Bob Ross's

The Joy of Painting

S01E03 - Ebony Sunset

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Hello again, glad to see you

that today would do one of

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these almighty black canvases.

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It's time we get into doing

something on a black canvas.

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I'd like to show you how you

can do a beautiful, beautiful

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landscape on a black canvas.

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I've already went ahead because

we are short of time on this show.

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I've already went ahead and covered

the whole canvas with the lizard

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Crimson, and then I'm going to

take a little Vandyke Brown.

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And work into the edges

just around the edges.

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So it's, we already have it

covered with lizard and Crimson.

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And now we're putting a little

Brown on the whole canvas

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was covered with a Crimson.

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There we go.

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Just around the corners thought today

would do a beautiful little sunset

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and maybe we'll have a little sunset.

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Like the sun's going down behind

the Hill back there and we just

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have a beautiful glow in the sky.

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And, and then we'll go from there.

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I'm going to take and pull this back and

forth to get a nice even distribution of

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paint, working it up and down, back here.

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All right.

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Okay.

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Now we'll start.

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With a one inch brush and we'll use a

little bit of CAD yellow, figuring out

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where the sun has just went down and

we're going to start like right here

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and begin working this pain around

you, starting to center and work.

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Around and around and around and already

it's picking up the lizard and Crimson

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and it's turning into a beautiful

little yellowish orange glow here.

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There we go.

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Start right here and let it work outward.

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You want it to get darker and

darker and darker and darker as

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it goes out towards the edges.

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So we always start with the

color in here and work outward.

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There we go

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with color here, work it out.

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And I'm doing this in a little bitty X

patterns, back, forth, back and forth.

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There we go.

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Let's take the big brush.

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And gently, gently hypnotize this.

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We're still making a little exes.

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Just work that in

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then just enough to take

out the breaststrokes.

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Okay, let's take a little bit of a

lizard, a little Brown, put it together

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here on the brush mix on the brush.

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And maybe back here in the distance,

we'll have a little Foothill back here.

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Yes.

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Let this brush bounce along in play.

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There we go.

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Don't let the size of

this big brush scare you.

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It does fantastic things.

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Okay.

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Now maybe we'll have some highlights,

take the little yellow and green

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and a little touch of red here.

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And we just put some little

highlights coming down here.

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We'll make these little foothills.

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We back in the distance.

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okay.

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That sound back over here.

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Okay.

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we'll take a clean brush.

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And just gently lift

up very, very lightly.

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Just enough to give it

an upward swirl there.

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Very light, fairly barely

touching the canvas.

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You let two or three

hairs just about touch.

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Just enough to move

the paint a little bit.

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Okay.

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Then we'll take a little yellow and a

little permanent red mixed together here.

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And we'll start putting

in some reflections.

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Maybe we'll have a little, have a little

Lake right back here, a little pond, just

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like a little color on and pull this down.

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Then just enough to give

it a little watery effect.

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Just ripple it a little.

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We don't want to destroy it.

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Okay.

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Clean the old brushes here.

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We were brought along.

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Okay.

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Now I'm going to go back

into this Brown and lizard.

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Once again, we're mixing it on the brush.

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A lot of paint on the brush.

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Maybe we'll put a little

tree standing back here.

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We'll make this some of the fan brush.

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Here we go.

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And trees get lonely too.

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So we'll give him a friend

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and maybe there's a little one,

right there got two big ones.

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So invariably sooner or later, it's

going to be a little one area is.

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It's really men making

just a touch darker.

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Maybe we'll put a third one right there.

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Cut out a little bit, create

a shadow behind the tree.

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Okay.

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With a knife here would just make a little

water line running back through here.

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these black canvases.

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We cover with a black acrylic,

a flat black acrylic paint and

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allow it to drive before we start.

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And the alizarin Crimson that we

use here is a transparent color.

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So the black shows through it looks

black, but when you apply color to it

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and it really comes alive, Kane, let's

start with some almighty trees and stuff.

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And we use the big brush today and

let's have a big old tree right here.

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I know this may be quite difficult

for you to see, but we are putting the

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general shape of the tree right here.

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these black canvases make some of the

prettiest pictures that you could imagine.

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And if you're interested in selling

paintings and make it a happy

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book to put in your pocket, these

are the ones that really sell.

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Let's have another tree right over here.

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These Liam's just fly out, man.

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If you have a big tree up here,

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and as you can see, we're

really hitting this canvas.

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We're really pushing the pain into it.

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You need an almighty easel, a little

tiny, Tim measles will let you down.

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This easel is made out of a platform

stepladder and they work very, very well.

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They're very strong, very simple to bill.

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Okay.

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We've got that filled in.

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Let's put some tree trunks here

and there and we'll put some

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dark paint right along here.

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She has to, in your mind,

wherever you visualized her,

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it might be a little trunk.

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Just drop one in.

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Yeah, it's just a little Brown and white,

so we can put a little touch of highlight

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on this to make it stand out a little,

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right.

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The lights playing through

here and touching it.

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Yeah.

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And we'll put a trunk right

over in this one to the devil.

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now, if the sun's here, the light's

coming from this direction, this one

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will be highlighted on the other side.

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I probably, in reality, if the

sky was this dark, you would

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have nothing but silhouettes.

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But that would be a boring picture.

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This is a lot more fun.

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okay.

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Take a little bit of magic, quite a little

yellow, maybe a touch of Taylor green.

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And we can put some nice little

leaves on all these little bushes.

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Look how that color stands out

against this black background.

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It just jumps out at you.

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Let's put some on this little Bush,

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a little things growing down in here.

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use your imagination.

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Let it go.

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Let it go.

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Remember, this is your

world and your world.

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You can create anything that you deserve.

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Okay.

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Let's do this whole big tree here.

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What's a very nice about

these black canvases.

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If there's a light Shannon directly

on them, they look totally different

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than if they're without a light.

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So in essence, it's almost like having two

paintings in one, especially if you hang

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these after they're finished over a light.

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So at night, if you turn the

light on, it shines up on this.

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It's it's remarkable.

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What happens?

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Here we go all the little bushy areas,

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some little touches out here.

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Let's take some more Vandyke Brown.

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Let's put an almighty tree right here.

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We'll just let him stand in, play

and work right on up to here.

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I have another little Liam coming down

through here and maybe there's some little

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things happening up here in the leaves.

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and we'll have a little

light playing across here.

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Just pull that knife sort of swirled.

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So it gives the appearance

of it being round.

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now we're ready to put some highlights

on these little leaves out here.

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and Jess at the light

play through this tree.

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leaving a lot of dark areas.

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Need these dark areas to

make the tree look around.

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Don't kill them all such a, such a

temptation to do a little bit more.

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I used to work with one art teacher,

that he had a set of handcuffs

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that hung in the studio and he'd

walked by and he'd bumped you.

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And he pointed those handcuffs.

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And that was his way of saying you're

beginning to fiddle it to death, but we

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don't have any handcuffs here to date,

but stand back and look every once in

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a while don't overwork your pitcher.

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You'll peddle it to death.

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Okay.

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This looks like a super place.

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Maybe to have a little path

that runs up through there.

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So now take a little pressure and blue

and Vandyke Brown and just very easy here.

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We'll just make a little path

that runs right through this.

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Got to have a way to get around

the Lake to catch that big

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trout that lives out there.

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Nobody's there.

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We'll put just a little

bit of highlight on there.

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Yeah, just let that run down

through there and break.

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You want that to paint a break?

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So at least some of those

beautiful dark areas.

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There we go.

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Now a little bit more magic, quiet

here, just within that paint.

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So it'll stick on top of

all of the other paint.

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Now we can start in here and

we'll start putting some.

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Nice little bushes that

are hanging over the path.

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so the path just disappears

back here behind the big tree.

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And these pushes protruding up over

the top, push it down into the pitcher.

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You need them.

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They pay great dividends and we'll put

some on this side of the road over there.

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Okay.

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Let's make another big tree

maybe right up through here.

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And we'll just have a big old tree.

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There he goes.

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Bandag Brown.

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fantastic.

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Brown's a very nice color.

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It's almost like a chocolate Brown.

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Very warm.

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No, there's a little lamb right there.

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now one thing I'd like to mention while

we're putting the highlights on here.

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If you have questions or comments

or anything you'd like to know about

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what we're doing here, please feel

free to drop us a line and care.

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W N V T.

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And we'll keep you the address

at the end of the show.

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And do use it.

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So, you know, we're here to help you,

if you have problems or if you have

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questions, anything concerning this

method of painting, we'll be glad

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to work with you and try to help you

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put some highlights up here on

this one a little bit more into

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magic, thin it down, just a touch.

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thousands and thousands and

thousands of little leaves.

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Now let's go down here, put some

little things around the tree.

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Maybe you can write here, say let's

put a little stone, maybe a little

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stones just lays right along here.

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Of course he's a happy little stone.

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We don't have any other kind.

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We'll make up a little highlight color.

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Just lay right over there.

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yeah, let's put some nice when

they're nice when they're okay.

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Let's have some little

bushes right along in here.

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Yep.

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When you're doing this load disperse

by pulling it in one direction so

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that it looks like an old shoe on the,

and it sorta sort of hangs over and

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you put that round part to the top.

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You tilt the brush shorter,

downward, and just push just enough

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to bend the bristles a little bit.

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Don't fight it.

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Let the brush do the work.

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You have the fun.

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Let the brush work.

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Maybe we'll put a nice

little sparkler right there.

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Just started to break

that up a little bit.

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Yeah.

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Let's lay in a few stems here and there.

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And all we're doing here is literally

just cutting right through the

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paint, using the point of the knife.

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We'd literally just cut the paint.

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There we go.

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This is one of the paintings that

we do in class quite frequently.

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It's a very effective painting.

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It teaches you how to use black canvases.

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It's a lot of fun and it's

extremely, extremely effective.

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I have a few little sticks coming

over, like, so there we go.

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and once again, these little, little

twigs and these little sticks show

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different planes in the picture, it

produces the illusion of distance.

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Use them to your advantage because

the woods are always full of them.

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Let's see.

255

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Maybe back here, we can just put a little

indication of a trunk here and there.

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Alrighty.

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I think this one's just about

ready that we can sign it.

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So I'll use a very thin oil

here and we'll just take.

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And use the liner brush and you

mix this paint was like water.

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And if you mix it very, very thin curl

that brushes, you pull it out, twist it.

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So it brings it to a point.

262

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And it's just like you were writing.

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You don't have to wait

till the painting is dry.

264

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the same technique is also very good.

265

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If he wanted to put some nice little

sticks and limbs in that you wanted to

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draw in, you use the wall to get the

paint thin, and then maybe we could

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come right across and cause at them,

paint will stick to a thick paint.

268

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The hair, just let these little

things happen here and there.

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Okay.

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The things that we're trying to do

as we travel around and teach us

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all mighty method is we're trying

to gather up an army of teachers.

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And soon we'll have teachers that tribal

this entire beautiful country teaching

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this fantastic method of painting.

274

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And if you would like to, uh, ask

some information, drop us a line

275

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once again, we'll show you the

address at the end of the show.

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And soon we'll have information on

teachers that are all the way across this

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country, teachers that we can guarantee

that can teach us fantastic methods.

278

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Okay.

279

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I think now we've just put a couple

little things here and there.

280

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Another little sticker too.

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I hope you've painted a long

with us and you've enjoyed

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this half as much as we have.

283

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We really enjoy doing

these black canvases.

284

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They are extremely, extremely effective,

and you will find that they bring

285

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a nice warm glow to your heart.

286

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These can be done in

a multitude of colors.

287

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You can cover them with any

color that's transparent.

288

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We can use the Prussian blue

SAP green, any of these colors

289

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or combinations of colors.

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Later on this series, we'll do,

we'll do a winter picture on a

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black canvas and I'll show you how

you can put the moon in the sky and

292

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let the light play across the snow.

293

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And you have the almighty

mountains and stuff.

294

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And I think you'll find these black

canvases can do fantastic things.

295

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We also are going to do some pictures

in the series where we paint the

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canvas with one color, instead of

putting the magic white on the canvas.

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We'll paint it for example,

with SAP green and we'll paint,

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beautiful pictures by doing that.

299

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There's a multitude of things

that can be done with this.

300

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Use it, experiment with it, go with it.

301

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Just let your heart be your guide.

302

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Let your imagination take you

anywhere that you want to go.

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Let it go.

304

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Okay.

305

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All right.

306

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Yeah, I think we're going to

call that pitcher finished.

307

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And once again, we want to thank

you very much for watching us and

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from all of us here at w N V T.

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Happy painting.

310

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Thank you very much.

End .srt file.

Bob Ross' The Joy of Painting

Tuesday, December 15, 2020

S01E03 - Ebony Sunset

Bob Ross's

The Joy of Painting

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