Bob Ross's

The Joy of Painting

S27E06 - Daisies At Dawn

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Hey, welcome back.

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Certainly glad you could join us today

because it's a fantastic day here and

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hope it is wherever you're at today.

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I thought we'd do something it's

just a little bit different, but as

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usual, I start out in here and run

all the colors across the screen.

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They'll come right there.

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And so you can paint along at home today.

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I have a, an oval.

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This is an oval canvas, and

you can purchase these at any

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art dealer in the country.

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I guess it's just an oval canvas.

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Normally, we, we make a lot of ovals

and we use the contact paper today.

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I thought we just make the oval itself.

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Something, just a little more interesting.

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And it's very interesting when you

hang these in your house and they

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do make oval frames that fit these.

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So they're gorgeous.

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I've covered the entire little oval

with a thin even coat of liquid white.

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So it's all wet and ready to go.

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And let's just have some fun today.

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Let's start with our

little two inch brush.

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I'm going to a small amount of the

Indian, yellow, very, very small amount.

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I don't need much.

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Just tap the brush into a little bit.

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Keyless.

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Let's go up in here.

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Let's just make our little

painting on this oval.

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That's very warm.

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We'll use.

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Let's just use all nice earth

tones, Browns and a very,

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very warm little painting.

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Wonderful.

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It'll make you feel good.

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And that's what paintings all about.

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See, we'll just start out

making a little Dewar like that.

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Take a little yellow ochre.

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I didn't clean the brush, the yellow

ochre to go right around that.

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We're making little tiny criss-cross

strokes because they're easier to blend

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out than if you just make a big circle.

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So make little crisscross

strokes, make your life easier.

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And we're looking for

easy ways to paint here.

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We want things to work very,

very easy there, and you can take

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this out to wherever you want it.

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It's up to you.

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Totally, completely up to you.

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Here we go.

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Maybe back to there.

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We'll come back in a minute

and blend all this together.

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There we are.

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We have something for the

museum of modern art already.

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Wouldn't stop right there.

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All right.

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Now then I've made a Brown color today

by mixing alizarin, Crimson and SAP green

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together in about equal proportions.

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And I just premixed that save

a few minutes, but it's just

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these two colors mixed together.

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It makes a very warm Brown and

you can take it to the radish side

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or the green East side up to you.

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There we are.

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I started like my, into the ready

side a little bit and once in a while.

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So if you want to add more, you can

just reach over here and get a little,

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the written edit right in there.

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Let's go up in here now around

this edge, I'm just going to begin

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blending that same color all the way

around like that all the way around.

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We don't care.

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Wherever we'll go all the way up to them.

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Let's go out to the edge of the canvas.

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And make it just a little bit darker than

you want it to be, because it's going to

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continually mix with the liquid white this

on the canvas and automatically your color

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is going to get a little bit lighter.

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Yeah.

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When I had that old Brown on there.

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Let's just do something like,

yes, this is just the Brown

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made from Crimson and SAP green.

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That's all it is like.

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Yeah.

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That's, that's what we're looking for.

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Fun time.

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Let me wash the old brush.

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I just like to wash the brush.

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Okay.

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And we wash our brush with

odorless paint thinner in the

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bottom of this little bucket here.

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There's a screen that I scrubbed it.

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Bristles against that allows us

solid materials to sort of scroll to

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the bottom, kick the bucket there.

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And, uh, if you're solid material

settled to the bottom and it keeps

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your paint thinner, relatively clean.

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Okay.

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I'm going to a little bit of titanium

white, just in the corner of the brush.

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Start right here in the center

and begin working around all

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the way around and work outward,

continually blending out for today.

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We start in the light area

and work toward the dark.

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If you reverse that, you're going to

lose your nice light area in the center.

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And you just blend this out to this nice

and smooth, and you can't tell where

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one color stops and the next color stop.

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Is there something about

like it, there we are.

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Okay.

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I'm just speeding the brush to

remove any excess paint off of it.

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And we can blend the entire sky area.

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We're basically in business.

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That's all I'm going to

do for this little sky.

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It's very simple.

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It works well.

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And it's gorgeous and we

get to wash the brush again.

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That's really the most fun

part of this whole technique

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there.

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All right.

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Let's take, let's take a little Brown.

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That's the same Brown we made us.

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The only Brown we're using today

is just the Crimson, SAFT green.

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Be right back.

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I'm gonna get a little

white and mixed with it.

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So we make a light color Brown like

yeah, maybe a little more white.

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All right, let me wipe the knife.

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And today I'll tell you let's

use the, she was a fan brush.

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I'm going to load both

sides full of color.

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Just work it right through

the paint about my cat.

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Let me get a little more white.

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I won't that a little lighter.

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Yeah, maybe shoot.

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Let's get crazy.

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Add a little bit of yellow ochre to it.

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I like that better.

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It's warmer.

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Okay.

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Let's go up in here.

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Now, maybe in our world here,

there's a little tree line and

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it comes right here and all we're

going to do is just begin to happen.

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The canvas that's all

there is to it there.

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See just half these.

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And I want them to just sort of

disappear out here in the edge.

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Color is almost the same.

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They're almost the same.

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There we go.

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But all we're doing is just

tapping downward with a fan brush.

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Very, very easy.

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Even if you've never painted

this one, you can do.

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It's very easy.

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Little painting, kick a little more color.

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Maybe these go.

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We don't know.

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I don't know.

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Over here somewhere, you

make the big decision.

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That's what's fun about painting is you

get to control complete worlds here.

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Okay.

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Back to my two inch brush.

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Now, all I want to do

is just tap it, tap it.

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So the splint is right out.

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You can even tap a little bit

of titanium white on your brush.

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You want to create a

more distinct Misty area.

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Tap it in that.

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Easy up to you to you.

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All right now, maybe in our world.

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I can get a little more

of that Brown on my brush.

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Maybe there's another layer of

little trees and stuff that live

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back here in the background.

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As things get closer to you

in a landscape, do you want

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them to get darker and darker?

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So we just add a little more

Brown to that same color load.

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The fan brush back up are these

trees in my mind are a little closer.

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So we're going to see more detail.

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Take the corner of the brush.

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Just the corner.

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It began working down the tree down

downtown, like it just like it.

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And we just put in a few little

indications here, according

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to the brush, she worked down

applied more and more pressure.

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You've bending the bristles downward,

forcing them downward there.

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Okay.

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Let's have one more.

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What the heck?

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Just make a little clump of trees

here and maybe in our world.

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You're right.

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There's one.

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You just decide where they live.

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Drop a man.

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Drop him in there's another one.

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Okay.

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Turn the brush over.

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Use the other side.

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You use both sides.

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We're not concerned in here.

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All we're looking for is basic shape.

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Basic shape, maybe has a big one lives.

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Here we go.

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Strong tree.

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There he comes.

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They live right here in your fan brush.

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Sometimes you have to

sorta secure them out.

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There we go.

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Shoot.

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It's working so well now you stop it.

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You know,

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once again you decide how many

trees live in your world in some

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of the bushy areas back here.

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Take it the same color on the knife

and just put the indication of little

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things that are happening in between.

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This is how you turn a few

trees into a lot of trees.

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There we go.

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Now, he's not sure how many

trees live in that clump.

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Same thing over here.

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Just hearing there.

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Let's go to the two inch brush.

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We'll go into some Brown, little

white in it, maybe in our world.

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This comes.

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Yep.

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If you're right, right over, like

cat will need a little place for

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all those new trees to stay on.

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And there it is.

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I can't

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where we got that old brush going.

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I'm going to go into a little yellow,

we'll get a little SAP green on the brush.

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Same old brush and I haven't cleaned it.

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I want the colors to stay in the

earth tone, so I don't want to get

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them too dark when I'm light airy.

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When you do yours, you

decide what color you want.

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Okay.

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Let's go back up in here.

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Same old brush and we'll just have been

some nice little highlights on this.

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Just a nice little highlights, yellow

ochre, Andy and yellow, cadmium yellow,

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little SAP, green, just whatever.

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You make the decision there?

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I know.

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I know.

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I know.

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I know.

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Sometimes I, you see, thanks.

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You had this little opening right here.

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You'd have to put a

little cabin right there.

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That's a great, better LASIK little shape

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there.

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And we scrape it just

to remove excess paint.

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Give us a general idea of where

we're going and we'll take a

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little Brown and just begin.

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That's began figuring out all

of our little angles there

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we are over on this side.

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Maybe it comes out here like that.

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I don't know.

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It's up to you down under here.

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Here we are.

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And down to, at this point,

you're not committed.

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I know maybe.

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Yep.

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Let's get crazy.

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Maybe there's a little, maybe

a little shit on his cabin.

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You need a place to, to put you tools

right there or you efficient tackle.

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I'd rather put my fishing tackle in there.

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All right, we'll take a little bit Brown.

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Let's get some bright red, nice color.

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Nice color.

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Just makes you feel good.

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Bright red, white little

at Brown we made don't.

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Overmix it leave it marbly.

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If that's a word, cut off a little roll

of paint and let's go up here and just

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let that bounce right down the side.

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Just so it looks like maybe

old shingles are falling off.

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The roof times are hard out here.

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We are there.

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I like to make old buildings

and stuff that look like they've

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had, they've had a rough life.

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They're okay.

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Maybe I'll take a little white, a little

bit of that Brown without the red.

263

00:12:53,689 --> 00:12:58,699

And would that it's just pretend

creation of some highlights there

264

00:13:01,550 --> 00:13:03,589

and a little bit more in there.

265

00:13:04,500 --> 00:13:05,819

Making the front a little brighter.

266

00:13:06,209 --> 00:13:11,189

So it stands out both the whole knife.

267

00:13:12,709 --> 00:13:16,040

And he'd take a little that Brown paint

on the edge of the knife and just make it

268

00:13:16,040 --> 00:13:17,540

look like old boards that live in there.

269

00:13:18,410 --> 00:13:24,949

Say they're just on board now back to

our roof color and let's put a roof right

270

00:13:24,949 --> 00:13:30,350

here on this little shed, got to make

those little noises or it doesn't work.

271

00:13:32,280 --> 00:13:33,120

Just Brown and white.

272

00:13:33,120 --> 00:13:35,670

Again, to be a little bit out there,

273

00:13:39,080 --> 00:13:40,310

we'll put some little boards in there.

274

00:13:41,810 --> 00:13:44,240

I can't shoot.

275

00:13:44,240 --> 00:13:52,190

That's about, got to give us some

basic little shape here, there,

276

00:13:52,550 --> 00:13:55,790

and then you can just use the brush

to cut off wherever you want it.

277

00:13:57,410 --> 00:13:57,920

I care.

278

00:13:59,750 --> 00:14:00,680

Let's take a little Brown.

279

00:14:01,455 --> 00:14:06,135

On the small edge of the knife to just

put a little window in there, maybe

280

00:14:06,135 --> 00:14:10,245

one right there that easy, that easy.

281

00:14:12,015 --> 00:14:12,735

All right.

282

00:14:12,765 --> 00:14:18,585

Back to all of her little colors,

just begin working at down like that.

283

00:14:21,209 --> 00:14:25,800

I take old two inch brush, a little bit

of that Brown on it in here and there,

284

00:14:25,800 --> 00:14:29,910

we can just have him using the top

corner indication of some little bushes

285

00:14:29,910 --> 00:14:34,219

that live in there, wherever, wherever.

286

00:14:41,295 --> 00:14:47,835

Very soft, very gentle

and like, can my brush.

287

00:14:47,835 --> 00:14:49,995

It has some, some of

that Brown we made on it.

288

00:14:50,685 --> 00:14:51,885

Let's pull this straight down.

289

00:14:54,314 --> 00:14:59,925

We'll make a little reflection right

there in the water there straight down.

290

00:15:00,005 --> 00:15:04,005

It's most important that it goes

straight down and then go across.

291

00:15:05,295 --> 00:15:05,385

Okay.

292

00:15:05,745 --> 00:15:08,925

Creates that illusion of a

reflection wood lives right there.

293

00:15:09,015 --> 00:15:11,775

That easy, that easy.

294

00:15:12,615 --> 00:15:14,474

Well, we got the old

Brown brush go in here.

295

00:15:15,525 --> 00:15:22,454

If you're ready, maybe in our world and

their lives just a big old, Ooh, there

296

00:15:22,454 --> 00:15:26,805

goes my say evergreen, but it's not wasted

because we learned how to make them.

297

00:15:27,584 --> 00:15:31,005

Anytime you learn,

certainly is not failure.

298

00:15:35,310 --> 00:15:35,969

All right.

299

00:15:36,719 --> 00:15:37,980

Let's use the top corner that over.

300

00:15:37,980 --> 00:15:42,240

I shouldn't tap in indication

here and there just a big old tree

301

00:15:42,240 --> 00:15:44,500

that lives out here, down in here.

302

00:15:44,500 --> 00:15:46,560

And I'll go into a little

bit of left midnight black.

303

00:15:46,949 --> 00:15:48,209

I want it to be darker in here.

304

00:15:48,750 --> 00:15:52,050

Deep shadow the shadow in there.

305

00:15:54,180 --> 00:15:55,680

Maybe it comes all the way down.

306

00:15:57,390 --> 00:15:57,780

I don't know.

307

00:15:57,990 --> 00:15:58,890

You make the decision.

308

00:16:03,165 --> 00:16:04,725

Let's bring it all the

way down into the front.

309

00:16:05,885 --> 00:16:06,545

It's our world.

310

00:16:06,545 --> 00:16:08,885

And we can do anything

here that we want to do.

311

00:16:10,355 --> 00:16:12,605

This is at Brown we've made with

just a little black in it too.

312

00:16:15,425 --> 00:16:15,965

All right.

313

00:16:18,935 --> 00:16:21,425

And this painting one thing I

like about it, it uses a very

314

00:16:21,425 --> 00:16:23,705

limited palette by limited palette.

315

00:16:23,705 --> 00:16:25,895

That means very, very few colors.

316

00:16:27,330 --> 00:16:28,140

Very few colors.

317

00:16:28,140 --> 00:16:32,280

It's not something you have to

have a million colors to do there.

318

00:16:32,910 --> 00:16:34,710

You can do this one very easy.

319

00:16:35,520 --> 00:16:41,430

We'll take a liner brush, go into a little

bit of dark with one side and let's see,

320

00:16:41,850 --> 00:16:43,439

let me get a little liquid white up here.

321

00:16:45,480 --> 00:16:45,960

Okay.

322

00:16:45,990 --> 00:16:47,520

A little, a little, the dark color.

323

00:16:48,150 --> 00:16:50,810

Then one side of it, only through

a little bit of light color.

324

00:16:50,819 --> 00:16:55,650

We can go in here and this just creates

indication of little, like little stones.

325

00:16:56,550 --> 00:16:57,270

Then paint.

326

00:16:58,680 --> 00:17:00,180

It just like we do with a little Filbert.

327

00:17:00,200 --> 00:17:02,280

Don't even do it with a liner

and it looks like little stones

328

00:17:02,280 --> 00:17:03,540

that live all back in here.

329

00:17:03,960 --> 00:17:06,530

Tiny little it's right there.

330

00:17:09,200 --> 00:17:09,740

Okay.

331

00:17:09,740 --> 00:17:11,250

Let's take a look.

332

00:17:11,250 --> 00:17:12,800

I got a number three fan brush here.

333

00:17:14,089 --> 00:17:16,130

We load one side with dark.

334

00:17:17,510 --> 00:17:19,130

Then I'll come right over here.

335

00:17:19,460 --> 00:17:22,190

Get a little delight

color on one side only.

336

00:17:22,190 --> 00:17:23,450

So I got light, dark.

337

00:17:24,765 --> 00:17:25,545

Let's go up in here.

338

00:17:26,535 --> 00:17:29,535

Maybe we can make out the indication

of a few little tree trunks live

339

00:17:29,535 --> 00:17:31,625

back in here, just here and there.

340

00:17:31,655 --> 00:17:38,045

There's a few, just a few little

happy things back to our liner brush.

341

00:17:38,045 --> 00:17:41,105

And I'm adding paint thinner

because the thin paint, as you

342

00:17:41,105 --> 00:17:45,785

know, we'll go over the top of the

thick paint without mixing so bad.

343

00:17:46,475 --> 00:17:47,165

Turn that brush.

344

00:17:47,165 --> 00:17:48,725

It brings it to a nice sharp point.

345

00:17:49,685 --> 00:17:50,705

Holes, a lot of paint.

346

00:17:50,795 --> 00:17:51,605

See there, you can see it.

347

00:17:51,975 --> 00:17:52,274

Okay.

348

00:17:53,054 --> 00:17:58,004

Now with that, we can go back in here

and put the indication of a few old Elms

349

00:17:58,004 --> 00:17:59,774

and branches that live out in our world.

350

00:18:00,405 --> 00:18:02,264

Just a few here and there.

351

00:18:03,554 --> 00:18:04,725

Some of them show some of them.

352

00:18:04,725 --> 00:18:05,504

Don't it's up to you.

353

00:18:08,280 --> 00:18:11,340

And shoot out the shoes to X

person and make any difference.

354

00:18:11,639 --> 00:18:12,629

Whatever works for you.

355

00:18:13,350 --> 00:18:17,700

A little bit of green, green, a

little bit of yellow, blue, yellow

356

00:18:17,700 --> 00:18:19,409

ochre, but mostly in the yellows.

357

00:18:20,340 --> 00:18:20,580

Okay.

358

00:18:20,580 --> 00:18:22,500

Let's go up in here, man.

359

00:18:22,510 --> 00:18:25,620

Maybe back in here and we'll

just tap in indication.

360

00:18:27,889 --> 00:18:30,080

Just a few highlights from

some of these trees don't want

361

00:18:30,080 --> 00:18:31,220

much is in the background.

362

00:18:33,200 --> 00:18:34,370

Just a few little things.

363

00:18:36,060 --> 00:18:37,020

A few little things.

364

00:18:38,580 --> 00:18:39,270

All right.

365

00:18:40,530 --> 00:18:43,950

That's probably about enough for that

because I'm going to put some trees,

366

00:18:43,950 --> 00:18:47,550

I think, in the foreground, get a

little paint thinner on there on a

367

00:18:47,560 --> 00:18:50,760

thin that let's go into some yellow.

368

00:18:51,570 --> 00:18:52,860

We use some cadmium yellow.

369

00:18:54,510 --> 00:18:54,900

All right.

370

00:18:55,170 --> 00:18:56,940

So yeah, all I'm doing

is tapping the corner.

371

00:18:56,940 --> 00:18:57,930

You can see it very close there.

372

00:18:57,930 --> 00:18:59,250

It's a beautiful closeup shot.

373

00:18:59,250 --> 00:18:59,850

Thanks Cathy.

374

00:19:01,290 --> 00:19:02,850

All right, let's go right up in here.

375

00:19:04,030 --> 00:19:06,430

Maybe right here lives a little Bush.

376

00:19:08,895 --> 00:19:12,465

If you have trouble making the

paint stick, all you need to do is

377

00:19:12,465 --> 00:19:16,385

add a little bit of paint, thinner,

a little bit of paint thinner.

378

00:19:17,495 --> 00:19:21,995

Doesn't take much or liquid

white, so you can dip it in the

379

00:19:21,995 --> 00:19:24,514

liquid wine and the liquid white.

380

00:19:25,085 --> 00:19:25,655

Let's just do it.

381

00:19:25,865 --> 00:19:27,215

It'll make it a little bit brighter.

382

00:19:29,465 --> 00:19:32,885

They're all right.

383

00:19:32,915 --> 00:19:34,535

I think it's time for a brave retest.

384

00:19:36,750 --> 00:19:37,140

Ready.

385

00:19:38,420 --> 00:19:39,380

All right, let's go.

386

00:19:39,620 --> 00:19:42,560

Let's go into straight Brown

that Brown that we've made.

387

00:19:43,940 --> 00:19:45,140

And we'll put a little black in there too.

388

00:19:45,140 --> 00:19:48,290

I want a dark and strong, a

lot of paint on the brush.

389

00:19:49,790 --> 00:19:50,360

All right.

390

00:19:50,360 --> 00:19:51,800

Here's your bravery tests?

391

00:19:53,930 --> 00:19:55,340

Ooh, that's scary.

392

00:19:55,340 --> 00:19:55,610

Isn't it?

393

00:19:56,710 --> 00:19:57,620

Isn't that scary.

394

00:19:58,790 --> 00:20:00,530

Worked on it so long and so hard.

395

00:20:00,530 --> 00:20:03,110

And then some crazy guy tells you just to.

396

00:20:03,495 --> 00:20:05,325

Draw a big old tree right there.

397

00:20:05,325 --> 00:20:05,745

Two of them.

398

00:20:06,044 --> 00:20:06,554

I like too.

399

00:20:07,784 --> 00:20:09,975

He needs a Fran there.

400

00:20:11,534 --> 00:20:12,044

All right.

401

00:20:12,075 --> 00:20:16,605

We'll take a little, little touch

of the little touch of the white

402

00:20:20,504 --> 00:20:23,115

and light seems to be coming

from the left in this painting.

403

00:20:23,145 --> 00:20:27,135

So we'll take, and to give it

a little, a little pool, let

404

00:20:27,135 --> 00:20:28,425

me kiss a little Birch tree.

405

00:20:28,935 --> 00:20:32,504

Something about like cat titanium, white.

406

00:20:33,480 --> 00:20:36,510

He put a little Brown in

it, if you want to just too.

407

00:20:36,780 --> 00:20:41,580

So it follows along with everything else

in the painting a little bit on this tree.

408

00:20:42,699 --> 00:20:46,250

Here we go there.

409

00:20:47,300 --> 00:20:50,060

And sometime you can see a little

reflected light on the other side.

410

00:20:50,510 --> 00:20:51,199

That's okay.

411

00:20:52,370 --> 00:20:53,540

You make it any way you want it.

412

00:20:54,590 --> 00:20:54,679

Okay.

413

00:20:55,520 --> 00:20:59,960

Napkin back to her liner, brush

a little bit of the Brown.

414

00:21:01,620 --> 00:21:03,120

They used to be very, very thin though.

415

00:21:03,420 --> 00:21:04,920

So it will flow right across there.

416

00:21:05,670 --> 00:21:07,500

A lot of it was a lot

of pain in the brush.

417

00:21:08,790 --> 00:21:09,840

All right, let's go up in here.

418

00:21:11,220 --> 00:21:13,080

Maybe there's a big old

lamb that lifts that cap.

419

00:21:13,080 --> 00:21:14,430

You're right, right out here.

420

00:21:15,800 --> 00:21:16,610

There we go.

421

00:21:18,320 --> 00:21:18,980

Let's see.

422

00:21:18,980 --> 00:21:20,450

This one needs an Armani too.

423

00:21:20,540 --> 00:21:23,960

We don't want him left out old trees.

424

00:21:23,960 --> 00:21:27,590

Got to have an Armani reach

appearing, gather the sunlight.

425

00:21:28,280 --> 00:21:29,960

Birds can have a place to sit too.

426

00:21:31,245 --> 00:21:31,605

Shoot.

427

00:21:31,605 --> 00:21:34,365

You don't want him out

here with no place to sit.

428

00:21:36,095 --> 00:21:36,605

All right.

429

00:21:38,675 --> 00:21:41,375

And when you do yours, you put as

many limbs on your tree, as you want.

430

00:21:42,635 --> 00:21:44,375

I think today I'll use the old oval brush.

431

00:21:44,395 --> 00:21:46,295

We'll put a little SAP Marine on it.

432

00:21:46,535 --> 00:21:48,245

Maybe even a little bit

Brown to dull it in.

433

00:21:48,245 --> 00:21:49,235

We'll go into our yellows.

434

00:21:49,235 --> 00:21:49,685

Here it is.

435

00:21:51,965 --> 00:21:54,935

They're little green,

little yellow, yellow ochre.

436

00:21:55,695 --> 00:21:59,625

All the yellows, give it a

little push at loads, a little

437

00:21:59,655 --> 00:22:01,065

rigid paint right on the end.

438

00:22:02,055 --> 00:22:06,045

And we can go up in here and we can

just touch the canvas and tap into

439

00:22:06,045 --> 00:22:11,345

indication of some, some little

leaves that live out here, there.

440

00:22:11,345 --> 00:22:17,285

See, you decide where

and how many, all right.

441

00:22:20,165 --> 00:22:21,275

Super little thing.

442

00:22:21,455 --> 00:22:22,505

That's all there is to it.

443

00:22:24,385 --> 00:22:26,865

Little oval brush works so

good for these kinds of things.

444

00:22:28,365 --> 00:22:31,695

Yeah, we can go right back and I

won't use the old two inch brush.

445

00:22:31,695 --> 00:22:32,585

That's working pretty good.

446

00:22:32,955 --> 00:22:34,095

Put a little paint thinner on it.

447

00:22:35,535 --> 00:22:36,615

Just the top corner.

448

00:22:38,025 --> 00:22:40,875

And let's put the indication here and

there and there in here get a little

449

00:22:40,875 --> 00:22:44,985

red in there too, of just some little

bushes that live, all that in here.

450

00:22:46,365 --> 00:22:47,745

Do one little Bush at a time.

451

00:22:48,445 --> 00:22:49,575

Don't get in a hurry.

452

00:22:51,060 --> 00:22:55,590

One Bush at a time, just

met these little Rascals go.

453

00:22:57,540 --> 00:23:01,520

There is another one, but doing one

at a time, it creates the illusion of

454

00:23:01,520 --> 00:23:02,810

depth and distance in your painting.

455

00:23:02,870 --> 00:23:03,889

I had a little SAP green.

456

00:23:03,889 --> 00:23:03,949

Yeah.

457

00:23:05,240 --> 00:23:07,459

Make a little darker color

when this right in there.

458

00:23:09,080 --> 00:23:11,899

Something like, so, and this is

a good way to clean up the foot.

459

00:23:11,899 --> 00:23:17,209

So those trees just put a little Bush in

front of them and then they, they fit.

460

00:23:17,990 --> 00:23:18,709

Then they fit.

461

00:23:19,665 --> 00:23:20,715

Let's have some fun today.

462

00:23:22,515 --> 00:23:23,025

Everyone swell.

463

00:23:23,035 --> 00:23:27,405

You need to get crazy, but a

little liquid white on the canvas.

464

00:23:31,055 --> 00:23:31,145

Okay.

465

00:23:31,205 --> 00:23:31,685

Maybe.

466

00:23:32,045 --> 00:23:34,175

And I'm really not a floral

painter, but maybe there's a

467

00:23:34,175 --> 00:23:35,465

few little daisies out here.

468

00:23:35,585 --> 00:23:39,515

We need a net here to paint florals

or partner, and that's one of the

469

00:23:39,515 --> 00:23:40,985

best floral painters in the country.

470

00:23:42,785 --> 00:23:43,895

I'm gonna get her on hair one day.

471

00:23:44,195 --> 00:23:45,575

We'll have her just do some flowers.

472

00:23:45,575 --> 00:23:47,345

Let's you see how easy they can be.

473

00:23:48,960 --> 00:23:49,620

There.

474

00:23:51,240 --> 00:23:51,840

All right.

475

00:23:53,190 --> 00:23:54,780

And you put as many as you want in there.

476

00:23:56,120 --> 00:23:57,650

Just the middle indications though.

477

00:23:58,310 --> 00:24:00,440

Look like little daisies or

something that live out here.

478

00:24:02,390 --> 00:24:03,500

And these are so simple to do.

479

00:24:03,530 --> 00:24:08,600

Anybody can do these little Rascals

and I take a little red and yellow,

480

00:24:08,600 --> 00:24:12,860

mix it together, make it look like

orange and we just touch each one.

481

00:24:12,860 --> 00:24:13,040

Right?

482

00:24:13,100 --> 00:24:16,550

The side, give you indication of a little.

483

00:24:17,275 --> 00:24:20,895

Little center button and other

daisies that a bit of Brown hair.

484

00:24:20,895 --> 00:24:22,635

And then we can put in

some sticks and twigs

485

00:24:26,045 --> 00:24:27,125

something about my kid.

486

00:24:27,935 --> 00:24:31,445

And you can always take the knife and cut

in the sticks just by scraping through the

487

00:24:31,445 --> 00:24:34,745

paint wherever you think they should live.

488

00:24:36,605 --> 00:24:36,935

Shoot.

489

00:24:36,935 --> 00:24:39,665

I think we, I think we've got a

little finished painting here.

490

00:24:40,355 --> 00:24:43,865

It's a very simple little painting and

on the oval, it makes it very unique.

491

00:24:44,315 --> 00:24:46,595

It's a wonderful gift to give

to friends and relatives.

492

00:24:47,230 --> 00:24:48,150

Hope you try this one.

493

00:24:48,990 --> 00:24:49,740

You'll enjoy it.

494

00:24:49,800 --> 00:24:50,580

Make you happy.

495

00:24:51,510 --> 00:24:52,140

We'll sign it.

496

00:24:53,310 --> 00:24:56,040

Call it complete from all of us here.

497

00:24:56,700 --> 00:24:58,200

I'd like to wish you happy painting.

498

00:24:58,560 --> 00:24:59,910

Thank you for being with us today.

499

00:25:00,140 --> 00:25:01,230

God bless my friend.

End .srt file.

Bob Ross' The Joy of Painting

Thursday, December 31, 2020

S27E06 - Daisies At Dawn

Bob Ross's

The Joy of Painting

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