

Well, son of a guns,

I'll try to avoid you.


266

00:19:49,595 --> 00:19:50,825

And they're like everything else.


267

00:19:50,825 --> 00:19:54,065

The first time you try them,

they're going to drive you up


268

00:19:54,065 --> 00:19:55,955

the wall, but you practice it.


269

00:19:56,495 --> 00:19:58,565

If there's a secret to

this, it is practice.


270

00:20:00,005 --> 00:20:04,775

You learn how to make the brush work,

how to touch the canvas with it.


271

00:20:05,375 --> 00:20:06,990

And then it's just a matter of practicing.


272

00:20:11,120 --> 00:20:12,110

this time you tied your shoe.


273

00:20:12,110 --> 00:20:12,830

It wasn't easy.


274

00:20:12,830 --> 00:20:14,360

You had to look at it and work at it.


275

00:20:15,440 --> 00:20:17,410

The next thing you know, you're

not paying any attention.


276

00:20:17,430 --> 00:20:20,330

Just you get to shoot tide, same thing.


277

00:20:27,320 --> 00:20:32,030

Yeah, just even we'll make another little

projection coming right out through here.


278

00:20:32,989 --> 00:20:33,500

There we go.


279

00:20:35,090 --> 00:20:36,320

The reflection in here,


280

00:20:40,050 --> 00:20:41,179

we'll pull it down.


281

00:20:53,159 --> 00:20:55,139

Lean some more of these

pretty colors back here.


282

00:20:56,429 --> 00:20:58,830

It's a nice little Bush right there


283

00:21:09,120 --> 00:21:10,740

and right down here

where we're reflecting.


284

00:21:10,770 --> 00:21:11,340

Some of these


285

00:21:21,980 --> 00:21:22,700

delicate touch.


286

00:21:22,700 --> 00:21:24,320

Again, very, very light.


287

00:21:24,950 --> 00:21:28,700

She asked to enough to, to move

it a little bit on the wet canvas


288

00:21:32,220 --> 00:21:33,500

and we'll put some land out here.


289

00:21:33,500 --> 00:21:35,420

So these bushes have a place to sit.


290

00:21:38,340 --> 00:21:39,770

Don't want them to fall

off in the river here.


291

00:21:41,690 --> 00:21:42,929

Give him something to sit on here


292

00:21:46,620 --> 00:21:49,820

and we can take a clean brush

and just lift that generally.


293

00:21:49,820 --> 00:21:51,050

This is a very thin paint.


294

00:21:51,050 --> 00:21:54,590

That's it's mostly magic quite

so you could move that without


295

00:21:54,590 --> 00:21:55,909

destroying what's underneath it.


296

00:21:59,300 --> 00:22:02,240

and here we'll use a little

bit of just straight magic.


297

00:22:02,240 --> 00:22:02,570

Quiet.


298

00:22:04,169 --> 00:22:06,169

We'll put us a happy

little water line in here.


299

00:22:20,270 --> 00:22:27,440

now then you can, you can put some

more little bushes right in here.


300

00:22:29,810 --> 00:22:30,170

So.


301

00:22:32,355 --> 00:22:34,365

And we'll drop some

reflections into the water,


302

00:22:40,335 --> 00:22:41,255

pull those down.


303

00:22:44,135 --> 00:22:45,095

Anybody can do this.


304

00:22:45,095 --> 00:22:46,955

This is not some big secret thing.


305

00:22:48,095 --> 00:22:48,905

Anybody can do it.


306

00:22:48,905 --> 00:22:54,365

We teach people from the age of 10,

all the way up 80 and 90 years old.


307

00:23:00,270 --> 00:23:03,980

And young people really, really like this.


308

00:23:03,980 --> 00:23:07,400

They, they learn it very

easily, very quickly, and


309

00:23:07,400 --> 00:23:09,020

they see results very quickly.


310

00:23:11,090 --> 00:23:16,700

I have a son that's young man right now

and he was, well, he's been painting


311

00:23:16,700 --> 00:23:18,230

since he was about 12 years old.


312

00:23:18,740 --> 00:23:19,820

I've been selling his work.


313

00:23:24,080 --> 00:23:25,910

So it's not just for the.


314

00:23:26,570 --> 00:23:30,990

Older person, it will also work

very well for the young person.


315

00:23:32,210 --> 00:23:34,790

The only trouble would like

my son he's, he's quite lazy.


316

00:23:35,240 --> 00:23:35,899

He'll only paint.


317

00:23:35,899 --> 00:23:41,030

If he needs money, if he needs me

money he'll pay, but it is a hat.


318

00:23:41,030 --> 00:23:42,830

Nice way to put a happy

bucket in your pocket.


319

00:23:45,555 --> 00:23:46,935

And to make good things happen in here.


320

00:23:50,585 --> 00:23:52,535

We'll just have this come

right on down through here.


321

00:23:54,755 --> 00:23:55,445

Fill that in.


322

00:24:04,445 --> 00:24:06,545

Now we can start highlighting

some of these things.


323

00:24:06,545 --> 00:24:09,005

We'll take a little bit of

blue and yellow mixed together.


324

00:24:10,595 --> 00:24:11,585

Make a very nice.


325

00:24:12,090 --> 00:24:13,230

Little green color here.


326

00:24:15,270 --> 00:24:16,950

Just drop some highlights on this tree.


327

00:24:17,190 --> 00:24:18,690

Remember where your lights coming from?


328

00:24:18,690 --> 00:24:19,920

Lights coming from the right.


329

00:24:21,300 --> 00:24:23,670

So you want the right hand side

of this tree to be a little more


330

00:24:23,670 --> 00:24:26,190

distinct and bright and the left side.


331

00:24:28,170 --> 00:24:30,630

If you're right-handed, you'll

probably find this easier to have


332

00:24:30,630 --> 00:24:31,910

the light coming from the right.


333

00:24:33,350 --> 00:24:36,200

If you're left-handed, it will

sort of vary from person to person.


334

00:24:42,480 --> 00:24:45,240

Let's put some little highlights

over here in these little trees,


335

00:24:47,160 --> 00:24:48,300

the sun wouldn't forget them.


336

00:25:01,190 --> 00:25:04,820

now little more magic quite then.


337

00:25:04,820 --> 00:25:05,270

That down.


338

00:25:05,270 --> 00:25:06,050

Just a touch.


339

00:25:08,175 --> 00:25:11,175

And we can start finding all

these beautiful little trees and


340

00:25:11,175 --> 00:25:12,495

bushes that are living in here.


341

00:25:14,415 --> 00:25:16,695

Very important that you don't

kill all this dark area.


342

00:25:17,025 --> 00:25:19,425

If you kill all the dark, your

picture's going to be very flat.


343

00:25:22,605 --> 00:25:24,915

We might as well just reflect

it right into the water there.


344

00:25:27,215 --> 00:25:27,915

Okay.


345

00:25:27,915 --> 00:25:28,995

There we go.


346

00:25:30,675 --> 00:25:32,145

Little bit right in here.


347

00:25:34,034 --> 00:25:37,004

And we'll reflect that right on down

a little touch of red over the top.


348

00:25:41,615 --> 00:25:42,095

okay.


349

00:25:42,754 --> 00:25:43,715

There's another nice tree.


350

00:25:43,715 --> 00:25:44,135

I see.


351

00:25:47,125 --> 00:25:48,514

Little Rascals live in your brush.


352

00:25:48,514 --> 00:25:49,715

You guys got to push them out,


353

00:25:54,245 --> 00:25:54,745

man.


354

00:25:54,754 --> 00:25:56,024

Just put a touch more.


355

00:25:56,065 --> 00:25:56,855

The magic here.


356

00:25:59,105 --> 00:26:00,725

Fair finesse, ochre color.


357

00:26:10,730 --> 00:26:12,020

Oh, these pretty little bushes.


358

00:26:12,020 --> 00:26:13,639

Just let them flow a few brush,


359

00:26:21,050 --> 00:26:23,360

some little grass areas

coming down through here.


360

00:26:25,730 --> 00:26:30,770

Let's turn that into a nice

reflection, Janice, like, so.


361

00:26:33,825 --> 00:26:37,985

No, let's give him a little bit of dirt.


362

00:26:42,965 --> 00:26:44,405

It's a straight van Dyke Brown.


363

00:26:46,055 --> 00:26:48,365

And onto that, we'll take

a little Brown and white.


364

00:26:50,225 --> 00:26:52,745

Give him just a little touch,

a highlight, make him look


365

00:26:52,745 --> 00:26:54,095

like little stones and rocks.


366

00:26:54,095 --> 00:26:54,935

Play into your hair.


367

00:27:00,090 --> 00:27:03,929

Well, let's put a few little sticks

here and there, here, we're just cutting


368

00:27:03,929 --> 00:27:08,959

through the paint, using the point

of the knife, but it shows distance.


369

00:27:08,970 --> 00:27:10,709

It shows all these different planes.


370

00:27:17,830 --> 00:27:21,379

we'll put just a little bit of magic quite

into here and give us a little water line.


371

00:27:33,765 --> 00:27:35,475

And a few little sticks over here.


372

00:27:42,035 --> 00:27:42,365

Okay.


373

00:27:42,605 --> 00:27:46,445

But you see what you can do in

just a few minutes with an almighty


374

00:27:46,445 --> 00:27:51,605

brushing and almighty knife and a

beautiful painting in your heart.


375

00:27:51,605 --> 00:27:55,115

And all you have to do is

let it out a few more sticks.


376

00:27:59,460 --> 00:28:01,940

Yeah, I think we'll call that finished.


377

00:28:02,420 --> 00:28:04,700

And I want to thank you very,

very much for watching us.


378

00:28:05,210 --> 00:28:07,580

I hope to see you again in

the near future until then.


379

00:28:07,790 --> 00:28:08,570

Happy painting.


380

00:28:08,600 --> 00:28:09,050

Thank you.


End .srt file.


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