Bob Ross's
The Joy of Painting
S30E11 - A cold Spring Day
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Hey, welcome back.
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I've sat in here playing with
a couple of the cutest little
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characters that God has ever made.
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These are a couple of little baby
flying squirrels, tiny little Rascals.
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They're about six weeks old.
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Look at that.
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Aren't they?
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Some of the most precious little
things you've ever seen their
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turnaround here to, so we can see you.
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We called him slim and trim the hair hair.
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Say hello guys.
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As I say, these are little
baby flying squirrels.
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They might be the most numerous
squirrel there is, but you don't
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see them very often because they're
nocturnal and they hide all the time.
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Okay, guys, you want to sit in my pocket?
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How we do this here?
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You jumped right in there.
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That's what's so great about you
just put them in your pocket there.
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We'll let you sit right in there.
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These are a little baby
pocket squirrels too.
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Thank you for that.
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Let's start out and have him run
all the colors across the screen
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that you need to paint along with
this while they're doing that.
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Let me show you what
I've got done up here.
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I have my standard old 18 by 24 inch
pre stretched, double pram canvas.
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And I've just covered it with a
very thin coat of liquid white.
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So it's all wet and slick
and it's ready to go.
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And I thought today we'd just
do a fantastic little painting.
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It's.
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Very easy and think you'll enjoy it.
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Let's start with a little pressure
and blue on the old two inch brush.
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Just a little bit something like,
so, and we'll go right up in here and
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using our little crisscross strokes.
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We'll just do a quick little sky, just.
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Just like, so now the pain is
continually mixing with a liquid
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white and automatically, automatically
it'll get lighter and lighter in value
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as we work down toward the horizon.
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And as you know, in a landscape,
that's exactly what we're looking for.
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There are something about that.
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Okay.
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Let me, I will take a little bit
more of the Prussian blue and let's
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just put a little bit on the bottom.
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We might end up with a
little water down here.
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I'm not really sure yet.
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We'll make that decision
in a little while.
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Right now.
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We don't have to make any big decisions,
but just in case, just in case.
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We'll have something.
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I hope you like those fly-ins for us.
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I think they're so it's sort of neat.
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They are beautiful little creatures.
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Okay.
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Are those from the bird lady
hearing Muncie, who's taking
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care of them and raised them.
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And her name is Diane, the Schaefer,
and she works with all kinds of animals.
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And when we come here to do the
show, she loans them to me sometimes.
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So I can, so I can share them with you.
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So we'll have to send
her a thank you card.
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There we are
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just beat the devil out of, I
thought maybe today we'll do
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some, let's do some big mountains.
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Great, big, old, beautiful mountains.
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I'm going to start with midnight, black,
midnight, black, and a little touch of
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Prussian blue in it, but mostly midnight.
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Black cut off a little roll of paint.
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Let's go right up in here and we have
to make our first major decision.
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Maybe old mountain lives right there.
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We'll start out, but a
little peak in there.
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It doesn't matter.
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Just sort of make a decision in your
world, put them in where ever you
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think they should live, then that's
exactly where they should live.
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Maybe something read along in there,
tell you what let's have some fun.
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Let's take a little bit of
the titanium white and just do
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something like Janice began.
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Maybe I know, I know maybe there's some
like a glacier up in here that easy.
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We'll begin laying that in there.
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We can put a few little highlights
on the mountain, just like
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so fair and big decisions.
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We'll make later.
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I'm gonna take a little white,
a little black with it, make a
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gray color with that gray color.
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Cool to take.
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And with that, we'll add a
few little highlights here
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and there on the old mountain.
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Just a few little things.
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Maybe there's one there.
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We'll let it come right
down to that glacier.
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There we go.
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Just put a highlight here and there.
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It looks like some of the mountains
that, that live in Alaska,
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where I used to live there.
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Something about, I can't back to our
black, we'll start right in here.
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And we'll sort of just make
a little bold shape in that
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mountain to hold that glacier.
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And so it doesn't get away
sometime then the Rascals will
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get away from they're that easy.
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I like big old mountains, like, yes,
as I say, I lived in Alaska for a
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long time and you see sites like
kiss just about, on a daily basis.
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And I think when God made Alaska, he
was having one of his better days.
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It is the most gorgeous country.
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I get excited just thinking about it.
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There.
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Somebody told me I should work
for the department of tourism and
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Alaska, as much as I talked about it.
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That's true.
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I just think it was beautiful.
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There we are back to my blank and
let's come right up in here and maybe
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shoot, we'll get a little crazier.
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It doesn't matter.
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It's our world.
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We can do it any way that we want to do.
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Are there maybe a little
something in here and off we go.
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Okay.
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There's a bit of our gray and white
put a few little highlights on here.
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I don't want to let
her highlights on this.
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Just a few.
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Maybe not here.
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I have a few little highlights.
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It live right up on top of this mountain.
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Sort of bring that together.
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Shoot for in business.
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I say, though, these are really fun.
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Mountains do try some of these.
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So often we just do the mountains that
have snow on them, but do mountains
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that have big glaciers in them.
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They're a little bit more of the titanium
white and we'll just let this just drip
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brat around the base of those mountains.
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That easy, no pressure,
no pressure at all.
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Just sort of let it
float right around there.
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Maybe it comes right on
down in here somewhere.
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And let's take our two inch brush
and I'm going to begin tapping.
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I want to create the illusion
of mist down at the base here.
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The illusion, you missed
little white on the brush.
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We would make some big mystery's
it just float right there, right?
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Something about like, it
just bring them all together.
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A little more of the titanium
white I'm just using titanium point
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right on the corner of the brush.
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And we've make all those beautiful,
mysterious, very lightly, very lightly.
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Can blend it, bring it together.
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Shoot.
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That's quite a little mountain.
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We've got there today.
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I like him, maybe a little mr.
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Ed in here too.
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It's a nice way of cleaning up
the foot's on this mountain.
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Okay, man, I just want to wash the brush.
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As you know, we wash our brushes
with just odorless paint, thinner
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and beat the devil out of him.
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Okay.
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What two little guys are
still here by the way.
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I'm going to take some black,
some impression blue, be right
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back in a little step green, maybe
with my Crimson, a to just touch.
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Let's go up in here.
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That's half in our world.
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Maybe.
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Maybe a little Foothill that lives
back here in this got trees and bushes
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growing on it, all those happy little
things there, just to push all that back.
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All right.
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And you can do this with a two inch brush
or you could do it with a fan, right?
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It doesn't matter.
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It doesn't matter if two inch brush
was handy and it works wonderfully now.
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Let me grab the old knife
makes up some color here.
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Let's have, and blue, black
get a little bit of that.
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Fellow green, little lizard Crimson,
and some Brown van Dyke type K is
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wiped the knife off, try a fan brush
and they were loaded full of color.
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A lot of paint them, a lot of paint.
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Let's go up in here and maybe
back here in our world, there's
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a few little evergreen trees.
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They're just poking her head is up.
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There's one.
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It would give him a friend
that lives right about there.
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It doesn't matter.
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You decide how many or how
few trees live in your world.
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I can.
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Okay.
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Maybe there's one there too.
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Now, sometimes when you're painting
over a lot of paint, like, yes, it's
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sort of difficult to make it stick.
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If you have that problem.
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And the least little touch of
paint, thinner to your brush.
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Doesn't take much just a little
and then it'll stick right on
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top of all that white or whatever
color you happen to have up there.
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Always refer back to our golden rule.
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Then paint will stick to a
thick paint thin to thick.
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Now I'm going to grab another
old two inch brush here.
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We'll go right into a little bit of that
color and then right into cadmium yellow.
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I want to make various shades of green,
but I want them pretty dark, pretty dark.
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Okay.
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Let's go right up in here.
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We just use that same brush and I'm
just going to tap in indication of a few
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highlights or some of the larger trees
that live back here in our world there.
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Okay.
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Maybe a little.
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Little Indian, yellow.
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You decide whatever you want, but
I want to keep them fairly dark.
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I don't want him to get too bright.
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They're too far away.
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There we go.
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A little bit more in there.
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Isn't that neat.
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And you can do this.
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You really truly can do this.
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I know.
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I know you say I could never
paint, never draw a straight line.
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You can.
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This is one style of painting
that is for every person.
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I've never seen anyone
who couldn't do this.
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There there's even a lady in Boston
who paints this method and she's blind.
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If she can do it, anybody can
do it because she's wonderful.
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She is wonderful.
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I'm going to take just a small
amount of titanium white on
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a clean I've got another.
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No a little two inch brush here.
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I want to create a little bit of mist
floating down here at the base of this.
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This is just straight titanium.
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White just happened to be right in there.
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Have a good time about like, let's see,
but it'll help create that illusion that
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it's very Misty, maybe McCloud fell out
of this guidance living down here now.
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Well, it could happen maybe.
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All right.
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Can't ever tell, here we go.
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Take a little bit of this dark color
or did they say you don't have to
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be crazy to do this, but it helps.
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And let's go back up in here.
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Maybe there's some little grassy
areas that come right out of there.
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Don't want to cover up all the
MIS that we made that missed
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his good friend on the, save it.
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Save it.
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Just a happy little grassy areas.
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Maybe we will have water.
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If you want water, all you have to do.
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Just pull down a reflection and go across
and almost instantly you have water.
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Now then shoot, we're getting crazy here.
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Maybe there's a little bullshit
lives right there about like
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you take the two inch breast.
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It has the, the greens on it,
the little highlight colors.
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And we could highlight that
re-ask a little bit that easy.
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Okay.
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Now I'm going to dip the brush into the
least little amount of paint thinner.
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Once again, it's a little bit
thinner then it'll just go right on
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top of there without any problem.
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All right.
243
00:13:29,565 --> 00:13:32,775
Let's tap a little color into
the bristles and off we go.
244
00:13:34,065 --> 00:13:37,005
I just want to put the indication
of some little grassy areas here.
245
00:13:38,190 --> 00:13:43,440
Too far away to have much detail, but a
little bit, a little bit, just some happy
246
00:13:43,440 --> 00:13:45,660
little things to live in right there.
247
00:13:48,770 --> 00:13:49,340
Right.
248
00:13:50,540 --> 00:13:53,690
You decide where they are, how
many they are, where they live.
249
00:13:57,290 --> 00:13:58,010
Okay.
250
00:13:58,040 --> 00:14:03,410
Maybe got in there once in a while.
251
00:14:03,410 --> 00:14:04,100
Maybe we'll pick up.
252
00:14:05,115 --> 00:14:08,325
A little darker color and you can
lift this sometime just to create
253
00:14:08,325 --> 00:14:12,135
the illusion of little things that
are growing back in their little
254
00:14:12,195 --> 00:14:15,795
upstanding Rascals, because they exist.
255
00:14:16,845 --> 00:14:18,015
You have them in nature.
256
00:14:19,905 --> 00:14:24,015
All right, take a little liquid
white, pull it out as flat
257
00:14:24,015 --> 00:14:25,694
as I can get it cut across.
258
00:14:26,204 --> 00:14:27,255
Then we can come back in here.
259
00:14:28,694 --> 00:14:31,665
We'll put in a little water
line, just a little water knife.
260
00:14:33,074 --> 00:14:36,165
It's just a light area between
couple of darks to break it up.
261
00:14:37,995 --> 00:14:38,864
Something like, so.
262
00:14:41,070 --> 00:14:41,730
There we are.
263
00:14:43,170 --> 00:14:45,540
And what happens if you make
one that you don't care for?
264
00:14:46,380 --> 00:14:47,220
It's hard to get rid of.
265
00:14:47,250 --> 00:14:48,450
Let's make one intentionally.
266
00:14:48,810 --> 00:14:49,230
There's one.
267
00:14:49,230 --> 00:14:53,970
I don't like now, if you do
that, take your brush, grab it
268
00:14:54,630 --> 00:14:55,740
and just pull straight down.
269
00:14:56,020 --> 00:14:57,840
See it just works right out.
270
00:14:57,900 --> 00:14:58,890
Don't worry about it.
271
00:15:00,795 --> 00:15:04,035
There, you know, in some of the
series a long time ago, we did shows
272
00:15:04,035 --> 00:15:07,334
that did a couple of shows that
just showed how to correct mistakes.
273
00:15:07,334 --> 00:15:08,685
Maybe it will do some more of those.
274
00:15:10,125 --> 00:15:13,665
I did that because I've got several
letters recently asking what happens if
275
00:15:13,665 --> 00:15:18,035
you, if you do a waterline that you're
not happy with, how can I fix it now?
276
00:15:18,035 --> 00:15:23,375
You know, one thing easiest things are
to fix because we don't make mistakes.
277
00:15:23,795 --> 00:15:24,425
Absolutely.
278
00:15:24,425 --> 00:15:24,935
Don't we have.
279
00:15:25,575 --> 00:15:28,905
We have a happy accident
every so often, but that's it.
280
00:15:29,505 --> 00:15:34,545
That is it scratching a few of the sticks
and twigs and arms and legs and some of
281
00:15:34,545 --> 00:15:37,215
these trees and shoot we're in business.
282
00:15:38,375 --> 00:15:44,195
Let's take, let me just tell
you, you guys still in there.
283
00:15:44,675 --> 00:15:45,095
Yeah.
284
00:15:45,185 --> 00:15:51,455
I see some blue in some black,
the more that they look green.
285
00:15:52,935 --> 00:15:53,655
Little Crimson.
286
00:15:54,825 --> 00:15:58,095
Absolutely adore those little flying
squirrels league have to be some of
287
00:15:58,095 --> 00:16:00,675
the cutest creatures God's ever made.
288
00:16:02,595 --> 00:16:04,035
They are precious.
289
00:16:05,595 --> 00:16:08,085
And we'll see if Diana, let me
take his home back to Florida
290
00:16:08,085 --> 00:16:09,165
with me, but I know she won.
291
00:16:09,945 --> 00:16:10,755
It's a good thought though.
292
00:16:12,475 --> 00:16:17,835
A lot of the dark color into the
brush, something like, so let's
293
00:16:17,835 --> 00:16:20,025
make a big evergreen who we ready?
294
00:16:20,325 --> 00:16:20,775
How big.
295
00:16:21,315 --> 00:16:24,705
Real big, that big, it
goes right off the canvas.
296
00:16:26,685 --> 00:16:28,635
Maybe there's a little bit of
the trunk showing right there.
297
00:16:29,075 --> 00:16:30,135
Got a little naked part.
298
00:16:31,425 --> 00:16:32,145
You can do that.
299
00:16:32,805 --> 00:16:33,735
You can do that.
300
00:16:34,785 --> 00:16:39,795
Very Combs vehicle,
heavy tree, strong tree.
301
00:16:41,235 --> 00:16:42,705
And in here we could care less.
302
00:16:42,705 --> 00:16:44,565
We'll separate all this with highlights.
303
00:16:45,225 --> 00:16:46,125
We don't care.
304
00:16:47,625 --> 00:16:49,814
The only thing you're worried
about is the basic shape.
305
00:16:50,114 --> 00:16:51,734
Basic design of the old tree.
306
00:16:54,435 --> 00:16:54,944
You don't me.
307
00:16:54,944 --> 00:16:59,594
I think everybody needs a friend,
so we'll give him a little friend
308
00:16:59,594 --> 00:17:03,464
that lives right here, here.
309
00:17:04,325 --> 00:17:05,044
That's his friend.
310
00:17:06,665 --> 00:17:10,054
They get along well
together, quite a view.
311
00:17:10,744 --> 00:17:14,284
They can look out over here
at these beautiful mountains
312
00:17:14,284 --> 00:17:15,784
with the snow in the glaciers.
313
00:17:16,815 --> 00:17:17,085
Hmm.
314
00:17:17,805 --> 00:17:19,005
I wanna live there too.
315
00:17:20,115 --> 00:17:21,045
I'm gonna take a big breath.
316
00:17:21,065 --> 00:17:22,995
That's too slow, loaded, full of color.
317
00:17:24,165 --> 00:17:24,735
What the heck?
318
00:17:24,795 --> 00:17:28,575
Maybe there's a big old tree that
lives here and he's got a friend there.
319
00:17:30,515 --> 00:17:34,715
Just make a decision,
just make a decision.
320
00:17:34,715 --> 00:17:39,635
Does that say over and over, each of
us will see nature through different
321
00:17:39,635 --> 00:17:41,825
eyes and you should paint what you see.
322
00:17:42,645 --> 00:17:47,925
Hmm, put a big on there and whatever
you feel, that's what you should paint
323
00:17:49,875 --> 00:17:52,875
because a hundred years from now, somebody
will look at your painting and I'd say,
324
00:17:52,995 --> 00:17:54,525
well, he was having a good day today.
325
00:17:56,055 --> 00:17:57,465
He really felt good.
326
00:18:01,995 --> 00:18:02,565
All right.
327
00:18:02,925 --> 00:18:06,555
Take a little white, a little
dark Sienna and mix them together.
328
00:18:06,555 --> 00:18:07,275
Maybe a little more.
329
00:18:07,755 --> 00:18:09,195
You can put a little
van Dyke in there too.
330
00:18:10,425 --> 00:18:10,725
Ooh.
331
00:18:10,755 --> 00:18:11,685
Pretty color.
332
00:18:12,525 --> 00:18:15,735
But a roll of paint and
let's go up in here.
333
00:18:16,575 --> 00:18:18,435
Put a little indication here and there.
334
00:18:19,245 --> 00:18:23,145
You don't have to put the whole
thing in of tree trunks, just
335
00:18:23,145 --> 00:18:26,715
indications, just a few little things.
336
00:18:26,775 --> 00:18:30,945
Don't put too many because you're not
going to see the entire tree trunk.
337
00:18:32,245 --> 00:18:34,065
We'll make out a blue
spruce in this series.
338
00:18:34,065 --> 00:18:35,445
I've made several blue spruce.
339
00:18:35,445 --> 00:18:36,885
I'm going to take out some white.
340
00:18:38,610 --> 00:18:40,860
Mixed with liquid white,
a little touch of that.
341
00:18:40,860 --> 00:18:41,550
They little blue.
342
00:18:42,750 --> 00:18:45,000
I like the little blue
isn't in a beautiful color.
343
00:18:48,380 --> 00:18:52,310
All right, let's go right up in here.
344
00:18:53,390 --> 00:18:54,590
And how would that follow blue?
345
00:18:56,090 --> 00:19:03,680
Let's just go right along in here and put
the indication in a few highlights there.
346
00:19:03,950 --> 00:19:05,780
Darker, darker, darker
down toward the bottom.
347
00:19:07,725 --> 00:19:10,335
And this little trees has
given me some highlights too.
348
00:19:10,395 --> 00:19:14,774
So we will, the little squirrels
have to live up here in these trees.
349
00:19:16,365 --> 00:19:19,985
Yeah, we'll just take a one inch brush.
350
00:19:19,985 --> 00:19:20,585
What the heck?
351
00:19:20,945 --> 00:19:25,625
Dip it into the liquid white, a
little bit of that dark color.
352
00:19:25,895 --> 00:19:27,155
Pull it in one direction.
353
00:19:27,995 --> 00:19:28,925
One direction.
354
00:19:28,925 --> 00:19:32,885
Only one direction, a little lot of color.
355
00:19:32,915 --> 00:19:33,514
Let's go up here.
356
00:19:34,500 --> 00:19:39,030
And with that, we'd come back in here
and we can begin putting highlights on
357
00:19:39,030 --> 00:19:43,679
all these little bushes and trees do
one little Bush tree at a time though.
358
00:19:43,679 --> 00:19:44,399
Don't get greedy.
359
00:19:45,149 --> 00:19:45,570
I know.
360
00:19:45,600 --> 00:19:46,469
Well, the yellow ochre.
361
00:19:47,850 --> 00:19:49,860
And sometimes it gets working good.
362
00:19:49,860 --> 00:19:50,850
And it's hard to stop.
363
00:19:50,879 --> 00:19:53,280
Put just one, take your time.
364
00:19:53,639 --> 00:19:54,360
Take your time.
365
00:19:55,980 --> 00:19:57,659
You don't have amino director at home.
366
00:19:57,659 --> 00:19:58,800
That's on your case.
367
00:19:59,340 --> 00:20:05,820
Do you can take your time there, maybe
a little touch, the bright red right
368
00:20:05,879 --> 00:20:09,179
there on the end of that one to make it
look like maybe some little red flowers.
369
00:20:09,270 --> 00:20:10,530
They're just living right out here.
370
00:20:12,825 --> 00:20:14,254
Can you touch it?
371
00:20:14,254 --> 00:20:19,034
The paint down graph from SAP
green, some nice SAP green.
372
00:20:20,595 --> 00:20:20,865
Hmm.
373
00:20:21,325 --> 00:20:22,245
That's a little Bush.
374
00:20:24,345 --> 00:20:25,965
I like to paint bushes and trees.
375
00:20:26,855 --> 00:20:30,575
I think I told you the story in one of
the earlier shows in a different series
376
00:20:30,575 --> 00:20:34,235
that years ago, I studied portraits.
377
00:20:34,535 --> 00:20:37,295
And after a long time, our portrait
teacher took me aside one night
378
00:20:37,295 --> 00:20:38,675
he's Ababa guy tell you the truth.
379
00:20:39,845 --> 00:20:41,645
He said, I want you to go
paint bushes and trees.
380
00:20:41,645 --> 00:20:45,215
Cause that's where your heart is and
leave portrait, painting to someone else.
381
00:20:46,175 --> 00:20:51,185
And I have taken his advice and I get
along much better with bushes and trees.
382
00:20:52,665 --> 00:20:57,215
There and play him the little squirrels.
383
00:20:58,715 --> 00:21:00,245
I call these little animals.
384
00:21:03,305 --> 00:21:07,745
They're my friends, my house looks like
a zoo sometime I have so many of them.
385
00:21:09,125 --> 00:21:14,225
And then as soon as they get big enough
to make it on their own, off the go, she
386
00:21:14,225 --> 00:21:17,225
wouldn't believe the menagerie of animals
that lives around my house, that we've
387
00:21:17,225 --> 00:21:23,550
turned loose over the years and they
come back and, um, Um, soft-touch always
388
00:21:23,550 --> 00:21:25,800
have food after four and that's okay.
389
00:21:26,130 --> 00:21:27,690
As long as I have food, they will.
390
00:21:28,350 --> 00:21:33,000
Let's take some, Vandag some dark CNM, mix
them together, get a little roll of paint.
391
00:21:33,020 --> 00:21:36,200
You know, the knife, we've got
to have way to get up here.
392
00:21:37,700 --> 00:21:39,800
Maybe there's a big trout
lives out here in this river.
393
00:21:41,420 --> 00:21:46,100
We might want to come and catch
him, but I think everybody should.
394
00:21:47,340 --> 00:21:49,709
When they catch a fish, they
should just put a band-aid on him.
395
00:21:49,770 --> 00:21:53,010
Wish him well, and put him back in the
water, come back and catch him again.
396
00:21:54,750 --> 00:21:56,429
Getting hard to find big fish anymore.
397
00:21:56,429 --> 00:21:57,360
They've all been caught.
398
00:21:58,500 --> 00:22:01,260
So anytime our kids are putting
back in the water and wishing,
399
00:22:01,260 --> 00:22:06,510
well, tell him, I'll see him another
day and a Brown and white off.
400
00:22:06,510 --> 00:22:06,990
We go.
401
00:22:08,040 --> 00:22:08,969
Little roller paint again.
402
00:22:10,560 --> 00:22:11,399
Barely touch.
403
00:22:11,459 --> 00:22:13,530
Just graze, just graze.
404
00:22:13,949 --> 00:22:14,969
I can't touch.
405
00:22:16,380 --> 00:22:20,000
There come back with their little brushy.
406
00:22:20,000 --> 00:22:21,390
We were making bushes with.
407
00:22:21,780 --> 00:22:26,700
Maybe I'll put a little more liquid
white on it outright, make it very
408
00:22:26,700 --> 00:22:29,790
thin, grab a little sip green there.
409
00:22:31,580 --> 00:22:32,750
All right.
410
00:22:33,920 --> 00:22:34,880
And then we grew up in here.
411
00:22:34,880 --> 00:22:38,120
We can begin picking out little individual
bushes and trees that live here.
412
00:22:38,150 --> 00:22:38,690
Right here.
413
00:22:39,590 --> 00:22:40,160
There they come.
414
00:22:42,170 --> 00:22:43,910
The path goes behind that one right there.
415
00:22:43,970 --> 00:22:45,200
We don't know where it goes now.
416
00:22:45,730 --> 00:22:49,290
Just sort of sneaks away, sneaks away.
417
00:22:51,180 --> 00:22:53,010
Maybe there's a, another one here.
418
00:22:54,540 --> 00:22:57,560
I can't where ever you want to?
419
00:22:59,250 --> 00:23:02,970
Hey guys, let us just looked
at him a pocket at me here.
420
00:23:04,725 --> 00:23:05,475
There we go.
421
00:23:07,935 --> 00:23:09,375
They are absolutely precious.
422
00:23:11,495 --> 00:23:15,245
We'll have to talk some more trash to
Diane and see if I can take one home that
423
00:23:15,245 --> 00:23:16,685
if it, let me get on the airplane with it.
424
00:23:16,715 --> 00:23:17,645
Do you want to go to Florida?
425
00:23:18,485 --> 00:23:18,785
No.
426
00:23:19,355 --> 00:23:19,655
Okay.
427
00:23:22,375 --> 00:23:23,325
Good thought anyway.
428
00:23:24,845 --> 00:23:26,945
Oh, Kate, a couple of little
ones here just to sort of lay
429
00:23:26,945 --> 00:23:28,475
the path down into the painting.
430
00:23:28,565 --> 00:23:31,925
It's all we're really doing at
this point point about like Ken.
431
00:23:32,915 --> 00:23:33,545
All right.
432
00:23:35,225 --> 00:23:38,195
And we can take the little script
liner brush, but some paint thinner
433
00:23:38,195 --> 00:23:42,125
on it and make the paint very thin.
434
00:23:43,375 --> 00:23:48,395
Almost, almost the consistency of ink,
but not quite turn the bristles in
435
00:23:48,395 --> 00:23:50,015
there to bring it to a nice sharp point.
436
00:23:50,865 --> 00:23:54,405
Take this clip in here and here and there
and there, and here we can put in the
437
00:23:54,405 --> 00:23:59,265
indication of fuels and sticks and twigs,
you decide where they live in your world.
438
00:24:00,135 --> 00:24:01,305
However many you want.
439
00:24:01,305 --> 00:24:03,735
That's exactly the right number.
440
00:24:06,014 --> 00:24:10,965
Exactly the right number, take your knife,
just a clean knife and you can scrape
441
00:24:10,965 --> 00:24:14,175
in as many sticks or twigs as you want.
442
00:24:17,554 --> 00:24:18,365
I would think with that.
443
00:24:19,205 --> 00:24:19,294
Yeah.
444
00:24:19,475 --> 00:24:20,885
What about got a completed painting?
445
00:24:20,885 --> 00:24:23,195
Let's take a little bright
red, little paint thinner.
446
00:24:24,635 --> 00:24:29,294
I think we're ready for a
signature on that one, which is
447
00:24:29,294 --> 00:24:31,084
just make the paint good and thin.
448
00:24:32,760 --> 00:24:35,610
And he will come right up in here
and we'll sign that little rascal.
449
00:24:36,690 --> 00:24:38,550
I really hope you've enjoyed
this little painting.
450
00:24:39,270 --> 00:24:40,350
Try these mountains.
451
00:24:40,889 --> 00:24:41,879
They're fantastic.
452
00:24:41,879 --> 00:24:47,149
A lot of fun do, and you can do,
and after you finish, if you have
453
00:24:47,149 --> 00:24:51,680
time, take a photograph and send us
all of us here at the station would
454
00:24:51,680 --> 00:24:54,230
love to see your results until then.
455
00:24:55,010 --> 00:24:57,560
We'd like to wish each and
every one of you happy painting.
456
00:24:58,370 --> 00:24:59,600
And God bless my friend.
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