Bob Ross's

The Joy of Painting

S28E13 - Home Before Nightfall

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Hey, welcome back.

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Certainly glad you could join us today.

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You sort of caught me there.

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Tell you what, let's start it out today

and have him run all the colors across

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the screen that you need to paint

along with us while they're doing that.

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Let me show you what you

caught me doing today.

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I have my standard old pre-stretch

double prime canvas, and I'm just

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covering the entire canvas with

a very thin coat of fellow blue.

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And that's all we're doing.

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We just take it to inspiration.

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Scrub in the canvas is dry.

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Just want to cover the entire

canvas with this very thin coat.

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And I'm really, really scrubbing it in.

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It's not a lot of paint here.

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All I want to do is just stay in the,

just thing, the canvas, that's all.

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That's all it takes.

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Just scrub it in there.

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I suggest you use one of

your old brushes to do this.

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Cause it'll sorta where brush out.

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There we are, but that's all it takes.

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And right off the bat we get,

we get to wash your brush.

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First thing is tax.

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Okay.

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We just wash our brush with odorless,

paint thinner as, you know, shake it off

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and just beat the devil out of it.

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All right.

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Grab another two inch brush.

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I have several of them going here thought

today we'd just do a little scene.

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That's very simple.

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I hope you'll like, and we're going

to start off with a little bit of

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the midnight and black and just

tap one corner or you can see it.

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Good.

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One corner right there.

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Okay.

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Let's go up in here now.

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Maybe, maybe in our world.

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There's just a happy little

cloud that lives up here.

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This is pure midnight, black.

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Pure black.

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This is going to be sorta, sorta

like an evening or early night scene.

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Yes, that sounds right.

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I want a dark.

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This is our world.

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So we can, we can create all

kinds of illusions in it.

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Halfway art, maybe they go floaty cloud

that lives right up through here somewhere

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just using the corner of the brush.

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A little more paint.

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We'll just begin applying this.

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However, we want it.

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Think about little forms and shapes in

your clouds and just let them happen.

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Clouds are interesting.

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You see all kinds of things in them.

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Shoot.

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When we were kids, my brother, Jim

and I, we used to, we used to sort

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of lay on her back out in the field

and look up at clouds and see all

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kinds of crazy shapes and them.

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I bet you've done that too, whether

you'll admit it or not, but here you go.

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But you see all kinds of shapes in

there, there, wherever, wherever,

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wherever it doesn't matter.

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There we go.

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This is the last show of the

28th joy of painting series.

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So I'm certainly glad

you're with us today.

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Certainly glad you're with us there,

because this is really the highlight of

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my whole life is to make these shows and

to join you in your home or wherever you

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happen to be and paint along with you.

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There.

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That's what I think every artist

craves and needs is for people

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to accept his work and through

television, you have done that.

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This has become the most popular art

show in the history of television.

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And it's your fault.

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And I thank you very, very much for your

support for all the calls and the letters

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that have went to stations all over the

country, literally all over the world.

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Now that's what keeps us on the air.

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So if you have time, give

him a call, give him a call.

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They need your support anyway.

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All right.

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And we can put just a couple

over here somewhere now that.

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Tell you what let's do.

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I'll get one of my little

blender brushes and take it.

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Just tap one little corner into

the least little bit of titanium.

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White, tiny little bit

can always add more.

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And maybe right here behind this cloud,

there's a little light coming out.

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So we're just going to paint, but

the blender breasts, cause I want

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it to be very soft, very gentle.

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This takes very little

paint, very little paint.

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And it's going to mix with the blue.

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And we'll just have a light source

coming from right behind that cloud.

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There we go.

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Okay.

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See, it looks like you,

maybe the moon's back here.

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Maybe it's coming out of this side too.

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We don't know.

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Let's see in your world, you

can create any illusion that

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you want and illusion that's.

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What's so great about this.

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I like painting because

it gives me total freedom.

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And it's the only place in my whole

life that I've had total freedom to do

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anything that I wanted to do to create

any illusion that I needed to go to

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any world that was desirable there.

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And you can do that.

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You can do that.

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There we are, but didn't that meet

the way it looks like now the lights

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coming from behind that little

room and that's all there is to it.

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They're from a cloud of just a

little bit with the old two inch

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version, that's basically all

I'm going to do for this guy.

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When you're doing yours, you may

want to put a little more detail

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in it's up to you, to you, but this

will certainly show you how to do it.

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What you do is up to you.

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There.

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See there, we got old cloud hiding up

there, looking out, get the moon behind

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him and he's watching everything.

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Let's have some fun.

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I'm going to take as a mix up.

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Pretty good.

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Pal, alizarin, Crimson, and set green.

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The two of them together make

a gorgeous, gorgeous Brown.

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I'm going to mix it

sorta to the radish side.

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That's my favorite.

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But you may like it more to

the green sites up to you.

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Up to you.

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We'll just put that pile up there.

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Wipe the knife off today.

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Let's use the little small round

brush and go right into that mass

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Brown color that we just made.

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Just tap the brush into it.

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That's all.

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No big deal.

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Just tap it right into it.

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Okay.

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Let's go up in here, maybe

in our world, their lives.

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As now some little trees back here

in the background, wherever all

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we're doing is putting in some dark

color SAR, light we'll show Janice A.

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Little bit of dark.

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There it comes.

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All I'm looking for is just very basic

little shapes, like little trees that

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are far away, far away, back here.

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Like, so

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we don't care.

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Tell you what, I've got several of these

brushes going on, grabbing another one.

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And when that one I'm going

to put a little bit of yellow.

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Bright red.

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I just mix them on the brush

here, the yellow ochre and tap.

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Just tap it to load it a

little more bright red.

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Maybe that's nice.

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I'm making an orange color.

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Cause orange when put

against blue is striking.

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Let's go up here.

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Oh, isn't that gorgeous?

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Hmm.

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I like seeing, I like colors.

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Like they do nice things for you.

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And of course not overly interested in

selling paintings, but if you're out

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there selling a painting night, then.

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These kinds of colors,

sell people, love them.

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They brighten up a do-over there

just sort of very back and forth

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between the reds and the yellows.

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And, but notice they're bright around

the top than they are on the right,

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the little shadow toward the bottom.

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It makes them look real.

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Here we go wherever, wherever, wherever.

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All right.

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I'm going back to the

other side right here.

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Forgot that little rascal

don't want him left down.

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Nothing worse than a mad tree.

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Hey, you really get upset with

you sometime upsetting there.

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Okay.

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Like to my breasted, two-inch brush

has Brown on it and let's put a, let's

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put a little bit of Brown on here.

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I want, I don't want to

lose all that blue flavor.

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See that blue still going to show through.

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I hope you can see that, but it'll

still show through sorta this

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whole painting will have sort of

a bluish cast to it because of

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the blue that we put underneath.

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And then that's exactly

what I'm looking for.

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That's exactly what I,

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we can just literally.

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I'll tell you what let's do.

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Let's just put a lot down here.

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We'll decide where we're

going with it later.

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Why not?

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We just keep going.

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We'll just keep going.

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But notice I'm intentionally

not covering up all that blue.

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I want it to, I want it to show through.

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Let's see these areas in here

where it's showing fruit.

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I'm looking for that.

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That's important to me in

this particular page there.

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See, now anybody can do this.

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Anybody can do this.

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I sneezy.

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Maybe we'll bring it all the way down,

but the heck if we, if we want to change

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your mind, we can do that later, too.

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It doesn't matter since this is our world.

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We can do anything that

we want to do here.

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Any old thing?

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All right.

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We got enough Brown on here to get us

started going back to my little, little

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small round brush, little half round,

brushing the, tap it a little more.

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That same Brown color.

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And, you know, Bobby got to have a,

got to have a big tree in his world.

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Sometimes I get letters from people.

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I said, your painting was just perfect.

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You put that silly, old,

big tree in it at the M.

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Please don't feel just because

I put a tree in here that you

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have to, if you don't want a tree

in your world, don't put it in.

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That's what makes painting so great.

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It's a very individual thing.

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All right.

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What's some of the other side, heck

we'll just sort of feel the same.

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Well, we could have actually done

all this with a two inch brush.

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It wouldn't have mattered

would not have mattered.

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Now let's have some fun.

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I'm going to take a little touch,

that same color that we used.

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Tap a little onto the old two inches

brush Kevin scope in here, and very

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gently begin putting in some little,

little soft grassy areas back in here.

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There we are.

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See that's all there is to it.

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Oh, it was to it.

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I'm going to take a little

titanium white, but a little black

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with it and make it gray color.

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Like, so they're a little white,

like make us a little gray.

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We'll play with that.

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We use that as a highlight color once in

a while, we'll just touch a little that.

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Oh, yeah.

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Ooh, that's nice.

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That's nice.

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That's just what I was looking for.

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Just exactly.

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Exactly.

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Ooh, I get excited sometime.

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Sorry, there we are that easy.

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I'm just going to sort of jump back and

forth between all those little colors and

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every once in a while hit that gray color

we made just, just to highlight a little.

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Sometimes, maybe even a little bit of

the little touch in that fellow blue,

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because I want to keep this blue hint

throughout this painting there, back

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and forth, forth, and back there we are.

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All right.

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Little bit more of the yellow ochre red.

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Okay.

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Tell you what let's do.

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I'm going to take.

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Little yellow, a little bit of the bright

red we'll mix them together right here.

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I want to make a little pile of orange.

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Ooh, that's nice.

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Orange to the red side.

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Wipe the knife.

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Take my little round

brush tap right in there.

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Just tap it.

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It's all there is to it.

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Okay, let's go back up here.

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Yeah, then I come back.

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Nice.

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When I come up in here and begin

putting some little highlights, read

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up on those, all of those little trees

that we've painted there, that they

255

00:13:36,420 --> 00:13:41,580

can think about form and shape and

little arms sticking out in there.

256

00:13:42,330 --> 00:13:44,010

That's what makes the tree special.

257

00:13:45,810 --> 00:13:46,710

It makes it special.

258

00:13:48,990 --> 00:13:49,650

There we go.

259

00:13:53,040 --> 00:13:58,709

I like his like to do paintings

like this, a lot of fun.

260

00:13:58,740 --> 00:14:01,199

And they're easy, even

if you've never painted.

261

00:14:01,199 --> 00:14:02,699

These are simple little paintings.

262

00:14:03,780 --> 00:14:06,300

In fact, we try to design all

these paintings in this series

263

00:14:07,199 --> 00:14:08,849

for people who have painted.

264

00:14:09,795 --> 00:14:15,015

A lot as well as for people

who are just beginning there

265

00:14:15,464 --> 00:14:16,665

and they work for everybody.

266

00:14:17,474 --> 00:14:20,775

We hope to do that on the other side too.

267

00:14:22,724 --> 00:14:25,574

I mean maybe, maybe

less distinct over here.

268

00:14:25,604 --> 00:14:28,964

Just a little, just some indications.

269

00:14:30,354 --> 00:14:34,185

Think I'll put some, maybe some

more trees in front of this one.

270

00:14:34,245 --> 00:14:35,805

So I don't want this one as distinct.

271

00:14:38,035 --> 00:14:41,564

Just the middle indications there.

272

00:14:43,935 --> 00:14:44,594

Okay.

273

00:14:46,185 --> 00:14:50,494

Yeah, we can sorta sort come up in

here and clean up the bottom of that a

274

00:14:50,494 --> 00:14:56,494

little just by tapping in some little

grassy areas, something about like him.

275

00:14:58,714 --> 00:14:59,314

All right.

276

00:15:00,814 --> 00:15:01,895

Let's take our little Filbert.

277

00:15:02,125 --> 00:15:03,694

I'm gonna go into that

Brown color of made.

278

00:15:04,365 --> 00:15:07,875

Take the little Filbert brush and

in my womb with thank you as a tree.

279

00:15:08,194 --> 00:15:08,405

Yup.

280

00:15:08,405 --> 00:15:08,885

You're right.

281

00:15:08,944 --> 00:15:09,574

It's right there.

282

00:15:11,225 --> 00:15:12,215

Happy little tree.

283

00:15:12,515 --> 00:15:13,985

And he's got a little freedom there.

284

00:15:16,475 --> 00:15:17,855

We don't even know where he goes.

285

00:15:17,855 --> 00:15:18,725

Look under the arm.

286

00:15:18,725 --> 00:15:21,455

There, there is.

287

00:15:21,455 --> 00:15:27,485

Once however many trees we want in

our world, take our liner, brush a

288

00:15:27,485 --> 00:15:28,925

little bit of that same Brown color.

289

00:15:30,150 --> 00:15:34,950

And we'll just put the indication here

and there a few lambs that something

290

00:15:34,950 --> 00:15:37,440

like, so I'm gonna put leaves on these.

291

00:15:37,440 --> 00:15:39,540

So we don't have to put

a lot of detail on them.

292

00:15:39,860 --> 00:15:40,340

I worry about him.

293

00:15:42,020 --> 00:15:43,100

Don't worry about them.

294

00:15:45,400 --> 00:15:50,720

Few of these little Liam's will show, but

tomorrow of them will cover up there.

295

00:15:50,720 --> 00:15:51,080

We are.

296

00:15:53,415 --> 00:15:56,564

Something like that while we get the whole

brush go, and I'm gonna go right into

297

00:15:56,585 --> 00:15:59,525

a little bit of that gray color we've

made with a little paint thinner and

298

00:15:59,525 --> 00:16:06,225

maybe down in here, put the indication

of a little fence that lives back here.

299

00:16:06,225 --> 00:16:11,885

I don't want it to be very

distinct too far, just like, so.

300

00:16:13,920 --> 00:16:17,760

Just a little indication it's

way back in the distance.

301

00:16:19,229 --> 00:16:25,310

Now, back to her a little brush, we'll

put a few little leaves out here on this.

302

00:16:27,349 --> 00:16:28,610

I decided I was going to do that.

303

00:16:28,610 --> 00:16:31,370

That's the reason I wasn't worried

about what was behind it so much.

304

00:16:33,079 --> 00:16:33,410

Let's see.

305

00:16:35,360 --> 00:16:36,620

Maybe even down in here.

306

00:16:40,325 --> 00:16:42,435

See, you just put these wherever

you think they should be.

307

00:16:44,265 --> 00:16:46,275

Maybe we'll take them and put a

little paint thinner on the brush

308

00:16:46,485 --> 00:16:49,125

because we're getting quite a

buildup of paint and I'll go right

309

00:16:49,125 --> 00:16:51,165

into my orangy color that are made.

310

00:16:52,755 --> 00:16:53,265

Okay.

311

00:16:53,655 --> 00:16:59,564

And we'll have a few little highlights

right up here on that rascal.

312

00:17:00,615 --> 00:17:04,335

You just put them wherever you

think they should be there.

313

00:17:06,675 --> 00:17:06,915

Hmm.

314

00:17:07,274 --> 00:17:09,744

I like that dude.

315

00:17:09,744 --> 00:17:10,274

Like him.

316

00:17:10,964 --> 00:17:13,454

It's the colors that I like so

well in this particular painting,

317

00:17:13,454 --> 00:17:15,464

I think they just get pretty good.

318

00:17:15,464 --> 00:17:16,095

The more we do.

319

00:17:19,605 --> 00:17:20,264

All right.

320

00:17:20,294 --> 00:17:22,964

Something about like, so

that's about all we need.

321

00:17:24,944 --> 00:17:25,425

Okay.

322

00:17:25,875 --> 00:17:26,655

Ready to get crazy.

323

00:17:27,075 --> 00:17:29,235

Let's do it maybe right

out here in our world.

324

00:17:29,365 --> 00:17:30,165

We'll check you this.

325

00:17:30,165 --> 00:17:33,195

See bravery test maybe.

326

00:17:33,465 --> 00:17:33,735

Yeah.

327

00:17:33,945 --> 00:17:34,395

What the heck?

328

00:17:34,515 --> 00:17:36,135

Maybe there's a big old cabin out here.

329

00:17:37,275 --> 00:17:39,435

Maybe it's got a big roof like that.

330

00:17:41,055 --> 00:17:42,555

It's just sort of lay it out in your mind.

331

00:17:43,485 --> 00:17:44,145

Use the knife.

332

00:17:44,385 --> 00:17:44,805

Maybe cut.

333

00:17:44,835 --> 00:17:46,335

Maybe there's a little

porch sticks out here.

334

00:17:46,365 --> 00:17:46,815

I don't know.

335

00:17:48,555 --> 00:17:49,785

Don't know that it even matters.

336

00:17:50,595 --> 00:17:52,275

I'm just removing excess paint.

337

00:17:52,305 --> 00:17:53,115

That's all I'm doing.

338

00:17:54,780 --> 00:18:01,290

Um, it was make quite enough of

that Brown color Crimson, incept

339

00:18:01,290 --> 00:18:02,640

green, just mixed together.

340

00:18:04,650 --> 00:18:06,570

Just mix up a little more

right here real quick.

341

00:18:08,640 --> 00:18:15,120

All right, now then pick a

little bit Brown and we can begin

342

00:18:15,120 --> 00:18:16,650

blocking in our little house.

343

00:18:18,150 --> 00:18:20,790

Just begin blocking it in my cat.

344

00:18:22,545 --> 00:18:23,865

Say you're not committed yet.

345

00:18:24,225 --> 00:18:26,115

You can still change

your mind if you want to.

346

00:18:26,115 --> 00:18:28,875

That's what's so great over here.

347

00:18:31,395 --> 00:18:37,515

Just pull that across,

straight down there.

348

00:18:37,785 --> 00:18:39,675

That's a good way to see if

you like your little house.

349

00:18:40,095 --> 00:18:42,135

We were going to have a

little porch to out there.

350

00:18:44,355 --> 00:18:46,155

We can do that, that easy.

351

00:18:48,600 --> 00:18:55,230

Right down the side there, over here.

352

00:18:55,380 --> 00:19:00,330

I know this doesn't make any sense,

but it will be just second to it will.

353

00:19:00,630 --> 00:19:04,020

I hope we'll see.

354

00:19:05,010 --> 00:19:05,880

We'll see.

355

00:19:06,870 --> 00:19:11,580

Now I'm going to take some

white, a little bit of that Brown

356

00:19:11,580 --> 00:19:12,870

color and a little black in it.

357

00:19:14,040 --> 00:19:15,240

I don't want to overmix it.

358

00:19:16,590 --> 00:19:20,790

And let's start down

here and it's too bright.

359

00:19:21,000 --> 00:19:22,050

I want it darker than that.

360

00:19:22,050 --> 00:19:27,389

Something a little more black and

it too bright for this painting.

361

00:19:28,649 --> 00:19:29,580

That's a little better.

362

00:19:31,500 --> 00:19:34,770

Now we just begin putting

like some shingles on there.

363

00:19:35,520 --> 00:19:37,290

Some old shingles on the house.

364

00:19:39,495 --> 00:19:42,885

Most of them are, have been blown

off over the years, but there's

365

00:19:42,885 --> 00:19:44,385

still a few hanging up here still.

366

00:19:44,505 --> 00:19:45,915

I'm using the small edge of the knife.

367

00:19:47,595 --> 00:19:48,225

There we go.

368

00:19:48,615 --> 00:19:52,995

That they come, then they can

something about like, so most

369

00:19:52,995 --> 00:19:54,105

of them have been blown away.

370

00:19:56,025 --> 00:19:57,025

Take that same color.

371

00:19:57,045 --> 00:20:01,675

It's actually, it's just

Brown and white little black.

372

00:20:01,845 --> 00:20:01,935

It.

373

00:20:04,470 --> 00:20:06,690

There we go pull that straight down.

374

00:20:07,770 --> 00:20:13,620

Like, so, and over on this side

here, almost nothing, almost nothing

375

00:20:16,690 --> 00:20:18,210

little post right out here to hold up.

376

00:20:18,210 --> 00:20:22,590

Her, got to hold up

her little porch there.

377

00:20:24,935 --> 00:20:27,105

Little touch of highlight

that runs right along there.

378

00:20:27,105 --> 00:20:30,135

Just to make that stand out there

379

00:20:33,554 --> 00:20:37,784

a little bit of Brown and we'll turn

that into whole boards or slabs just by

380

00:20:37,784 --> 00:20:40,845

touching like a little, little streaks,

381

00:20:43,935 --> 00:20:45,764

all this we'll just

cut off and do a cabin.

382

00:20:45,764 --> 00:20:48,435

Ectomy later, let's have a.

383

00:20:49,784 --> 00:20:51,794

A big window, big picture window.

384

00:20:53,324 --> 00:20:56,625

Take a little bit of the care to yellow

and a little touch of yellow ochre in it.

385

00:20:57,195 --> 00:20:57,344

Yeah.

386

00:21:05,205 --> 00:21:09,015

There, fix this little window all up

and we got a window right there so he

387

00:21:09,015 --> 00:21:15,225

can see out now then let's go back,

pick some of her, all of her colors

388

00:21:15,765 --> 00:21:19,125

and let's just begin filling us in with

little grassy areas all up through here.

389

00:21:21,105 --> 00:21:21,495

They're

390

00:21:25,665 --> 00:21:26,265

all right.

391

00:21:26,295 --> 00:21:27,945

Maybe a little light, gray color.

392

00:21:29,265 --> 00:21:29,355

Okay.

393

00:21:29,595 --> 00:21:35,325

Just to put some highlights here

and there, wherever, wherever.

394

00:21:40,754 --> 00:21:41,774

And that's something else.

395

00:21:42,044 --> 00:21:43,695

You can do little paintings like this.

396

00:21:43,695 --> 00:21:46,395

They're very easy and they work for you.

397

00:21:47,745 --> 00:21:48,705

They work for you.

398

00:21:50,175 --> 00:21:51,705

Do you have unlimited time at home?

399

00:21:51,705 --> 00:21:53,925

You can just piddle in

play and have more fun.

400

00:21:56,774 --> 00:21:59,445

If I take too much time here,

they have no sense of humor.

401

00:22:01,485 --> 00:22:02,655

None whatsoever.

402

00:22:06,800 --> 00:22:09,410

I'm using a little bit of the theolo

blue once in a while, a little bit

403

00:22:09,410 --> 00:22:16,010

of that gray, just to sort of mix

them together, whatever, but that

404

00:22:16,010 --> 00:22:21,350

blue pant will come through on the

entire painting just because you

405

00:22:21,350 --> 00:22:25,010

underpainted it with, there we go.

406

00:22:29,909 --> 00:22:30,540

All right.

407

00:22:30,600 --> 00:22:32,730

All kinds of little things living in here.

408

00:22:34,770 --> 00:22:37,919

The lay of the land here is very

important, the way the land flows.

409

00:22:40,230 --> 00:22:41,850

So pay attention to that.

410

00:22:41,850 --> 00:22:43,290

Don't just throw these in at random.

411

00:22:44,790 --> 00:22:46,200

Don't just throw them in at random.

412

00:22:50,790 --> 00:22:51,600

All right.

413

00:22:56,524 --> 00:22:58,415

Okay, we're coming right along here.

414

00:22:59,195 --> 00:23:00,725

We'll just take us all the

way down to the bottom.

415

00:23:00,725 --> 00:23:03,514

It doesn't matter wherever you

want to go with it, wherever.

416

00:23:05,535 --> 00:23:06,975

I want it to be a little darker down here.

417

00:23:06,975 --> 00:23:08,655

So I'm going more into the Browns.

418

00:23:10,665 --> 00:23:11,265

All right.

419

00:23:12,735 --> 00:23:14,055

Same thing over in here.

420

00:23:21,225 --> 00:23:22,485

And you can take your time.

421

00:23:22,645 --> 00:23:25,345

So I see you, you can really work

at this and smooth it all out.

422

00:23:26,455 --> 00:23:28,015

It's unbelievable what you can do.

423

00:23:28,945 --> 00:23:29,995

And I know you can do it.

424

00:23:30,775 --> 00:23:31,765

No, you can do it.

425

00:23:33,355 --> 00:23:34,195

There we go.

426

00:23:35,755 --> 00:23:40,015

As I mentioned, this is the last show

of the 28th joy of painting series.

427

00:23:41,995 --> 00:23:43,975

And I want to thank you

very much for being with us.

428

00:23:46,045 --> 00:23:48,415

It really is your support

that keeps us on the air.

429

00:23:49,094 --> 00:23:49,905

And you're special.

430

00:23:50,685 --> 00:23:54,044

Very, very special without you.

431

00:23:54,104 --> 00:23:55,004

We wouldn't be here.

432

00:24:00,104 --> 00:24:03,675

So before we have to leave, I want

to, on behalf of my partners, Walt

433

00:24:03,685 --> 00:24:08,264

Monette, Kowalski, and all the fantastic

people here at the station, we'd

434

00:24:08,264 --> 00:24:13,875

like to thank you for your support

and for, for making us feel special.

435

00:24:15,225 --> 00:24:17,715

I want to take a little bit,

paint, thinner, a little

436

00:24:17,715 --> 00:24:18,855

yellow ochre here and there.

437

00:24:18,855 --> 00:24:20,835

Maybe there's some bushes

that live down here.

438

00:24:21,195 --> 00:24:22,575

We'll throw in a few little weeds.

439

00:24:23,625 --> 00:24:28,365

We'll loo use a little yellow ochre,

sometimes a bit of CAD yellow, a

440

00:24:28,365 --> 00:24:30,105

little red, just mixed together.

441

00:24:32,175 --> 00:24:33,285

Just to give the impression.

442

00:24:33,315 --> 00:24:34,125

Ooh, here's a nice one.

443

00:24:34,425 --> 00:24:36,225

Some nice little bushes there right here.

444

00:24:36,245 --> 00:24:40,445

Is there something about like him.

445

00:24:41,985 --> 00:24:42,405

Shoot.

446

00:24:42,405 --> 00:24:48,045

I think we about having finished painting

the sign, this rascal, take a little

447

00:24:48,045 --> 00:24:52,545

paint, thinner, a little bit of red and

we'll sign it really hope you've enjoyed

448

00:24:52,575 --> 00:24:54,735

this painting and this entire series.

449

00:24:55,995 --> 00:24:57,915

It's always our pleasure to be with you.

450

00:24:58,455 --> 00:25:02,595

And from all of us here, I'd like to

wish you happy painting until next time.

451

00:25:02,895 --> 00:25:03,855

God bless my friend.

End .srt file.

Bob Ross' The Joy of Painting

Thursday, December 31, 2020

S28E13 - Home Before Nightfall

Bob Ross's

The Joy of Painting

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