Bob Ross's
The Joy of Painting
S01E02 - Mt McKinley
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Hello.
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Glad to see you again, thought
today would do a picture of this
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right straight out of Alaska.
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We'll do one of mountain McKinley,
the most almighty mountain in
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the North American continent.
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And let's start off today and
we use just a little bit of
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Prussian blue, maybe a touch.
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If they look green, mixed with it here
and let's dance in some basic shapes
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here, I've already put the magic white
on the canvas to save a little time.
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So we're just literally mixing
color right here on the canvas.
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Just let this brush dance
and play and have fun.
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And all we're looking for is
general basic cloud shapes here.
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We're really not trying
to put anything in.
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Just let it happen.
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Just move the brush, keep it moving,
working, playing, having fun.
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Here we go.
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All something.
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Got a nice little cloud shape right there.
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What the heck?
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Keep the brush moving.
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Don't let it stop.
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Temp.
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Brush is lazy.
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You have to really push it a little.
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All right.
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Quit on you.
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I could keep moving.
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Okay.
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Now we'll take the almighty brush
here and we're going to swirl this.
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We're going to pull the color.
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Move it
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try to avoid a pattern.
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You want this to go every way.
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We're looking for a sky
here that has life in.
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It has movement in it.
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We don't want a sky that looks
like at night, you pull the curtain
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down and everything went black.
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So I want to keep this moving
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already.
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You're beginning to see all
the little things happening up
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here, every which direction.
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There we go.
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Uh, you can blend this too
much and take it all out.
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We don't want to take it out.
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We just want to mix it up, stirred up.
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Well, we got some paint on the brush here.
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We'll add a little.
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Little more pressure and blue and
green will put us in some water.
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We pull it from the outside in and
leave a little area open here that
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will create that little sheen of
light that plays across the water.
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You could go back with white paint
and put it back in, but you've already
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covered a canvas with magic white stuff.
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Why not use it just as a
lazy man's way of painting?
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Let the paint work.
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You let the brushes work.
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Use what happens naturally.
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Don't fight it.
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Clean the old brush off.
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Let's get out an almighty fan brush
here and let's build some happy little
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clouds up here and we'll take titanium
white with a least little touch.
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If the permanent red and load the brakes,
just full of paint, just really loaded up.
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Now we'll start working on some
basic cloud shapes here and we'll
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dance in all these little areas
and let them just play in the sky.
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Keep the brush moving.
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Keep it moving.
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You want areas that have thick areas that
a thin at all these little things happen
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and we'll take the big brush here
and gently, gently blend this
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together very lightly and fluff
it up a little and hypnotize it.
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And right there, you've got an
almighty cloud just that quick,
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but they're very easily killed.
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Clouds are delicate.
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Don't overwork it, put
it in, leave it alone.
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And maybe we'll have another one here.
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We'll put on layer.
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These clouds.
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So
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nature is so beautiful.
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Just let it go.
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Have fun with it.
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Very very easy to work these to death,
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bro.
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Then this end and you work in
layers here, you do the thing as
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the father's to wait first, have him
finished and then worked for him.
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And this one a little bit.
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Yeah.
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a little bit more red here.
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Here we go.
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Don't want to set these clowns on
fire and they, all we want to do
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is have a slight warmish gloat.
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Like the sun is playing along the top.
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There we go.
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Let us not forget this side of the sky.
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We'll put a little something over here.
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Some nice little clouds
playing around in the sky.
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Mix these up a little bit.
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maybe a little streaky one right here.
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Got maybe clouds too.
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If you didn't have baby clouds,
you wouldn't have big clouds.
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Yeah.
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Hey, we can work on this one.
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A little touch.
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There, it looks like a nice place
and we're really pushing this
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pain into the canvas, working
that value right into the canvas.
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Just let it play.
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Don't kill all the dark
areas you can end up with.
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Great big cotton balls in the sky.
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If you're not careful.
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Yes, that'd be considered a
UFO it cotton ball in the sky.
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Fluff that up,
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work that paint look at there.
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And just, just a couple of
minutes, you have a sky that
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has so much action happening.
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Okay.
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Okay.
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If you do this in your living
room, you can redecorate your
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living room in a matter of minutes.
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So be very careful, learn to
control it, have your box.
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You can shake your brush in
and that way you don't have to
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worry about covering everything.
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Okay.
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Let's take a little bit of Brown
and blue, a little touch of a
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lizard Crimson and some white.
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There we go and don't mix your paint dead.
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Mix it marbly and leave it alone.
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Okay.
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Now let's do, since we're
going to do McKinley today,
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let's do the basic shape here.
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Kenley comes down like, so has another
peak running right off through here.
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Okay.
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Just a little more around it.
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There.
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We let the side drop right down and over.
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All you're looking for here is the basic
outline, the basic shape of this mountain.
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You're not worried at all.
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What happens in here?
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Take the big brush and we'll pull it down.
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Just takes off the excess paint.
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It makes the next layer stick better.
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And also when you're doing mountains,
if you can see the entire mountain,
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the top of the mountain is always
more distinct than the bottom.
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The bottom of the mountain we have missed.
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And now we have pollution.
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We have a multitude of things.
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If it break up and diffuse light,
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we'll put some snow on
that almighty mountain.
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Pull that paint out real flat.
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Just pull it out and get
us a little roll of paint.
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And we'll just lay this on and
let it travel right on down.
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And you want the paint to break
like this, to make all the little
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things that happen in there.
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The little shadows,
light and dark curious,
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and there's a little bump.
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It comes out right there.
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And works his way down and
over here at this drop.
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See this, like, so
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go now for the shadow color, we use
a little pressure and blue and white.
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and once again, don't mix it dead.
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You want it to be sorta marbled Cain.
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I will start with the shadows
and we just lay these in here.
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We want to bring these
two areas here together.
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So we just sort of work it
back and forth and let it come.
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There you go.
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And it's just come together.
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Maybe this shadow comes
right down through here.
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Every highlight needs
its own private shadow.
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can you put a little shadow right
there and see how that protrude set up?
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Makes it just jump right out at you
and your Ridge is here and there.
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All kinds of little things
happening in this mountain.
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And we need a shadow back here behind this
almighty peak, or it is just letting go
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okay.
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And we want to peak it comes
right up through here and just
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begins working its way back down.
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smash Ridge coming through here
and we can bring these together.
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Few little shadows in
here, just here in there.
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Okay.
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As we said, we want this to be.
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More distinct at the top than the bottom.
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So we're going to fuse the
bottom of it and only the bottom.
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And here we're just tapping the canvas.
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We're trying not to destroy only diffuse.
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And this is where you really
depend on a firm paint.
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If you have a loose formerly thin
paint, you become a mud mixer here.
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So when you try this at home, If you find
that you're making a lot of mud check your
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pain, it should be very, very firm squeeze
at two, but should stand up maybe about
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three quarters of an inch above the tube.
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Then you have a nice firm paint.
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Okay.
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I'm going to make the same
color and make it darker.
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Blue, Brown, little lizard
added to it because I want
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this mountain to be in front.
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This is a beautiful study of how to
make one mountain look very, very big.
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We'll put some little smaller
mountains here in the foreground
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peak here,
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and we'll take the big
brush and pull that out.
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That's the beauty of painting wet on wet.
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You can move paint on the canvas.
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We'll put some middles
happy little snow here.
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There we go.
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Okay.
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Or light is still coming
from the same direction here.
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So don't let that fool you
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Now we can work in some shadows here.
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Let's push that one into the
background, just come right on
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through and that'll push him back.
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Scary to have as much power
that you can move mountains
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there.
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We can swing this around and
bring these two right together.
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Just make a nice little Ridge out of that.
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Okay, we've got an almighty mountain.
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I'm going to take a little at
the blue Brown Lisbon Crimson.
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Add a little touch of SAP green to it.
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Looking for a dark color here.
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Very dark.
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I would load up this one inch brush
and we'll push in some little.
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Dark areas here.
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This'll be our little trees and we back
in the distance bushes and trees and all
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the little things happening back here.
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There we go.
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Now with a big brush, we can put a
little bit of this color down and this'll
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be the beginning of our reflections.
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give it a little bit of
ripple to make it look watery.
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Hmm.
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Okay.
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Let's put some highlights on here.
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I'm going to use a little bit of magic,
quite mixed with some CAD yellow.
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Little touch-up permanent red and
we just sort of go back and forth.
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Make a nice orangy color here.
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Bright color.
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all these nasty flushes
happening back here.
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and then we'll reflect some of
that right down to the border here.
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yeah.
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Now with the big brush and the most
delicate, delicate touch possible, just
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enough to pull the pain a little bit.
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We'll pull that down.
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And chest, give it a watery effect.
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Don't want to destroy it.
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Okay.
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Now let's take mix up a lot of dark here,
blue, Brown lizard, and a little bit
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of SAP green should look black to you
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and we'll load the brush
full of paint loaded for.
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Yeah.
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And let's make some little
evergreen trees that are growing
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weed back here in a distance.
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frame that one up a little bit,
needs to be a little stronger.
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There we go.
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maybe he's got a friend
that lives right over here.
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can you maybe, maybe they get a little
bigger as it comes around the curve.
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put a little Bush in front of him.
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Yeah.
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Take a little touch of magic.
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Quite a little bit of Brown.
252
00:18:17,929 --> 00:18:25,280
yeah, a little touch of yellow just to
make a nice Sandy looking color and we'll
253
00:18:25,280 --> 00:18:26,810
lay in a little water line back here.
254
00:18:40,100 --> 00:18:42,770
and we'll cut in a few, little
trunks and sticks here and there.
255
00:19:02,389 --> 00:19:04,310
maybe we need another tree right here.
256
00:19:06,080 --> 00:19:07,159
Trees are getting closer.
257
00:19:07,159 --> 00:19:08,929
So they're getting a little bigger.
258
00:19:09,080 --> 00:19:10,010
They look bigger to you.
259
00:19:10,010 --> 00:19:11,989
This is the way we push everything back.
260
00:19:13,290 --> 00:19:14,520
Work with perspective here.
261
00:19:24,110 --> 00:19:27,920
let's move to the other side of
the picture while we got a brush
262
00:19:27,950 --> 00:19:30,530
full of pain here, and we'll put an
almighty tree, right, right here.
263
00:19:36,740 --> 00:19:38,060
These trees live in your brush.
264
00:19:38,060 --> 00:19:41,030
You have to, you have to scare them
out sometime, really work at it.
265
00:19:42,195 --> 00:19:43,965
Well, son of a guns,
I'll try to avoid you.
266
00:19:49,595 --> 00:19:50,825
And they're like everything else.
267
00:19:50,825 --> 00:19:54,065
The first time you try them,
they're going to drive you up
268
00:19:54,065 --> 00:19:55,955
the wall, but you practice it.
269
00:19:56,495 --> 00:19:58,565
If there's a secret to
this, it is practice.
270
00:20:00,005 --> 00:20:04,775
You learn how to make the brush work,
how to touch the canvas with it.
271
00:20:05,375 --> 00:20:06,990
And then it's just a matter of practicing.
272
00:20:11,120 --> 00:20:12,110
this time you tied your shoe.
273
00:20:12,110 --> 00:20:12,830
It wasn't easy.
274
00:20:12,830 --> 00:20:14,360
You had to look at it and work at it.
275
00:20:15,440 --> 00:20:17,410
The next thing you know, you're
not paying any attention.
276
00:20:17,430 --> 00:20:20,330
Just you get to shoot tide, same thing.
277
00:20:27,320 --> 00:20:32,030
Yeah, just even we'll make another little
projection coming right out through here.
278
00:20:32,989 --> 00:20:33,500
There we go.
279
00:20:35,090 --> 00:20:36,320
The reflection in here,
280
00:20:40,050 --> 00:20:41,179
we'll pull it down.
281
00:20:53,159 --> 00:20:55,139
Lean some more of these
pretty colors back here.
282
00:20:56,429 --> 00:20:58,830
It's a nice little Bush right there
283
00:21:09,120 --> 00:21:10,740
and right down here
where we're reflecting.
284
00:21:10,770 --> 00:21:11,340
Some of these
285
00:21:21,980 --> 00:21:22,700
delicate touch.
286
00:21:22,700 --> 00:21:24,320
Again, very, very light.
287
00:21:24,950 --> 00:21:28,700
She asked to enough to, to move
it a little bit on the wet canvas
288
00:21:32,220 --> 00:21:33,500
and we'll put some land out here.
289
00:21:33,500 --> 00:21:35,420
So these bushes have a place to sit.
290
00:21:38,340 --> 00:21:39,770
Don't want them to fall
off in the river here.
291
00:21:41,690 --> 00:21:42,929
Give him something to sit on here
292
00:21:46,620 --> 00:21:49,820
and we can take a clean brush
and just lift that generally.
293
00:21:49,820 --> 00:21:51,050
This is a very thin paint.
294
00:21:51,050 --> 00:21:54,590
That's it's mostly magic quite
so you could move that without
295
00:21:54,590 --> 00:21:55,909
destroying what's underneath it.
296
00:21:59,300 --> 00:22:02,240
and here we'll use a little
bit of just straight magic.
297
00:22:02,240 --> 00:22:02,570
Quiet.
298
00:22:04,169 --> 00:22:06,169
We'll put us a happy
little water line in here.
299
00:22:20,270 --> 00:22:27,440
now then you can, you can put some
more little bushes right in here.
300
00:22:29,810 --> 00:22:30,170
So.
301
00:22:32,355 --> 00:22:34,365
And we'll drop some
reflections into the water,
302
00:22:40,335 --> 00:22:41,255
pull those down.
303
00:22:44,135 --> 00:22:45,095
Anybody can do this.
304
00:22:45,095 --> 00:22:46,955
This is not some big secret thing.
305
00:22:48,095 --> 00:22:48,905
Anybody can do it.
306
00:22:48,905 --> 00:22:54,365
We teach people from the age of 10,
all the way up 80 and 90 years old.
307
00:23:00,270 --> 00:23:03,980
And young people really, really like this.
308
00:23:03,980 --> 00:23:07,400
They, they learn it very
easily, very quickly, and
309
00:23:07,400 --> 00:23:09,020
they see results very quickly.
310
00:23:11,090 --> 00:23:16,700
I have a son that's young man right now
and he was, well, he's been painting
311
00:23:16,700 --> 00:23:18,230
since he was about 12 years old.
312
00:23:18,740 --> 00:23:19,820
I've been selling his work.
313
00:23:24,080 --> 00:23:25,910
So it's not just for the.
314
00:23:26,570 --> 00:23:30,990
Older person, it will also work
very well for the young person.
315
00:23:32,210 --> 00:23:34,790
The only trouble would like
my son he's, he's quite lazy.
316
00:23:35,240 --> 00:23:35,899
He'll only paint.
317
00:23:35,899 --> 00:23:41,030
If he needs money, if he needs me
money he'll pay, but it is a hat.
318
00:23:41,030 --> 00:23:42,830
Nice way to put a happy
bucket in your pocket.
319
00:23:45,555 --> 00:23:46,935
And to make good things happen in here.
320
00:23:50,585 --> 00:23:52,535
We'll just have this come
right on down through here.
321
00:23:54,755 --> 00:23:55,445
Fill that in.
322
00:24:04,445 --> 00:24:06,545
Now we can start highlighting
some of these things.
323
00:24:06,545 --> 00:24:09,005
We'll take a little bit of
blue and yellow mixed together.
324
00:24:10,595 --> 00:24:11,585
Make a very nice.
325
00:24:12,090 --> 00:24:13,230
Little green color here.
326
00:24:15,270 --> 00:24:16,950
Just drop some highlights on this tree.
327
00:24:17,190 --> 00:24:18,690
Remember where your lights coming from?
328
00:24:18,690 --> 00:24:19,920
Lights coming from the right.
329
00:24:21,300 --> 00:24:23,670
So you want the right hand side
of this tree to be a little more
330
00:24:23,670 --> 00:24:26,190
distinct and bright and the left side.
331
00:24:28,170 --> 00:24:30,630
If you're right-handed, you'll
probably find this easier to have
332
00:24:30,630 --> 00:24:31,910
the light coming from the right.
333
00:24:33,350 --> 00:24:36,200
If you're left-handed, it will
sort of vary from person to person.
334
00:24:42,480 --> 00:24:45,240
Let's put some little highlights
over here in these little trees,
335
00:24:47,160 --> 00:24:48,300
the sun wouldn't forget them.
336
00:25:01,190 --> 00:25:04,820
now little more magic quite then.
337
00:25:04,820 --> 00:25:05,270
That down.
338
00:25:05,270 --> 00:25:06,050
Just a touch.
339
00:25:08,175 --> 00:25:11,175
And we can start finding all
these beautiful little trees and
340
00:25:11,175 --> 00:25:12,495
bushes that are living in here.
341
00:25:14,415 --> 00:25:16,695
Very important that you don't
kill all this dark area.
342
00:25:17,025 --> 00:25:19,425
If you kill all the dark, your
picture's going to be very flat.
343
00:25:22,605 --> 00:25:24,915
We might as well just reflect
it right into the water there.
344
00:25:27,215 --> 00:25:27,915
Okay.
345
00:25:27,915 --> 00:25:28,995
There we go.
346
00:25:30,675 --> 00:25:32,145
Little bit right in here.
347
00:25:34,034 --> 00:25:37,004
And we'll reflect that right on down
a little touch of red over the top.
348
00:25:41,615 --> 00:25:42,095
okay.
349
00:25:42,754 --> 00:25:43,715
There's another nice tree.
350
00:25:43,715 --> 00:25:44,135
I see.
351
00:25:47,125 --> 00:25:48,514
Little Rascals live in your brush.
352
00:25:48,514 --> 00:25:49,715
You guys got to push them out,
353
00:25:54,245 --> 00:25:54,745
man.
354
00:25:54,754 --> 00:25:56,024
Just put a touch more.
355
00:25:56,065 --> 00:25:56,855
The magic here.
356
00:25:59,105 --> 00:26:00,725
Fair finesse, ochre color.
357
00:26:10,730 --> 00:26:12,020
Oh, these pretty little bushes.
358
00:26:12,020 --> 00:26:13,639
Just let them flow a few brush,
359
00:26:21,050 --> 00:26:23,360
some little grass areas
coming down through here.
360
00:26:25,730 --> 00:26:30,770
Let's turn that into a nice
reflection, Janice, like, so.
361
00:26:33,825 --> 00:26:37,985
No, let's give him a little bit of dirt.
362
00:26:42,965 --> 00:26:44,405
It's a straight van Dyke Brown.
363
00:26:46,055 --> 00:26:48,365
And onto that, we'll take
a little Brown and white.
364
00:26:50,225 --> 00:26:52,745
Give him just a little touch,
a highlight, make him look
365
00:26:52,745 --> 00:26:54,095
like little stones and rocks.
366
00:26:54,095 --> 00:26:54,935
Play into your hair.
367
00:27:00,090 --> 00:27:03,929
Well, let's put a few little sticks
here and there, here, we're just cutting
368
00:27:03,929 --> 00:27:08,959
through the paint, using the point
of the knife, but it shows distance.
369
00:27:08,970 --> 00:27:10,709
It shows all these different planes.
370
00:27:17,830 --> 00:27:21,379
we'll put just a little bit of magic quite
into here and give us a little water line.
371
00:27:33,765 --> 00:27:35,475
And a few little sticks over here.
372
00:27:42,035 --> 00:27:42,365
Okay.
373
00:27:42,605 --> 00:27:46,445
But you see what you can do in
just a few minutes with an almighty
374
00:27:46,445 --> 00:27:51,605
brushing and almighty knife and a
beautiful painting in your heart.
375
00:27:51,605 --> 00:27:55,115
And all you have to do is
let it out a few more sticks.
376
00:27:59,460 --> 00:28:01,940
Yeah, I think we'll call that finished.
377
00:28:02,420 --> 00:28:04,700
And I want to thank you very,
very much for watching us.
378
00:28:05,210 --> 00:28:07,580
I hope to see you again in
the near future until then.
379
00:28:07,790 --> 00:28:08,570
Happy painting.
380
00:28:08,600 --> 00:28:09,050
Thank you.
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