Bob Ross's

The Joy of Painting

S30E04 - Wilderness Trail

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Hi, welcome back.

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Certainly glad you could join us today

because they thought I'd do a painting.

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It's just a lot of fun.

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I think you'll enjoy it.

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Let's start out and have him run

all the colors across the screen

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that you need to paint along with

this while they're doing that.

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Let me show you what

I've got done up here.

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Have my standard O 18 by 24 inch canvas,

double prime pre stretched today.

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I've covered it with a very

thin coat of just black Jesso.

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Just covered the entire canvas and

allowed that to dry completely.

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On top of the black Jess, so that

we've put a little bit of liquid clear.

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Let me say that again a little bit.

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It takes very, very small amount to

make it work well clear, still wet.

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Then we've added a little

bit of color to it.

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And today I've chosen pressure and blue,

a little bit of SAP green and a little

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bit abandoned Brown just covered the

entire canvas and that's still wet.

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So that allows us to do

some fantastic things.

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I think you'll enjoy it.

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I start off with day.

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We'll use a little fan brush, a little

bit of titanium, white, just a little,

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little color red onto the brush.

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There we are.

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And let's go up here and just,

let's just have some fun.

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This is a day you can just be crazy.

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Just spin things around, let them

just dance and play in a Lala.

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See, there you go.

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No big deal.

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Just enjoy.

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Just enjoy, just spin it.

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Make all kinds of little shapes

and designs, whatever you want.

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They're just dance it in like,

so it's just very loose and free.

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Let it happen, let it happen.

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Cause we don't care.

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We don't make mistakes.

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Cause you know, all we do is have

happy accidents in our world.

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So the worst thing can

happen here is wonderful.

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Don't worry about it.

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Don't worry about it.

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Oils are so forgiving that we really

don't worry about mistakes to be

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a little bit over in here too.

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What the heck?

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It's your world.

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So you decide, and you can decide how

bright you want this or, or how dark.

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It doesn't matter anyway, that

you wanted any old way there.

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Okay.

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Let me grab a two inch brush.

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There we go.

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Make sure it's good and dry

with the old two inch brush.

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I'm just going to take the corner

of it and very gently, just

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begin sort of winding this up.

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Just blending it a little bit.

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I don't want to lose all those

little shapes, but we just sort

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of want to blend it together.

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How about my cat?

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That's really bad.

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All we're looking for.

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Just, we're just making

a little background.

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It'll end up being far, far away.

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Turn it a little bit to one direction.

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And then, then maybe a little

bit to the other direction.

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It doesn't matter.

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There, this is, as I say, just going

to be background material, I tell you

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what I'm going to do a big forest today.

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Thank you.

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I'll do that.

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And this'll end up just being some shapes

that are shining through the trees are far

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away and that's about all I want today.

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All right.

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Let's have some fun already.

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Let's take, we'll use the same brush.

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What the heck?

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I'm going to a little pressure

and blue pick up a little bit of

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black, maybe even a little Brown.

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I like it.

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I'm going to get some Crimson too.

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I like it too.

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They're maybe a little more Crimson

now then, but notice we're just

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tapping, just tapping one corner,

basically right into the paint.

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Let's go up in here.

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Now there, maybe there's some

indications of some trees that

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live far, far away back here.

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We'll just use the old two inch brush and

just begin tapping in some basic shapes.

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It's all we're looking for.

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Don't, don't worry about

a lot of detail here.

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We really don't care.

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All we're looking for is just basic

shapes something about like, so there.

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Just sorta let it happen.

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Right.

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And over in here, we don't,

we'll just drop the air.

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I'm going to add the least, little bit

of titanium white to my color, just

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so it stands out against the dark.

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Oh, you need dark to show

light and light to show dark.

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It's just like in life, you need

a little sorrow in your life.

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So, you know, when the

good times happen there.

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All right, I'm ready for a

good time right now though.

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Now I'm going to go into a

little bit of the titanium white.

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This is just basically.

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Titanium white.

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And let's pick out a few little

things that will separate and

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make them a little different.

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Like there's trees in front, some

behind it still looks bluish, but it

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has a little touch of titanium white in

it, just as a little separated there.

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See, it looks like layers and layers

and layers of them trees far away.

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There we go.

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And just by doing this, you can

create many, many layers of trees.

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We're going to have a forest.

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We need a lot of trees.

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Shoot.

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All my little friends, have to have

a little place to live out here.

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All right.

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Should we get this

painting finished already.

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I can take him to just a second.

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You using these big old two inch brushes.

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You can really, you can cover some

space very quickly and you can do

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some detail that people will think

that you've, that you spent forever

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with little one here at brush.

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Just worked yourself to ditch.

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That's our secret.

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Let's take a little flight, a little dark

Sienna, a little van back in there too

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on the darknet more that it's better.

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Maybe a little roll of paint lives

right on the edge of the knife.

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See there.

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So right here on the very tippy end of

the knife, then we can go up here and

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just here and there and they're in here.

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I just want to put the indication

that maybe there's a few little

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tree trunks that you can see.

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I don't want many, just a few.

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They sorta hide back in here

and that's really enough.

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And then very lightly we can sort of

blend those right into the painting.

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Three hairs in some air,

just barely touching.

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See, sort of pushes them back, but

it gives you the indication that

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maybe there's some tree trunks for

those little trees back in there.

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Okay.

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Let's mix up some dark color.

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Let's take.

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Oh right there we go.

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Good.

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We'll use pressure and blues and

midnights black Vandyke Brown.

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What the heck?

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Crimson and SAP green.

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Oh, your dark colors.

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Just throw them in there

really doesn't matter.

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We're looking for a dark color

that has both blue and green in it.

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Other than that, no big deal.

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Let me wipe the old knife here.

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We just wiped the knife on a paper

towel, keep it clean and let me

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get a clean brush up and of dirty.

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I want this to be very dark.

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We use another two inch brush tap a

little color right into the bristles.

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So you just give it a little push.

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Boop, boop, boop, like that.

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All right, let's go right up in here.

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We have to start making some

major decisions in our world.

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I want some big trees.

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I mean, big, big trees.

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So, okay.

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I know this is scary to jump up

here in the middle of your painting

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and decided this is going to be a

big tree that lives right there.

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There he comes.

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He was the corner of the brush, just the

corner, just the corner and let it go.

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see.

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See, there you go, wherever.

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And all we're doing is putting

in some dark background.

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So our light color was show

we're going to come back.

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We're going to put some leaves on all

these trees, nice greenery, but we

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have to have the dark in order for

the light to show there, there was

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all your little trees you work so

hard for, but they're still there.

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We know they're back here

to test working so good.

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Yeah, why not?

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I know you say, Hey Bob, you've

done it this time, maybe.

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So we'll just drop it in.

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Don't worry about it.

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As you know, we, we don't make any

mistakes here, so we don't care about it.

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Really.

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Don't worry.

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No painting.

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Painting should be fun.

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It'd be, should be

something that makes you.

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Just enjoy life.

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I think it's painting will do for you.

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I get letters every day that attest to

this painting will make you see nature.

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Right.

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And they tell me there's been

a tree living in my front yard

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for 20 years and I never saw it.

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Never saw it until I started painting.

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And I went out the other day and I

made friends with the old tree in the

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yard and understanding now I see color.

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I see shape.

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I see, I see why he's so

special in God's world.

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And painting can open these doors for you.

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I keep a yak in here in a painting.

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We're not going to have anything

left for our background trees.

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There, as long as you have the practice

of making them, that's really all the

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counts, because if you can make one

tree, you can make a million trees.

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Okay.

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Now we got some dark color in there.

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Let's ask some fun now.

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There's a fan brush.

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That's got a little white on it.

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I'm going to take, I'm going to

put Brown, just Vandyke Brown on

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one side and white on the other.

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So it's darker.

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One side white on the other.

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Okay.

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Now then let's see our lights coming right

through here and hitting all these trees.

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Keep her dark side over there

and we can make a tree truck

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and make both sides at one time.

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Dark and light a little more of

the dark, little more of the light.

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You decide where they live.

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There's another one.

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There's another one over,

in the other side here.

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Add a little touch of

paint, thinner to my brush.

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Then the paint, just a little

sort of slide off there.

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Easier over here.

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There is once.

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Just let it, let it go.

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A little more color.

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I don't know.

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Sometimes you just see indications,

little parts of some that are hiding.

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We back in there, you decide later

where they are and where they live.

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Mean, we'll take this brush here.

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Yeah.

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That's okay.

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We'll just use it any way.

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It's dirty.

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But if we go right into the yellow,

since it has blue and black in it,

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it'll make a beautiful green color.

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See that easy, get a little yellow ochre.

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We'll add a little Indian, yellow,

and, and, and every so often I'm going

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to touch a little, this bright red.

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I know you say, why are you hitting red?

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Because red and green are opposites

and it will dull the green.

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All right.

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Push though.

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You see that little Ridge right there.

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We're trying to get one, just

like it on the end of the brush.

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So yet beautiful closeup shot.

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They're going to have to

give Kathy arrays there.

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We are Kings scoping here.

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Now then let's begin finding

our individual trees.

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Just use the corner of the brush

and begin picking them out.

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Just use the corner of the

brush load a little more color.

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Don't be afraid to, to load

some paint on your brush.

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There we go.

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Just drop them in.

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Think about basic shape, basic form.

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And off you go off you go.

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You should only be limited here

by your imagination because your

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imagination can take you to any

world that you want to go to.

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And with a little practice, you can

create any illusion that your heart

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desires, at least on the piece of canvas.

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There I go home and try

that and get in big trouble.

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But here I can do anything that I want.

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Any old thing.

255

00:12:29,805 --> 00:12:30,645

It's my world.

256

00:12:31,935 --> 00:12:34,125

Take a little SAP green

add right in there.

257

00:12:34,425 --> 00:12:37,005

I'm going to put the least little

bit of paint thinner on the brush.

258

00:12:37,395 --> 00:12:41,595

Remember our golden rule, a thin

paint will stick to a thick paint.

259

00:12:41,595 --> 00:12:46,905

So if then this just enough to

make it a little bit thinner

260

00:12:46,905 --> 00:12:47,955

than what's up on the canvas.

261

00:12:47,955 --> 00:12:48,855

That's what we're looking for.

262

00:12:48,945 --> 00:12:53,025

Scoping here and here

comes this whole rascal.

263

00:12:53,475 --> 00:12:55,635

There it is there.

264

00:12:55,635 --> 00:12:55,995

Yes.

265

00:12:56,415 --> 00:13:01,625

Sam just drop him in once again.

266

00:13:01,655 --> 00:13:03,665

I know you get tired of

hearing it, but it's important.

267

00:13:04,025 --> 00:13:05,915

Think about shape and form.

268

00:13:06,605 --> 00:13:09,545

Don't just, don't just get

carried away and drop a man.

269

00:13:09,965 --> 00:13:13,145

I know it, it gets feeling good and

you don't, you don't want to stop

270

00:13:13,655 --> 00:13:16,055

and off you go, but take your time.

271

00:13:17,315 --> 00:13:18,035

Take your time.

272

00:13:18,035 --> 00:13:20,345

You have no time

restraints hardly at home.

273

00:13:21,750 --> 00:13:25,650

You could just play and

have a good time there.

274

00:13:26,979 --> 00:13:28,859

See, I want it to get

darker and less and less.

275

00:13:29,189 --> 00:13:30,989

That's a little quiet area back here.

276

00:13:31,839 --> 00:13:32,160

Okay.

277

00:13:32,209 --> 00:13:36,170

Let's go from the other side, that

tree and that tree over here said

278

00:13:36,170 --> 00:13:37,239

he didn't want to be left out.

279

00:13:37,310 --> 00:13:38,239

He was talking to me.

280

00:13:38,930 --> 00:13:40,069

I'm not going to leave him out.

281

00:13:41,390 --> 00:13:44,449

We'll put a little, a little

bit of greenery on him, too.

282

00:13:45,314 --> 00:13:47,685

That we set, our light was coming

through right through there.

283

00:13:47,895 --> 00:13:50,324

So we had more over in this side,

didn't you do the other side?

284

00:13:52,365 --> 00:13:55,425

So it gives that impression

of roundness for the tree.

285

00:13:56,805 --> 00:13:57,584

There we go.

286

00:13:59,805 --> 00:14:03,405

And then a neat way of making a

lot of leaves on trees very easily.

287

00:14:04,995 --> 00:14:07,214

Now, if the two inch

brushing intimidate, you.

288

00:14:08,160 --> 00:14:11,640

And it does at first, when you first

start painting, that's a big brush.

289

00:14:11,670 --> 00:14:14,190

It looks just like what you

painted the barn with last week.

290

00:14:15,630 --> 00:14:17,790

If he didn't intimidate you, when

you first started using the one

291

00:14:17,790 --> 00:14:19,590

inch brush, it'll work just as well.

292

00:14:19,890 --> 00:14:20,850

It's just slower.

293

00:14:21,870 --> 00:14:25,430

Just takes a little longer there.

294

00:14:25,640 --> 00:14:30,380

So, but either one of the

brushes will work and you can

295

00:14:30,380 --> 00:14:32,150

make just gorgeous foliage.

296

00:14:34,160 --> 00:14:36,920

It's really unbelievable

what you can make with it.

297

00:14:38,085 --> 00:14:45,555

There add a little bit more paint and

maybe, yeah, we'll put the indication

298

00:14:45,555 --> 00:14:46,935

or something right along in here that.

299

00:14:47,340 --> 00:14:48,930

It just hangs right over this old tree.

300

00:14:49,500 --> 00:14:50,400

What the heck?

301

00:14:51,540 --> 00:14:52,410

We can have it anywhere.

302

00:14:52,410 --> 00:14:53,069

We want it here.

303

00:14:57,060 --> 00:14:58,650

Maybe I want to add more yellow.

304

00:14:58,950 --> 00:15:00,630

We'll put a little bit of

liquid white on my brush.

305

00:15:00,630 --> 00:15:01,680

I want to do two things.

306

00:15:02,490 --> 00:15:04,680

I want to thin the color of

course, to make it a little

307

00:15:04,680 --> 00:15:06,000

thinner, but I want to lighten it.

308

00:15:06,990 --> 00:15:08,520

I want to lighten it in value.

309

00:15:10,890 --> 00:15:11,460

All right.

310

00:15:12,390 --> 00:15:12,810

Maybe.

311

00:15:13,740 --> 00:15:14,610

Yeah, you're right.

312

00:15:15,375 --> 00:15:17,505

Maybe there's a happy

little boy lives right here.

313

00:15:17,954 --> 00:15:20,084

See, there we go.

314

00:15:20,564 --> 00:15:21,765

Try to leave a dark area.

315

00:15:21,765 --> 00:15:25,005

See, this is a dark between these

two, that dark is your separator.

316

00:15:25,305 --> 00:15:26,115

It's your best friend.

317

00:15:26,145 --> 00:15:26,925

Take care of it.

318

00:15:27,525 --> 00:15:28,275

Take care of it.

319

00:15:29,865 --> 00:15:32,755

I'm going to go a little heavier

into the yellow cur and maybe even

320

00:15:32,805 --> 00:15:36,885

lower the bright red let's put a

little sparkler right in there.

321

00:15:37,005 --> 00:15:38,115

Yeah, there he is.

322

00:15:39,360 --> 00:15:39,960

They're here.

323

00:15:41,820 --> 00:15:44,700

Sometimes I get crazy and I give,

I give all these little bushes

324

00:15:44,700 --> 00:15:47,340

and trees and names, talk to them.

325

00:15:47,790 --> 00:15:48,450

That's okay.

326

00:15:49,080 --> 00:15:49,860

People look at you.

327

00:15:49,860 --> 00:15:53,040

Like you're a little strange,

but painters painters are

328

00:15:53,040 --> 00:15:54,210

allowed to be a little different.

329

00:15:54,600 --> 00:15:58,080

We're sort of expected to be a

little weird and that's okay.

330

00:15:59,430 --> 00:16:01,770

Painters, I think have

more fun than most people.

331

00:16:02,775 --> 00:16:03,645

So it's all right.

332

00:16:04,845 --> 00:16:05,685

Life's too short.

333

00:16:05,865 --> 00:16:07,725

Not to enjoy it there.

334

00:16:09,315 --> 00:16:09,855

All right.

335

00:16:09,885 --> 00:16:11,865

Well, all these places in big

trees, you know, my little

336

00:16:11,865 --> 00:16:13,305

squirrel would have a ball here.

337

00:16:13,425 --> 00:16:15,105

I showed her, showed a little bit of.

338

00:16:15,420 --> 00:16:16,630

My little squirrel last time.

339

00:16:16,630 --> 00:16:17,400

And I want to show you.

340

00:16:17,400 --> 00:16:19,469

Yeah, I think we got a

little bit of footage here.

341

00:16:19,859 --> 00:16:22,650

He's one of the cutest little

devils you've ever seen a little

342

00:16:22,650 --> 00:16:27,239

baby gray squirrel and I've been

raising him since he was, Oh gosh.

343

00:16:27,239 --> 00:16:32,189

He was a tiny little rascal, looked like

a little rat on our first kid, but he's

344

00:16:32,189 --> 00:16:36,599

doing wonderful now, in fact, by the time

you see this, he'll probably be living out

345

00:16:36,599 --> 00:16:39,030

in the yard with, with his name's sake.

346

00:16:39,030 --> 00:16:41,010

We call this little squirrel Peapod jr.

347

00:16:42,390 --> 00:16:44,250

And he'll probably be living

out in the yard with him.

348

00:16:45,315 --> 00:16:46,185

Hit med something.

349

00:16:46,725 --> 00:16:47,535

It's hard to get them deep.

350

00:16:47,595 --> 00:16:51,975

As you can see little Rascals

or something else there.

351

00:16:52,605 --> 00:16:54,705

I'm just putting in a few more of

those bushes while you're watching

352

00:16:54,705 --> 00:16:58,685

them a little baby there at this stage.

353

00:16:58,715 --> 00:17:02,885

He's probably about

45, 50 days old, maybe.

354

00:17:04,385 --> 00:17:07,925

And I'm guessing because when I got

him, his eyes were already open.

355

00:17:07,925 --> 00:17:09,005

He'd fell out of a tree.

356

00:17:09,615 --> 00:17:13,905

And a very nice lady brought him to me

and asked me if I would take care of it

357

00:17:13,905 --> 00:17:15,525

until they get big enough to release him.

358

00:17:16,365 --> 00:17:16,665

Yeah.

359

00:17:16,694 --> 00:17:20,685

You know, made a good, soft, soft place

in my heart for these little Rascals.

360

00:17:20,685 --> 00:17:21,194

I just can't.

361

00:17:21,315 --> 00:17:22,245

I can't say no.

362

00:17:23,954 --> 00:17:28,695

I would, I'd be like one of these

bird ladies like that I work

363

00:17:28,695 --> 00:17:31,155

with so often I'd have a whole

house full animals if I could.

364

00:17:32,175 --> 00:17:32,955

All right.

365

00:17:34,215 --> 00:17:35,145

I didn't do anything.

366

00:17:36,405 --> 00:17:39,795

Well, while I was going there

that she don't know how to do.

367

00:17:39,795 --> 00:17:42,315

I just put in some more

little bushes and trees.

368

00:17:42,765 --> 00:17:43,875

We need a little land back here.

369

00:17:43,875 --> 00:17:45,675

I'm gonna take, what am I going to take?

370

00:17:45,735 --> 00:17:49,635

We'll take some height, a little

Bandag a little dark Sienna.

371

00:17:49,665 --> 00:17:50,535

We'll mix them together.

372

00:17:51,075 --> 00:17:53,745

Maybe I can put the least little

touch of Crimson in there.

373

00:17:54,105 --> 00:17:57,735

Well, I can don't overmix your color?

374

00:17:57,765 --> 00:17:58,095

Leave it.

375

00:17:58,095 --> 00:18:00,975

Sorta marbled, cut off

a little roller paint.

376

00:18:01,379 --> 00:18:06,870

Let's go up in here and maybe

there's a little path, got to have

377

00:18:06,870 --> 00:18:08,190

a place to walk in the woods here.

378

00:18:08,220 --> 00:18:10,530

Cautious is going to be such

a beautiful little spot.

379

00:18:11,280 --> 00:18:12,960

I'd have to come out here

and talk to Pete pod.

380

00:18:13,620 --> 00:18:14,490

See how he's doing.

381

00:18:15,870 --> 00:18:16,350

Yeah.

382

00:18:16,590 --> 00:18:16,950

There.

383

00:18:18,345 --> 00:18:19,335

Because I'd worry about him.

384

00:18:19,455 --> 00:18:23,705

Even if he was out there in the tree,

having a good, I had worried about

385

00:18:23,705 --> 00:18:29,554

him, like old mother hand with my

animals there, but see, that's still

386

00:18:29,554 --> 00:18:33,034

picking up that color it's underneath

and it sort of bleeds through.

387

00:18:33,635 --> 00:18:34,534

I hope you can see that.

388

00:18:34,534 --> 00:18:34,985

Okay.

389

00:18:35,794 --> 00:18:36,125

There.

390

00:18:37,790 --> 00:18:41,300

Makes it look like a little path, but

I want it to stay wanting to stay dark.

391

00:18:41,720 --> 00:18:43,220

Cause this is deep in the woods.

392

00:18:43,220 --> 00:18:43,820

This is one of them.

393

00:18:43,820 --> 00:18:47,150

Quiet, sneaky little places there.

394

00:18:47,180 --> 00:18:48,650

Not many people come here.

395

00:18:49,970 --> 00:18:51,650

Not too many people come here.

396

00:18:52,790 --> 00:18:56,120

This is, this is where

the little animals live.

397

00:18:58,250 --> 00:18:59,120

Let a little light.

398

00:18:59,150 --> 00:19:00,710

This is going right down the path.

399

00:19:02,280 --> 00:19:04,020

Just enough there.

400

00:19:04,790 --> 00:19:05,450

All right.

401

00:19:06,470 --> 00:19:07,310

All right.

402

00:19:07,910 --> 00:19:09,290

Let me go back to my Bush.

403

00:19:09,320 --> 00:19:15,770

Brush the brush I was making the

bushes with and let's come right along

404

00:19:15,770 --> 00:19:19,520

in here and just bring a few of them

little Rascals right out over the path.

405

00:19:20,240 --> 00:19:21,350

See there they come.

406

00:19:22,990 --> 00:19:27,860

They come, we'll have one right out

through here, but do one Bush at a time.

407

00:19:28,190 --> 00:19:29,810

Just one little rascal at a attack.

408

00:19:30,754 --> 00:19:34,335

Little more than Indian, yellow

pop on here, right there.

409

00:19:36,305 --> 00:19:40,205

Sort of decide where these things live

in your world and put them in there.

410

00:19:40,205 --> 00:19:44,435

Are we are something like, so yeah, yeah.

411

00:19:44,435 --> 00:19:45,754

Then let's take our liner brush.

412

00:19:47,345 --> 00:19:50,435

We'll use a little Brown, little

white and I put paint tenor

413

00:19:50,435 --> 00:19:51,665

with it to make it very thin.

414

00:19:53,145 --> 00:19:55,455

Turn the brush that brings

it to a nice sharp point.

415

00:19:56,055 --> 00:19:59,115

And we go up in here and here and there

and there, and here we just put the

416

00:19:59,115 --> 00:20:04,725

indication of a few little sticks and

twigs and little things that we need in

417

00:20:04,725 --> 00:20:08,355

there just to hold the bushes up, put

them mostly in the dark areas though.

418

00:20:09,045 --> 00:20:12,165

That's where you'd see them

a few over in this side.

419

00:20:12,645 --> 00:20:16,745

Don't want them left out there.

420

00:20:16,745 --> 00:20:17,075

We are.

421

00:20:18,240 --> 00:20:23,990

You decide maybe some, maybe here's

one that's quite dark because

422

00:20:23,990 --> 00:20:25,190

it's got a lighter background.

423

00:20:25,190 --> 00:20:26,090

So it'll show up.

424

00:20:28,100 --> 00:20:29,780

You have to make those big decisions.

425

00:20:31,730 --> 00:20:35,090

Speaking of big decisions,

we got a minute left here.

426

00:20:38,630 --> 00:20:39,110

You ready?

427

00:20:40,460 --> 00:20:43,250

If you pay me before, you

know, what's coming done too.

428

00:20:44,460 --> 00:20:46,110

Well, you got a minute or so left here.

429

00:20:46,170 --> 00:20:49,370

I want to, I wanna, I wanna, yeah.

430

00:20:50,330 --> 00:20:50,510

Okay.

431

00:20:50,510 --> 00:20:50,810

You ready?

432

00:20:50,870 --> 00:20:51,920

This is your bravery test.

433

00:20:51,920 --> 00:20:52,460

Big time.

434

00:20:53,330 --> 00:20:53,930

Right here

435

00:20:57,710 --> 00:20:59,420

is a big tree.

436

00:20:59,900 --> 00:21:02,120

I mean a big tree.

437

00:21:03,920 --> 00:21:05,450

This is your bravery test.

438

00:21:05,450 --> 00:21:08,420

Let's give him a little friend

that's right along in here.

439

00:21:10,130 --> 00:21:11,390

Just let it come right on down.

440

00:21:12,290 --> 00:21:12,950

Like, so.

441

00:21:14,820 --> 00:21:24,200

I'm using mostly just black midnight,

black there quite a bit of pain on there.

442

00:21:25,580 --> 00:21:26,120

There we are.

443

00:21:26,240 --> 00:21:26,480

Wow.

444

00:21:26,480 --> 00:21:30,470

That is two monster trees,

but that's what makes it fun.

445

00:21:30,530 --> 00:21:31,310

Be brave.

446

00:21:31,520 --> 00:21:32,450

Take a chance.

447

00:21:33,379 --> 00:21:35,360

I get letters sometimes from

people and they say, why don't

448

00:21:35,360 --> 00:21:36,560

you put that big tree in there?

449

00:21:36,560 --> 00:21:39,710

I liked it so much better

when you paint chairs.

450

00:21:40,215 --> 00:21:42,105

Leave out all big tree,

if you don't want it.

451

00:21:42,255 --> 00:21:45,105

I just want to show you as

many things as I can show you

452

00:21:45,195 --> 00:21:46,575

in the time that we have here.

453

00:21:47,595 --> 00:21:49,375

Just to get you excited about it.

454

00:21:49,485 --> 00:21:50,865

Turn you loose on the world.

455

00:21:52,395 --> 00:21:56,115

There let's take a little white, a

little precious blue, a little bit black.

456

00:21:57,555 --> 00:21:58,275

Mix them together.

457

00:22:01,325 --> 00:22:02,105

little roll of paint.

458

00:22:03,365 --> 00:22:03,695

Now.

459

00:22:04,265 --> 00:22:06,785

Barely, barely, barely, barely touching.

460

00:22:07,949 --> 00:22:13,020

Just like you putting snow on the

mountain, just let it zipper right

461

00:22:13,020 --> 00:22:14,429

on down the side of this tree.

462

00:22:18,560 --> 00:22:19,820

Just barely touch it.

463

00:22:20,209 --> 00:22:20,899

Barely touch it.

464

00:22:21,620 --> 00:22:22,340

Don't get greedy.

465

00:22:22,459 --> 00:22:23,449

I know it gets good.

466

00:22:23,850 --> 00:22:28,100

You want to do too much there

a little bit on this one.

467

00:22:28,100 --> 00:22:29,270

So he's not left down.

468

00:22:30,889 --> 00:22:32,149

Justin bagel tree.

469

00:22:35,965 --> 00:22:37,245

A little bit of black and put right there.

470

00:22:37,245 --> 00:22:41,925

So we can determine that this big tree

maybe is in the front of the little one.

471

00:22:42,975 --> 00:22:48,125

It's the way the big guys are

always going to be okay there.

472

00:22:50,615 --> 00:22:53,495

And you can just sort of play the black

and the light color back and forth.

473

00:22:53,945 --> 00:22:57,065

Now, if you let this paint build

up, when this is dry, you will

474

00:22:57,065 --> 00:22:58,865

actually feel like real bark.

475

00:23:00,725 --> 00:23:02,855

Take a paint thinner on the liner.

476

00:23:02,855 --> 00:23:03,245

Brush.

477

00:23:04,860 --> 00:23:05,399

There we are.

478

00:23:05,460 --> 00:23:07,379

I want to make some very thin paint.

479

00:23:08,760 --> 00:23:10,500

It would just draw a limb or two on here.

480

00:23:11,800 --> 00:23:13,080

This whole tree is so big.

481

00:23:13,110 --> 00:23:14,340

Maybe all of it's green reason.

482

00:23:14,340 --> 00:23:18,270

We a pie, but down here, there's

a couple of old dead limbs that

483

00:23:18,270 --> 00:23:21,230

are still hanging around there.

484

00:23:21,230 --> 00:23:21,710

They are.

485

00:23:21,949 --> 00:23:27,260

So you just to add paint thinner,

if you have trouble making it flow,

486

00:23:27,500 --> 00:23:29,899

just add a little bit more of the

paint that, or, Hey, here's one.

487

00:23:30,169 --> 00:23:31,939

Here's what it's coming from.

488

00:23:32,600 --> 00:23:33,379

We don't know where.

489

00:23:35,070 --> 00:23:37,500

We don't even know don't care.

490

00:23:38,090 --> 00:23:39,500

I just know it's up here somewhere.

491

00:23:40,940 --> 00:23:48,440

Jazz coming down here, Cubs one, it

goes behind that one there wherever.

492

00:23:49,880 --> 00:23:50,120

Oops.

493

00:23:50,120 --> 00:23:50,510

There's one.

494

00:23:50,510 --> 00:23:53,420

This broke off C and you

have those in nature.

495

00:23:54,740 --> 00:23:55,550

Absolutely.

496

00:23:55,550 --> 00:24:00,230

Have them having taken a

little bit of our light color.

497

00:24:00,645 --> 00:24:03,795

And we can add just the indication

of a little highlight right

498

00:24:03,795 --> 00:24:07,755

up in there, like that shoot.

499

00:24:09,015 --> 00:24:13,305

We can just here in there, add a

sticker, twig, a couple over here,

500

00:24:15,405 --> 00:24:16,665

back to my little Bush brush.

501

00:24:17,175 --> 00:24:19,875

I'll put just the indication

of some little bushes that

502

00:24:19,875 --> 00:24:21,075

have grown up around his foot.

503

00:24:22,575 --> 00:24:26,145

Something about like, it just

pushes it back into the painting.

504

00:24:28,199 --> 00:24:34,379

And then let's take a little bit of the

bright, red, little paint thinner, and

505

00:24:34,379 --> 00:24:36,030

I think we'll sign this little painting.

506

00:24:37,139 --> 00:24:38,429

I really hope you've enjoyed this.

507

00:24:38,459 --> 00:24:40,020

It's a very simple little painting.

508

00:24:40,830 --> 00:24:44,280

It'll teach you how to use

all the equipment and most

509

00:24:44,280 --> 00:24:46,110

important, most important.

510

00:24:46,860 --> 00:24:48,449

It'll bring a lot of joy to your heart.

511

00:24:49,110 --> 00:24:51,900

If you have time after you paint,

take a little picture and send us.

512

00:24:51,900 --> 00:24:52,980

We'd love to see it here.

513

00:24:53,460 --> 00:24:55,800

And every so often we put them

together on a board and we like to

514

00:24:55,800 --> 00:24:59,190

show you what everybody's doing around

the country from all of us here.

515

00:24:59,250 --> 00:25:00,570

I'd like to wish you happy painting.

516

00:25:01,230 --> 00:25:02,250

God bless my friend.

End .srt file.

Bob Ross' The Joy of Painting

Thursday, December 31, 2020

S30E04 - Wilderness Trail

Bob Ross's

The Joy of Painting

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