Bob Ross's
The Joy of Painting
S01E01 - A Walk in the Woods
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Hi, I'm Bob Ross.
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And for the next 13
weeks, I'll be your host.
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As we experienced the joy of painting.
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I think each of us sometime during our
life has wanted to paint a picture.
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I think there's an artist hit in the
bottom of every single one of us.
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And here we will try to show you how
to bring that artist out to put it on
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canvas because YouTube campaign almighty
pitchers, you know, we have avoided
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painting for so long because I think.
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All of our lives.
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We've been told that you have
to go to school half your life.
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Maybe even have to be blessed
by Michelangelo at birth to
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ever be able to paint a picture.
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And here we want to show you that
that's not true, that you can paint
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a picture right along with us each
week, we'll use the same colors.
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We'll use the same equipment.
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So if you have your brush
and pallet ready next week.
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You can paint right along with us.
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I'd like to go over some of the
equipment that we'll use before we
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start the brushes that we use, I'll be
using very large, two and a half inch
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and one inch natural bristle brushes.
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Now these are natural bristle.
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Be sure you don't start
with a nylon brush.
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We'll use an almighty palette
knife, and this is much different
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than the traditional pallet knife.
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It is not thin and flimsy.
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It's a firm pallet knife.
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And with this, we can make
fantastic things happen.
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That's called over the
colors that we'll use.
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We're going to start out
here with titanium white.
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They look green, Prussian blue
Vandyke, Brown alizarin, Crimson SAP,
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green, CAD yellow, and permanent red.
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These eight colors we'll
use each and every week.
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For every picture that we do.
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So you don't have to go out and buy 1500
different kinds of colors and brushes.
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You need very little
equipment to paint with this.
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Another thing we'll do no
tracing of patterns on here.
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We start with a vision in our heart and
we put it on canvas and we're here to
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teach you to be able to do this too.
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So let's do it.
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Let's paint a picture right here, and
we're going to start with a big brush
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and we're going to cover the canvas.
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Well, the thin layer of magic quite
now, this is a wet on wet technique.
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So the first thing we're going to do
is get the canvas wet and all we want
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is a mask, even thin coat of paint.
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There we go.
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Just covered.
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Nice.
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And even
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you also need an almighty easel.
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When you're doing this, you need an easel.
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It will hold your canvas very firm and
allow you to use these big brushes.
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Okay.
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When you're using a large brush
like this, it really doesn't take
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too long to cover your canvas.
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And if you get a hair like that, just
pop it off of the corner of your brush.
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Flip it away.
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Okay.
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After you get your canvas covered
with a magic white will take and make
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long strokes back and forth to get a
nasty even distribution paint on here.
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Okay.
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Up and down one time is that assures
that the magic White's nice and
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even all the way across the canvas.
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Okay.
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Let's wash the brush out here.
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We've washed our brushes with
odorless painting dinner.
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Okay.
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We'll wash him out
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and I'll beat the brush
just to drive the bristles.
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Now, let's take a little
bit of CAD yellow here.
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And I think today we'll do a picture.
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That's maybe like we're
walking through the woods.
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And so let's start right here
with a little bit of CAD yellow
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with just the least little touch,
if they little green in it.
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And we'll add a little bit
more of the green color and
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we'll begin making little exes.
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Just like, so
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you work that around
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now without cleaning the brush and
we'll go right into some Prussian blue.
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Just had it right onto the brush here.
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Just go out here and we're
making little crisscross strokes,
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little extra folks there.
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Alrighty.
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We'll begin to have a light
source in this painting.
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I'm going to clean the brush again.
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Once again, this is
odorless paint thinner.
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We do not use turpentine
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now with a nice clean brush.
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I'm going to take an add just
a little bit of titanium white
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right here in the center.
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Just a little, and we'll begin
working outward there by now.
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Maybe you have recognized.
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Some of the equipment we're using
as something you've seen before.
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And I learned this fantastic technique
from a wonderful man that I think
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all of us had enjoyed for many, many
years on TV, bill Alexander and bill
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taught me this many years ago, and it
is the most fantastic way to paint.
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That you've ever seen.
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So join us, have some fun, and we'll
just blend this out a little bit more.
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We have a nice blue sky.
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There we go.
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Okay.
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We'll clean the brush.
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One more time.
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now let's start putting in some,
let's put in some almighty trees here.
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We're going to start with a
little bit of a lizard Crimson
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and a touch of Prussian blue.
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Now the Prussian blue is a hundred
times stronger than the Crimson.
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So use just a little blue
and a lot of Crimson and.
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Here are we going to begin
pushing in basic tree shapes?
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So just bend the brush, bend in the
brush, make those little leaves and
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branches just pop right out at you.
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There he comes.
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He's a little son of a guns hat and your
brush, and you just have to push them out.
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This is your world, your creation.
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I spit a little one right here
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and maybe we'll just put some little
grassy areas coming down through here.
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And right there, there is one
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you're pushing quite from here.
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This is why I say you need
an almighty easel when you're
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doing this and will be strong.
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Okay.
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Maybe over here on this side.
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Now we'll add another one.
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Maybe a bigger one over here
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is
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there's no secret to this to anybody
can paint and anybody can paint.
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All you need is.
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A dream in your heart, a little practice.
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Look at there already.
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We have the beginning
of a beautiful picture.
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We have the tree shapes, a
light source looks to me like
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it's early in the morning.
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Okay.
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Now let's put some trunks in these trees.
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And for that, we'll take a
little bit of Vandyke Brown.
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And let's just stay in
some basic trunks here.
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There we go,
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man.
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Maybe we'll put a little on right
here, like, so maybe be selling
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a little something right there.
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Then earlier.
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Now this little fellow over
here, he needs a trunk too.
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So we'll put one right in here
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and maybe some Liam's up in
here, right through here.
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There we go.
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Just some indications here and there
and some little sticks and twigs.
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Okay.
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Maybe over in here.
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Airway are.
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Okay.
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Now we'll highlight these.
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I will take a little bit of white and
a touch of Brown mixed together and
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remember where you'd light sources.
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So this tree will highlight right here.
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Okay.
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I think so.
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Okay, here we are now over on this
side, the lights coming through here.
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So we'll highlight this side of it.
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Maybe a few little
indications up through here
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now comes the fun.
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Now we can begin putting.
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All the beautiful leaves and stuff on
this and just really make it come alive.
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So here we'll take a little bit of
the magic, quite to thinner paint.
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One of the golden rules in this is a
thin paint was ticked to a thick paint.
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So anytime you're painting over the
top of paint, you need to have a paint.
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That's just a little bit thinner.
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Alrighty.
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We'll take a little bit of, they look
green and a little bit of yellow.
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And we load the brush full of paint
and our lights coming through here.
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So we want this side of the tree to be
a little brighter than the other side.
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All right.
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And then we began pushing
thousands of little leaves on here.
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Just they hide in your brush.
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Here they come.
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Just a little on this side, over here.
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Cause not as much light's gonna strike.
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Little's going to come through, but.
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Not as much
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look at that.
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And just a matter of a few
minutes, we have a beautiful tree.
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Okay.
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And maybe this little tree over here,
we'll put a little highlight on him.
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And once again, we're using a paint that's
a little bit thinner so that it sticks.
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First thing that you have to do when
you're doing this and start with
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an oil paint is very, very firm.
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Your base paint has to be extremely firm.
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If you start with a thin loose paint,
you're going to become a mud mixer.
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You have to have a thick paint
on the base coat in order to
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get this dinner, paint to stick.
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Now let's begin building some
little bushes and stuff in here.
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All right, look at that.
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You can do it.
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I know you can.
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They're there.
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Okay.
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Let's move up to this big tree
in the front here and let's put
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some NASA leaves appear on him.
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You have to bend that brush.
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If the brush doesn't bend, you're not
going to get all these beautiful little
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leaves, these little actions that happen.
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Hey, maybe there's a nice
little Bush lives right here.
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You know, if you've ever walked through
the woods early in the morning, all
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the little creatures are out here.
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They're all playing in
the bushes and stuff.
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This is where they live.
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And all these bushes.
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Okay.
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Let's put something on this side now.
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Nice little Bush here.
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Just let your imagination run wild,
but your heartbeat, your guide,
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and the time you sit around worrying about
it and trying to plan a painting, you
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could have completed a painting already.
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Let it happen, let it happen.
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You know, for so many years I was a
traditional painter and I would spend
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sometimes weeks just working on a picture,
drawing it out, getting all the little
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sketches and stuff, and then I'd go back
and spend maybe a month trying to fill
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in the blocks and here we let it happen.
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It comes right out of here.
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It's in, you.
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And you put it on the canvas.
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Okay.
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Let's see.
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Let's try this big old tree here.
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Put some nice little leaves on him.
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Okay.
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There we go.
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Okay, let's try.
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I bad, a little permanent red with
my color now, just to, just to
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give us a little different value
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and you know, if we're going to walk
through the woods, we need a little path.
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So let's take a little bit of Vandyke
Brown here and let's build us a happy
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little path and we're just going to
take the knife and let this path sort
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of just wander right down through here.
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There we go.
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Spinning, wander around play, have fun.
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there.
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We got us a nice little path.
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Now we need to highlight that path.
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I'll take just a little bit of white,
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just take and barely touch
the canvas here just enough.
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So we can highlight where the
sun sparkling through here.
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There.
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See how easy that is,
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that, that paint break.
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And now in order to set the path down into
the painting, we'll add some bushes, that
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project up over the path here and there.
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Just push them in.
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Fair Waco.
248
00:16:04,199 --> 00:16:06,240
And you can see how that
makes it just really literally
249
00:16:06,240 --> 00:16:07,410
drop right into the painting.
250
00:16:16,130 --> 00:16:16,579
okay.
251
00:16:17,090 --> 00:16:19,340
Well, let's put some
more land areas in here.
252
00:16:22,400 --> 00:16:25,400
I can get this nice little
areas coming down through here.
253
00:16:34,140 --> 00:16:34,650
Alexa,
254
00:16:43,190 --> 00:16:47,990
and we'll have some over here and
follow the angle of your land.
255
00:16:52,370 --> 00:16:52,910
There we go.
256
00:16:53,900 --> 00:16:53,990
Okay.
257
00:16:54,194 --> 00:16:55,995
Okay, there we go
258
00:17:05,325 --> 00:17:05,714
there.
259
00:17:06,724 --> 00:17:10,625
And maybe, maybe, maybe as we're
walking through the woods here,
260
00:17:11,645 --> 00:17:12,935
maybe it rained last night.
261
00:17:15,125 --> 00:17:18,665
Hey, maybe it came a nice little
rain and there's little puddles.
262
00:17:20,324 --> 00:17:22,994
No after it rains, you always
have little rain puddles.
263
00:17:23,685 --> 00:17:26,204
So let's take a little touch
of the Prussian blue here.
264
00:17:26,294 --> 00:17:30,345
Oh, we'll just make us a little puddle
and we put some pressure and blue
265
00:17:30,345 --> 00:17:36,185
on the brush and we take here and
pulled downward, just pulled downward.
266
00:17:36,784 --> 00:17:37,385
Like, so
267
00:17:41,855 --> 00:17:42,514
there we go.
268
00:17:48,075 --> 00:17:48,705
Okay.
269
00:17:49,455 --> 00:17:52,695
Let's see how easy it is to do now.
270
00:17:54,485 --> 00:17:59,165
Very gently will come across this
way just to give it a watery effect.
271
00:18:01,265 --> 00:18:04,685
Now, if you want to, if you want to
put highlights in here, maybe you
272
00:18:04,685 --> 00:18:09,455
could take just a little touch of the
titanium, white on your brush and pull
273
00:18:09,455 --> 00:18:13,055
down and it'll give a sort of a sheen.
274
00:18:20,625 --> 00:18:21,165
There.
275
00:18:24,275 --> 00:18:29,525
And then once he can't just come across
just enough to give it a nice watery feel,
276
00:18:30,995 --> 00:18:32,945
you can overdo this part very easily.
277
00:18:34,675 --> 00:18:35,055
Okay.
278
00:18:35,495 --> 00:18:36,965
I'm going to wash off the old brush.
279
00:18:44,655 --> 00:18:45,225
Okay.
280
00:18:45,225 --> 00:18:49,065
Now we can take a little
more of the Vandyke Brown
281
00:18:52,245 --> 00:18:54,195
and we can just make
little puddles out of this.
282
00:18:54,375 --> 00:19:00,945
Maybe it comes down like so right
through there, there we are.
283
00:19:04,095 --> 00:19:04,605
Okay.
284
00:19:06,465 --> 00:19:07,245
Little puddle.
285
00:19:08,640 --> 00:19:12,090
And we'll just make this a
little separate puddle back here,
286
00:19:16,070 --> 00:19:16,940
just like that
287
00:19:22,430 --> 00:19:27,920
June, they would take a little
bit of Brown and white and we all
288
00:19:28,070 --> 00:19:29,420
lay a little highlight on there.
289
00:19:30,770 --> 00:19:31,280
There we go.
290
00:19:42,035 --> 00:19:42,514
your world.
291
00:19:42,514 --> 00:19:44,915
You can do anything
that your heart desires.
292
00:19:51,245 --> 00:19:56,325
My home is in Fairbanks, Alaska, and
I spend a lot of time walking around
293
00:19:56,325 --> 00:20:00,455
in the woods and talking to trees,
squirrels, and little rabbits and stuff.
294
00:20:01,655 --> 00:20:02,945
And I look at a lot of nature.
295
00:20:03,885 --> 00:20:06,675
And if painting teaches you,
nothing else, it'll teach you to
296
00:20:06,675 --> 00:20:08,834
look at nature with different eyes.
297
00:20:09,195 --> 00:20:11,205
It'll teach you to see things
that have been there all your
298
00:20:11,205 --> 00:20:13,004
life, and you've never noticed.
299
00:20:14,024 --> 00:20:19,094
And if it does nothing else, but
make you enjoy nature, it's worth it.
300
00:20:19,125 --> 00:20:19,445
Wow.
301
00:20:20,074 --> 00:20:23,405
So look around, look at what we have.
302
00:20:24,004 --> 00:20:25,774
Beauty is everywhere.
303
00:20:26,375 --> 00:20:27,754
You only have to look to see it.
304
00:20:28,445 --> 00:20:28,655
Okay.
305
00:20:29,925 --> 00:20:31,125
And I talk too much sometimes.
306
00:20:31,125 --> 00:20:32,295
So we'll go back to painting here.
307
00:20:33,045 --> 00:20:35,985
Take a little bit of the Dan white
paint here and we'll put some
308
00:20:35,985 --> 00:20:37,485
little water lines back in here.
309
00:20:38,295 --> 00:20:43,545
Can you just like, so here we go
310
00:20:49,205 --> 00:20:53,585
there and maybe some little
water lines right here.
311
00:20:56,760 --> 00:21:00,660
This is just the thin white paint and
you literally just cut right into the
312
00:21:00,810 --> 00:21:04,440
canvas with it and let's move that out.
313
00:21:06,200 --> 00:21:06,680
Here we go.
314
00:21:14,330 --> 00:21:14,990
Okay.
315
00:21:15,150 --> 00:21:18,380
Now, while I have the knife here,
I'm going to take and just cut a
316
00:21:18,380 --> 00:21:19,640
few little sticks here and there.
317
00:21:20,270 --> 00:21:23,120
And all we're doing is just literally
cutting right through the paint.
318
00:21:25,260 --> 00:21:28,710
So the canvas shows through and
it makes a multitude of little
319
00:21:28,710 --> 00:21:34,710
sticks and these little sticks help
create the illusion of distance in
320
00:21:34,710 --> 00:21:38,970
a painting, all different planes.
321
00:21:46,560 --> 00:21:47,280
Okay.
322
00:21:49,020 --> 00:21:50,330
Now then let's put some.
323
00:21:52,245 --> 00:21:56,655
Let's put some bushes and stuff right
down here on the grass, on this soil area.
324
00:21:57,945 --> 00:21:58,605
There we go.
325
00:22:03,335 --> 00:22:04,045
There, they are.
326
00:22:05,955 --> 00:22:06,875
There they are.
327
00:22:08,225 --> 00:22:15,065
They just live right here and your brush
and you just drop them right in there.
328
00:22:19,754 --> 00:22:24,215
Okay, now let's take and do this.
329
00:22:24,485 --> 00:22:29,735
Let's put some land right down
through here, back to the van.
330
00:22:29,735 --> 00:22:31,895
Dyke Brown, a little bit of white.
331
00:22:35,435 --> 00:22:36,095
There we go.
332
00:22:40,145 --> 00:22:41,375
A little highlight on here.
333
00:22:51,725 --> 00:22:55,115
and we'll put a few little
bushes and stuff right out here.
334
00:22:59,885 --> 00:23:00,875
See how easy that is.
335
00:23:02,645 --> 00:23:03,035
Okay.
336
00:23:03,515 --> 00:23:05,165
If you were a little water lines in there.
337
00:23:09,270 --> 00:23:10,560
Just let them happen
338
00:23:14,600 --> 00:23:15,050
each week.
339
00:23:15,050 --> 00:23:18,889
We'll try to do paintings that are
designed to teach you something different,
340
00:23:18,950 --> 00:23:23,870
something new, something exciting
just to keep your interest going.
341
00:23:25,189 --> 00:23:25,429
Okay.
342
00:23:25,429 --> 00:23:29,419
Now let's play a little bit here.
343
00:23:29,899 --> 00:23:31,970
That's have a happy little
tree right in there here.
344
00:23:32,330 --> 00:23:34,879
So I'm going to start with
the van Dyke Brown and we will
345
00:23:34,879 --> 00:23:36,110
make his little trunk here.
346
00:23:37,460 --> 00:23:37,970
There he goes.
347
00:23:38,775 --> 00:23:39,915
Do-do poop, poop, poop,
348
00:23:42,975 --> 00:23:44,985
straight Vandyke Brown to start with.
349
00:23:47,525 --> 00:23:53,705
Yeah, I'm going to just turn the knife and
give him a little foot to stand on there.
350
00:23:59,465 --> 00:24:02,615
Yeah, maybe he needs another little arm
out here, so we'll just give him one.
351
00:24:04,415 --> 00:24:05,195
You're your creation.
352
00:24:05,195 --> 00:24:07,235
You can do anything here
that you want to do.
353
00:24:11,925 --> 00:24:12,585
Let it happen
354
00:24:15,975 --> 00:24:16,425
there
355
00:24:20,745 --> 00:24:24,125
and we'll give him some little leaves
and we'll use some more of the lizard.
356
00:24:24,125 --> 00:24:26,615
Crimson touch oppression, blue.
357
00:24:28,715 --> 00:24:29,105
Okay.
358
00:24:29,285 --> 00:24:31,085
We need dark in order to show light.
359
00:24:31,235 --> 00:24:33,005
So first we'll put some dark on here.
360
00:24:34,595 --> 00:24:36,155
Put some happy little
leaves here and there.
361
00:24:41,550 --> 00:24:46,320
When we see you next week, I hope you have
your almighty easel set up the colors.
362
00:24:46,620 --> 00:24:47,130
Ready?
363
00:24:47,280 --> 00:24:51,180
Your big brushes, all primed
and ready to go and do an
364
00:24:51,180 --> 00:24:52,470
almighty painting with us here
365
00:24:55,710 --> 00:24:58,530
very quickly while I'm finishing
this up, I'll go over the colors.
366
00:24:58,530 --> 00:25:04,980
One more time that we use
titanium white, the little green.
367
00:25:05,760 --> 00:25:13,710
Prussian blue Vandyke Brown
alizarin, Crimson SAP, green,
368
00:25:15,149 --> 00:25:20,790
CAD yellow, and permanent red,
only eight colors that you need.
369
00:25:23,040 --> 00:25:23,550
Okay.
370
00:25:23,639 --> 00:25:26,700
Now let's put some highlights on
this pretty little tree right here.
371
00:25:29,820 --> 00:25:32,310
I use just a little touch, more
of the permanent red and this one.
372
00:25:32,310 --> 00:25:33,600
So he'll stand out a little more.
373
00:25:37,504 --> 00:25:40,655
See how easy it is to create a
tree right here in your world.
374
00:25:42,905 --> 00:25:43,625
There we go.
375
00:25:50,995 --> 00:25:54,785
Maybe down here, maybe it has
some nice little bushes and
376
00:25:54,785 --> 00:25:56,375
stuff happening right in here.
377
00:25:57,514 --> 00:25:57,995
There we go.
378
00:26:04,139 --> 00:26:04,739
Right, right.
379
00:26:05,280 --> 00:26:06,419
Maybe right there, another one
380
00:26:10,879 --> 00:26:11,300
here and there.
381
00:26:11,300 --> 00:26:16,010
I'm going to put just a few
little sticks and stuff like that.
382
00:26:18,979 --> 00:26:24,500
Just once again, to build some
distance in here, we want this
383
00:26:24,500 --> 00:26:25,969
to have a lot of depth in it.
384
00:26:26,970 --> 00:26:28,950
Hey, we'll cut in a few
little sticks here and there.
385
00:26:29,220 --> 00:26:29,880
Like, so
386
00:26:35,580 --> 00:26:37,740
you're getting excited yet that
you're ready to paint with us.
387
00:26:38,910 --> 00:26:39,510
You can do it.
388
00:26:47,640 --> 00:26:48,300
Okay.
389
00:26:51,210 --> 00:26:53,970
And I think this painting
is far enough along.
390
00:26:53,970 --> 00:26:54,510
We'll just.
391
00:26:55,335 --> 00:26:56,385
Sign this rascal.
392
00:26:56,775 --> 00:27:03,255
And I signed a painting with a script
liner brush a little bit of oil, and I use
393
00:27:03,255 --> 00:27:05,085
red paint with whatever color you prefer.
394
00:27:06,645 --> 00:27:07,065
Okay.
395
00:27:09,135 --> 00:27:11,925
And we'll just sign that rascal.
396
00:27:13,845 --> 00:27:17,985
I hope you've enjoyed
this painting next week.
397
00:27:17,985 --> 00:27:20,985
We're looking forward to seeing
you we'll help you have your
398
00:27:20,985 --> 00:27:23,655
brush ready, dream in your heart.
399
00:27:24,180 --> 00:27:30,060
That you want to put on canvas and join
us right here for the joy of painting
400
00:27:30,840 --> 00:27:34,470
and you too can build fantastic pictures.
401
00:27:35,460 --> 00:27:39,960
You can take them from here and
put them on there until next week.
402
00:27:41,129 --> 00:27:42,930
Happy painting from all of us here.
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